contemporary & post-war art | 19th march 2014

Contemporaryand Post-War Art

Wednesday, 19th March, 201433 Broughton PlaceEdinburgh EH1 3RR

Catalogue: £10

BUYERS’ PREMIUM25% up to £25,00020% thereafter.VAT will be charged on the premiumat the rate imposed by law.†20% VAT chargeable on the lot itself*5% import VAT on the lot§Droit de Suite (artists’ resale rights)applies(see our Terms and Conditions of Saleand Information for Buyers).

ENQUIRIES AND COMMISSION BIDSLyon and Turnbull Ltd.33 Broughton PlaceEdinburgh EH1 3RRTel. 0131 557 8844Fax. 0131 557 8668email. [email protected]

Contemporary andPost-War Art

Wednesday, 19th March, 2014at 11am

Sale Number LT403

ViewingSunday, 16th March 12 noon - 4pmMonday, 17th March 10am - 5pmTuesday, 18th March 10am - 5pmMorning of sale strictly by appointment only

SpecialistsCharlotte [email protected]

Nick [email protected]

Emily [email protected]

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L Y O N & T U R N B U L L

Important informationfor buyers

recommend that a covering bid isalso left in the event that we areunable to make the call. We cannotguarantee that lines will beavailable, or that we will be able tocall you on the day, but willendeavour to undertake such bids tothe best of our abilities. All bidrequests must be received an hourbefore the sale.

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hammer price is less than €1,000(euros). The charge for works of artsold at and above €1,000 (euros) andbelow €50,000 (euros) is 4%. Foritems selling above €50,000 (euros),charges are calculated on a slidingscale.All royalty charges are paid to theappropriate collecting organisationand no handling costs or additionalfees are retained by the auctioneer.Resale royalties are not subject toVAT.Please note that the royalty paymentis calculated on the rate of exchangeat the European Central Bank on thedate of the sale.More information on Droit de Suiteis available at www.dacs.org.uk

Damage and RestorationOccasionally, when a lot hassuffered extensive damage and/orrestoration it is indicated in thecatalogue. This is mentioned entirelyat our discretion for the benefit ofbuyers. Where there is no mentionof damage and/or restoration thisshould not be taken to mean thatthere is none. It is the buyer’sresponsibility to ensure that thecondition of lots is to theirsatisfaction (see our Terms andConditions of Sale).

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25% up to £25,000 / 20% thereafter.

VAT will be charged on the premiumat the rate imposed by law. (see ourTerms and Conditions of Sale).

VATThe symbol † by a lot numberindicates that VAT is payable by thepurchaser at the standard rate onthe hammer price.The symbol * by a lot numberindicates that the lot has beentemporarily imported from outsidethe EU and that VAT is payable bythe purchaser at the rate of 5% onthe hammer price.No VAT is payable on the hammerprice or premium for books boughtat auction.

Droit de SuiteThis symbol § indicates works whichmay be subject to the Droit de Suiteor Artist’s Resale Right, which tookeffect in the United Kingdom on 14thFebruary 2006. We are required tocollect a royalty payment for allqualifying works of art. Under newlegislation which came into effect on1st January 2012, this applies toliving artists and artists who havedied in the last 70 years.This royalty will be charged to thebuyer on the hammer price and inaddition to the buyer’s premium. Itwill not apply to works where the

1§ FF502/1JAMES FULLARTON(SCOTTISH b. 1946)JARD-SUR-MERSigned, oil on board

21cm x 27cm (8.25in x 10.5in)

and two further works by thesame hand (3)

£800-1,200


Contemporary and Post-War Art

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2§ FG979/1ROBERT MACLAURIN(SCOTTISH b. 1961)THE TURKISH WEDDINGSigned, signed and incribedwith title verso, oil on board

40cm x 42cm (15.75in x 16.5in)

£500-700



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3§ FF576/4SIR ROBIN PHILIPSON R.A.,P.R.S.A., R.S.W., R.G.I.(SCOTTISH 1916-1992)HORSEMENGouache

25cm x 25cm (10in x 10in)

£800-1,200

4§ FF612/1SIR ROBIN PHILIPSON R.A.,P.R.S.A., R.S.W., R.G.I.(SCOTTISH 1916-1992)KING PHASE IISigned and inscribed withtitle, numbered 3/4,lithograph

59.5cm x 44cm (23.5in x 17in)

£200-300



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6 FF612/2HARRY GOTTLIEB(ROMANIAN/AMERICAN1895-1992)CHERRY PICKERSigned, inscribed with titleand numbered 8/10 in pencil,screenprint

58cm x 38.5cm (23in x 15in)

£200-300

5§ FF612/3EDWIN LA DELL(BRITISH 1919-1970)KING’S PARADE, CAMBRIDGESigned and inscribed with titlein pencil to margin, lithograph

37cm x 64cm (14.5in x 25in)

£200-300

JACK KNOX

Jack Knox was born inKirkintilloch in 1936 andstudied painting at GlasgowSchool of Art and at theAndré L’hote Atelier in Paris.A respected teacher, in 1965he joined the staff of Duncanof Jordanstone College of Artin Dundee as lecturer inDrawing and Painting and in1981 became Head ofPainting at Glasgow Schoolof Art until his retirement in1992. Knox has wonnumerous awards including



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the Royal Scottish Academy -Maude Gemmell HutchisonPrize and has exhibitedregularly throughout hiscareer in Edinburgh andLondon. Many of his workshave been used asillustrations in booksincluding The ScottishBestiary by George MackayBrown and La Potinière byDavid and Hilary Brown.

His work has always beendistinguished by the vibrantuse of colour and skilled

draughtsmanship whichundoubtely came from themany years spent learningdrawing while a student inGlasgow and Paris. Thevariety of images, subjectsand signs featured in hispaintings is the ultimateexpression of hisextraordinary creativeimagination. The inspirationcomes from great masterslike Velasquez and PaoloUccello, but also from thefamiliar landscapes of his

Scottish home or from Dutchstill life painting. The result isa varied portfolio thatincludes still life, landscapes,illustrations and portraits.The two landscapespresented in this sale are anexample of Knox’s work inwhich rather stylised subjectsare given a dramatic depth bythe skilled use of strong,contrasting colours.

7§ 14440/2JACK KNOX R.S.A.(SCOTTISH b. 1936)SEA STORMOil on canvas, unframed

137cm x 152cm (54in x 60in)

£600-800

8§ FF988/2JACK KNOX R.S.A.(SCOTTISH b. 1936)SANDUNES, 1990Signed, pastel

25cm x 33cm (9.75in x 13in)

£300-500



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10§ FF988/1JACK FIRTH R.S.W.(SCOTTISH b. 1917)THEIR PLACE AND OURSSigned, watercolour


Exhibited:The Scottish Gallery, March-April,1983.

£400-600

9§ FF922/25EDWARD GAGE R.S.W.(SCOTTISH 1925-2000)ROCHECOLOMBEWatercolour


£500-700

11§ FB791/31JOHN BELLANY H.R.S.A.,R.A., C.B.E.(SCOTTISH 1942–2013)WOMAN AND STINGRAYSigned twice, watercolour

75cm x 54cm (29.5in x 21in)

£800-1,200



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12§ FG929/3JOHN BELLANY C.B.E., R.A.(SCOTTISH 1942-2013)WOMAN WITH GREEN HAIRSigned, watercolour


£1,000-1,500

13§ FB791/30JOHN BELLANY H.R.S.A.,R.A., C.B.E.(SCOTTISH 1942–2013)EDINBURGH FROM FIFESigned, watercolour

54cm x 75cm (21.25in x 30in)

£800-1,200



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16§ FG931/3HUGHIE O’DONOGHUE(b. 1953)CROW II, 1991Signed and inscribed in pencil,etching & aquatint. Printed atHope Sufferance Press, London.Inscribed below the image CrowII. Signed and dated. Publishedby Fabian Carlsson Gallery /Hughie O’Donoghue. Edition No.A/P

29cm x 42cm (11.5in x 16.5in)

(plate size)

£500-700

14§ FG931/2HUGHIE O’DONOGHUE(BRITISH b. 1953)CROW, 1991Signed and inscribed in pencil,etching and aquatint, Printed atHope Sufferance Press,London. Inscribed Crow. Signedand dated. Published by FabianCarlsson Gallery / HughieO’Donoghue. Edition no PP 3/3

29cm x 42cm (11.5in x 16.5in)

(plate size)

£500-700



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15§ FG931/1HUGHIE O’DONOGHUE(BRITISH b. 1953)THE ROUND LAKE, 1991Signed and inscribed inpencil, etching and aquatint,edition of 35, number 2/35.Printed at Hope Sufferencepress, London

29cm x 42cm (11.5in x 16.5in)

(plate size)

£500-700

17§ FG988/7CHARLES MACQUEENR.S.W., R.G.I.(SCOTTISH b. 1940)BELL TOWER, HAMMAMETSigned, mixed media


£600-800



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18§ FG988/8CHRIS BUSHE R.S.W.(SCOTTISH b. 1958)CRUSADER GATEOil on canvas

57cm x 82cm (22.5in x 32in)

£400-600

19§ FF30/1ETHEL WALKER(SCOTTISH b. 1941)BLUE SHADOWSSigned, oil on board


£1,500-2,000



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ETHEL WALKER

Ethel Walker is one of Scotland's leading female artists and isrepresented by eminent galleries both north of the border and inLondon. Having studied at the Glasgow School of Art between1959-64, Walker spent several years as a teacher beforecommiting herself wholely to her art. She lives in Argyllshirewhere she finds constant inspiration in the mutable weatherconditions which sweep the coast. She is also known for herelegant still lives, her chosen muted palette lending them atimeless classicism.

