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About the Use of Models in Gothic Sculpture : a Drawing of Villard de Honnecourt for an Experimental Art History Test Dr. Denise Borlée University of Strasbourg

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Page 1: Denise Borlee - About the Use of Models in Gothic Sculpture : a Drawing of Villard de Honnecourt for an Experimental Art History Test

About the Use of Models in Gothic Sculpture :a Drawing of Villard de Honnecourt for an Experimental Art History Test

Dr. Denise BorléeUniversity of Strasbourg

Page 2: Denise Borlee - About the Use of Models in Gothic Sculpture : a Drawing of Villard de Honnecourt for an Experimental Art History Test

Villard de Honnecourt, Album, ca. 1210-1220, Bibliothèque nationale de France,ms 19093, f. 18 r°

Page 3: Denise Borlee - About the Use of Models in Gothic Sculpture : a Drawing of Villard de Honnecourt for an Experimental Art History Test

Villard de Honnecourt, Album, ca. 1210-1220, Bibliothèque nationale de France,ms 19093, f. 18 r°, detail of the head of St Peter.

Page 4: Denise Borlee - About the Use of Models in Gothic Sculpture : a Drawing of Villard de Honnecourt for an Experimental Art History Test

The Cathedral Workshop Foundation of Strasbourg :stone cutting and sculptureworkshop

The dimensions of the sandstoneblock : 25 x 40 x 25 cm

Page 5: Denise Borlee - About the Use of Models in Gothic Sculpture : a Drawing of Villard de Honnecourt for an Experimental Art History Test

The sculptor’s tools

Page 6: Denise Borlee - About the Use of Models in Gothic Sculpture : a Drawing of Villard de Honnecourt for an Experimental Art History Test
Page 7: Denise Borlee - About the Use of Models in Gothic Sculpture : a Drawing of Villard de Honnecourt for an Experimental Art History Test

First stage : the roughing (le dégrossissage)

Day 1, 11h43

Page 8: Denise Borlee - About the Use of Models in Gothic Sculpture : a Drawing of Villard de Honnecourt for an Experimental Art History Test
Page 9: Denise Borlee - About the Use of Models in Gothic Sculpture : a Drawing of Villard de Honnecourt for an Experimental Art History Test
Page 10: Denise Borlee - About the Use of Models in Gothic Sculpture : a Drawing of Villard de Honnecourt for an Experimental Art History Test

Day 1 : 12h39

Page 11: Denise Borlee - About the Use of Models in Gothic Sculpture : a Drawing of Villard de Honnecourt for an Experimental Art History Test

Villard de Honnecourt, Album, ca. 1210-1220, Bibliothèque nationale de France,ms 19093, f. 18 r°, detail of the head of St Peter.

Page 12: Denise Borlee - About the Use of Models in Gothic Sculpture : a Drawing of Villard de Honnecourt for an Experimental Art History Test

Villard de Honnecourt, Album, ca. 1210-1220, Bibliothèque nationale de France,ms 19093, f. 18 v°, detail.

Page 13: Denise Borlee - About the Use of Models in Gothic Sculpture : a Drawing of Villard de Honnecourt for an Experimental Art History Test

Day 1 : 15h10

Page 14: Denise Borlee - About the Use of Models in Gothic Sculpture : a Drawing of Villard de Honnecourt for an Experimental Art History Test

Day 1 : 15h19

Page 15: Denise Borlee - About the Use of Models in Gothic Sculpture : a Drawing of Villard de Honnecourt for an Experimental Art History Test

Check of the proportions

Page 16: Denise Borlee - About the Use of Models in Gothic Sculpture : a Drawing of Villard de Honnecourt for an Experimental Art History Test

Day 1 : 15:38

Page 17: Denise Borlee - About the Use of Models in Gothic Sculpture : a Drawing of Villard de Honnecourt for an Experimental Art History Test
Page 18: Denise Borlee - About the Use of Models in Gothic Sculpture : a Drawing of Villard de Honnecourt for an Experimental Art History Test

Day 1 : 16h01

Page 19: Denise Borlee - About the Use of Models in Gothic Sculpture : a Drawing of Villard de Honnecourt for an Experimental Art History Test

The end of the 1st day : 17h16

Day 1

Total time = 4 h30

Page 20: Denise Borlee - About the Use of Models in Gothic Sculpture : a Drawing of Villard de Honnecourt for an Experimental Art History Test

Villard de Honnecourt, Album, ca. 1210-1220, Bibliothèque nationale de France,ms 19093, f. 18 r°, detail of the head of St Peter.

