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    ANGELAKIjournal of the theoretical humanitiesvolume 16 number 4 December 2011

    Events that have most confronted me with thelimits of the human in recent years have allinvolved the cataclysmic destruction of built and

    living environments along with their human and

    non-human inhabitants, by war for sure, but

    more often by fire, flood, gale-force winds, and

    vibrating earth. Or rather, it has been images of

    remnants of that destruction that catch my breath

    burnt-out cars huddled together on the side of

    what used to be roads leading out of what used to

    be Victorian towns; acres of debris peppered by

    overturned boats on land where Acehs metropo-

    lis once stood; a dog sailing on top of a door along

    what used to be a street filled with the sounds of

    New Orleans jazz; or a woman holding her head in

    despair kneeling in rubble that used to be a

    village of Sichuan province. These images are of

    traces of belonging, remnants of relations

    between people, and between people, land,homes, animals, and other non-human elements.

    As the human survivors of these events huddle

    together in crooked doorways behind curtains of

    rain, or dig together in rubble with bare hands, or

    hold on to each other in tears as they watch a

    chimney rising from ash, it is not just for loss of

    human life that they grieve neighbours,

    family, friends, or even strangers made familiar

    through daily passing on the road. Also felt is the

    loss of the built environment and things thatmade life, family, friends, and strangers possible.

    Too often the dominant public response to

    such events, in the context of decision making

    about funding and managing the recovery, is to

    blame something or someone for the loss of

    human life whilst favouring technical measures to

    prevent or control these events: better warning

    systems, sturdier buildings, more stringent guide-

    lines for escape. While justified in some situa-

    tions of extreme inequity or criminal neglect in

    the distribution of resources for dwelling, such

    responses to so-called natural disasters overlook

    the complex relationship between buildings,

    things, community, and politics in dwelling. In

    examining that relationship I take as my starting

    point Martin Heideggers idea, outlined inBuilding Dwelling Thinking, that the built

    environment makes possible the gathering of

    dwelling and belonging, just as, conversely,

    manners of dwelling give rise to the buildings

    and things that nurture those ways of dwelling,

    those ways of life. If this intertwining of the

    ontological and the concrete actuality of buildings

    and dwelling is granted then it is also necessary to

    reconsider the politics of dwelling, not just with

    regard to how some modes of dwelling arose in

    rosalyn diprose

    BUILDING AND

    BELONGING AMID THEPLIGHT OF DWELLING

    ISSN 0969-725X print/ISSN 1469-2899 online/11/040059^14 2011 Taylor & Francishttp://dx.doi.org/10.1080/0969725X.2011.641345

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    the path of a fire, flood, or earthquake in the first

    place but also with regard to the politics of

    assisting the survivors to rebuild their lives along

    those paths. And I take it that such assistance is

    particularly the responsibility of the more

    privileged and wealthy democratic societies suchas Australia, whether for rebuilding in ones own

    country or in other less privileged regions.

    So-called natural disasters expose the need for

    a reconsideration of the limits of the human and

    of the politics of rebuilding in their wake because,

    from the perspective of twenty-first century

    global politics, natural disasters present as neither

    purely natural nor purely man-made and,

    hence, they compound the contradictions appar-

    ent in two dominant ontological images of thehuman. On the one hand, in the face of such

    threats our societies have become highly risk-

    averse: government responses to incalculable,

    unpredictable, but high-consequence threats to

    life and security are increasingly framed by what

    has been described as the precautionary princi-

    ple1 or the paradigm of prudence.2 This

    approach to threats to human life and property

    assumes an irresponsible, but nevertheless power-

    ful, human agent (rather than pure nature orGod) as the ultimate cause of unpredictable but

    nevertheless impending disaster, whether in the

    form of industrial accidents, terrorist attacks,

    or the climate change behind extreme weather

    events. Aside from fostering a culture of blame,

    the paradigm cultivates an overly cautious

    attitude towards the future and justifies govern-

    mental countermeasures to unpredictability in

    order to ensurea future that is continuous with

    the past (Diprose et al. 270). On the other hand,

    and conversely, we have had over a century of

    anti-humanist philosophy and political theory

    that challenges this picture of a human agent with

    the power to control its world and that cautions

    against the totalising politics that would pre-empt

    the future and attempt to control the actions of

    citizens as a means of doing so. From these

    critiques there have emerged various ideas of the

    post-human dispersed non-subject and para-

    digms that celebrate diversity and dynamic

    transformation in the relation between human

    and non-human elements of worlds. While I lean

    towards this latter approach, some of these

    philosophies of becoming beg the question as to

    the basis of responsibility for keeping open

    liveable futures as undetermined possibility. In

    some post-human paradigms it is not clear who or

    what might provide the basis for ethical

    approaches to rebuilding and dwelling after thedevastating event.

    In re-examining the limits of the human I

    propose to open a path between these two

    approaches to human agency by revisiting the

    role of the built environment and things in what

    Heidegger calls the plight of dwelling

    (Building 161). The analysis aims for a

    notion of dwelling where the human agent is

    suitably humble but responsible in the face of the

    plight of dwelling, not simply in the sense ofaccountable, but responsible for preserving the

    potentiality of dwelling for others. And it aims

    for an ethics of rebuilding and recovery that can

    deal equally well with (avoiding or repairing in

    the wake of) ruin by political forces and ruin by

    so-called natural forces. While I begin this

    analysis with Heideggers notion of the plight

    of dwelling, I turn to Jacques Rancieres and

    Hannah Arendts political ontologies, which

    better locate the political dimensions of dwellingand what is required to minimise its ruin. Then,

    with the help of Merleau-Ponty, I examine the

    ethical dimension of rebuilding after ruin either

    by totalising politics or by the kind of elemental

    forces with which I began. I aim to demonstrate

    how the preservation of dwelling is not about

    controlling the unpredictable but is a collective

    endeavour of dwelling with built and living

    environments that leaves space for the unique

    and the arbitrary.

