divercity - the stables

DiverCity 7 new Songs for a Singing City

For Milton Keynes 50

Music by Craig McLeish

Words by Yaw Asiyama

Commissioned by the Wavendon Stables Learning & Participation Department.

for Milton Keynes Choirs to mark 50 years of Milton Keynes

!1

DIVER-CITY

CONTENTS

Page

1 Foreword by Marion Hill and Graeme Surtees

3 Roundabout

6 Journey To Me

13 The Green Fact Round

17 The Green Fact Round (Round)

18 Hymn To The Fields

21 Re-Cycle

26 How To Make Your Own Rock

32 Diver-City

37 Words Sheet

This work has been supported by funding from MK Community Foundation

Foreword

The idea to create something for community choirs during the MK50 year first emerged in

2016 when Graeme Surtees, Head of Learning and Participation at The Stables, met with

Marion Hill and members of Living Archive Milton Keynes (LAMK). They brought together

the ideas of creating something for choirs and singers across Milton Keynes; the creation of

a Milton Keynes Song Book based on local people’s experiences; and the commission of a

brand new Community Choir piece, special to Milton Keynes.

Two artists with strong connections to MK were ideally placed to help create this. Craig

McLeish is a composer, musical director, educator and choir leader who has composed an

ambitious, accessible and unexpected musical exploration and celebration of the city. Yaw

Asiyama is a performer, writer and community artist who uncovered and created the

words that helped the songs evolve into something rooted in the city’s unique story and

sense of place.

The Living Archive Band and the MK Community Choir held their first combined concert in

July 2017; LAMK published the first Milton Keynes Song Book in September; and this unique

cycle of songs celebrating MK, was completed in October.

These seven songs have evolved as a song cycle, rather than a single piece – they can be

sung separately or as part of a single performance - and like Milton Keynes itself, they

have energy, relish and off-beat harmony. They demolish the concrete myths and refute

the roundabout sneers about the City; instead, they celebrate them!

The first song, Roundabout, rejoices in the choices given to us by our grid-road roundabouts: just like our life choices, we can go whichever way we want to reach our chosen destination. Each member of the choir has a different way of dealing with the song… What you eventually hear in Roundabout is a wonderful mix of those who start on the ‘V’ (or vertical) roads – in the key of E; and those who are on the ‘H’ (or horizontal) roads – in the key of B. The song has six separate phrases, each one slightly longer than the previous one; each singer chooses when to start, and when to move onto the next phrase, but they must sing all the phrases at least once and move back to their starting point. Craig comments: ‘The point is everyone makes their own decisions but these small decisions contribute to a larger canvas of sound which is never the same twice - just like hundreds of cars driving through MK during rush hour, and indeed like millions of us during life!’

The song ends with the title of the next song in the cycle: Journey To Me. Here, the poetry

underlines the special MK sense of finding your own way:

It's a place of second chances.

No-one knows which way you're dancing;

Different voices, different choices any day!

With a joyous syncopated rhythm, the music swells to four voices each proclaiming where

they are going in this city: whether it is beyond Stony Stratford’s famous Cock and Bull

1

Inns or ‘mazing through’, what they will find is ‘my way home on this journey to me’.

Milton Keynes allows you to find yourself, whoever or whatever that is.

The third song in the cycle mentions just a few of the remarkable facts about the city,

sung in the form of a round, the ‘ground’ bassline rising with the optimism of the words.

The Green Fact Round is an ingenious list of what makes our green spaces special: our parks

have been proven to have many more plant, bird and animal species than when the area

was just farmland – Howe Park Wood particularly is an SSSI - a Site of Special Scientific

Interest; 4,500 acres – 20% of the whole city area – was designated in 1967 as green space;

and the city’s lakes, canal-sides and riversides provide the song’s entirely factual

comparison with Jersey and Venice. Again there is choice in performance, either 6

different groups singing a line each or more adventurously as a proper round where

everyone sings the whole piece.

