Transcript
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  • 9 11

    .

    . 212. 24

    3. - 314. 38

    5. 436. 46

    7. 508. 60

    9. 66

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    10. 7211. 95

    12. 12113. 13814. 159

    15. 16716. 170

    174

    181 199

    200 - 202

  • 9

    o - . -, 2004. . - . , - . ; ; ; -- . - , - , , 1950 - , - . , - , .

    . -, -. , , -. , , - , , .

    , - (cultural studies), - (visual culture). , - . - ,

  • 10

    , - , . - . - , , - 19 20 .

    , . - - . - , , . . - . 3 2012. . , , , -, . , -, , - .

  • 11

    19 , -. - , -. , - .

    1 (1892), Henry James (1843-1916): - , - , - . - . , - . . - , - . - , . - , -, , - . : - , - .2 19 ,3 - - .

    20 -, objets trouvs Marcel Duchamp (1887-1968)

    1 Henry James, , (. . ), 2009, .53. : The Real Thing.

    2 . , .., .32.

    3 L.Tolstoy , , . , The Forged Banknote, The False Coupon, The Counterfeit .. R.Bresson 1983 (LArgent).

  • 12

    collages Pablo Picasso (1881-1973), - . , - . - . 1950 , - 4, : , , , , , , -, , , , - . combines Robert Rauschenberg (1925-2008), cut-ups William S.Burroughs (1914-1997), - , Andy Warhol (1928-1987), modules Sol LeWitt (1928-2007), Roland Barthes (1915-1980), - Fake Art.

    , . . - = / = . , , , , , - . , - .5 , .. - , ,6 - . 2010 , Victoria and Albert Museum National Gallery.7

    4 , , (. .), 2008, .27.

    5 . R.Arnheim, On Duplication The Forgers Art, . D. Dutton, 1983, . 232.

    6 . . (), 2 2009, .15. A.R.C.A. (The Association for Research into Crimes against Art), The Journal of Art Crime, .. www.artcrime.info.

    7 Victoria and Albert Museum, The Metropolitan Police Services Investigation of Fakes and Forgeries, 2010 National Gallery, Close Examination: Fakes, Mistakes and Discoveries,

  • 13

    , . , , .

    - . , - 19 20. -. - , , - , , - .

    , , - , , 18 , . , 1821 . - , - 19 . 1830, . . , - . - , - , -. - , , . - .., , ,

    2010. . . . , 16 2010, . 23 . (), 25 2010, . 15. 2007 Bruce Museum , ..., Fakes and Forgeries: The Art of Deception. . . http://www.nysun.com/arts/at-the-bruce-the-art-of-deception/54196/.

  • 14

    .8 , , -, , . - . . - . .

    , , . , . . , - , .

    , - . - , , , - . - , . . - . - , - . . . - , - , , . - - , , - .

    , - . -

    8 .., , , .59, 1967, . 149 (..121).

  • 15

    , , , - . - , , - . , . -, , , , -, .

    - , . , ( - ). -, -, , ( -) . , 20 - . . , . , , - - , .

  • 16

  • 17

    .

    9

    .

    , .

    Paul Celan10

    : ;

    Mallarm , ,

    , -

    .Michael Foucault11

    , , - . , . , . -

    9 N.Groom, The Forgers Shadow. How Forgery changed the Course of Literature, 2002.

    10 , , , 2 (Die Niemandsrose,), . . . , . , 1995.

    11 , . , .420 (Les mots et les choses. Une archologie des Sciences humaines), . . , . , 2008.

    .

  • 18

    , - : , , , , , , - , , - ..., .12 - . , - , . -, -, - . .

    , , - , . , .13 - , . . - , - , . , .

    . El Greco - 14- , El Greco . ,

    12 , , .

    13 . , .

    14 . . (2007/8), . : - , . Welthey 1962 . , . .

  • 19

    .15 El Greco , . , - - . Greco, - .16 - , . , , - . - . - , .

    . - - , . , . - - - . . - . - -

    15 , . , , , . Vermeer (1632-1675), , , - 20 .

    16 Giogio de Chirico (1888-1978), , . , 22 . .Carlo L.Ragghianti, Il caso de Chirico,. Critica dArte, . 44 (1979), . 3-54.

    .

