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12-7-2006

Concert: Ithaca College Concert Band and IthacaCollege Symphonic Band, "An Anglo-AmericanAlliance"Ithaca College Concert Band

Ithaca College Symphonic Band

Elizabeth Peterson

John Whitwell

Dominic Hartjes

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Recommended CitationIthaca College Concert Band; Ithaca College Symphonic Band; Peterson, Elizabeth; Whitwell, John; and Hartjes, Dominic, "Concert:Ithaca College Concert Band and Ithaca College Symphonic Band, "An Anglo-American Alliance"" (2006). All Concert & RecitalPrograms. 1197.http://digitalcommons.ithaca.edu/music_programs/1197

ITHACA COLLEGE

SCHOOL OF MUSIC

ITHACA COLLEGE CONCERT BAND Mark Fonder, conductor

John Whitwell, Colonel Arnald Gabriel 'SO, HDRMU '89 Visiting Wind Conductor Dominic Hartjes, graduate conductor

and ITHACA COLLEGE SYMPHONIC BAND

Elizabeth Peterson, conductor John Whitwell, Colonel Amald Gabriel 'SO,

HDRMU '89 Visiting Wind Conductor

"An Anglo-American Alliance"

Ford Hall . Thursday, December 7, 2006

8:IS p.m.

ITHACA

ITHACA COLLEGE CONCERT BAND Mark Fonder, conductor

Overture Saturnalia (1992) Malcolm Binney (b. 1945)

Dominic Hartjes, graduate conductor

Cotillon (1938) A Suite of Dance Tunes

Introduction and Lord Hereford's Delight Daphne's Delight Marlborough's Victory Love's Triumph Jigg It E Foot The Charmer Nymph Divine Tattler Argyle

First Suite in E-Flat, op. 28, No. 1 (1909)

Chaconne Intermezzo March

Arthur Benjamin (1893-1960)

Trans. by Silvester

Gustav Hol (1874-1934)

John Whitwell, Colonel Arnald Gabriel '50, HDRMU '89 Visiting Wind Conductor

INTERMISSION

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ITHACA COLLEGE SYMPHONIC BAND Elizabeth Peterson, conductor

• Chester (1957) William Schuman

(1910-1992)

John Whitwell, Colonel Arnald Gabriel 'SO, HDRMU '89 Visiting Wind Conductor

Amazing Grace (1994) Frank Ticheli (b. 1958)

John Whitwell, Colonel Arnald Gabriel 'SO, HDRMU '89 Visiting Wind Conductor

Organ Fugue in g minor ("The Little") Johann Sebastian Bach (1685-1750)

Arr. by Lucien Cailliet

Zion (1994) Dan Welcher (b. 1948)

Hands Across the Sea (1899) John Philip Sousa (1854-1932)

Ed. by Frederick Fennell

John Whitwell, Colonel Arnald Gabriel 'SO, HDRMU '89 Visiting Wind Conductor

About the Program

Saturnalia was commissioned by Alan Hutt and the Kent Youth Wind Orchestra and was completed in the spring of 1992. The title is taken from a word describing the ancient Roman festival of Saturn, a time of "unrestrained merrymakingl! and a predecessor of our modern Christmas-tide. It opens with a strident introduction which, clothed in festive spirit, explores one of the major themes of the main movement. What follows is a "class 'r " first movement sonata form. The music is characterized by a strong sense direction, pulsating accompaniments and an unrelenting tempo, all descriptive of the excitement of the Roman festivities . Even the second subject with its lampoonish character moves forward with pace and energy. An intricate development, elaborate in its exploration of the preceding ideas, leads to the climax of the work. The recapitulation reverses the two subjects, the whole culminating in a short coda proclaiming the revelry and euphoria of the Roman feast.

A "Cotillon" is a formal ball, especially one at which young women are presented to society. Arthur Benjamin, a professor of piano at the Royal College of Music, wrote this suite for the BBC Symphony orchestra who premiered the work in 1939. It was derived from "The Dancing Master," a collection of dance tunes published in London in 1719. Australian by birth, Benjamin entered the Royal College of Music at age 18 wiih considerabie composition skills. Many talented pupils studied with him including Benjamin Britten . William Silvester, the wind ensemble conductor at the College of New Jersey, completed this transcription for winds in 1991. It was revised for publication in 2004.