    Anne Michaels novel The Winter Vault is

    woven through my analysis because her story

    exposes the political, intimate, and ethical

    elements of the plight of dwelling that the

    philosophers often understate. In her extraordin-

    ary fictional examination of the building of

    relations amid preparations for the building of

    the Aswan Dam (and the attendant destruction of

    the habitats of the dwellers of the Nile basin) and

    the interpersonal dimension of the rebuilding of

    Warsaw following its destruction during the

    Second World War, Michaels points to the

    relation between building(s) and belonging and

    building and belonging

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    the human shattering and preserving of both. She

    also points to the role of love, intimacy, and

    forgiveness in the ethical enterprise of distribut-

    ing resources for dwelling.

    In what follows I address three points about

    the plight of dwelling and the ethico-politics ofrecovering from ruin. The first is about the role

    that buildings and things play in dwelling and

    belonging. Second, I address the relationship

    between politics and the inequities in the fragility

    of dwelling in terms of the distribution of the

    sensible and how, alternatively, the politics of

    dwelling might be understood in terms of the

    expression of uniqueness in political community.

    In the third section I speculate on what an ethics

    of rebuilding might look like once the material,political, and communal dimensions of dwelling

    are taken into account.

    on the role of buildings and things indwelling and belonging

    No one can take in a building all at once. Its

    like when we take a photograph were

    looking at only a few things . . . [I]ts those

    thousand other details that anchor us far belowwhat we consciously see . . . that gives us the

    feeling of familiarity with the mind behind the

    building. Sometimes it seems as if the

    architect had full knowledge of these thousand

    other details in his design, not just the

    different kinds of light possible across a

    stone facade, or across the floor, or filling

    the crevices of an ornament. But as if he knew

    how the curtains would blow into the room

    through the open window and cause just that

    particular shadow, and turn a certain page of acertain book at just that moment of the story,

    and that the dimness of the Sunday rain would

    compel the woman to rise from the table and

    draw the mans face to the warmth of her . . .

    As if the architect had anticipated every

    minute effect of weather, and of weather on

    memory, every combination of atmosphere,

    wind and temperature, so that we are drawn to

    different parts of the room depending on the

    hour of the day, the season, as if [the design]

    could. . .create memory! And this embrace of

    every possibility, of light, weather, season . . .

    is also the awareness of every possibility of

    life, the life that is possible in such a building.

    And the sudden freedom of this is profound.

    Its like falling in love, the feeling that here, at

    last here, one can be ones self, and. . . [that]

    aspirations, various kinds of desire, . . . moral

    goodness and intellectual work are possible.

    A complete sense of belonging to a place,to oneself, to another. All this in a building?

    Impossible, but also, somehow, true. A

    building gives us this, or takes it from us,

    a gradual erosion, a forgetting of parts of

    ourselves. (Michaels 8385)

    Michaels concern with the politicaldimensions

    of the plight of dwelling may not be obvious from

    this quote. This reflection on the relation between

    buildings and belonging is hyperbolically roman-

    tic and middle class and it implies a seamlessnessbetween the architects intent, the building, and

    the sense of belonging of the inhabitants that the

    books narrative goes on to question. Taking

    note, then, of the qualifications she puts on the

    idea that there is a mind behind the building

    that successfully realises its intent (it is as

    if. . .), Michaels is pointing towards the crucial

    but ordinary role that a building and other things

    play in gathering the elements of dwelling and

    belonging. This is a dynamic, multidirectionalprocess of habituation and familiarisation that is

    not under the control of any master architect.

    Heidegger has elaborated some of the complex-

    ities of this relation between a building and

    dwelling in more abstract terms in Building

    Dwelling Thinking. A building is a built

    thing, he says, but not simply a thing in the

    conventional sense of an unknown X to which

    perceptual properties are attached (15253).

    Nor is a building, in essence, separate from its

    surroundings or its inhabitants. First, to be a

    building, a thing of its own kind, a building

    must already be gathering in its own way earth

    and sky, divinities and mortals (15354). Or to

    use Michaels terminology, to be a building, and

    this specific house, this thing is already gathering

    and redirecting atmosphere, wind, light, wood,

    stone, vegetation, as well as the flesh and

    sensibilities of its occupants and of those living

    beings that it leaves outside. Moreover, and

    crucially, a building provides the location or site

    for this gathering that is essential to it. Second,

    this place that the building provides for gathering

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    is inseparable from and a condition of the

    dwelling and belonging of its inhabitants. The

    building, on Heideggers account, provides an

    anchor for the building of, first, the inhabitants

    desires, aspirations, perceptions, and memories at

    a pre-reflective level, and, when the buildingrecedes through habituation, it provides the

    ground for the emergence of more abstract

    capacities of measuring, valuing, and thinking

    (15455). This is why loss of a building and

    things that have participated in the building of

    ones dwelling can strike at the core of ones

    being. Third, on the question of the mind

    behind the building or its design, Heidegger

    suggests that a prior manner of dwelling unfolds

    into the building that cultivates growing thingsand the building that erects buildings (148). To

    make the point more explicitly than Heidegger

    does, socio-political and historical context

    informs the style, design, location, and every

    other dimension of the building of buildings. Yet

    there is no single architect, human or non-human,

    overseeing this process or determining its

    outcome.

