creating a blueprint for academic listening* (*just don’t mention ielts) iatefl harrogate 2014 tom...

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Creating a Blueprint for Academic Listening* (*Just don’t mention IELTS ) IATEFL Harrogate 2014 Tom Ottway & Peter Ryley University of Sussex ISC Copyright Tom Ottway & Peter Ryley 2014 1

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Page 1: Creating a Blueprint for Academic Listening* (*Just don’t mention IELTS) IATEFL Harrogate 2014 Tom Ottway & Peter Ryley University of Sussex ISC Copyright

Copyright Tom Ottway & Peter Ryley 2014 1

Creating a Blueprint for Academic Listening*

(*Just don’t mention IELTS)

IATEFL Harrogate 2014

Tom Ottway & Peter Ryley

University of Sussex ISC

Page 2: Creating a Blueprint for Academic Listening* (*Just don’t mention IELTS) IATEFL Harrogate 2014 Tom Ottway & Peter Ryley University of Sussex ISC Copyright

Copyright Tom Ottway & Peter Ryley 2014 2

Who we are…

Tom Ottway Head of English University of Sussex ISCAuthor, learning technologist and trainer

[email protected]@studygroup.com

Peter RyleyELPP coordinator/developer of listening materialsUniversity of Sussex [email protected]@studygroup.com

Page 3: Creating a Blueprint for Academic Listening* (*Just don’t mention IELTS) IATEFL Harrogate 2014 Tom Ottway & Peter Ryley University of Sussex ISC Copyright

Copyright Tom Ottway & Peter Ryley 2014 3

Part 1: Overview of context/aims

Part 2: Experiential section 20 mins

Part 3: Analysis of results of trialed listening at USISC

Part 4: Discussion/feedback

Structure of workshop

Page 4: Creating a Blueprint for Academic Listening* (*Just don’t mention IELTS) IATEFL Harrogate 2014 Tom Ottway & Peter Ryley University of Sussex ISC Copyright

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Context

• Partnership with University of Sussex

• Admissions Office/non English specialists – IELTS-focused

http://isc.sussex.ac.uk

Page 5: Creating a Blueprint for Academic Listening* (*Just don’t mention IELTS) IATEFL Harrogate 2014 Tom Ottway & Peter Ryley University of Sussex ISC Copyright

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USISC-University of Sussex International

Study Centre

ESUS- English Skills for University Study

ELPP- English Language Preparation

Programme

FDN- Foundation (Level 2: pre Year 1 at

university)

IY1- International Year One (Level 3 at

university)

Workshop acronyms

Page 6: Creating a Blueprint for Academic Listening* (*Just don’t mention IELTS) IATEFL Harrogate 2014 Tom Ottway & Peter Ryley University of Sussex ISC Copyright

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AUGUST 9TH LISTENING: 377 sts ESUS did the test in late Sept 2013 ELPP (4.5 /upper B1) Dec 2013……………………………………………………………

Listening /neglected> research (Lynch, 2011) Lack of empirical data?

Students struggle with listening (USISC)

Context

Page 7: Creating a Blueprint for Academic Listening* (*Just don’t mention IELTS) IATEFL Harrogate 2014 Tom Ottway & Peter Ryley University of Sussex ISC Copyright

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D3 ~All Scales CEFR

http://www.coe.int/t/dg4/education/elp/elp-reg/Source/Key_reference/Overview_CEFRscales_EN.pdf

Page 8: Creating a Blueprint for Academic Listening* (*Just don’t mention IELTS) IATEFL Harrogate 2014 Tom Ottway & Peter Ryley University of Sussex ISC Copyright

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CEFR B1/2 Re: ‘Following’ Lectures

http://www.coe.int/t/dg4/education/elp/elp-reg/Source/Key_reference/Overview_CEFRscales_EN.pdf

Page 9: Creating a Blueprint for Academic Listening* (*Just don’t mention IELTS) IATEFL Harrogate 2014 Tom Ottway & Peter Ryley University of Sussex ISC Copyright

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Note taking CEFR B2- to guide or not?

