digital odyssey 2015 - open collections

93
Creating and Collecting “Open” Cultural Heritage Collections Loren Fantin and Jess Posgate Digital Odyssey 2015

Upload: ourdigitalworld

Post on 15-Aug-2015

109 views

Category:

Technology


1 download

TRANSCRIPT

Creating and Collecting “Open” Cultural Heritage

Collections

Loren Fantin and Jess Posgate

Digital Odyssey 2015

Agenda

Introduction

Best practices for cultural heritage collections

Community collections in action

** Ask questions anytime

** Break at some point

What is Open Data?

An idea.A principle.

“Open means anyone can freely access, use, modify and share for any purpose (subject, at most, to requirements that preserve provenance and openness).”

opendefinition.org

Open Data Portals

Cultural data “exports”

Cultural data “apps”

Creating value

How does open relate to cultural heritage collections? Or… Why does it matter to us?

We manage (create/collect) our collections in a networked environment – it is shared and distributed (“web-scaled”)

“Our role is to be cultural stewards (not cultural hoarders).” [Tweet]

Repurpose, re-use of data

Create once, use many times in different spaces requires:Smart data (structured, linked)

and Data portability (export, crosswalks,

permissions)

Act locally, think globally

Q: How many of you re-use the data from your content management systems in other places/spaces?

Q: Can you easily export data from the systems/spaces yourselves?

“Metadata is a love note to the future”

Christine Orr

Metadata Requirements

• Data you create/capture (descriptive, administrative, structural, technical) needs to be “smart”:– Standard (community, content, etc…)– Shared (exportable)– Extensible (in various data formats)

Locally: Metadata Application Profile

• Data elements to be included• Status of each element:

- Mandatory - Recommended- Optional

Definition of how each element is used or completed, e.g. Media Type:

Metadata Output

Metadata = more options

Source data

Data is “messy”

• Description is very subjective • Social media isn’t helping with “tagging”• Let’s try it…

oAudiooGenealogical

ResourceoImageoNewspaperoPublicationoTextoVideo

oAudiooGenealogical

ResourceoImageoNewspaperoPublicationoTextoVideo

Other Standards & Best Practices

Extensibility goes beyond metadata

• Open formats• Linked data• Platform choices

Data quality & transformation

• Exportable data• Manipulate data• Systemic vs human

• What does it take…?

Consider migration

File formats

CSV vs. XSL

TIFF, JPG vs. Photoshop (PSD)TXT vs. DOCMPEG-4 vs. Quicktime

Hugh’s Postcard (& Photo) Collection: “Bridge at Stoney River”.tif

HCMA_LPC_20100103_00001.tif (<32 characters)

File Naming: Best Practices

Bad file name

Good file name

Unique (Resource Identifier) (URI)

• As part of metadata, need a way to uniquely identify the resource

• Needs to be identifiable outside of the context in which the record was created, as part of the web ecosystem

• Essential component for linked open data

URLs (Semantic aka “Clean”)

“We strongly believe in the URL as interface. It’s nice to be able to read a URL and guess what it might bring back.”

http://collections.vam.ac.uk/information/information_apigettingstarted

Platform (Tools)

• Cloud based or hosted?• Open source or proprietary?• Interactive options for community engagement?• Optimized for web discovery

and devices (semantic web)?• Exportable options?

Good data management

If the data you need still exists,

If you found the data you need,

If you understand the data you found,

If you trust the data you understand,

If you can use the data you trust;

Someone did a good job of data management.Rex Sanders – USGS – Santa Cruz

Public expectations and re-use

“People assume the right to co-opt and redistribute institutional content, not just to look at it. They seek opportunities for creative expression, both self-directed and in response to the media they consume. They want to be respected and responded to because of their unique interests. They crave the chance to be recognized by and connected to sympathetic communities around the world. These shifts will change the way that cultural institutions of all types, from museums to libraries to for-profit ‘experience vendors,’ do business.”

http://www.participatorymuseum.org/imagining/

Copyright

• Determine copyright status of EVERY object – Ownership vs. copyright

• Internal tracking – Track copyright status, copyright owner, donor,

etc. (include as part of the metadata record)

• Copyright statement displayed as part of the record

Copyright

Creative Commons

Citation

Creative Commons

•Creative Commons develops, supports, and stewards legal and technical infrastructure that maximizes digital creativity, sharing, and innovation.

http://creativecommons.org/about

•Assign Creative Commons licenses to indicate to users how they can share, remix, or use objects from the collection in ways that are consistent with the copyright status

http://wiki.creativecommons.org/FAQ

Searching via permissions

Evolving rights framework

Flickr offering Creative Commons licensing since 20041) option of being able to tag an item as being

in the Public Domain 2) CC0 – waive copyright and place in the

public domain

Creative Commons: Choose a license tool

Community collections in practice…

Cultural heritage collections contribute to public memory by building the “community” archive.

Crowdsourcing around those collections invites meaningful community and civic engagement.

A real-life tale

Capturing community collections

• Analog scanning via digitization days

• Web uploads of individual items

• Curating community contributions

Scanning day reveals local ghost

town!

“Community” archives

Photo by David Carson, [email protected]

Capturing community knowledge

• Comments

• Questions

• Crowdsourcing metadata via tools and transcriptions

Comments

Metadata capture from the crowd: form

Augmenting metadata

Transcription

Metadata capture

• Capture as much data as you can at the moment

• Adhere to standards

• Use a template or form

• Enrich the metadata being captured

Terms and permissions

“Standard” permissions

Permissions and Rights

• You need the correct set of rights at moment of contribution

• Have options in your agreement• Either written permission or I agree checkmark• In plain language so contributor understands

what they are agreeing to• Adhere to standards like Creative Commons

Communities/Collaboration/Engagement

Collaboration and Engagement Benefits

• Achieve goals your organization couldn’t achieve on its own

• Engage with the community in new ways• Use the expertise and knowledge of the “crowd”• Improve data – improve the quality, add

additional information, make it searchable• Allow community to engage with the collections

and each other in new ways

Open heritage is…

• Trusting• Participatory • Connections between collections (data) between collections and people between people around our collections• Sustainable

Resources

A Framework of Guidance for Building Good Digital Collections:http://www.niso.org/apps/group_public/download.php/2/framework3.pdf

Normalizing data: OpenRefine.org

File naming: https://dmptool.org/dm_guidance#types

CDL Digital File Format Recommendations: http://www.cdlib.org/gateways/docs/cdl_dffr.pdf