PORTFOLIO

Adventures in Architecture | William Connor OGrady

BOOM.

William Connor OGrady4 Mendys Forest, Aurora,

OntarioCanada

L4G 5A3connor_ogrady@yahoo.ca

English: ExpertFrench: BeginnerItalian: Beginner

INTERIOR

UW UW UW UW coop coop UW

'08

02 03 04 05 06 0701

01. 02. 03. 04. 05. 06. 07.

'09 '10 '11

academic academic academicacademic kpf quadrangle academic

Name: EcohouseType: ResidentialFor: Competition/Academic

Name: Explore Design BoothType: PavilionFor: University of Waterloo

Name: Imminent UrbanismType: High Density ResidentialFor: Academic

Name: InSense SpaceType: PavilionFor: Competition/Academic

Name: Various Type: Office TowersFor: KPF Architects

Name: VariousType: VariousFor: Quadrangle Architects

Name: Casa della CittaType: Hybrid Cultural CentreFor: Academic

ecohouse

A Carbon Zero and LEED Platinum design, intended as a residential

community comprised of modified stacked shipping containers. Through modificiations to the module the living

space can be expanded to house larger family sizes. The units then sit

off set from each other creating a pedestrian oriented open frontage that

becomes a point of interaction be-tween the members of the community.

Sustanaible design features include a concrete trombe wall, photovoltaic

louvers, rainwater collection, a building automated system, superinsulated

walls and the reoovery of a parking lot and transforming it into a green space

with occupiable living.

Notes: Drawings completed in FormZ with Illustrator and Photoshop. 3D

modelling and Rendering completed in Modo and Photoshop.

Name | EcohouseYear | 2008

Completed with | Mark KimSite | Cambridge,Ontario

Structure | Shipping Container and Concrete

Type | Residence

01. Entrance/Front Yard02. Superinsulated Walls, Water

Storage + Solar Energy Harvesting03. Solar Chimney Atrium with PV

Louvers04. Back deck with Water Storage

05. Circulation and Materials06. Construction components

07. Front Entrance08. Modular expansion for population

increase

.LXO .FMZ .PSD .AI

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ECOhouse

No Vacancy

Location: Lutz and Wellington Street, Cambridge, Ontario, Canada

Site Situation:The building is oriented in order to maximize passive heating by placing a large glass atrium on the south corner of the house. This serves as the focal point for both the passive and active systemsLandscape around the ECO-house property is planted using trees that are indigenous to the area.Redevelopment of a paved brownfield,removesaheatisland, and provides better natural drainage systems, by re-aerating the earth.

Mark Kim and Connor OGrady

The

Material Aquisition: 50kmParking Lot Site: Revitalization

Asphalt in site area

Services

CommCentre

Bus Residential

Proposed Redevelopment

The Concept: To revitalize a fairly vacant parking lot, with green space, and to reconnect to the downtown service area in a more pedestrian oriented method. With the occu-pancy of residents, and the introduction of large green spaces, the objective is to no longer have a vacant, nega-tive, wasted space.

Power:The main power source for the house are the roof photovoltaics, and the solar lou-vers that lie within the south facing solar chimney. They provide the energy to drive the electricity within the house. Heating and cooling is controlled through a different system. The photovoltaics in both cases, double as shading devices in the summer time. The Solar Louvers prevent the con-crete thermal mass from overheating and in turn heating up the house in the summer. The photovoltaics provide shading for the outdoor patio, creating a relaxing exterior space Solar Louver Detail

First Floor 1:100 Second Floor 1:100 Third Floor 1:100

ECOhouse

No Vacancy

Location: Lutz and Wellington Street, Cambridge, Ontario, Canada

Site Situation:The building is oriented in order to maximize passive heating by placing a large glass atrium on the south corner of the house. This serves as the focal point for both the passive and active systemsLandscape around the ECO-house property is planted using trees that are indigenous to the area.Redevelopment of a paved brownfield,removesaheatisland, and provides better natural drainage systems, by re-aerating the earth.

Mark Kim and Connor OGrady

The

Material Aquisition: 50kmParking Lot Site: Revitalization

Asphalt in site area

Services

CommCentre

Bus Residential

Proposed Redevelopment

The Concept: To revitalize a fairly vacant parking lot, with green space, and to reconnect to the downtown service area in a more pedestrian oriented method. With the occu-pancy of residents, and the introduction of large green spaces, the objective is to no longer have a vacant, nega-tive, wasted space.

Power:The main power source for the house are the roof photovoltaics, and the solar lou-vers that lie within the south facing solar chimney. They provide the energy to drive the electricity within the house. Heating and cooling is controlled through a different system. The photovoltaics in both cases, double as shading devices in the summer time. The Solar Louvers prevent the con-crete thermal mass from overheating and in turn heating up the house in the summer. The photovoltaics provide shading for the outdoor patio, creating a relaxing exterior space Solar Louver Detail

First Floor 1:100 Second Floor 1:100 Third Floor 1:100

01

040302

05

06

0807

CANOPY-COLUMN-COUNTER DETAILS

Canopy to column to counter detail - longitudinal section

Canopy to column to counter detail - cross section

Canopy to column to counter detail - plan

CANOPY-COLUMN-COUNTER DETAILS

Canopy to column to counter detail - longitudinal section

Canopy to column to counter detail - cross section

Canopy to column to counter detail - plan

EXPLORE DESIGN

Completed as part of a design build industrial design elective course, I took

part in the design and full scale pro-totyping of the University of Waterloo School of Architecture Pavilion at the

Explore Design Booth. The space was meant to have a diagonal flowing cir-culation pattern with work exhibited to the outside. Particular features also in-cluded an illuminated wall of collaged

undergraduate work as well as a white bar overhead, meant to address a

connection across the space as well as provide signing for the school out

to the rest of the space.

Notes: Direct application of stud wall construction, as well as testing of cove lighting systems and connections be-tween steel conduit and wood frame.

Name | Explore Design PavilionYear | 2009

Completed with | ElectiveSite | Metro Toronto Convention

Center Toronto, OntarioStructure | Wood Frame, Steel Conduit

Type | Exhibition Pavilion

01. View of pavilion from convention entrance

02. Construction assembly, feature wall

03. Finished feature wall04. Depiction arriving from the

entrance05. Diagram for deployment

06. View from the student lounge07. Column to counter detail

google sketchup

structural prototyping

pre-assembly+ costs

construction detailing

adobeindesign

The proposal for the 2009 Explore Design Pavilion strives to meet the marketing and program intentions in order to successfully showcase Water-loo Architecture to prospective students. The pavilion endeavours to engage students through an experience that they could not get from the school website or from a tour. Through the application of hands-on elements and the use of visual aids, the pavilion creates an interesting experience that lives up to Waterloos acclaimed reputation as the best architecture school in Canada. It is believed that the pavilion will allow students to take away valuable information with them regarding what the school has to offer and what it means to be an architecture student.

