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YOUR MUSIC CAREER STARTS HERE BIMM.IE DEGREE STUDENT PACK THE UK & IRELAND’S MOST CONNECTED MUSIC COLLEGE whats inside ..? + ACCEPTANCE PACK + TERMS & CONDITIONS + A GUIDE TO OUR T&C’S + DISABILITY ACCESS

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Page 1: DEGREE STUDENT PACK - BIMMadmin.bimm.co.uk/wp-content/uploads/2016/08/1448AM-dublin---new... · DEGREE STUDENT PACK THE UK & IRElAnd’S MOST CONNECTED ... Gambale, F. (1989) The

YOUR MUSIC CAREER STARTS HERE BIMM.IE

DEGREE STUDENT PACK

THE UK & IRElAnd’S MOST CONNECTED

MUSIC COllEGE

whats inside ..?

+ ACCEPTANCE PACK+ TERMS & CONDITIONS+ A GUIDE TO OUR T&C’S+ DISABILITY ACCESS

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BA (Hons) In:COMMERCIAL MODERN MUSICMUSIC PRODUCTION

DEgREE COURSES

THE UK & EUROPE’S MOST CONNECTED

MUSIC COLLEGE

YOUR MUSIC CAREER STARTS HERE BIMM.IE

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WELCOME

BIMM Institute Dublin opened in September 2011. With a portfolio of degree and diploma courses in performance and music production offered, our student population has grown to over 800. BIMM Institute Dublin’s tutors have amassed a vast body of experience working in both the domestic and international music industry, and all combine their teaching with professional music industry profiles as performers, writers, arrangers, producers and entrepreneurs. This ensures that our students benefit from the tutors’ current first –hand experiences and expertise throughout our courses. This approach to curriculum delivery together with our unique masterclass programme is designed to provide a creative environment that’s challenging, stimulating, relative and connected, enabling the music professionals of tomorrow to hone their skills in the best possible way.

We have the finest, up-to-date equipment and resources available for students to use here in the college as well as providing many live and recording opportunities. Whatever your ambitions within the modern music industry, BIMM Institute Dublin’s unparalleled level of career-relevant expertise, facilities and support networks assures that you will be given the best guidance, assistance and opportunities to achieve your individual goals.

I look forward to welcoming you to BIMM Institute Dublin for the 2016/17 academic year.

ALAN CULLIvAN College Principal

WELCOME TO YOUR BIMM INSTITUTE DUBLIN 2016/17 ACCEPTANCE BROCHURE AND CONgRATULATIONS ON BEINg OFFERED A PLACE! I AM DELIgHTED THAT YOU HAvE CHOSEN TO STUDY AT IRELAND’S LEADINg ESTABLISHMENT FOR MODERN MUSIC EDUCATION.

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04 INDUCTION AND ENROLMENT05 COURSE INFORMATION06 BA(HONS) IN COMMERCIAL MODERN MUSIC BASS07 BA(HONS) IN COMMERCIAL MODERN MUSIC DRUMS08 BA(HONS) IN COMMERCIAL MODERN MUSIC GUITAR09 BA(HONS) IN COMMERCIAL MODERN MUSIC vOCALS10 BA(HONS) IN COMMERCIAL MODERN MUSIC SONGWRITING11 MUSIC THEORY12 BA(HONS) IN MUSIC PRODUCTION13 RECOMMENDED RESOURCES14 STUDENT SUPPORT17 TRANSPORT18 STUDENT LIFE20 gET CONNECTED AT BIMM21 FRESHERS’ GUIDE22 FACULTY INFORMATION

CONTENTS

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IN ORDER TO PREPARE YOU FOR STUDYINg AT BIMM INSTITUTE DUBLIN, WE HOLD AN ExCITINg INDUCTION AND ENROLMENT WEEk.Here you will meet key members of staff and be given important information about the College and your course.

We will also hold Induction and Freshers events in venues across Dublin city during the week of the 12th September. These will be a fantastic opportunity to hear from some industry professionals, guests and tutors, meet lots of students from BIMM and watch some brilliant bands. You will also be encouraged to start networking right away

It is essential to attend these sessions so keep in mind that enrolment will take place any time from the week of September 12th. Exact dates and times will be confirmed via e-mail at the beginning of September, so please keep us updated if your contact details change.

IF YOU DO NOT ATTEND YOUR ENROLMENT SESSION, YOU WILL NOT BE ABLE TO START YOUR COURSE.

PRE-ENROLMENT FOR YOUR COURSEAll students are required to complete pre-enrolment information prior to your enrolment day. You will have been sent an email with information regarding this.Below is a list of things that MUST be completed:

Pre-enrolment form must be completed in full and submitted – the link to this form will have been sent to you by email

Passport style photo – This will be used for your student ID card. Please follow the guidelines on how to upload your photo on the BIMM website

Proof of ID – Please bring a copy of your passport/ driving licence with you on enrolment day or send it in advance to [email protected]

PRE-ENROLMENT FORMS MUST BE COMPLETED BEFORE ENROLMENT WEEK. PLEASE NOTE: Timetables cannot be provided before enrolment. This is a full-time course and the timetables given to you at enrolment are not flexible. Any part-time jobs must work around the timetable given.

INDUCTION AND ENROLMENT

USEFUL CONTACTS

ADMISSIONS: [email protected] SUPPORT: [email protected]

TERM DATESENROLMENT WEEk: 12 September-16 September 2016

Term 1: 19 September 2016-16 December 2016Term 2: 9 January 2017-7 April 2017Term 3: 24 April 2017-26 May 2017(dates subject to change)

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COURSE INFORMATION

BA(Hons)

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COMMERCIAL MODERN MUSIC BASS

Bellson, L. (2000) Modern Reading Text in 4/4. Alfred Music Clayton, S. (2013) The Bass Guitarist’s Guide to Reading Music. (s.l.): Bassline Publishing

Coryat, K. (2000) The Bass Player Book: Equipment, Technique, styles and Artists. Backbeat UK

DR. Licks (1989) standing in the shadows of Motown: The Life and Music of legendary Bassist James Jamerson. Hal Leonard Publishing

Please note that this is a recommended reading list and therefore not essential.