http://www.coe.int/t/dg4/education/elp/elp-reg/Source/Key_reference/Overview_CEFRscales_EN.pdf

Page 10: Creating a Blueprint for Academic Listening* (*Just don’t mention IELTS) IATEFL Harrogate 2014 Tom Ottway & Peter Ryley University of Sussex ISC Copyright

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reliable benchmark to CEFR >

alternative to IELTS

B1-B2 cusp> prepare entry to Fdn/IY1

develop genuine academic skills (note

taking/summary)

Part 1: Aim of our listening preparation for UGs

Page 11: Creating a Blueprint for Academic Listening* (*Just don’t mention IELTS) IATEFL Harrogate 2014 Tom Ottway & Peter Ryley University of Sussex ISC Copyright

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See you later

Now: let’s listen!

Page 12: Creating a Blueprint for Academic Listening* (*Just don’t mention IELTS) IATEFL Harrogate 2014 Tom Ottway & Peter Ryley University of Sussex ISC Copyright

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Overview of data Analysis overview Highlight key features

Part 3: Analysis

Copyright Tom Ottway & Peter Ryley 2014

Page 13: Creating a Blueprint for Academic Listening* (*Just don’t mention IELTS) IATEFL Harrogate 2014 Tom Ottway & Peter Ryley University of Sussex ISC Copyright

Copyright Tom Ottway & Peter Ryley 2014 13

Data overviewAverage

score

No. of participants

per programme

Page 14: Creating a Blueprint for Academic Listening* (*Just don’t mention IELTS) IATEFL Harrogate 2014 Tom Ottway & Peter Ryley University of Sussex ISC Copyright

Copyright Tom Ottway & Peter Ryley 2014 14

174/370 scored less than 50. (N.B. Overall IELTS bands mask weak skill areas?)

Lower level upper B1 (IELTS 4.5>) struggle to score any marks in summaryPattern changes around score of 70% + >> 2.5/5 (50%) up to 4/5 (80%)

Analysis of results

“…it is not until listeners get past CEFR C1 level that their ability to decode spoken input begins to achieve the kind of accuracy that enables them to take away a relatively complete message …”Field (2006, cited in Field 2011)

Page 15: Creating a Blueprint for Academic Listening* (*Just don’t mention IELTS) IATEFL Harrogate 2014 Tom Ottway & Peter Ryley University of Sussex ISC Copyright

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Foundation Borderline pass (50%)

Mark /20 for comp

QsMark /5 for summary

Total %

Page 16: Creating a Blueprint for Academic Listening* (*Just don’t mention IELTS) IATEFL Harrogate 2014 Tom Ottway & Peter Ryley University of Sussex ISC Copyright

Copyright Tom Ottway & Peter Ryley 2014 16

Diploma (IY1) Borderline pass (60%)

Mark /20 for comp

Qs

Mark /5 for summary Total %

Page 17: Creating a Blueprint for Academic Listening* (*Just don’t mention IELTS) IATEFL Harrogate 2014 Tom Ottway & Peter Ryley University of Sussex ISC Copyright

Copyright Tom Ottway & Peter Ryley 2014 17

Foundation good pass (68-80%)Mark /20

for comp Qs

Mark /5 for summary Total %

Page 18: Creating a Blueprint for Academic Listening* (*Just don’t mention IELTS) IATEFL Harrogate 2014 Tom Ottway & Peter Ryley University of Sussex ISC Copyright

Copyright Tom Ottway & Peter Ryley 2014 18

Foundation Results- upper end

Still strugling

with summary

Total %Mark /20 for comp

QsMark /5 for summary

Page 19: Creating a Blueprint for Academic Listening* (*Just don’t mention IELTS) IATEFL Harrogate 2014 Tom Ottway & Peter Ryley University of Sussex ISC Copyright

Copyright Tom Ottway & Peter Ryley 2014 19

Diploma Results- upper end

Total %Mark /5 for summary

More consistent

high summary &

% correlation

Mark /20 for comp

Qs

Page 20: Creating a Blueprint for Academic Listening* (*Just don’t mention IELTS) IATEFL Harrogate 2014 Tom Ottway & Peter Ryley University of Sussex ISC Copyright