UWSA EXPLORE DESIGN 09

WALL ASSEMBLY DIAGRAM

Step 1 Step 2

Step 3 Step 4

DEPLOYMENT

The 2009 Explore Design Pavilion is expected to be broken down into smaller components and packed into a 26 moving truck. The Pavilion will then be assembled on site on October 13, 2009, the day before Explore Design.

Time Period

The Truck will be rented twice over the period of three days, to avoid additional costs on the middle day. Thus it will be rented once to drop off for assembly, and then once again to disassem-ble and bring back to UWSA. The pavilion will be assembled within the 2 hour window that waterloo has signed up for (time TBD).

Size

Due to the Pavilion size a 26 truck will need to be rented at 168$ per day (UHaul: before tax)

Required Equipment

To assemble on site, our team will need at least 10 people of man-power, using power drills and hardware. Some attachments will be joined through slotting and friction fit connections including the premade connections for the aluminum conduit.

01

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Nto king street streetcar

Barrier #1

Barrier #2

Barrier #3

Barrier #4

IMminent urbanism

Situated in South Parkdale, Toronto through an analysis of transporta-tion patterns of type and density, I

created a vision of a new community space containing urban density while

maintaining programmable pedestrian streets that will re-evaluate the role of the automobile in city living. The main

structures are composed of undulating roofscape buildings used as bridges over a new greenway in place of the

gardiner that contains new light rail lines as well as walking and biking

paths. By offsetting more traffic onto public transit it discourages a com-

muter lifestyle in order to help develop the downtown as well as promote

more energy conscious living

Notes: Use of Bamboo Tablet through mapping and planning portions of

project. Base Renderings output from Maxwell with StudioMAX.

Name | High Density PlanYear | 2010

Completed with | Independent StudioSite | South Parkdale, Toronto, Ontario

Structure | Concrete and SteelType | Collective Housing

01. View of pavilion from convention entrance

02. Construction assembly, feature wall

03. Finished feature wall04. Depiction arriving from the

entrance05. Diagram for deployment

06. View from the student lounge07. Canopy to column to counter

detail

mcneelrhino

autodeskautocad

adobephotoshop

adobeillustrator

adobeIndesign

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INsense Space

There is an important emphasis on the experience that embodies all

senses in a strong and unique way. Incense provides a connection with all

senses, as well as being a universal symbol within many spiritual communi-ties. The implementation of this project

is essentially a physical space whose deformation over time represents

the bond between people through memory. The space is intended to

heighten awareness of inner body and outer body experiences and aims to

reconnect the individuals with a place that unlocks memories and allows for

contemplation in a way that moves forward from the traditional social/

spiritual human infrastructure.

Notes: Published as part of Maya Przbylskis paper for oioioihnoeih. Submitted for Bracket Goes Soft

Publication Competition

Name | System Stalker Lab Pop Up 2.0

Year | 2010 Completed with | Harry Wei

Site | Qeen Street East, Toronto, Ontario

Structure | Suspended Steel FrameType | Temporary Spiritual Space

01. View of Primary Congregation Space 02. Incense Universality

Diagram 03. View looking in from the street 04. Spatial Determination

05. Circulating through 06. Temporal Desintegration 07. Understanding the Spatial Experience 08. Visualizing the

module aggregation

mcneelrhino

grasshopper for rhino

adobephotoshop

adobeillustrator

adobeindesign

ORTHOGRAPHIC DRAWINGS (NTS)

PLAN 1:50

LONG SECTION 1:50

CROSS SECTION 1:50

CROSS SECTION 1:50

VIEW OF MEDITATION SPACE VIEW OF INITIAL ENTRY THRESHOLD

PERSPECTIVES

PLAN 1:50

LONG SECTION 1:50

CROSS SECTION 1:50

CROSS SECTION 1:50

VIEW OF MEDITATION SPACE VIEW OF INITIAL ENTRY THRESHOLD

horizontal vertical

Indirect Burning Direct Burning

Composition

Types(physicality)

Support Materials

Related Spaces

Uses

ceremonies Timepiece

Buddhism

Taoism

Shinto(Japanese)

Sage

Gug

gul

Toba

cco

Swee

tgra

ss

Cinn

amom

umJu

nipe

rCy

pres

s

Rose

Pine

Agar

woo

dSa

ndal

woo

d

Myr

rh

Mak

ko P

owde

rFr

anki

ncen

seLa

bdan

um

Copa

l

Stor

ax

Drag

ons B

lood

Patc

houl

i

Ceda

r

Christianity

Hinduism

Islam

Judaism

Neopaganism

Satanism

North American Aboriginal

carry prayers

symboli

sm

magic

Summ

oning

Demo

ns

Oerin

gs

ritual

purication

Shogunate Samurai

Domestic

invincibility aura

aromatherap

y

Sweat Lodge

Temples

Marketplace

Outdoors

ShrinesChurch

ChapelJapanese Castle

House

Monastaries

coils

medicine

cone

s

paste

wood support stick

coreless

coreless stick

powder

suspended

Benz

oin

Resin

stands

gum res

in

bundlescensers

thurible

hot ash

coalsceramic

hot plates

brass bronze

meditation

masking odours

Incense

horizontal vertical

Indirect Burning Direct Burning

Composition

Types(physicality)

Support Materials

Related Spaces

Uses

ceremonies Timepiece

Buddhism

Taoism

Shinto(Japanese)

Sage

Gug

gul

Toba

cco

Swee

tgra

ss

Cinn

amom

umJu

nipe

rCy

pres

s

Rose

Pine

Agar

woo

dSa

ndal

woo

d

Myr

rh

Mak

ko P

owde

rFr

anki

ncen

seLa

bdan

um

Copa

l

Stor

ax

Drag

ons B

lood

Patc

houl

i

Ceda

r

Christianity

Hinduism

Islam

Judaism

Neopaganism

Satanism

North American Aboriginal

carry prayers

symboli

sm

magic

Summ

oning

Demo

ns

Oerin

gs

ritual

purication

Shogunate Samurai

Domestic

invincibility aura

aromatherap

y

Sweat Lodge

Temples

Marketplace

Outdoors

ShrinesChurch

ChapelJapanese Castle

House

Monastaries

coils

medicine

cone

s

paste

wood support stick

coreless

coreless stick

powder

suspended

Benz

oin

Resin

stands

gum res

in

bundlescensers

thurible

hot ash

coalsceramic

hot plates

brass bronze

meditation

masking odours

Incense

Islam

SatanismNative AmericanChristianityNeopaganism

Buddhism Shogunate Samurai Domestic

Taoism

Hinduism

;GDCI 768@

8:CIG6A

Natural Light

Incense Colour

SandalwoodAgarwood Lavender Patchouli

Purple Coloured Incense are often related to the act of cleansing and refreshing the body and mindThe diffferent types are balanced between common spiritual types as well as those with less spiri-tual significance.With the varying types throughout the space the different aromas will invoke existing memories as well as create new ones.

SITE PLAN 1:500

1. Implementation of a 30cmx30cm grid overtop of the footprint in order to enable a system compatible with the established component size.

2. Divide the space into three zones based on the shape of the room.

4. Establish an entrance threshold where open space will exist, as well as a privacy threshold at the front window to act as an initial screen into the room.Initial design typologies for the different zones. Smaller, Perimeter spaces towards the front and a large central space at the back to accomodate for different kinds of habitation.

