CAROLINE J. MALLONEE 138 Admiral Road Buffalo, NY 14216 (919) 491-5489 carolinemallonee@gmail.com www.carolinemallonee.com Education • Duke University Durham, NC

Ph.D. in music composition, 2006. Student of Scott Lindroth and Stephen Jaffe.

Dissertation Project: The Gift of the Magi: An Opera in One Act Dissertation Article: Authenticity of Utterance: Steve Reich’s Works with Voices

• Royal Conservatory of the Hague The Netherlands Fulbright Scholar, 2004-2005. Student of Louis Andriessen.

• Yale School of Music M.M. in music composition, 2000. New Haven, CT Student of Joseph Schwantner, Evan Ziporyn and Ezra Laderman.

• Harvard University A. B. cum laude, 1997. Cambridge, MA Student of Mario Davidovsky and Bernard Rands.

Achievements and Awards • Second Place, Iron Composer Competition, 2012. • Selected for Present Music’s Choose Concert, 2012. • Co-winner, Wild Rumpus Call for Scores, 2011. • Fromm Foundation Commission, 2010. • ASCAPLUS Award, 2007, 2008, 2009, 2010, 2011. • Co-winner, Nief-Norf Percussion Ensemble Call for Scores, 2011. • Co-winner, Children’s Aid Society Chorus “Songs of the City” Young Composers Grant, 2009. • Honorable Mention, American Composers Orchestra Whitaker New Music Readings, 2009. • Winner of Yale Glee Club’s Emerging Composers Competition, 2006. • Co-winner of counter)induction’s Composers Competition, 2006. • Alpha Chi Omega Residency, The MacDowell Colony, 2006. • Fulbright Scholar to the Netherlands 2004-2005. • International Fellowship for Advanced Students at Duke University, 2004-2005. • ASCAP Foundation/Morton Gould Young Composers Award, 2004. • James B. Duke Fellowship; Member of the Society of Duke Fellows, 2000-2005. • Richardson Scholarship for an outstanding composer in the Yale School of Music, 2000. • Laderman Scholarship for a graduating composer in the Yale School of Music, 2000. • Elizabeth Cary Agassiz Certificate of Merit, Harvard College, 1997. • Elected to the Signet Society of Arts and Letters, Cambridge, MA, 1996. • National Winner, Herbert Zipper Composition Prize, Community Schools of the Arts, 1991. Administrative Experience • The Walden School Dublin, NH

Director, Creative Musicians Retreat, 2010-present A 10-day festival for composers and improvisers held at Smith College. Director of Composers Forums, Young Musicians Program, 2000, 2003-present.

Mallonée 2

Duties: scheduling rehearsals, assigning performers, creating programs. Assistant Academic Dean, 2004-2010. Academic Dean, 2010-present.

Duties: student admissions, curriculum planning, faculty hiring. Planning and Program Development Committee, 2003-present. • Oral History American Music, Yale University. New Haven, CT Transcript Editor, 1998-2000. Teaching Experience • New York University New York, NY

Adjunct Professor, 2008-2010 Harmony and Counterpoint I and IV; Private Composition Lessons

• William Paterson University Wayne, NJ Adjunct Professor, 2008-2009 Ear Training I, II, III and IV; Private Composition Lessons

• California State University, Long Beach Department of Music Long Beach, CA

Visiting Lecturer, Fall, 2007. Harmony I and II; Musicianship I and II; Private Composition Lessons

• Duke University Department of Music Durham, NC Instructor, Introduction to Music Theory, Fall, 2005; Spring, 2006.

Instructor, Understanding Minimalism, Spring, 2004. Instructor, Counterpoint Listening, Spring, 2003. Teaching Assistant, Counterpoint, under Dr. Jairo Moreno, Spring, 2003. Teaching Assistant and Section Instructor: Music Theory for Majors

Music 65, under Dr. Marc Faris, Fall, 2003; under Dr. Anthony Kelley, Fall, 2001. Music 114, under Dr. Anthony Kelley, Spring, 2002. Music 115, under Dr. Jairo Moreno, Fall, 2002.

• The Walden School Dublin, NH Composition Faculty, Summers, 1996, 1998-2000, 2002-2009, 2011. Musicianship Faculty, Summers, 1998-2000, 2002-2004. Instructor: Composing with Minimalist Techniques, 2003. Instructor: Instrument Building, 2009.