HEAD OF BASS PAUL MOORE

There are many opportunities for musicians in the music industry and bass players in particular are in high demand. Our aim is to help you to become a well-rounded player so that you have the versatility to play in a variety of situations, which will increase your employment possibilities.

Some of our graduates have gone on to work with artists such as James Vincent Mc Morrow and starred in the movie ‘Sing Street’.

Our courses feature high quality tuition from seasoned players who are all currently active in the music industry and have a full understanding of what is demanded of today’s bass player.Techniques, Styles, Studio Musicianship, Theory and Reading, Upright Bass and Music Business are all covered, which will enable you to make the most of your career as an in-demand professional musician.

BA(Hons) in

ESSENTIAL EQUIPMENT

Bass and cable in a gig bag

Tuner and Metronome (Paul Recommends Tempo App – Metronome with set lists, Frozen Ape)

Headphones and 1/4 inch jack adapter

Pen, Pencil and Manuscript paper

USB memory stick

RECOMMENDED READING

All students are strongly advised to wear ear protection when in class, practising or performing.

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COMMERCIAL MODERN MUSIC DRUMS

RECOMMENDED READINGChester, G. (1985) The new Breed Modern Drummer Publications

Stone Lawrence, G (1963) stick Control: For the snare Drummer bnpublishing

Morello, J. (1989) Master studies Modern Drummer Publications

Garibaldi, D. (1996) Future sounds Alfred Music Publishing

Moore, S. (2010) Groove Alchemy Hudson Music

Zoro (2013) The Commandments of The Half-Time shuffle Alfred Music Publishing

Please note that this is a recommended reading list and therefore not essential.

HEAD OF DRUMS JOHNNY BOYLE

By choosing to study drums at BIMM Institute Dublin you have already taken a huge leap in taking ownership of your own personal development as a drummer. BIMM will provide you with unique opportunities in the industry as well as world-class tuition and support that will help you achieve your professional and personal goals. You will have the chance to network with thousands of like-minded musicians in Dublin, one of the world’s most vibrant and diverse music scenes.

The course will provide you with the highest standards of tuition and will help you develop your own voice on your instrument and excellence in your chosen discipline. You will receive the support and guidance from tutors who have the experience of working in the music industry at the highest level and they will aid you in realising your full potential. Subjects such as styles, performance, technique, music production, preproduction, sight-reading, music business and theory are all covered in-depth at our world class facilities by industry professionals that not only have a proven track record in their own field but education as well.

All students are strongly advised to wear ear protection when in class, practising or performing.

ESSENTIAL EQUIPMENT

Sticks and brushes

Practice pad

Headphones and 1/4 jack input

Metronome/Metronome app (Pro Metronome)

Stationery and manuscript paper

Ear plugs

BA(Hons) in

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COMMERCIAL MODERN MUSIC gUITAR

RECOMMENDED READINGGambale, F. (1989) The Frank Gambale Technique Book 1. Manhattan Music Publications

Gambale, F. (1989) The Frank Gambale Technique Book 2. Manhattan Music Publications Govan, G. (2002) Creative Guitar 1 and 2. Sanctuary Publishing Ltd.

Greene, T. (1981) Chord Chemistry. Dale Zdenek Publications

Please note that this is a recommended reading list and therefore not essential.

HEAD OF gUITAR RAY BOYLE

The guitar tutors at Dublin will provide you with the skills and knowledge that will help you become a complete guitarist ready for the ever expanding world of contemporary music.

Musical elements, techniques and styles will be linked together to help you apply them to your own personal passions for music, as well as helping you become involved with other talented musicians.

The common ground between different styles and genres will become clear as you develop musicality as an individual as well as the tools every musician needs to work creatively and effectively in a band situation.

ESSENTIAL EQUIPMENT

Guitar and lead

Tuner

Metronome/Metronome app (Pro Metronome)

Headphones and 1/4 jack input

Stationery and manuscript paper

Spare strings

Ear plugs

Capo

Slide

Various plectrums

All students are strongly advised to wear ear protection when in class, practising or performing.

BA(Hons) in

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COMMERCIAL MODERN MUSIC vOCALS

RECOMMENDED READINGRiggs, S. (1993) singing for the stars: A Complete Program to Training Your Voice. Alfred Music Publishing

DeVore, K & Cookman, S. (2009) The Voice Book: Caring For, Protecting, and Improving Your Voice. Chicago Review Press

Baxter, M, (1989) The Rock ‘n’ Roll singer’s survival Handbook. Milwaukee: Hal Leonard Corporation

Thompson, J (2014) Find Your Voice. lulu.com

Please note that this is a recommended reading list and therefore not essential.

HEAD OF vOCALS PAUL WALSH Dublin is a vibrant, creative city, the epicentre of the music industry in Ireland where you’ll have many opportunities to hone and showcase your talent. Your third level education and your career both begin here, and the reputation that you build in BIMM, your work ethic, diligence and reliability will stand to you in the years ahead.

Over the next four years you’ll learn many things about the international music industry and you’ll be encouraged to pursue your creative interests through a range of core and elective modules. As a vocalist, we intend to help you maximise your existing talent, the ability and potential that we identified at your audition. To achieve this, it’s essential that you consider the course material in relation to your own instrument, constantly reflecting on how, why and when it’s of value to you and your career.