    Against humanism based on the idea of a self-

    present agent in control of its world, Heideggerproposes the notion of human dwelling (or

    Dasein) as open (spatially and temporally) and,

    therefore, dispersed or unheimlich (uncanny,

    in the sense of not-being-at-home).3 Dwelling is a

    dynamic happening or event (Ereignis),4 a

    double process of bringing to presence and

    concealment; an undetermined, open coming

    together and dispersal of various elements of

    mutual belonging. Hence, homelessness or the

    plight of dwelling is not about losing control

    over oneself or ones environment. Rather, in the

    first instance the plight of dwelling, as

    Heidegger understands it, refers to the condition

    of ruin, potential or actual, of places of dwelling

    (houses, cities). After all, Building Dwelling

    Thinking was an address to architects in the

    context of a housing crisis in Germany following

    the destruction of some of its cities in the Second

    World War.5 But Heidegger proposes a more

    fundamental plight of dwelling, older than the

    world wars with their destruction and explicit

    ruin: the plight of dwelling also refers to the

    ontological condition of failing to respond to the

    call to dwell in an open mutual way in relation to

    other elements of dwelling (161). In Heideggers

    terminology, dwelling as place and process is one

    step away from ruin if we ignore the funda-

    mental character of dwelling [that is] . . .sparing

    and preserving (149), where preserving means tofree something from harm and danger and

    sparing means to set something free into its own

    presencing (150). The preconditions of explicit

    destruction of places of dwelling seems to be

    inequitable or totalising socio-political conditions

    where modes of dwelling are predetermined and/

    or only some things and beings come to presence.

    While Heidegger is clearly aware of the

    historicity of the dwelling that informs the

    building of buildings, he tends to avoid itspolitical complexity in choosing ancient exam-

    ples (temples, bridges, and stone houses of the

    Black Forest) the socio-political preconditions of

    which are out of reach. Without assuming that all

    such preconditions of ruin could be itemised,

    Michaels, on the other hand, does emphasise the

    historical, class, and cultural specificity of this

    dwelling that informs the building of buildings

    and the belonging that it nurtures (or not). The

    building of Michaels quote is a middle-classhome, specific to the building of the intimate

    relation between Avery and Jean in 1960s

    Canada. The apparent a-political ordinariness of

    that dwelling is gradually eroded in the surround-

    ing pages with Jean and Averys growing

    awareness of the differences in dwelling and

    building among the Nubian inhabitants of the

    Nile basin in comparison with their own. In this

    other place Avery is an engineer on the famous

    and controversial project of disassembling and

    reassembling the temple of Abu Simbel to make

    way for the building of the Aswan Dam.

    Contrary to first impressions, even in their

    home in Canada the relation between the building

    and that which it gathers is not seamless no

    aspect of the relation between a building and

    dwelling is thoroughly predetermined or without

    its cracks and no particular element, including

    the building and its designer, gets the final say in

    the how of dwelling. The light and wind have

    some say in how a building works, as do the book

    and other things that the building contains, as

    well as its human inhabitants in the way they

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    perceive and live through the elements that are

    gathered and arranged there. Moreover, dwelling

    itself, as place and process, is fragile: as Michaels

    puts it, building gives us this [sense of

    belonging], or takes it from us, a gradual erosion,

    a forgetting of parts of ourselves (85). This playof belonging and its undoing, memory and

    forgetting is necessary to preserve dwelling as

    an opening to other possibilities. Dwelling is an

    event that nurtures belonging but with fleeting

    and unique dimensions. On the other hand,

    relations between domestic dwelling and the

    surrounding environment, including material

    and socio-political elements, can bring dwelling

    undone. Indeed, like Heidegger, Michaels is

    hinting at another fragility in the relationsbetween buildings and dwelling to do with the

    threat of ruin in the context of Averys

    involvement with the building of the Aswan

    Dam. I will draw out this political dimension and

    the attendant ruin of dwelling with some

    assistance from Jacques Ranciere and Hannah

    Arendt. Their work, while indebted to some

    extent to Heideggers notion of dwelling, in

    different ways renders the political dimension of

    the plight of dwelling more explicit.

    on the political and the distribution ofthe sensible

    While less concerned with the role of buildings

    and things in dwelling, Rancieres work on the

    distribution of the sensible is helpful for

    bringing into focus the political dimension of

    dwelling. As with the phenomenological tradi-

    tion, by sensible Ranciere means both sense

    data and the sense we make of it. By dis-

    tribution of the sensible he means the way in

    which the demarcation of space, time, and

    meaning by a myriad of human activities informs

    perception and so delimits forms of thinking,

    doing, being, making, and communicating that

    are common to a community.6 The way the

    sensible is distributed delimits what can be seen,

    heard, and said, and, I would add, what can be

    felt and how. Ranciere thus makes explicit what

    Heidegger only hints at that the building of

    buildings as well as the habituation that proceeds

    from dwelling in and around those buildings is

    thoroughly saturated with the social and political

    context. His main point, however, is stronger: the

    dominant way in which the sensible is distributed

    in Western societies is by what he calls the

    police order (Dissensus 3637), a system of

    laws, norms and regulative processes that cate-gorises in terms of properties, function, and

    location and that thereby distributes the sensible

    inequitably, that is, in ways that divide commu-

    nities by the formation of hierarchies and

    exclusions (92). Politics proper, as Ranciere

    defines it, consists in disrupting the police

    order, thus opening community or the space of

    appearance for people and their activities that

    would otherwise be unseen, uncounted, excluded,

    or disadvantaged (37).Ranciere ties his idea of politics to aesthetics in

    a way that is partly reminiscent of Heideggers

    idea of poesis as an antidote to the plight of

    dwelling. Heidegger suggests that the event of

    dwelling is allowed (rather than ruined) if we

    think dwelling in terms of a double process of

    gathering, if we build out of dwelling and think

    for the sake of dwelling (Building 161). That

    is, humans dwell poetically if they are

    responding to the call of dwelling responsibly,by which he seems to mean allowing other

    elements with which one dwells to come to

    presence in their own unique ways. For Ranciere,

    resistance to, or overturning of, the police

    order requires more active intervention. Politics

    is most effective when it emerges not from the

    poetic use of language to reopen the meaning of

    being but from the activities of the unheard and

    unseen, from the people excluded (or

    uncounted) by that order, what Ranciere

    refers to as the part of those who have no

    part (Dissensus 92). This subjectivization of

    the excluded, their emergence into the visible and

    audible, necessarily disrupts and transforms the

    distribution of the sensible and hence the mean-

    ing and ways of dwelling. Actual artistic

    practices, including literature, participate in this

    aesthetic politics if they intervene in the general

    distribution of ways of doing and making as well

    as in the relationships they maintain to modes of

    being and forms of visibility (Ranciere,

    Politics 13). The significance of Rancieres

    account of aesthetic politics for my analysis is

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    that it points to the necessity of promoting the

    agency (or subjectivization) of the displaced

    and disadvantaged in any ethics of rebuilding

    amid the plight of dwelling.