Hymn To The Fields is a dramatic contrast and written in a more conventional choral style,

with qualities of a mysterious, restless anthem. At first the singing voices accompany a

spoken tribute to the fields that the city is built on. The words remind us of the freedom

and greenery of open spaces that inspired the creation of so much green spaces in the

modern city. : ‘We will never erase all that you used to be… you have set us free’.

The idea for Re-Cycle is to have a simple song that links two of Milton Keynes’ pioneering

attributes that ‘keep the world spinning’: the recycling of waste in the city which began in

1982; and the city’s unique cycling Redways – all 230 km of them, and part of its Plan

since 1967. The song’s power is in its simple message: that by preventing waste and

keeping fit, ‘we can make our children happy.’

How To Make Your Own Rock is a spirited song-dialogue about concrete! Using the idea that

concrete was in use at least 2000 years ago and has a longer history than people think, it

is suggested that perhaps Milton Keynes’ built environment will have a longer legacy than

we realise. A resident interviewed by LAMK drove ‘for ready-mixed concrete when we

worked on the city centre… an enormous building site.’ He remembered putting ‘six or

seven lorry-loads straight into one hole. And that was a base for the steelwork. They said

it was designed to last 5,000 years!’ This song creates an energy by pitching one set of

voices against the other, and delights in a ‘rocky, jazzy, rapping feel’ – ideal for two

children’s choirs!

For the final song DiverCity, and fittingly for MK50, Yaw wrote a 50-word poem, an elegy on

how communities can ‘meld… enhance and enchant’ in their diversity. Then, the most

widely spoken 50 languages in MK were identified from a total of around 150. The second

verse is a translation of the English, word for word, in each of those 50 languages; and the

music is equally diverse, including a section where all the harmonising voices move

together... Just like Milton Keynes!

We hope that many groups and choirs will enjoy learning and listening to this song cycle –

it belongs to everyone.

Marion Hill and Graeme Surtees October 2017

2

© 2017 The Stables/Craig McLeish

Round

FOR SOPRANOS AND TENORS - START ON V (E)

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Choose one singer (either Sop or Tenor) to start on E.- Each singer chooses when

to start tune 1 and repeats each tune as often as they like before moving on to the

next one. Everyone moves up to tune 6 and back again at their own rate of change.

It is suggested that succesive Tune 1 entries fall on the second crotchet of someone

else's tune 2, i.e. in the gap between the "rounds" (The white arrow).

All singers must keep their voice fairly low in volume. No single singer should be

heard distinctly above others.

The Conductor keeps the crotchet pulse which never changes.

The first utterance of "Round" in each tune must fall on the beat. Take care especially

when changing from Tune 2 to Tune 3 - the crotchet pulse must remain

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back at tune one they decide when to stop.

Rules of Play -

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Once the texture has been established a soloist will improvise lines suggested

on page 3 - they must finish these improvistations before the last choir member

sings the final "Round"

Alternative version - Each singer chooses which tune to start on and moves around

the tunes at their own discretion - The conductor starts off by singing tune 1, and it is

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The piece ends once the last singer has finished their return to Tune 1

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Journey To Me


Words and Alto tune by Yaw Asiyama

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1.

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The first to break the beautiful

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Fields we will never erase what you used to be,

Everywhere there will always be a memorial of you

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A testimony to these fields of plenty

These giving fields which gave hope to many -

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Words and Music by

Craig McLeish

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# The BSL sign for embrace is to hold up your left fore finger and the right hand wraps round it protectively

The 50 most requested languages for interpretation in Milton Keynes in 2017,

each of which appears in this poem.