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20§ FG939/3ETHEL WALKER(SCOTTISH b. 1941)LILIES, 1991Signed, mixed media

76cm x 53.5cm (30in x 21in)

£2,000-3,000



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21§ FH64/1ETHEL WALKER(SCOTTISH b. 1941)LOCH AT FORDSigned, gouache

30cm x 54cm (12in x 21.25in)

£400-600

22§ FH64/2ETHEL WALKER(SCOTTISH b. 1941)WEST COAST LANDSCAPESigned, gouache

30cm x 50cm (12in x 19.5in)

£400-600

23§ FG988/13ALEXANDRA KNUBLEY(SCOTTISH b. 1969)UNTITLEDOil and beeswax on board, inthree panels framed together

73cm x 118cm (28.5in x 46.5in)

£500-700



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24§ FG988/12ALEXANDRA KNUBLEY(SCOTTISH b. 1969)RETREATOil and beeswax on canvas

60cm x 105cm (23.5in x 41.5in)

£300-500



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27§ FG986/3JOHN BOYD R.P., R.G.I.(SCOTTISH 1940-2001)ROAD BY ARDLAMONTSigned, oil on canvas

40.5cm x 40.5cm (16in x 16in)

£500-700

25§ FF653/9JOHN BOYD R.P., R.G.I.(SCOTTISH 1940-2001)UNDER A TREESigned, oil on board

29cm x 29cm (11.5in x 11.5in)

£400-600

26§ FF653/1025JOHN BOYD R.P., R.G.I.(SCOTTISH 1940-2001)GIRL IN RED TROUSERSSigned, oil on canvas laid onpanel

44.5cm x 14cm (17.5in x 5.5in)

£400-600



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29§ FF22/1JOHN HOUSTON O.B.E.,R.S.A. (SCOTTISH 1930-2008)ELIZABETH IN THE GARDENSigned, signed and inscribedwith title stretcher verso, oilon canvas

40cm x 50cm (15.5in x 19.5in)

Exhibited:Mercury Gallery, London

£3,000-5,000

28§ FF22/2JOHN HOUSTON O.B.E.,R.S.A. (SCOTTISH 1930-2008)A BEACHSigned, signed stretcherverso and inscribed with title,oil on canvas


£3,000-5,000

30§ FF922/24BARBARA HEPWORTH R.A.(BRITISH 1903-1975)WINTER SOLSTICESigned and numbered 44/60,lithograph

75cm x 56cm (29.5in x 22in)

£1,000-1,500



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31§ FG471/45GELISABETH FRINK R.A.(BRITISH 1930-1993)CORMORANTStamped, signed and dated5/150 in pencil to margin,colour lithograph

65cm x 50cm (25.5in x 19.5in)

£800-1,200

32§ FG491/2PAT DOUTHWAITE(SCOTTISH 1939-2002)FUNNY LADYSigned, mixed media on board

139cm x 100cm (54.75in x 39.25in)

£2,000-3,000



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33§ FG987/2PAT DOUTHWAITE(SCOTTISH 1939-2002)BIRD SHOULDERWatercolour and ink


£300-500

34§ FF578/1DOUGLAS THOMSON(SCOTTISH b. 1955)GREEN SEASigned, inscribed verso, oil oncanvas

75cm 55cm (29.5in x 21.5in)

£500-700



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35§ FF578/2DOUGLAS THOMSON(SCOTTISH b. 1955)THE WRITERSigned and dated ‘91,inscribed verso, oil on canvas

67cm x 52cm (26.5in x 20.5in)

£500-700

36§ FF657/2SIR WILLIAM MACTAGGARTP.R.S.A., R.A., R.S.W.(SCOTTISH 1903-1981)SUNSETSigned, oil on board

28cm x 40cm (11in x 15.75in)

£1,200-1,800



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37§ FF657/1SIR WILLIAM MACTAGGARTP.R.S.A., R.A., R.S.W.(SCOTTISH 1903-1981)LOCH THROUGH THE TREESInscribed verso ‘To ProfessorCrofton from WilliamMacTaggart, December 1960’,oil on board

29cm x 34.5cm (11.5in x 13.5in)

£1,000-1,500

38§ FG986/5NIAMH COLLINS(IRISH b. 1956)TWO ROCKSSigned, mixed media on paper

40.5cm x 56cm (16in x 22in)

£250-350



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39§ FF996/2GEOFFREY SQUIRE(SCOTTISH 1923-2012)SOAKING UP THE SUNSigned, oil on board


£700-900

40§ FF996/1GEOFFREY SQUIRE(SCOTTISH 1923-2012)TWO YOUNG WOMENSigned, oil on board

60cm x 50cm (23.5in x 19.75in)

£1,000-1,500



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41§ FF996/3GEOFFREY SQUIRE(SCOTTISH 1923-2012)AUTUMN FLOWERSSigned, oil on board

39cm x 33cm (15.5in x 13in)

£500-700

42§ FF996/4GEOFFREY SQUIRE(SCOTTISH 1923-2012)MISTY MORNINGSigned, watercolour


and another by the samehand (2)

£400-600



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44§WILFRID DE GLEHN R.A.(BRITISH 1870-1951)Signed, watercolour,bodycolour and pencil

39.5cm x 51cm (15.5in x 20in)

£300-500

43§ FG986/8ANTHONY EYTON R.A.(BRITISH b. 1923)WATERLOO BRIDGETOWARDS ST PAULSPastel on paper

47cm x 58.5cm (18.5in x 23in)

£200-300

45§ FG986/10JUAN STOLL (fl.1936-40)FITZROY SQUARESigned and dated 1936, oil oncanvas

71cm x 91.5cm (28in x 36in)

£600-800



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46§ FG986/9SUSAN RYDER R.P., N.E.A.C.(BRITISH b. 1945)BARLEY FIELDS ATWALSHAM-LE-WILLOWSSigned, oil on canvas


£600-800

47 FF982/1DAVID MICHIE R.S.A, R.S.W.,P.S.S.A. (SCOTTISH b. 1928)LADIES MANTLE,HOLLYHOCKS AND COSMOSSigned, oil on canvas

91cm x 127cm (36in x 50in)

£3,000-5,000



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Well-known Edinburgh artistDavid Michie has served as aTrustee for the The ScottishInternational Education Trustfrom 2004 until 2013 and asan enthusiast for the Trust’swork he has, mostgenerously, offered theproceeds of the sale of thiswork as a donation to SIET.This donation will spearheada fundraising initiative whichwill enable the Trust toexpand its support fortalented Scottish individuals.

The Scottish InternationalEducation Trust (SIET) (charitynumber SC009207) was setup in 1971 on the initiative ofSean Connery who donated

his fee for his role in the Bondfilm Diamonds Are Forever ascore funding for the Trust,along with a significantcontribution from fellow Scot,Jackie Stewart.

The Trust has two broadaims: to give financial help ata critical stage in theirdevelopment to Scots menand women who have shownability and promise, and whowish to take their studies orprofessional training furtherin circumstances wherepublic funds are not available;and to support projects whichthe Trust considers willcontribute to the cultural,social or economic well being

of Scotland, or theimprovement of the Scottishenvironment.

The Trust normally makesgrants to individual studentswho apply directly to theTrust, with a wide range ofaspirations and in a variety ofcircumstances. The grantsare generally for post-graduate level study and maysupport, for example, study ata dance academy in NewYork, advanced study in theclarinet at a conservatoire inParis, film studies, operasinging, historical research,law, engineering, and more.The common factor is thatthey are excelling in their field

and have opportunitiesavailable to them, where agrant from SIET wouldcontribute significantly totheir ability to pursue these.

The Trustees are Scots whohave distinguishedthemselves in careerscovering a wide range ofactivities including industry,education, sport, and the arts.

For further information on thework of the Trust please visithttp://www.scotinted.org.uk

48§ FG939/1JOHN HOUSTON O.B.E.,R.S.A. (SCOTTISH 1930-2008)CORNFIELDS, EAST LOTHIANSigned, inscribed with titlestretcher verso, oil on canvas


£1,500-2,000



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49§ FG936/3JOHN BELLANY C.B.E., R.A.,H.R.S.A.(SCOTTISH 1942-2013)A DESERTED STREET SCENESigned with initials, signedcanvas verso, oil on canvas


£1,000-1,500



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‘Philip Reeves operates at the junction of perceived and reconstructed reality’unattributed – found jotted on the back of a brown envelope by Joan Hughson.

This small exhibition of worksfor sale is above allcelebratory. The devotees ofPhilip Reeves’ work have longrecognised his consistentlyfresh, developing work andworth. Collectors havebecome addicted – and theynever tire of his prints,paintings, collages and reliefsonce given a place on theirwalls. These works need tobe lived with; they divulgetheir surprises and subtletieswith slow-release, persistentmagic.

This display of Reeves’ worksfor sale here at Lyon &Turnbull is also designed togenerate some financialsupport for a proposed newbook about Philip Reeves. Itis puzzling that no bookabout him has yet beencommissioned given hisstanding within the Scottishart world and enduringpopularity among collectors.Reeves has long beenchampioned by galleries suchas the Fine Art Society, Cyril

Gerber Fine Art, the Open EyeGallery, The Mercury Galleryand the Hughson Gallery.They and institutional publicgalleries including theHunterian Art Gallery inGlasgow and the Talbot Ricein Edinburgh have striven tomake known how special andprofound his expressive,sophisticated take onabstraction is. Several criticshave pointed out that if thishighly original artist had beenworking in Europe, andexhibited there as much ashe has consistently been inScotland, he would be ahousehold name and/or anational hero by now.

Nonetheless, Reeves remainsone of Scotland’s mostinfluential practising artists.His significant contribution asfounder member of theEdinburgh Printmakers andGlasgow Print Studios in the1970s continues to stimulateinternationally acclaimed artactivity in this country todayand his work holds a place in

Scotland’s NationalCollection.

Philip Reeves deserves abook – and so does the artpublic.

We are grateful to JoanHughson, ChristopherAndreae and Philip Reevesfor their assistance inassembling the notes for thissection.