5. Desired circulation derived from previous rules.

6. Overlay of circulation diagram on the grid, the path begins to carve itself out of a volume.

7. Relationship between natural lighting and incense colour/type established in a radial fashion.

234 QUEEN STREET EAST

A temporal space that changes shape as people come and share in the space. Through spiritual offering the place becomes physically marked with the contemplation of each person that chooses to do so.

As the ashes build and the structure changes, the air lls with an overwhelming aroma, awakens the body and instills an experience enriched with memories of the past but also a lasting new memory of a place where commu-nity, caring and remembrance is instilled through a celebration of spirit and faith.

A continuously evolving landscape of memory, reection and hope-Janette Kim and Chloe Town

Increasingly the whole world has come to smell alike: gasoline, detergents, plumbing, and junk foods coalesce into the catholic smog of our age. Ivan Illich, 1985

The perception of the city as a place that must be constantly washed is of recent origin...the city is suddenly perceived as an evil-smelling place. for the rst time in history, the utopia of the odorless city appears. Ivan Illich, 1985

Smells that are now universal and specic smells, produced by particular activities, sources of energy, aromas and spices, plants, owers, animals and garbage overlay one another, forming landscapes of smell that are invisible, but nonetheless present and real. (Sense of the City, An Alternative Approach to Urbanism, 2006)

Time/Memory/Sense/Spirituality

SPIRITUAL COMMUNITY CENTERBy: Connor OGrady and Harry Wei

InSense Space

1:1 BASSWOOD PROTOTYPE VIEW OF FRONT FACADE

PLAN 1:50

LONG SECTION 1:50

CROSS SECTION 1:50

CROSS SECTION 1:50

VIEW OF MEDITATION SPACE VIEW OF INITIAL ENTRY THRESHOLD

PERSPECTIVES

PLAN 1:50

LONG SECTION 1:50

CROSS SECTION 1:50

CROSS SECTION 1:50

VIEW OF MEDITATION SPACE VIEW OF INITIAL ENTRY THRESHOLD

horizontal vertical

Indirect Burning Direct Burning

Composition

Types(physicality)

Support Materials

Related Spaces

Uses

ceremonies Timepiece

Buddhism

Taoism

Shinto(Japanese)

Sage

Gug

gul

Toba

cco

Swee

tgra

ss

Cinn

amom

umJu

nipe

rCy

pres

s

Rose

Pine

Agar

woo

dSa

ndal

woo

d

Myr

rh

Mak

ko P

owde

rFr

anki

ncen

seLa

bdan

um

Copa

l

Stor

ax

Drag

ons B

lood

Patc

houl

i

Ceda

r

Christianity

Hinduism

Islam

Judaism

Neopaganism

Satanism

North American Aboriginal

carry prayers

symboli

sm

magic

Summ

oning

Demo

ns

Oerin

gs

ritual

purication

Shogunate Samurai

Domestic

invincibility aura

aromatherap

y

Sweat Lodge

Temples

Marketplace

Outdoors

ShrinesChurch

ChapelJapanese Castle

House

Monastaries

coils

medicine

cone

s

paste

wood support stick

coreless

coreless stick

powder

suspended

Benz

oin

Resin

stands

gum res

in

bundlescensers

thurible

hot ash

coalsceramic

hot plates

brass bronze

meditation

masking odours

Incense

horizontal vertical

Indirect Burning Direct Burning

Composition

Types(physicality)

Support Materials

Related Spaces

Uses

ceremonies Timepiece

Buddhism

Taoism

Shinto(Japanese)

Sage

Gug

gul

Toba

cco

Swee

tgra

ss

Cinn

amom

umJu

nipe

rCy

pres

s

Rose

Pine

Agar

woo

dSa

ndal

woo

d

Myr

rh

Mak

ko P

owde

rFr

anki

ncen

seLa

bdan

um

Copa

l

Stor

ax

Drag

ons B

lood

Patc

houl

i

Ceda

r

Christianity

Hinduism

Islam

Judaism

Neopaganism

Satanism

North American Aboriginal

carry prayers

symboli

sm

magic

Summ

oning

Demo

ns

Oerin

gs

ritual

purication

Shogunate Samurai

Domestic

invincibility aura

aromatherap

y

Sweat Lodge

Temples

Marketplace

Outdoors

ShrinesChurch

ChapelJapanese Castle

House

Monastaries

coils

medicine

cone

s

paste

wood support stick

coreless

coreless stick

powder

suspended

Benz

oin

Resin

stands

gum res

in

bundlescensers

thurible

hot ash

coalsceramic

hot plates

brass bronze

meditation

masking odours

Incense

Islam

SatanismNative AmericanChristianityNeopaganism

Buddhism Shogunate Samurai Domestic

Taoism

Hinduism

;GDCI 768@

8:CIG6A

Natural Light

Incense Colour

SandalwoodAgarwood Lavender Patchouli

Purple Coloured Incense are often related to the act of cleansing and refreshing the body and mindThe diffferent types are balanced between common spiritual types as well as those with less spiri-tual significance.With the varying types throughout the space the different aromas will invoke existing memories as well as create new ones.

SITE PLAN 1:500

1. Implementation of a 30cmx30cm grid overtop of the footprint in order to enable a system compatible with the established component size.

2. Divide the space into three zones based on the shape of the room.

4. Establish an entrance threshold where open space will exist, as well as a privacy threshold at the front window to act as an initial screen into the room.Initial design typologies for the different zones. Smaller, Perimeter spaces towards the front and a large central space at the back to accomodate for different kinds of habitation.

5. Desired circulation derived from previous rules.

6. Overlay of circulation diagram on the grid, the path begins to carve itself out of a volume.

7. Relationship between natural lighting and incense colour/type established in a radial fashion.

234 QUEEN STREET EAST

A temporal space that changes shape as people come and share in the space. Through spiritual offering the place becomes physically marked with the contemplation of each person that chooses to do so.

As the ashes build and the structure changes, the air lls with an overwhelming aroma, awakens the body and instills an experience enriched with memories of the past but also a lasting new memory of a place where commu-nity, caring and remembrance is instilled through a celebration of spirit and faith.

