design – day 7 covers. theme graphics design cover the cover introduces the theme - the concept -...

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Design Day 7 covers

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Page 1: Design – Day 7 covers. theme graphics Design COVER THE COVER introduces the theme - the concept - the tone - the graphics

Design – Day 7 covers

Page 2: Design – Day 7 covers. theme graphics Design COVER THE COVER introduces the theme - the concept - the tone - the graphics

theme graphics DesignCOVERCOVER

THE COVER introduces the theme- the concept- the tone- the graphics

Page 3: Design – Day 7 covers. theme graphics Design COVER THE COVER introduces the theme - the concept - the tone - the graphics

theme graphics Design

Everything on the COVER is there to help convey the theme’s message.

If something doesn’t align with the message, it shouldn’t be there.

COVERCOVER

Page 4: Design – Day 7 covers. theme graphics Design COVER THE COVER introduces the theme - the concept - the tone - the graphics

theme graphics Design

logos — a recognizable graphic element that often combines letters & art

fonts — type (serif, san serif, decorative, novelty)

type treatment — (arrangement of type on page) capitalization, centered, justified, flush left, flush right, extra leading

photo techniques — edges, blurs, radical cropping, duotones, COB, ghosting

photo collections — grouping photos to tell one story

color use — contrasting, tone on tone (i.e. black on black) gradients, spottextures — natural (i.e. cork, wood, sand), patterns

tints — percentages of colors and black

lines — rule lines & boxes used to combine or separate

shapes — circles, rectangles, squares, triangles, etc.

white space — spacing, margins, grids

COVERCOVERVisuals introduced on a cover may include -

Page 5: Design – Day 7 covers. theme graphics Design COVER THE COVER introduces the theme - the concept - the tone - the graphics

theme graphics Design

2013

COVERCOVER

Page 6: Design – Day 7 covers. theme graphics Design COVER THE COVER introduces the theme - the concept - the tone - the graphics

theme graphics Design

1. Colors (yellow, maroon, black & white)2. Shapes 3. Fonts4. Angled type5. Thick & thin type6. Quote bubbles7. Quote marks8. Type set on its side

2013

COVERCOVER

Page 7: Design – Day 7 covers. theme graphics Design COVER THE COVER introduces the theme - the concept - the tone - the graphics

theme graphics Design

Isolate & explain the visual identifiers on these covers.

COVERCOVER

Page 8: Design – Day 7 covers. theme graphics Design COVER THE COVER introduces the theme - the concept - the tone - the graphics

theme graphics Design

What GRAPHIC TREATMENTS

are introduced on this cover?

Page 9: Design – Day 7 covers. theme graphics Design COVER THE COVER introduces the theme - the concept - the tone - the graphics

theme graphics Design

What GRAPHIC TREATMENTS

are introduced on this cover?

Page 10: Design – Day 7 covers. theme graphics Design COVER THE COVER introduces the theme - the concept - the tone - the graphics

theme graphics Design

What GRAPHIC TREATMENTS

are introduced on this cover?

Page 11: Design – Day 7 covers. theme graphics Design COVER THE COVER introduces the theme - the concept - the tone - the graphics

theme graphics Design

What GRAPHIC TREATMENTS

are introduced on this cover?

Page 12: Design – Day 7 covers. theme graphics Design COVER THE COVER introduces the theme - the concept - the tone - the graphics

theme graphics Design

These graphic elements now go to work as unifying devices.

They extend the theme’s verbal and visual presentation into the book.

COVERCOVER

Page 13: Design – Day 7 covers. theme graphics Design COVER THE COVER introduces the theme - the concept - the tone - the graphics

theme graphics Design

2013

COVERCOVER

Page 14: Design – Day 7 covers. theme graphics Design COVER THE COVER introduces the theme - the concept - the tone - the graphics

theme graphics Design

1. Colors (yellow, maroon, black & white)2. Shapes 3. Fonts4. Angled type5. Thick & thin type6. Quote bubbles

7. Quote marks8. Type set on its side

ENDSHEETSENDSHEETSNote how the same visual motifs extend to the endsheets.

Page 15: Design – Day 7 covers. theme graphics Design COVER THE COVER introduces the theme - the concept - the tone - the graphics

theme graphics DesignTITLE PAGETITLE PAGE

1. Colors (yellow, maroon, black & white)2. Shapes 3. Fonts4. Angled type5. Thick & thin type6. Quote bubbles7. Quote marks8. Type set on its side

The same visual motifs are on the title page.

Page 16: Design – Day 7 covers. theme graphics Design COVER THE COVER introduces the theme - the concept - the tone - the graphics

theme graphics DesignOPENINGOPENINGThey appear again on the opening spreads.

Page 17: Design – Day 7 covers. theme graphics Design COVER THE COVER introduces the theme - the concept - the tone - the graphics

theme graphics DesignDIVIDERDIVIDERThe dividers are similar to the opening but different.

Page 18: Design – Day 7 covers. theme graphics Design COVER THE COVER introduces the theme - the concept - the tone - the graphics

•The secondary coverage modules are based on the concept “we know something you don’t know.”•All have visual elements that connect to the cover graphics.

THE THEME ISTHE THEME ISDesign

Page 19: Design – Day 7 covers. theme graphics Design COVER THE COVER introduces the theme - the concept - the tone - the graphics

theme graphics DesignSPREAD DESIGNSPREAD DESIGNThe same visual motifs link section design to the theme presentation

Page 20: Design – Day 7 covers. theme graphics Design COVER THE COVER introduces the theme - the concept - the tone - the graphics

theme graphics Design

Cover design is a critical part of the book’s development.

COVERCOVER

Page 21: Design – Day 7 covers. theme graphics Design COVER THE COVER introduces the theme - the concept - the tone - the graphics