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ANGELAKIjournal of the theoretical humanitiesvolume 16 number 4 December 2011
Events that have most confronted me with thelimits of the human in recent years have allinvolved the cataclysmic destruction of built and
living environments along with their human and
non-human inhabitants, by war for sure, but
more often by fire, flood, gale-force winds, and
vibrating earth. Or rather, it has been images of
remnants of that destruction that catch my breath
burnt-out cars huddled together on the side of
what used to be roads leading out of what used to
be Victorian towns; acres of debris peppered by
overturned boats on land where Acehs metropo-
lis once stood; a dog sailing on top of a door along
what used to be a street filled with the sounds of
New Orleans jazz; or a woman holding her head in
despair kneeling in rubble that used to be a
village of Sichuan province. These images are of
traces of belonging, remnants of relations
between people, and between people, land,homes, animals, and other non-human elements.
As the human survivors of these events huddle
together in crooked doorways behind curtains of
rain, or dig together in rubble with bare hands, or
hold on to each other in tears as they watch a
chimney rising from ash, it is not just for loss of
human life that they grieve neighbours,
family, friends, or even strangers made familiar
through daily passing on the road. Also felt is the
loss of the built environment and things thatmade life, family, friends, and strangers possible.
Too often the dominant public response to
such events, in the context of decision making
about funding and managing the recovery, is to
blame something or someone for the loss of
human life whilst favouring technical measures to
prevent or control these events: better warning
systems, sturdier buildings, more stringent guide-
lines for escape. While justified in some situa-
tions of extreme inequity or criminal neglect in
the distribution of resources for dwelling, such
responses to so-called natural disasters overlook
the complex relationship between buildings,
things, community, and politics in dwelling. In
examining that relationship I take as my starting
point Martin Heideggers idea, outlined inBuilding Dwelling Thinking, that the built
environment makes possible the gathering of
dwelling and belonging, just as, conversely,
manners of dwelling give rise to the buildings
and things that nurture those ways of dwelling,
those ways of life. If this intertwining of the
ontological and the concrete actuality of buildings
and dwelling is granted then it is also necessary to
reconsider the politics of dwelling, not just with
regard to how some modes of dwelling arose in
rosalyn diprose
BUILDING AND
BELONGING AMID THEPLIGHT OF DWELLING
ISSN 0969-725X print/ISSN 1469-2899 online/11/040059^14 2011 Taylor & Francishttp://dx.doi.org/10.1080/0969725X.2011.641345
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the path of a fire, flood, or earthquake in the first
place but also with regard to the politics of
assisting the survivors to rebuild their lives along
those paths. And I take it that such assistance is
particularly the responsibility of the more
privileged and wealthy democratic societies suchas Australia, whether for rebuilding in ones own
country or in other less privileged regions.
So-called natural disasters expose the need for
a reconsideration of the limits of the human and
of the politics of rebuilding in their wake because,
from the perspective of twenty-first century
global politics, natural disasters present as neither
purely natural nor purely man-made and,
hence, they compound the contradictions appar-
ent in two dominant ontological images of thehuman. On the one hand, in the face of such
threats our societies have become highly risk-
averse: government responses to incalculable,
unpredictable, but high-consequence threats to
life and security are increasingly framed by what
has been described as the precautionary princi-
ple1 or the paradigm of prudence.2 This
approach to threats to human life and property
assumes an irresponsible, but nevertheless power-
ful, human agent (rather than pure nature orGod) as the ultimate cause of unpredictable but
nevertheless impending disaster, whether in the
form of industrial accidents, terrorist attacks,
or the climate change behind extreme weather
events. Aside from fostering a culture of blame,
the paradigm cultivates an overly cautious
attitude towards the future and justifies govern-
mental countermeasures to unpredictability in
order to ensurea future that is continuous with
the past (Diprose et al. 270). On the other hand,
and conversely, we have had over a century of
anti-humanist philosophy and political theory
that challenges this picture of a human agent with
the power to control its world and that cautions
against the totalising politics that would pre-empt
the future and attempt to control the actions of
citizens as a means of doing so. From these
critiques there have emerged various ideas of the
post-human dispersed non-subject and para-
digms that celebrate diversity and dynamic
transformation in the relation between human
and non-human elements of worlds. While I lean
towards this latter approach, some of these
philosophies of becoming beg the question as to
the basis of responsibility for keeping open
liveable futures as undetermined possibility. In
some post-human paradigms it is not clear who or
what might provide the basis for ethical
approaches to rebuilding and dwelling after thedevastating event.
In re-examining the limits of the human I
propose to open a path between these two
approaches to human agency by revisiting the
role of the built environment and things in what
Heidegger calls the plight of dwelling
(Building 161). The analysis aims for a
notion of dwelling where the human agent is
suitably humble but responsible in the face of the
plight of dwelling, not simply in the sense ofaccountable, but responsible for preserving the
potentiality of dwelling for others. And it aims
for an ethics of rebuilding and recovery that can
deal equally well with (avoiding or repairing in
the wake of) ruin by political forces and ruin by
so-called natural forces. While I begin this
analysis with Heideggers notion of the plight
of dwelling, I turn to Jacques Rancieres and
Hannah Arendts political ontologies, which
better locate the political dimensions of dwellingand what is required to minimise its ruin. Then,
with the help of Merleau-Ponty, I examine the
ethical dimension of rebuilding after ruin either
by totalising politics or by the kind of elemental
forces with which I began. I aim to demonstrate
how the preservation of dwelling is not about
controlling the unpredictable but is a collective
endeavour of dwelling with built and living
environments that leaves space for the unique
and the arbitrary.