Recipient of Patricia Plude Faculty Chair “in recognition of teaching excellence in musicianship, and outstanding contributions to the Musicianship Course,” 2004. • Harvard University Extension School Cambridge, MA

Teaching Fellow and Lab Instructor, Composition and Theory, Spring, 1997. Under Dr. John Stewart. Publications: Boosey & Hawkes • Wind Songs for SATB choir. Words by the composer. Published, 2008. • The Carolers At My Door for SATB choir. Words by the composer. Published, 2010. • Dona Nobis Pacem for SATB choir. Published, 2010.

Mallonée 3

• Gather the Stars for SATB choir. Words by Carl Sandburg. To be published, 2013. Commissions • Where the Heart Can Sit for soprano, cello and piano (2012).

Commissioned by the ANA Trio. Performed at SUNY Fredonia, 2012. • Alaskan King for two cellos (2012).

Commissioned by Evelyn and Natasha Farny. Performed at SUNY Fredonia, 2012. Performed at Bargemusic, 2012.

• Unless Acted Upon: Manifestations of Newton’s First Law for flute, clarinet, piano, violin and cello (2011). Commissioned for the Firebird Ensemble by The Walden School. Performed at The Walden School in Dublin, NH, 2011. Performed by the Da Capo Chamber Players in Weill Recital Hall in Carnegie Hall, 2012.

• Tomorrow Sharpened for percussion and piano (2011). Commissioned by the Fromm Foundation for Haruka Fujii. Performed at Tokyo Opera City, 2011. Performed at St. Stephen’s Church, New York City, 2011.

• Reaction for large ensemble (2010). Commissioned by Present Music. Performed at Turner Hall, Milwaukee, WI, 2010. • North South East West for percussion quartet (2010). Commissioned by Ethos Percussion Group and the Jerome Foundation.

Performed at the Player’s Theater, New York, NY 2010. • Shadow Rings for clarinet, violin, cello and piano (2010). Commissioned by Antares. Performed at Duke University, 2010.

Performed at the Des Moines Art Center, 2010. Co-winner of Wild Rumpus Call for Scores, 2011. Performed in San Francisco, CA, 2011. Performed by the Buffalo Chamber Players, Buffalo, NY, 2012.

• O Light for SATB choir and piano (2010). Words by Emily Dickinson and John Greenleaf Whittier. Commissioned by Friends School of Baltimore. Performed in 2010.

• Twelve Opposites for mezzo soprano, violin, viola and bass clarinet (2009). Commissioned by Monadnock Music. Words by Richard Wilbur. Performed in Peterborough Town Hall, Peterborough, NH, 2009. Performed in Jordan Hall, Boston, MA by the PALS Children’s Chorus, 2010.

• For Paul Signac for large ensemble and electronics with video (2009). Commissioned for Wet Ink by The Walden School. Performed in 2009.

• What You Are for SSAA choir and strings (2009). Words by Mark Strand. Commissioned by the Women’s Voices Choir of North Carolina. Performed in Duke Chapel, Durham, NC, 2009.

• 8642 for three flutes, marimba and string orchestra (2009). Commissioned by The Rivers School Conservatory (Weston, MA). Performed in 2009. • Pan for amplified xiao, flute, oboe, clarinet and electronics (2008).

Commissioned for Melody of China by The Walden School. Performed in 2008. • Nora the Nonapus: A Children’s Opera (2007).

Commissioned for Estes Hills Elementary School by Long Leaf Opera Company. • Balance for amplified cello (2007) from String Tunes.

Commissioned for Ha-Yang Kim by The Walden School. Performed in 2007. Performed by Ruben Khodeli at 20th Century Schizoid Music, 2008.

Mallonée 4

• Hey Yeah Nanny Nanny for voice, alto saxophone, two electric guitars, bass, piano and percussion. (2007). Commissioned by Capital M. Performed at Tonic, New York, 2008.

• Simon I: Crossfades for string quartet (2006). Commissioned for the Del Sol Quartet by The Walden School. Performed in 2006.

• Mirage for oud and string quartet (2006). Commissioned for Rahim Alhaj and the Ciompi Quartet by Duke University.

• In Je Oren for oboe and piano with recorded voices (2005). Commissioned by Duo Hibiki.

• Hammering Away (at the Great Unknown) (2005). Commissioned for the PRISM Saxophone Quartet by The Walden School.

• Blur for flute and piano (2004). Commissioned for the Calliope Duo by The Walden School.

• Big Fridge, Little Fridge for violin, bassoon, electric guitar and percussion (2003). Commissioned for Clogs by The Walden School Faculty Commissioning Program.

• Mary At Peace With The Risen Lord for SATB choir (2001). Commissioned by the First United Methodist Church of Stamford, CT.