PHILIP REEVES

Philip Reeves

Photographedby

Andy

Philipson,livew

ireimage.com

50 FG977/8PHILIP REEVES R.S.A.,P.P.R.S.W., A.R.C.A.(SCOTTISH b. 1931)STAFFIN COASTSigned, ink, gouache, collage

110cm x 75cm (43in x 29.5in)

Note:Staffin and Staffin island are on thefar north east coast of Skye, about18 miles north of Portree. The roadthrough Staffin hugs the coast, andwhile driving there Reeves stoppedto record the landscape in a seriesof drawings. This finished work,made in his studio, emphasises theverticality of cliff and rock-face inthis part of Skye.

£800-1,200



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51 FG977/7PHILIP REEVES R.S.A.,P.P.R.S.W., A.R.C.A.(SCOTTISH b. 1931)LOWER ELEVATIONSigned, ink, gouache, collage


Note:This simple and elegant work isabout the descent via steps to theinterior of a building.

£700-900

52 FG977/14PHILIP REEVES R.S.A.,P.P.R.S.W., A.R.C.A.(SCOTTISH b. 1931)NORTHEAST TIDESigned, ink, gouache, collage


Note:When Reeves first came to Glasgow(in 1954), people told him howwonderful the north west ofScotland was for painting. So hedeliberately headed up the eastcoast. Its landscape appealedgreatly and resulted in many printsand paintings. He found the rednessof the earth, rocks and cliffsfascinatingly different from thechalk-white strata he knew insouthern England where he wasborn and brought up.

£400-600



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53 FG977/5PHILIP REEVES R.S.A.,P.P.R.S.W., A.R.C.A.(SCOTTISH b. 1931)BEACHSigned, etching, edition 9/14

59cm x 85cm (23in x 33.5in)

Note:The foreground features stepsleading down to the beach wherethree ladies are sunbathing. Theinspiration for this strangely surrealprint came from a beach inNorthumbria.

£250-350

54 FG977/3PHILIP REEVES R.S.A.,P.P.R.S.W., A.R.C.A.(SCOTTISH b. 1931)WINTER PLOTSigned, ink, gouache, collage

70cm x 147cm (27.5in x 58in)

Note:In several works, Reeves has givenblack, white and grey a seasonalreference. The Cyril Gerber Gallery,Glasgow, has invited favourite artiststo contribute works to occasionalexhibitions designed to celebrateallotment plots. Reeves has heredivided the surface of his collageinto a strongly abstract, rectangularground plan. Plots in winter aregenerally rather monochromebefore the ice melts and fresh seedsare sown.

£1,200-1,800



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55 FG977/13PHILIP REEVES R.S.A.,P.P.R.S.W., A.R.C.A.(SCOTTISH b. 1931)MALLSigned, ink, gouache, collage

76.5cm x 55cm (30in x 21.5in)

Note:The appearance of shopping malls isforever changing as shops replaceshops or windows are redesigned. Inthis work the viewer might belooking past a foreground of verticalcollaged elements like colourfulhoardings, banners or columns, torough, unfinished architecturalspaces. These hoardings identifyand yet at the same time hide theemerging structures beyond them.

£400-600



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56 FG977/10PHILIP REEVES R.S.A.,P.P.R.S.W., A.R.C.A.(SCOTTISH b. 1931)REGENCY RESTORATIONSigned, ink, gouache, collage

100cm x 75.5cm (39.5in x 30in)

Note:Architecture in its many forms is asource of perennial interest toReeves. As a child and young man inCheltenham, Gloucestershire, hewas well aware of regency buildings.Here a section of wall which isunder repair is exposed and isolated.The image’s climbing compositioncarries musical undertones. Musicfor Reeves, as it moves him, doesnot only convey sound, but alsoallows for potently abstract imagesto emerge.

£800-1,200

57 FG977/11PHILIP REEVES R.S.A.,P.P.R.S.W., A.R.C.A.(SCOTTISH b. 1931)COAST LINESigned, ink, gouache, collage


Note:The white horizontal band acrossthe centre of this painting suggeststhe tide.A man-made structure on the right,a rigid rectangular shape, might bea vertical bulwark against the forceof the sea. The strength of this worklies above all in its powerful abstractstructure.

£700-900



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58 FG977/6PHILIP REEVES R.S.A.,P.P.R.S.W., A.R.C.A.(SCOTTISH b. 1931)MODERN INTERIORSigned, ink, gouache, collage

58cm x 103cm (23in x 40.5in)

Note:Balance – and imbalance – of shapeand colour make for an image thatis both structurally fixed anddynamically free. As he does in thiswork, Reeves habitually breaks outof the confines of the conventionallyrectangular format of paintings. Heis also fascinated by “modernity”, inthis case making a visual virtue outof a severely designed modern sofathat may or may not be comfortableto sit on, but is meant to look goodregardless.

£800-1,200

59 FG977/9PHILIP REEVES R.S.A.,P.P.R.S.W., A.R.C.A.(SCOTTISH b. 1931)VENETIAN MIRRORSigned, etching, edition 6/8

70cm x 47cm (27.5in x 18.5in)

Note:Reeves was born a twin. The twoboys were not exactly mirror imagesof each other and furthermore, theyled very different lives, with differentinterests. This so-called “mirror” – asimple but strong abstract image –if divided vertically, would present abalanced but not a preciselyidentical likeness.

£300-500



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60 FG977/4PHILIP REEVES R.S.A.,P.P.R.S.W., A.R.C.A.(SCOTTISH b. 1931)SHORE OBJECTSSigned, etching edition 7/10

57cm x 60cm (22.5in x 23.5in)

Note:Always attracted by unusual shapesor forms, Reeves convincinglyintegrates the man-made with thenatural in this print. A seeminglyrandom scattering of washed up“Shore Objects” has apparentlysettled on the pebbles – until thenext tide sweeps in. In both hisprints and his paintings Reeves is apersistently inventive user of “foundobjects.” He is in his element whencontriving collages incorporatingsuch abandoned fragments.

£250-350

62 FG977/15PHILIP REEVES R.S.A.,P.P.R.S.W., A.R.C.A.(SCOTTISH b. 1931)THE CORRIDORSigned, ink, gouache, collage

16cm x 75.5cm (6.5in x 29.5in)

Note:The viewer of this long paintingmight, in the mind’s eye, walk alongthis painterly “corridor” registeringits changes of rich colour, shapeand form as he goes.

£400-600



35

61 FG977/12PHILIP REEVES R.S.A.,P.P.R.S.W., A.R.C.A.(SCOTTISH b. 1931)EBBEtching,artist’s proof (uniquecopy)

39.5cm x 71cm (15.5in x 28in)

Note:This strongly structured, surgingprint focuses like some of Reeves’earlier etchings on the motion of theretreating tide.

£200-300

63 FG977/1PHILIP REEVES R.S.A.,P.P.R.S.W., A.R.C.A.(SCOTTISH b. 1931)ENTRANCESigned, ink, gouache, collage

102cm x 130cm (40in x 51in)

Note:This work was prompted by theentrance to a museum in Istanbul,where a classical sculpture of afemale nude seemed to Philip to bein unusual contrast to the moreexpected clothing of women that isthe cultural norm in Turkey. Hisnude, not much more than a half-hidden contour, might also be readas a vase or amphora.

£1,000-1,500



36



37

64 FG977/2PHILIP REEVES R.S.A.,P.P.R.S.W., A.R.C.A.(SCOTTISH b. 1931)STREET FURNITURESigned, ink, gouache, collage

79cm x 174cm (31in x 78.5in)

Note:This work, an impressive processionof verticals, is inspired by colourfulhoardings and fencing Reeves hasseen along city streets when shopsor building sites are partly hidden bysuch screens from interestedpassers-by.

£1,500-2,500

65§ FG936/2LEON MORROCCO A.R.S.A.(SCOTTISH b. 1942)SUNBATHER, ANTIBESSigned and dated ‘02, oil onboard


£1,500-2,500



38

66§ FG936/1LEON MORROCCO A.R.S.A.(SCOTTISH b. 1942)BEACH SHOWERSigned and dated ‘05, oil onboard


£1,200-1,800

67§ FE355/5ALBERTO MORROCCO O.B.E.,R.S.A., R.S.W.(SCOTTISH 1917-1998)DONKEYS, ANTICOLISigned and inscribed‘Corrado’, watercolour

70cm x 54cm (27.5in x 21.25in)

£800-1,200



39

67A§DAVID MICHIE R.S.A., R.G.I.(SCOTTISH b. 1928)CORMORANTS ON A ROCKSigned and dated '73, oil oncanvas


£600-800

68§ FG722/1SCOTTIE WILSON(SCOTTISH 1889-1972)ORGANIC FORMSigned, mixed media on paper

22cm x 19cm (8.5in x 7.5in)

£400-600



40

70§ FF997/2JEAN DUBUFFET(FRENCH 1901-1985)PERSONNAGE 11Signed in plate, lithograph


£400-600

69§ FG48/3GEORGES ROUAULT(FRENCH 1871-1958)CRISTAL DE ROCHEEtching and aquatint

31cm x 20cm (12.25in x 8in)

£300-500

71§ FG988/10SIR EDUARDO PAOLOZZIR.A., H.R.S.A.(SCOTTISH 1924-2005)ENIGMA FOR ALAN TURINSigned and dated 1999 andinscribed with title in pencil tomargin, numbered 44/100,screenprint


£200-300



41

72§ FG946/1GERALD LAING(SCOTTISH 1936-2011)STARLETSigned, screenprint

88cm x 58.5cm (34.5in x 23in)

£700-1,000

73§ FG990/2CRAIG MULHOLLAND(SCOTTISH b. 1969)LIFE CLASSInscribed with title verso, oilon canvas

119cm x 118cm (47in x 46.5in)

£4,000-6,000



42

74§ FG990/1CRAIG MULHOLLAND(SCOTTISH b. 1969)LIFE ROOMInscribed with title verso, oilon canvas

119cm x 118cm (47in x 46.5in)

£4,000-6,000



43

75§ FG989/2AROB AND NICK CARTER(BRITISH CONTEMPORARY)UNTITLED 9Original cibachrome print andgloss paint

50cm x 50cm (19.5in x 19.5in)

£600-800



44

76§ FG989/2ROB AND NICK CARTER(BRITISH CONTEMPORARY)UNTITLED 8Original cibachrome print withgloss paint

50cm x 50cm (19.5in x 19.5in)

£600-800

77§ FG989/11MARY WEBB(BRITISH b. 1939)SPRING COLOUR STUDY 141994Signed and inscribed on thestretcher verso, oil on canvas

183cm x 183cm (72in x 72in)

Note:Webb’s work is abstract andstriking. In this piece she uses boldcoloured rectangles spread acrossthe canvas. Webb has the sensibilityof a landscapist, much of her workproduced as reflections on hertravels, naming her works after theplaces that inspired them.

