CORONADO PLAYHOUSE’S 72nd SEASON: IT’S A FAMILY AFFAIR

Macbeth Cast:Macbeth ............................................................................................................ Samuel YoungLady Macbeth .....................................................................................................Erin PetersenDuncan/Gentlewoman ......................................................................................Kira BlaskovichMacduff .............................................................................................................Ron MarchandBloody Sergeant / The Porter ...............................................................................Martin WhiteMalcolm ...................................................................................................... Cecilia HarcheganiBanquo ..........................................................................................................Russell ClementsFleance / Macduff’s Son / Young Siward / Child ................................................Cameron BrittLennox / Lady Macduff .......................................................................................Julia GiolzettiRoss/Storyteller ..................................................................................................Walter MurraySeyton ..................................................................................................................Phillip Magin1st Murderer .................................................................................................Nicholas HesslingDoctor / 3rd Murderer ............................................................................................DeAnna Cali2nd Murderer ................................................................................................... Jasmin HaddadAngus ...............................................................................................................Adam Lightfoot

Witches, Attendants, Soldiers and Messengers are played by members of the company.

The Time and Place: Ancient Scotland.

Macbeth runs about 2 hours and has one 15-minute intermission.

Donations NeededIn our 22nd year of offering this FREE classic series, Coronado Playhouse wants to remind you of our committment in providing you a wide range of quality programming. We rely on the generous support of our donors and patrons. We cannot rely on ticket sales or limited grant funding alone. We need your help to continue offering this FREE program, as well as our other productions! All donations to Coronado Playhouse, a 501(c)3 non-profit organization, are tax-deductible. Your generosity is greatly appreciated. Go online at CoronadoPlayhouse.com or call (619) 435-4856 for more information.

PRESENTS

AnnouncementPlease turn off all electronic devices and cell phones during the performance. Restrooms are located in the recreation center near the front desk. If you need to exit during the performance, please use the rear exit of the theatre as light from the hallway interferes with the performance.

THE VIDEOTAPING OF THIS PRODUCTION IS A VIOLATION OF UNITED STATES COPYRIGHT LAW AND ACTIONABLE FEDERAL OFFENSE

Acknowledgements

City of CoronadoCity of Coronado Building Inspector &

Fire Marshal Coronado Recreation Services and

Community Center StaffSan Diego Junior Theatre Kristin Ginther

Dale GoodmanMike McCullockSpecial thanks to spouses, significant

others, family, and friends whose love and support helped make this production possible.

Director .........................................................................................................Desha CrownoverProducer ................................................................................................................Katy SkyrudProduction Stage Manager ............................................................................Megan BarahuraSet Designer, Special Effects Designer, Master Carpenter ............................ Jacob SampsonCostume Designer ................................................................................................Lisa SamsonLighting Designer ............................................................................................. Kyle WatermanSound Designer .................................................................................................. Michael CookResident Properties Designer ................................................................................Pam EverettProp Design ......................................................................Desha Crownover, Jacob SampsonFight Captain ......................................................................................................Walter MurrayAssistant Director ....................................................................................... Marissa MoorheadAssociate Lighting Designer ........................................................................ Michael BarahuraResident Lighting Operator ................................................................................ Anthony ZeligLive Audio Mixer .................................................................................................Ed Cannazaro Set Painting & Dressing .................................................................................... Lynn SampsonAudio Consultant ............................................................................................. Larry McNamerGraphics/Program Design ..................................................................................Barron Henzel Production Photography ..................................................................................... Ken Jacques Promotional Photography .....................................................................................Pete ShanerPromotional Video .................................................................................................Pete ShanerAdditional Video ............................................................................................... Robert StewartHeadshot Photography ..................................................................... Adriana Zuniga-WilliamsResident Stage Manager .......................................................................................Kathy ParksPoster Distribution .............................................Stacy Mycorn, Sharon Alhourani & CompanyCompany House Manager ........................................................... Pam Everett, Susan SkyrudBox Office ..................................................... Kristy Connard, Amanda Everett, Susan SkyrudConcessions ............................................................................................. Harry A. Granruth IIIUsher Coordinator ......................................................................................... Janis Vanderford Artistic Planning & Marketing .........................................................................Vanessa Dinning Managing Theatre Director ....................................................................................Katy Skyrud