  • 20

    , . forgery - counterfeit. , fake , .17 . , --, , - . , , -. , , , . - , - , plagiarism. - .

    --, - . , , , - . . , - , . . -. - .

    17 , .

    .

  • 21

    .

    ;18

    - --, (-) (--). - . ( -, ), , , - , , , - . , - , , , . -. . -. , , . - , - . - -. -- - , (original), .

    2 .. -, 19 - , , , , . -

    18 Nihil novi sub sole (vulgata). - .

    19 (5,102,9). , , 178. ., . . 9 , .

  • 22

    , . - , 3 .. , 20 , - : , , , , -, , . - (. 280-340..) 21, , . - : .

    22 - . , - . - - , . , - . , , - .

    18 19 , , - . - . -

    20 (1,9,11). . . . (273..), .

    21 (6,16). . . .

    22 . R. Mortier, LOrigina-lit: Une nouvelle categorie esthtique au sicle des lumires, 1982.

    .

  • 23

    , , - , - -. , - , .

    20 , - , - . - : - , ; ; - ; - Jean Baudrillard , simulacrum - .23

    21 . , , , - , .

    , - .24 .

    23 Jean Baudrillard, Simulacra and Simulation, . Michigan Press, 1994 Gesture and Sig-nature: Semiurgy in Contemporary Art For a Critique of the Political Economy of the Sign, 1981, . 102-11.

    24 , (industrial design). limited edition . , . , . , . , - . . . . Modern Painters, 2008- 2009, . 89 ..

  • 24

    2.

    ;

    '; ;

    , ;

    , , ,

    . , ,

    . 25

    - ,-. , , . (, - ) . - . - , , -- , , () .26

    25 , , . , 1978, . 50-51. . - . . , . (. 250-184) . Jean Giraudoux, Amphitryon 38.

    26 H. G. Liddell-R. Scott-., , . ,

    .

  • 25

    . -. , , - . Walter Benjamin - 1936 `27, -.28 1996, Hillel Schwartz The Culture of the Copy29 - . , -. , , -, - : -. - - . . - . , Schwartz -, , : - . - , , . - . , , - .30

    , .

    . 248-249.

    27 Walter Benjamin, Das Kunstwerk im Zeitalter seiner technischer Reproduzierbarkeit, Zeitschrift fr Sozialforschung, 1, 1936. . : W.Benjamin, , . , 1978, .10-46.

    28 . . T. Eagleton, W.Benjamin, Towards a Revolutionary Criticism, 1985 . , W.Benjamin L.Mumford , , , 1997, . 100-105.

    29 Hillel Schwartz, The Culture of the Copy. Striking Likenesses, Unreasonable Facsimiles, 1996.

    30 Hillel Schwartz, .., . 211.

  • 26

    . - - - , , , , . - , - . , - - .

    - - . , - . , - , - , . , - . - , .

    - , , - . - . - 8 9 .. .31 , , - - , , . - , - -.

    31 . .V. Laurent , , 5, . 395-405.

    .

  • 27

    , - . (759-826 ..)32, , -: - , .33 , - -. .

    , - - - - , - . 19 , - , . , , , -, , .34

    , , , - . 9 - , - , . - , .35 - - , -

    32 . . . . , , 1998.

    33 , 57, 17.., 33..

    34 ., (1-842), , 1896, . 87..

    35 , (. . ), 1906, . 808. . . , .., . 222.

  • 28

    . , , . (-) - (-), , () - . - . . 18 , - , .36

    , - . -37 . , -- . -, , -. , .38

    , - , - . 1830, , , -. -39 , . - 19 . 1837 ,

    36 . . . .

    37 , . .

    38 . . . , 17 20 , 20 . , , ( ), 2009, . 547-558.

    39 . . . . , , 1968 (), . 201..

    .

  • 29

    40, . , - . , - . - . . - - .41 .42 , , , - - . - .43 , -, . , , .

    pasticci,44 . 17 18 , , - . pot-pourri. pastiche, , - . , .

    pasticheur, (1814-1878).

    40 . . . , , 1956.

    41 ( ) 1845-1858 , .

    42 . . . , 1851, 1862 1855, 33, 1981, . 140-162.

    43 , , .. , 23 1859.

    44 . Encyclopedia Britannica, 7, . 791.

  • 30

    . 1821 pastiches.45 , - . , , , , - .