A continuously evolving landscape of memory, reection and hope-Janette Kim and Chloe Town

Increasingly the whole world has come to smell alike: gasoline, detergents, plumbing, and junk foods coalesce into the catholic smog of our age. Ivan Illich, 1985

The perception of the city as a place that must be constantly washed is of recent origin...the city is suddenly perceived as an evil-smelling place. for the rst time in history, the utopia of the odorless city appears. Ivan Illich, 1985

Smells that are now universal and specic smells, produced by particular activities, sources of energy, aromas and spices, plants, owers, animals and garbage overlay one another, forming landscapes of smell that are invisible, but nonetheless present and real. (Sense of the City, An Alternative Approach to Urbanism, 2006)

Time/Memory/Sense/Spirituality

SPIRITUAL COMMUNITY CENTERBy: Connor OGrady and Harry Wei

InSense Space

1:1 BASSWOOD PROTOTYPE VIEW OF FRONT FACADE

PLAN 1:50

LONG SECTION 1:50

CROSS SECTION 1:50

CROSS SECTION 1:50

VIEW OF MEDITATION SPACE VIEW OF INITIAL ENTRY THRESHOLD

INCENSE

horizontal vertical

Indirect Burning Direct Burning

Composition

Types(physicality)

Support Materials

Related Spaces

Uses

ceremonies Timepiece

Buddhism

Taoism

Shinto(Japanese)

Sage

Gug

gul

Toba

cco

Swee

tgra

ss

Cinn

amom

umJu

nipe

rCy

pres

s

Rose

Pine

Agar

woo

dSa

ndal

woo

d

Myr

rh

Mak

ko P

owde

rFr

anki

ncen

seLa

bdan

um

Copa

l

Stor

ax

Drag

ons B

lood

Patc

houl

i

Ceda

r

Christianity

Hinduism

Islam

Judaism

Neopaganism

Satanism

North American Aboriginal

carry prayers

symboli

sm

magic

Summ

oning

Demo

ns

Oerin

gs

ritual

purication

Shogunate Samurai

Domestic

invincibility aura

aromatherap

y

Sweat Lodge

Temples

Marketplace

Outdoors

ShrinesChurch

ChapelJapanese Castle

House

Monastaries

coils

medicine

cone

s

paste

wood support stick

coreless

coreless stick

powder

suspended

Benz

oin

Resin

stands

gum res

in

bundlescensers

thurible

hot ash

coalsceramic

hot plates

brass bronze

meditation

masking odours

Incense

horizontal vertical

Indirect Burning Direct Burning

Composition

Types(physicality)

Support Materials

Related Spaces

Uses

ceremonies Timepiece

Buddhism

Taoism

Shinto(Japanese)

Sage

Gug

gul

Toba

cco

Swee

tgra

ss

Cinn

amom

umJu

nipe

rCy

pres

s

Rose

Pine

Agar

woo

dSa

ndal

woo

d

Myr

rh

Mak

ko P

owde

rFr

anki

ncen

seLa

bdan

um

Copa

l

Stor

ax

Drag

ons B

lood

Patc

houl

i

Ceda

r

Christianity

Hinduism

Islam

Judaism

Neopaganism

Satanism

North American Aboriginal

carry prayers

symboli

sm

magic

Summ

oning

Demo

ns

Oerin

gs

ritual

purication

Shogunate Samurai

Domestic

invincibility aura

aromatherap

y

Sweat Lodge

Temples

Marketplace

Outdoors

ShrinesChurch

ChapelJapanese Castle

House

Monastaries

coils

medicine

cone

s

paste

wood support stick

coreless

coreless stick

powder

suspended

Benz

oin

Resin

stands

gum res

in

bundlescensers

thurible

hot ash

coalsceramic

hot plates

brass bronze

meditation

masking odours

Incense

Islam

SatanismNative AmericanChristianityNeopaganism

Buddhism Shogunate Samurai Domestic

Taoism

Hinduism

;GDCI 768@

8:CIG6A

Natural Light

Incense Colour

SandalwoodAgarwood Lavender Patchouli

Purple Coloured Incense are often related to the act of cleansing and refreshing the body and mindThe diffferent types are balanced between common spiritual types as well as those with less spiri-tual significance.With the varying types throughout the space the different aromas will invoke existing memories as well as create new ones.

SITE PLAN 1:500

1. Implementation of a 30cmx30cm grid overtop of the footprint in order to enable a system compatible with the established component size.

2. Divide the space into three zones based on the shape of the room.

4. Establish an entrance threshold where open space will exist, as well as a privacy threshold at the front window to act as an initial screen into the room.Initial design typologies for the different zones. Smaller, Perimeter spaces towards the front and a large central space at the back to accomodate for different kinds of habitation.

5. Desired circulation derived from previous rules.

6. Overlay of circulation diagram on the grid, the path begins to carve itself out of a volume.

7. Relationship between natural lighting and incense colour/type established in a radial fashion.

234 QUEEN STREET EAST

A temporal space that changes shape as people come and share in the space. Through spiritual offering the place becomes physically marked with the contemplation of each person that chooses to do so.

As the ashes build and the structure changes, the air lls with an overwhelming aroma, awakens the body and instills an experience enriched with memories of the past but also a lasting new memory of a place where commu-nity, caring and remembrance is instilled through a celebration of spirit and faith.

A continuously evolving landscape of memory, reection and hope-Janette Kim and Chloe Town

Increasingly the whole world has come to smell alike: gasoline, detergents, plumbing, and junk foods coalesce into the catholic smog of our age. Ivan Illich, 1985

The perception of the city as a place that must be constantly washed is of recent origin...the city is suddenly perceived as an evil-smelling place. for the rst time in history, the utopia of the odorless city appears. Ivan Illich, 1985

Smells that are now universal and specic smells, produced by particular activities, sources of energy, aromas and spices, plants, owers, animals and garbage overlay one another, forming landscapes of smell that are invisible, but nonetheless present and real. (Sense of the City, An Alternative Approach to Urbanism, 2006)

Time/Memory/Sense/Spirituality

SPIRITUAL COMMUNITY CENTERBy: Connor OGrady and Harry Wei

InSense Space

1:1 BASSWOOD PROTOTYPE VIEW OF FRONT FACADE

horizontal vertical

Indirect Burning Direct Burning

Composition

Types(physicality)

Support Materials

Related Spaces

Uses

ceremonies Timepiece

Buddhism

Taoism

Shinto(Japanese)

Sage

Gug

gul

Toba

cco

Swee

tgra

ss

Cinn

amom

umJu

nipe

rCy

pres

s

Rose

Pine

Agar

woo

dSa

ndal

woo

d

Myr

rh

Mak

ko P

owde

rFr

anki

ncen

seLa

bdan

um

Copa

l

Stor

ax

Drag

ons B

lood

Patc

houl

i

Ceda

r

Christianity

Hinduism

Islam

Judaism

Neopaganism

Satanism

North American Aboriginal

carry prayers

symboli

sm

magic

Summ

oning

Demo

ns

Oerin

gs

ritual

purication

Shogunate Samurai

Domestic

invincibility aura

aromatherap

y

Sweat Lodge

Temples

Marketplace

Outdoors

ShrinesChurch

ChapelJapanese Castle

House

Monastaries

coils

medicine

cone

s

paste

wood support stick

coreless

coreless stick

powder

suspended

Benz

oin

Resin

stands

gum res

in

bundlescensers

thurible

hot ash

coalsceramic

hot plates

brass bronze

meditation

masking odours

Incense

horizontal vertical

Indirect Burning Direct Burning

Composition

Types(physicality)

Support Materials

Related Spaces

Uses

ceremonies Timepiece

Buddhism

Taoism

Shinto(Japanese)