Anne Michaels novel The Winter Vault is
woven through my analysis because her story
exposes the political, intimate, and ethical
elements of the plight of dwelling that the
philosophers often understate. In her extraordin-
ary fictional examination of the building of
relations amid preparations for the building of
the Aswan Dam (and the attendant destruction of
the habitats of the dwellers of the Nile basin) and
the interpersonal dimension of the rebuilding of
Warsaw following its destruction during the
Second World War, Michaels points to the
relation between building(s) and belonging and
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the human shattering and preserving of both. She
also points to the role of love, intimacy, and
forgiveness in the ethical enterprise of distribut-
ing resources for dwelling.
In what follows I address three points about
the plight of dwelling and the ethico-politics ofrecovering from ruin. The first is about the role
that buildings and things play in dwelling and
belonging. Second, I address the relationship
between politics and the inequities in the fragility
of dwelling in terms of the distribution of the
sensible and how, alternatively, the politics of
dwelling might be understood in terms of the
expression of uniqueness in political community.
In the third section I speculate on what an ethics
of rebuilding might look like once the material,political, and communal dimensions of dwelling
are taken into account.
on the role of buildings and things indwelling and belonging
No one can take in a building all at once. Its
like when we take a photograph were
looking at only a few things . . . [I]ts those
thousand other details that anchor us far belowwhat we consciously see . . . that gives us the
feeling of familiarity with the mind behind the
building. Sometimes it seems as if the
architect had full knowledge of these thousand
other details in his design, not just the
different kinds of light possible across a
stone facade, or across the floor, or filling
the crevices of an ornament. But as if he knew
how the curtains would blow into the room
through the open window and cause just that
particular shadow, and turn a certain page of acertain book at just that moment of the story,
and that the dimness of the Sunday rain would
compel the woman to rise from the table and
draw the mans face to the warmth of her . . .
As if the architect had anticipated every
minute effect of weather, and of weather on
memory, every combination of atmosphere,
wind and temperature, so that we are drawn to
different parts of the room depending on the
hour of the day, the season, as if [the design]
could. . .create memory! And this embrace of
every possibility, of light, weather, season . . .
is also the awareness of every possibility of
life, the life that is possible in such a building.
And the sudden freedom of this is profound.
Its like falling in love, the feeling that here, at
last here, one can be ones self, and. . . [that]
aspirations, various kinds of desire, . . . moral
goodness and intellectual work are possible.
A complete sense of belonging to a place,to oneself, to another. All this in a building?
Impossible, but also, somehow, true. A
building gives us this, or takes it from us,
a gradual erosion, a forgetting of parts of
ourselves. (Michaels 8385)
Michaels concern with the politicaldimensions
of the plight of dwelling may not be obvious from
this quote. This reflection on the relation between
buildings and belonging is hyperbolically roman-
tic and middle class and it implies a seamlessnessbetween the architects intent, the building, and
the sense of belonging of the inhabitants that the
books narrative goes on to question. Taking
note, then, of the qualifications she puts on the
idea that there is a mind behind the building
that successfully realises its intent (it is as
if. . .), Michaels is pointing towards the crucial
but ordinary role that a building and other things
play in gathering the elements of dwelling and
belonging. This is a dynamic, multidirectionalprocess of habituation and familiarisation that is
not under the control of any master architect.
Heidegger has elaborated some of the complex-
ities of this relation between a building and
dwelling in more abstract terms in Building
Dwelling Thinking. A building is a built
thing, he says, but not simply a thing in the
conventional sense of an unknown X to which
perceptual properties are attached (15253).
Nor is a building, in essence, separate from its
surroundings or its inhabitants. First, to be a
building, a thing of its own kind, a building
must already be gathering in its own way earth
and sky, divinities and mortals (15354). Or to
use Michaels terminology, to be a building, and
this specific house, this thing is already gathering
and redirecting atmosphere, wind, light, wood,
stone, vegetation, as well as the flesh and
sensibilities of its occupants and of those living
beings that it leaves outside. Moreover, and
crucially, a building provides the location or site
for this gathering that is essential to it. Second,
this place that the building provides for gathering
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is inseparable from and a condition of the
dwelling and belonging of its inhabitants. The
building, on Heideggers account, provides an
anchor for the building of, first, the inhabitants
desires, aspirations, perceptions, and memories at
a pre-reflective level, and, when the buildingrecedes through habituation, it provides the
ground for the emergence of more abstract
capacities of measuring, valuing, and thinking
(15455). This is why loss of a building and
things that have participated in the building of
ones dwelling can strike at the core of ones
being. Third, on the question of the mind
behind the building or its design, Heidegger
suggests that a prior manner of dwelling unfolds
into the building that cultivates growing thingsand the building that erects buildings (148). To
make the point more explicitly than Heidegger
does, socio-political and historical context
informs the style, design, location, and every
other dimension of the building of buildings. Yet
there is no single architect, human or non-human,
overseeing this process or determining its
outcome.