This is the beginning of a lifelong journey, the students around you will be your music industry colleagues for years to come and the friendships you forge at BIMM will play a vital role in your personal and professional lives. We expect you to work hard, but we also hope that you enjoy yourself and make the most of student life. Engage with your peers, your tutors, the facilities available to you and the opportunities that present themselves. Welcome to BIMM!

ESSENTIAL EQUIPMENT

Notepad (one for each module)

Pens/pencils/highlighter/eraser

BIMM vocal course book

Recording device (phone/tablet/laptop)

All students are strongly advised to wear ear protection when in class, practising or performing.

BA(Hons) in

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RECOMMENDED READING

Zollo, P. 2003. songwriters on songwriting (Revised and Expanded). Da Capo Press

How to Make it in the Music Business. Virgin Books (2007)

Webb, J. 1999. Tunesmith: Inside the Art of songwriting. Hachette Books

Pattison, P. 2010. Writing Better Lyrics. Writer’s Digest Books

Senior, M. 2014. Recording secrets for the small studio. Focal Press

Please note that this is a recommended reading list and therefore not essential.

HEAD OF SONgWRITINg COLM QUEARNEY

The outstanding stable of tutors we have here at BIMM Institute Dublin will provide you with the knowledge you need to hone your skills in song composition and performance. Your learning experiences here will get you ready for the ever-expanding world of contemporary music. Compositional elements will be linked with arrangement analysis and performance in ways that allow you to apply these techniques to your own passion for songwriting. In doing this you will also have multiple opportunities to collaborate with other talented musicians and songwriters.

The common ground between different styles and genres will be delivered while giving you the encouragement to develop your unique and original approach. A variety of tutors will deliver songwriting techniques that allow you to work creatively and effectively in the music industry. I hope you make the most of the journey and allow yourself the opportunity to experiment, create and collaborate in ways that exceed your own expectations. I wish you the best of luck and a prolific time here at BIMM Institute Dublin. Enjoy every moment!

ESSENTIAL EQUIPMENT

Microphone, lead and stand

Keyboard

Stationery and manuscript paper

Recording device (preferably multi track)

Ear plugs

All students are strongly advised to wear ear protection when in class, practising or performing.

COMMERCIAL MODERN MUSIC SONgWRITINg

BA(Hons) in

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MUSIC THEORY

The study of music theory is the study of music. An understanding of the fundamental principles on which all music is built will bring a greater depth to your musicianship, and will enable you to explore new areas of improvisation and composition.

Communication is at the core of all great musical endeavors; between composer and orchestra, artist and audience, or record producer and studio musician. The study of music theory equips the professional musician with the vocabulary and skills they need to communicate their ideas quickly and accurately, and to better understand the creative concepts of others. When approaching the study of music theory for the first time, musicians often feel a sense of fear. At BIMM, our goal is to dispel those fears, and to equip students with the tools they will need to work in a professional environment.

BIMM aims to get you using music theory concepts to explore many areas of rhythm, pitch and harmony, allowing you to become a more accomplished and well-rounded musician. More importantly, an intimate knowledge of music theory should serve to enhance your creativity, and benefit your own music.

A few words on

MUSIC THEORY IS AN IMPORTANT PART OF THE BA (HONS) IN COMMERCIAL MODERN MUSIC AND MUSIC PRODUCTION COURSES. STUDENTS STUDY THEORY MODULES IN THE FIRST YEARS, WITH THE OPTION OF CONTINUINg WITH MORE ADvANCED STUDIES IN FINAL YEAR. MUSIC THEORY CONCEPTS ARE APPLIED IN MANY OTHER MODULES THROUgHOUT THEIR STUDIES AT BIMM.

www.musictheory.netwww.teoria.comwww.good-ear.comLevine, M. (1995) The Jazz Theory Book. Petaluma: Sher Music

Harrison, M. (2002) Contemporary Music Theory Levels 1-3. Hal Leonard Corporation.

Please note that this is a recommended reading list and therefore not essential.

RECOMMENDED READING

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MUSIC PRODUCTION

BA(Hons) in

COURSE LEADER STEPHEN O’BRIEN

Welcome to the BA (Hons) in Music Production here at BIMM Institute Dublin and congratulations on being offered a place! I am delighted that you have chosen to study at BIMM.

Using the finest equipment available and real-world resources, this course will see you engaging in a wide spectrum of music production arenas so that you are able to apply yourself to many different roles within one of the most exciting and dynamic industries today.

The music production industry has moved to a new model, where a wider range of transferable and specialist skill sets are essential, meaning music producers today need to be able to diversify in their work more than ever before. This course aims to provide you with a high level of understanding of practical, creative and technical techniques, and the theory that underpins music technology andproduction. So expect a challenging but stimulating creative environment to make you all ready to become the music professionals of tomorrow.

On the course, you will be led by tutors, all of whom combine teaching with their professional music industry profiles as producers, engineers, performers, writers and entrepreneurs, so expect nothing less than experienced expert advice.

Throughout the three years on the course you will naturally gravitate to wherever your ambitions within the modern music industry lie, so the opportunities of this course led by an unparalleled level of career- relevant expertise, equipment access and support networks guarantee that you will be given the best guidance and assistance in achieving your goals.

As a team we are excited and passionate about our subject and are convinced that you are the future of this creative and inspiring industry. I look forward to welcoming you to the BA (Hons) in music Production here at BIMM Institute Dublin.

RECOMMENDED READINGHuber, D. (2005) Modern Recording Techniques. Oxford: Focal Press

Margulies, J. (2013) Ableton Live 9 Power: The Comprehensive Guide. Delmar Cengage Learning. 1285455401

Pejrolo, A (2011) Creative sequencing Techniques for Music Production. Focal Press. 0240522168

Paul Stavrou, Michael & Martin, Sir George. (2003) Mixing with your Mind. Flux Research. 0646428756

Please note that this is a recommended reading list and therefore not essential.