In the notebook in which he kept a record of his compositions from 1895 until his death, Holst entered the "First Suite for Military Band Op. 28A" on the page for 1909. This is the only evidence we have of the work's origin, for there is no certain record of any performance before 1920, nor is there any evidence of for whom the work was written. The same anomaly appears with his Second Suite, composed in 1911, but not performed until 1922. It is strange that these two masterpieces of band writing should not have entered the repertoire at once. Economical in its use of thematic material, Holst provided the wind band with a model that influenced composition for that medium for the next two generations.

The tune from which "Chester" is based was born during the American Revolution, appearing in Billings' "The Singing Master's Assistant" . Chester became so popular that it was sung throughout the colonies from Vermont to South Carolina. It became the song of the American Revolution, sung around campfires of the Continental Army and played by fifers on the march. The music and words, both composed by Billings, expressed perfectly the burning desire for freedom which sustained the colonists through the difficult years of the Revolution. Notes from William Schuman

This setting of "Amazing Grace" was commissioned by our guest conduct John Whitwell, in loving memory of his father John Harvey Whitwell (1920-1993). Ticheli writes, "I wanted my setting of Amazing Grace to reflect the powerful simplicity of the words and melody - to be sincere, to be direct, to be honest .. .I believe that music has the power to take us to a place that

words alone cannot. And so my own feelings about "Amazing Grace" reside in this setting itself. The harmony, texture, orchestration, and form are inseparable, intertwined so as to be perceived as a single expressive entity". The spiritual, "Amazing Grace", was written by John Newton (1725-1807), a slave-ship captain. Mr. Newton, after years of transporting slaves across the Atlantic Ocean to the New World, suddenly saw through divine grace the evilness of his acts. First published in 1835 by William Walker in 'The Southern Harmony', "Amazing Grace" has since grown to become one of

· . the most beloved of all American spirituals.

Not the least conspicuous among Bach's monumental organ works, which stand out as eternal memorials to h is genus, are the fugues, including as they do, some of the finest examples of contrapuntal writing. Since a large instrumental group can most nearly approximate the majestic tone of the organ, these compositions lend themselves admirably to transcription. The G minor fugue (BWV 578) is based on one of the most extended subjects found in any of Bach's keyboard works and, as such, says much for the young virtuoso's aims and ambitions. This fUgue is generally considered one of the earliest of his great organ fugues .

Notes by Christoph Wolff, Lucien Cailliet

Zion was the winner of the 1996 ABA/Ostwald prize and is the third and final work in a series of pieces for wind ensemble inspired by national parks in the western United States, collectively called, "Three Places In The West". Welcher says, "it is my intention to convey more an impression of the feelings I've had in Zion National Park in Utah than an attempt at pictorial description. Zion is a place unrivalled in natural grandeur, being a sort of huge box canyon in which the traveler is constantly overwhelmed by towering rock walls on every side."

The piece opens with a three verse statement of "Zion's Security, a stern tune in F# minor which is full of resolve. This melody alternates with a fanfare tune and is followed by a driving rhythmic ostinato based on a 3/4 -4/4 alternating meter scheme. This pauses at its height to patterns in the flutes, clarinets, and percussion - until the sun warms the ground sufficiently for the second hymn to appear. "Zion's Walls" is set in 7 /8, unlike Copland's 9/8-6/8 meters and is introduced by a warm horn solo with low brass accompaniment. The two hymns vie for attention from here to the end of the piece, with the glowingly optimistic "Zion's Walls" finally achieving prominence. Notes from Dan W elcher

According to Frederick Fennell, "Hands Across the Sea, composed in 1899, might well be considered as Sousa's farewell to the nineteenth century that had been so crucial to the evolution of the United States of America. The two final decades of that century had also been very good to Sousa, for in those years he emerged as a world-famous music personality. His magnificent band was one of the first American success stories in m usic, for it captured audiences wherever it played. Sousa, h is band, and his thrilling marches spoke for all of us . Together they just might possibly have been the ambassadors for the Republic since Benjamin Franklin. Hands Across the Sea could also have been Sousa's sincerely confident and patriotic view of the years ahead at the dawn of what he hoped might be a bright new era for mankind."

About the Guest Conductor

John L. Whitwell Colonel Amald Gabriel 'SO, HDRMU '89 Visiting Wind Conductor

John L. Whitwell is Director of Bands Emeritus at Michigan State · University, where he served as Professor of Music, Chair of the Conducting

area, conducted the Wind Symphony, and guided the graduate degree programs in Wind Conducting prior to his retirement in 2006.

Prior to his appointment at Michigan State University, Professor Whitwell held positions at Stephen F. Austin State University and Abilene Christian University. He also taught in the public schools of Michigan as band director at Ann Arbor Huron and Northwest Jackson high schools.