Against humanism based on the idea of a self-
present agent in control of its world, Heideggerproposes the notion of human dwelling (or
Dasein) as open (spatially and temporally) and,
therefore, dispersed or unheimlich (uncanny,
in the sense of not-being-at-home).3 Dwelling is a
dynamic happening or event (Ereignis),4 a
double process of bringing to presence and
concealment; an undetermined, open coming
together and dispersal of various elements of
mutual belonging. Hence, homelessness or the
plight of dwelling is not about losing control
over oneself or ones environment. Rather, in the
first instance the plight of dwelling, as
Heidegger understands it, refers to the condition
of ruin, potential or actual, of places of dwelling
(houses, cities). After all, Building Dwelling
Thinking was an address to architects in the
context of a housing crisis in Germany following
the destruction of some of its cities in the Second
World War.5 But Heidegger proposes a more
fundamental plight of dwelling, older than the
world wars with their destruction and explicit
ruin: the plight of dwelling also refers to the
ontological condition of failing to respond to the
call to dwell in an open mutual way in relation to
other elements of dwelling (161). In Heideggers
terminology, dwelling as place and process is one
step away from ruin if we ignore the funda-
mental character of dwelling [that is] . . .sparing
and preserving (149), where preserving means tofree something from harm and danger and
sparing means to set something free into its own
presencing (150). The preconditions of explicit
destruction of places of dwelling seems to be
inequitable or totalising socio-political conditions
where modes of dwelling are predetermined and/
or only some things and beings come to presence.
While Heidegger is clearly aware of the
historicity of the dwelling that informs the
building of buildings, he tends to avoid itspolitical complexity in choosing ancient exam-
ples (temples, bridges, and stone houses of the
Black Forest) the socio-political preconditions of
which are out of reach. Without assuming that all
such preconditions of ruin could be itemised,
Michaels, on the other hand, does emphasise the
historical, class, and cultural specificity of this
dwelling that informs the building of buildings
and the belonging that it nurtures (or not). The
building of Michaels quote is a middle-classhome, specific to the building of the intimate
relation between Avery and Jean in 1960s
Canada. The apparent a-political ordinariness of
that dwelling is gradually eroded in the surround-
ing pages with Jean and Averys growing
awareness of the differences in dwelling and
building among the Nubian inhabitants of the
Nile basin in comparison with their own. In this
other place Avery is an engineer on the famous
and controversial project of disassembling and
reassembling the temple of Abu Simbel to make
way for the building of the Aswan Dam.
Contrary to first impressions, even in their
home in Canada the relation between the building
and that which it gathers is not seamless no
aspect of the relation between a building and
dwelling is thoroughly predetermined or without
its cracks and no particular element, including
the building and its designer, gets the final say in
the how of dwelling. The light and wind have
some say in how a building works, as do the book
and other things that the building contains, as
well as its human inhabitants in the way they
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perceive and live through the elements that are
gathered and arranged there. Moreover, dwelling
itself, as place and process, is fragile: as Michaels
puts it, building gives us this [sense of
belonging], or takes it from us, a gradual erosion,
a forgetting of parts of ourselves (85). This playof belonging and its undoing, memory and
forgetting is necessary to preserve dwelling as
an opening to other possibilities. Dwelling is an
event that nurtures belonging but with fleeting
and unique dimensions. On the other hand,
relations between domestic dwelling and the
surrounding environment, including material
and socio-political elements, can bring dwelling
undone. Indeed, like Heidegger, Michaels is
hinting at another fragility in the relationsbetween buildings and dwelling to do with the
threat of ruin in the context of Averys
involvement with the building of the Aswan
Dam. I will draw out this political dimension and
the attendant ruin of dwelling with some
assistance from Jacques Ranciere and Hannah
Arendt. Their work, while indebted to some
extent to Heideggers notion of dwelling, in
different ways renders the political dimension of
the plight of dwelling more explicit.
on the political and the distribution ofthe sensible
While less concerned with the role of buildings
and things in dwelling, Rancieres work on the
distribution of the sensible is helpful for
bringing into focus the political dimension of
dwelling. As with the phenomenological tradi-
tion, by sensible Ranciere means both sense
data and the sense we make of it. By dis-
tribution of the sensible he means the way in
which the demarcation of space, time, and
meaning by a myriad of human activities informs
perception and so delimits forms of thinking,
doing, being, making, and communicating that
are common to a community.6 The way the
sensible is distributed delimits what can be seen,
heard, and said, and, I would add, what can be
felt and how. Ranciere thus makes explicit what
Heidegger only hints at that the building of
buildings as well as the habituation that proceeds
from dwelling in and around those buildings is
thoroughly saturated with the social and political
context. His main point, however, is stronger: the
dominant way in which the sensible is distributed
in Western societies is by what he calls the
police order (Dissensus 3637), a system of
laws, norms and regulative processes that cate-gorises in terms of properties, function, and
location and that thereby distributes the sensible
inequitably, that is, in ways that divide commu-
nities by the formation of hierarchies and
exclusions (92). Politics proper, as Ranciere
defines it, consists in disrupting the police
order, thus opening community or the space of
appearance for people and their activities that
would otherwise be unseen, uncounted, excluded,
or disadvantaged (37).Ranciere ties his idea of politics to aesthetics in
a way that is partly reminiscent of Heideggers
idea of poesis as an antidote to the plight of
dwelling. Heidegger suggests that the event of
dwelling is allowed (rather than ruined) if we
think dwelling in terms of a double process of
gathering, if we build out of dwelling and think
for the sake of dwelling (Building 161). That
is, humans dwell poetically if they are
responding to the call of dwelling responsibly,by which he seems to mean allowing other
elements with which one dwells to come to
presence in their own unique ways. For Ranciere,
resistance to, or overturning of, the police
order requires more active intervention. Politics
is most effective when it emerges not from the
poetic use of language to reopen the meaning of
being but from the activities of the unheard and
unseen, from the people excluded (or
uncounted) by that order, what Ranciere
refers to as the part of those who have no
part (Dissensus 92). This subjectivization of
the excluded, their emergence into the visible and
audible, necessarily disrupts and transforms the
distribution of the sensible and hence the mean-
ing and ways of dwelling. Actual artistic
practices, including literature, participate in this
aesthetic politics if they intervene in the general
distribution of ways of doing and making as well
as in the relationships they maintain to modes of
being and forms of visibility (Ranciere,
Politics 13). The significance of Rancieres
account of aesthetic politics for my analysis is
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that it points to the necessity of promoting the
agency (or subjectivization) of the displaced
and disadvantaged in any ethics of rebuilding
amid the plight of dwelling.