£700-900



45

78§ FG989/9MARY WEBB(BRITISH b. 1939)SPRING COLOUR STUDY IV2001Signed and inscribed verso,oil on canvas

111cm x 111cm (43.5in x 43.5in)

£600-800

79 FG989/14KEVIN FINKLEA(AMERICAN b. 1958)DRIFT SERIES2002-3, inscribed with titlesverso, acrylic on canvas (6)

Of varying sizes, the largest of

which 28cm x 36 (11in x 14in)

Note:Each work is given the title of adifferent anti-depressant.

£200-300



46



47

81§ FG988/9CHRIS BUSHE R.S.W.(SCOTTISH b. 1958)ANCIENT SETTLEMENTOil on canvas

90cm x 93cm (35.5in x 34.5in)

£400-600

80§ FG988/5CLAIRE HARRIGAN R.S.W.(SCOTTISH b. 1964)CALM SEASigned, mixed media


£400-600

82§ FG687/1SIR ROBIN PHILIPSON R.A.,P.R.S.A., R.S.W., R.G.I.(SCOTTISH 1916-1992)THRENODY, DESPAIRSigned and dated ‘68,watercolour

88cm x 59cm (34.5in x 23.25in)

Exhibited:Aitken Dott, ‘Festival Exhibition’’, no.2, 1970; The Royal ScottishAcademy, no.447, 1970; The RoyalScottish Society of Painters inWatercolour, no. 39, 1970

£3,000-5,000



48

83§ FG672/1DAVID MCCLURE R.S.A.,R.S.W (SCOTTISH 1926-1998)STILL LIFE FLOWERS ANDCOCKSigned, inscribed on a labelverso, oil on board

30.5cm x 23cm (12in x 9in)

£1,000-1,500



49

84§ FG950/3CAROLINE MCNAIRN(SCOTTISH 1955-2010)WOODS IN AUTUMNWatercolour

25cm x 35cm (9.75in x 13.75in)

£400-600

85§ FG950/2CAROLINE MCNAIRN(SCOTTISH 1955-2010)ABSTRACT WITH TREESWatercolour

25cm x 35cm (9.75in x 13.75in)

£400-600

86§ FF828/3JOHN HOUSTON O.B.E.,R.S.A. (SCOTTISH 1930-2008)ELIZABETH BLACKADDER ATTHE COASTSigned and dated 1986,watercolour

132cm x 79cm (52in x 31in)

£900-1,200



50

87§ FF828/1GEORGE DEVLIN(SCOTTISH b. 1937)STORM II1969, gouache andwatercolour


Exhibited:The Scottish Gallery, 1969, cat.27

£300-500

88§ FG950/1JOHN HOUSTON O.B.E.,R.S.A. (SCOTTISH 1930-2008)SUNSET OVER FIFEC.1968-72Signed, oil on canvas


£3,000-5,000



51

89§ FG465/1ALEXANDER GOUDIE R.P.(SCOTTISH 1933-2004)STILL LIFE OF DAISIESSigned, oil on canvas

90cm x 70cm (35in x 27.5in)

£1,500-2,500



52

90§ FG940/1ALEXANDER GOUDIE R.P.(SCOTTISH 1933-2004)STILL LIFE OF FLOWERS IN ACHINA JUGSigned, oil on board

35cm x 26cm (13.75in x 10.25in)

£1,000-1,500



53

91§ FG672/5DAVID MCCLURE R.S.A.,R.S.W (SCOTTISH 1926-1998)THE YELLOW SHAWL 11Signed, signed and inscribedverso, oil on canvas


£3,000-5,000

92§ FH62/1SARAH MCLAREN(SCOTTISH CONTEMPORARY)SELF-PORTRAITWatercolour


£500-700



54

93§ FH62/2SARAH MCLAREN(SCOTTISH CONTEMPORARY)BORDER LANDSCAPEWatercolour

96cm x 71cm (37.5in x 28in)

£600-800

94§ FH68/1PETER MCLAREN(SCOTTISH b. 1964)STILL LIFE WITH YELLOWAND BLACK BOWL AND REDAND PINK POPPIESSigned and inscribed with titleverso, oil on board

89cm x 105cm (35in x 41in)

£4,000-6,000



55

95§ FF824/1ANNE REDPATH O.B.E.,A.R.A., R.S.A.(SCOTTISH 1895-1965)STILL LIFE WITH HENColour lithograph

47cm x 67cm (18.5in x 26.5in)

£250-350



56

97§ FF871/8CARLO ROSSI R.S.W., R.G.I.(SCOTTISH 1921-2010)BARGA, TUSCANYSigned and indistinctly dated‘70(?), ink and wash

27cm x 37cm (10.5in x 13.5in)

£400-600

96§ FF871/11STEFAN KNAPP(BRITISH 1921-1996)ABSTRACT COMPOSITIONSigned, enamel on steel


£600-800

98§ FG471/45BJOHN CUNNINGHAM R.G.I.(SCOTTISH 1926-1998)CHILDREN IN THE DUNESSigned, oil on canvas

62cm x 76cm (24.5in x 30in)

£1,000-1,500



57

99§ FG471/45AJOHN CUNNINGHAM(SCOTTISH 1926-1998)THE SUMMER MEADOWSigned, oil on canvas

62cm x 74cm (24.5in x 29in)

£1,000-1,500

100 FF430/2MANNER OF DENISMITCHELLMODERNIST FORMBrass


£500-700



58

102§ FF625/1GEORGE WYLLIE M.B.E.,R.S.A., R.G.I.(SCOTTISH 1921-2012)A DAY DOWN A GOLDMINEInscribed ‘To Margaret fromADDAGM, ICA ‘86, with loveGeorge Wyllie’, gold-paintedbrick with leather handle

10.5cm x 22cm (4in x 8.75in) not

including handle

£400-600

101 FF72/26CAST BRONZE ABSTRACTSCULPTUREMOTHER & CHILDBronze


(excluding base)

£400-600

103§ FF809/3WILLIAM GEAR(SCOTTISH 1915-1997)STRUCTURE WITH YELLOWSigned, inscribed and dated‘71 verso, oil on canvas

152.5cm x 101.5cm (60in x 40in)

Exhibited:Royal Academy, London 1972

£5,000-7,000



59

104§ FF809/1WILLIAM GEAR(SCOTTISH 1915-1997)UNTITLEDSigned and dated ‘59, mixedmedia


£1,000-1,500



60

105§ FG491/4WILLIAM JOHNSTONE O.B.E.(SCOTTISH 1897-1981)RAIN IN ETTRICKSigned verso and dated ‘19,oil on canvas, unframed

71cm x 91cm (28in x 35.5in)

£2,000-3,000

106§ FF871/10WILLIAM JOHNSTONE O.B.E.(SCOTTISH 1897-1981)HIS LANDSigned with monogram,watercolour


£300-500



61

107§ FF871/2WILLIAM JOHNSTONE O.B.E.(BRITISH 1897-1981)HEAD STUDY - HOPE SCOTTOil on canvasboard

65cm x 54cm (25.5in x 21.25in)

Provenance:The artist’s family

Note:Hope Scott was one of Johnstone’smuses.

£600-800

108§ FG987/3MICHAEL ROTHENSTEIN(BRITISH 1908-1993)SEAGULLS AND SUNSigned in pencil to margin,screenprint

33cm x 50cm (13in x 19.5in)

£250-350



62

109§ FF247/1BRUCE MCLEAN(SCOTTISH b. 1944)GUCCI HEADSigned, acrylic on paper


Exhibited:The Scottish Gallery, ‘FestivalExhibition’, no. 41, 1986.

£700-900

110§ FG989/13SIR TERRY FROST R.A.(BRITISH 1915-2003)TIMBERAINE I (TRIPTYCH) 2001Inscribed verso, woodcut

Overall size: 100cm x 150cm (39.5in x 59in) (3)

Note:From the paper attached to the artwork:This piece is from the Timberaine series thatconsist of 10 different woodcuts. The ideabehind this series came from one of Frost’slarge stripe paintings, and was inspired by treetrunks in a forest. Working in woodcut allowedFrost to accomplish the quality and clarity ofdesign he envisioned, in contrast to his painting,where the edges of the stripes were inevitablysofter. In this technique Frost used threeseparate woodcuts to make up the pieces.