• Even the Moon for soprano and percussion (2000). Commissioned by the Contemporary Music Forum of Washington, DC.

• Asp-Alternate-Argyle for chamber ensemble (2000). Commissioned for Non Sequitur by The Walden School.

• Two Partner Pieces for flute, violin, and two cellos. Written for composer’s conference at The College of Notre Dame: Creative Challenges: Panelist and Featured Composer, 1996.

• Excursions for chamber ensemble (1995). Written for the Women Composers Orchestra of Baltimore.

Other Major Works • The Gift of the Magi: An Opera in One Act (40’)

Libretto adapted by the composer from O. Henry. Performed in concert version with piano by Duke Opera Workshop, 2006.

• We Summoned Dragonflies for chamber orchestra (9 minutes) (2008). Honorable Mention, American Composers Orchestra Reading Competition.

• To Paint The Stars: Five Nocturnes for Soprano and Orchestra. (18’) Words by Amy Lowell, Dorothy Parker, Anne Sexton, Alicia Rabins, Emily Dickinson. Performed by New Music New Haven, with Janna Baty, soprano, 2000.

• Throwing Mountains for bass clarinet, ’cello, double bass, and piano. (8’) Winner of ASCAP/Morton Gould Young Composers Award, 2003. Co-winner of counter)induction’s Composers Competition, 2006. Read by the Bang on a Can All-Stars at Duke University, 2003. Performed by counter)induction at Tenri Cultural Gallery, New York, 2006, 2008. Performed by Da Capo Chamber Players at Symphony Space, 2007. Performed by Washington Square Contemporary Chamber Players at Merkin Hall, 2009. Selected for inclusion on Present Music’s Choose Concert, Milwaukee, 2012.

• Pangrams for piano. (14’) Performed at Tenri Cultural Gallery and at the Chelsea Museum, by Eric Huebner, 2008. Performed at the Tribeca New Music Festival by Stephen Gosling, 2009.

Mallonée 5

Performed at SUNY Buffalo and Carlsbad Music Festival by Eric Huebner, 2010. • ’Stain for bass clarinet, two electric guitars, piano and marimba. (8’)

Performed at Duke University, 2002; in Chapel Hill, NC by pulsoptional, 2003. Performed at William Paterson University, Bowdoin College by Flexible Music, 2008.

• Quartet of Songs for soprano and string quartet. (12’) Words by Carl Sandburg. Performed at Duke University by the Ciompi String Quartet, 2001, 2002.

• Episodes for a Star-Dripped Night for four voices. (17’) Words by the composer. Performed by New Music New Haven, 1999. At 20th Century Schizoid Music, 2008.

• The Helio-Being and Other Stories for amplified ’cello, CD, and video images. (8’) Performed on New Music New Haven by Elise Pittenger, 2000. Performed at Meredith College Women Composers Festival by Sandra Cavalieri, 2002. Performed at the Koninklijk Conservatorium, the Hague, by Ha-Yang Kim, 2004.

Recordings

Glissando: Drone Level Orange, 2009. Pulsoptional: Pulsoptional, 2007.

The Christmas Companion with Garrison Keillor, 2007. The Duke Chorale: Sing Joyfully!, 2005. Baltimore Choral Arts Society: Christmas with the Choral Arts, 1993. Invited Composer Presentations

Bowdoin College (May, 2008) Cleveland State University (November, 2008) University of Wisconsin, Milwaukee (February, 2010) State University of New York at Fredonia (October, 2011) Buffalo Seminary: 2012 Prince Lecturer (March, 2012) Residencies and Festivals • Nief-Norf Summer Festival, Call for Scores Winner, 2011. • The Carlsbad Music Festival, Composer-in-Residence, 2010. • June in Buffalo (auditor), 2010. • The Millay Colony, Austerlitz, NY 2008. • The MacDowell Colony: Peterborough Projects in Celebration of the Centennial, 2007. • Long Leaf Opera: Composer, Opera in the Schools, Chapel Hill, NC 2007. • American Opera Projects: Composers and the Voice, New York, NY 2006-2007. • Atlantic Center for the Arts: Microtonality residency with Kyle Gann, 2007. • The MacDowell Colony, Peterborough, NH, 2006. • Young Composers Meeting, Apeldoorn, the Netherlands, 2005. • Mei Festival of New Music, Royal Conservatory of the Hague, 2005. • Meredith College Festival of Women Composers, Raleigh, NC, 2002. • Bowdoin Summer Music Festival, Brunswick, ME, 2001. • The College of Notre Dame: Creative Challenges Composers Festival, 1996. Performance Experience • Pulsoptional Band of Composers, Founding Member and Violinist, 2002-2009. • Glissando (violins/laptops), Founding Member and Violinist, 2006-2010.

