denise wang: ingmar bergman’s appropriations of the images of death in the seventh seal

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제 17권 1호 (2009): 41-62 ⡨ᣋၻ ‘ ⇻╘ 㒰 Ingmar Bergman’s Appropriations of the Images of Death in The Seventh Seal* 9) Denise Ming-yueh Wang (National Chung Cheng University) The Seventh Seal has been generally acknowledged by film critics as Ingmar Bergman’s medieval morality play. 1) Indeed, the simple framework of The Seventh Seal would seem t o fit in this cliched generic label. While the film is an allegory loaded with Christian symbolism, it is also a very simple story of a medieval knight’s return from the Crusades during the time of the plague. A reading of the film as morality play would make the Knight Antonius Block an Everyman figure symbolizing the universal encounter with death. David Bevington refers to the film’s central motif —the Dance of Death—as the “late medieval fascination...[of] the cult of death” (794). In a program note, Bergman * An earlier version of this paper was delivered at the 2008 MEMESAK International Conference in Seoul on November 8. 1) All references are to the e-script of The Seventh Seal by I ng m ar B er gm a n. N o pa gi na ti on .

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Page 1: Denise Wang: Ingmar Bergman’s Appropriations of the Images of Death in The Seventh Seal

7/28/2019 Denise Wang: Ingmar Bergman’s Appropriations of the Images of Death in The Seventh Seal

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