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Digital Photography and Design Spring 2013 Cassie Cowperthwaite Slide 2 Alphabet Photography Slide 3 Triptych Slide 4 Mono with a Splash Slide 5 Elements of Design Lines Shape/Form Space Value Color Texture Slide 6 Lines Slide 7 Slide 8 Slide 9 Shape Slide 10 Slide 11 Slide 12 Space Slide 13 Positive and Negative Space Slide 14 Shallow Space Slide 15 Deep Space Slide 16 Framing Slide 17 Value Slide 18 Slide 19 Slide 20 Slide 21 Color Slide 22 Slide 23 Slide 24 Slide 25 Texture Slide 26 Slide 27 Slide 28 Principles of Design o Repetition/Pattern o Balance o Emphasis o Contrast o Movement o Unity Slide 29 Repetition/Pattern Slide 30 Balance Slide 31 Emphasis/Focal Point Slide 32 Contrast Slide 33 Movement/Rhythm Slide 34 Unity Slide 35 Portrait Slide 36 Slide 37 Slide 38 Slide 39 Snow Day Framing Slide 40 Snow Day Space Slide 41 Snow Day Slide 42 About Ed Paschke Born in Chicago in 1939 Student at Art Institute of Chicago He lived in Chicago most of his life Loved cartoons as a child which influenced him to want to become a painter Father was created and inspired him as well Uses a lot of color and lines in paintings Mostly paints violence Paints for expression and abstraction Slide 43 Ed Paschke Lots of Hue/Saturation Changes Level Changes Brightness Changes Artisitic Filters Posterize Added cheetah print on face Added zebra as background Desaturated Background Changed Opacity Slide 44 Ed Paschke (Additional) Slide 45 Foreshortening Slide 46 Obscuring the image Slide 47 Forced Perspective Slide 48 Surreal Research Surrealism developed after World War I (early 20 th century) and was inspired by the Dada movement. People started rebelling the traditional ways of life and thinking beyond reality. Andre Breton was the founder of Surrealism because he was exposed to the horrors of war. The surrealist movement started in Paris. The most famous surrealists were Salvador Dali, Max Ernst, Rene Magritte, and Joan Miro. Slide 49 Juxtaposition Slide 50 Distortion/Dislocation Slide 51 Disguising Slide 52 Fragmentation Slide 53 Feathering Slide 54 Surreal Collage My surreal collage shows dancers dancing on a rainbow in the sky and me flying almost like a fairy. I used feathering on some of the dancers to blend them into the rainbow and sky more. I also used juxtaposition to blend the wings into the dancer to make it look like shes flying. Dislocation was also applied, and I changed the opacity. Slide 55 Cameo Appearance in a Famous Work of Art I first took a picture of me in a scenery that would fit into the painting (walking through a forest on a beautiful fall day). Then, I used my magic wand to cut out the background. Using the clone stamp, I was able to easily soften the edges of the picture and merge it into the painting. By resizing the image and putting it to scale, I made the photo perfectly blend into the painting. Slide 56 Cameo Appearance in a Movie Scene I used a scene from the movie Charlie St. Cloud and added my dad, my sister, and I riding on a jet ski in the background. To make it seem more realistic, I used the feathering technique, the blur tool, and clone stamp. The masks really helped blend the images together. Slide 57 Impressionist Research Impressionism first started in the 19 th century in France, and is characterized by loose brushwork and light colors. Instead of using carefully painted brush stokes, impressionists used a broken colorbrush technique which changed the way paintings looked. It emerged because people wanting a new way of seeing the world through art. Some famous impressionists were Claude Monet, Pierre- Auguste Renoir, and Edgar Degas. Slide 58 Impressionist Practice Slide 59 Impressionist Photo Slide 60 Op Art is characterized by the use of optical illusions. Optical illusions are characterized by being visually perceived a different way that it is in reality. It started in the 1960s. Op art is derived from the practices of the Bauhaus, a German school. It later moved to the United States. Some optical illusion artists include: M.C. Escher, Bridger Riley, Salvador Dali, and Giuseppe Arcimboldo. Op Art Research Slide Slide 61 Black and White Op Art Slide 62 Color Op Art