On the other hand, recovery from ruin is also
the responsibility of the privileged it requiresmaterial support and that the privileged are
dislodged from our habitual ways of dwelling that
either escape or perpetuate the plight of dwelling
experienced by others. So, while not art in either
Rancieres or Heideggers sense,7 the media
images with which I began may do the work of
aesthetic politics in drawing this audience, sitting
safely in lounge rooms, into the plight of
dwelling. They may expose the way that
middle-class Australians, in pursuing a lessurbanised lifestyle, may unwittingly build in
disregard of the uncontrollable forces of earth,
wind, and fire and so accentuate that unpredict-
ability. Or, in support of Rancieres thesis, these
images may also reveal the inequities in the
relation between buildings and dwelling in the
distribution of the sensible. Images of the
destruction of buildings and lives in New
Orleans by hurricane Katrina in 2005 exposed
how much more vulnerable the economicallydisadvantaged African-American residents are
because of the location of their dwellings on
low-lying and, therefore, relatively inexpensive
land. Images of the destruction wrought by the
Indian Ocean tsunamis on 26 December 2004
revealed to the world how local peoples of
Indonesia and Thailand have been displaced
into shanties on the ocean fringes by a tourist
economy. By rendering visible the plight of
dwelling of the invisible and uncounted, these
images may effect a redistribution of the sensible
among the unharmed by exposing the complicity
of privileged peoples in perpetuating the inequi-
ties in dwelling. Such publicity may thereby also
prompt new ways of perceiving, and different,
more equitable and environmentally hospitable
ways of dwelling. This would open an ethics of
recovery that I sketch below, providing that such
media exposure does not reduce the plight of
dwelling to an occasion for the entertainment of a
passive viewing audience.8
The reader of Michaels The Winter Vault is
similarly exposed, not just to the class inequities
between Avery and Jeans dwelling as they build
their lives together in their home in Canada and
those of their Nubian neighbours during their
visits to the site of the Aswan High Dam, but also
to the impact of one on the other. Averys love of
the materials and the physics of building andJeans love of the botanical, while consistent with
a poetics of dwelling with built and living
environments, only serve to heighten their
complicity in the destruction of Nubian habitats
that is to come. While the novel bypasses explicit
display of the impact of the building of the Aswan
Dam on the botanical environment and the
impact of the displacement of tens of thousands
of Nubians on their lives, impending ruin is
palpable and, unlike with Heideggers examples,we do learn something of the politics of the pre-
history of the building of the temple of Abu
Simbel on its safer site. We also get to witness the
ruin of Avery and Jeans relationship through the
experience, a ruin symbolised by Jeans mis-
carriage prior to leaving the Nubian women who
had cared for her during her pregnancy. This ruin
of dwelling is symbolic of the consequences of
ignoring ones responsibility for the plight of
dwelling experienced by others.The relationship between domesticity and
birth (or its failure), on the one hand, and the
wider politics of dwelling and ruin, on the other,
which Michaels explores in her novel, is partly
captured by Hannah Arendts political ontology
based on the disclosure of natality. Natality
refers to the way that the fact of birth, our own
and that of others, signifies a new beginning, or
uniqueness and innovation, the welcome and
expression of which, for Arendt, is critical for
maintaining both democratic community and
human dwelling open to futurity (Arendt,
Human 89 and chapter v). This is what is at
stake in the preservation of dwelling in both the
ontological and concrete senses: human dwelling
as devoted to disclosure of the new or the
preservation of the world for . . . the constant
influx of newcomers who are born into the world
as strangers (9). This idea of political commu-
nity brings into focus the ambiguous role of
home in the politics of dwelling as well as the
role of community, including intimate relations,
memory, and things, in rebuilding life after ruin.
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First, on the ambiguous role of the home in
dwelling, Arendt connects the politics of dwelling
to the preservation of the dynamism of a
particular form of life not domestic life, but
political life (bios) that characterises actors open
to potentiality in the public sphere. Her idea ofpolitical life implies an appropriately modest
notion of human agency where, in dwelling,
human existence neither controls nor is deter-
mined by its world. Together, the life and
dwelling of those who come before us provide
the social, material, and meaningful world in
which we appear. This conditions our existence as
well as our values and perceptions. At the same
time, through and as expressions of natality, we
prevent both biological and political determinismand alter those conditions. Dwelling as bios is
characterised by historicity, innovation, and
unpredictable transformation of ways of life.
Arendts analysis points to the politicisation of
definitions of both life and innovation, a point
developed within the biopolitics of Michel
Foucault. She follows Aristotle (and most
political theory up to the 1970s) in distinguishing
biosfrom biological life (zoe) that is characteristic
of subjected and determined life in the home.While critical of subjection in the private sphere,
Arendt, problematically, tends to leave these
orders in place. Her reasons for doing so,
however, are crucial for understanding the
ambiguous role of the home in politics.