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RECOMMENDED RESOURCESBIMM INSTITUTE DUBLIN RECOMMENDS THAT ALL STUDENTS START TO ExPLORE THE RESOURCES HIgHLIgHTED BELOW BEFORE TERM STARTS.

JOURNALS/MAgAzINES

Hotpress

The Thin Air

Golden Plec

Totally Dublin

The Ticket (Supplement in Irish Times on Friday)

Music Week (Main UK Music Industry Magazine)

WEBSITES/ BLOgS

CMU completemusicupdate.com

HypeBot hypebot.com

Music Business Worldwide musicbusinessworldwide.com

IMRO imro.ie

PPI ppimusic.ie

RAAP raap.ie

First Music Contact firstmusiccontact.com

Breaking Tunes breakingtunes.ie

Nialler9 nialler9.com

Golden Plec goldenplec.com

The Thin Air thethinair.net

State state.ie

Pitchfork pitchfork.com

TWITTER FEEDS TO FOLLOW

@IMROireland

@IRMA_Org

@thetwicket

@choiceprize

@RAAP_Ireland

@MusicFrmIreland

@hwchfestival

@musicbizworld

@MusicWeek

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Student SUPPORT

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PASTORAL SUPPORTThe Student Services team holds individual one-on-one sessions with students to discuss any issue they may be struggling with. These are strictly confidential and can include any topic ranging from personal issues, attendance and assessment related queries, discussion of special considerations we may need to take into account to support your studies and booking into one of the other support services we offer. We actively encourage students to book appointments to come and meet us at any point during their studies for extra support; the Student Services team are always available on site for a chat between 9am and 6pm.

STUDENT SUPPORT SERvICESWe are committed to helping students fulfil their potential during their time at BIMM Institute Dublin and we place an emphasis on supporting the development of our students both academically and personally. With this in mind, the Student Services team is available at every step of the student journey to offer confidential support and guidance on issues such as stress, smoking, alcohol and drugs, disability and learning support, family/friends/relationship problems, sexual health, eating disorders, depression and anxiety issues; as well as on-going academic and practical learning support and advice. We also offer a wide range of additional support services that are designed to meet students’ academic and welfare needs to enrich the BIMM Institute Dublin experience.

ACADEMIC TUTORIALSStudents are encouraged to book regular one-to-one tutorials to work on technique, master their academic writing and discuss their skills, development and long/short term career goals. Tutorials give students a unique opportunity to be individually guided by the most experienced industry professionals in the country.

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BIMM INSTITUTE DUBLIN IS COMMITTED TO A POLICY OF EqUAL OPPORTUNITIES AND PROvIDES CONFIDENTIAL ADvICE AND SUPPORT TO STUDENTS WITH vARYINg DISABILITIES AND SPECIFIC LEARNINg DIFFICULTIES.

We are committed to ensuring that students with specific needs are provided with equal access to their chosen course of study and facilities. The College is working towards removing any barriers which might prevent an individual from actively participating in student life.

If students indicate on their application and/or pre-enrolment form that they require further support, then a member of the Student Services team will be in contact to arrange an individual consultation. This is to ensure all requirements are catered for.

Students with specific Learning Difficulties/ disability, and up to date supporting documentation may register for supports such as exam accommodations, learning support, and assistive technology.

Students who do not have an up to date supporting evidence, or just suspect a specific learning difficulty, should contact the Student Services team, who will arrange the relevant assessments and advise on accessing support.

We advise that students apply for this as early as possible to ensure that support can be put in place at the start of the academic year, though there is no formal deadline for applications to be received. If you require any additional information or would like to discuss this further with one of the Student Services team, please contact [email protected]

We work with students with a wide range of disabilities, including but by no means restricted to: Specific learning difficulties (such as dyslexia,

dyspraxia, ADHD) Mental health difficulties (such as depression,

bi-polar disorder, anxiety) Students with autistic spectrum and asperger’s

syndrome Long-term medical conditions (such as HIV, cancer,

multiple sclerosis) Unseen disabilities (such as diabetes, asthma, epilepsy) Sensory impairments (such as visual/hearing

impairment) Mobility or physical impairments (such as paralysis,

arthritis)

COUNSELLINgRegardless of the course you’re studying at BIMM Institute Dublin, you will be able to avail of free and confidential counselling from highly experienced and qualified professionals. This provision offers individuals the opportunity to discuss and explore a wide range of emotional and psychological issues that may be affecting their studies.

DISABILITY AND LEARNINg SUPPORT

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BUSBIMM Institute Dublin’s Francis Street and Coombe buildings are well serviced by buses from all over the city. There are bus stops on Patrick Street, Thomas Street and Cork Street that are just a stone’s throw away from BIMM Institute Dublin.

27 Clare Hall – Jobstown

151 Docklands (East Rd.) – Foxborough

56a, 77a Ringsend – Tallaght/Citywest

49, 54a Pearse Street – Tallaght/Ellensborough

13 Harristown – Grange Castle

40 Finglas Village – Liffey Valley Shopping Centre

123 Walkinstown – Marino

For details about service times and route information please refer to dublinbus.ie

TRAIN/LUASBIMM is easily accessible from Dublin’s four main railway stations – Heuston, Connolly, Pearse Street and Tara Street. The LUAS stops at St. Stephen’s Green, James’s Street and the Four Courts are all within walking distance of BIMM. Have a look at irishrail.ie and luas.ie for more information on trains and LUAS.

