developments in buddhism

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  • 7/30/2019 Developments in Buddhism

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    South: Buddhist monks in western India sought refuge from the vicissitudes

    of unending feudal wars in secluded inaccessible sites.

    North: They continued to play an active role in rapidly changing political

    situation of Trans Indus Gandhara Region.

    The Greek king Menander gained control over Punjab & Sindh and founded

    his capital at Sagala ( modern Sialkot)

    CITY OF SAGALA Described by a contemporary chronicle as

    1. Laid out by wise architects

    2. Various strong ramparts

    3. Splendid with hundreds of thousands of magnificent mansions and bazaars.

    Buddhist monk Nagasena visited Sagala, influenced king to become his

    disciple.

    Nagasena accepted Buddha as God & Saviour & worshipped him as deity.

    This interpretation of Buddhism: Mahayana or large vehicle, the originalBuddhism: Hinayana or smaller vehicle.

    REINTERPRETATION OF BUDDHISM:

    GREEKS, KUSHANS & LARGE VEHICLE

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    FUSION OF GREEK, ROMAN & INDIAN STYLE

    Under royal patronage of Menander, Buddhist monks started the task of

    making stupas & monasteries.

    Used the talents of the immigrant craftsmen, better acquainted withRoman & Greek rather than purely Indian traditions.

    First edifice: Shrine of double headed Eagle at Sirkap ( nearTaxila).

    Square platform faced with local Kanjurstone, adorned with grid of

    pilasters of Roman composite style.

    On platform, stood an elongated version of Sanchi type Stupa, now

    vanished

    Spaces between pilasters filled with relief of Roman classical pedimented

    aedicule, indigenous torana& a chai tyahall.

    GANDHARA STYLE: expedient mixing of Roman, Greek & Indian Styles.

    Support of Indo Greek kings to Buddhism was unfortunately short lived.

    Ruled for 100 years, overpowered by Scythian tribe of China/ Shakya

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    SCYTHIANS & KUSHANS

    Chinese Emperor Chi Husang Ti, responsible for completion of China wall.

    Emperor closed Chinese pastures for nomadic tribes of Yeu Chi.

    Yeu Chi moved to western region of Aral Sea, original homeland of Scythians

    Scythians were forced to move towards India through Bolan Pass near Quetta.

    They defeated then Greek King Hippostratus.

    Brief rule of Scythians: no impression on Buddhist architecture

    Classical example at that time: Fire Temple at Jandial, near Taxila

    THE 200 BC FIRE TEMPLE OFJANDIAL IS A CURIOUS

    MIXTURE OF A GREEK

    ARCHITECTURAL

    SHELLAMENDED FOR

    THE PERFORMANCES OF

    ZOARASTRIAN RITUALS

    1. NAOS

    2. PRONAOS3. PERISTYLE

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    Mixture of Greek motivated architectural shell for the performance of

    Achmenid Persian religious rituals

    In plan, classical Greek peripheral temple in antis with columns in ionic order.

    No imagery, platform at the back of the temple for fire tower dedicated to

    Mazda, god of Zoroastrian pantheon worshiped by Scythians & Parthian.

    Scythians or Shakya overpowered by Yeu Chi

    Shakya moved into western India and were absorbed by Hindu fold.

    Yeu Chi; the invaders established themselves as Kushana Dynasty.

    KUSHANA DYNASTY

    Greatest KushanaKing, Kanishka ascended the throne in 78 AD

    Kushana Kingdom: up till Sanchi in South, modern Varanasiin East, included

    entire Gandhara region in North west

    Two great foci of empire: City of Purushapura (modern Peshawar) & Mathura

    Favourism of king was sought by both Buddhist & Brahmins

    Mahayana Buddhism with its direct simple approach influenced the King.

    Asvaghosa, a Brahmin convert, persuaded the king to adopt Buddhism.

    Ashoka to Buddhism: Kanishka to Mahayana Buddhism

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    Unending foreign invasions of Greeks, Parthian, Scythians & Kushana

    resulted in trade routes, both land & water up to west.

    At one time borders of Kushana and Roman empire were 600 miles apart.

    Overseas trade route resulted in prosperity of mercantile class.

    Buddhist monks were enjoying the patronage of state and mercantile class.

