conventions of-documentary

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Page 1: Conventions of-documentary

CONVENTIONS OF DOCUMENTARY

What makes a documentary a documentary?

Page 2: Conventions of-documentary

Conventional Expectations of a Documentary

Non-fiction About the ‘real’ (historical, political

cultural events etc.) ‘Unstaged’ Based on observation rather than

intervention Informative, educational

Page 3: Conventions of-documentary

Voiceover

The voiceover will usually be authoritative in some way, encouraging the audience to think that they either have some kind of specialist knowledge or, as in the case of people like Michael Moore and Nick Broomfield: ‘the right’ opinions that people should pay attention to.

Page 4: Conventions of-documentary

Film language used to shape realismPlacing the audience in the

action Location Shooting Uneven, hand-held

camerawork Natural Light Following the action Film-maker’s visible

presence Synchronous sound

recording Interviews with witnesses Amateur effect

Techniques that allow the audience to be

‘objective’ Voiceover Archive footage Expert testimonial Material shaped into

a narrative Material structured

into an argument

Page 5: Conventions of-documentary

‘Real’ footage of events

Documentary is essentially seen as ‘non-fiction’ although there are debates around this.

However, a convention of documentary is that all events presented to us are to be seen as ‘real’ by the audience.

Documentarians often go to great lengths to convince us that the footage is real and unaltered in anyway, although editing and voiceover can affect the ‘reality’ we, as viewers, see.

Page 6: Conventions of-documentary

Technicality of realism

Including ‘natural’ sound and lighting (suburbia city sounds, non diagetic sounds )

The way the shots are taken to create realism

Not everything is filmed so its un real although the it has elements of real life examples

Page 7: Conventions of-documentary

Archive footage/stills

To aid authenticity and to add further information which the film maker may be unable to obtain themselves.

Documentaries which look at historical events have this in order to support there opinions.

Page 8: Conventions of-documentary

Interviews with ‘experts’

Used to authenticate the views expressed in the documentary. Sometimes, they will disagree with the message of the documentary, although the film maker will usually disprove them in some way.

Page 9: Conventions of-documentary

Use of text/titles

Text  

use of words on screen to anchor images in time and space.  

Labels, dates etc tend to be believed unquestioningly and are a quick and cheap way of conveying information.

Page 10: Conventions of-documentary

Sound

Sound

 Listen out for the use of non-diagetic sound  

Microphone sound Diagetic sounds

These sounds are in documentaries for various reasons e.g.-to create realism, emotion, emphasis on topic being discussed.

Page 11: Conventions of-documentary

Set - ups Not just reconstructions of events that

happened in the past but also setting up 'typical' scenes.  

crews make a habit of using set ups they will only be using images of 'reality' that audiences already recognise (confirming stereotypes perhaps) and producing fresh images/ ideas about 'reality' will be impossible.