BIkE/WALkDublin’s centre is compact and easily walkable and good for cycling. The terrain is flat and routes are well-marked. Dublinbikes is the bike sharing scheme for Dublin city. The stations are distributed throughout the city centre to enable easy access and optimal use. More info can be found at dublinbikes.ie

TRANSPORTBIMM INSTITUTE DUBLIN IS WELL CONNECTED TO THE REST OF THE CITY vIA PUBLIC TRANSPORT.

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STUDENT LIFEDUBLIN HAS AN ABUNDANCE OF SOCIAL RICHES THAT ARE SUITED TO ALL TASTES - LOADS OF LIvE MUSIC, ExCELLENT PUBS AND CLUBS, gREAT PLACES TO EAT, FABULOUS SHOPS, BEAUTIFUL PARkS, THE SEA, THE SAND AND AN UNRIvALLED BUzz gENERATED BY PEOPLE WHO WANT TO gET ALONg AND HAvE FUN.

CULTURE

Dublin is a highly creative city with a diverse cultural scene and a wealth of theatres, galleries, live music and cinemas. Some of the most popular places exhibiting the best of culture in Dublin can be seen below:

Abbey Theatre, Lower Abbey Street – Ireland’s national theatre, founded by W. B. Yeats and Lady Gregory in 1904. It produces an annual programme of diverse, engaging and innovative Irish and international theatre.

vicar Street, Thomas Street – one of Dublin’s main events venues. It is a popular setting for a wide range of acts including stand-up comedy, drama performances and a variety of concerts.

Light House Cinema, Smithfield – an art cinema that shows many independent films along with the latest popular releases. It also has many themed screenings and fun events.

Hugh Lane gallery, Parnell Square North – a public gallery of modern and contemporary art, housing one of the foremost public collections of contemporary art in Ireland. Free music performances on Sundays.

IMMA, Kilmainham – Ireland’s leading national institution for the collection and presentation of modern and contemporary art. Many talks, events and festivals throughout the year.

The National Concert Hall, Earlsfort Terrace – one of Dublin’s largest music venues with a focus on classical, traditional and jazz performances.

A highlight of the cultural year is the annual Dublin Fringe Festival. The festival is held in September. It is a curated, multi-disciplinary festival focusing on fresh and innovative approaches to the arts from Irish and international makers.

Culture Night is a very popular date on the cultural calendar. It also happens in September and comprises hundreds of events across the country. Arts and cultural organisations open their doors until late with many free events, tours, talks and performances to enjoy.

The Dublin LGBTQ Pride Festival is an annual series of arts, social and cultural events which celebrates lesbian, gay, transgender and queer life in Dublin. It is the largest LGBTQ pride festival in Ireland. The festival culminates in a pride parade in June, which is the biggest in the country.

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STUDENT LIFE

NIgHTLIFE

Whelan’s, on Wexford Street, is a venue that has become legendary over the last couple of decades, not just as the crucible for local acts, but for playing host to international artists. Towards the city centre you hit Dame Street, where in recent years a host of smaller venues have opened up. The Mercantile and Sweeney’s have small but excellently equipped live rooms, perfect for acts developing their stage craft. On either side of the Liffey, are The Workman’s Club and The Grand Social, both of which define the concept of venues run by obsessive music fans for obsessive music fans. For clubbing in Dublin hit Mother, The Button Factory or Wigwam.

SHOPPINg

Grafton Street is most people’s first call, with its vibrant and colourful array of high-end stores and street musicians. Across the liffey is Henry Street, the northside’s principal shopping street. More interesting is the antiques quarter of Francis Street (BIMM territory), and All City Records in Temple Bar doubles up as both a record label and a vast repository for CDs and vinyl.

THE gREAT OUTDOORS

The magnificent Phoenix Park is one of Europe’s biggest walled city parks and it can be found by walking west of the Liffey. There are many other beautiful parks that are more central – Merrion Square, Iveagh Gardens, Stephen’s Green. The DART provides easy access to picturesque seaside villages on both sides of the city, such as Howth and Malahide to the north and Killiney and Dalkey to the south.

EATINg OUT

Whatever your taste and budget you’ll find plenty of places to eat in Dublin. Popular highlights include Bunsen for burgers, Musashi/Zakura for sushi, Kimchi for Korean, 777 for proper Mexican and Dublin’s Chinatown area of Parnell Street for an affordable array of excellent Asian eateries.

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BIMM gIgSOnce you’ve got your band together and had some rehearsals, you can audition for BIMM’s End of Term and Live & Lyrical gigs. We hold one of each per term, and utilise the amazing venues that are on our doorstep, such as Opium Rooms, The Button Factory and Whelan’s. These are ticketed events and are a great opportunity for students to get some live performance experience and put on a brilliant show for their peers, friends, families and the public.

BIMM ALBUMThe BIMM album is a showcase of BIMM’s best songwriting talent. Students have the opportunity to submit their demos to be reviewed by our industry A&R panel, and a selection of these songs will be professionally recorded in our in-house studio and available to buy as a CD or digital download.

NETWORkINg EvENTSBIMM hold networking events during enrolment week, which is a great opportunity to get together with other students from different courses that have similar musical interests. Not only is it a great way to find new friends and swap some phone numbers, but it’s also a good place to start finding band members.

gET CONNECTED AT BIMM

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FRESHERS’ gUIDE

COMMON FEELINgSMoving away from home to a new city and starting college is a really exciting opportunity for a big change. You get to make a whole new start in a new place with new people. You might feel a mixture of great excitement and nervousness – what will the course really be like? Will I get on with my housemates? Will I make friends? How do I look after myself?

Please remember that you are not alone in feeling this way. These are all questions that everyone in your situation is asking themselves. If you’re worried about making friends, or not knowing the city, or how to make a Bolognese; remember that every other person around you feels the same way, and within just a couple of days you will feel more at home and comfortable than you can even imagine.