What concerns Arendt is the threat to the
dynamism and pluralism of dwelling of totali-
tarian or deterministic politics, which she
astutely observes arises as much from a science
of process, biologism, and belief in laws of nature
as from blatant authoritarian rule.9 Hence, for
her, in so far as human existence is reduced tozoe
in the private sphere then it should be quar-
antined from the political sphere. But as
biopolitical analysis has shown since Arendt,
this is precisely what modern liberal politics
tends to do make biological life the target of
political regulation. Or, as Krzysztof Ziarek
suggests in his incisive Heideggerian analysis of
the limits of life in this special issue, what
biopolitical analysis traces is the ways in which
power becomes deployed [. . .] in positing life,
especially human life, as technic and thus
available to manipulation (Ziarek, this issue
21). Biopolitical analysis also traces the apparent
converse, the way political power attempts to
regulate the unpredictable aspect of biological life
to ensure its uniformity and security across a
population. As human existence partakes of zoe
as much as ofbios, expressions of natality are just
as rife in the home as in public life. At one level
Arendt is clearly aware of this connection
between political and domestic life, given her
central claim that the disclosure of natality in
political community is a second-order significa-
tion of the fact of ones first-order birth (Human
176). As I have discussed elsewhere, the connec-
tion between these two orders of life explains why
governments, intent on containing uncertaintyand unpredictability in the public domain,
particularly in times of heightened insecurity
and in the wake of natural disasters, tend to focus
on controlling human reproduction, risk, and life
in the home (Diprose, Womens Bodies). This
can be totalising and problematic in ways I will
get to later in this essay.
While Arendt is therefore justified in her
caution about characterising ideal political life in
terms of private life, she is wrong to assume thatdomestic dwelling is equivalent to the cyclic
reproduction of biological life without the
innovation and conditioned freedom character-
istic of political life. The connection Arendt
makes between the two orders suggests instead
that the dynamism and plurality of dwelling that
is characteristic of political life is also true of
intimate relations. This brings me to the second
insight of Arendts account of dwelling that is
pertinent to my analysis: the conditional freedom
characteristic of human agency is historical and
relies on community and, I will argue, on a kind
of love characteristic of intimate relations.
Arendts idea of natality draws attention to the
historicity of the event of agency. She argues that
the insertion of man into a world through
thinking as judgment consists in opening the
path paved by thinking, by remembrance and
anticipation [, which] save[s] whatever they touch
from the ruin of historical and biographical time
(Life 20213; Between 13). That is, human
dwelling is historical, futural and open to
potentiality. Conversely, this gap between the
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past and an undetermined future is foreclosed in
totalising, risk-averse government where, for
example, ways of dwelling are governed by
tradition or curtailed by social paradigms that
emphasise process and that view progress as
uninterrupted movement towards a predeter-mined future. In contrast to such heavy-handed
government of dwelling, what supports innova-
tion, pluralism, and the dynamism of dwelling is
the public space of political community founded
by and devoted to the expression and preserva-
tion of natality, that is, dwelling as futural, plural,
and undetermined. This is one of the more
significant contributions of Arendt to an account
of the politics of dwelling. While for Heidegger
the realisation that death cannot be sharedindividualises human being (by exposing one to
the singularity of ones own becoming, being-
toward-death makes one responsible for ones
own potentiality for existence), for Arendt
expressions of natality found the togetherness of
community, where disclosure and preservation of
others uniqueness in dwelling takes priority.
This political community is based not on mutual
recognition of sameness, or shared vulnerability,
or on hierarchies or exclusions. Rather, actionwithin political community actualises natality by
disclosing the actor as beginning something new;
speech actualises plurality by disclosing the
speaker as an inaccessible, dynamic who
rather than a knowable what (Arendt, Human
17879). Hence, for Arendt the preservation of
dwelling, rebuilding an equitable distribution of
the sensible after ruin, lies in collective and
public action and debate, rather than poesis
or art.
As I have suggested, and in contrast to Arendt,
the preservation of dwelling open to potentiality
is also characteristic of relations in the home. Just
as the home and biological life can become the
focus for totalising and conservative government
in times of political insecurity or following
natural disasters, it can also become the fulcrum
for the re-emergence of political community
against political ruin or, put less dramatically,
against political conservatism and top-down
government of everyday life. Building such an
account of dwelling at the border between
domestic and political life can help account for
the role of things, buildings, and intimate
relations in dwelling and especially what kind of
ethics of rebuilding after ruin follows from this
political ontology.
role of things, community and inter-
corporeality in rebuilding after ruin
Again, Michaels The Winter Vault is insightful
here. In the second half of the novel there is an
exploration of the impact of the destruction of
buildings of a different kind to the disassembling
of Abu Simbel. After temporarily separating from
Avery while dealing with her grief, Jean develops
a relationship back in Canada with Lucjan, a
Polish Jew who avoided internment in Nazicamps and survived the destruction of Warsaw
towards the end of the Second World War. As
with Avery, Jeans dwelling with Lucjans is built
on physical intimacy and the sharing of mem-
ories. His memories of living in the ruins of
Warsaw give some sense of the impact that the
loss of ones habitat must have on ones sense of
belonging as potentiality. Lucjans life amid the
rubble of Warsaw is of bare survival, fear,
mistrust, and isolation. Significantly, he cannotbear physical intimacy with Jean at the same time
as he expresses these memories. He will not be
comforted by her touch. He can only mourn the
loss of his built and living environment through
the touch and intimacy of Ewa, who, as a Polish
refugee, shares his history and with whom he is
entangled, not in love or a similar
arrangement its more like . . . a disaster at
sea (32324).