Production Team and Theatre Staff

Director’s Notes

“there is nothing either good or bad, but thinking makes it so.” --Hamlet, Act II, sc iiJohn Steinbeck penned, “A child may ask, “What is the world’s story about?” And a grown man or woman may wonder, “What way

will the world go? How does it end and, while we’re at it, what’s the story about?”Macbeth, is thought to have been first performed in 1606 and dramatizes the physical and psychological effects of ambition on those who seek power for its own sake. There have been countless plays produced since then: how are we still captivated by a play written over 400 years ago? Is it the appeal of the supernatural? Is it the intrigue of unchecked political ambition that resonates with us? Or is it that human nature, in spite of immeasurable advances in technology, medicine, psychology, and the humanities, remains relatively unchanged?Steinbeck goes on to say that he believes that there is one story in the world: “Humans are caught — in their lives, in their thoughts, in their hungers and ambitions, in their avarice and cruelty, and in their kindness and generosity too — in a net of good and evil. There is no other story. A man, after he has brushed off the dust and chips of his life, will have left only the hard, clean questions: Was it good or was it evil? Have I done well — or ill?”In Macbeth, Shakespeare has given us a play about choices. Macbeth and Lady Macbeth are consistently given the opportunity to choose good over evil. Committing murder is not their fate; they are not sociopaths (as their respective consciences reveal to their audience). In fact, the Macbeths are held in high regard at the start of the play by both the king and his kinsmen. It is not until Macbeth is faced with the temptation of more power that he makes the choice ultimately leading

to his demise. To illustrate other another choice made, Shakespeare introduces us to Macbeth’s best friend, Banquo, who is presented with the same temptation and resists it in favor of family. And to drive the point even further, Shakespeare gives us MacDuff whose patriotism and loyalty to the rightful king surpass any ambitious motives. Shakespeare has humanized rather than vilified the murderer. He invites the audience into the mind of Macbeth: we see Macbeth’s doubts, ambitions, desire, and despair. We see the destruction wrought when ambition goes unchecked by moral constraints. Macbeth is a courageous Scottish general who is not naturally inclined to commit evil deeds, yet he deeply desires power and advancement. He kills Duncan against his better judgment and afterward stews in guilt and paranoia. Toward the end of the play he descends into a kind of frantic, boastful madness. Lady Macbeth, on the other hand, pursues her goals with greater determination, yet she is less capable of withstanding the repercussions of her immoral acts. In each case, choice is what drives the couple to ever more terrible atrocities. The problem is that once one decides to use violence to further one’s quest for power, it is difficult to stop. Shakespeare draws this portrait of a murderer with personal, almost empathetic, strokes. We can see ourselves reflected in the choices that Macbeth, Lady Macbeth, Banquo, and Macduff make. In Samuel Johnson’s preface to The Plays of Shakespeare (1765), he wrote that Shakespeare’s “characters … are the genuine progeny of common humanity, such as the world will always supply, and observation will always find.” Over 400 years later, we still find this to be true.