    On the other hand, recovery from ruin is also

    the responsibility of the privileged it requiresmaterial support and that the privileged are

    dislodged from our habitual ways of dwelling that

    either escape or perpetuate the plight of dwelling

    experienced by others. So, while not art in either

    Rancieres or Heideggers sense,7 the media

    images with which I began may do the work of

    aesthetic politics in drawing this audience, sitting

    safely in lounge rooms, into the plight of

    dwelling. They may expose the way that

    middle-class Australians, in pursuing a lessurbanised lifestyle, may unwittingly build in

    disregard of the uncontrollable forces of earth,

    wind, and fire and so accentuate that unpredict-

    ability. Or, in support of Rancieres thesis, these

    images may also reveal the inequities in the

    relation between buildings and dwelling in the

    distribution of the sensible. Images of the

    destruction of buildings and lives in New

    Orleans by hurricane Katrina in 2005 exposed

    how much more vulnerable the economicallydisadvantaged African-American residents are

    because of the location of their dwellings on

    low-lying and, therefore, relatively inexpensive

    land. Images of the destruction wrought by the

    Indian Ocean tsunamis on 26 December 2004

    revealed to the world how local peoples of

    Indonesia and Thailand have been displaced

    into shanties on the ocean fringes by a tourist

    economy. By rendering visible the plight of

    dwelling of the invisible and uncounted, these

    images may effect a redistribution of the sensible

    among the unharmed by exposing the complicity

    of privileged peoples in perpetuating the inequi-

    ties in dwelling. Such publicity may thereby also

    prompt new ways of perceiving, and different,

    more equitable and environmentally hospitable

    ways of dwelling. This would open an ethics of

    recovery that I sketch below, providing that such

    media exposure does not reduce the plight of

    dwelling to an occasion for the entertainment of a

    passive viewing audience.8

    The reader of Michaels The Winter Vault is

    similarly exposed, not just to the class inequities

    between Avery and Jeans dwelling as they build

    their lives together in their home in Canada and

    those of their Nubian neighbours during their

    visits to the site of the Aswan High Dam, but also

    to the impact of one on the other. Averys love of

    the materials and the physics of building andJeans love of the botanical, while consistent with

    a poetics of dwelling with built and living

    environments, only serve to heighten their

    complicity in the destruction of Nubian habitats

    that is to come. While the novel bypasses explicit

    display of the impact of the building of the Aswan

    Dam on the botanical environment and the

    impact of the displacement of tens of thousands

    of Nubians on their lives, impending ruin is

    palpable and, unlike with Heideggers examples,we do learn something of the politics of the pre-

    history of the building of the temple of Abu

    Simbel on its safer site. We also get to witness the

    ruin of Avery and Jeans relationship through the

    experience, a ruin symbolised by Jeans mis-

    carriage prior to leaving the Nubian women who

    had cared for her during her pregnancy. This ruin

    of dwelling is symbolic of the consequences of

    ignoring ones responsibility for the plight of

    dwelling experienced by others.The relationship between domesticity and

    birth (or its failure), on the one hand, and the

    wider politics of dwelling and ruin, on the other,

    which Michaels explores in her novel, is partly

    captured by Hannah Arendts political ontology

    based on the disclosure of natality. Natality

    refers to the way that the fact of birth, our own

    and that of others, signifies a new beginning, or

    uniqueness and innovation, the welcome and

    expression of which, for Arendt, is critical for

    maintaining both democratic community and

    human dwelling open to futurity (Arendt,

    Human 89 and chapter v). This is what is at

    stake in the preservation of dwelling in both the

    ontological and concrete senses: human dwelling

    as devoted to disclosure of the new or the

    preservation of the world for . . . the constant

    influx of newcomers who are born into the world

    as strangers (9). This idea of political commu-

    nity brings into focus the ambiguous role of

    home in the politics of dwelling as well as the

    role of community, including intimate relations,

    memory, and things, in rebuilding life after ruin.

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    First, on the ambiguous role of the home in

    dwelling, Arendt connects the politics of dwelling

    to the preservation of the dynamism of a

    particular form of life not domestic life, but

    political life (bios) that characterises actors open

    to potentiality in the public sphere. Her idea ofpolitical life implies an appropriately modest

    notion of human agency where, in dwelling,

    human existence neither controls nor is deter-

    mined by its world. Together, the life and

    dwelling of those who come before us provide

    the social, material, and meaningful world in

    which we appear. This conditions our existence as

    well as our values and perceptions. At the same

    time, through and as expressions of natality, we

    prevent both biological and political determinismand alter those conditions. Dwelling as bios is

    characterised by historicity, innovation, and

    unpredictable transformation of ways of life.

    Arendts analysis points to the politicisation of

    definitions of both life and innovation, a point

    developed within the biopolitics of Michel

    Foucault. She follows Aristotle (and most

    political theory up to the 1970s) in distinguishing

    biosfrom biological life (zoe) that is characteristic

    of subjected and determined life in the home.While critical of subjection in the private sphere,

    Arendt, problematically, tends to leave these

    orders in place. Her reasons for doing so,

    however, are crucial for understanding the

    ambiguous role of the home in politics.

