Download - Beauty and the Beast - Treatment.doc
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BEAUTY & THE BEAST
Treatment
by
Saladino Lopes
201382 Erskine Street
Sydney NSW 2000Australia
+61 4 0641 6579
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SYNOPSIS
A beautiful young maiden is held captive by an evil Beast. The Beast must not only
learn to love her, but win her love in return if he is ever to lift the curse and becomehuman again.
The story of 'The Beauty and the Beast' is one that transcends time itself.
Since the days when storytelling was once a spoken art, it has lived on in the hearts
and minds of its audience. When words were not enough they tried to act out their
fantasies on stage and when plays were not enough they tried to reenact those
moments on film.
Although there have been minor variations with each new retelling the basic plot and
premise have remained relatively the same.
In order to justify a remake I wanted to create a version that while remaining true to
the original, brought something different. Something that audience had never seen
before.
Trying to distill the very essence of what had made it so magical, I approached this
project with this idea of illusion. That things are not what they appear to be and
everything is not what it seems.
The plot of the story revolves around the illusion of class difference and the
expectations that society places on us.
Nobility marry with others of class, status and breeding. Holding firmly to the
traditions that their predecessors have passed down to them and the expectations
that come with blood and lineage.
Forced into prearranged marriages against their choosing, those of noble blood are
able to afford certain luxuries but not afforded the luxury of freedom that their
common born counterparts would otherwise enjoy.
Condemned to a loveless existence, they are forced to make the same mistakes
over and over again.
'Those who do not learn from history are forever doomed to repeat it'
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TREATMENT
BOOKEND
A carriage travels along the road by night
In the distance, a village under a moonlit sky
The carriage makes its way along the road
Before stopping outside a quaint two story provincial house
The side door of the carriage opens outwards
Stepping out from the carriage is a dark shadowy figure
His face obscured beneath the brim of his wide hat, casting a shadow over his
features
His long flowing coat trailing behind him
The mysterious figure approaches the front door of the house
Belles uncle is sitting in a wide back chair in front of the fireplace
Smoking a pipe or reading a book
When he hears a knock at the door
Setting aside whatever he was doing
He goes to answer the door
Opening the door to see who it is calling at such a late hour
In the room upstairs Belle is trying to sleep
When she hears the commotion going on outside her door
It sounds as if her uncle is arguing with someone
Though she cant make out what they are saying
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Wondering who it is coming around at this time of the night
Slipping out from under her bed sheets she goes to take a look
Belle walks downstairs to see whatshappening
Only to see her uncle close the door behind him
Before she is able to see who it was he was talking with
Wondering who it is and why they are arguing
But her uncle reassures her that it was nothing she need concern herself with
Before ushering her back to bed
Belle slips under the bed sheets
Sitting on the edge of the bed, her uncle tucks her in for the night
Seeing that shes having trouble getting back to sleep
He goes across the room, browsing through the book shelf
Before coming upon the one he is looking for
He returns to her bedside with the book
Making a deal with her
He offers to read her a bedtime story in exchange for her having a good nights rest
She agrees to the deal
Opening the book he begins leafing through the pages before finding the chapter he
is after
Acting as story teller he reads the bedtime story to her
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PROLOGUE
Narrating the opening of the story
A convoy is travelling along the road
A single carriage escorted by soldiers on horseback
The weather conditions are gloomy and bleak
The forest is shrouded in a heavy fog
It all seems eerily silent
There is a certain mood and atmosphere specific to this place
They pass through a narrow passage skirted on either side by trees and shrubs
Hidden behind the trees bandits/highway men watch the passing convoy from either
side
As they wait for the signal to ambush them
The rider at the front of the front of the convoy signal the other men to stop
Inside the carriage Lord Bertrand notices the carriage coming to a halt
He looks outside to see one of the soldiers pass by the window
Moments pass by in silent anticipation
He appears anxious, his hand fidgeting with impatience
His fingers tapping impatiently on the arm rest
He takes out an antique fob watch and looks at the time before returning it to his
pocket