Desha Crownover, Director

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Coronado Playhouse is presenting Macbeth for the first time since 2004, which is the year I joined CPH’s board of directors, when we were down on the Ferry Landing in a tent! We are proud to continue the tradition of the annual classics and grateful we can still offer them free of charge.At CPH, we believe in the transforming power of theatre as told through engaging productions such as Macbeth. Board Member and award-winning director, Desha Crownover has really challenged her team with many clever ideas resulting in a visually stunning version of Macbeth. Adding to it are wonderful background sounds and the underplayed-but-insightful costumes making this production rich with great moments.During our MainStage productions CPH partners with other non-profits to tell

their story and support their causes. Our audiences are very supportive in our mission to help others, and educate the public to other community service organizations. During Macbeth we are raising funds directly for Coronado Playhouse. You can support the Playhouse through donations of any amount by using the envelope in your program, dropping cash or check in the basket as you walk out, or by visiting our friendly box office to donate. Enjoy the perks of being a Coronado Playhouse member, with individual membership starting from as low as $50.We hope you enjoy the show. You will experience ambition, deception and treachery… and yes, you will see blood!Katy Skyrud Managing Theatre Director

A Note from the Playhouse - Member Supported Theatre

KIRA BLASKOVICH (Duncan/Gentlewoman) is excited to be making her San Diego debut at Coronado Playhouse. Past credits include performances with Steppenwolf Theatre, Seattle Repertory, Labyrinth

Theater, and the American Conservatory Theater. She has much love for past indie companies she has been a part of, namely Extant Arts and Impetuous Theatre. Kira

received her BA from Berkeley and MFA from A.C.T. This performance, as always, is dedicated to her amazing husband and daughter. CAMERON BRITT (Fleance / Macduff’s Son / Young Siward / Child) is thrilled

to be making his Coronado Playhouse debut in Macbeth. Cameron was recently in Tchaikovsky Deconstructed at the San Diego Symphony. Cameron’s favorite credits include Edward Tulane in The Miraculous Journey of Edward Tulane (Junior Theater), Charles Wallace in A Wrinkle In Time (Junior Theater), Javier in Akeelah and the Bee (Junior Theater), Peter in Peter and Wendy (Breakthrough Theater). Cameron also spends many hours with the Theater of Peace, spreading the word about anti-bullying. Cameron would like to thank the

cast and production team for making his first show at Coronado Playhouse one to remember.DEANNA CALI (Doctor / 3rd Murderer) is a SAG/AFTRA actor from Los Angeles. This is her first show with Coronado

Cast Bios (In alphabetical order)

Thanks to our Board of DirectorsBarron Henzel (President)Thomas Haine (Vice President) Katy Skyrud (Treasurer)Anthony Zelig (Secretary)

Desha Crownover (Member)Vanessa Dinning (Member) Pamela Everett (Member) Rosemary Harrison (Member)

Stacy Mycorn (Member) Jordy Rose (Member)Pete Shaner (Member)Kira Vine (Member)

Playhouse and she is thrilled. She has been involved with the theater community since she was 4, and pursues acting as a career. Some of her roles include Inga in the Stage Coach production of Young Frankenstein and Jo March in the Daisy’s Madhouse production of Little Women. She had enjoyed featured roles on TV in The Goldbergs, Bones, and ABC’s Revenge.

RUSSELL CLEMENTS (Banquo) is ecstatic to be back at Coronado Playhouse. He is a graduate of Point Loma Nazarene University with a major in Theatre and a minor in History. Past credits include Actor 1 in

Baskerville (Scripps Ranch Theatre), Paige/Achmed in Magic in this Soul and Pepper/Robert in Untold (SD Fringe), Oatcake in Much Ado About Nothing, Clown in The 39 Steps (CPH), Houdini in Ragtime in Concert, Lord Aster in Peter and the StarCatcher, Panch in Spelling Bee, Cogsworth in Beauty and the Beast, Tevye in Fiddler on the Roof (YAT), Derrick in Know More!, Pappy in And Then They Came for Me, and Faustus in Tragical History of Dr. Faustus. Phil 4:4