These images suggest that more is needed to
better understand the impact of the destruction of
the built and living environment on its inhabi-
tants. The novel also asks what collective
practices might allow the emergence of what
Merleau-Ponty calls the event within dwell-
ing.10 Rebuilding buildings and with this rebuild-
ing ways of dwelling require buildings and things,
love and forgiveness in community, understood
in Arendtian terms as the welcome and expres-
sion of natality or, as refined by Jean-Luc Nancy,
the sharing of singularity.
An actual event following a natural disaster
rather than destruction through war, an event
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that I call the teacup event, helps to
demonstrate these points. In March 2009, in the
weeks following the bushfires that devastated
parts of Victoria, killing 173 people, destroying
2,000 homes, and displacing 7,500 others,
Sallyanne Craig set up a comforting cup of tea
project.11 She called for donations of vintage,
old but loved, teacups, saucers and mugs. Four
hundred of these were distributed to survivors of
the fires via the various relief centres in the
region. Crucially, the teacups were not forced
upon survivors or thrown among piles of second-
hand gear. Each cup was placed on a bed of pale
blue tissue in a purpose-cut gift box alongside a
packet of Twinings tea given by that company.
The sign above them read: Please take theteacup that you love, thank you. The teacups
became one of the most sought-after items, after
food and shelter, among the survivors. Two brief
responses to the gesture, posted on the project
website, may indicate why:
Thank you for my beautiful teacup. I had
thought of my two special ones I had lost, but
now this one is as special. (Text message, Mel
Giovanetti, Buxton)
My teacup is just like a little piece of heaven.
Until I saw it I didnt realise how much I
needed something beautiful of my own again,
thank you. (Flowerdale survivor)
One way to understand the role of things in
rebuilding dwelling is with reference to Actor
Network Theorys (ANT) account of non-human
life and things. According to Bruno Latour, ANT
redefines agency, extends agency to non-humans,
and refigures the humannon-human relation in
terms of a network rather than a hierarchy with
human agents on top (Latour 10, 244). On this
account, the teacup is less a thing that humans
use than an agent that enrols heterogeneous
elements from the textual to the technical, the
human to the non-human in an assemblage
(agencement or actant) (Anderson and Braun
xii, xv). The agency afforded the thing, device, or
building through this idea of assemblage/agence-
ment is not too ambitious. ANT ontology
debunks the idea of agency as the exclusive
province of human will or conscious
intentionality and positions the thing as one of
many elements of an assemblage that cause
effects. The thing is an agent only in the sense
that it makes a difference: it can generate [. . .]
transformations manifested by the many unex-
pected events triggered in the other elements(Latour 106). Things and environmental elements
generate transformations not according to some
causal law of nature but only by virtue of a
dynamic assemblage of heterogeneous human and
non-human elements and they do so in unpre-
dictable ways.
The emphasis here is also on the event as
Latour understands it: how these networks of
post-human becoming open new paths for
thinking and living. This ontology, likeArendts, also emphasises the collective aspect
of perception, thinking, and living in a world:
human agency and thought are decentred such
that the social can be reassembled through a
network or collective practice that gives non-
humans a central role in dwelling. Giving non-
human elements credit for forcing open new
paths for dwelling is to be welcomed. But
levelling out human agency as equivalent to
that of many other multifarious elements in anassemblage that generates the event also risks
shifting responsibility away from humans for the
future of the planet. Moreover, the worlds of
significance that are transformed through assem-
blages are also worlds of value these are ethical
worlds. It is human activity, thought, perception
and agency (albeit in different forms to how these
are conventionally understood) that render the
world ethical. Hence it is up to human elements
of assemblages to keep the world open for ethics.
The event matters for ethical and political
reasons. On Arendts account the event of
dwelling consists in opening a gap in what may
otherwise be a continuity between past and
future. It therefore consists in the interruption
of determinism that would predetermine the
future of all the elements of an assemblage,
including the human. Raising these ontological
issues is not to return to naive humanism or to a
notion of a causal human agent in control of its
world. Rather, it is to acknowledge that, just as
things can make a difference to pathways of
human dwelling, humans can refuse to be moved
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by the thing. At the core of such refusal are
habitual perceptions and sedimented distribu-
tions of the sensible. Considering the ethico-
political dimensions of the event and the role
of human dwelling in it puts the onus back on the
human-perceptual elements of assemblages toremain responsive to, and do the right thing
by, things, non-human life, and other humans.
This involves better understanding how the
teacup could preserve dwelling and reopen a
ruined world to the expression of uniqueness and
potentiality and, hence, an undetermined future.
Arguably, the teacup project worked in the
aftermath of the Victorian bushfires because the
teacup came with (anonymous) love and, while it
gathered around it the beginnings of community,it insisted on the historicity, multiplicity, and
specificity of the event the recipient of the gift
chose which teacup touched their memory,
their history, in opening their future.
This brings me to Merleau-Pontys version of
the historicity of the event of dwelling. The main
advantage of his analysis over Arendts account of
natality is that Merleau-Ponty does not make a
distinction between biological life (zoe) and
political life (bios) nor, therefore, does heprivilege any particular form of life in dwelling.
He thereby gives things and buildings a more
central place in dwelling and belonging. At the
same time, unlike Heidegger, Merleau-Pontys
account of dwelling, like Arendts, emphasises
the necessity of community to the preservation of
the plurality and potentiality of dwelling or to
what he would call, for example, the diver-
gence of flesh.
For Merleau-Ponty, there is no obvious
distinction between biological and political life
because at the centre of the hiatus of meaning,
human and non-human life, and built environ-
ments, is the human body entwined with a world.