    . - - . (reproductions). . Walter Benjamin - , ,46 , , - . . , - , - . . - (close-ups), . , - , - .

    , , - , - . ().

    45 . . . ., . ( ), 1979, . 61..

    46 Walter Benjamin, .., .27.

    .

  • 31

    3. -

    . ;

    .47

    , - . , , - . - . , - - - : 1. , 2. .

    - , mimesis , - imitation imitare ().

    , , - , - imitation,48 .

    47 , , 13,2: . ; .

    48 . .. . , . , 1952, . 28, . 31.

    -

  • 32

    .

    49 -, , , - . -, - , . 10 - , 2 3 -. . - , , , : ; ; .50 -, , - ,51 - . . - - , : , , , .

    1 52 , . - , -. - 19 ,

    49 - . . , .., . 23..

    50 ; ; ., , , , 602c, (.. . ), 1963, . 311.

    51 . . , , 602d, c. . E. H. Gombrich Art and Illusion. A Study in the Psychology of Pictorial Representation, 1960. , , - .

    52 .

    .

  • 33

    , . - .

    53, - . , . - . , . - , , . . .

    (205-270), , . - , - 54 - , . , . , . , , , . . - .55

    53 , , , , , 1449b 24-28. . . A. Lesky (. . ), 1964, . 788..

    54 V. 8, 1, 38 ( ). , 301.. , .

    55 . . Pierre Hadot, , . . , . , 2007, . 102..

    -

  • 34

    - . . . (23/4-79 ..) , - : - . ( ) , - , - , .56

    . (106-43 ..) (De Oratore) . (. 35-96 ..), .57 - , Bonaventura (1217/21-1274),58 - .

    15 , , . Leon Battista Alberti (1404-1472)59 (De Pictura) . - , -

    56 , , .35 VI (65), . . -. . , 1995, . 67-68.

    57 . Patrizia Castelli, , . . , , 2008, . 112.

    58 , . . Collectio-nes in Hexaemeron Opera Omnia 10 ( 1882-1902) .

    59 Alberti , , . . De pictura ( ), De re aedificatoria ( ) De statua ( ), .

    .

  • 35

    .60 . - , , Alberti - . , . , - - . - - - .

    , - 18 . Johann Joachim Winckelmann (1717-1768), ,61 - -: - . . 19 - , - . - -- , - .

    20 , , , -,62 - . -, , ecriture.63 -

    60 Patrizia Castelli, .., .113..

    61 . . . . , Winckelmann , 1976.

    62 , . . R. S. Crane (.), Critics and Criticism, 1952. R. Alter Mi-mesis and the Motives of Fiction Motives of Fiction, 1984.

    63 . M. H. Abrams, A Glossary of Literary Terms, 1993.

    -

  • 36

    , . - . - , - .

    .

    , - . -. , - . - , . . , - , - . : . , . , - . 64

    -, . 18 . - , , - . - . - , . - -. ,

    64 , VI, 8,10.

    .

  • 37

    , - . , .65

    -. , . - . - . - Alexander Pope (1688-1744).66 (Imitations of Horace, 1733), - , , , , . - .

    . - .67

    - , . - (traquages subtils) , Roland Barthes.68 1968 -

    65 . Sarah Burton, Imposters: Six Kinds of Liar, 2000.

    66 Alexander Pope . : . Pope . R. A. Brower, Alexander Pope: The Poetry of Allusion, 1959.

    67 - , 18 . Benjamin West, . . Claire Barliand, He who laughs last, . Modern Painters, 2008- 2009, .74-77. Benjamin West and the Venetian Secret Yale Center of British Art, ... 2009.

    68 Barthes , . , .

    -

  • 38

    69 , , , - . , , , . - . - . - , , .

    4.

    ,

    ,

    .70

    , , - , . - , - , . , - -. , - .

    (+) ,

    . . . (), 1 2010, .7.

    69 Roland Barthes, La mort de lauteur, . Manteia, . 5, 1968, . 12-17. --, . . , . , 1999, . 137-143.

    70 , , . . . , University Studio Press, 1996, . 54 ( ).

    .

  • 39

    . , . . , . - (346-250 ..), - (.494-434..) .71 - , , - .

    ( ) (232-301/6 ..).72 -. - , , - , , ! - , (140/50-220/31 ..).73 - -, . , , , - , , , - . , .74

    - , - . ,

    71 . , 8, 54 ( ) ( ) , , , .