JULIA GIOLZETTI (Lennox / Lady Macduff) recently returned to San Diego after 12 years in NYC and is thrilled to be working on her second CPH show after playing Kate in King Charles III. Most recently,

she was the dramaturg/text coach for PowPAC/Pickwick’s Romeo and Juliet. Off-Broadway: Drunk Shakespeare. Selected New York credits: World Premiere of PINK! (Samantha), And Miss Reardon… (Anna), A Midsummer Night’s Dream (Hermia), Othello (Iago), Cymbeline (Pisanio), The Winter’s Tale (Paulina), The Comedy of Errors (Adriana). Istanbul: The Tempest, Macbeth. San Diego: …Jimmy Dean (Edna), Plays by Young Writers at the Old Globe. BFA: NYU. Her greatest joy in life is her one-year-old daughter, Rosalind. www.JuliaGiolzetti.com

JASMIN HADDAD (2nd Murderer) is returning to Coronado Playhouse but this time for some fun-filled murder. She was recently seen here in King Charles III and is a local actor and teacher that has appeared on multiple San

Diego stages. She wants to thank her lovely partner for supporting her in these devious endeavors on stage. She also wants to thank the audience for their support and hopes they are fans of nefarious murder plots.

CECILIA HARCHEGANI (Malcolm) is thrilled to be making her Coronado Playhouse debut in Macbeth. Some favorite past roles include: Sheri in American Hero, Viola in Twelfth Night, Rona in 25th Annual...Spelling

Bee, Bottom in A Midsummer Night’s Dream. Honors include: LA Music Center Spotlight Award (Acting Semifinalist), ESU National Shakespeare Competition (top three finalist), Old Globe Regional Shakespeare Competition (First Place), SD Shakespeare Society Buckingham Scholarship, SD Shakespeare Festival (Best Actress). She’d like to thank the cast and crew for their endless hard work and talent. Cecilia would also like to thank you for coming out and supporting local theatre. Enjoy the show!

NICHOLAS HESSLING (1st Murderer) This is Nicholas Hessling’s first time gracing the Coronado Playhouse stage. A recent graduate of San Diego State University’s Theatre Arts program, Nicholas is

a working actor, teacher, and craftsman when the need arises. His recent works include Romeo and Juliet (PowPac & Pickwick Players), Macbeth (Trinity Theatre Company), Trojan Women (SDSU), Lobby Hero (Skull & Dagger Productions), and The Elephant Man (Mesa College Theatre

Company). During the day, Nicholas teaches theatre performance as a part of a K-12 youth program, T3 Triple Threat in North Park.

ADAM LIGHTFOOT (Angus) is an actor from Newcastle upon Tyne, England, where he co-founded and co-directed local theater collective Spectrum Arts. Adam has acted across the stages of London and

North East England in Blue Box Messiah, various Shakespeare productions, and his one-man show He Do the Police in Different Voices. He most recently appeared in The Importance of Being Earnest with The 413 Project. He has also acted in commercials for TV and radio, including work with the BBC. Adam attended Northumbria University, where he received a B.A. in Performance with First Class Honors.

PHILLIP MAGIN (Seyton) is excited to be making his Coronado Playhouse debut in Macbeth. He has performed in several Shakespeare plays, as Mercutio in Romeo and Juliet, Prospero in The Tempest, Grumio

in The Taming of the Shrew, and several roles in a previous production of Macbeth titled Hateful Hands. He wrote, directed, and produced two shows for San Diego International Fringe Festival, Lady Windermere’$ FAM, and Fulcrum. Phillip is currently the co-host of a radio show called “Mainstage Mavericks” on KCR College

Radio and is pursuing a BA in Theatre Performance at San Diego State University. Enjoy the show!

RON MARCHAND (Macduff) is delighted to be back at Coronado Playhouse. His previous credits include The Tempest, King Lear, Julius Caesar, As You Like It, The Merchant Of Venice, One Flew Over The Cuckoo’s

Nest, The Boys Next Door, A Perfect Ganesh, Teibele And Her Demon and more. He has studied at The American Academy Of Dramatic Arts and HB Studio in New York and would like to thank his wife Dianne for her love and support.