Mallonée 6

• The Walden School Women’s Chorus, Conductor, 2002-2006, 2010. • Vocalis Chamber Choir, Buffalo Philharmonic Chorus, Cantori New York, Choral Society of

Durham, Duke Chorale, Yale Camerata, Yale Pro Musica, Harvard-Radcliffe Collegium Musicum, Walden School Faculty Singers, Alto.

• Gamelan Nyai Saraswati, University of North Carolina, Chapel Hill, Member, 2003. Performances Include:Alexander String Quartet Antares American Opera Projects Bang on a Can All-Stars (reading) Bowdoin Summer Music Festival Buffalo Chamber Players Capital M Carlsbad Music Festival Ciompi String Quartet Clogs Contemporary Music Forum Counter)induction Da Capo Chamber Players Del Sol String Quartet Duo Hibiki Eric Huebner Flexible Music Greater Baltimore Youth Orchestra

Harvard Group for New Music Long Leaf Opera Mendelssohn String Quartet Monadnock Music New Music New Haven New York New Music Ensemble Non Sequitur Orchestra De Ereprijs Present Music PRISM Saxophone Quartet Pulsoptional Stephen Gosling Tribeca New Music Festival Virginia Pops Symphony Wet Ink Washington Square Players Wild Rumpus Yale Philharmonia

Baltimore Chamber Chorale Baltimore Choral Arts Society Buffalo Philharmonic Chorus College of Notre Dame Choir Cantori New York Duke University Chorale Friends School Concert Chorale Florilegium Chamber Choir Gregg Smith Singers Loyola College Da Camera Singers PALS Children’s Chorus Telluride Choral Society Virginia Children’s Chorus Walden School Faculty Singers Vocalis Chamber Choir Women’s Voices of NC Yale Glee Club Yale Camerata

Mallonée 7

LIST OF WORKS WORKS FOR THE STAGE:

Jane Austen’s Persuasion: an opera in two acts (in progress). Libretto adapted by the composer from Jane Austen. Scenes 1-3 performed in concert version by American Opera Projects, 2007. The Gift of the Magi: an opera in one act for four soloists, chamber orchestra and chorus. (40’) Libretto adapted by the composer from O. Henry. Performed in concert version with piano, Duke Univ., 2006. Nora the Nonapus, a children’s opera. (35’) Libretto adapted by the composer. Commissioned by Long Leaf Opera for Estes Hills Elementary School, Chapel Hill, NC.

Performed on the Long Leaf Opera Festival, June, 2007. WORKS FOR ORCHESTRA:

We Summoned Dragonflies for chamber orchestra (9 minutes) (2008). Honorable Mention, American Composers Orchestra Reading Competition. Twelve Opposites for SA choir with orchestra (2009). Words by Richard Wilbur. (see works for choir) 8642 for flutes, marimba and string orchestra. (4 minutes) (2009) Commissioned by The Rivers School Conservatory, Weston, MA. Performed, 2009. Spies for four voices and large ensemble (4 minutes) Words by the composer.

Written for Orchestra ‘de Ereprijs’ for the Young Composers Meeting in Apeldoorn, the Netherlands, 2005. To Paint The Stars: Five Nocturnes for Soprano and Orchestra. (18’)

Words by Amy Lowell, Dorothy Parker, Anne Sexton, Alicia Rabins, and Emily Dickinson. Performed by New Music New Haven, with Jana Baty, soprano, 2000. In Late November performed in chamber version by the Harvard Group for New Music, 1997.

Luck Numbs for large orchestra. (7’) Read by the Yale Philharmonia, 2000.

Aria for orchestra. (6’) Commissioned and performed by the Greater Baltimore Youth Orchestra, 1993.

The Carolers At My Door for SATB choir with orchestra (1990). (see works for choir) Performed by the Baltimore Choral Arts Society, 1990. By the Virginia Pops Symphony, 1991.

WORKS FOR CHAMBER ENSEMBLE:

Tomorrow Sharpened for percussion and piano (2011). Commissioned by the Fromm Foundation for Haruka Fujii. Performed at Tokyo Opera City, Tokyo, Japan, 2011. Performed at St. Peter’s Church, New York, NY, 2011.

Unless Acted Upon: Manifestations of Newton’s First Law for flute, clarinet, piano, violin and cello (2011). Commissioned for the Firebird Ensemble by The Walden School. Performed at the Walden School, 2011.