    72 , , . . (230-340..) (Evangelicae praeparationes, 464a-468b).

    73 ( ) , . , .

    74 . . E. Stemplinger, Das Plagiat in der griechischen Literatur, - 1921, . 40..

  • 40

    . - (. 195-159..). , , ( ) -: . - , - .75

    - -, , , , , ,76 , , - . - -: Furtum-. , (.40-104..)77, . Plagiarius , . - plagium (. ), , . plagiarius - (., ). - , plagiat, .78

    15 .79 , - . , - . 20 , , -

    75 , , .., . 6.

    76 .. . . Michel Schneider, Voleurs de mots: essai sur le plagiat, la psychoanalyse et la pense, 1985.

    77 Marcus Valerius Martialis. . . . , .

    78 Dictionnaire historique et critique (1697) Pierre Bayle (plagiats) .

    79 Thomas Mallon, Stolen Words: Forays into the Origins and Ravages of Plagiarism, 1989.

    .

  • 41

    . , , -, , - (scanning) , , , . , , -, , ab ovo . - , - , 19 - , .80

    . , , . - . , (copyright),81 , , - , - .82 -. , - - .

    , . . - ,

    80 H. Schwartz, .., . 311.

    81 copyright . R.Patterson, Copyright in Historical Perspective, Nashville 1968 R.W.Betting, Critical Perspectives on the History and Philosophy of Copyright, Critical Studies in Mass Communications, 9, 1992, . 131-155.

    82 . S. Breyer, The uneasy Case of Copyright: A Study of Copyright in Books, Photocop-ies and Computer Programs, . Harvard Law Review, . 84, 1970, . 281-351. , . copyright .

  • 42

    - .

    Derrida, Kristeva, Foucault, Althusser Lyotard,83 84 (client societies) , . - , -. .85 1980-90, - - .86

    - ; , ; , , . . . . - - . . , . - - . . - , - .

    , , - . (1820-1867)

    83 . . , Jaques Derrida, Limited Inc.abc, Glyph 2, 1977, . 162-254.

    84 Terry Eagleton, Maybe he made it up, . London Review of Books, . 11, 2002, . 3-4.

    85 Nick Groom, The Forgers Shadow. How Forgery changed the Course of Literature, 2002. . 18-19 . James Macpherson, o Thomas Chaterton William Henry Ireland.

    86 . Schwartz, .., . 314. 1980-1990 , , . . Karen Eliot, Plagiarism as Negation in Culture, Plagiarism: Art as Commodity and Strategies for its Negation, S. Home, 1987.

    .

  • 43

    - - , , . . , , - pastiches. , , - . , , -, , . - . , - . - , . , - - .

    5.

    : (), .

    : ;: .

    Paul Valry87

    , () ,, - , - . (,99) 88 .89 , , - , , .

    87 , , . , 1988, . 19.

    88 5 . .. .

    89 158: .

  • 44

    -- , - . - , , . ( 720 ..) , ( 724) -

    . (, 916,917b-e), - , , , - . - , , , . - (.158) (-), . - (,,2) , (, ,66).

    , 1830 , , - , , - , , , , , .. 1859/60 (1821-1894) , . - , .

    - , . , . - . , , - , - , .

    .

  • 45

    , - . , - , - . - . - , -. , , . . - - . , - ;

    , . . , - , , - .90

    . - , - . - - .

    -, , - : - . - ,

    90 . . Falsification and Forgery, Encyclopedia of World Art, 5, . 333..

  • 46

    .

    - , , .

    6.

    The forgery is a kind of shortcut; it translates the ancient work of Art

    into present day language and serves the same purpose as translations and

    modernizations in literature.91 --, , -, . , , .. . . , . - - . , , , -, . , . (26 ) - .

    ( 216c), (.642D) (No.777D). . , - , - : , -.92 - : , , .

    91 Otto Kurz, Fakes, 1967, . 320. . .

    92 , , 779-780: .

    .

  • 47

    . , - - . . , , , - . , - - . , - - .