STRATEgIES FOR COPINgThere are some important things to keep in mind when going through this experience of moving away from home. These will prepare you and help you to cope with any situation you stumble across.

Look after yourself – It takes time for new friends to really know you properly, which means you need to put your own welfare, health and safety at the top of your priorities.

know yourself and what you can handle – This is a time when you can experiment and find a way of living that really suits you, but this can take time. Try not to be pressured or influenced by others’ opinions and actions. Try to make decisions about life choices in the cold light of day, so that you know how you want to respond if you end up in a tricky situation.

Confront difficulties – In a new environment it’s easy to waste time worrying about things you don’t understand or can’t control. Don’t be afraid to ask the Student Services team and many other agencies external to BIMM who are ready and willing to help you with any problem or query, big or small. Begin to see challenging situations as a chance to overcome something rather than a problem in your way.

Be healthy – Maintain a good diet, get adequate sleep and try to be active when you can; people are often happier if they are healthy. Register with a local doctor’s surgery so that if you fall ill you can get the right care. If you are feeling stressed or sad talk to the Student Services team, they will find you the right support; know when you need to get some extra help.

Make a budget – Work out how much money you have for the term, and how much you will have to spend on unavoidable costs like rent, food and bills. This way you will know how much you have left to spend on yourself. Doing this will avoid running out of money half way through the term, which can be very stressful.

Don’t work all the time – As independent study is so important at college, it can sometimes be hard to give yourself time off. Give yourself regular breaks and occasional days off.

Do work some of the time – Being away from home and with so much to do in a new city, it can be easy to neglect your work and fall behind in the course. Make sure you find the time for your studies to avoid a stressful situation.

Be yourself! – People can’t get to know and like you for who you really are if you don’t act like yourself. There are so many people to potentially become friends with, be yourself and you will find the right friends for you.

EvENTS DURINg INDUCTION WEEk ARE A gREAT WAY TO MEET PEOPLE AND MAkE FRIENDS; WE’LL PROvIDE YOU WITH INFORMATION ABOUT THESE PRIOR TO INDUCTION WEEk. YOU CAN ExPECT SOCIAL NIgHTS, NETWORkINg AND INDUCTION EvENTS.

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FACULTY INFORMATION

STUDENT CARDS

You will be issued with a BIMM student card at the start of your course. This will entitle you to discounts at many outlets around Dublin.

STUDENT COMMON ROOMSThere is a student common room in both the Francis Street and Coombe buildings of BIMM Institute Dublin. There are water coolers, vending machines and sofas for your use between lectures.

PRACTICE FACILITIESAt BIMM Institute Dublin we make teaching spaces available in the Francis Street building for students to book and rehearse in for free, timetable permitting.

BIMM Institute Dublin has also teamed up with 4K Rehearsal Studios 4krehearsal.com to offer BIMM students discounted rehearsal time.

There are a number of other rehearsal studios in Dublin, such as Loop Studios, Temple Lane Rehearsal Studios and Muzzle Music Rehearsal Studios.

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BA (HONS) IN:COMMERCIAL MODERN MUSICMUSIC PRODUCTION

DEGREE COURSES

THE UK & EUROPE’S MOST CONNECTED

MUSIC COLLEGE

YOUR MUSIC CAREER STARTS HERE BIMM.IE

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1. ACCEPTANCE: In order to secure your offered place at BIMM Dublin we must receive your signed contract along with your deposit within 21 days of the contract issue date. It is with regret that if this is not received before then, your place may be withdrawn.

2. AGREEMENT: By accepting an offer and returning your signed contract letter you are entering into an agreement with BIMM Dublin Limited (BIMM). Your contract letter, these standard terms and conditions and the documents referred to herein constitute your agreement with BIMM (Agreement). You agree to abide by BIMM’s regulations, policies and procedures as set out in the Student Handbook (as updated by BIMM from time to time). A copy of the current Student Handbook is available from the Student Services team.

3. CONDITIONAL OFFER: All places are conditional according to the Terms laid out in this contract. In the event that you fail to meet the conditions of your offer, BIMM reserves the right to withdraw your place.

4. NON-REFUNDABLE DEPOSIT: In the event that you cancel this contract for whatever reason before the course commences, the deposit is non-refundable. This does not affect your right to a cooling-off period of 14 days.

5. BIMM’S FEES: Fees for the first academic year of the course will be as published within the 2016-17 prospectus or on the BIMM website. BIMM retains the right to review course fees on an annual basis and will publish fees for the next academic year at least 6 months in advance of the start of that year; fees for subsequent years of any course may therefore be different from the first year.

6. PAYMENT: Any balance of fees should be received by BIMM by the date of enrolment immediately preceding the start of the academic year, otherwise you may not be able to take up your place on the relevant course.

7. NON-COMPLETION OF COURSE: In the event of your leaving the course for whatever reason once the course has started, no refund or part-refund of the course fee can be given, and you will be liable for any outstanding fees.

8. SUSPENSION/TERMINATION/EXPULSION: BIMM reserves the right to suspend or terminate the tuition of or permanently expel (all without refund) any student who is in material breach of this contract, including breach of our Code of Conduct and Golden Rules as detailed in the BIMM Student Guide, or who has brought the name of the Institute into disrepute and/or committed a criminal offence.

9. PROSPECTUS: The information on the Prospectus and Website is believed to be correct but is not part of any agreement with parents/students and BIMM.

10. EQUAL OPPORTUNITIES: BIMM welcomes staff and students from different ethnic groups, backgrounds and creeds. We will make every conceivable effort to accommodate the needs of members of staff and students who have disabilities according to the current legal requirements.

11. PRINCIPAL’S AUTHORITY: Students and parents authorise the Executive Principal to make and/or authorise in good faith all decisions which the Executive Principal considers on proper grounds will safeguard and promote the students’ welfare.

