copyright
TRANSCRIPT
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COPYRIGHT
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IN YOUR GROUPS COME UP WITH HOW YOU DEFINE THE WORD “COPYRIGHT”?
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• COPYRIGHT IS…
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• COPYRIGHT IS…
THE RIGHT TO COPY.
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• IF I INVENT OR DREAM UP OR CREATE SOMETHING.
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• IF I INVENT OR DREAM UP OR CREATE SOMETHING.
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• IF I INVENT OR DREAM UP OR CREATE SOMETHING.
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• IF I INVENT OR DREAM UP OR CREATE SOMETHING.
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• IF I INVENT OR DREAM UP OR CREATE SOMETHING.
ONLY I HAVE THE “RIGHT TO COPY”. IN OTHER WORDS TO MANUFACTURE.
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• WHEN IS COPYRIGHT CREATED?
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• WHEN IS COPYRIGHT CREATED?
WHEN THE IDEA COMES TO YOU IN A DREAM?
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• WHEN IS COPYRIGHT CREATED?
WHEN THE IDEA COMES TO YOU IN A DREAM?
WHEN YOU START HUMMING A TUNE IN YOUR HEAD?
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COPYRIGHT IS CREATED AT THE MOMENT IT IS “FIXED” BY THE AUTHOR. IE; WHEN THE PEN LEAVES THE PAPER OR WHEN THE SONG IS RECORDED.
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HOW DO I PROTECT MY COPYRIGHT?
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HOW DO I PROTECT MY COPYRIGHT?
PRESERVE EVIDENCE THAT COPYRIGHT WAS ‘FIXED’ ON A CERTAIN DATE.
EG; PUT CD IN AN ENVELOPE, WAX SEAL, POST IT TO YOURSELF BY RECORDED DELIVERY. DO NOT OPEN.
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BUT WHY IS COPYRIGHT VALUABLE? HOW DOES IT GENERATE MONEY?
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BUT WHY IS COPYRIGHT VALUABLE? HOW DOES IT GENERATE MONEY?
IN ORDER TO DEMONSTRATE THIS WE MUST SEPARATE THE RECORDING ARTIST AND THE WRITER.
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• MUSIC PUBLISHING
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• PRE-DATES THE RECORDING INDUSTRY.
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• PRE-DATES THE RECORDING INDUSTRY.
• WOULD PUBLISH AND SELL SHEET MUSIC OF POPULAR SONGS
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• PRE-DATES THE RECORDING INDUSTRY.
• WOULD PUBLISH AND SELL SHEET MUSIC OF POPULAR SONGS
• WOULD EMPLOY SONGWRITERS AND “PUBLISH” THEIR SONGS
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• THEY WERE ASSIGNED THE “RIGHT TO COPY” BY THE SONGWRITER IN RETURN FOR A ROYALTY (PERCENTAGE) ON EVERY COPY SOLD.
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• THEY WERE ASSIGNED THE “RIGHT TO COPY” BY THE SONGWRITER IN RETURN FOR A ROYALTY (PERCENTAGE) ON EVERY COPY SOLD.
• THEN RECORDED MUSIC WAS INVENTED
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• THEY WERE ASSIGNED THE “RIGHT TO COPY” BY THE SONGWRITER IN RETURN FOR A ROYALTY (PERCENTAGE) ON EVERY COPY SOLD.
• THEN RECORDED MUSIC WAS INVENTED• A+R FROM THE NEWLY FORMED RECORD
COMPANIES WOULD GO DOWN TO DENMARK STREET AND LOOK FOR SONGS FOR THEIR ARTISTS TO RECORD.
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• THEY WERE ASSIGNED THE “RIGHT TO COPY” BY THE SONGWRITER IN RETURN FOR A ROYALTY (PERCENTAGE) ON EVERY COPY SOLD.
• THEN RECORDED MUSIC WAS INVENTED• A+R FROM THE NEWLY FORMED RECORD
COMPANIES WOULD GO DOWN TO DENMARK STREET AND LOOK FOR SONGS FOR THEIR ARTISTS TO RECORD.
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• SO THE PUBLISHERS BEGAN TO “ASSIGN” THE COPYRIGHT TO THE RECORD LABELS SO THEY COULD MANUFACTURE RECORDS.
• IN THOSE DAYS THE SONGWRITER AND THE RECORDING ARTIST WERE ALWAYS DISTINCT ENTITIES.
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• SO THE PUBLISHERS BEGAN TO “ASSIGN” THE COPYRIGHT TO THE RECORD LABELS SO THEY COULD MANUFACTURE RECORDS.