£2,000-3,000



63

111§ FG989/16SIR TERRY FROST R.A.(BRITISH 1915-2003)TIMBERAINE G (TRYPTICH)2001Inscribed verso, woodcut

Overall size: 100cm x 150cm

(39.5in x 59in) (3)

£2,000-3,000



64

112 FG989/4CONTEMPORARY BRITISHSCHOOLGEOMETRIC FORMS BLUEAND WHITEIndistinctly signed and dated‘99, numbered 9/25,screenprint

57cm x 76cm (22.5in x 30in)


£300-500



65

113§ FG989/15MATHEW SANT(CONTEMPORARY BRITISH)LIQUID FRUITSSigned, titled and numbered1/1, unique multi-layeredgiclee print

87cm x 125cm (34in x 49in)


£300-500

114§ FG994/1MILES ALRIDGE(BRITISH b. 1964)VENUS SMILES #5Edition 2/6, original lambdaprint

102cm x 152cm (40in x 60in)

£2,000-3,000



66

115 FG984/2SUNDAY B. MORNINGCLASSIC MARILYNPortfolio of 10 colour silkscreen, stamped on verso‘Sunday B. Morning’, with certification fromSunday B. Morning


£800-1,200

116 FG984/3SUNDAY B. MORNINGCAMPBELLS SOUPPortfolio of 10 coloursilkscreen, stamped verso“Sunday B. Morning”, withcertification from Sunday B.Morning


£800-1,200



67

117 FG984/1SUNDAY B. MORNINGDIAMOND DUST MARILYNSilkscreen print with diamonddust, part of a limited edition,stamped verso “Published bySunday B. Morning”, withcertification from Sunday B.Morning


£1,000-1,500

118§ FG989/1FRANK BEANLAND(BRITISH b. 1936)UNTITLED WITH BLUEAcrylic on newsprint

113cm x 138cm (44.5in x 54in)

Note:Beanland’s deceptively simpleabstract works are influenced bynature, his surroundings andexperience. Most recently he hasdiscovered what he regards as anew and exciting way of makingpictures - the use of acrylics onnewspaper. What results is abstractworks on top of each other withcomplementary colours andinterwoven patterns.

£800-1,200



68

119§ FG989/12ANTHONY FROST(BRITISH b. 1951)MASCARA SNAKE VIISigned and dated ‘09, uniquescreenprint with woodblock

99cm x 129cm (39in x 51in)

Note:Noted for his abstract worksconsisting of brightly-coloured printsand collages, Anthony Frost’s workhas always been inspired by music.This work is from the MascaraSnake series which borrows the titlefrom 1960s music band.

£400-600

120§ FG988/4PETER BOURNE R.S.W.(SCOTTISH b. 1931)LEMONSigned, oil on board

44cm x 47cm (17in x 18.5in)

£250-350



69

121§ FG929/2ROBYN DENNY(BRITISH b. 1930)SIX MINIATURES, 1975Published for PSA SuppliesDivision by Editions AlectoLtd, coloured screenprint

71cm x 95cm (28in x 37.5in)

£180-220

122§ FG989/6SANDRA BLOW R.A.(BRITISH 1925-2006)FOUR SQUARESigned and inscribed with titlein pencil to margin, numbered9/120, silkscreen

90cm x 90cm (35.5in x 35.5in)

Note:A pioneer of the British post-warabstract movement Sandra Blow’swork started in the radicalatmosphere of the pre-Arte Poveramovement under the influence ofAlberto Burri who became her loverin 1947. Electing the painted canvasas her media of expression, sheremained loyal to the language ofabstraction throughout her career.

£500-700



70

123§ FG989/7IAN DAVENPORT(BRITISH b. 1966)NINE ARCHES SERIESSigned, dated 2005 andnumbered 6/30 verso,screenprint on somersetpaper

27cm x 27cm (10.5in x 10.5in)

and a further eight works bythe same hand (9)

£600-800



71

124§ FG989/3DUNCAN COOK(BRITISH CONTEMPORARY)RELATIVE POSITIONS SERIESLambda print


and four further works by thesame hand (5)

£600-800

126§ FF984/2HOWARD HODGKIN(BRITISH b. 1932)ALEXANDER STREET, 1978Numbered 10/90 in pencil,aquatint

34cm x 61cm (13.5in x 24in)

£800-1,200

125§ FF871/13GILLIAN AYRES C.B.E., R.A.(BRITISH b. 1930)ABSTRACT ON A WHITEGROUNDSigned and dated ‘70 verso,enamel on metal


£800-1,200



72



73

127§ FG989/5SARAH MORRIS(BRITISH b. 1967)FREEMONT STREETEXPERIENCE 2000Numbered 27/35 verso,silkscreen



£700-900

128§ FG979/3FIONNA CARLISLE(SCOTTISH b. 1954)THE PINK SUN HATSigned and dated ‘87,watercolour and acrylic onpaper


£200-300



74

129§ FG985/2ERIC HOLT(BRITISH b. 1944-?)THE BATHERSSigned and dated ‘78, eggtempera on panel

11cm x 9cm (4.25in x 3.5in)

Exhibited:The Piccadilly Gallery, 1987

£600-800

130§ FG985/1ERIC HOLT(BRITISH b. 1944-?)OEDIPUS AND THE FATESSigned and dated 1988-9, eggtempera on panel

103cm x 70cm (40.5in x 27.5in)

Exhibited:The Royal Academy SummerExhibition, 1990, no. 1

£2,000-3,000



75

131§ FG988/11LOUIS MCNALLY(SCOTTISH b. 1963)WEST END STILL LIFESigned, oil on panel


£400-600



76

132§ FH67/2ALLY THOMPSON(SCOTTISH CONTEMPORARY)AUTUMN EVENING, OVERRESERVOIR, MILNGAVIESigned, signed and inscribedwith title and dated ‘94 verso,pastel

51cm x 72cm (20in x 28.25in)

£250-350

133§ FH67/1ALLY THOMSON(SCOTTISH CONTEMPORARY)BARN WITH OUTHOUSE INTHE EVENING SUNSigned, signed and inscribedwith title verso, oil on canvas

76cm x 50cm (30in x 19.75in)

£300-500



77

134§ FH61/1PETER COLLINS(SCOTTISH b. 1935)MOON FLOWERSigned with initials and dated‘59, mixed media

126cm x 70cm (49.5in x 27.5in)

£600-800

135§ FG979/4HENRY MOORE O.M., C.H.(BRITISH 1898-1986)MOTHER AND CHILD XXII,1983Signed and numbered inpencil, etching and aquatintand roulette, from Motherand Child portfolio, edition of65, with 15 H.C.’s, number43/65. Printed by JamesCollyer and John Crossley,London 1983-1986, publishedby Raymond SpencerCompany Ltd for the HenryMoore Foundation

22cm x 17.5cm (8.75in x 7in)

(plate size)

£400-600



78

136§ FH73/1IAN FLEMING R.S.A., R.S.W.(SCOTTISH 1906-1990)GETHSEMANE, 1931Signed and inscribed ‘Artist’sproof, 2nd edition, 1990’ inpencil to margin, engraving

34cm x 44cm (13.25in x 17.25in)

(plate size)

£600-800

137§ FH73/3WILL MACLEAN M.B.E.,R.S.A., R.S.W.(SCOTTISH b. 1941)STRATHNAVERArtist’s proof, signed,inscribed with title and dated‘93 in pencil to margin,stamped, etching

49cm x 32cm (19.25in x 12.5in)

(plate size)

£300-500



79

138§ FF984/7KEN CURRIE(SCOTTISH b. 1960)REMBRANDT’S CARCASSSigned, dated ‘91 andinscribed with title in pencil tomargin, numbered 30/40,etching


£200-300

139§ FH73/2ADRIAN WISZNIEWSKIA.R.S.A. (SCOTTISH b. 1958)JOAN OF ARCStamped, signed and dated‘81 in pencil, pastel

59cm x 42cm (23.25in x 16.5in)

£300-500



80

140§ FF997/1MARC CHAGALL(RUSSIAN-FRENCH1887-1985)VISION DE PARISSigned in plate, lithograph

35cm x 27cm (13.5in x 10.5in)

£400-600

141§ FF984/6JOHN BYRNE(SCOTTISH b. 1940)DON’T LOOK BACKSigned, inscribed with title,dated ‘92 and numbered 6/20in pencil to margin, etching

10.5cm x 13cm (4in x 5in)

(plate size)

£250-350



81

142§ FG722/3DANNY FERGUSSON(SCOTTISH 1925-1993)GLASGOW URCHIN ANDGRAFFITIOil on board

35cm x 42cm (13.75in x 16.5in)

£500-700

143§ FF584/51LEON MORROCCO R.S.A.(SCOTTISH b. 1942)FRUIT AND FLOWERS ON ASTRIPED CLOTHSigned and dated 1992, pastel

109cm x 76cm (43in x 30in)

£2,000-3,000



82

144§ FF576/5BET LOW(SCOTTISH 1924-2007)DAUGHTER AND DOLLSigned, ink

43.5cm x 26cm (17in x 10in)

£300-500

145§ FG696/1GEORGE BIRRELL(SCOTTISH CONTEMPORARY)BLUE LANDSCAPESigned and dated ‘79,gouache and watercolour

24cm x 23cm (9.5in x 9in)

£600-800



83

147§ FG988/1GEORGE BIRRELL(SCOTTISH CONTEMPORARY)EIGHT A.M.Signed, mixed media


£300-500

146§ FG696/2GEORGE BIRRELL(SCOTTISH CONTEMPORARY)FIFE HOUSES, EVENINGSigned and dated ‘79,watercolour

24cm x 23cm (9.5in x 9in)

£500-700

148§ FF629/1JOHN LOWRIE MORRISON(JOLOMO)(SCOTTISH b. 1948)WHITE GERBERASSigned, signed and inscribedwith title and dated 2004verso, oil on canvas

40cm x 40cm (15.75in x 15.75in)

£800-1,200



84

149§ FG574/13JOHN HOUSTON R.S.A.,R.S.W., S.S.A(SCOTTISH 1930-2008)POPPIES, WHITE, PINK ANDREDSigned, signed, inscribed withtitle and dated 1987 stretcherverso, oil on canvas

39cm x 44cm (15in x 17.25in)

£1,500-2,500

150§ FG771/1DAVID MCCLURE R.S.A.,R.S.W. (SCOTTISH 1926-1998)THE PIANOFORTESigned, oil on board

30cm x 31cm (12in x 12.25in)

£2,000-3,000



85

151§ FF988/3DOUGLAS THOMSON(SCOTTISH CONTEMPORARY)GODOTSigned, signed and inscribedwith title verso, oil on board

39.5cm x 29cm (15.5in x 11.5in)