Rather than wait he opens the side door to the carriage to see whats keeping them
Blocking the path ahead of them is a wagon that appears to have had an accident
While the other soldiers keep a look out
A few of the men have dismounted from their horses to render assistance to the
stricken travelers
One of the riders escorting the carriage urges him to stay inside
Tells him the situation at hand, of the broken down wagon
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The men tell him to stay inside
Before the man has a chance to reply/finish his sentence
His words are suddenly silenced by the sound of gun fire
Struck by a bullet the man falls from his horse
Lord Bertrand watches him fall before clambering back into the safety of the carriage
Emerging from behind their hiding spots
The marauding bandits attack in numbers
Rushing at them from all sides
The captain of the guard cries out for his men to take up arms
The soldiers return fire, but are unable to keep them at bay for long
As they are soon forced to engage them in close combat
In the confusion that follows their ranks become scattered and disorientated
From inside the carriage Lord Bertrand cant help but watch as his own men are
picked off one by one
Some of them are taken down from afar by riflemen
While others are caught in the middle of a relentless onslaught
Despite their valiant attempts at protecting him they are either outnumbered or
outmaneuvered
Seeing that all is lost, Lord Bertrand tries to make a run for it
Stumbling and staggering out of the carriage he flees into the forest
Hoping that in the ensuing confusion he will somehow get away
Or
One of the bandits appears at the window of his carriage leering in at him
Latched shut from the inside the bandit tries to force his way in by punching through
the window pane
Emerging from the other side of the carriage Lord Bertrand stumbles and staggers
out of the carriage
Before fleeing into the forest
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POV of one of the bandits, as he stares down the barrel of a rifle aimed at Lord
Bertrand who escaping into the forest
Before he is able to pull the trigger, one of his brethren stops him
Lord Bertrand flees from the bandits hoping to lose them in the fog
Just as he thinks he has lost them, comes the sounds of his pursuers not far behind
Pushing him further on
Though the further he ventures into the forest the more lost he becomes
His clothes becoming torn and frayed as they are caught in the thickets and
brambles
His boots becoming sodden with mud and leaves as he stumbles and staggers
onwards
He leans against a tree, pausing to catch his breath
Hearing them approach, he hides behind the tree
Thinking that if he keeps still and stays quiet they wontbe able to find him
Listening to them talk amongst themselves
Lord Bertrand listens as their footsteps recede into the distance
He peers around the trunk, catching a glimpse of them before they melt back into the
gloom of the forest
Emerging from his hiding place, he continues onwards
Uncertain of where he is going only as long as its far away from them
Emerging from the forest out into the open
He finds himself in what appears to be the remnants of an old cemetery
Walking amidst stone statues covered in moss and lichen, weathered with age,
wreathed in wisteria vines and overgrown with ivy
Surrounded by these stone figures, he cant help but feel that he is being watched
In the eerie silence, every sound is magnified and even the slightest noise can
somehow seem foreboding
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He trudges on through the muck and mire before being brought to a halt
His breath catching in his throat
As the fog ahead of him slowly clears to reveal Avenant Manor
A cross between a Baroque and a Jacobean manor with Gothic embellishments
A weathered stone edifice whose outward appearance can be likened to that of a
mausoleum tomb
Drawing near, the building seems to loom over him ominously
Walking up the flagstone steps he leaves behind a trail of muddy footprints in his
wake
Beyond being polite or having manners
He knocks urgently on the door to get the attention of whoever is inside
The door however yields all too easily too his touch
Left slightly ajar it opens inwards as if inviting him to enter
Pushing it open further he peers into the darkness inside
He calls out to see if anyone is home, but no one responds
The house remains silent
Standing upon the threshold he looks back one last time before deciding to enter
In desperation to escape his pursuers, he searches for shelter and sanctuary within
the manor
He calls out, half expecting somebody to respond
Hearing only the old wooden floorboards creaking and groaning underfoot as he
walks on them
Venturing further in, he soon gets the distinct impression that the place has long
since been abandoned
Indications that it hasnt been lived in for a while
The autumn leaves litter the ground, blown in by the wind
Mould clings to the ceilings above
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Moisture has caused the wallpaper to peel off