• IN THOSE DAYS THE SONGWRITER AND THE RECORDING ARTIST WERE ALWAYS DISTINCT ENTITIES.
• UNTIL..
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• CONSIDER MOTOWN…
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• CONSIDER MOTOWN…• IN-HOUSE BAND, PLAYED AND RECORDED IN
EXCESS OF 150 MULTI MILLION SELLING HIT RECORDS.
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• CONSIDER MOTOWN…• IN-HOUSE BAND, PLAYED AND RECORDED IN
EXCESS OF 150 MULTI MILLION SELLING HIT RECORDS.
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• CONSIDER MOTOWN…• IN-HOUSE BAND, PLAYED AND RECORDED IN
EXCESS OF 150 MULTI MILLION SELLING HIT RECORDS.
• MOTOWN PAID THE MUSICIANS $50/WEEK.
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• CONSIDER MOTOWN…• IN-HOUSE BAND, PLAYED AND RECORDED IN
EXCESS OF 150 MULTI MILLION SELLING HIT RECORDS.
• MOTOWN PAID THE MUSICIANS $50/WEEK.• THE SONGWRITERS ARE MULTI MILLIONAIRES
STILL EARNING MONEY FROM THOSE RECORDS TO THIS DAY.
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• HOW DID THEY BECOME MULTI MILLIONAIRES?
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• HOW DID THEY BECOME MULTI MILLIONAIRES?
• MOTOWN HAD TO PAY A ROYALTY ON EACH COPY MANUFACTURED TO THE PUBLISHER/SONGWRITER IN RETURN FOR BEING ASSIGNED THE “RIGHT TO COPY”
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UK LAW (1988 COPYRIGHTS AND PATENTS ACT)
LEGAL REQUIREMENT FOR RECORD LABELS TO PAY 8.5% OF THEIR DEALER PRICE TO THE ORIGINAL COPYRIGHT OWNER.
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• CD ALBUMSDEALER PRICE = £6.50 (RETAIL £9.99)
CD SINGLESDEALER PRICE = £1.40 (RETAIL £1.79)
RECORD LABELS MUST PAY 8.5% TO THE PUBLISHER ON EACH COPY SOLD.
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• CASE STUDY
BRIAN HIGGINS
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• STUDIED MUSIC TECH AT COLLEGE AND LANDED A JOB AT WARNER BROS AS A STUDIO TECHNICIAN
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• STUDIED MUSIC TECH AT COLLEGE AND LANDED A JOB AT WARNER BROS AS A STUDIO TECHNICIAN
• THE CHER “DISPUTE”
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• STUDIED MUSIC TECH AT COLLEGE AND LANDED A JOB AT WARNER BROS AS A STUDIO TECHNICIAN
• THE CHER “DISPUTE”• QUITS
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• STUDIED MUSIC TECH AT COLLEGE AND LANDED A JOB AT WARNER BROS AS A STUDIO TECHNICIAN
• THE CHER “DISPUTE”• QUITS• STARTS WRITING POP SONGS. QUITE CATCHY!
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• GOT SIGNED TO SONY/BMG PUBLISHING AS A SONGWRITER. £20000 ADVANCE TO REPAID (RECOUPED) FROM FUTURE ROYALTIES.
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• GOT SIGNED TO SONY/BMG PUBLISHING AS A SONGWRITER. £20000 ADVANCE TO REPAID (RECOUPED) FROM FUTURE ROYALTIES.
• SONY/BMG STARTED TO TOUT THEM ROUND THE LABELS.
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• GOT SIGNED TO SONY/BMG PUBLISHING AS A SONGWRITER. £20000 ADVANCE TO REPAID (RECOUPED) FROM FUTURE ROYALTIES.
• SONY/BMG STARTED TO TOUT THEM ROUND THE LABELS.
• BRIAN BUILT A LITTLE STUDIO.
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• DEALER PRICE CD SINGLE = £1.40, SO ANY LABEL THAT RELEASES HAS TO PAY SONY/BMG 8.5%=12P
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• DEALER PRICE CD SINGLE = £1.40, SO ANY LABEL THAT RELEASES HAS TO PAY SONY/BMG 8.5%=12P
• BUT BECAUSE PUBLISHERS DON’T SPEND LIKE RECORD LABELS (NO RECORDING COSTS, MARKETING, VIDEOS ETC) THEY DO NOT TAKE A LARGE CUT (15%)
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• DEALER PRICE CD SINGLE = £1.40, SO ANY LABEL THAT RELEASES HAS TO PAY SONY/BMG 8.5%=12P
• BUT BECAUSE PUBLISHERS DON’T SPEND LIKE RECORD LABELS (NO RECORDING COSTS, MARKETING, VIDEOS ETC) THEY DO NOT TAKE A LARGE CUT (15%)
• BRIAN GETS 10P, SONY/BMG 2P.