WALTER MURRAY (Ross/Storyteller) has appeared on stages in NY, LA, and San Diego. He was the co-founder and executive director of the SD Black Ensemble Theater. Has been in films The Case Regarding Joan of Arc

and Your Name Here. Thank you to Drs. Stanton, Epston and Levine.

ERIN PETERSEN (Lady Macbeth) is a resident artist as well as the Education Program Manager for Intrepid Theatre Company. Intrepid credits: Honey (Who’s Afraid of Virginia Woolf), Perdita (The Winter’s Tale),

Lamplighters:BUTTERFLIES ARE FREE OCT 12-NOV 11Patio Playhouse:WAIT UNTIL DARK OCT 5-28

Pickwick Players: IT’S A WONDERFUL LIFE NOV 30-DEC 15Pt. Loma Playhouse: ONE SLIGHT HITCH SEPT 21-OCT 14

PowPAC:A CHRISTMAS CAROL NOV 2-DEC 9Vanguard:A CHRISTMAS CAROL DEC 8-9

Coronado Playhouse is a proud member of ACT San Diego Around town at other ACT theatres...

www.actsd.org

Hero (Much Ado About Nothing), Lydia (All My Sons), Witch (Macbeth) Polly (An Enemy of the People), Lady (Richard II) and Juliet (Romeo & Juliet) as well as numerous roles in Intrepid’s staged readings and is also a member of their Shakespeare for a New Generation Tour. Other credits include Skinless, HickoryDickory and Ten Cent Night with Moxie Theatre. When not onstage, Erin enjoys working as a director, choreographer and teaching artist.

MARTIN WHITE (Bloody Sergeant / The Porter) is ecstatic to be on stage for CPH’s production of Macbeth. After too long an absence from the stage, his “actin’ bone” is now getting the exercise and care it has

been needing and he salutes all the people, inside of the cast and outside of the cast,

that have provided it. Some of his past CPH roles have been Prospero in The Tempest, Bottom in A Midsummer Night’s Dream, Leonato in Much Ado About Nothing and Claudius in Hamlet. “All hail, Macbeth!”

SAMUEL YOUNG (Macbeth) is incredibly humbled and honored to play the Scottish Thane. This is a dream come true for him, and he hopes to do the Bard proud. He was last seen at Coronado Playhouse playing Paul

(the Kebab Guy) in King Charles III, and also played Claudio in Much Ado About Nothing last summer, and the year before that he was Horatio in Hamlet. He just finished the role of Producer for Romeo & Juliet with PowPac/Pickwick, and is extremely excited that he will be directing The Winter’s Tale next season here at Coronado.

Creative Team Bios

DESHA CROWNOVER (Director) is an award-winning stage and musical director with over 75 shows to her name, ranging from intimate black-box style plays to fully-staged musicals. She has had the opportunity to direct, teach, and perform across the country for the past twenty-five years where her work has been commended by such theatre notables as Edward Albee, Ming Cho Lee, Patricia Zipprodt, and Timothy Near. She holds a Master’s degree in Theatre from SDSU and a B.A. in Theatre with an emphasis in Performing from UCSD and has served on the teaching faculty of SDSU, Cuyamaca College, and Santa Fe Christian Schools teaching music, acting, theatre history, public speaking, and speech and debate. Her work as a playwright has been produced at UCSD, SDSU, and Santa Fe Christian Schools, as well. Desha currently serves as the Artistic Director of San Diego Junior Theatre where she has taught and directed for the past twenty years. She is honored to be back at CPH where she has directed Seussical and The 39 Steps.

MEGAN BARAHURA (Stage Manager) This is Megan’s third production at Coronado Playhouse. She was production assistant for Suessical and stage manager for The 39 Steps. She participates yearly with Breakthrough Workshop Theatre and she is grateful to Desha and Ira for feeding her theatre habit. She will be forever indebted to her brother, Michael, for being the best mentor and cheerleader for all things stage managing and her youngest brother, Mark, for for all the dinners and endless patience with the overall craziness.JACOB SAMPSON (Set Designer, Special Effects Designer, Master Carpenter) is happy to be back at CPH. This marks his fifth production with CPH, most recently designing Next To Normal. Jacob is a native San Diegan and life-long theater junkie. He received a BFA in theatre arts from Stephens College before moving to NYC where he worked as a properties carpenter/artisan. He spent two summers with the Santa Fe Opera as a properties carpenter and recently moved back to San Diego to join the prop department at The Old Globe.