    What concerns Arendt is the threat to the

    dynamism and pluralism of dwelling of totali-

    tarian or deterministic politics, which she

    astutely observes arises as much from a science

    of process, biologism, and belief in laws of nature

    as from blatant authoritarian rule.9 Hence, for

    her, in so far as human existence is reduced tozoe

    in the private sphere then it should be quar-

    antined from the political sphere. But as

    biopolitical analysis has shown since Arendt,

    this is precisely what modern liberal politics

    tends to do make biological life the target of

    political regulation. Or, as Krzysztof Ziarek

    suggests in his incisive Heideggerian analysis of

    the limits of life in this special issue, what

    biopolitical analysis traces is the ways in which

    power becomes deployed [. . .] in positing life,

    especially human life, as technic and thus

    available to manipulation (Ziarek, this issue

    21). Biopolitical analysis also traces the apparent

    converse, the way political power attempts to

    regulate the unpredictable aspect of biological life

    to ensure its uniformity and security across a

    population. As human existence partakes of zoe

    as much as ofbios, expressions of natality are just

    as rife in the home as in public life. At one level

    Arendt is clearly aware of this connection

    between political and domestic life, given her

    central claim that the disclosure of natality in

    political community is a second-order significa-

    tion of the fact of ones first-order birth (Human

    176). As I have discussed elsewhere, the connec-

    tion between these two orders of life explains why

    governments, intent on containing uncertaintyand unpredictability in the public domain,

    particularly in times of heightened insecurity

    and in the wake of natural disasters, tend to focus

    on controlling human reproduction, risk, and life

    in the home (Diprose, Womens Bodies). This

    can be totalising and problematic in ways I will

    get to later in this essay.

    While Arendt is therefore justified in her

    caution about characterising ideal political life in

    terms of private life, she is wrong to assume thatdomestic dwelling is equivalent to the cyclic

    reproduction of biological life without the

    innovation and conditioned freedom character-

    istic of political life. The connection Arendt

    makes between the two orders suggests instead

    that the dynamism and plurality of dwelling that

    is characteristic of political life is also true of

    intimate relations. This brings me to the second

    insight of Arendts account of dwelling that is

    pertinent to my analysis: the conditional freedom

    characteristic of human agency is historical and

    relies on community and, I will argue, on a kind

    of love characteristic of intimate relations.

    Arendts idea of natality draws attention to the

    historicity of the event of agency. She argues that

    the insertion of man into a world through

    thinking as judgment consists in opening the

    path paved by thinking, by remembrance and

    anticipation [, which] save[s] whatever they touch

    from the ruin of historical and biographical time

    (Life 20213; Between 13). That is, human

    dwelling is historical, futural and open to

    potentiality. Conversely, this gap between the

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    past and an undetermined future is foreclosed in

    totalising, risk-averse government where, for

    example, ways of dwelling are governed by

    tradition or curtailed by social paradigms that

    emphasise process and that view progress as

    uninterrupted movement towards a predeter-mined future. In contrast to such heavy-handed

    government of dwelling, what supports innova-

    tion, pluralism, and the dynamism of dwelling is

    the public space of political community founded

    by and devoted to the expression and preserva-

    tion of natality, that is, dwelling as futural, plural,

    and undetermined. This is one of the more

    significant contributions of Arendt to an account

    of the politics of dwelling. While for Heidegger

    the realisation that death cannot be sharedindividualises human being (by exposing one to

    the singularity of ones own becoming, being-

    toward-death makes one responsible for ones

    own potentiality for existence), for Arendt

    expressions of natality found the togetherness of

    community, where disclosure and preservation of

    others uniqueness in dwelling takes priority.

    This political community is based not on mutual

    recognition of sameness, or shared vulnerability,

    or on hierarchies or exclusions. Rather, actionwithin political community actualises natality by

    disclosing the actor as beginning something new;

    speech actualises plurality by disclosing the

    speaker as an inaccessible, dynamic who

    rather than a knowable what (Arendt, Human

    17879). Hence, for Arendt the preservation of

    dwelling, rebuilding an equitable distribution of

    the sensible after ruin, lies in collective and

    public action and debate, rather than poesis

    or art.

    As I have suggested, and in contrast to Arendt,

    the preservation of dwelling open to potentiality

    is also characteristic of relations in the home. Just

    as the home and biological life can become the

    focus for totalising and conservative government

    in times of political insecurity or following

    natural disasters, it can also become the fulcrum

    for the re-emergence of political community

    against political ruin or, put less dramatically,

    against political conservatism and top-down

    government of everyday life. Building such an

    account of dwelling at the border between

    domestic and political life can help account for

    the role of things, buildings, and intimate

    relations in dwelling and especially what kind of

    ethics of rebuilding after ruin follows from this

    political ontology.

    role of things, community and inter-

    corporeality in rebuilding after ruin

    Again, Michaels The Winter Vault is insightful

    here. In the second half of the novel there is an

    exploration of the impact of the destruction of

    buildings of a different kind to the disassembling

    of Abu Simbel. After temporarily separating from

    Avery while dealing with her grief, Jean develops

    a relationship back in Canada with Lucjan, a

    Polish Jew who avoided internment in Nazicamps and survived the destruction of Warsaw

    towards the end of the Second World War. As

    with Avery, Jeans dwelling with Lucjans is built

    on physical intimacy and the sharing of mem-

    ories. His memories of living in the ruins of

    Warsaw give some sense of the impact that the

    loss of ones habitat must have on ones sense of

    belonging as potentiality. Lucjans life amid the

    rubble of Warsaw is of bare survival, fear,

    mistrust, and isolation. Significantly, he cannotbear physical intimacy with Jean at the same time

    as he expresses these memories. He will not be

    comforted by her touch. He can only mourn the

    loss of his built and living environment through

    the touch and intimacy of Ewa, who, as a Polish

    refugee, shares his history and with whom he is

    entangled, not in love or a similar

    arrangement its more like . . . a disaster at

    sea (32324).