Sage

Gug

gul

Toba

cco

Swee

tgra

ss

Cinn

amom

umJu

nipe

rCy

pres

s

Rose

Pine

Agar

woo

dSa

ndal

woo

d

Myr

rh

Mak

ko P

owde

rFr

anki

ncen

seLa

bdan

um

Copa

l

Stor

ax

Drag

ons B

lood

Patc

houl

i

Ceda

r

Christianity

Hinduism

Islam

Judaism

Neopaganism

Satanism

North American Aboriginal

carry prayers

symboli

sm

magic

Summ

oning

Demo

ns

Oerin

gs

ritual

purication

Shogunate Samurai

Domestic

invincibility aura

aromatherap

y

Sweat Lodge

Temples

Marketplace

Outdoors

ShrinesChurch

ChapelJapanese Castle

House

Monastaries

coils

medicine

cone

s

paste

wood support stick

coreless

coreless stick

powder

suspended

Benz

oin

Resin

stands

gum res

in

bundlescensers

thurible

hot ash

coalsceramic

hot plates

brass bronze

meditation

masking odours

Incense

Islam

SatanismNative AmericanChristianityNeopaganism

Buddhism Shogunate Samurai Domestic

Taoism

Hinduism

;GDCI 768@

8:CIG6A

Natural Light

Incense Colour

SandalwoodAgarwood Lavender Patchouli

Purple Coloured Incense are often related to the act of cleansing and refreshing the body and mindThe diffferent types are balanced between common spiritual types as well as those with less spiri-tual significance.With the varying types throughout the space the different aromas will invoke existing memories as well as create new ones.

SITE PLAN 1:500

1. Implementation of a 30cmx30cm grid overtop of the footprint in order to enable a system compatible with the established component size.

2. Divide the space into three zones based on the shape of the room.

4. Establish an entrance threshold where open space will exist, as well as a privacy threshold at the front window to act as an initial screen into the room.Initial design typologies for the different zones. Smaller, Perimeter spaces towards the front and a large central space at the back to accomodate for different kinds of habitation.

5. Desired circulation derived from previous rules.

6. Overlay of circulation diagram on the grid, the path begins to carve itself out of a volume.

7. Relationship between natural lighting and incense colour/type established in a radial fashion.

234 QUEEN STREET EAST

A temporal space that changes shape as people come and share in the space. Through spiritual offering the place becomes physically marked with the contemplation of each person that chooses to do so.

As the ashes build and the structure changes, the air lls with an overwhelming aroma, awakens the body and instills an experience enriched with memories of the past but also a lasting new memory of a place where commu-nity, caring and remembrance is instilled through a celebration of spirit and faith.

A continuously evolving landscape of memory, reection and hope-Janette Kim and Chloe Town

Increasingly the whole world has come to smell alike: gasoline, detergents, plumbing, and junk foods coalesce into the catholic smog of our age. Ivan Illich, 1985

The perception of the city as a place that must be constantly washed is of recent origin...the city is suddenly perceived as an evil-smelling place. for the rst time in history, the utopia of the odorless city appears. Ivan Illich, 1985

Smells that are now universal and specic smells, produced by particular activities, sources of energy, aromas and spices, plants, owers, animals and garbage overlay one another, forming landscapes of smell that are invisible, but nonetheless present and real. (Sense of the City, An Alternative Approach to Urbanism, 2006)

Time/Memory/Sense/Spirituality

SPIRITUAL COMMUNITY CENTERBy: Connor OGrady and Harry Wei

InSense Space

1:1 BASSWOOD PROTOTYPE VIEW OF FRONT FACADE

Natural Light

Incense Colour

SandalwoodAgarwood Lavender Patchouli

Purple Coloured Incense are often related to the act of cleansing and refreshing the body and mindThe diffferent types are balanced between common spiritual types as well as those with less spiri-tual significance.With the varying types throughout the space the different aromas will invoke existing memories as well as create new ones.

horizontal vertical

Indirect Burning Direct Burning

Composition

Types(physicality)

Support Materials

Related Spaces

Uses

ceremonies Timepiece

Buddhism

Taoism

Shinto(Japanese)

Sage

Gug

gul

Toba

cco

Swee

tgra

ss

Cinn

amom

umJu

nipe

rCy

pres

s

Rose

Pine

Agar

woo

dSa

ndal

woo

d

Myr

rh

Mak

ko P

owde

rFr

anki

ncen

seLa

bdan

um

Copa

l

Stor

ax

Drag

ons B

lood

Patc

houl

i

Ceda

r

Christianity

Hinduism

Islam

Judaism

Neopaganism

Satanism

North American Aboriginal

carry prayers

symboli

sm

magic

Summ

oning

Demo

ns

Oerin

gs

ritual

purication

Shogunate Samurai

Domestic

invincibility aura

aromatherap

y

Sweat Lodge

Temples

Marketplace

Outdoors

ShrinesChurch

ChapelJapanese Castle

House

Monastaries

coils

medicine

cone

s

paste

wood support stick

coreless

coreless stick

powder

suspended

Benz

oin

Resin

stands

gum res

in

bundlescensers

thurible

hot ash

coalsceramic

hot plates

brass bronze

meditation

masking odours

Incense

horizontal vertical

Indirect Burning Direct Burning

Composition

Types(physicality)

Support Materials

Related Spaces

Uses

ceremonies Timepiece

Buddhism

Taoism

Shinto(Japanese)

Sage

Gug

gul

Toba

cco

Swee

tgra

ss

Cinn

amom

umJu

nipe

rCy

pres

s

Rose

Pine

Agar

woo

dSa

ndal

woo

d

Myr

rh

Mak

ko P

owde

rFr

anki

ncen

seLa

bdan

um

Copa

l

Stor

ax

Drag

ons B

lood

Patc

houl

i

Ceda

r

Christianity

Hinduism

Islam

Judaism

Neopaganism

Satanism

North American Aboriginal

carry prayers

symboli

sm

magic

Summ

oning

Demo

ns

Oerin

gs

ritual

purication

Shogunate Samurai

Domestic

invincibility aura

aromatherap

y

Sweat Lodge

Temples

Marketplace

Outdoors

ShrinesChurch

ChapelJapanese Castle

House

Monastaries

coils

medicine

cone

s

paste

wood support stick

coreless

coreless stick

powder

suspended

Benz

oin

Resin

stands

gum res

in

bundlescensers

thurible

hot ash

coalsceramic

hot plates

brass bronze

meditation

masking odours

Incense

Islam

SatanismNative AmericanChristianityNeopaganism

Buddhism Shogunate Samurai Domestic

Taoism

Hinduism

;GDCI 768@

8:CIG6A

Natural Light

Incense Colour

SandalwoodAgarwood Lavender Patchouli

Purple Coloured Incense are often related to the act of cleansing and refreshing the body and mindThe diffferent types are balanced between common spiritual types as well as those with less spiri-tual significance.With the varying types throughout the space the different aromas will invoke existing memories as well as create new ones.

SITE PLAN 1:500

1. Implementation of a 30cmx30cm grid overtop of the footprint in order to enable a system compatible with the established component size.

2. Divide the space into three zones based on the shape of the room.

4. Establish an entrance threshold where open space will exist, as well as a privacy threshold at the front window to act as an initial screen into the room.Initial design typologies for the different zones. Smaller, Perimeter spaces towards the front and a large central space at the back to accomodate for different kinds of habitation.

