critical approaches to film essay preparation & critical approaches recap
TRANSCRIPT
Critical Approaches to Film
Essay Preparation& Critical Approaches recap
What will you learn by doing this? Develop analytical writing skills and engagement
with critical concepts and scholarly literature.
Word count: 2000
% Of module mark: 40%Deadline: 7th March 2014 (4pm)
Type of assessment
Question: Auteur theory and genre theory are often considered to be in opposition to one another.
Which is a more useful critical approach to The Searchers OR Unforgiven OR The Big Sleep?
Your response should seek to combine a demonstration of understanding of theories of authorship and genre with original analysis of the film; that is, you should aim to apply and assess the theories rather than simply describe it. Please note that you are expected to be creative and original in your response to this question, and to bear in mind that depth of analysis of the film is what is sought.
Remember that your response must be expressed in continuous prose, and that you must avoid personalisation and uncritical vocabulary. You must also make sure you refer to the relevant guidelines for proper referencing. Plagiarism will result in a fail. See Guidelines for Film Studies Submission.
Important advice to remember
What you will be marked on: As a guide, the Essay will be assessed according to the following criteria: Depth, originality and persuasiveness of analysis of the films.
Understanding, application and assessment of the theories.
Level of independent research employed, in addition to lecture material.
Construction of a convincing, well-structured intellectual argument.
Appropriateness of presentational style, including accuracy of referencing.
How can you prepare for this?
1. Read up on auteur & genre theory
2. Read up on the director
3. Ideally, watch other films by the same director(s)
4. Watch the film several times and analyse it in detail
Recap (Genre Theory)
Genre Theory • Way to study film • Not just about films belonging to a group• Genres based on different things e.g. • story content (the war film)• artistic status (the art film)• racial identity (black cinema)• location (The Western)• sexual orientation (Queer cinema) • As far back as 1950s Bazin discussing genre• 60s & 70s: genre criticism saw move away
from auteur concept • Genre study = more inclusive discipline?
Chicken or the egg?A problem with using genre theory?
Andrew Tutor (Genre 1974) finds the term genre problematic.
Using genre to analyse films
Formal ElementsIconography (symbolic meaning we attach to images)
More easily identifiable
Deeper level of analysis needed. Read layers of production
Tone (lighting, music, cinematography)
Examples of formal elements & Genre
Costume Setting
StagingStar
Can be used for all genres
ToneHow do the formal elements create a tone to a film?Noir lightingPOV shots for thriller/ horrorUse of music associated with genres
Narrative• Genres typically adhere to
formulaic way of telling story
• Blueprints
• Frequently repeated across number of films
• E.G. Jim Kitses on The Western & Binary Oppositions
Advantages & disadvantages of using genre theory?
• Genre = inclusive – easy to construct long list of films that fall into specific genre
• Genre theory – too preoccupied with semiotics (signs, iconography & meaning)
• Need to consider historical emergence of genre movies
• Need to account for how genres develop, mutate, rise and fall in popularity
Semantics & Syntax
2 approaches for analysing genre
Greater understanding is achieved through combination of both
Rick Altman (1984)
Audiences
• Should consider audiences
• They get targeted by the industry
• Certain films associated with men/ women
• Genre dependent on audience expectation
Steve Neale (‘Questions of Genre’ 1990)
Two things central to understanding of genre
3 things to consider:1. Pre-history (Development from other forms of media)2. All films regardless of quality3. Factors other than content (advertising, studio policy, stars)
Recap (Auteur Theory)
Auteur TheoryA film director whose personal influence and artistic control over his or her films are so great that he or she may be regarded as their author, and whose films may be regarded collectively as a body of work sharing common themes or techniques and
expressing an individual style or vision
Auteur theory: recap
Defending film as an art form
Director as main creative force
Focus on mise-en-scène
The politique des auteurs
Identifying auteur signatureAuteur theory
Other important factors to remember
Francois Truffaut ‘Une Certaine Tendance du Cinema Francais’ (1954)
Mise-en-scene (crucial to reading film)Set design (props & décor)
Lighting (& shadow)Acting (movement & gesture)
Costume and make-up
Personal filmmaking
Andrew Sarris ‘Notes on the Auteur Theory’ (1962)3 circles: technique, personal style, interior meaning
Identifying an auteur director
• Biographical details • Themes present in work (usually recurring
themes) • Aesthetics (mise-en-scene, cinematography…)• Production (What budgets can they secure?
Use same cast and crew? Style dependent on others?)
Auteur Theory as a critical approach
• Director as auteur allows cinema to claim artistic & academic legitimacy. Film seen as important as other art forms
• Academics & critics – champion director. Easier to attribute responsibility to sole individual. Using dir. As shorthand is norm and promotes Auteur Theory
• Is key to cultural capital of fan communities, film buffs, journalists & academics who publish on this topic.
• Promotion of director to audiences• Marketing tool – extras with dir. Commentaries etc…
Problematizing the auteur
• Film is collaborative process?• Crew’s input ignored when
applying theory• Emphasis on personal & unique
vision• Should others be given auteur
title? Actor? Cinematographer? Writer? Composer?
• Roland Barthes ‘Death of the Author’ (1968): Gave preference to reader. Reader who gave text meaning.