Reaction for bass clarinet, tenor saxophone, strings, piano and percussion (2010). Commissioned by Present Music. Performed at Turner Ballroom, Milwaukee, 2010. Shadow Rings for clarinet, violin, cello and piano (2010). Commissioned by Antares. Performed at Duke University, 2010.

Performed at the Des Moines Art Center, 2010. Co-winner of Wild Rumpus Call for Scores, 2011. Performed by Wild Rumpus, San Francisco, CA, 2011. Performed by the Buffalo Chamber Players, Buffalo, NY, 2012.

Alaskan King for two cellos (2012). Written for Natasha and Evelyn Farny; performed at SUNY-Fredonia, 2012. Twelve Opposites for mezzo soprano, violin, viola and bass clarinet (2009).

Commissioned by Monadnock Music. Words by Richard Wilbur. Performed at Peterborough Town Hall, 2009.

For Paul Signac for large ensemble and electronics with video (2009).

Mallonée 8

Commissioned for Wet Ink by The Walden School. Performed by Wet Ink at The Walden School, 2009.

North South East West for percussion quartet (2009). Commissioned by Ethos Percussion Group and the Jerome Foundation. Performed by Ethos Percussion Group at Players Theater, New York, 2010. Performed at Nief-Norf Percussion Festival, 2011. Performed by the UB Percussion Group, 2011. Maryland Blue: A Crab Canon for alto flute, violin and CD (6’). Written for Erica Ball and Kylie Collins. Performed at Bard College; at Roulette, New York, NY, 2009. Pan for amplified xiao, flute, oboe, clarinet and electronics. (10’)

Commissioned by Melody of China and the Walden School, 2008. Performed at The Walden School, 2008. Oscuro for oboe, bassoon, electric guitar, electric bass and percussion. (7’) Written for pulsoptional. Performed at the Philippine Consulate, 2008.

Performed at Adelphi University, 2008. Performed at the Duke Coffeehouse, 2008. Hey Yeah Nanny Nanny for baritone, saxophone, two electric guitars, bass, piano and percussion.

Commissioned by Capital M. (6 minutes) Performed at Tonic, New York City, 2007. Trio for three violins. (6’) from String Tunes. Performed at the Atlantic Center for the Arts, New Smyrna Beach, FL, 2007.

Performed at the Cornelia Street Café, 2008. Simon I for string quartet. (9’) Commissioned by The Del Sol Quartet and the Walden School. Performed at the Walden School, 2006. Mirage for oud and string quartet. (9’) Commissioned by The Duke University Human Rights Initiative.

Performed by Rahim AlHaj and the Ciompi Quartet, 2006. Hammering Away (at the great unknown) for saxophone quartet. (7.5’)

Commissioned by The PRISM Quartet and Walden School. Performed by The PRISM Quartet at the Walden School, 2005. Performed by The PRISM Quartet at Symphony Space, New York City, 2006. Performed by The PRISM Quartet n Philadelphia, PA, 2006.

Performed by the Ancia Quartet at the Chazen Museum of Art, Madison, WI, 2012. Performed by the Ancia Quartet at the University of Wisconsin, Stevens Point, 2012. Performed by the Ancia Quartet at the University of Minnesota, Minneapolis, 2012.

In Je Oren for oboe and piano with recorded voices. (6’) Written for Duo Hibiki.

Performed at Ijsbreker, Muziekgebouw, Amsterdam, 2005. Performed in Utrecht, 2005. Big Fridge, Little Fridge for violin, bassoon, guitar and percussion. (10-12’)

Commissioned by Clogs and the Walden School. Performed by Clogs at the Walden School, 2003. Performed by pulsoptional at the Durham Downtown Music Festival, 2003; at the Chapel Hill ArtWalk, 2003.

Throwing Mountains for bass clarinet, ’cello, double bass, and piano. (8’) Winner of ASCAP/Morton Gould Young Composers Award, 2003. Read by the Bang on a Can All-Stars at Duke University, 2003. Co-winner of counter)induction’s Composer’s Competition, 2006.

Performed by counter)induction at Tenri Cultural Center, New York, NY, 2006, 2008. Performed by Da Capo Chamber Players at Symphony Space, 2007. Performed on 20th Century Schizoid Music at the Cornelia Street Café, 2008. Performed by the Washington Square Chamber Players at Merkin Hall, New York, NY 2009. Performed by Present Music, Milwaukee, WI, 2012.

The Gamba Saga for viola da gamba quartet with video. (5’) ’Stain for bass clarinet, two electric guitars, piano and marimba. (7.5’) Performed by pulsoptional at Duke University, 2002; in Chapel Hill, NC, 2003. Recorded by pulsoptional on their debut CD pulsoptional, 2007. Performed by Flexible Music at Bowdoin College, 2008; at the Chelsea Art Museum, 2008.