5. Desired circulation derived from previous rules.

6. Overlay of circulation diagram on the grid, the path begins to carve itself out of a volume.

7. Relationship between natural lighting and incense colour/type established in a radial fashion.

234 QUEEN STREET EAST

A temporal space that changes shape as people come and share in the space. Through spiritual offering the place becomes physically marked with the contemplation of each person that chooses to do so.

As the ashes build and the structure changes, the air lls with an overwhelming aroma, awakens the body and instills an experience enriched with memories of the past but also a lasting new memory of a place where commu-nity, caring and remembrance is instilled through a celebration of spirit and faith.

A continuously evolving landscape of memory, reection and hope-Janette Kim and Chloe Town

Increasingly the whole world has come to smell alike: gasoline, detergents, plumbing, and junk foods coalesce into the catholic smog of our age. Ivan Illich, 1985

The perception of the city as a place that must be constantly washed is of recent origin...the city is suddenly perceived as an evil-smelling place. for the rst time in history, the utopia of the odorless city appears. Ivan Illich, 1985

Smells that are now universal and specic smells, produced by particular activities, sources of energy, aromas and spices, plants, owers, animals and garbage overlay one another, forming landscapes of smell that are invisible, but nonetheless present and real. (Sense of the City, An Alternative Approach to Urbanism, 2006)

Time/Memory/Sense/Spirituality

SPIRITUAL COMMUNITY CENTERBy: Connor OGrady and Harry Wei

InSense Space

1:1 BASSWOOD PROTOTYPE VIEW OF FRONT FACADE

PERSPECTIVES

PLAN 1:50

LONG SECTION 1:50

CROSS SECTION 1:50

CROSS SECTION 1:50

VIEW OF MEDITATION SPACE VIEW OF INITIAL ENTRY THRESHOLD

horizontal vertical

Indirect Burning Direct Burning

Composition

Types(physicality)

Support Materials

Related Spaces

Uses

ceremonies Timepiece

Buddhism

Taoism

Shinto(Japanese)

Sage

Gug

gul

Toba

cco

Swee

tgra

ss

Cinn

amom

umJu

nipe

rCy

pres

s

Rose

Pine

Agar

woo

dSa

ndal

woo

d

Myr

rh

Mak

ko P

owde

rFr

anki

ncen

seLa

bdan

um

Copa

l

Stor

ax

Drag

ons B

lood

Patc

houl

i

Ceda

r

Christianity

Hinduism

Islam

Judaism

Neopaganism

Satanism

North American Aboriginal

carry prayers

symboli

sm

magic

Summ

oning

Demo

ns

Oerin

gs

ritual

purication

Shogunate Samurai

Domestic

invincibility aura

aromatherap

y

Sweat Lodge

Temples

Marketplace

Outdoors

ShrinesChurch

ChapelJapanese Castle

House

Monastaries

coils

medicine

cone

s

paste

wood support stick

coreless

coreless stick

powder

suspended

Benz

oin

Resin

stands

gum res

in

bundlescensers

thurible

hot ash

coalsceramic

hot plates

brass bronze

meditation

masking odours

Incense

horizontal vertical

Indirect Burning Direct Burning

Composition

Types(physicality)

Support Materials

Related Spaces

Uses

ceremonies Timepiece

Buddhism

Taoism

Shinto(Japanese)

Sage

Gug

gul

Toba

cco

Swee

tgra

ss

Cinn

amom

umJu

nipe

rCy

pres

s

Rose

Pine

Agar

woo

dSa

ndal

woo

d

Myr

rh

Mak

ko P

owde

rFr

anki

ncen

seLa

bdan

um

Copa

l

Stor

ax

Drag

ons B

lood

Patc

houl

i

Ceda

r

Christianity

Hinduism

Islam

Judaism

Neopaganism

Satanism

North American Aboriginal

carry prayers

symboli

sm

magic

Summ

oning

Demo

ns

Oerin

gs

ritual

purication

Shogunate Samurai

Domestic

invincibility aura

aromatherap

y

Sweat Lodge

Temples

Marketplace

Outdoors

ShrinesChurch

ChapelJapanese Castle

House

Monastaries

coils

medicine

cone

s

paste

wood support stick

coreless

coreless stick

powder

suspended

Benz

oin

Resin

stands

gum res

in

bundlescensers

thurible

hot ash

coalsceramic

hot plates

brass bronze

meditation

masking odours

Incense

Islam

SatanismNative AmericanChristianityNeopaganism

Buddhism Shogunate Samurai Domestic

Taoism

Hinduism

;GDCI 768@

8:CIG6A

Natural Light

Incense Colour

SandalwoodAgarwood Lavender Patchouli

Purple Coloured Incense are often related to the act of cleansing and refreshing the body and mindThe diffferent types are balanced between common spiritual types as well as those with less spiri-tual significance.With the varying types throughout the space the different aromas will invoke existing memories as well as create new ones.

SITE PLAN 1:500

1. Implementation of a 30cmx30cm grid overtop of the footprint in order to enable a system compatible with the established component size.

2. Divide the space into three zones based on the shape of the room.

4. Establish an entrance threshold where open space will exist, as well as a privacy threshold at the front window to act as an initial screen into the room.Initial design typologies for the different zones. Smaller, Perimeter spaces towards the front and a large central space at the back to accomodate for different kinds of habitation.

5. Desired circulation derived from previous rules.

6. Overlay of circulation diagram on the grid, the path begins to carve itself out of a volume.

7. Relationship between natural lighting and incense colour/type established in a radial fashion.

234 QUEEN STREET EAST

A temporal space that changes shape as people come and share in the space. Through spiritual offering the place becomes physically marked with the contemplation of each person that chooses to do so.

As the ashes build and the structure changes, the air lls with an overwhelming aroma, awakens the body and instills an experience enriched with memories of the past but also a lasting new memory of a place where commu-nity, caring and remembrance is instilled through a celebration of spirit and faith.