£300-500



86

153§ FF616/2DOUGLAS THOMSON(SCOTTISH b. 1955)PHILOSOPHERSigned, signed and inscribedwith title verso, oil on canvasboard

32cm x 28cm (12.5in x 11in)

£400-600

152§ FG722/2JOHN G. BOYD

(SCOTTISH 1940-2001)STUDY OF A STUDENT -

YASMINESigned, oil on paper

25cm x 19cm (9.75in x 7.5in)

£300-500

154§ FG500/3JOHN G BOYD R.P., R.G.I(SCOTTISH 1940-2001)GETHSEMANESigned, oil on canvas


£2,000-3,000



87

155§ FG911/1JAMES FULLARTON(SCOTTISH b. 1946)STILL LIFE WITH PINKSSigned, oil on canvas


£2,000-3,000



88

156§ FG941/3DONALD MANSON(SCOTTISH CONTEMPORARY)STILL LIFE WITH PANSIESAND TULIPSSigned, oil on board


£400-600

157§ FF871/4JACK SIMCOCK(BRITISH b. 1929)FROM WOOD STREET, MOWCOPSigned and dated ‘72, oil onboard

20.5cm x 36cm (10in x 14in)

£400-600



89

159§ FF871/5JACK SIMCOCK(BRITISH b. 1929)FIGURES IN A DARK LANESigned and dated ‘65, oil onboard


£400-600

158§ FF476/1JAMES HAWKINS(SCOTTISH CONTEMPORARY)TWISTED TREES ABOVELOCH LURGAINNSigned, and inscribed anddated 1998 stretcher verso,acrylic on canvas

110cm x 152cm (60in x 43in)

£3,000-5,000

160§ FG473/56MARDI BARRIE R.S.W.(SCOTTISH b. 1931)ACROSS TWO LAKESWatercolour

37.5cm x 74cm (14.75in x 29in)

Exhibited:Aitken Dott and Son, ChristmasExhibition, 1969.

£250-350



90

162§ FF737/3DONALD MORISON BUYERSR.S.W. (SCOTTISH 1930-2003)UNTITLEDSigned and dated ‘68, oil onboard

76cm x 152.5cm (30in x 60in)

£600-800

161§ FG943/1BET LOW A.R.S.A., R.S.W.(SCOTTISH 1924-2007)SUBMERGEDSigned, signed and inscribedverso, oil on board

34cm x 44cm (13.5in x 17.25in)

£600-800

163 FG920/1JON SCHUELER(AMERICAN 1916-1992)WINTER SERIES, 2Signed and inscribedstretcher verso, oil on canvas

70cm x 61cm (27.5in x 24in)

£800-1,200



91

164§ FG939/2EARL HAIG O.B.E., A.R.S.A.(SCOTTISH 1918-2009)FALLEN SUNFLOWERSSigned, oil on canvas


Exhibited:The Scottish Gallery, May 2003.

£800-1,200

165§ FG672/4ELIZABETH VIOLETBLACKADDER D.B.E., R.A.,R.S.A., R.S.W., R.G.I., D.LITT.(SCOTTISH b. 1931)SLEEPING CATSigned and dated 1981, mixedmedia


£2,000-3,000



92

166§ FG672/6DAVID MCCLURE R.S.A.,R.S.W. (SCOTTISH 1926-1998)MALLORCAN WINDOW 1Signed, inscribed verso, mixedmedia

35.5cm x 48cm (14in x 19in)

£500-700

167§ FF871/9DAVID MCCLURE R.S.A.,R.S.W. (SCOTTISH 1926-1998)NUDE WITH NORWEGIANCHURCHOil on board, label ofauthentication from theartist’s estate verso

65cm x 45cm (25.5in x 17.5in)

Note:Appeared in the artist’s MemorialExhibition at the Scottish Gallery inMarch 2000 (cat.26)

£3,000-5,000



93

168§ FG986/4TOM COATES P.P.R.B.A.,R.W.S., R.P., R.O.I.(BRITISH b. 1941)LOCAL FLOWER SHOWSigned with initials, oil oncanvas

100cm x 76cm (39.5in x 30in)

£600-800



94

169§ FG480/1NORMAN EDGAR R.G.I.(SCOTTISH b. 1948)AUTUMN STILL LIFESigned, oil on canvas

103cm x 98cm (40.5in x 38.5in)

£1,500-2,500

170§ FB791/16JOHN BELLANY H.R.S.A.,R.A., C.B.E.(SCOTTISH 1942–2013)SHIP IN HARBOURSignd, oil on canvas

91cm x 123cm (36in x 48.5in)

£2,000-3,000



95

171§ FG909/1IAN FLEMING R.S.A., R.S.W.(SCOTTISH 1906-1994)LANDSCAPE WITH HILLSAND HOUSESSigned and dated ‘51,watercolour


£300-500



96

172§ FF871/7ADAM BRUCE THOMSONO.B.E., R.S.A., P.R.S.W.(SCOTTISH 1885-1976)DRYBURGH ABBEYSigned, watercolour


Exhibited:The Scottish Gallery, CentenaryExhibition, Jan-Feb 1985.

£400-600

173§ FG941/2DONALD MANSON(SCOTTISH b. 1948)MOULESSigned, oil on panel

74cm x 120cm (29in x 47in)

£600-800



97

174§ FG642/1JOHN PIPER C.A.(BRITISH 1903-1992)RUINED CHAPEL, ISLE OFMULL, 1975Artist’s proof, signed in pencilto margin, colour screenprint


£600-800

175§ FG989/10BERNARD COHEN(BRITISH b. 1933)ABOUT NOW VISigned and dated 2006,numbered 3/30, lithograph


£300-500



98

177§ FG988/6BARBARA RAE C.B.E., R.A.,R.S.A. (SCOTTISH b. 1943)KANOOInscribed with title andnumbered 70/90, screenprint

57cm x 76cm (22.5in x 30in)

£400-600

176§ FG979/2CAROLINE MCNAIRN(SCOTTISH 1955-2010)NEAR THE BRIDGESigned, oil on canvas

34cm x 34cm (13.5in x 13.5in)

£500-700

178§ FG938/1RALPH STEADMAN(BRITISH b. 1936)WILLIAM BURROUGHSNumbered 4/20, signed inpencil to margin, colourscreenprint


(plate size)

£500-700



99

179§ FF978/1JOHN CUNNINGHAM R.G.I.(SCOTTISH 1926-1998)HERE’S LUCK!Signed, watercolour and ink

20cm x 14.5cm (8in x 5.75in)

£200-300

180§ FF997/3ALLEN JONES(BRITISH b. 1937)EXHIBITION POSTER FOR:LITHOGRAPHS, EDITIONSELECTO, LONDON,NOVEMBER 1964Signed in pencil and inscribed‘64’, lithographic poster

112cm x 62cm (44in x 24.5in)

£150-250



100

181§ FG529/8MARK SEVERIN (1906-1987)WINGED FIGUREWatercolour and gouache

50cm x 34cm

Note:Mark Severin was one of the mostoutstanding engravers of his generation,specialising in fine miniature work, includingpostage stamps and book illustrations andworked for The Golden Cockerel Press. Hemade close to five hundred bookplates, ofwhich a great number are on erotic subjectsand was also active as an advertisementdesigner in Great Britain, producing posterdesigns for Imperial Airways and the LondonUnderground.

£600-800

182§ FG992/5IAN HAMILTON FINLAY(SCOTTISH 1925-2006)INTERIOR/INTERIEUR:HOMAGE TO VUILLARDSigned and numbered173/300 to presentation folio,pub. Wild Hawthorn Press,print, unframed

28cm x 28.5cm (11in x 11.25in)

and a further signed, limitededition print by Finlay, ‘SeaShells’ (2)

£300-500



101

183§ FG992/6IAN HAMILTON FINLAY(SCOTTISH 1925-2006)HOMAGE TO MALEVICHSigned and numbered224/300 to presenation folio,pub. Wild Hawthorn Press,print, unframed

28cm x 28.5cm (11in x 11.25in)

and a further signed, limitededition print by Finlay, ‘SeaShells’ (2)

£300-500



102

184§ FG992/2IAN HAMILTON FINLAY(SCOTTISH 1925-2006)SEAMSPrint, unframed

43.5cm x 56cm (17.25in x 22in)

and a further print by Finlay,‘La Belle Hollandaise’ (2)

£500-700

185§ FG992/3IAN HAMILTON FINLAY(SCOTTISH 1925-2006)SAILING BARGE: REDWINGSigned and numbered 157/300 topresentation folio, pub. Wild HawthornPress, print, unframed

31.5cm x 30cm (12.5in x 11.75in)

and another signed limited editionprint by Finlay, ‘At the Field’s Edge’ (2)

£400-600



103

186§ FG992/4IAN HAMILTON FINLAY(SCOTTISH 1925-2006)TRANSFORMABLE LINESEGMENTS: HOMAGE TO AGAMSigned and numbered 60/150 topresentation folio, pub. WildHawthorn Press, print, unframed

38cm x 26cm (15in x 10.25in)

and a further signed, limited editionprint by Finlay, ‘ Glossary’ (2)

£400-600

187§ FG992/1IAN HAMILTON FINLAY(SCOTTISH 1925-2006)SUMMER SALESBy Ian Hamilton Finlay anddesigner Jim Nicholson,published by the WildHawthorn Press, print,unframed

59cm x 45cm (23.25in x 17.75in)

and two further prints byFinlay, ‘Lullaby’ and ‘AfterBernini’ (3)

£500-700



104

188§ FH80/1PAUL REID(SCOTTISH b. 1979)THESEUS AND THEMINOTAURSigned, mixed media

64cm x 80cm (25in x 31.5in)

£1,000-1,500



105

189§ FF985/1ALISON WATT(SCOTTISH b. 1965)DARK LIGHT ISigned in pencil to margin,inscribed ‘I’ and numbered26/30, two colour lithographand screenprint

57cm x 55cm (22.5in x 21.5in)

£600-800

190§ FF984/4CALLUM INNES(SCOTTISH b. 1962)UNTITLED (GREEN)Numbered 17/01 in pencil,watercolour


£1,000-1,500

191§ FF984/3CALLUM INNES(SCOTTISH b. 1962)UNTITLED (MAROON)Numbered 2/01 in pencil,watercolour


£1,000-1,500



106



107

192§ FF984/1ALISON WATT(SCOTTISH b. 1965)OBLIQUE, 2004Oil on canvas

40.25cm x 40.25cm (16in x 16in)

£5,000-7,000

One of Scotland’s mostdistinguished contemporaryartists, Alison Watt was bornin Greenock and attendedGlasgow School of Art from1983 to 1988 where shedeveloped her long lifeinterest in the figurativesubject. While still a student,she came to public attentionin 1987 when she won theprestigious National PortraitGallery’s annual award and asa result was commissionedthe portrait of the QueenMother. During the 1990sWatt became famous for her

dryly painted human figuresand self-portraits which sheoften depicted in brightdecorative interiors.