    , -. - , - . . , - .93 , , absurdum - , . ,

    93 . Rudolf Arnheim On Duplication The Forgers Art. Forgery and Philosophy of Art, ..D.Dutton, .232, . , (appearance theory ), , , , , . , ( , ), . . . , , , . . . J. Meiland, Originals, Copies and Aesthetic Value The Forgers Art, .., . 115-130. M. C. Beardsley, Notes on Forgery The Forgers Art, .., . 225-230. N. Goodman, Lan-guages of Art, Indianapolis 1976 ( , , . . , . , 2005, . 149-151) Art and Authenticity D.Dutton, .., . 93-114. R.Wollheim, Art, Interpretation and Perception The Mind and its Depths, . Cam-bridge Mass 1993. A. Danto, The Transfiguration of the Commonplace, . Cambridge Mass 1981. J. Margolis, Art, Forgery and Authenticity The Forgers Art, .., . 153-171. . Nan Stalnaker, Fakes and Forgeries The Rutledge Companion to Aesthetics (2 ) W. Sagoff, The Aesthetic Status of Forgery The Forgers Art, .., . 131-152.

  • 48

    , ; 1961 - .94 , . , - Henri Matisse (1869-1954),95 . E - .

    - . - , , , - .., , . - , - , , - .

    - , - . , , , . , - . . - - , , -, , . , , , - - . - - . -

    94 . . L. Meyer, Forgery and the Anthropology of Art The Forgers Art, .., . 78..

    95 . . A. Harrison, Works of Art and Other Cultural Objects Proceedings of the Aristotelian Society, 68, .105-128.

    .

  • 49

    , . - . .

    , . , , -, , , . , , . , , - , - . , - . - . , - . - , , , . - - .

    - , , , , , , , . , - , . . - - . , , Arthur John Evans (1851-1943)96 - Gilliron ( )97

    96 .. , . , . , 2002.

    97 Emile Gilliron (1850-1924) 1871 . . - . . 45 .

  • 50

    art-deco. . - 98 - .

    . , , . , , . - . - .

    7.

    , ,

    . , - Utrillo,99 -. , -, . -. - -. , , .

    98 . , , . , .172, . , .., . 517..

    99 Maurice Utrillo (1883-1955) . . Utrillo . .. . , , , , . 8, . 77-78.

    .

  • 51

    - . , - .

    - , -, , , , . - . . , , - . - , , .

    . . - , . , , -. , - -. . - , - - .

    - Han Van Meegeren (1889-1947). - .100

    100 : John Godley, Van Meegeren, Master Art Forger, N. 1951, Lord Kilbracken( Godley ), Van Meegeren, Master Forger, . 1967 Maurice Moiseiwitsch, The Van Meegeren Mystery, 1964. Meegeren .Marijke van den Brandhof, Een vroege Vermeer uit 1937, Achtergronden van leven en werken van de schilder/vervalser Han Van Meegeren, 1979, Hope B. Werness, Han van Meegeren fecit The Forgers Art, .., . 1-59. Meegeren .

  • 52

    1932 1943 Vermeer,101 - , 17 , Terboch, Pieter de Hooch, Baburen Frans Hals. - , , - - Vermeer. - - Hermann Gring,102 . Meegeren 1945 - , - . , . Vermeer Gring , . - .

    -, , - . - Meegeren, . , , - . -, . Meegeren - Vermeer. - , , , , 17 , , . , - ,

    .

    101 Jan Vermeer (1632-1675). 17 . .. Vermeer, Kindlers Malerei Lexikon (. dtv), 1976, .12, .162-170.

    102 Hermann Gring ( ) (1893-1946). 1921 . . , . .

    .

  • 53

    . - , , - , - , .

    . - . - , . , , . - , - . , , , Meegeren. Vermeer, . 103 Vermeer - , . Meegeren - - . - , . Meegeren - - .

    , , .104

    , -, . - , - . Meegeren 1932 . , . Meegeren - , - . .

    103 . Hope B. Werness, .., . 24..

    104 . Hope B. Werness, .., . 50.

  • 54

    - , - , , . Meegeren -, , , , , , -, , .

    , -, . - . - . - , , , . . - , - 20 , .105 , , , - , . - . - , - , .

    , . . , . Meegeren . 1947 ,

    105 , . 20 . : . , , . . . , 8 2008.

    .

  • 55

    , Meegeren - , -. Meegeren . - , - , - . , -.

