copyright law spring 2002: class 1 professor fischer introduction to copyright january 7, 2002
TRANSCRIPT
COPYRIGHT LAW SPRING 2002: CLASS 1
Professor Fischer
Introduction to Copyright
January 7, 2002
Welcome!
• 2 Handouts:
• Course Outline
• Reading List (up until Spring Break)
• Everything is available online at: http://www.law.edu/faculty/fischer(click on Copyright Law 2002)
Course Outline
• Please read carefully
• Attendance
• Exams/Grading/Quizzes
• Contacting me: 202-319-5568 or [email protected]
• Class Listserv - send me e-mail by Friday
• Class Participation/Class Preparation
Reading List
• 2 books: Casebook (Gorman & Ginsburg, 6th edition) and Statutory Supplement (2002 edition)
• Class Preparation
• Discussion Questions
Copyright Law: Exciting, Cutting-edge, and Practical
• A core subject in the intellectual property, communications, entertainment law, and cyberlaw fields
• Interesting because it is currently adapting to new digital technologies
• Involves creative works including art, music, and literature
Topics for Today’s Class
• 1. The basics - what’s a copyright?
• 2. Example of a copyright dispute
• 3. Some history of copyright law
What’s a Copyright?
•©
What’s a Copyright
• Essentially, a right of limited duration to make copies of a given work and stop others from making copies (and some other acts) without the copyright owner’s permission.
• Copyright is a bundle of exclusive rights that exists in certain types of works
Example of a Copyright Dispute
• Campbell v. Acuff-Rose Music, Inc., 510 U.S. 569, 114 S.Ct 1164 (1994)
History of Copyright Law
• St. Columba and King Diarmid “To every cow her calf and to every book its copy”
Copyright is Technology’s Child
• Pirating of manuscripts was not a big problem until a technological development: the printing press
Copyright Originally Developed in England: The Statute of Anne
(1710)• The Statute of Anne
(1710)• Elements of Later
Copyright Statutes• 1. Notice• 2. Registration• 3. Deposit• 4. Penalties for
Infringement
Stationers’ Company
• Livery company in the City of London
• Facilitated Crown control of printing
• Had exclusive right to practice the art of printing until Licensing Acts expired in 1694
U.S.: Colonial/Early State Copyright Acts
• Did all the U.S. states have copyright laws after the American Revolution?
• What was the main problem with these early state copyright statutes?
• What did the Framers of the Constitution do as a result of this problem?
Patent and Copyright Clause
• U.S. Const. Art. I sec. 8 cl. 8
• The Congress shall have power . . . To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive right to their respective Writings and Discoveries
Federal Copyright Statutes
• Starting in 1790, Congress passed a series of copyright acts
• Originally covered only books, maps and charts
• Copyrightable subject matter has moved way beyond this to e.g. computer programs, etc..
Wheaton v. Peters (1834)
• Dispute between Henry Wheaton and Richard Peters, rival law reporters
• What was the issue that the U.S. Supreme Court had to decide? Why was it a significant issue?
Important Subsequent Federal Statutes
• Copyright Act of 1909
• Copyright Act of 1976
• Many amendments to the Copyright Act of 1976, e.g. Architectural Works Copyright Protection Act (1990), Digital Millennium Copyright Act (1998) etc.
U.S. Ratification of the Berne Convention
• What is the Berne Convention?
• When did the U.S. ratify it?
Final Words on Historical Trends in Copyright Law
• 1. Progressive expansion of copyrightable subject matter
• 2. Expansion of duration
• 3. Growing U.S. participation in international copyright system
• 4. Steadily reduced importance of formalities