In 1997 her career reached aturning point with theexhibition Fold (FruitmarketGallery, Edinburgh) a series ofworks in which fabric foldsare painted alongside thehuman figures in a mannerthat is much inspired by the19th century painter JeanAuguste Dominique Ingres.Fascinated by the sensuousnature of Ingres’s sumptuousmaterials, Watt started

looking at fabric as a morepowerful way to represent thehuman figure.

By the time of her next majorexhibition, Shift, in 2000 at theScottish Gallery of Modern Artthe figurative subject wasentirely substituted bymeticulously painted foldswhich came to define Watt’sdistinctive style. Lingeringtowards abstraction, thesecanvases yet carry a physicalpresence that is stronger thanever. The elegantly drapedwhite fabrics create amovement of shadows and

dark spots that reminds of asculpture. The heavy folds, atthe same time sensuous andmysterious, hiding andshowing, empty and full, verypowerfully suggest thepresence of a figure or ratherits absence.

In the past 20 years AlisonWatt has continued to studythe infinite expressions offabric folds. Her work hasbeen widely exhibited in GreatBritain and abroad. The workpresented in this sale is anexpression of her veryparticular style.

193§ FG717/2STEPHEN CONROY(SCOTTISH b. 1964)FIGURE STUDYSigned and dated 1987 verso,oil on paper

68cm x 48cm (26.75in x 19in)

£2,000-3,000



108

STEPHEN CONROY

Stephen Conroy is one of themost significant artists tohave emerged from theGlasgow School of Art in thelast thirty years. Within twoyears of completing his underand post graduate degrees inthe late 1980s he began togarner international acclaimand his work now features innumerous private collections,as well as significant publicinstitutions including TheContemporary Art Society,London; Frissiras Museum,

Athens; The MetropolitanMuseum of Art, New York;National Portrait Gallery,London; Scottish NationalGallery of Modern Art,Edinburgh and the ScottishNational Portrait Gallery,Edinburgh.

Conroy’s work sits in theBritish figurative tradition,inheriting the mantle fromtwentieth century artists suchas Francis Bacon, one of hisgreatest and most obviousinfluences. Unlike Bacon

Conroy does not distort hisimagery, though they sharethe tendency to isolate the(usually male) subject outwitha naturalistic backdrop; theeffect being to focus all of theintensity of our attention onthe depiction of character andform. This is enhanced by therealism and assertiveboldness of Conroy’sdraughtsmanship.

In this sale we are pleased topresent two excellentexamples of his technique.

Even in these playfulpreparatory sketches we findourselves fully engaged in thepsychology Conroy seeks toconvey of his subjects.

194§ FG717/1STEPHEN CONROY(SCOTTISH b. 1964)THE ESCAPISTSigned and inscribed with titleand dated 1992 verso,gouache on paper


£3,000-5,000



109

195§ FG714/1CALLUM INNES(SCOTTISH b. 1962)UNTITLED, 2009, NO. 60Signed and dated stretcherverso, oil on linen, unframed

64cm x 62cm (25.25in x 24.5in)

£10,000-15,000

END OF SALE



110



111

Aldridge, M., 114Ayres, G., 125

Barrie, M., 160Beanland, F., 118Bellany, J., 11, 12, 13, 49, 170Birrell, G., 145, 146, 147Blackadder, E.V., 165Blow, S., 122Bourne, P., 120Boyd, J., 25, 26, 27Boyd, J.G., 152, 154British School, 112Bushe, C., 18, 81Buyers, D.M., 162Byrne, J., 141

Carlisle, F., 128Carter, R. and N., 75, 76Chagall, M., 140Coates, T., 168Cohen, B., 175Collins, N., 38Collins, P., 134Conroy, S., 193, 194Cook, D., 124Cunningham, J., 98, 99, 179Currie, K., 138

Davenport, I., 123de Glehn, W., 44Denny, R., 121Devlin, G., 87Douthwaite, P., 32, 33Dubuffet, J., 70

Edgar, N., 169Eyton, A., 43

Fergusson, D., 142Finklea, K., 79Finlay, I.H., 182-187Firth, J., 10Fleming, I., 136, 171Frink, E., 31Frost, A., 119Frost, Sir T., 110, 111Fullarton, J., 1, 155

Gage, E., 9Gear, W., 103, 104Gottlieb, H., 6Goudie, A., 89, 90

Haig, E., 164Harrigan, C., 80Hawkins, J., 158Hepworth, B., 30Hodgkin. H., 126Holt, E., 129, 130Houston, J., 28, 29, 48, 86, 88,149

Innes, C., 190, 191, 195

Johnstone, W., 105, 106, 107Jones, A., 180

Knapp, S., 96Knox, J., 7, 8Knubley, A., 23, 24

la Dell, E., 5Laing, G., 72Low, B., 144, 161

Maclaurin, R., 2Maclean, W., 137Macqueen, C., 17Mactaggart, Sir W., 36, 37Manson, D., 156, 173McClure, D., 83, 91, 150, 166,167

McLaren, P., 94McLaren, S., 92, 93McLean, B., 109McNairn, C., 84, 85, 176McNally, L., 131Michie, D., 47, 67AMitchell, D., manner of, 100Moore, Sir H., 135Morning, S.B., 115, 116, 117Morris, S., 127Morrison, J.L., 148Morrocco, A., 67Morrocco, L., 65, 66, 143Mulholland, C., 73, 74

O'Donoghue, H., 14, 15, 16

Paolozzi, Sir E., 71Philipson, Sir R., 3, 4, 82Piper, J., 174

Rae, B., 177Redpath, A., 95Reeves, P., 50-64Reid, P., 188

Rossi, C., 97Rothenstein, M., 108Rouault, G., 69Ryder, S., 46

Sant, M., 113Schueler, J., 163Severin, M., 181Simcock, 157, 159Squire, G., 39-42Steadman, R., 178Stoll, J., 45

Thompson, A., 132, 133Thomson, A.B., 172Thomson, D., 34, 35, 151, 153

Walker, E., 19-22Watt, A., 189, 192Webb, M., 77, 78Wilson, S., 68Wiszniewski, A., 139Wyllie, G., 102

Index



112

The following expressions with their accompanying explanations are used by Lyon & Turnbull asstandard cataloguing practice. Our use of these expressions does not take account of thecondition of the lot or the extent of any restoration.

Buyers are recommended to inspect the property themselves. Written condition reports areusually available on request.

Name(s) or Recognised Designation of an Artist without anyQualificationIn our opinion a work by the artist

Attributed to...In our opinion probably a work by the artist in whole or in part.

Studio of ... / Workshop of ...In our opinion a work executed in the studio or workshop of theartist, possible under his supervision

Circle of ...In our opinion a work of the period of the artist and showing hisinfluence.

Follower of ...In our opinion a work executed in the artist’s style but notnecessarily by a pupil.

Manner of ...In our opinion a work executed in the artist’s style but of a laterdate

After ...In our opinion a copy (of any date) of a work of the artist.

Signed ... /Dated ... /Inscribed ... /In our opinion the work has been signed/dated/inscribed by theartist.

BearsSignature ... /Date ... /Inscription ... /In our opinion the signature/date/inscription appears to be by ahand other than that of the artist.

Dimensions are given height before width.

Glossary of Cataloguing Terms

British & European PaintingsWednesday, 30th April, 201433 Broughton Place, Edinburgh EH1 3RR

www.lyonandturnbull .com

GIOVANNI JEAN SCHRANZ(MALTESE 1794-1882)A BRITISH FRIGATE AT ANCHORIN VALETTA HARBOUROil on canvas

45cm x 67cm (17.75in x 26.25in)

£10,000-15,000

EnquiriesNick CurnowTel: +44 (0)131 557 [email protected] RiordanTel: +44 (0)131 557 [email protected]

FURTHER ENTRIES ARE INVITED

Emily JohnstonTel: +44 (0)20 7930 [email protected]

www.freemansauction.com

Alasdair Nichol [email protected]

This rare collection of world famous American and Europeanpainters from Corot and Boudin to Benson and Hassam hasbeen in private hands and unseen for nearly 100 years.