Performed by Flexible Music at the Cornelia Street Café, 2008. Quartet of Songs for soprano and string quartet. (12’) Words by Carl Sandburg.

Performed at Duke University by the Ciompi String Quartet with Terry Rhodes, 2001,

Mallonée 9

Performed at Duke University by the Ciompi String Quartet with Penelope Jensen, 2002. Under the Simmer Tree for flute, violin, ’cello, harp and percussion. (7’)

Performed at the Bowdoin Summer Music Festival, Brunswick, ME, 2001. Valley Songs for three sopranos, two percussionists and harp. (15’) Words by Carl Sandburg.

Performed at Duke University, 2000. Asp-Alternate-Argyle for flute, clarinet, violin, ’cello, piano and percussion. (10’)

Commissioned by Non Sequitur and the Walden School. Performed at the Walden School, 2000. Performed by the New York New Music Ensemble, 2010.

Even the Moon for soprano and percussion. (10’) Words by Carl Sandburg. Commissioned by Pamela Jordan and the Contemporary Music Forum of Washington, DC, Performed at the Corcoran Gallery in Washington, DC, 2000. Performed by Long Leaf Opera, 2007.

With Fire for string quartet. (8’) Performed by New Music New Haven, 1999.

Just Put Your Lips Together and Blow: Musings on the Song of the Wood-Thrush for six whistlers or six similar wind instruments. (4’) Performed by New Music New Haven (whistlers and trumpets), 1999.

Quartet for flute, violin, viola and ’cello. (4’) Performed by the Harvard Group for New Music, 1995. Performed by members of The Women Composers Orchestra, 1996.

Excursions for flute, clarinet, two violins, viola, ’cello, and double bass. (5’) Commissioned and premiered by The Women Composers Orchestra, 1995. Performed by The Harvard Group for New Music, 1996.

Dances for string quartet. (5’) Read by The Mendelssohn String Quartet, 1995.

Quintet for oboe, bassoon, violin, viola, and ’cello. (4’) Performed by The Harvard Group for New Music, 1994.

Largo for string quartet. (4’) National Winner of the National Federation of Music Composers Contest, 1993. Performed by the Alexander String Quartet, 1992; by The Mendelssohn String Quartet, 1995.

WORKS FOR CHOIR:

O Light (SATB and piano) (12’) Words by Emily Dickinson and John Greenleaf Whittier. Commissioned and premiered by Friends School of Baltimore, 2010. Performed by Vocalis Chamber Choir, Buffalo, NY, 2012. So You Say (SATB) (5’) Words by Mark Strand. Performed by Vocalis Chamber Choir, Buffalo, NY, 2012. Da Pacem Domine (SATB) (4’) Traditional Latin text. Performed by Florilegium Chamber Choir, New York, NY, 2012. Shine On, O Moon of Summer (SSA and piano) (4’) Words by Carl Sandburg. Finalist, Children’s Aid Society Chorus Search for New Music Competition, 2010. To be performed by the Women’s Voices Choir of North Carolina, 2013. Twelve Opposites for (SA choir with violin, viola and bass clarinet; also arranged for orchestra) (2009).

Commissioned by Monadnock Music. Words by Richard Wilbur. Performed by PALS Children’s Chorus at Jordan Hall, Boston, 2010.

What You Are (SSAA with string sextet) (15’) Words by Mark Strand. Commissioned and premiered by the Women’s Voices Chorus of North Carolina, 2009. Gather the Stars (SATB) (2’) Words by Carl Sandburg. To be published by Boosey & Hawkes, 2012. Performed by the Duke University Chorale, 2002, 2003. Wind Songs (SATB) (7’) Words by the composer. (2005) Published by Boosey & Hawkes, 2008. Winner of Yale Glee Club Emerging Composers Competition, 2006.

Performed by the Yale Glee Club in New Haven, 2006; in Cambridge, MA, 2006. Performed by the Yale Glee Club in Avery Fisher Hall, New York, NY, 2007.

Dona Nobis Pacem (SATB) (4’) Published by Boosey & Hawkes, 2010. Performed by The Walden School Senior Choir, 2004.

Performed by The Yale Camerata, 2007.

Mallonée 10

Performed by The Duke University Chorale, 2007. Performed by The Baltimore Choral Arts Society, 2008.

Performed by Florilegium Chamber Choir, 2010. Performed by Vocalis Chamber Choir, Buffalo, NY, 2012. Mary at Peace with the Risen Lord (SATB) (6’) Words by Rainer Maria Rilke.