His bands have performed for the College Band Directors National Association Convention, Texas Music Educators Association Clinic-Convention, Midwest Band and Orchestra Clinic, and Midwestern Conference on Vocal and Instrumental Music. He is a member of the Board of Directors of the Midwest Band and Orchestra Clinic, past-president of the Big Ten Band Directors Association, and past-president of the North Central Division of the College Band Directors National Association.

Professor Whitwell maintains an active schedule as a guest conductor and clinician throughout the United States and has held resident seminars at the University of Michigan, Northwestern University, University of Minnesota, Cincinnati Conservatory, Ithaca College, University of Ariwna, Wichita State University, Arkansas State University, Interlochen Arts Academy, Interlachen Arts Camp, Bands of America and many others.

Whitwell has received many honors, including: being named the Michigan recipient of the A. R. MacAllister "Mac" Award in 1978, "Band Teacher of the Year" Award by the Michigan School Band and Orchestra Association in 1979, "Citation of Excellence" Award by the National Band Association in 1980 and 1985, Distinguished Graduate "Hall of Fame" Award by Wyandotte Roosevelt High School in 1998, Honorary Doctor of Laws degree from Rochester College in 1999, Kappa Kappa Psi "Distinguished Service to Music" Award in 2000, American School Band Directors National Association "Edwin Franko Goldman" Award in 2001, the Michigan State University "Distinguished Professor" Award in 2002, and the MSU "Paul Varg" Award for teaching excellence in 2003.

He is extremely active in the commissioning of new music and has participated in commissioning projects with composers Samuel Adler, Fred Allen, Kenneth Amis, William Averitt, Steve Barton, Susan Botti, Timothy Broege, Daryl Burghardt, Michael Colgrass, Kenneth Amis Donald Crockett, James Curnow, Richard Danielpour, Michael Daugherty, Eric Ewazen, Michael Finnissy, Michael Gandolfi, David Gillingham, Daniel Godfrey, Michael Golemo, Adam Gorb, Donald Grantham, Murray Gross, Daron Ari Hagen, Sam Hazo, David Heckendorn, Jennifer Higdon, Sydney Hodkinson, Jere Hutcheson, Robert Jager, Ian Krouse, Timothy Mahr, John Mackey, Daniel McCarthy, David Maslanka, Gregory Mertl, Cindy McTee, John Moss, Lior Navok, Ron Newman, James Niblock, Robert Xavier Rodriguez,

!

Charles Ruggiero, Joseph Spaniola, Eric Stokes, James Syler, Frank Ticheli, Joan Tower, Joseph Turrin, Michael Weinstein, Eric Whitacre, Dana Wilson, and Charles Rochester Young.

Col. Arnald D. Gabriel 'SO-three-time winner of the Legion of Merit, the country's highest peacetime honor-returned to his alma mater to guest conduct two performances by ensembles from the Ithaca College School of Music last year. Gabriel retired from the United States Air Force in 1985 following a distinguished 36-year military career, at which time he was awarded his third Legion of Merit for his service to the Air Force and to music education. His previous Legion of Merit awards recognized the success of a goodwill tour of Latin America and his efforts to improve international relations through music among nations in Europe, the Middle East, and North Africa.

During his air force career, Gabriel served as commander/conductor of the internationally renowned U.S. Air Force Band as well as the air force's symphony orchestra and the Singing Sergeants. After his retirement, he was conductor and music director of the McLean Orchestra in Virginia and chaired the music department at George Mason University.

Gabriel's professional honors include the first Citation of Excellence awarded by the National Band Association, and the Midwest Clinic's Gold Medal of Honor and Distinguished Service to Music Award. A past president of the American Bandmasters Association, Gabriel has performed in all 50 states and 49 countries around the world and continues to be in great demand as an adjudicator, clinician, and conductor. Among the hundreds of major ensembles he has conducted are the Minneapolis and Pittsburgh "ymphonies, the Tokyo Kosei Wind Orchestra and the Dallas Wind Symphony.

Gabriel is a holder of the Ithaca College Alumni Association's Lifetime Achievement Award, which is presented annually to a graduate who has achieved exceptional professional success. He was awarded an honorary doctorate by the College in 1989.