    These images suggest that more is needed to

    better understand the impact of the destruction of

    the built and living environment on its inhabi-

    tants. The novel also asks what collective

    practices might allow the emergence of what

    Merleau-Ponty calls the event within dwell-

    ing.10 Rebuilding buildings and with this rebuild-

    ing ways of dwelling require buildings and things,

    love and forgiveness in community, understood

    in Arendtian terms as the welcome and expres-

    sion of natality or, as refined by Jean-Luc Nancy,

    the sharing of singularity.

    An actual event following a natural disaster

    rather than destruction through war, an event

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    that I call the teacup event, helps to

    demonstrate these points. In March 2009, in the

    weeks following the bushfires that devastated

    parts of Victoria, killing 173 people, destroying

    2,000 homes, and displacing 7,500 others,

    Sallyanne Craig set up a comforting cup of tea

    project.11 She called for donations of vintage,

    old but loved, teacups, saucers and mugs. Four

    hundred of these were distributed to survivors of

    the fires via the various relief centres in the

    region. Crucially, the teacups were not forced

    upon survivors or thrown among piles of second-

    hand gear. Each cup was placed on a bed of pale

    blue tissue in a purpose-cut gift box alongside a

    packet of Twinings tea given by that company.

    The sign above them read: Please take theteacup that you love, thank you. The teacups

    became one of the most sought-after items, after

    food and shelter, among the survivors. Two brief

    responses to the gesture, posted on the project

    website, may indicate why:

    Thank you for my beautiful teacup. I had

    thought of my two special ones I had lost, but

    now this one is as special. (Text message, Mel

    Giovanetti, Buxton)

    My teacup is just like a little piece of heaven.

    Until I saw it I didnt realise how much I

    needed something beautiful of my own again,

    thank you. (Flowerdale survivor)

    One way to understand the role of things in

    rebuilding dwelling is with reference to Actor

    Network Theorys (ANT) account of non-human

    life and things. According to Bruno Latour, ANT

    redefines agency, extends agency to non-humans,

    and refigures the humannon-human relation in

    terms of a network rather than a hierarchy with

    human agents on top (Latour 10, 244). On this

    account, the teacup is less a thing that humans

    use than an agent that enrols heterogeneous

    elements from the textual to the technical, the

    human to the non-human in an assemblage

    (agencement or actant) (Anderson and Braun

    xii, xv). The agency afforded the thing, device, or

    building through this idea of assemblage/agence-

    ment is not too ambitious. ANT ontology

    debunks the idea of agency as the exclusive

    province of human will or conscious

    intentionality and positions the thing as one of

    many elements of an assemblage that cause

    effects. The thing is an agent only in the sense

    that it makes a difference: it can generate [. . .]

    transformations manifested by the many unex-

    pected events triggered in the other elements(Latour 106). Things and environmental elements

    generate transformations not according to some

    causal law of nature but only by virtue of a

    dynamic assemblage of heterogeneous human and

    non-human elements and they do so in unpre-

    dictable ways.

    The emphasis here is also on the event as

    Latour understands it: how these networks of

    post-human becoming open new paths for

    thinking and living. This ontology, likeArendts, also emphasises the collective aspect

    of perception, thinking, and living in a world:

    human agency and thought are decentred such

    that the social can be reassembled through a

    network or collective practice that gives non-

    humans a central role in dwelling. Giving non-

    human elements credit for forcing open new

    paths for dwelling is to be welcomed. But

    levelling out human agency as equivalent to

    that of many other multifarious elements in anassemblage that generates the event also risks

    shifting responsibility away from humans for the

    future of the planet. Moreover, the worlds of

    significance that are transformed through assem-

    blages are also worlds of value these are ethical

    worlds. It is human activity, thought, perception

    and agency (albeit in different forms to how these

    are conventionally understood) that render the

    world ethical. Hence it is up to human elements

    of assemblages to keep the world open for ethics.

    The event matters for ethical and political

    reasons. On Arendts account the event of

    dwelling consists in opening a gap in what may

    otherwise be a continuity between past and

    future. It therefore consists in the interruption

    of determinism that would predetermine the

    future of all the elements of an assemblage,

    including the human. Raising these ontological

    issues is not to return to naive humanism or to a

    notion of a causal human agent in control of its

    world. Rather, it is to acknowledge that, just as

    things can make a difference to pathways of

    human dwelling, humans can refuse to be moved

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    by the thing. At the core of such refusal are

    habitual perceptions and sedimented distribu-

    tions of the sensible. Considering the ethico-

    political dimensions of the event and the role

    of human dwelling in it puts the onus back on the

    human-perceptual elements of assemblages toremain responsive to, and do the right thing

    by, things, non-human life, and other humans.

    This involves better understanding how the

    teacup could preserve dwelling and reopen a

    ruined world to the expression of uniqueness and

    potentiality and, hence, an undetermined future.

    Arguably, the teacup project worked in the

    aftermath of the Victorian bushfires because the

    teacup came with (anonymous) love and, while it

    gathered around it the beginnings of community,it insisted on the historicity, multiplicity, and

    specificity of the event the recipient of the gift

    chose which teacup touched their memory,

    their history, in opening their future.

    This brings me to Merleau-Pontys version of

    the historicity of the event of dwelling. The main

    advantage of his analysis over Arendts account of

    natality is that Merleau-Ponty does not make a

    distinction between biological life (zoe) and

    political life (bios) nor, therefore, does heprivilege any particular form of life in dwelling.

    He thereby gives things and buildings a more

    central place in dwelling and belonging. At the

    same time, unlike Heidegger, Merleau-Pontys

    account of dwelling, like Arendts, emphasises

    the necessity of community to the preservation of

    the plurality and potentiality of dwelling or to

    what he would call, for example, the diver-

    gence of flesh.