A continuously evolving landscape of memory, reection and hope-Janette Kim and Chloe Town

Increasingly the whole world has come to smell alike: gasoline, detergents, plumbing, and junk foods coalesce into the catholic smog of our age. Ivan Illich, 1985

The perception of the city as a place that must be constantly washed is of recent origin...the city is suddenly perceived as an evil-smelling place. for the rst time in history, the utopia of the odorless city appears. Ivan Illich, 1985

Smells that are now universal and specic smells, produced by particular activities, sources of energy, aromas and spices, plants, owers, animals and garbage overlay one another, forming landscapes of smell that are invisible, but nonetheless present and real. (Sense of the City, An Alternative Approach to Urbanism, 2006)

Time/Memory/Sense/Spirituality

SPIRITUAL COMMUNITY CENTERBy: Connor OGrady and Harry Wei

InSense Space

1:1 BASSWOOD PROTOTYPE VIEW OF FRONT FACADE

PLAN 1:50

LONG SECTION 1:50

CROSS SECTION 1:50

CROSS SECTION 1:50

VIEW OF MEDITATION SPACE VIEW OF INITIAL ENTRY THRESHOLD CARVE & DECAY

PLAN 1:50

LONG SECTION 1:50

CROSS SECTION 1:50

CROSS SECTION 1:50

VIEW OF MEDITATION SPACE VIEW OF INITIAL ENTRY THRESHOLD

PLAN 1:50

LONG SECTION 1:50

CROSS SECTION 1:50

CROSS SECTION 1:50

VIEW OF MEDITATION SPACE VIEW OF INITIAL ENTRY THRESHOLD

CARVE & DECAY

PLAN 1:50

LONG SECTION 1:50

CROSS SECTION 1:50

CROSS SECTION 1:50

VIEW OF MEDITATION SPACE VIEW OF INITIAL ENTRY THRESHOLD

PLAN 1:50

LONG SECTION 1:50

CROSS SECTION 1:50

CROSS SECTION 1:50

VIEW OF MEDITATION SPACE VIEW OF INITIAL ENTRY THRESHOLD

1:50 MODEL

01

02

03 04

06

07

08

05

.3DM .GH .PSD .AI .INDD

KPF architects

Design development for the lobby, elevator lobby and cab as well as of-fice floor lobby in a business tower in Chongqing, China. Multiple iterations

were completed and consultation with the client determined a lobby

space predominately comprised of limestone panels. Complimented by frosted glass and stainless steel that

comprise elevator entrances. The project involved digital drafting of plans

and sections of the space as well as elevator cab details, lighting and wall

section details as well as digital mod-eling and rendering of the space.

Notes: Digital model was created in Rhino and then rendered with V-ray

for 3ds Max. Project completed with Associate Principal Nyirabu Nyirabu. Additional work was completed for a

confidential project in Goreagon, India.

Name | Business Tower LobbyYear | 2010

Completed with | KPF ArchitectsSite | Chongqing, China

Structure | Concrete and SteelType | Business Tower

01. Client Selection, Main Lobby 02. Option A, Elevator Cab 03. Option B,

Elevator Cab 04. Alternative Option 2, Main Lobby

05. Lobby Organization 06. Alternative Option 2, Elevator Lobby 07. Client

Selection, Elevator Lobby 08. Option 3, Main Lobby

2 CHONGQING JIANGBEIZUI FINANCIAL CITY No. 2KPF

OFFICE LOBBY

2 CHONGQING JIANGBEIZUI FINANCIAL CITY No. 2KPF

OFFICE ELEVATOR CAB OPT 11

2 CHONGQING JIANGBEIZUI FINANCIAL CITY No. 2KPF

OFFICE ELEVATOR CAB OPT 22

2 CHONGQING JIANGBEIZUI FINANCIAL CITY No. 2KPF

OFFICE LOBBY FLOOR PLAN

T1 T2

T3 T4

01

02 03

05

04

06

08

2 CHONGQING JIANGBEIZUI FINANCIAL CITY No. 2KPF

OFFICE ELEVATOR LOBBY

07

mcneelrhino

autodesk3ds max

adobephotoshop

adobeillustrator

autodeskautocad

.3DM .3DS .PSD .AI .CAD

Situated in South Parkdale, Toronto through an analysis of transporta-tion patterns of type and density, I

created a vision of a new community space containing urban density while

maintaining programmable pedestrian streets that will re-evaluate the role of the automobile in city living. The main

structures are composed of undulating roofscape buildings used as bridges over a new greenway in place of the

gardiner that contains new light rail lines as well as walking and biking

paths. By offsetting more traffic onto public transit it discourages a com-

muter lifestyle in order to help develop the downtown as well as promote

more energy conscious living

Notes: Direct application of stud wall construction, as well as testing of cove lighting systems and connections be-tween steel conduit and wood frame.

Name | Various ProjectsYear | 2011

Completed with | Quadrangle Architects Limited

Site | VariousStructure | Concrete and Steel

Type | Various

01. Barcelona Hostel Ideas Competition, Overall

02. Programmatic Configuration, Barcelona Hostel Competition

03. Studio on Richmond, Looking East on Nelson St., Toronto, Ontario,

Canada 04. Construction Management Plan, Studio on

Richmond 05. Studio on Richmond, Looking West on Nelson 06. Studio

on Richmond, Marketing Drawings 07. Overall Tower, Studio on

Richmond 08. Working Drawings for Permit, Studio on RIchmond

mcneelrhino

autodesk3ds max

adobephotoshop

adobeillustrator

autodeskautocadHOSTEL ARTEMISIAHOSTEL ARTEMISIA.

The rationale of the vertical farm integrates void spaces over multiple levels with a selection of crop types organized by their stage of cultivation: planting, growing or harvesting. The vertical farm will also provide occupants the unique opportunity to balance the cost of their stay by contributing to the sustainability of the farm through various functions and chores. The iridescent membrane structure also provides irrigation to the farm by collecting rainwater at the top and filtering into the structure and interior spaces.

The functions of the design are rationalized into a variety of cellular forms sized to correlate with their use, the smallest cell representing a single bed unit. The social areas of the hostel intermittently occupy multiple levels and represent vibrant Cell Collectives. The pinnacle of Hostel Artemisia culminates in a Sky Bar which will provide a currently unavailable but breathtaking 360 degree view of Barcelona exclusive only to Hostel Artemisia patrons. This is Hostel Artemsia.

HOMEOSTATIC MEMBRANE

GUESTSANCTUARY

HYDROPONICPLOTS

CIRCULATIONSTEMS

SERVICECONDUIT

CELLLATTICE

RECHARGECELLS

GROUND PLANEmarket plaza - access elevators + stairs

ADMIN NODEenergy - security - staff areas - infirmary - retail - storage

LOUNGE NODElounge - washrooms - viewing area - storage

LAUNDRY NODElaundry - washrooms - viewing area - storage

PARTY NODEhoster kitchen - dining area - terrace - bar - storage

SINGLE ROOM

DOUBLE ROOM

TRIPLE ROOM

QUADROUPLE ROOM

120477

STREET VIEW

VIEW FROM NORTHE

XP

LO

DE

D A

XO

NO

ME

TR

IC

LEG

EN

D

represents a visionary and unique conceptual approach to the hostel typology by integrating the infrastructure of a highly sustainable vertical farm within an international quality hostel. The two-sided approach to the designs orientation allows the farm to maintain maximum sun exposure while providing adequate shade to the habitable spaces. Hostel Artemisia will be a contemporary hub redefining Bohemian architecture within the gothic quarter and become a beacon-like landmark for visitors interested in a unique Barcelona experience.

HOSTEL ARTEMISIAHOSTEL ARTEMISIA.

The rationale of the vertical farm integrates void spaces over multiple levels with a selection of crop types organized by their stage of cultivation: planting, growing or harvesting. The vertical farm will also provide occupants the unique opportunity to balance the cost of their stay by contributing to the sustainability of the farm through various functions and chores. The iridescent membrane structure also provides irrigation to the farm by collecting rainwater at the top and filtering into the structure and interior spaces.