JEAN BAPTISTE CAMILLE COROT(french 1796-1875)"GARDEN GATE"Signed 'Corot' bottom left, withpartial label verso oil on canvas13 x 18 1/4 in. (33 x 46.4cm)$60,000-80,000(detail)

Fine Scottish Paintings & SculptureThursday, 22nd May, 201433 Broughton Place, Edinburgh EH1 3RR


FRANCIS HENRY NEWBERY R.W.A., A.R.C.A.(SCOTTISH 1855-1946)DAYDREAMINGSigned, oil on canvas

108cm x 76cm (42.5in x 30in)

£15,000-20,000

EnquiriesEmily JohnstonTel: +44 (0)20 7930 [email protected] CurnowTel: +44 (0)131 557 [email protected] RiordanTel: +44 (0)131 557 [email protected]

FURTHER ENTRIESARE INVITED

116

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117

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118

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16. DESCRIPTIONS AND CONDITION(1) While we seek to describe lotsaccurately, it may be impractical for us to

carry out exhaustive due diligence on eachlot. Prospective buyers are given ampleopportunities to view and inspect beforeany sale and they (and any independentexperts on their behalf) must satisfythemselves as to the accuracy of anydescription applied to a lot. Prospectivebuyers also bid on the understanding that,inevitably, representations or statementsby us as to authorship, genuineness,origin, date, age, provenance, condition orestimated selling price involve matters ofopinion. We undertake that any suchopinion shall be honestly and reasonablyheld and accept liability for opinions givennegligently or fraudulently. Subject to theforegoing neither we the auctioneer or ouremployees or agents or the seller acceptliability for the correctness of suchopinions and all conditions andwarranties, whether relating todescription, condition or quality of lots,express, implied or statutory, are herebyexcluded. This Condition is subject to thenext following Condition concerningdeliberate forgeries and applies save asprovided for in paragraph 6 “information tobuyers”.(2) Private treaty sales made under theseConditions are deemed to be sales byauction for purposes of consumerlegislation.

17. FORGERIESNotwithstanding the preceding Condition,any Lot which proves to be a deliberateforgery (as defined) may be returned to usby you within 21 days of the auctionprovided it is in the same condition aswhen bought, and is accompanied byparticulars identifying it from the relevantcatalogue description and a writtenstatement of defects. If we are satisfiedfrom the evidence presented that the lot isa deliberate forgery we shall refund themoney paid by you for the lot including anybuyer’s premium provided that (1) if thecatalogue description reflected theaccepted view of scholars and experts asat the date of sale or (2) you personally arenot able to transfer a good and marketabletitle to us, you shall have no rights underthis condition.The right of return provided by thisCondition is additional to any right orremedy provided by law or by theseConditions of Sale.

GENERAL18. We shall have the right at ourdiscretion, to refuse admission to ourpremises or attendance at our auctions byany person.9 (1) Any right to compensation for lossesliabilities and expenses incurred in respectof and as a result of any breach of theseConditions and any exclusions provided bythem shall be available to the sellerand/or the auctioneer as appropriate.(2). Such rights and exclusions shallextend to and be deemed to be for thebenefit of employees and agents of theseller and/or the auctioneer who maythemselves enforce them.20. Any notice to any buyer, seller, bidderor viewer may be given by first class mailin which case it shall be deemed to havebeen received by the addressee 48 hoursafter posting.21. Special terms may be used incatalogue descriptions of particularclasses of items (Books, Jewellery,paintings, guns, firearms etc) in whichcase the descriptions must be interpretedin accordance with any glossary orguidance notes appearing in thecatalogue. These notices and terms willalso form part of our terms and conditionsof sales.22. Any indulgence extended to biddersbuyers or sellers by us notwithstandingthe strict terms of these Conditions or ofthe Terms of Consignment shall affect theposition at the relevant time only and inrespect of that particular concession only;in all other respects these Conditionsshall be construed as having full force andeffect.23. Scottish law applies to theinterpretation of these Conditions.

14/1

CClliieenntt SSiiggnnaattuurree DDaattee

BBiiddddeerr NNoo

BBiiddddiinngg FFoorrmm

SSaallee//ccuussttoommeerr ddeettaaiillss

Sale Title

Sale Date Sale No.

Title Initials Client No

Surname

Address

Postcode

Telephone Telephone 2

E-mail

Have you registered to bid with Lyon & Turnbull before?

Accompanying Documents:

We may, at our discretion, ask you to provide a bank reference and/or a deposit as a condition of authorising you to bid

Lot No. Description £ Sterling limit

EEddiinnbbuurrgghh SSaalleerroooomm

3333BBrroouugghhttoonnPPllaaccee EEddiinnbbuurrgghhEEHH11 33RRRR

TTeelleepphhoonnee 00113311 555577 88884444

FFaaxx 00113311 555577 88666688

eemmaaiill:: iinnffoo@@llyyoonnaannddttuurrnnbbuullll..ccoomm

wwwwww..llyyoonnaannddttuurrnnbbuullll..ccoomm

I understand that if any of my bids aresuccessful, the total price payable willbe the amount of the final bid, plus abuyer’s premium calculated at 25% upto £25,000 then 20% thereafter.

VAT will be charged on the premium.The premium and VAT is payable by allpurchasers.

Lots in the catalogue marked † aresubject to VAT at the standard rate onthe hammer price. The symbol * by alot number indicates that the lot hasbeen temporarily imported fromoutside the EU and that VAT is payableby the purchaser at the rate of 5% onthe hammer price and the buyer’spremium.

No VAT is payable on the hammer priceor premium for books bought atauction.

Lots in the catalogue marked § aresubject to Droit de Suite or Artist’sResale Right. Please ask us for detailsor see our conditions of sale.

Where there are identical bids for a lot,the first received will be executed.

Please make certain that your bids aresubmitted at least one hour before thestart of the sale.

We will do our utmost to ensure allcommission and telephone bids areexecuted, however this can not beguaranteed and is a service offered atthe bidders risk.

BBiiddddiinngg FFoorrmm -- vveerrssiioonn 1144..11

if known

May we email you in future

regarding similar sales?

Telephone bid Commission bid

Excl. Premium & VAT (Commission bid only)

YES NOHow did you hear

about this sale?

YES NO (if No please provide the following:)

1.Government-issued photo ID 2. Proof of address(Passport / Driving License / National ID card) (Utility Bill / Bank Statement / Letter from Tax Authority)

I request Lyon & Turnbull, without legal obligation of any kind on its part, to bid on the above up to the prices listed. I understand that if any of my bids aresuccessful, the total price payable will be the amount of the final bid, plus a buyer’s premium calculated at 25% up to £25,000 then 20% thereafter. VAT will becharged on the premium.

I confirm that I accept and will bid in accordance with the terms and conditions of sale as printed in the catalogue, detailed on the Lyon & Turnbull website oravailable for inspection in the saleroom, subject to any amendment announced or published by Lyon & Turnbull prior to the fall of the hammer.

OOFFFFIICCEE UUSSEE OONNLLYY RReecceeiivveedd bbyy:: TTiimmee:: DDaattee:: BBiiddddeerr NNoo::

PPhhoottoo IIDD:: PPrrooooff ooff aaddddrreessss:: BBaannkk rreeff//ddeeppoossiitt::

Contact us:

UK head office78 Pall Mall, London SW1Y 5ES+44 (0)845 882 [email protected]

Also in Edinburgh and Chester

US head office503 W. Lancaster Avenue, Wayne, PA 19087+1 610 254 [email protected]

Also in San Francisco and opening ourNew York office on 26.02.2014

www.pallmallartadvisors.com

TANGIBLE WEALTH MANAGEMENT

GLOBAL REACHWith offices in the UK andUSA, we are able to ensureglobal cover with our teamof specialists in all areas ofthe market

ART ADVISORYOur collection managementservices include sourcing goodsthrough auction & private sales,ensuring you are buying thebest works at the best price.

PRIVATE SALESWith our detailedknowledge of collectorsworldwide, we can find abuyer for your art quicklyand discretely.

VALUATIONSValuations completed for:InsuranceInheritance Tax PurposesPrivate Treaty SalesAuction

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QUEEN ST

PRINCES ST

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Local DeliveriesLocal deliveries can bearranged by A&S PertRemovals.Telephone 07876343520.

Packing and ShippingPlease note that we donot pack or ship items.The followingsuggested carriers willbe able to arrangepacking and shipping;please contact themdirectly to receive aquote. You may wishto contact analternative courier.

Smaller items & PicturesMailboxes Etc44/46 Morningside RoadEdinburgh EH10 4BFThe direct link to the orderingform is:http://www.mbeedinburgh.com/art-and-antiques.phpTel: +44 (0)131 556 6226Fax: +44 (0)131 652 3673Email:[email protected]

Furniture and larger itemsConstantineConstantine HouseNorth Caldeen RoadCoatbridgeNorth Lanarkshire ML5 4EFTel: +44(0)1236 750055Fax: +44(0)1236 750077E-mail:[email protected]

A Van Man TransportUnit 5, Benridge ParkHolyrood Close,CreekmoorPoole, Dorset BH17 7BDTel: +44 (0)1202 600 012Fax: +44 (0)1202 600 206Email: [email protected]

Fine Art CarriersGallery Support Group37 Cremer StreetLondon E2 8HDTel: +44 (0)20 7729 6692Email:[email protected]

Arrangements for Sold LotsAll bought items will be heldfree of charge at BroughtonPlace until the Fridayfollowing the sale.

Thereafter lots will beremoved to store in Edinburghand a charge incurred.

Administration fee:£20 + VAT

Storage charges per lot perday are:

Large Items£5 inc. insurance + VAT

Small Items£2.50 inc. insurance + VAT

CateringRefreshments will beavailable at the saleroom onview days and day of sale.

Waverley Station

ParkingMulti-storey car parking isavailable at Greenside Placeand in the St. James Centre;five minutes walk from thesaleroom.

Lyon & Turnbull saleroom

St Andrew Square

© Lyon and Turnbull Ltd. 2014. All rights reserved. No part of thispublication may be reproduced, stored in a retrieval system ortransmitted by any form or by any means without the prior writtenpermission of Lyon and Turnbull Ltd.

33 Broughton Place, EdinburghEH1 3RRTel +44 (0)131 557 8844Fax +44 (0)131 557 8668

email. [email protected]

182 Bath Street, GlasgowG2 4HGTel +44 (0)141 333 1992Fax +44 (0)141 332 8240

78 Pall Mall, LondonSW1Y 5ESTel +44 (0)20 7930 9115Fax +44 (0)20 7930 7274

contemporary & post-war art | 19th march 2014

Documents

pmmorning of sale

salepotential buyers

buyers premium25

broughton placeedinburgh

visa debit

bidding number

purchaseda lot

email invoice issue