doria

8
Doria for Soprano and Tape Based on the poem “Doria” by Ezra Pound Aida Shirazi September-November 2014 Ankara-Turkey

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for Soprano and Tape

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Page 1: Doria

Doriafor Soprano and Tape

Based on the poem “Doria” by Ezra Pound

Aida ShiraziSeptember-November 2014

Ankara-Turkey

Page 2: Doria
Page 3: Doria

Doria

Ezra Pound1914

1. BE in me as the eternal moods of the bleak wind, and not As transient things are — gaiety of flowers. 2. Have me in the strong loneliness of sunless cliffs And of gray waters. 3. Let the gods speak softly of us In days hereafter, the shadowy flowers of Orcus Remember thee.

Page 4: Doria

Performance Notes

1. The poem is divided into three section and each section is separated by numbers 1, 2 and 3.

2. ! airy sound, with as little operatic quality as possible. The mood of the passages with

this notehead is introvert and intimate, as in lied singing.

3. Frozen notes continues, unless there would be rest somewhere after them.

Page 5: Doria

Tape

Liberamente qq=60

Tape

Be

pp

non vib.

in

mp

me

n

as

pp

the e ter- nal- moods

mf ppp

Tape

pp

of the bleak

mf

wind

ppp

not as

mf

tran

p

molto vib.

si ent- things

pp

are

mp

Tape

gai

p

e- ty- of flo

mf

wers-

ppp

have

non vib.

pp

me in the strong

mf

&

for Soprano and Tape

Based on the poem "Doria"

by Ezra Pound

Doria

Composer :Aida Shirazi

/

Repeat the first section of the poem with different tempi, being merged

with the first line

&

U

/

freeze E

&

,,

3

/

fade out freezed E

&

,

/

freeze A fade out freezed A

˙™

œ œw

œ ™ œb œ

œ œw

‰œ œ

J

œb

˙™ ‰

œ

J

œ ™œ

˙

‚ ‚ ‚

‚ Ob

‚™

‚ ‚ ‚

‚#O ™

Ϫ

œ

j

œ

œ˙

1

Page 6: Doria

Tape

lone

molto vib.

mf

- li ness-

p

of sun less- cliffs

f pp

and

mf

of gra

p

molto vib.

y

mf

wa ters-

ppp

Tape

let

non. vib.

mf

the gods

p

speak

f

soft

p

ly- to us

mp p

in

mf

days here af ter

f molto vib.

Tape

the

non vib.

pp

sha do

mf

- wy

mp

- flo

p

wers- of Or

mf

vib. ord.

cus-

ppp

Tape

re

p

mem- ber- thee

pp

re

pp

mem- ber- thee

ppp

re

ppp

mem- ber- thee

pppp

&

,

≈ ,

10"

,

/ ∑

reminiscence of the whisper line of the first phrase

and anticipation of the next phrase in low octave

&

gliss.

/ ∑

anticiption of the next phrase

in low octave

&

,

3 √,

/

/

freeze F

repeat and overlap "the shadowy flowers of Orcus"

/whisper

&

/

granular "be in me"

echo "the shadowy"

‚ ™ ‚

j

j

j

‚ ‚

Ob™

‰œ

j

œ

œb œ™

œ

‚bO™

Ϫ

œ

J

œ

˙

œ

œœ™œb

˙

‰ œn

J

œ™ œ

œ

˙b

j

‚ ‚

j

O ‚

‚bO

‰œ

j

œ œ œ‰

œ

j

œ œ œ‰

œ

j

œ œ œ

2

Page 7: Doria

Tape

let

mf

the gods

p

speak

mf

soft

pp

ly to us

mf

in

mf

days here af ter

ff

the

ff

sha do- wy

fff

-

Tape

the

fff

sha do- wy-

f

the

f

sha do- wy-

n

flo

p

wers- of

mf

Or

p

cus

pp

-

Tape

re

p

mem- ber- thee

mf pp

re

mp

mem ber- thee

mf p

Tape

re

mf

molto vib.

mem- ber- thee

f

re

f

mem- ber- thee

ff

(h)

fff

accel.

&

, ,

/ ∑ ∑

freeze B flat

softlyŒ

&

3

,

3

√ ,3

..

/

reverb this phrase, add gradually growing delay

&

gliss.

√,

/

&

whisper the first phrase with diminuendo

.>

/

‚‚

O‚

‚‚b™

O

‰‚b

j

‚ ™ ‚‚b‚

‚b

‚b

J

‚ ‚ ‚

‚ ‚ ‚ ‚ ™™

R

O O O Oœb

œ

œ

œbœ

Ó

œb

j

Ϫ

œ

œb™™™

œb

Kr

‰œb

j

œ ™ œ

˙

œ œ œ œ

œ œ œ ˙ œ

J

3

Page 8: Doria

Tape

Be

non vib.

ppp

in me

p

re

n p

mem- ber- thee

mp pp

re

mp

mem ber

mf

- thee

p

Tempo primo

Tape

re

mf

con vib.

mem- ber

f

- thee

mp

re

f

mem- ber

ff

- thee

mf

accel.

Tape

Be

mp

in

mf

me

p

Be

p

in me

mp

(h)

f

rall.

Tape

&

/ ∑ ∑ ∑

freeze G freeze Ab

&

/

freeze C freeze D

&

molto vib.

U

.

/

5"

&

∑ î

/

reverse the first and second sections of the music, create two lines and

change the pitches of the second line locally î

O O ~‚b O ‚ ~

œ ˙ œ™™œ

w

œ

J

˙™

œ œw

œ

J

˙ ™ œ œw

˙™

œwb

˙b ™ œ œw œ

Ó

4