discussion – part i & ii pages 1 to 44 lullabies for little criminals by heather o’neill

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Discussion – Part I & II Pages 1 to 44 Lullabies for Little Criminals By Heather O’Neill

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Page 1: Discussion – Part I & II Pages 1 to 44 Lullabies for Little Criminals By Heather O’Neill

Discussion – Part I & IIPages 1 to 44Lullabies for Little CriminalsBy Heather O’Neill

Page 2: Discussion – Part I & II Pages 1 to 44 Lullabies for Little Criminals By Heather O’Neill

The BasicsLiterary Elements

Page 3: Discussion – Part I & II Pages 1 to 44 Lullabies for Little Criminals By Heather O’Neill

The Basics – Lit Elements

Setting?•Montreal – downtown, the Plateau, Val-

des-Loups•Specific or General?

Why do you think O’Neill made it so specific?

Page 4: Discussion – Part I & II Pages 1 to 44 Lullabies for Little Criminals By Heather O’Neill

I could tell Jules was finding it a real treat that the hotel was right on busy St-Laurent and St-Catherine. He didn’t like having to walk even a block to the convenience store. St-Laurent wasn’t an ideal place to raise a kid. (5)

Page 5: Discussion – Part I & II Pages 1 to 44 Lullabies for Little Criminals By Heather O’Neill

The Basics – Lit Elements

Protagonist:•Baby•12 years old•Lives with her father (that’s a whole other

slide)•Her mother is dead•Does well in school = smart•What are her likes? Her dislikes?

Page 6: Discussion – Part I & II Pages 1 to 44 Lullabies for Little Criminals By Heather O’Neill

The Basics – Lit Elements

Point of View:•1st person – we see everything through

Baby’s eyes, it is her voice speaking to us.

•Therefore…it is limited.

How would the story be different if it had been written in the 3rd person?

Page 7: Discussion – Part I & II Pages 1 to 44 Lullabies for Little Criminals By Heather O’Neill

The Basics – Lit Elements

Mood:Comes from the character(s)

Tone: Comes from the Narrator

In this case…They are the same = Baby’s voice.

Page 8: Discussion – Part I & II Pages 1 to 44 Lullabies for Little Criminals By Heather O’Neill

Each candy was like taking a baby chick out of its shell too early (9).

Part I

Page 9: Discussion – Part I & II Pages 1 to 44 Lullabies for Little Criminals By Heather O’Neill

If you never thought about Paris, you’d never think about how you were so far away from there. There were a lot of Hell’s Angels around, buzzing down the street like bees. It was a joy to see them all drive by, like a parade, on their way to blow up a restaurant (6).

Part I

Page 10: Discussion – Part I & II Pages 1 to 44 Lullabies for Little Criminals By Heather O’Neill

All my stupid ugly things were in [the suitcase]: a couple of t-shirts and jeans, a National Geographic magazine with an article about killer whales, my dolls and a toothbrush (25).

Part II

Page 11: Discussion – Part I & II Pages 1 to 44 Lullabies for Little Criminals By Heather O’Neill

The Basics – Lit Elements

Antagonist:•Jules•Only 27 years old•Addicted to heroin•Definitely loves Baby very much, but he

also has a lot of baggage.•Has a temper, steals stuff, gets himself

into some awkward situations – drags Baby into them too.

Page 12: Discussion – Part I & II Pages 1 to 44 Lullabies for Little Criminals By Heather O’Neill

That first night in the new place, Jules dismantled the fire alarm so that he could smoke in peace. (6)

Page 13: Discussion – Part I & II Pages 1 to 44 Lullabies for Little Criminals By Heather O’Neill

The Basics – Lit Elements

Conflict(s):•Baby and her “Life with Jules”

•Baby and “the Unwanted Child” (Part II)

•Baby and the pressure to act more like an adult?

How do these “Conflicts” make you want to keep reading?

Page 14: Discussion – Part I & II Pages 1 to 44 Lullabies for Little Criminals By Heather O’Neill

People gave you a hard time about being a kid at twelve. They didn’t want to give you Halloween candy anymore… They were trying to kick you out of childhood. Once you were gone, there was no going back, so you had to hold on as long as you could. Marika was beckoning from the other side. (17)

Page 15: Discussion – Part I & II Pages 1 to 44 Lullabies for Little Criminals By Heather O’Neill

More ComplicatedAuthor’s Techniques

Page 16: Discussion – Part I & II Pages 1 to 44 Lullabies for Little Criminals By Heather O’Neill

What is an Allusion?

Allusion:A brief reference to a person, place, or thing that can be related to almost anything.

In your own words?If you come across a word or a name you do not recognize – it might be an allusion! Look it up!

Page 17: Discussion – Part I & II Pages 1 to 44 Lullabies for Little Criminals By Heather O’Neill

What is an Allusion?Page 5 – “red-light district”Page 6 – “99 Red Balloons”Page 7 – “The Fiddler on the Roof”Page 11 – “Dostoyevsky” Page 21 – “Grimm’s Fairy Tales”Page 32 – “Stevie Wonder”Page 34 – “Spanish Fly”Page 39 – “Alice Cooper”

Page 18: Discussion – Part I & II Pages 1 to 44 Lullabies for Little Criminals By Heather O’Neill

The LARGE Metaphor… Symbol?See if you can spot the handful of times

O’Neill creates a situation to represent something else.

Is she comparing these things? = Metaphorical

Is she trying to create a symbol? Maybe if it pops up again later in the book.

Page 19: Discussion – Part I & II Pages 1 to 44 Lullabies for Little Criminals By Heather O’Neill

Then, one morning, I told them about a game where you take a chair out into the middle of the road and just sit on it. When the cars honk at you, you have to act natural and pretend not to hear them. (26)

Page 20: Discussion – Part I & II Pages 1 to 44 Lullabies for Little Criminals By Heather O’Neill

Irony?Defined as a reversal of expectations.

Why is Baby’s name ironic?

Why is Lester’s pendant of Bambi ironic?

Page 21: Discussion – Part I & II Pages 1 to 44 Lullabies for Little Criminals By Heather O’Neill

From what I had gathered about the world, you couldn’t trust what mothers said… As I lay in the dark, I knew everyone was thinking about their mothers. I wanted to think about my mother, too, but I couldn’t come up with much (42-4).

Page 22: Discussion – Part I & II Pages 1 to 44 Lullabies for Little Criminals By Heather O’Neill

Thank You.Are NINJAS ironic?