Commissioned by the First United Methodist Church, Stamford, CT. Performed, Easter, 2001. Songs of the Earth and Heavens (SATB) (18’) Words by William Shakespeare.

These Things Seem Small, ‘Tis Not Enough, Sometimes We See, read by The Gregg Smith Singers, 1995. ‘Tis Not Enough performed by the Harvard-Radcliffe Collegium Musicum, 1995. Look, Love performed by the Yale Pro Musica, 2000, performed by the Duke University Chorale, 2001.

Today (SATB and piano) (3’) Words by Frank O’Hara. Written for the Friends School Chamber Choir. Performed in Baltimore, MD, 2001.

Evening Waterfall (SATB) (3’) Words by Carl Sandburg. (2007) Performed by the University of Texas at Austin Collegium Musicum, Austin, TX, 2012. Villanelle for Graduation (SATB) (4’) Words by the composer. (2006) The Dark Sky (SATB) (2.5’) Words by the composer. (2006) Paint Chips (SA Choir with piano and video) (2’). Words by the composer. (2006) The Poem of the Air (SATB) (3’) Words by Henry Wadsworth Longfellow. (2006) Peace, Night, Sleep (SSATTB). (6’) Words by Carl Sandburg.

Performed at Duke University, 2002. Java, Java (SSAATTBB). (4’) Words by the composer.

Performed at Duke University by members of the Duke Chorale, 2002. Water Music (SSAA, with string quartet and oboe) (7’) Words by Amy Lowell. (2001) Summer Stars (SATB) (4’) Words by Carl Sandburg. (2001) Triptych (SATB) (3’) Words by the composer.

Performed by The Walden School Faculty Singers, 2000. Performed by members of the Duke Chorale, 2002.

Episodes for a Star-Dripped Night (SSAT). (17’) Words by the composer. Performed by New Music New Haven, 1999. Performed at Cornelia Street Café, 2008.

Now Close the Windows (SATB) (3’) Words by Robert Frost. (1999) Performed by The Walden School Senior Choir, 2007. In This Wind (SATB) (4’) Words by the composer. (1996) Three Songs of Eternity (SATB) (6’) Words by Herrick, Gore-Booth, and Tennyson.

Performed by The Harvard Radcliffe Contemporary Music Ensemble, May 1995. Mass (SATB) (20’)

First Prize, National Guild of Community Schools of the Arts Competition: Herbert Zipper Award, 1991. Kyrie and Agnus Dei, performed at The Walden School, 1991. Gloria performed by the Baltimore Choral Arts Society, 1992.

The Carolers At My Door (SATB) (3’) Published by Boosey & Hawkes, 2010. Performed on Garrison Keillor's "Prairie Home Companion" by the Gregg Smith Singers, 1989. Revised for chorus and orchestra, performed by the Baltimore Choral Arts Society, 1990, 2011. (4’) Recorded on the Baltimore Choral Arts Society's 1993 CD Christmas with the Choral Arts. Recorded on The Christmas Companion with Garrison Keillor. Has been performed by The Virginia Pops Symphony with The Virginia Children's Chorus, the Baltimore

Choral Arts Society, the Baltimore Chamber Chorale, the Buffalo Philharmonic Chorus, the Da Camera Singers, Concert Choir of the College of Notre Dame, the Telluride Choral Society, Harvard-Epworth United Methodist Church, the Duke Chorale, the Garrison Forest School Faculty Singers.

WORKS FOR SOLO VOICE AND ACCOMPANIMENT:

Where the Heart Can Sit for soprano, cello and piano (2012). Words by Elizabeth Spires. Commissioned by the ANA Trio. To be performed at SUNY Fredonia, 2012. Only These Carols for tenor and cello (3.5’) (2010) Words by Walt Whitman. Written for the Amercan Opera Project’s Calamus Project. Ulysses for soprano and piano. (3’) (2006) Words by Mary Ruefle.