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• RECORDING ARTISTS HAVE TO RECOUP VERY LARGE COSTS (RECORDING, PROMO, VIDEO, ADVERTISING ETC)
• BRIAN WILL NOT BE PAID ANY MORE MONEY UNTIL HE RECOUPS £20K ADVANCE. 10P PER SINGLE = 200,000 COPIES.
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• PAUL ADAM AT POLYDOR• SELECTS ONE OF THE SONGS BRIAN HAS
WRITTEN FOR A NEW GIRL BAND.
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• PAUL ADAM AT POLYDOR• SELECTS ONE OF THE SONGS BRIAN HAS
WRITTEN FOR A NEW GIRL BAND.• “SOUND OF THE UNDERGROUND”
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• PAUL ADAM AT POLYDOR• SELECTS ONE OF THE SONGS BRIAN HAS
WRITTEN FOR A NEW GIRL BAND.• “SOUND OF THE UNDERGROUND”• GIRLS ALOUD – 12 WEEKS PRIMETIME TV
ADVERTISING. HIGH PROFILE.
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• BRIAN HOPED IT WOULD DO WELL, KNOWING FOR EVERY COPY AFTER 200,000 HE WOULD START EARNING.
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• BRIAN HOPED IT WOULD DO WELL, KNOWING FOR EVERY COPY AFTER 200,000 HE WOULD START EARNING.
• GIRLS ALOUD HOPED IT WOULD DO WELL TOO.
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• BRIAN HOPED IT WOULD DO WELL, KNOWING FOR EVERY COPY AFTER 200,000 HE WOULD START EARNING.
• GIRLS ALOUD HOPED IT WOULD DO WELL TOO.
• BUT HOW MANY COPIES DID THEY NEED TO SELL TO RECOUP, AND START EARNING.
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• RECORDING £55K
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• RECORDING £55K• RADIO AND TV PROMO £40K
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• RECORDING £55K• RADIO AND TV PROMO £40K• PRESS PROMO £15K
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• RECORDING £55K• RADIO AND TV PROMO £40K• PRESS PROMO £15K• VIDEO 75K
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• RECORDING £55K• RADIO AND TV PROMO £40K• PRESS PROMO £15K• VIDEO 75K• ADVERTISING £100K
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• RECORDING £55K• RADIO AND TV PROMO £40K• PRESS PROMO £15K• VIDEO 75K• ADVERTISING £100K• TOTAL SPEND =
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• RECORDING £55K• RADIO AND TV PROMO £40K• PRESS PROMO £15K• VIDEO 75K• ADVERTISING £100K• TOTAL SPEND = £285,000
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• DEALER PRICE = £1.40• 8.5% TO PUBLISHER = 12P (LEAVES £1.28)
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• DEALER PRICE = £1.40• 8.5% TO PUBLISHER = 12P (LEAVES £1.28)• DISTRIBUTION COSTS 20% = 28P (LEAVES
£1.00)
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• DEALER PRICE = £1.40• 8.5% TO PUBLISHER = 12P (LEAVES £1.28)• DISTRIBUTION COSTS 20% = 28P (LEAVES
£1.00)• MANUFACTURING = 70P (LEAVES 30P)
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• DEALER PRICE = £1.40• 8.5% TO PUBLISHER = 12P (LEAVES £1.28)• DISTRIBUTION COSTS 20% = 28P (LEAVES
£1.00)• MANUFACTURING = 70P (LEAVES 30P)• ARTIST ROYALTY 20% = 6P
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• GIRLS ALOUD NEED TO RECOUP £285,000 FROM THEIR ROYALTY OF 6P PER SINGLE.
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• GIRLS ALOUD NEED TO RECOUP £285,000 FROM THEIR ROYALTY OF 6P PER SINGLE.
• NEED TO SELL
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• GIRLS ALOUD NEED TO RECOUP £285,000 FROM THEIR ROYALTY OF 6P PER SINGLE.
• NEED TO SELL 4,750,000 COPIES TO RECOUP
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• GIRLS ALOUD NEED TO RECOUP £285,000 FROM THEIR ROYALTY OF 6P PER SINGLE.
