creative rules that work for print part 2 (slides 124-186)

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Welcome to the DMA’s Creative Certification Course Part Two Creative Rules that Work for Print Slides 124-186 Thurs., Oct 18, 2012 ; 8:30am - 12:00pm Presented by Alan Rosenspan & Carol Worthington-Levy

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Page 1: Creative Rules That Work for Print Part 2 (Slides 124-186)

Welcome to the DMA’s Creative Certification Course

Part Two

Creative Rules that Work for Print

Slides 124-186Thurs., Oct 18, 2012 ; 8:30am - 12:00pm

Presented by Alan Rosenspan &

Carol Worthington-Levy

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The Outer EnvelopeIf this fails, everything inside the package is wasted…

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The Outer Envelope

• First job is to gain the attention of the recipient

• First exposure to offer or main benefit

• Give them enough to get them interested…

• …but not enough to allow them to throw it away

• Stand out from other mail

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Choosing the right envelope• Paper stock can be important• Direct mail is a tactile medium

• Consider vellum, see-through, metallic, poly-bags, even paper bags

• Color can be important• Test kraft, yellow

• Test “stealth” envelopes• Especially to customers

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1. State the main benefit2. State the offer

3. Tell them what’s inside4. Ask a provocative question

…but not one that can simply be answered “no!”5. Give them a test

6. Describe a situation...7. State a problem8. Flag your market

9. Use personalization in an unusual way10. Use F.U.D.

10 Proven Envelope Techniques

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The LetterThe only form ofadvertising you will ever read or ever write that always starts with one word…

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The Letter• This is, by far, the most important part of the

package.

• According to research done by Ogilvy & Mather, it will account for 65-75% of your response

• The first thing people actually read

• When should you include a letter?

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The Most Successful Piece of Advertising in

Advertising History

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How should a letter look?

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7 Letter Techniques1. Use a Johnson box

2. Start with a killer opening...

Put news in it

Show ’em you Know ’em

Ask a provocative question

3. Use short words and simple language

4. Bring me to your offer

5. Give me a reason to respond now

6. Use the word “you”

7. Include a strong P.S.

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Write the way people talk

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Write to just one person…

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Yale University Study

You Health Money Safety Save Love

The Single MostPersuasive Word inDirect Marketing?

New Discovery Results Proven Easy Guarantee

_______________

The 12 Most Persuasive Words in the English Language

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How to evaluate a letter

• Count the number of “you’s”

• Are you proud of it? Would you sign it?

• Would you respond to it?

• Read it out loud

• Read it to your significant other

• You’ll know…

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The BrochureThe best place to visualize your benefits…

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Building Better Brochures

“The letter sells, the brochure tells.”

Evelyn Woods should have been a direct marketer

“The 3-second solution”

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The Role of the Brochure

• Provides detailed information

• Can include testimonials and clients lists

• Can be used as an involvement device• The “Striptease” effect

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7 Ways to Improve Your Brochure1. Put your strongest benefit on the cover

2. Make your headlines benefit-oriented and specific

3. Make your photographs tell a story

4. Include a strong call to action, how to respond

5. Include a guarantee

6. Include a Q&A

7. Include a Q&A segue

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Headlines are critically important

80% of people read them and nothing else They must include your main benefits They should not be “creative”

“Some copy writers write tricky headlines, puns,literary allusions and other obscurities. This is a sin.

Every headline should appeal to the reader’s selfinterest. It should promise the reader a benefit.”

--David Ogilvy

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Photography is almost always better than illustration

– but charts rule

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The most popular newspaper in the USA...

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Art Direction, Design & Typography The goal of good direct marketing design should be to attract the

attention of the reader, and lead them through the package.

Ugly works; neatness may reject involvement

ALL CAPS ARE DIFFICULT TO READ BECAUSE THE EYE RECOGNIZES SHAPES - NOT INDIVIDUAL LETTERS

Type set in narrow columns is easier to read (50 characters ideal).

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When a designer uses reversed out copy

it simply means they don’t have confidence that the big idea will carry the day

• Less than 10% readership and comprehension compared to black type on light background

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The Reply DeviceWhere the rubbermeets the road

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The Reply Device• Why do you need one?

• Why can’t we just send people to the web?

• Tracking can be an issue

• Send to a micro-site only

• This should “stick out” like a sore thumb.

• 1st thing to personalize

• Include main benefits

• The “empty envelope” test

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BRE or BRC?What kinds of information do people regard as “private?”

____________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________

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How to improve your reply device

• Give people a “Yes” or “No” option• ….but don’t be too clever

• Consider an involvement device

• Give them a choice• …but keep options very simple

• Include 800, fax number, e-mail address• …but go for the phone call!

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The Lift NoteEvery little bit helps

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The Lift Note• Can “lift” response an average of 10% over regular

response rate for that package.

• Write in a different voice than the letter

• “Whisper in their ear”

• Highlight the offer

• Consider a yellow sticky note

• On reply form

• On letter

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The InvolvementDeviceWill another three seconds reallymake a difference?

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5 Proven Involvement Devices

1. Use a sticker – Yes/No or with an offer

2. Have them lift the sticker to review their special offer

3. Include a brief 3-question survey

4. Include multiple enclosures

5. Remember what Barnes & Nobles knows…

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What’s next?

Part 3: Digital Creative that Engages Customers Oct 18 (today), 12:30pm - 2:45pm

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Direct marketing creative requires a tenacious spirit — perseverance!

• “All the performances of human art, at which we look with praise or wonder, are instances of the resistless force of perseverance.”

— Samuel Johnson