1. Polish 26. French

2. Romanian 27. Somali

3. Bengali 28. Twi

4. Urdu 29. Latvian

5. British Sign Language 30. Swahili

6. Tamil 31. Gujarati

7. Arabic 32. Cantonese Chinese

8. Punjabi 33. Swahili

9. Lithuanian 34. Hindi

10. Italian 35. Amharic

11. Kurdish 36. Oromo

12. Russian 37. Pahari-Potwari

13. Bulgarian 38. Japanese

14. Pushto 39. Thai

15. Portuguese 40. Slovak

16. Albanian 41. Modern Greek

17. Persia 42. Croatian

18. Mandarin Chinese 43. Tigre

19. Spanish 44. Nepali

20. Hungarian 45. Bosnian

21. Tigrinya 46. Lingala

22. Sylheti 47. Serbian

23. Turkish 48. Telugu

24. Vietnamese 49. Igbo

25. Dari 50. Czech

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36

DIVER-CITY - Lyrics Sheet

ROUNDABOUT

Roundabout Many Routes One Destination I will find my way On this Journey to me

JOURNEY TO ME

If a seed fell from the sky and landed any placeThere would be no better place than where I’m with you

In a very roundabout way there had to be a rich and clever brand new city near history

This is no Cock and Bull story, but a land of second chancesAnd we all will find our answers in this place.

I am mazing through this city and I guaranteeI will find my way home on this journey to me.

It’s a place of second chances. No one knows which way you’re dancing;Different voices, different choices any day.

I am mazing through this city and I guaranteeI will find my way home on this journey to me.

THE GREEN FACT ROUND

Howe Park Wood has two hundred species of plant,Five Thousand acres of Parkland; A hundred and thirty one ponds,Green space is twenty percent; one fifth or twenty percent,You’re never more than half a mile from a green space,More shoreline that Jersey; more bridges than VeniceGo to MK50.co.uk for more information

HYMN TO THE FIELDS

And so the darkness broke with light and an awakening“Let us”, they said - and so they did - the first to break the beautifulSo as to to create beauty and continuity.Fields we will never erase what you used to beEverywhere there will always be a memorial of you So long as the sun rises A testimony in trees, in greeneryA testimony to these fields of plentyThese giving fields which gave hope to many…Which gave homes to many

We will never erase all that you used to beWe will keep you in our minds as you have set us freeYou gave us hope; You gave us spaceYou gave us greenery, Beauty, Continuity

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RE-CYCLE

Cycle - Recycle - Cycle - Recycle

Let’s all keep the world spinningLet’s all keep the world spinningCycle on the Redways providedAnd we will make our children happy

Let’s all keep the world spinningLet’s all keep the world spinningRe-cycle in the Pink Sacks providedAnd we will make our children happy

HOW TO MAKE YOUR OWN ROCK

Children's Choir 1 Children's Choir 2We wanted a city built upon a rock But where are you gonna get a rock round here?

We’ll make it, we’ll make itWe’ll make our own rock But that’s impossible don’t you know?

What do you mean, “Thats impossible”We’ll whirl it, we’ll swirl it You what did you say you’re gonna pour your own We’ll pour our own rock rock? Tell me how do you do that?

First you get a digger and youdig real deep -- you put some sand and stones in a great big heapMix it with some powdered Lime3 parts to 1 - You add a little water and the mix is done

Thats how you do it!

Have you ever wondered why the Pantheon Still stands today when so much else has gone?

The Romans they made it they made their own rock But that’s impossible don’t you know?

What do you mean, “Thats impossible”They whirled it, they swirled it You what did you say The Romans poured their ownThey poured their own rock rock? Tell me how did they do that?

First they got some diggers and theydug real deep -- they put some sand and stones in a great big heapThey mixed it with powdered Lime 3 parts to 1 - They Added in some water and the mix was done!

That’s how they did it!We made our own rock

Thats how we did it We made our own rock

Thats how we did it YEAH!

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DIVERSITY

A drop that fell to weld us all into this oneWe all belong to move alongIn space and time.The We, the Us, the You, the Me,And I are We,Each difference a chance to enhance and enchant.To flow, to grow, to know,The how we are.

No barriers, friend,

EMBRACE.

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divercity - the stables

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