In experience or dwelling a body is at the point
of contact between the outside and the one who
is called to live it (Merleau-Ponty, Institution
206). Hence, dwelling is a non-decisionary
project where I am inspired and overcome
by the thickness of the sensible, which includes
elements of the built environment (Merleau-
Ponty, Institution 56). In this project of
dwelling, the body is neither free nor determined
in relation to the outside that calls it to live.
This is because there is fundamental ambiguity to
existence, a double belongingness: the body
sensed and the body sentient are two phases
of flesh, and between the world and my body
there is reciprocal insertion and intertwining ofone in the other (Merleau-Ponty, The Visible
13738). Hence, as perception or experience is a
feeling that is felt, a seeing that is seen (Merleau-
Ponty, Eye and Mind 16263), then my
activity is equally passivity (Merleau-Ponty,The
Visible 139). With this notion of flesh, Merleau-
Ponty provides the means for explaining how we
become invested in things and buildings.
Aside from the central role given the body, the
other key feature of Merleau-Pontys notion ofdwelling is that it is a collective project
characterised by the divergence of flesh. That
is, in the intertwining of flesh, dwelling is open to
the new and to the transformation of meaning and
being. One way Merleau-Ponty describes the
event of dwelling, or the break with determin-
ism that opens a gap between past and future, is
by characterising complexes of humannon-
human life as simultaneously instituted and
instituting (Institution 815). Indeed, everylevel of existence, the animal, the biological,
the interpersonal, carries, from the time of our
birth, an element of existence already insti-
tuted, where institution refers to those
events in experience which endow it with durable
dimensions such that I will tend to perceive and
respond to my world in a similar way to how I
have before (77). On the other hand, sedimenta-
tion is not just meaning surviving as a residue in
an activity that repeats the past or that duplicates
a social convention or police order. Memory is
not consciousness recalling a representation of
the past from the recesses of ones mind (193).
Institution is intercorporeal, lived, and dynamic
in that it also involves beginning something new,
initiating, innovation, divergence in relation to a
norm of sense, difference [. . .] deformation,
which is proper to institution (11). In other
words, institution itself, being exposed to . . .
or receptivity to elements and significances,
initiates the present and simultaneously opens
a future (89). This institution-instituting
aspect of the thickness, intertwining, and
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divergence of bodily being is where new paths for
thinking and living arise. Memory is in the teacup
intertwined with a body that has a history of
intertwining with other teacups. The survivors
experience of the teacup is an event, instituted-
instituting, sparked by a gift of others; this is
dwelling reaching for a past, but remaking
deposited significances and, thus, opening
dwelling towards a future.
Both this spirit of community and the event of
dwelling were minimised in the rebuilding of
both Abu Simbel and Warsaw, at least in
Michaels fictional presentation, thus demonstrat-
ing how top-down regulation of rebuilding can go
astray. First, those who dwelt with their earlier
manifestations did not have a say or a role in therebuilding of either Abu Simbel or Warsaw
building was a top-down process rather than a
collective endeavour. Second, the city and temple
were rebuilt as exact replicas using the same
material salvaged from their destruction. This
attempt at mimesis was meant to comfort the
survivors, but the temple was probably soulless
once it was reassembled in its new position away
from the Nubian people. Lucjans initial experi-
ence of his replicated built environment wasdisorientating and humiliating:
Walking for the first time into the replica of
the Old Town, said Lucjan, the rebuilt market
square it was humiliating. Your delirium
made you ashamed you knew it was a trick, a
brainwashing, and yet you wanted it so badly.
Memory was salivating through your brain.
The hunger it tried to satisfy . . . everything
was just the same the same signs for shops,
the same stonework and archways [. . .
] It wasa brutality, a mockery at first completely
sickening, as if time could be turned back, as
if even the truth of our misery could be taken
away from us. And yet, the more you walked,
the more your feelings changed, the nausea
gradually diminished and you began to
remember more and more [. . .] I remember
thinking that if we didnt all clear out, the
ghosts wouldnt come back, and who is this all
for if not for the ghosts? (Michaels 30910)
Conversely, the idea that dwelling, as an inter-
corporeal opening of a future, is a collective
enterprise provides the basis for an ethico-politics
of dwelling. There are at least two indications in
Merleau-Pontys later work of an ethics consistent
with Arendts political ontology. This is an ethics
that compels (urges rather than forces) human
existence to preserve the world for the expression
of dwelling as multiple, unique, and open topotentiality. The first indication is the emphasis
he places on affective responsiveness to what one
is exposed to . . . in the opening of the event.
There is a kind of compulsion towards the other
person or thing inspired by this exposure, an
affective compulsion that also drives the resulting
divergence or deformation of meaning, the
sensitization of an image that opens a
future (Merleau-Ponty, Institution 1819).
Second, in a move that foreshadows EmmanuelLevinass ethics, Merleau-Ponty suggests that this
responsiveness to the dynamic multiplicity one is
exposed to makes one responsible for the
other(120).