    Meegeren , - . . . . , David Stein.106 - , Picasso, Matisse, Miro, Braque .. . Stein. - Picasso, Matisse ... , Stein - . - Stein . - , - , . . , . , , -, , , -

    106 . . J.H.Merryman, Counterfeit Art, International Journal of Cultural Property, 1, 1992, . 18..

  • 56

    . .107

    - , - . , . - 20 , , . 19 - .

    1821 - , . . - , , . , , , - . Adam Friedel,108 1822 . , - Friedel von Friedelsburg - 1824-1829 1821. - . - -. , pastiches. - , . - . .

    107 . , . , 17 2008.

    108 . . . , 1821 , , 25 (1982), . 166.. . -, Adam Friedel. , 2007.

    .

  • 57

    - , . Friedel .

    , , - . - , . , , - .109 -, , - 1821, , . Peter von Hess, - ( ), -, . , , . , , - , , , , , . , . , - . - - . , . , - 110. - . , : . -

    109 . -, . . -. , , . , 1974.

    110 . . () , ( Roger Milliex), ...., 1990, . 235-293.

  • 58

    . - . - Napoleone Valerj, Antonio Zona, .,111 . - , . , . - . - - . , , -, .

    , - - , -.112 Meegeren 1947, , : , - . . - falsum, - . - , . - , 1834, , .113

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    , , . - - . , - . , : , , , , . - , . . . , , . , . , - - - .

    , , - . -, , - . , , , ... , , - . - : ; ; ; ; - ; -; ; ; - ; , - ,

  • 60

    , , - ; ; , - ; , , ;

    . -. - .

    8.

    ,

    , .

    . , . : - , , , , - .

    Giorgio Vasari (1511-1574) (1475-1564), 114 -, 1550, .

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    .

  • 61

    , - .115 Baldassare del Milanese Pierfrancesco de Medici : , - , . Milanese , San Giorgio. - . - . . -, . 19 - 116 , - .117 , , , . Vasari . - , - , , - . , , -. , - .

    - . , - . -.118 ,

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    116 . . , .140, 29 1888, . 4.

    117 . . E. Habborn, Drawn to Trouble, The Forging of an Artist, 1991. Thomas Hov-ing, False Impressions:The Hunt for Big-Time Art Fakes, 1997.

    118 (artifacts), , . . Hillel Schwartz, .., . 143.. (sinua) . E. R. Curtius, Euro-

  • 62

    , - . . - , , . .

    Ludwig Curtius (1874-1954) 119 20 , - . Adolf Furtwngler (1853-1907), - . Curtius . Furtwngler : - . -. : -. . - . . . . , - . - . . . , . - . .

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    119 ( ), , 69, 2003.

    120 J.Pierpont Morgan ...

    .

  • 63

    , , . o Bernard Berenson (1865-1959). To .

    - . , - . - . . - , . , - . Meegeren, , - Vermeer -.121

    Meegeren - . , - Vermeer Gring - Meegeren , .122 . - , , , , , , .

    - -. -

    . . Francis Haskell The Benjamin Altman Bequest Francis Haskell, Selected Essays, 1987, . 186-206.

    121 . H. B. Werness, .., . 45.

    122 1947 Irving Wallace . . H. B. Werness, .., . 42.

  • 64

    , , , , , - , - . . - .

    - .123 , , , - , , . . . - : ; ; , , - -. 20 . Levi-Strauss Wittgenstein - - , , -. - Jacques Derrida124, Michel Foucault125, Althusser, Lyotard.

    - . , ,126

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    281 B. Ashmole, Forgeries of Ancient Sculpture. Creation and Detection (The first J.L.Myres Memorial Lecture, delivered in New College, Oxford on May 9th 1961).

    282 . A. Conze, Die attische Grabreliefs, 1893-1922, III, . 1212, . 269 B.Ashmole, Five Forgeries in the Manner of the Parthenon, .., . 180. K. Trr, .., . 121(.2) .. , , 1984.

  • 110

    . . - -. - . - -. , - , - .

    -. , , - . - 19 , . . -, , . - . , . , - . - . , - . , .

    . Ashmole . -

    .

  • 111

    . , - , . . -; -; , , .

    , . - , . -, , , - , . 1846, - - . , , , .283 , 1857 -.284 - . , . 1833 . - 1874 .

    1851, - , , - , ,

    283 . , , 1846, . 6.

