developing an ear for improvisation through singing · developing an ear for improvisation through...

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1 2017 UMTA CONFERENCE November 3 & 4, 2017 Salt Lake Community College Taylorsville-Redwood Campus Developing an Ear for Improvisation through Singing Christian Bohnenstengel Ideas for improvisation on an existing melody - Alter the rhythm - Improvise on chord tones (or harmonization) - Melodic embellishment Examples for melodic embellishment written by Mozart (see appendix): 1. based on K. 333 2. K. 333 3. K. 284 4. K. 332 5. K. 332 6. K. 311 7. K. 311

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2017 UMTA CONFERENCE November 3 & 4, 2017

Salt Lake Community College Taylorsville-Redwood Campus

Developing an Ear for Improvisation through Singing

Christian Bohnenstengel

Ideas for improvisation on an existing melody

- Alter the rhythm - Improvise on chord tones (or harmonization) - Melodic embellishment

Examples for melodic embellishment written by Mozart (see appendix):

1. based on K. 333

2. K. 333

3. K. 284

4. K. 332

5. K. 332

6. K. 311

7. K. 311

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Example 1: London Bridge

1. Original

2. Harmonization (sing the words and rhythm on any chord tone)

3. Rhythmic alteration

4. Melodic embellishment

Example 2: Happy Birthday

1. Original

2. Harmonization

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3. Rhythmic alteration

4. Melodic embellishment

Example 3: Mozart’s K. 545

1. Original

2. Rhythmic alteration

3. Melodic embellishment

4. Melodic embellishment

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Appendix: Examples for melodic embellishment in Mozart’s piano sonatas

K. 284, Thema – Andante

K. 284, Adagio cantabile, Var. IX

K. 332, Adagio

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K. 311, Andante con espressione

K. 333, Adagio cantabile