ITHACA COLLEGE SYMPHONIC BAND Elizabeth Peterson, conductor

Piccolo Lindsay MacDowall

Flute Jacquie Christen Emily James Meaghan McTammany Kathryn Fala to Elizabeth Krimmel

Oboe Rachel Seiden Shelby Apuzzo

English Horn Shelby Apuzzo

Bassoon Jillian Bushnell Meghan Kininger Margaret Oswald Allison Crerand

Contra Bassoon Margaret Oswald

Eb Clarinet Kim Fleming

Clarinet Kaitlyn Alcorn Lori Bonin Corinne Waite Sarah Koop Matt Gibson Marcus Christian Mary-Katharine Huebener Marielle Zych Jane Case Brittney Frank

Bass Clarinet Mark W olocki Erin Grieder

Alto Saxophone Gabe Fadale Ryan M. Salisbury

Tenor Saxophone Seval Kanik

Baritone Saxophone Tom Hauser

Trumpets Cyril Bodnar Judson Hoffman Anthony Derrick Jonathan Stewart Kevin Heggie Erin Alvey Christopher Tolbert Russ Michaud Ed Elowson Michael DeWeaver Brian Binder

Horn Tom Peters Laura Francese Allison Perotti Rebecca Guion

Trombone Erin Lindon Nicholas Kelly Beth Montroy Daniel Bacigalupi JC VonHoltz Christian Jordan

Bass Trombone Edward Swider

Euphonium Aaron Rivkin Justin Falvo Jacqui Best

Tuba Jessica Mower Alex Mitchell Gary Walker Erica Hendry Dan Timmons

Percussion Alison Hannah Benjamin Berry Beth Faulstick Peter Kielar Edith Resnik

Timpani Colleen Clark

Bass Paul Feissner

Piano Kristin Collom

ITHACA COLLEGE CONCERT BAND

Mark Fonder, conductor

Piccolo Bass Clarinet Euphonium Emily Davis Nick Rizzo Mike Vecchio

Andrea Kolbach Mike HorsfordI Flute Greg Lewandowski( )arah Kessler Alto Saxophone Erin Sonsky

1 Emily Watson Hart Linker Eric DobmeierMaggie Gallagher Ian Cruz Allison Snee Tuba Jocelyn Kraus Tenor Saxophone Alfred A. HadingerTracy Kirschner Shannon Burns Mel Chayette

Baritone Saxophone Kevin Patrick MadderOboe Tim ThenKathleen Michel Steve MathewsCorinne Landrey

String Bass Lawrence Collerd Comet/Trumpet Naomi WilliamsGreg HarrisEnglish Hom Tim Winfield

Timpani Kathleen Michel LJ Neal Valerie VassarBassoon

Steve PysnikJared Cowing Rebecca Graham

Percussion Kristen Schussler Beverly Stokes Daniel MacCollumAlex Levine Bridget Colgan Ernest BackusJ Coppola Jason Graf Nathaniel DominyMichael Conerty Peter Kielar

Contrabassoon Tim Kurtz Edith ResnikAJ Coppola Zach AllynPeter Falanga

E-Flat Clarinet Alejandro V. Barnard-Amanda Strickland Papachrysan thouClarinet Hom Meaghen Garbay Ella NaceColleen White Liz TeuckeLaura Caruthers Maureen PrestonDaniel Vesey Jennifer Slowey

"' Spencer BlumenfeldI Christine Inserra Trombone Alicia McMahon Lloyd DuggerI Brittany Blais Ryan Kuehhas"i' Collin Myers Hank CurreyMike Colletti John H. Schliermacheraurel Stinson Ashley TaylorWill Gunn Glenn Hodgson

Ben BaronAlicia AubinPhilip Truex

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Concert Calendar

December

8 7:00 String Chamber Ensembles

8:15 Jazz Workshop; Steve Brown, musical director

9 1:00

10

7:00

11 8:15

12 7:00

Alex Meixner, trumpet; Rick Hirsch, saxophone

All-Campus Band; Richard Edwards, conductor

3:00 Madrigal Singers; Choir; Choral Union; Lawrence Doebler, conductor; Chorus; Janet Galvan, conductor

Brass Choir; Keith Kaiser, conductor'

Vocal Jazz Ensemble; Lauri Keegan, musical director

Collaborative Piano/Instrumental Duos; Charis Dimaras, director

8:15 Percussion Ensemble; Gordon Stout, director

13 8:15 Jazz Workshop; Steve Brown, musical director

14 7:00 Early Music Ensemble; Nicholas Walker, director

8:15 Percussion Ensemble; Conrad Alexander, director

October 24

February 2

March 20

Ithaca College Concerts 2006-7 (admission charge)

Prague Chamber Orchestra

Turtle Island Quartet & Assad Brothers

Imani winds

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