The functions of the design are rationalized into a variety of cellular forms sized to correlate with their use, the smallest cell representing a single bed unit. The social areas of the hostel intermittently occupy multiple levels and represent vibrant Cell Collectives. The pinnacle of Hostel Artemisia culminates in a Sky Bar which will provide a currently unavailable but breathtaking 360 degree view of Barcelona exclusive only to Hostel Artemisia patrons. This is Hostel Artemsia.

HOMEOSTATIC MEMBRANE

GUESTSANCTUARY

HYDROPONICPLOTS

CIRCULATIONSTEMS

SERVICECONDUIT

CELLLATTICE

RECHARGECELLS

1

2

3

4

5GROUND PLANEmarket plaza - access elevators + stairs

ADMIN NODEenergy - security - staff areas - infirmary - retail - storage

LOUNGE NODElounge - washrooms - viewing area - storage

LAUNDRY NODElaundry - washrooms - viewing area - storage

PARTY NODEhoster kitchen - dining area - terrace - bar - storage

SINGLE ROOM

DOUBLE ROOM

TRIPLE ROOM

QUADROUPLE ROOM

1

2

3

4

52

3

120477

STREET VIEW

VIEW FROM NORTH

EX

PLO

DE

D A

XO

NO

ME

TR

IC

LEG

EN

D

represents a visionary and unique conceptual approach to the hostel typology by integrating the infrastructure of a highly sustainable vertical farm within an international quality hostel. The two-sided approach to the designs orientation allows the farm to maintain maximum sun exposure while providing adequate shade to the habitable spaces. Hostel Artemisia will be a contemporary hub redefining Bohemian architecture within the gothic quarter and become a beacon-like landmark for visitors interested in a unique Barcelona experience.

01 02

03

05

9A501

STAIR A @ EIGHTH FLOOR

6A501

STAIR A & B @ GROUND FLOOR

7A501

STAIR A @ SECOND FLOOR

8A501

STAIR A @ THIRD-SEVENTH FLOOR

1A505

STAIR B @ PARKING LEVEL 5

2A505

STAIR B @ PARKING LEVEL 4

3A505

STAIR B @ PARKING LEVEL 3

5A505

STAIR B @ PARKING LEVEL 1

4A505

STAIR B @ PARKING LEVEL 2

10A501

STAIR A @ EIGHTH FLOOR

A501

Stair A & B Plans and Sections

1:50 SM LK

Studio on Richmond199-201 Richmond St. WestToronto, OntarioforAspen Ridge Homes

07125STAIR A @ EIGHTH FLOOR

STAIR A & B @ GROUND FLOOR

STAIR A @ SECOND FLOOR

STAIR A @ THIRD-SEVENTH FLOOR

STAIR B @ PARKING LEVEL 5

STAIR B @ PARKING LEVEL 4

STAIR B @ PARKING LEVEL 3

STAIR B @ PARKING LEVEL 1

STAIR B @ PARKING LEVEL 2

STAIR A @ EIGHTH FLOOR

A501

Stair A & B Plans and Sections

1:50 SM LK

Studio on Richmond199-201 Richmond St. WestToronto, OntarioforAspen Ridge Homes

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quadrangle architects

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CASA DELLA CITTA

Situated in the Campo Martius in Rome, Italy this house for the city is

imagined as a stacked layering of pro-grams containing distinct architectural references juxtapositioned together in

as a means to create a unique identity for traditional features of Rome. By

envisioning these elements differently from their traditional archaic forms found in palazzos, cathedrals and

within the overall urban fabric of thte city, it propels forward the question of a new identity in a city compact with

historicity.

Notes: Completed as a part of the University of Waterloo Rome Studio,

Located in Rome Italy

Name | Casa della CittaYear | 2011

Completed with | Harry WeiSite | Piazza Della Moretta, Rome, Italy

Structure | Steel and ConcreteType | Hybrid Use Cultural Center

01. The Main Lobby 02. Observing the Void 03. Understanding Layers

04. Structural Analysis 05. FromGiancolo Hill 06. The Research Floor

07. The Temple of Knowledge 08. Understanding Layer Relationships

09. From the Tiber River to the Organic City

mcneelrhino

grasshopperfor rhino

adobephotoshop

adobeillustrator

autodeskautocad

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resume

QUALIFICATIONS

WORK EXPERIENCE

Connor OGradyCandidate for Honours Bachelor of Architectural Studies, Co-operative ProgramUniversity of Waterloo, Cambridge, Ontario, September 2007-presentStudent AssociateOntario Association of Architects, July 2011-present

-Spatial, environmental and construction knowledge in creating various design concepts through academic based projects-Outgoing, focused, and highly motivated worker individually and in group environments-Manual Rendering: pencil, archival ink, acrylic, watercolour-Physical Modeling: wood, card stock, acrylic, paper, -LEED knowledge

Quadrangle Architects Limited (01/11-08/11)Senior Architectural Student

-Conceptual design representation for projects of varying scale using Google Sketchup, Adobe Illustrator, Adobe Photoshop and Indesign-Computer modelling including parametric exploration in grasshopper as well as design consulting for a Barcelona Hostel Competition- Responsible for computer modelling and rendering using 3DStudiomax with Vray and Autocad 3d for visual representation images in schematic design, detail design options and solar studies in design development of Studio on Richmond Condominium Towers Phase I (Toronto, Canada)- Member of Working Drawing team for Design Development of Studio on Richmond Phase I- Involved in Design Development of tower unit layouts and co-ordination with Project Interior Designers for Studio on Richmond Phase II- Responsible for the modifications and visual preparation of all marketing drawings for Studio on RichmondPhase II created in AutoCAD

KPF Architects (05/10-08/10)Architectural Intern

-Conceptual Design Diagramming in AutoCAD and Illustrator-Massing Studies using Rhino, 3DStudioMax, Photoshop -Computer Modeling, Rendering and CAD Work for -Design Development of a Business Tower in China

Cohos Evamy, Integrated Design Firm (09/09-12/09)Architectural Intern

-Architectural and Interior Design Work for a Cafe and Museum Lobby Renovation as well as Bridge Concept Design-Computer Modeling and Rendering of all Design Work-AutoCAD Diagramming and Documentation for a Confidential Project

Virtual Engineers, Consulting Engineers(02/09-04/09)Assistant to the Vice President

-Graphic Design for Marketing Material-CAD work for Pipe System Layout as well as Electrical Diagrams-Design and Cost Analysis for Presidents Office Renovation

William Connor OGrady4 Mendys Forest, Aurora,

OntarioCanada

L4G 5A3connor_ogrady@yahoo.ca

Technical Skills:-Adobe Photoshop

-Adobe Illustrator-Adobe Indesign-Adobe Premiere

-Autodesk AutoCAD-Autodesk 3ds Max

-FormZ-Google Sketchup Pro

-MIcrosoft Office-Modo-Rhino

Proficiency:-with file preparation and maintainence of a CNC

Router-with file preparation,

maintenance and use of a laser cutter

-with file preparation for 3d printing

-with traditional workshop machinery

-Digital SLR photography

Stubbornly Curious.

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