12. ETHOS: All forms of discrimination including bullying, harassment, victimisation and discrimination will not be tolerated.

13. DRUGS: BIMM has a zero tolerance policy in respect of illegal drugs.

14. STUDENTS’ PERSONAL PROPERTY: Students are responsible for the security, safe use and insurance of all their personal property.

15. COMPLAINTS: Any concern or complaint about your care or safety must be notified immediately to BIMM. A copy of BIMM’s current complaints procedure is available upon request.

16. LIABILITY: Save for death or personal injury caused by its negligence, BIMM does not accept responsibility for injury or other loss caused to the student or parents or for loss or damage to property.

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17. ORGANISATION/CURRICULUM: Any student who has any specific requirements or concerns about any aspect of their education or progress should contact the appropriate member of staff as soon as possible.

18. REPORTS AND REFERENCES: Information concerning the progress and character of a student will be given conscientiously and with all due care, but, to the extent permissible by law, BIMM excludes any liability for giving such reports and/or references.

19. BIMM DUBLIN’S REGIME: Students and parents accept that the college will be run in accordance with the authority delegated by its Board of Directors and Executive Principal.

20. CONDUCT AND ATTENDANCE: The Institute attaches importance to courtesy, integrity, good manners and good discipline. Students are expected to take part in the activities of BIMM Dublin, attend each teaching day, be punctual, work hard, be well behaved and comply with the BIMM’s “Golden Rules”. The Student handbook will be provided during enrolment / induction week.

21. DISCIPLINE WITHIN BIMM DUBLIN: Students hereby accept the authority of the Principal and members of staff to take all reasonable disciplinary action according to the disciplinary procedures set out in the Student Handbook.

22. PROCEDURAL FAIRNESS: Investigation of a complaint which could lead to expulsion, removal or withdrawal of a student shall be carried out in a fair and unbiased manner.

23. EXPULSION: A student may be formally expelled from the Institute if it is demonstrated that the student has committed a grave breach of BIMM’s rules or a criminal offence.

24. DIRECTOR’S REVIEW: Students may ask for a Director’s Review of a decision to expel a student. The request must be made within seven (7) days of the decision being notified to students and/or parents.

25. FEES AFTER EXPULSION: If a student is expelled there will be no refund of fees, and all arrears of fees and any other sum due to BIMM will be payable immediately.

26. LATE PAYMENT OF FEES: Unless otherwise agreed by BIMM, all fees must be paid by the deadline shown on the first page of this contract. Interest may be charged on a day-to-day basis on fees which are unpaid after that time. Students may not be allowed to enrol on their course or, if they have enrolled, may be expelled should their fees remain outstanding after the deadline. BIMM will not issue any course certificate or award to any student who has not paid their fees in full.

27. GUARANTOR: If requested by BIMM, you will arrange for a guarantor acceptable to BIMM to enter into an agreement with BIMM whereby the guarantor guarantees the payment of your course fees and, any other amounts due, to BIMM.

28. PUBLICITY: By enrolling on the course the applicant authorises BIMM and/or any associated company to publish photographs and materials relating to the student’s course of study with BIMM and career thereafter in all territories for the purposes of publicity and promotion without restriction.

29. TERMINATION BY BIMM: BIMM may terminate this agreement on one term’s written notice or less than one term’s notice in a case involving expulsion or required removal. BIMM will not terminate this contract without good cause and full consultation with the student (and parents where appropriate).

30. CANCELLATION OF COURSES: In the case of unforeseen circumstances, or if insufficient student numbers are enrolled onto a course, BIMM reserves the right to cancel any course prior to commencement. A full refund will be provided to any enrolled student where an appropriate alternative course is not available.

31. JURISDICTION: This contract was made by BIMM Dublin Ltd, 62/64 Francis Street, Dublin and is governed by the Laws of the Republic of Ireland.

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IMPORTANT GUIDE TO OUR TERMS & CONDITIONS

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OVERVIEWThe following document is designed to give you clear information about some of the more important terms and conditions that govern your time at BIMM.

If you need further guidance please contact a member of student support or the admissions team.

REGULATIONSThis documents references the following regulations from the Academic Development and Quality Manual:BIMM Academic Regulations:

Section 15: BIMM University of Sussex Academic Regulations Section 16: BIMM Bath Spa University Undergraduate Academic RegulationsSection 17: BIMM Dublin Institute of Technology Academic RegulationsSection 18: BIMM University of West London Academic Regulations

Section 11: BIMM Student Engagement PolicySection 19: BIMM Harassment and Bullying PolicySection 21: BIMM Fitness to Study PolicySection 31: BIMM Code of ConductSection 32: BIMM Disciplinary Policy

Please see: http://www.bimm.co.uk/academic-quality/

WITHDRAWALBIMM has the right to withdraw you from your course if:

• You have poor attendance at lessons (See Student Engagement Policy)• You fail too many assignments and no longer meet the progression requirements• You are found guilty of a serious breach of our regulations at a disciplinary hearing. This could include,

but is not limited to:• Harassing and bullying behaviour• Discriminatory behaviour• Assault• Threatening/abusive behaviour• Drugs/alcohol on BIMM premises

• A fitness to study panel finds that you are unable to continue your studies due to illness, including mental health issues. (See Fitness to Study Policy)

• You exceed of the maximum registration period (many course only allow you to be registered as a student for a maximum of 7 years)

• You fail to re-enrol at the beginning of an academic year• You fail to return after a period of intermission/deferral.• You fail to pay your tuition fees• You may also withdraw yourself from a course of study.• If you are withdrawn from a course:• You will no longer be allowed to use BIMM premises. • You may be liable for any outstanding fees for the year.• You will not receive a degree qualification but may be able to claim a lower level exit qualification if you

have previously completed one or two years of study successfully.