    284 . , 1857, . 31.

  • 112

    . 285 - . , , (1830-1880) (1831-1909), . - , 1849, - .286 - 1852 1859 , 19 . , - .287

    -.288 , - - .289 1860-70 , . -

    285 . . , 1851, 1862 1855, .., . 144.

    286 . , . .,. 111.

    287 1870 . . . . . 19 , . ., . 114, 116. . . (. .), 1864, . 58.. , . . ! . . A. H. Smith, The Parthenon Frieze Terracottas, The Journal of Hellenic Studies,. 24 (1894) .264-266 K.Trr, .., . 232 (. 43).

    288 . , . , 2003, .27, . 28 . . , 8 1855: , , . . . . , 18 1856: . . . , 14 1858: - . ., 14 1864: .

    289 . . , . 20 , . . . . . , 1863-1940. ( ), 1992, .175..

    .

  • 113

    . . - . , .

    ; , , , . - . , - , - .290 1880 291 1884 292. . . , - , - .293 , , - , .

    1888 , -

    290 . , (1875), (1871) . (1860).

    291 1879, Siegel .. 1902-1904 . . . , .., . 121.. .A.., 1879 (1880), . 22.., (1881) . 17..

    292 . . . , .., .120 , 1884 (1885), . 3.

    293 , , . , . , , , .., ..

  • 114

    . , - . , . 5 .. , 1859. 294 1885 . , : , - , - 40000 , - , . , .. , , , . . -. , . , - .. - , . - . , - : , , . - , -, . - .295 , - .296

    294 , 1888, . 119.

    295 . -, . .... .

    296 . 1859 . O.H.Cordier, 1859 . . 17 1859 . 23 1859 ( ).

    .

  • 115

    , - 30 1888 . -:

    !

    , , ., - . , , . , - , [] , . () ., . . (Panzer) . 297

    , - , . - . , .

    ,298 . :

    . : -... , , , -;! , -, . ,

    297 . , ( ), 2002, .194.

    298 . , 3 1888, . 4.

  • 116

    - . . - , . - , , ! - ... -, . , . -!! , , ! , -, , , , . - - , , , 26 .

    , - - , - -, . , , , , , , - . : , , - - .

    , , , . 1881 , 15/27 , - , - , , , . , -

    .

  • 117

    , , .

    : (1834-1919), 299 , - -. , , 1880, 1879. , - , a la Biche .

    -, , . - 300. , , , . - , , . .

    , - , . , . - . , 1888, - , , . - - .301 -

    299 . , .., . 148..

    300 . . , .., . 113..

    301 . 29 1880 . : / / / , , /

  • 118

    , .

    , 1873.302 , - . 19 , - .303 - - 15.000 .

    , - . - .304 25 1888 305 - :

    - , ! , - . , , . , , , , - , -, . ! !! , - , -!

    , .

    / / .

    302 . . . , , , 1990, .190..

    303 . , 29 1888, . 2.

    304 . . , 21 1888, 200 .., . . . , .., . 592.

    305 . , 25 1888, . 4.

    .

  • 119

    - , -. 19 , . - -, . - , - - , - .

    , 1885 - , -. . , , , , - , . , , , , , - , - . 15 1888306 . , , . :

    - ! , ... . - - , , - !.. , - . - , , , -

    306 . , 15 1888, . 3-4.

  • 120

    , , . ! - , ! , - , - ! , ! ... , -, .

    - . . - , , . - , - . , , -, , , , . , .

    , . , - , - , - . , - , .

    , - 19 , , - . . , -.

    .

  • 121

    12.

    , crpe de chine

    ,

    .Oscar Wilde, , 1887

    , , - 19 .307 1870 . -, , . , , , , -, , . , , , , -, . . , - - , - .

    , , - 19 . - ,

    307 R.A.Higgins, Tanagra and the Figurines, 1986. , , Tanagra, Mythe et archologie, , , , 15 2003-05 2004. . Juliette Becq-Violaine Jeammet, Les Tanagras dvoiles, . Beaux Arts Magazine, . 232, 2003, . 94-101.

  • 122

    , - , .308 - , , -, , , , . - , , - , , - .

    Theodore Reinach - 1899 .309 - , - - .

