cross stitch giving thanks - amazon s3 · 2015-10-16 · cross stitch l e i s u r e a r t s l i b r...

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Cross Stitch LEISUREARTSLIBRARY.COM # 800249 Giving anks Originally published in the Autumn 1990 issue of Celebrations to Cross Stitch and Craft ©2007 by Leisure Arts, Inc. CLICK HERE to sign up for the FREE Leisure Arts E-newsletter at www.leisurearts.com to receive free projects, book reviews, handy tips, and more Inspiration! With her head bowed in prayer, a young Pilgrim woman gives thanks for a bountiful harvest. is charming anksgiving design was adapted for cross stitch from an antique postcard. Approx Design Size: 4 1 /8" x 6 1 /8"

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Page 1: Cross Stitch Giving Thanks - Amazon S3 · 2015-10-16 · Cross Stitch L e i s u r e A r t s L i b r A r y . c o m # 800249 Giving Thanks Originally published in the Autumn 1990 issue

Cross Stitch L e i s u r e A r t s L i b r A r y . c o m # 800249

Giving Thanks

Originally published in theAutumn1990issue ofCelebrations to Cross Stitch and Craft

©2007 by Leisure Arts, Inc.

CliCk Here to sign up for the

FREE Leisure Arts E-newsletter at www.leisurearts.com to receive free projects,

book reviews, handy tips, and more

Inspiration!

With her head bowed in prayer, a young Pilgrim woman gives thanks for a bountiful harvest. This charming Thanksgiving design was

adapted for cross stitch from an antique postcard.

Approx Design Size: 41/8" x 61/8"

Page 2: Cross Stitch Giving Thanks - Amazon S3 · 2015-10-16 · Cross Stitch L e i s u r e A r t s L i b r A r y . c o m # 800249 Giving Thanks Originally published in the Autumn 1990 issue

LeisureArtsLibrary.com • #800249 Page 2 of 3 ©2007 by Leisure Arts, Inc.

Color key on page 3.

Page 3: Cross Stitch Giving Thanks - Amazon S3 · 2015-10-16 · Cross Stitch L e i s u r e A r t s L i b r A r y . c o m # 800249 Giving Thanks Originally published in the Autumn 1990 issue

LeisureArtsLibrary.com • #800249 Page 3 of 3 ©2007 by Leisure Arts, Inc.

We have made every effort to ensure that these instructions are accurate and complete. We cannot, however, be responsible for human error, typographical mistakes, or variations in individual work.

©2007 by Leisure Arts, Inc., 5701 Ranch Drive, Little Rock, AR 72223. All rights reserved. This digital publication is protected under federal copyright laws. Reproduction or distribution of this digital publication or any other Leisure Arts publication, including publications which are out of print, is prohibited unless specifically authorized. This includes, but is not limited to, any form of reproduction or distribution on or through the Internet, including posting, scanning, or e-mail transmission.

STITCH DIAGRAMSCounted Cross Stitch (X): Work one Cross Stitch to correspond to each colored square on the chart. For horizontal rows, work stitches in two journeys (Fig. 1). For vertical rows, complete each stitch as shown (Fig. 2). When working over two fabric threads, work Cross Stitch as shown in Fig. 3. When the chart shows a Backstitch crossing a colored square (Fig. 4), a Cross Stitch should be worked first; then the Backstitch (Fig. 5) should be worked on top of the Cross Stitch.Fig. 1 Fig. 2

Fig. 3 Fig. 4

Backstitch (B’ST): For outlines and details, Backstitch (shown on chart and on color key by black or colored straight lines) should be worked after the design has been completed (Fig. 5).

Fig. 5

French Knot: Bring needle up at 1. Wrap floss once around needle. Insert needle at 2, tighten knot, and pull needle through fabric, holding floss until it must be released (Fig. 6). For a larger knot, use more floss strands; wrap only once.

Fig. 6

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General Instructions

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Half Cross Stitch (1/2X): This stitch is one journey of the Cross Stitch and is worked from lower left to upper right as shown in Fig. 7.Fig. 7

Quarter Cross Stitch (1/4X and 3/4X): Quarter stitches are denoted by triangular shapes of color on the chart and on the color key. Stitch 1-2 is the One-Quarter Stitch (1/4X) (Fig. 8).When stitches 1-4 are worked in the same color, the resulting stitch is called a Three-Quarter Stitch (3/4X). Fig. 8

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