Page 21: Denise Borlee - About the Use of Models in Gothic Sculpture : a Drawing of Villard de Honnecourt for an Experimental Art History Test

Villard de Honnecourt, Album, ca. 1210-1220, Bibliothèque nationale de France,ms 19093, f. 18 r°, detail of the head of St Peter.

Page 22: Denise Borlee - About the Use of Models in Gothic Sculpture : a Drawing of Villard de Honnecourt for an Experimental Art History Test

Dijon, Notre-Dame church (Burgundy), head of statuefrom a western portal, ca. 1220

Strasbourg cathedral, head of statuefrom the south transept portal, ca. 1210-1220

Page 23: Denise Borlee - About the Use of Models in Gothic Sculpture : a Drawing of Villard de Honnecourt for an Experimental Art History Test

Villard de Honnecourt, Album, ca. 1210-1220, Bibliothèque nationale de France,ms 19093, f. 18 r°, detail of the head of St Peter.

Page 24: Denise Borlee - About the Use of Models in Gothic Sculpture : a Drawing of Villard de Honnecourt for an Experimental Art History Test

Day 2Eyebrows and ears are sketched

State at the end of the 2nd day

Page 25: Denise Borlee - About the Use of Models in Gothic Sculpture : a Drawing of Villard de Honnecourt for an Experimental Art History Test

Day 3

Page 26: Denise Borlee - About the Use of Models in Gothic Sculpture : a Drawing of Villard de Honnecourt for an Experimental Art History Test

State at the end of the 3rd day

Page 27: Denise Borlee - About the Use of Models in Gothic Sculpture : a Drawing of Villard de Honnecourt for an Experimental Art History Test

Villard de Honnecourt, Album, ca. 1210-1220, Bibliothèque nationale de France,ms 19093, f. 18 r°, detail of the head of St Peter.

Page 28: Denise Borlee - About the Use of Models in Gothic Sculpture : a Drawing of Villard de Honnecourt for an Experimental Art History Test

From Rougemont (Burgundy)

From the cathedral of Reims, north transept portal

From the cathedral of Strasbourg, south transept portal, tympanum

Page 29: Denise Borlee - About the Use of Models in Gothic Sculpture : a Drawing of Villard de Honnecourt for an Experimental Art History Test
Page 30: Denise Borlee - About the Use of Models in Gothic Sculpture : a Drawing of Villard de Honnecourt for an Experimental Art History Test
Page 31: Denise Borlee - About the Use of Models in Gothic Sculpture : a Drawing of Villard de Honnecourt for an Experimental Art History Test

Day 7

Page 32: Denise Borlee - About the Use of Models in Gothic Sculpture : a Drawing of Villard de Honnecourt for an Experimental Art History Test

Day 9

Page 33: Denise Borlee - About the Use of Models in Gothic Sculpture : a Drawing of Villard de Honnecourt for an Experimental Art History Test

A shower … to remove dust !

Page 34: Denise Borlee - About the Use of Models in Gothic Sculpture : a Drawing of Villard de Honnecourt for an Experimental Art History Test

After 50 working hours and after the shower, the final result. The colour of the pink sandstone is now revealed.

Page 35: Denise Borlee - About the Use of Models in Gothic Sculpture : a Drawing of Villard de Honnecourt for an Experimental Art History Test

From drawing … to sculpture in the round

Page 36: Denise Borlee - About the Use of Models in Gothic Sculpture : a Drawing of Villard de Honnecourt for an Experimental Art History Test

Villard de Honnecourt, inverted drawing

Cathedral of Strasbourg, south transept portal, tympanum of the Dormition of the Virgin, head of St PeterNot the model but a plausible model