    Jean Lon Grme (1824-1904)310 . - 311 , - : -. , , - , -. 1890 .312 , -. 313 Grme, -

    308 1880-90 . (. 6, 1882, . 64): ( ) , - ,... .

    309 R.A.Higgins, .., .175-176.

    310 .M.Ackerman, The Life and Work of Jean-Lon Grme, 1986.

    311 , , -. . . Edward Said, Orientalism, 1987 (1978) ., 19 , 1993 ( , ), .

    312 Ackerman, .., .314.

    313 Ackerman, .., . 316.

    .

  • 123

    . . .314 - Grme - , . - .315 1890 . - - - , . -. Grme 1892.316 - -, , . Grme . , - . 1893 - , - . . - : Sculpturae vitam insufflat pictura ( ) , .317 - . - . , - , . Grme, , , , - , , .

    , Grme, .

    314 Ackerman, .., . 274.

    315 Ackerman, .., .268, , . Metropolitan Museum of Art , Die schnsten Franzosen kommen aus New York (2007) Neue Nationalgalerie . . . Art, . 6, 2007, . 89.

    316 Ackerman, .., . 318.

    317 Ackerman, .., . 272.

  • 124

    , . , - , , - , . . Edgar Degas (1834-1917), o Eduard Vuillard (1868-1940), o James Abbot McNeil Whistler (1834-1903), - - . Frantisek Kupka (1871-1957) , - , .318 , - . Oscar Wilde (1854-1900), R. M. Rilke (1857-1926) M. Proust (1871-1922) F.Scott Fitzgerald (1896-1940) Colette (1873-1954)319 , . , , , , .

    , - .320 1878, - . 1877 .321 - - , . - . . , biscuit, , - , . , , - . - .

    318 . . Tanagra, Mythe et archologie, .., . 36..

    319 , . Tanagra, Mythe et archologie, .., . 316..

    320 low high culture, , 19 .

    321 . Tanagra, Mythe et archologie, .., . 37, . 4.

    .

  • 125

    Tanagra, Mythe et archologie 2004, - , - . , - , , , . 1882 - 322 - . - , , - Grme, -323 . . . , , -. , Henry Greville324, 2004 femme aux formes lgantes... elle souriait avec une grce mle de modestie.

    , - - - - . . . . - , -

    322 , . 6, 1882, . 63-72. .187... ...

    323 , . . , .., .63-64: , , , . . , , . , , . , . .

    324 Henry Greville, Alice Fleury (1842-1902), . Tanagra, Mythe et archologie, .., . 36.

  • 126

    , - 20 . . -. , - .

    325 19 .

    . -, 1870-80, - . - . 300 .. - 200 .. -. - , - .

    . - , , - -. , , () . - . -. . - , , . - , . , , 4 .. , .

    325 . Tanagra, Mythe et archologie, .., . 31.

    .

  • 127

    . , - , - . , -: , , , - . . 200 .. , - , - , , , , . .

    , , 1870 . , -, . 1873 , - . , , - -, , - ....326 - , . , 1888 327 : -, , . . - 328 , - .

    1872-73 - . . - Olivier Rayet -

    326 ..., 1873-74, 1874, . 31.

    327 . , 17 1888.

    328 ..., 1874-75, 1876, . 31.

  • 128

    C. L. W. Melin, -. O P. A. Sabouroff, , 1884 - , 1876 H. Schliemann .

    -. 1874, - : , , - 2-3 , , , - , -.329 . 1877 - 2000 ( 1888 ) - . J. Martha, - . , - , , .. , , - , .330 1880.331

    , - , , , . 1870-80 , , .332 -

    329 ..., 1874-75, 1876, . 31..

    330 . , . 6, 30 1877, . 478.

    331 J. Martha, Catalogue des figurines des fere cuite du Muse dAthnes, 1880.

    332 , Tana-gra, Mythe et archologie, .. . , -, - . (Borrus 1877., Lecomte 1877, 1884, 1889) (Hamburger 1880, Marcuard-Kraus 1890, 1893) ( 1882) 1887 (Dosseur 1892) 1899 ( 1892) 1892,93 1893 -

    .

  • 129

    , , -. - (1823-1898), .333 1874 1875 , Sabouroff Rayet , . 10 1874 , - - . 6 1875 . - 107.000 , - , , 1889 - .334

    - 20 . - , - . , , - , , -. 1888 335 , - , -


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