Mallonée 11

Written for Caroline Worra for the American Opera Project’s Composer and the Voice Series. The Telltale Heart for baritone and piano. (8’) (2007) Words by Edgar Allan Poe. Written for Matthew Curran for the American Opera Project’s Composer and the Voice Series. Songs for St. Cecelia for mezzo-soprano and piano. (5’) (2007) Words by John Dryden. Written for Abigail Fischer for the American Opera Project’s Composer and the Voice Series. Good Night for soprano and piano. (5’) (2007) Words by Carl Sandburg. Written for Amy Van Roekel for the American Opera Project’s Composer and the Voice Series. Snowflakes for baritone and piano. (5’) (2007) Words by Henry Wadsworth Longfellow. Written for Matthew Worth for the American Opera Project’s Composer and the Voice Series. This is my song for you for tenor and piano. (5’) (2007) Words by the composer. Written for Robert Mack for the American Opera Project’s Composer and the Voice Series. How I Wanted To for alto and piano. (3’) (2006). Words by the composer. One Friday in April for female voice and one instrument. (3’) (2006) Words by the composer. In My Dream for female voice and one instrument. (3’) (2007) Words by the composer. Two, Diverging for female voice and piano. (3’) (2007) Words by the composer. The One I Could Have Loved for alto and piano. (3’) (2006) Words by the composer. Let Me Sing To You for mezzo-soprano and piano. (3’) (2007) Words by the composer.

WORKS FOR SOLO INSTRUMENTS:

Pangrams for solo piano. (13’) (2008) Written for Eric Huebner. Performed at Tenri Cultural Center, Cornelia Street Café, 2008.

Performed at the Chelsea Museum, 2009. Performed at the Tribeca New Music Festival, 2009. Performed at the Carlsbad Music Festival, 2010.

Toccatina and Chorale for solo piano (4’) (2009) Written for John McDonald. Performed at Tufts University, 2010.

Performed at the Carlsbad Music Festival, 2010. String Tunes (in progress). Selections performed at The Cornelia Street Café ,The Cutting Room, The Walden

School, Buffalo Seminary. Balance for solo amplified cello (6’) (2007) Song for Jim for amplified violin. (5’) (2006) Finger Music I: Crossings for solo violin or viola. (5’) (2006) Finger Music II: Morning Porch: MacDowell for solo violin. (3’) (2006) Finger Music III: Chapman for solo violin (3’) (2007) Prospect for solo violin or viola (3’) (2008) Lullaby for solo violin or viola (3’) (2008) Delaware for solo violin. (3’) (2006) Dublin for solo violin (3’) (2007) Lehmann for solo violin (3’) (2007)

In The Know for solo piano. (4’) (2006) How Much More for solo piano. (3’) (2006) Resonance for solo piano. (4’) (2006) The Six of Us, Transfixed for prepared piano (7’) (2006) Bicycles for two organs in different tuning systems. (6’)

Written for Pieterskerk, Leiden. Performed in Leiden, the Netherlands 2005. Cascade/Pendulum for carillon. (5’)

Written for Justin Ryan. Performed in Amersfoort, 2005. Performed at Duke University, 2005. Blur for flute and piano. (5’) Commissioned by the Calliope Duo and The Walden School, 2004. Performed at the Walden School, 2004. Performed in Boulder, CO, 2004. Poème for solo flute. (7’)

Performed by the Harvard-Radcliffe Contemporary Music Ensemble, 1997. Seven Preludes for Piano Students (6’)

Performed at The Peabody Preparatory Awards Ceremony, Baltimore, MD 1993. Gestures for marimba and vibraphone. (5’)

Read at The Walden School, 1991.

Mallonée 12

Winner of the Friday Morning Music Club Composition Competition, 1991. (4’) WORKS FOR ELECTRONIC MEDIA:

Keeping Time in a Bottle for amplified bottles and CD. (8’) Performed at Duke University, 2002. Performed by Present Music, Milwaukee, WI, 2008. The Helio-Being and Other Stories for amplified ’cello, CD, and video images. (8’)

Performed on New Music New Haven by Elise Pittenger, 2000. Performed at Meredith College’s Festival of Women Composers by Sandra Cavalieri, 2002. Performed at the Skylight Exchange, Chapel Hill, NC, by pulsoptional, 2004. Performed at the Koninklijk Conservatorium, the Hague, by Ha-Yang Kim, 2004.

Omaggio a Melville for CD (4’) (1999) Performed at the Koninklijk Conservatorium’s Meifestival, the Hague, 2005. Interruption and Transformation for CD (2.5’) (1999) Alert! for CD (1 min.) (1999)

WORKS FOR/WITH FILM:

For Paul Signac for large ensemble and electronics with film (9’). Film and music by the composer.

Commissioned for Wet Ink by The Walden School (2009). The Way Home, experimental animation and soundscape by Sandro Del Rosario and the composer. (35’)

Project conducted in Peterborough, NH in celebration of The MacDowell Colony’s Centennial, 2007. Belonging, a documentary film written and directed by Tariq Nasir. (80’) Shown at the Second World Congress for Middle East Film Studies Film Festival, Jordan, 2006.