    For Merleau-Ponty, there is no obvious

    distinction between biological and political life

    because at the centre of the hiatus of meaning,

    human and non-human life, and built environ-

    ments, is the human body entwined with a world.

    In experience or dwelling a body is at the point

    of contact between the outside and the one who

    is called to live it (Merleau-Ponty, Institution

    206). Hence, dwelling is a non-decisionary

    project where I am inspired and overcome

    by the thickness of the sensible, which includes

    elements of the built environment (Merleau-

    Ponty, Institution 56). In this project of

    dwelling, the body is neither free nor determined

    in relation to the outside that calls it to live.

    This is because there is fundamental ambiguity to

    existence, a double belongingness: the body

    sensed and the body sentient are two phases

    of flesh, and between the world and my body

    there is reciprocal insertion and intertwining ofone in the other (Merleau-Ponty, The Visible

    13738). Hence, as perception or experience is a

    feeling that is felt, a seeing that is seen (Merleau-

    Ponty, Eye and Mind 16263), then my

    activity is equally passivity (Merleau-Ponty,The

    Visible 139). With this notion of flesh, Merleau-

    Ponty provides the means for explaining how we

    become invested in things and buildings.

    Aside from the central role given the body, the

    other key feature of Merleau-Pontys notion ofdwelling is that it is a collective project

    characterised by the divergence of flesh. That

    is, in the intertwining of flesh, dwelling is open to

    the new and to the transformation of meaning and

    being. One way Merleau-Ponty describes the

    event of dwelling, or the break with determin-

    ism that opens a gap between past and future, is

    by characterising complexes of humannon-

    human life as simultaneously instituted and

    instituting (Institution 815). Indeed, everylevel of existence, the animal, the biological,

    the interpersonal, carries, from the time of our

    birth, an element of existence already insti-

    tuted, where institution refers to those

    events in experience which endow it with durable

    dimensions such that I will tend to perceive and

    respond to my world in a similar way to how I

    have before (77). On the other hand, sedimenta-

    tion is not just meaning surviving as a residue in

    an activity that repeats the past or that duplicates

    a social convention or police order. Memory is

    not consciousness recalling a representation of

    the past from the recesses of ones mind (193).

    Institution is intercorporeal, lived, and dynamic

    in that it also involves beginning something new,

    initiating, innovation, divergence in relation to a

    norm of sense, difference [. . .] deformation,

    which is proper to institution (11). In other

    words, institution itself, being exposed to . . .

    or receptivity to elements and significances,

    initiates the present and simultaneously opens

    a future (89). This institution-instituting

    aspect of the thickness, intertwining, and

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    divergence of bodily being is where new paths for

    thinking and living arise. Memory is in the teacup

    intertwined with a body that has a history of

    intertwining with other teacups. The survivors

    experience of the teacup is an event, instituted-

    instituting, sparked by a gift of others; this is

    dwelling reaching for a past, but remaking

    deposited significances and, thus, opening

    dwelling towards a future.

    Both this spirit of community and the event of

    dwelling were minimised in the rebuilding of

    both Abu Simbel and Warsaw, at least in

    Michaels fictional presentation, thus demonstrat-

    ing how top-down regulation of rebuilding can go

    astray. First, those who dwelt with their earlier

    manifestations did not have a say or a role in therebuilding of either Abu Simbel or Warsaw

    building was a top-down process rather than a

    collective endeavour. Second, the city and temple

    were rebuilt as exact replicas using the same

    material salvaged from their destruction. This

    attempt at mimesis was meant to comfort the

    survivors, but the temple was probably soulless

    once it was reassembled in its new position away

    from the Nubian people. Lucjans initial experi-

    ence of his replicated built environment wasdisorientating and humiliating:

    Walking for the first time into the replica of

    the Old Town, said Lucjan, the rebuilt market

    square it was humiliating. Your delirium

    made you ashamed you knew it was a trick, a

    brainwashing, and yet you wanted it so badly.

    Memory was salivating through your brain.

    The hunger it tried to satisfy . . . everything

    was just the same the same signs for shops,

    the same stonework and archways [. . .

    ] It wasa brutality, a mockery at first completely

    sickening, as if time could be turned back, as

    if even the truth of our misery could be taken

    away from us. And yet, the more you walked,

    the more your feelings changed, the nausea

    gradually diminished and you began to

    remember more and more [. . .] I remember

    thinking that if we didnt all clear out, the

    ghosts wouldnt come back, and who is this all

    for if not for the ghosts? (Michaels 30910)

    Conversely, the idea that dwelling, as an inter-

    corporeal opening of a future, is a collective

    enterprise provides the basis for an ethico-politics

    of dwelling. There are at least two indications in

    Merleau-Pontys later work of an ethics consistent

    with Arendts political ontology. This is an ethics

    that compels (urges rather than forces) human

    existence to preserve the world for the expression

    of dwelling as multiple, unique, and open topotentiality. The first indication is the emphasis

    he places on affective responsiveness to what one

    is exposed to . . . in the opening of the event.

    There is a kind of compulsion towards the other

    person or thing inspired by this exposure, an

    affective compulsion that also drives the resulting

    divergence or deformation of meaning, the

    sensitization of an image that opens a

    future (Merleau-Ponty, Institution 1819).

    Second, in a move that foreshadows EmmanuelLevinass ethics, Merleau-Ponty suggests that this

    responsiveness to the dynamic multiplicity one is

    exposed to makes one responsible for the

    other(120).

