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Iwans KindheitAndrei Tarkowski, 1962
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Andrei Arsenjewitsch Tarkowski
1962 Iwans Kindheit
1969 Andrei Rubljow
1972 Solaris
1975 Der Spiegel
1979 Stalker
1983 Nostalghia
1985 Opfer
1932 - 1986
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Sowjetischer Film
Sowjetischer Nachkriegsfilm
Sozialistischer Realismus mit menschlichem Gesicht
Chukhrais: Ballade eines Soldaten (1959)
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Iwans Kindheit
1962 Goldener Löwe in Venedig
Nikolai Burljajew (Iwan), Walentin Subkow (Hauptmann Kholin), Jewgeni Sharikow (Leutnant Galtsev), Sergej Krylow (Hauptmann Katasonych), Nikolai Grinko (Oberstleutnant Gryaznov), Walentina Maljawina (Masha), Irma Raush (Iwans Mutter), Andrei Koncholovsky (Soldat), Dimitri Miljutenko (alter Mann)
Drehbuch: Wladimir O. BogomolovMusik: Wjatscheslaw OwtschinnikowDirector of Photography: Wadim JussowMontage: Ludmilla FejginovaProduktionsdesign: Jewgeni Chernyayev
Der Film erzählt die Geschichte eines Charakters, der »vom Krieg geboren und von ihm verschlungen wird.« (Tarkowski)
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Filmspracheexpressiver visueller Stil
traumatische Bilder der Realität
Subjektive Kamera
Grafische Bildkompositionen
Plansequenzen / Zeitskulpturen
Das gebrochene, heilige Kind
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Die versiegelte Zeit
»The dominant, all-powerful factor of the film image is rhythm, expressing the course of time within the frame.«
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Kritik
My discovery of Tarkovsky's first film was like a miracle.
Suddenly, I found myself standing at the door of a room the keys of which had, until then, never been given to me. It was a room I had always wanted to enter and where he was moving freely and fully at ease.
I felt encouraged and stimulated: someone was expressing what I had always wanted to say without knowing how.
Tarkovsky is for me the greatest, the one who invented a new language, true to the nature of film, as it captures life as a reflection, life as a dream.
I. Bergmann