Thank you for your continued support for the arts. LISA SAMSON (Costume Designer) is a graduate of UCSB and a recovering theatre mom with a passion for theatre and costuming that dates back to her childhood days at San Diego Junior Theatre. She has worked on costumes for several youth productions and some high school productions. Excited by the challenges of working for the first time in community theatre, Lisa would like to thank Desha and the rest of the Coronado Playhouse team for trusting her with this opportunity.KYLE WATERMAN (Lighting Designer) Kyle is thrilled to be joining the Coronado Playhouse team with Macbeth. Originally from Kalamazoo Michigan, he attended Western Michigan University where he majored in Stage Management and Technical Design. Kyle has worked across the country as a Stage Manager, Lighting, Scenic and Property Designer, and Choreographer. Currently he serves as the Production Manager for San Diego Junior Theatre.MICHAEL COOK (Sound Designer) was introduced to sound and lighting design through his church, where he continues to live mix services every month. Sound and lighting tech and design credits include Next to Normal, Seussical: The Musical, A Chorus Line, “Never Say Never” Cabaret, A Holiday Cabaret, Altar Boyz, Showbiz with the Miz, Rayme’s Song Mashups, The 39 Steps, Singing in the Rain: In Concert, The Test: In Concert, Violet: In Concert, The Addams Family (Coronado Playhouse), and It’s A Wonderful Life: A Live Radio Play (Vanguard Theater). Michael won the 2017 Aubrey for Lighting Design (shared with Julian Sink) and Sound Design, both for The 39 Steps. Thanks family, friends, and the love of his life Sarah Robinson for their constant love and support.WALTER MURRAY (Fight Captain) see actor bio aboveANTHONY ZELIG (Resident Lighting Board Operator) is excited to be involved with this terrific production! Recent Coronado credits include designing lights for A Man of No Importance and CPH’s concert production of Follies. Thank you to Desha, Katy, Susan

and the CPH Board. ED CANNAZARO (Live Audio Mixer) is a retired Navy Chief Petty Officer after 20 years of active duty service. He has been running audio for live performances for 40 years. He began to learning to work lights and audio at the age of 14, working large Christmas and Easter productions with a full orchestra accompaniment. He also worked several years in a local recording studio. On the weekends he serves a the Front of House engineer for worship services at his church. His main job during the week, besides being a husband and father to four daughters, is as the Simulation and Technology Manager at a local maritime training school.KIMBERLY KING (Dramaturg) is a San Diego native, and 22-year veteran teacher with the South Bay Union School District. She currently serves as choral and drama director for SBUSD’s Visual and Performing Arts Program. She is happy and proud to serve in the San Diego theatre community on the San Diego Junior Theatre Board of Trustees as Education Chair, at The Old Globe Theatre as a Teaching Artist, Dramaturg and contributing writer for San Diego Rep. Theatre, and now Dramaturg for CPH’s production of Macbeth. Ms. King has performed musically in local bands since the mid-1980’s. More recently she has been seen in Our Lady of Kibeho, at the Moxie, two short films by Flatspace Studios, and in Coronado Playhouse’s production of James and the Giant Peach in the role of Ladahlord. Kimberly holds degrees in Music, Sociology, Contemporary Black Arts from UCSD, and a Master’s in Theatre Arts from SDSU- go Aztecs! She is the proud parent of 3 wonderful performers, Zack, Lily and Imahni, with whom she has begun Teenage Youth Performing Arts Theatre Company, (TYPA)-Become someone who can help someone.MARISSA MOORHEAD (Assistant Director): is incredibly excited to be involved with this production of Macbeth. She has only recently begun her journey into assistant directing. Earlier this year she was an assistant director for the UC Santa Cruz Shakespeare to Go 50 minute, condensed production of Romeo and Juliet. She would like to thank her family and friends for being an amazing system of support.