PROGRESSION REQUIREMENTSIn order to progress from one year of a course to another you must meet the progression requirements. These may be slightly different depending on which course you are enrolled on and the awarding university for your degree.

It is important that you read the full progression requirements for your degree which can be found in the academic regulations for the relevant awarding university.

The best way to guarantee you’ll progress on to the next year is to get at least 40% in all your modules. (Note: PGCert students need to achieve at least 50%).

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PROGRESSION REQUIREMENTS (CONT...)Additionally there may be requirements that you must meet in order to take certain optional modules. This varies from college to college depending on the awarding university but one common example is that some professional musicianship degrees require you to achieve at least 60% in the year 2 Technical Development Module in order to take the optional Solo Performance Module in year 3. For information regarding the progression requirements of your particular course you should contact your course leader.

AWARD REQUIREMENTS In order to receive your degree qualification you will need to meet certain requirements as set out by the awarding university for your degree.

It is important that you read the full award requirements for your degree which can be found in the academic regulations for the relevant awarding university.

The best way to guarantee that you will receive your full qualification is to get at least 40% in all modules for every year of your qualification. (Note: PGCert students need to achieve at least 50%).

ACADEMIC MISCONDUCTAcademic misconduct can be described, in its simplest form, as cheating in an examination or assessment.

This includes:

• Plagiarism - the practice of taking someone else’s work or ideas and passing them off as your own.• Collusion - Working together with someone on an assessment that is meant to be an individual effort.• Personation – having someone else sit an examination for you.• Taking notes into an unseen examination• Gaining access to an unseen examination paper in advance of sitting it• Fabricating research results

The result of committing academic misconduct could vary depending on the severity of the case but could ultimately lead to you being disqualified from the qualification. If you have already received an award, but are then found guilty of misconduct, you may have that award revoked.

For more in depth guides make sure you read the academic regulations for your degrees awarding university.

SUBMISSION OF WORKWork must be submitted in the correct format, failure to submit work in the correct format may result in marks being deducted.

When submitting work digitally it is your responsibility to ensure that files are submitted in the correct file format and can be opened correctly. It is a good idea to test files on different computers to make sure they work. When creating an audio or video CD/DVD you should test it on multiple devices.

If the file can’t be opened or the disc doesn’t work we won’t be able to mark it and will likely result in a reduced mark or no mark at all.

Failure of electronic devices is not grounds for a mitigating evidence claim so is important that you backup all your work and double check all submissions.

For more information refer to the academic regulations from your awarding university.

INTERMISSION/DEFERRAL You may be allowed to take a break between years while on your course. If the intermission period extends to more than twelve months and the individual would miss more than one academic year BIMM reserves the right to reassess the individual’s case before readmitting them to the course.

If you fail to return within the agreed time you may be withdrawn from your course.

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COURSE CHANGESIn response to student feedback changes may be made to your course, this will only happen when:

• The changes are non-material e.g. changing the name of a module• The changes are beneficial to students• The changes are required because circumstances outside of our control e.g. a change in the law.

When we are making change to a course we always consult with your student reps through the Boards of Study at each college. You are able to express your concerns or input you would like to have by contacting your rep or attending the student representation forum at your college.

If a change is likely to be detrimental to some students we would email all student to inform them of the proposed change a give them time to respond.

TUTORSBIMM is proud of its long history of employing music industry professionals to teach at all of our colleges. We believe that through this practice we provide the best opportunities to our students to learn from tutors who understand their goals and have the knowledge and experience necessary to help make them a reality. In order to provide these benefits, sometimes tutors are granted leave to engage in industry activities such as going on tour. This is vital to ensure that our tutors are able to give students the most current information, and share recent experiences, about a music industry that is constantly evolving and expanding into new areas.

Whenever a tutor goes on leave, whether it is due to industry activities or unavoidable factors such as illness or maternity leave, BIMM endeavours to ensure that lessons are covered by an industry professional with relevant experience in the subject.

Through this practice, we aim to provide high quality learning opportunities throughout your course of study at BIMM.

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BERLINDisabled Access: Unfortunately, BIMM Berlin is currently not wheelchair accessible. Students who require wheelchair access are advised to apply to another BIMM college

LONDONDisabled Access: All teaching buildings at BIMM London are wheelchair accessible BrightonDisabled Access: At BIMM Brighton the majority of teaching buildings are wheelchair accessible. However, our BIMM East building is currently not wheelchair accessible, this mainly affects Music Production courses. If you require wheelchair access every effort will be made to arrange different rooms that are accessible.

DUBLINDisabled Access: All teaching buildings at BIMM Dublin are wheelchair accessible, however, there are some class rooms that cannot be accessed. If you require wheelchair access every effort will be made to arrange different rooms that are accessible.

MANCHESTERDisabled Access: All teaching buildings at BIMM Manchester are wheelchair accessible

BRISTOLDisabled Access: All teaching buildings at BIMM Bristol are Wheelchair accessible, however some class rooms are not accessible, students who wish to study either Professional Musicianship (Drums) or Music Production are advised to apply to a different BIMM college if they require wheelchair access.

DISABLED ACCESS STATEMENTS

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We’re here to help you throughout your time at Bimm institute DuBlin

62-64 Francis StreetDublin 8Ireland

+353 1 5133 666

[email protected]

We are committed to helping you throughout your

studies with us at BIMM Institute Dublin and offer

a wide range of support services designed to meet

your academic and welfare needs, don’t hesitate to

speak to us whenever required: T: +353 1 5133 666 E: [email protected]

British & irish moDern music institute Bimm.ie

Your music career STarTS hErE

BIMM Institute Dublin

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