Copyright Tom Ottway & Peter Ryley 2014 20

ELPP Results- upper end (50-84%)

Total %Mark /5 for summary

Lowest summary

c.f. % scores

(0 -2.5)

Mark /20 for comp

Qs

Page 21: Creating a Blueprint for Academic Listening* (*Just don’t mention IELTS) IATEFL Harrogate 2014 Tom Ottway & Peter Ryley University of Sussex ISC Copyright

Copyright Tom Ottway & Peter Ryley 2014 21

Weakest students Mark /5 for summary

Total %Mark /20 for comp

Qs

Page 22: Creating a Blueprint for Academic Listening* (*Just don’t mention IELTS) IATEFL Harrogate 2014 Tom Ottway & Peter Ryley University of Sussex ISC Copyright

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Quantity Quality Rhythm Mitigation- balance

Key factors

Page 23: Creating a Blueprint for Academic Listening* (*Just don’t mention IELTS) IATEFL Harrogate 2014 Tom Ottway & Peter Ryley University of Sussex ISC Copyright

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Implications of/ suggestions on our procedure/pedagogy?

Is pre-listening valid and effective? (reading/video text/glossary)

Are you using a similar approach to ours? Successfully?

Part 4: Discussion questions

Page 24: Creating a Blueprint for Academic Listening* (*Just don’t mention IELTS) IATEFL Harrogate 2014 Tom Ottway & Peter Ryley University of Sussex ISC Copyright

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Develop range of interaction modes in listening – not just lecture mode: forums, seminars, ‘round-table’ discussions

>> ‘multi-modal’ and ‘reciprocal’. See Lynch (2011: 87)

Do further research and especially detailed analysis

Nearly 100 listening texts in The Bank- exploit>> quizzes>> publish a resource

Further research

Future aims/recommendations

Page 25: Creating a Blueprint for Academic Listening* (*Just don’t mention IELTS) IATEFL Harrogate 2014 Tom Ottway & Peter Ryley University of Sussex ISC Copyright

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BALEAP resources: http://www.baleap.org.uk/resources/eap-related-websites CEFR All Scales: http

://www.coe.int/t/dg4/education/elp/elp-reg/Source/Key_reference/Overview_CEFRscales_EN.pdf

Ching-Shyang Chang, A. & Read, J. (2007) RELC Journal, December 2007; vol. 38, 3: pp. 375-394.Support for Foreign Language Listeners: Its Effectiveness and Limitations.

Crystal, D. (1992) The Changing English Language- fiction and factAvailable from: www.davidcrystal.com/?fileid=-4002 Field, J. (2011) Journal of English for Academic Purposes 10, 102–11, Into

the mind of the academic listener. JISC Glossarty: http

://www.jisc.ac.uk/uploaded_documents/eAssess-Glossary-Extended-v1-01.pdf

Lynch, T. (2011) Journal of English for Academic Purposes 10 pp. 79–88 Academic listening in the 21st century: Reviewing a decade of research

Taylor, L. & Geranpayeh, A., Journal of English for Academic Purposes 10 (2011) 89-101 Assessing listening for academic purposes: Defining and operationalising the test construct

Selected reading

Page 26: Creating a Blueprint for Academic Listening* (*Just don’t mention IELTS) IATEFL Harrogate 2014 Tom Ottway & Peter Ryley University of Sussex ISC Copyright

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Workshop presentation linkshttp://sussexisciatefl.wordpress.com/

Page 27: Creating a Blueprint for Academic Listening* (*Just don’t mention IELTS) IATEFL Harrogate 2014 Tom Ottway & Peter Ryley University of Sussex ISC Copyright

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Contact us with your comments/questions

Tom Ottway Head of English University of Sussex ISCAuthor, learning technologist and trainer

[email protected]@studygroup.com

Peter RyleyELPP coordinator/developer of listening materialsUniversity of Sussex [email protected]@studygroup.com