Coronado Playhouse Government & Foundation Support

CROWN PRODUCER - $25,000 and aboveMichael and

Cauleen Glass

CROWN SPONSOR - $5,000 and aboveLeonard Hirsch

SPONSOR - $2,500 and aboveTom Haine & Pat

Fitzmorris

CROWN DONOR - $1000 and aboveDolores BankerBoynton Family FundKathy DenkNance & Mark HunterJoseph Bell & Bobbi

HutchinsonRalph JohnsonChristina PaineThe Jim & Midge Peltier

Charitable FundRobert Spane & Carol

MayfieldJackie SuittPatricia & Christopher

Weil Family Foundation

DONOR - $500 and aboveCoronado Woman’s ClubTom Fitzpatrick & Barron

HenzelBill Speer and Marsi

SteirerNancy StoneAnthony Zelig

BENEFACTOR - $250 and aboveBradford BatesGladys Beit-IshooDiane CarpinelliSharon LapidHarry Granruth III & Katy

SkyrudJacquelyn McCoy & Jim

LareJames & Sondra SeerightStan & Shirley SothSkip & Kim ThaelerJanis Vanderford

PATRON -

$125 and aboveBarbara Barnes & Alfred

SchattschneiderSusan BolandErico Carreno, DDSLois & Charles CostaJoe & Marly Da RosaPam and Dennis EverettEn-Shen Kuan & Donald

ButtsDavid & Susan HagstromRaymond & Patricia

LynchPat & Dan McDonoughHelen RobinsonFrances SchlomGary and Kathy SmithMarilyn StenvallNancy TaylorBertha Tsai TulaganRobert & Yukiko

WennerholtDavid Woodward &

Family

FAMILY - $100 and aboveVictory AmosSusan & Kevin BrayBill Connard & Jennie

Gray ConnardGigi and Ed CramerLani & Richard CrandallVeronna DizonRose Eberhard & Kenny

KnopmanPatty FayMichael Hernandez

Ursula KantorEleanor KippermanVirginia La ChanceMichelle MojicaSean Boyd & Kathy ParksWayne Murphy & Mark

PetersonChris PowellArlynn RenslowBarri SandersSusan SkyrudCecil & Paulette ShufflerJeannette SpaffordMary Ann ThomasGarner Saguil and Kirk

VallesManny Bejaraon &

Michael Van AllenClaire and Martin White

INDIVIDUAL - $50 and aboveMadeline AriasRay AriasSuzanne BairMaurine BeinbrinkJohn CoutureRichard Belkin

Jennifer CunninghamMichele DamofaranMike DavisVanessa DinningRobert & Dorothy DraperJohn DrehnerPenny DrozdLorraine Eden-Hermann

Elaine EdwardsLinda FarrellEdward & Joy FloydJulian FriesenConrad GisigerRosemary HarrisonArleen HitchcockRon HoytTodd & Gina HoytStephanie JenningsSteve JensenMark & Sue LandySara LangerNancy LanhartDelia LozoyaSusan MaxwellSue McNaryDunia MoraChristopher MoracheStacy MycornBobbie PaulJacquel PrelgoviskJordanna RoseMrs. Don RosenblattJames SabaBarbara SeagrenPete ShanerPat ShankLouise StreckerVirginia SyversonKira VineDuncan & Yuki WooBarry Zemel

Ticket prices only cover a portion of production costs. Our members keep Coronado Playhouse operating! Anyone can become a member. Benefits include: free passes to shows, preferred seating, your name in show programs, newsletters, invitations to special events and voting rights to determine theatre productions and leadership.