    Over a period of 100 years, number of richly patterned stucco painted and

    even gilded shrines and monasteries doted the Gandhara countryside.

    MONASTERY OF TAKHT E BAHI

    Impressive, schematically planned.

    50 ft. (15.2 mt.) high elongated boat keel profiled stupa rested on a 20 ft wide

    square platform, set within a 45 ft. (13.7mt.) X 55 ft. ( 16.7 mt.) quadrangle

    along the periphery of which were subsidiary chapels housing the

    Bodhisattvas of Mahayana creed.

    Roofs of cells surrounding chapels: dome derived from the shape of rural

    beehive hut, barrel vault derived from chaitya hall

    Built in stone, roof shapes were achieved by corbelling rather than true

    arching.

    Stone masonry covered with thick layer of lime plaster relieved with stuccodecoration.

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    Central axis of

    stupa court leads to

    familiar monastery

    with series of cells

    around quadrangle.

    In between the

    stupa court & the

    monastery court is

    an open terrace

    adorned with small

    chapels & votivestupas.

    Around the well knit

    plan of the central

    area, other

    haphazardly

    situated ancillary

    structures are

    assembly hall,

    refectory, vestment

    chambers.1. COURT OF STUPA 2. MONASTERIES 3. ASSEMBLY HALL 4. REFRACTORY

    5. VESTMENT CHAMBERS

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    ALI MASJID STUPA

    Better preserved in Khyber Pass, decorative

    scheme of Gandhara stupas.

    Stucco frieze applied to the base of the drum is

    a series of chaitya arches supported onCorinthian pilasters.

    Each niche being filled with a Grecian version

    of the different aspects of the defied Buddha of

    Mahayana.

    Stupa: domical structure transformed to

    elongated vertical structure.

    Traditional white dome: not matching with hilly

    terrain

    Bell shaped stupa stood out against the

    countryside.

    Vertical umbrella (chattra) & harmika at the top

    gradually came to dominate the entire

    composition, often becoming higher than the

    brick & plaster mound.

    Not a very pleasing composition

    BUDDHIST BUILDER ELONGATED

    STUPA IN TO A VERTICAL

    MONUMENT SO THAT IT WOULD

    BE DISTINGUISHABLE FROM THE

    GENTLY ROLLING GANDHARA

    STYLE.

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    May be, builders wanted a taller building.

    PROTOTYPE OF PAGODA

    Passion for verticality culminated in a tower built by

    Kanishka.

    Only ruins of bases are existing.

    A veritable Buddhist wonder of the world

    Shun Yat Sen, a Chinese pilgrim of 6th century

    testifies:

    1. Timber tower , 628 ft (190.7 mt.) high

    2. 13 receding storey

    3. Tower was surmounted by iron pinnacles, adorned

    with copper gilt umbrellas

    4. Rested on massive 285 ft (86 mt.) sq. brick platform

    5. Destroyed by attack of lightening

    6. Before destruction, Chinese pilgrim carried

    descriptions of edifice to their homeland.

    7. Design developed under genius carpenters, familiarpagoda of China

    PLATFORM IN THE GREEK

    TRADITION BECAME THEBASE OVER WHICH

    STUPAS WITH AN

    ELONGATED UMBRELLA

    WERE PLANTED. THIS

    ACCENT ON HEIGHT

    CULMINATED IN THE

    DESIGN OF THE FAMOUS

    CHINESE PAGODAS.

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    MAHAYANA SCHOOL OF MATHURA

    Mathura, centrally situated city of Kushana empire

    Buddhist & Jaina architectural activity

    Indigenous building style, inspired by art of Sanchi & Bharhut Spiritual content of Mauryan School

    Fa Hien, contemporary Chinese pilgrim, saw over a score of monasteries

    inhabited by 300 monks

    A number of stupas & towers

    Unfortunately, demolished by iconoclastic zeal of later invaders

    END OF KUSHANA DYNASTY

    Long & prosperous reign, came to an end in 162 AD after the death of

    Kanishka

    Sons Vanishka & Hanishka remained patrons of Buddhism

    Empire threatened from west by newly rising & powerful Persian Dynasty of

    Sassanians

    Trans Indus region passed under Persian dominance & was cut from

    mainstream history for some time.