• NEED TO SELL 4,750,000 COPIES TO RECOUP• WHICH IT DIDN’T
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• GIRLS ALOUD NEED TO RECOUP £285,000 FROM THEIR ROYALTY OF 6P PER SINGLE.
• NEED TO SELL 4,750,000 COPIES TO RECOUP• WHICH IT DIDN’T• IT SOLD 2,200,000
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• GIRLS ALOUD NEED TO RECOUP £285,000 FROM THEIR ROYALTY OF 6P PER SINGLE.
• NEED TO SELL 4,750,000 COPIES TO RECOUP• WHICH IT DIDN’T• IT SOLD 2,200,000• BUT BRIAN EARNED 10P PER COPY FOR EVERY
COPY AFTER 200,000 SALES.
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• GIRLS ALOUD NEED TO RECOUP £285,000 FROM THEIR ROYALTY OF 6P PER SINGLE.
• NEED TO SELL 4,750,000 COPIES TO RECOUP• WHICH IT DIDN’T• IT SOLD 2,200,000• BUT BRIAN EARNED 10P PER COPY FOR EVERY
COPY AFTER 200,000 SALES.• IN OTHER WORDS 2 MILLION X 10 P
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• £200,000
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• £200,000• FOR SITTING ON HIS ARSE.
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• £200,000• FOR SITTING ON HIS ARSE.• WHILE GIRLS ALOUD WERE GETTING UP AT
5AM EVERY DAY
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• £200,000• FOR SITTING ON HIS ARSE.• WHILE GIRLS ALOUD WERE GETTING UP AT
5AM EVERY DAY• WORKING LIKE CRAZY, GOING ON EVERY TV
SHOW
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• £200,000• FOR SITTING ON HIS ARSE.• WHILE GIRLS ALOUD WERE GETTING UP AT
5AM EVERY DAY• WORKING LIKE CRAZY, GOING ON EVERY TV
SHOW• FOR A SINGLE THEY WERE NEVER GOING TO
MAKE ANY CASH FROM
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• BRIAN SAID TO SONY, “I’VE GOT A FEW MORE SONGS..”
• “NO GOOD ADVICE”, “LOVE MACHINE”, “CANT SPEAK FRENCH”, “BIOLOGY”, THE SHOW”
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• BRIAN SAID TO SONY, “I’VE GOT A FEW MORE SONGS..”
• “NO GOOD ADVICE”, “LOVE MACHINE”, “CANT SPEAK FRENCH”, “BIOLOGY”, THE SHOW”
• ENDED UP WRITING MUCH OF GIRLS ALOUD’S FIRST ALBUM.
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• BRIAN SAID TO SONY, “I’VE GOT A FEW MORE SONGS..”
• “NO GOOD ADVICE”, “LOVE MACHINE”, “CANT SPEAK FRENCH”, “BIOLOGY”, THE SHOW”
• ENDED UP WRITING MUCH OF GIRLS ALOUD’S FIRST ALBUM.
• WHICH SOLD 1,800,000 COPIES.
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• ALBUM DEALER PRICE = £6.50
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• ALBUM DEALER PRICE = £6.50• POLYDOR MUST PAY 8.5% TO SONY/BMG =
55P.
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• ALBUM DEALER PRICE = £6.50• POLYDOR MUST PAY 8.5% TO SONY/BMG =
55P.• 55P X 1,800,000 = £850,000 FOR BRIAN.
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• ALBUM DEALER PRICE = £6.50• POLYDOR MUST PAY 8.5% TO SONY/BMG =
55P.• 55P X 1,800,000 = £850,000 FOR BRIAN.• POLYDOR SPENT A FORTUNE ON THE ALBUM
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• ALBUM DEALER PRICE = £6.50• POLYDOR MUST PAY 8.5% TO SONY/BMG =
55P.• 55P X 1,800,000 = £850,000 FOR BRIAN.• POLYDOR SPENT A FORTUNE ON THE ALBUM• SO POOR OLD GIRLS ALOUD
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• ALBUM DEALER PRICE = £6.50• POLYDOR MUST PAY 8.5% TO SONY/BMG =
55P.• 55P X 1,800,000 = £850,000 FOR BRIAN.• POLYDOR SPENT A FORTUNE ON THE ALBUM• SO POOR OLD GIRLS ALOUD• WERE STILL UNRECOUPED
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• 90% OF RECORDING ARTISTS DO NOT RECOUP THEIR COSTS.
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• SO WHAT CAN THE ARTIST DO?
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• WRITE THEIR OWN SONGS OR
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• WRITE THEIR OWN SONGS OR
• “WRITE” THEIR OWN SONGS.