This point arises in the context of Merleau-
Pontys criticism of notions of agency that
assume that the self is exclusively active and
dominating (absolute individuality) or exclu-
sively passive and determined in relation to
others and the world. In contrast to the freeagency of absolute individualism, Merleau-
Pontys ontology insists that I accompany the
other always in the fundamental intertwining of
self and world. And, rather than indifference
towards the plight of others implied in a
distancing and respect for the freedom of
the other [which] is non-intervention of others in
me, . . . it would be necessary to take responsi-
bility for the other, not as infirm or impotent, but
without rejecting from the other everything that
one thinks (120). An ethics based on taking
responsibility for other[s] . . . without rejecting
everything one thinks provides no prescription
about what sorts of buildings, things, or ways of
living would be good or bad for humanity as
a whole. Nor could such a position be taken in
any absolute way without remaining blind to the
multiplicity of becomings that make up assem-
blages and without imposing ones values or what
one thinks on the ways of living of those with
whom one dwells. What this ethics does warn
against is precisely that forcing ones convic-
tions, oneself and how one dwells on others,
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human or non-human. On the other hand, and
more positively, this ethics compels us to take up
the call of dwelling, the invitation to dwell with
others and things in such a way that attempts to
keep all existence open to an undetermined
future. Perhaps most importantly, taking respon-sibility for others and a world without rejecting
everything one thinks implies a commitment to
dynamic collectivity in dwelling. Central to
collective existence that keeps open an
undetermined future is a dialogical practice
(central to public and personal institution) that
heeds the uniqueness of others (human and
non-human) without giving up everything that
one thinks.
In social-service-oriented democracies such asAustralia, where building and planning regula-
tions tend to prevent the kind of blatant inequity
of impact of natural disasters that characterised
the Indian Ocean tsunamis, we can afford to
reflect on the importance of community-based
decision making and participation in rebuilding
after ruin. In assisting others rebuild their lives in
the wake of events such as those with which I
began requires forgiveness rather than finding
someone to blame. Sure, some public account-ability is necessary to improve the equitable
distribution of the sensible or to redress any
criminal conduct contributing to destruction. But
this will not bring dwelling back from ruin or
prevent it down the line. Arendt explains why
forgiveness is necessary in the wake of hurt and
damage done by unpredictable events. The
disclosure of natality (the innovation arising)
through action makes the consequences of actions,
that is, the future, unpredictable; the remedy for
this uncertainty and unpredictability is forgive-
ness when something goes wrong (Human 236
37). Unintended and unpredictable consequences
of prior actions is even more characteristic of so-
called natural disasters. Some of the submissions
to the 2009 Royal Commission into the Victorian
fires ran counter to what I am suggesting is a
crucial aspect of an ethics of rebuilding.12 For
instance, a panel of six urban planners recom-
mended not allowing residents to rebuild in some
areas because the risk of bushfires is too high
(Gray). As if with this kind of risk aversion human
existence might be able to control or outrun the
dangers that the elements throw at us. In contrast,
the Victorian Bushfire Reconstruction and
Recovery Authority (VBRRA), which initially
oversaw the rebuilding effort, was much more
focused on small-scale community-initiated
rebuilding projects.13 In sum, the preservation of
dwelling in rebuilding lives after
ruin requires giving time, com-
passion, and material support for
dwelling rather than blame and
more top-down regulation of risk.
notes
1 Francois Ewald is credited with identifying and
describing the emergence of this principle in, forexample, The Return of Descartes Malicious
Demon.
2 For a comprehensive account of risk aversion
described in these terms see Diprose et al.
3 For his detailed account of the unheimlich fea-
ture of human existence, see Heidegger,Being and
Time, section 40, especially 233.
4 Heidegger discusses Ereignis (event) in these
terms in, for example,OnTime and Being41, 53.
5 I am grateful to Jeffrey Malpas for bringing to my
attention the immediate political context of
Heideggers address. For Malpass own discussion
of Heideggers idea of dwelling, especially in terms
of place and belonging, see HeideggersTypology.
6 Rancie' re gives a comprehensive account of
what he means by distribution of the sensible in
The Politics of Aesthetics12^19, 42^ 45.
7 Media images of the impact of natural disasters
are not art in so far as they conform to, ratherthan intervene into, the ways of doing and
making, thetechne, that governs the production
of images in photojournalism.
8 I thank Magdalena Zolkos for noting the ever-
present danger of turning catastrophe into a
media event and the distancing that this effects. I
found this and other comments she made on a
draft of this paper very helpful in revising.While I
dont have space to deal with this specific danger
here, I do return to discuss, in the third section of
the paper, the more general issue of what
Merleau-Ponty calls the ambiguity of existence,
including the activity and passivity of every
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encounter and the ethics that this ambiguity
implies.
9 For example, Arendt defines totalitarian gov-
ernment as that which seeks to make mankind
itself the embodiment of law, where law is under-
stood to flow from Nature or History rather
than imposed by force; in Arendt, Origins of
Totalitarianism460^62.
10 Merleau-Ponty refers to subjectivity as
event in, for example, his lectures on insti-
tution, which I will be drawing from in this discus-
sion: e.g., Merleau-Ponty, Institution and Passivity 6. I
discuss what he means by event later in this sec-
tion. As well see, his use of the term differs a little
from Heideggers notion of event.
11 The Comforting Cup of Tea Project had a
website that described the event I am referring
to. Sallyanne Craigs description has since been
preserved under the title A Comforting Cup of
Tea at another website calledHandmade Help.
12 The four-volume Report plus Summary of the
2009 Victorian Bushfires Royal Commission (and
the transcripts of hearings) can be accessed
online at a website of that title.
13 The VBRRA was in operation for a two-year
period until 30 June 2011. Its philosophy and activ-
ities are outlined and archived online at the
Victorian Government website under About the
Victorian Bushfire Reconstruction and Recovery
Authority.
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Rosalyn Diprose
School of History and Philosophy
University of New South Wales
Sydney, NSW 2053Australia
E-mail: [email protected]
building and belonging