doria
DESCRIPTION
for Soprano and TapeTRANSCRIPT
Doriafor Soprano and Tape
Based on the poem “Doria” by Ezra Pound
Aida ShiraziSeptember-November 2014
Ankara-Turkey
Doria
Ezra Pound1914
1. BE in me as the eternal moods of the bleak wind, and not As transient things are — gaiety of flowers. 2. Have me in the strong loneliness of sunless cliffs And of gray waters. 3. Let the gods speak softly of us In days hereafter, the shadowy flowers of Orcus Remember thee.
Performance Notes
1. The poem is divided into three section and each section is separated by numbers 1, 2 and 3.
2. ! airy sound, with as little operatic quality as possible. The mood of the passages with
this notehead is introvert and intimate, as in lied singing.
3. Frozen notes continues, unless there would be rest somewhere after them.
Tape
Liberamente qq=60
Tape
Be
pp
non vib.
in
mp
me
n
as
pp
the e ter- nal- moods
mf ppp
Tape
pp
of the bleak
mf
wind
ppp
not as
mf
tran
p
molto vib.
si ent- things
pp
are
mp
Tape
gai
p
e- ty- of flo
mf
wers-
ppp
have
non vib.
pp
me in the strong
mf
&
∑
for Soprano and Tape
Based on the poem "Doria"
by Ezra Pound
Doria
Composer :Aida Shirazi
/
Repeat the first section of the poem with different tempi, being merged
with the first line
&
U
/
freeze E
&
,,
3
/
fade out freezed E
&
,
/
freeze A fade out freezed A
˙™
œ œw
œ ™ œb œ
œ œw
‰œ œ
J
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œ
J
œ ™œ
˙
‚ ‚ ‚
‚
‚ Ob
‚™
‚ ‚ ‚
‚#O ™
Ϫ
œ
j
œ
œ˙
1
Tape
lone
molto vib.
mf
- li ness-
p
of sun less- cliffs
f pp
and
mf
of gra
p
molto vib.
y
mf
wa ters-
ppp
Tape
let
non. vib.
mf
the gods
p
speak
f
soft
p
ly- to us
mp p
in
mf
days here af ter
f molto vib.
Tape
the
non vib.
pp
sha do
mf
- wy
mp
- flo
p
wers- of Or
mf
vib. ord.
cus-
ppp
Tape
re
p
mem- ber- thee
pp
re
pp
mem- ber- thee
ppp
re
ppp
mem- ber- thee
pppp
&
,
≈ ,
∑
10"
,
/ ∑
reminiscence of the whisper line of the first phrase
and anticipation of the next phrase in low octave
&
≈
gliss.
/ ∑
anticiption of the next phrase
in low octave
∑
&
,
3 √,
/
/
freeze F
repeat and overlap "the shadowy flowers of Orcus"
/whisper
&
/
granular "be in me"
echo "the shadowy"
‚ ™ ‚
j
‚
j
‚
j
‚ ‚
Ob™
‰œ
j
œ
œb œ™
œ
‚bO™
Ϫ
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J
œ
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‚
j
‚ ‚
j
O ‚
‚
‚
‚bO
‰œ
j
œ œ œ‰
œ
j
œ œ œ‰
œ
j
œ œ œ
2
Tape
let
mf
the gods
p
speak
mf
soft
pp
ly to us
mf
in
mf
days here af ter
ff
the
ff
sha do- wy
fff
-
Tape
the
fff
sha do- wy-
f
the
f
sha do- wy-
n
flo
p
wers- of
mf
Or
p
cus
pp
-
Tape
re
p
mem- ber- thee
mf pp
re
mp
mem ber- thee
mf p
Tape
re
mf
molto vib.
mem- ber- thee
f
re
f
mem- ber- thee
ff
(h)
fff
accel.
&
, ,
/ ∑ ∑
freeze B flat
softlyŒ
&
3
,
3
√ ,3
..
/
reverb this phrase, add gradually growing delay
&
gliss.
√,
/
&
whisper the first phrase with diminuendo
√
∑
.>
/
‚‚
‚
O‚
‚‚b™
‚
O
‰‚b
j
‚ ™ ‚‚b‚
‚b
‰
‚b
J
‚ ‚ ‚
‚ ‚ ‚ ‚ ™™
‚
R
O O O Oœb
œ
œ
œbœ
Ó
‰
œb
j
Ϫ
œ
œb™™™
œb
Kr
‰œb
j
œ ™ œ
˙
œ œ œ œ
œ œ œ ˙ œ
J
3
Tape
Be
non vib.
ppp
in me
p
re
n p
mem- ber- thee
mp pp
re
mp
mem ber
mf
- thee
p
Tempo primo
Tape
re
mf
con vib.
mem- ber
f
- thee
mp
re
f
mem- ber
ff
- thee
mf
accel.
Tape
Be
mp
in
mf
me
p
Be
p
in me
mp
(h)
f
rall.
Tape
&
/ ∑ ∑ ∑
freeze G freeze Ab
&
/
freeze C freeze D
&
molto vib.
U
.
/
5"
&
∑ î
/
reverse the first and second sections of the music, create two lines and
change the pitches of the second line locally î
O O ~‚b O ‚ ~
œ ˙ œ™™œ
w
œ
J
˙™
œ œw
œ
J
˙ ™ œ œw
˙™
œwb
˙b ™ œ œw œ
JÓ
Ó
4