    This point arises in the context of Merleau-

    Pontys criticism of notions of agency that

    assume that the self is exclusively active and

    dominating (absolute individuality) or exclu-

    sively passive and determined in relation to

    others and the world. In contrast to the freeagency of absolute individualism, Merleau-

    Pontys ontology insists that I accompany the

    other always in the fundamental intertwining of

    self and world. And, rather than indifference

    towards the plight of others implied in a

    distancing and respect for the freedom of

    the other [which] is non-intervention of others in

    me, . . . it would be necessary to take responsi-

    bility for the other, not as infirm or impotent, but

    without rejecting from the other everything that

    one thinks (120). An ethics based on taking

    responsibility for other[s] . . . without rejecting

    everything one thinks provides no prescription

    about what sorts of buildings, things, or ways of

    living would be good or bad for humanity as

    a whole. Nor could such a position be taken in

    any absolute way without remaining blind to the

    multiplicity of becomings that make up assem-

    blages and without imposing ones values or what

    one thinks on the ways of living of those with

    whom one dwells. What this ethics does warn

    against is precisely that forcing ones convic-

    tions, oneself and how one dwells on others,

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    human or non-human. On the other hand, and

    more positively, this ethics compels us to take up

    the call of dwelling, the invitation to dwell with

    others and things in such a way that attempts to

    keep all existence open to an undetermined

    future. Perhaps most importantly, taking respon-sibility for others and a world without rejecting

    everything one thinks implies a commitment to

    dynamic collectivity in dwelling. Central to

    collective existence that keeps open an

    undetermined future is a dialogical practice

    (central to public and personal institution) that

    heeds the uniqueness of others (human and

    non-human) without giving up everything that

    one thinks.

    In social-service-oriented democracies such asAustralia, where building and planning regula-

    tions tend to prevent the kind of blatant inequity

    of impact of natural disasters that characterised

    the Indian Ocean tsunamis, we can afford to

    reflect on the importance of community-based

    decision making and participation in rebuilding

    after ruin. In assisting others rebuild their lives in

    the wake of events such as those with which I

    began requires forgiveness rather than finding

    someone to blame. Sure, some public account-ability is necessary to improve the equitable

    distribution of the sensible or to redress any

    criminal conduct contributing to destruction. But

    this will not bring dwelling back from ruin or

    prevent it down the line. Arendt explains why

    forgiveness is necessary in the wake of hurt and

    damage done by unpredictable events. The

    disclosure of natality (the innovation arising)

    through action makes the consequences of actions,

    that is, the future, unpredictable; the remedy for

    this uncertainty and unpredictability is forgive-

    ness when something goes wrong (Human 236

    37). Unintended and unpredictable consequences

    of prior actions is even more characteristic of so-

    called natural disasters. Some of the submissions

    to the 2009 Royal Commission into the Victorian

    fires ran counter to what I am suggesting is a

    crucial aspect of an ethics of rebuilding.12 For

    instance, a panel of six urban planners recom-

    mended not allowing residents to rebuild in some

    areas because the risk of bushfires is too high

    (Gray). As if with this kind of risk aversion human

    existence might be able to control or outrun the

    dangers that the elements throw at us. In contrast,

    the Victorian Bushfire Reconstruction and

    Recovery Authority (VBRRA), which initially

    oversaw the rebuilding effort, was much more

    focused on small-scale community-initiated

    rebuilding projects.13 In sum, the preservation of

    dwelling in rebuilding lives after

    ruin requires giving time, com-

    passion, and material support for

    dwelling rather than blame and

    more top-down regulation of risk.

    notes

    1 Francois Ewald is credited with identifying and

    describing the emergence of this principle in, forexample, The Return of Descartes Malicious

    Demon.

    2 For a comprehensive account of risk aversion

    described in these terms see Diprose et al.

    3 For his detailed account of the unheimlich fea-

    ture of human existence, see Heidegger,Being and

    Time, section 40, especially 233.

    4 Heidegger discusses Ereignis (event) in these

    terms in, for example,OnTime and Being41, 53.

    5 I am grateful to Jeffrey Malpas for bringing to my

    attention the immediate political context of

    Heideggers address. For Malpass own discussion

    of Heideggers idea of dwelling, especially in terms

    of place and belonging, see HeideggersTypology.

    6 Rancie' re gives a comprehensive account of

    what he means by distribution of the sensible in

    The Politics of Aesthetics12^19, 42^ 45.

    7 Media images of the impact of natural disasters

    are not art in so far as they conform to, ratherthan intervene into, the ways of doing and

    making, thetechne, that governs the production

    of images in photojournalism.

    8 I thank Magdalena Zolkos for noting the ever-

    present danger of turning catastrophe into a

    media event and the distancing that this effects. I

    found this and other comments she made on a

    draft of this paper very helpful in revising.While I

    dont have space to deal with this specific danger

    here, I do return to discuss, in the third section of

    the paper, the more general issue of what

    Merleau-Ponty calls the ambiguity of existence,

    including the activity and passivity of every

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    encounter and the ethics that this ambiguity

    implies.

    9 For example, Arendt defines totalitarian gov-

    ernment as that which seeks to make mankind

    itself the embodiment of law, where law is under-

    stood to flow from Nature or History rather

    than imposed by force; in Arendt, Origins of

    Totalitarianism460^62.

    10 Merleau-Ponty refers to subjectivity as

    event in, for example, his lectures on insti-

    tution, which I will be drawing from in this discus-

    sion: e.g., Merleau-Ponty, Institution and Passivity 6. I

    discuss what he means by event later in this sec-

    tion. As well see, his use of the term differs a little

    from Heideggers notion of event.

    11 The Comforting Cup of Tea Project had a

    website that described the event I am referring

    to. Sallyanne Craigs description has since been

    preserved under the title A Comforting Cup of

    Tea at another website calledHandmade Help.

    12 The four-volume Report plus Summary of the

    2009 Victorian Bushfires Royal Commission (and

    the transcripts of hearings) can be accessed

    online at a website of that title.

    13 The VBRRA was in operation for a two-year

    period until 30 June 2011. Its philosophy and activ-

    ities are outlined and archived online at the

    Victorian Government website under About the

    Victorian Bushfire Reconstruction and Recovery

    Authority.

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    Rosalyn Diprose

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    University of New South Wales

    Sydney, NSW 2053Australia

    E-mail: [email protected]

    building and belonging