Evidence that rot and decay have set in
A fine patina of dust covers the mantel piece
Lord Bertrand runs his finger along it, before coming away with a piece of lint that he
rubs between his thumb and forefinger
He stops to admire a painting of the manors former resident and master overlooking
the fireplace
A painting in the tenebrous style which make use of the chiaroscuro technique
A picture that has since faded over time and become worn with age
The strange thing about this picture is the porcelain mask he wears to cover his face
He cocks his eyebrow in a questioning manner, but does not stop too long to think of
such things
After having run through the forest to escape his pursuers he feels exhausted
Despite the urgency of the situation he realizes he needs some rest
In front of the fireplace there sits two wide back chairs and table with a chessboard
on it
Deciding to make himself comfortable, he seats himself in one of the chairs
Looking upon the chessboard he sees the chess pieces have been set, but there is
no one to play with
It is the last thing he notices before his eyelids grow too heavy and sleep overcomes
him
The house is pitched into darkness
A flame sparks and sputters to life
A fire that spreads out to fill the fireplace
Illuminating the chamber surroundings
Seated in the chair before the fireplace Lord Bertrand still sleeps
A shadow passes over him
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The sound of a chair creaking and groaning underneath the weight of someone
sitting down upon it
Hearing the noise Lord Bertrand soon rouses from his slumber
Slowly his eyes flicker open before the realization comes upon him
Causing him to sit upright in attention
Bleary eyed and half conscious he looks around the room
But there is no one to be found
He sinks back into the chair trying to relax, loosening his grip on the arm rest
Looking down he sees a decanter of brandy and two shot glasses
As a token of goodwill he takes it upon himself to accept this small gesture of
hospitality
Sitting up he pours himself a drink
Before bringing it to his lips
He is about to take a sip when he notices something
A pawn on the chessboard appears to have been moved
He pauses momentarily
Before downing the contents of the glass in one gulp
Setting the glass down on the table
He decides to take
Move one of his pawns into position
Sinking back into his seat
Lord Bertrand waits for his gracious host to return
As he begins tapping his fingers impatiently on the arm rest
With a short attention span, his eyes begin to wander
He begins to wonder where this host of his might be and when hell return
Turning back he notices something odd
One of the chess pieces appears to have been moved while he wasntlooking
Before he can even give voice to the question he looks up from the board
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To see Master Avenant sitting in the chair before him, appearing as if out of nowhere
Lord Bertrand is so shocked and aghast he stumbles backwards, knocking the chair
over
Grabbing the fireplace poker he brandishes it as a weapon
Keeping his distance from him
Seated in the chair opposite him, Master Avenant looks calm and composed
He wears a long full bottomed wig that lies draped across his shoulders, a symbol of
status and prestige amongst French aristocracy
Elaborately tailored garments of French nobility
Leather gloves over his hands
A porcelain mask to cover his face, giving him an air of mystery and elusiveness
Underneath the mask is a shadowy translucent form
Staring out from between the slits of the mask where the eyes should be is nothing
but a dark empty void
It is not that which most intrigues him, but the fact that the lips of the porcelain mask
move accordingly when he speaks
The master of the house tells him his full title and name (honorific)
The master of the house answers him in a relaxed and casual manner as if
everything were normal and nothing was out of the ordinary
The Lord must wonder if he is dreaming
The master tells him to relax sit down and that he is no danger
Before casually tells him that it is his move
He looks down at the chess board
He sits back down
Lord Avenant understands what he must be going through/can only imagine the
thoughts going through his head right now
That if wants to go he can, he is entirely free to go if he wishes
Though he must warn him about the others still looking for him
Lord Bertrand looks outside the window to the flames of torchlight in the distance, asthe bandits seek him out
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Not wishing to overstay his welcome any more than he has to
(The line between the world that we think we know and this other world we can only
imagine begins to blur / the line between reality and fantasy)
Lord Bertrand emerges from the front door of the manor
Folding his arms over his chest, he braces himself against the cold
Before descending the flagstone steps
Standing by the attic window overlooking the courtyard
MasterAvenantlooks out the window watching as Lord Bertrand leaves
Behind him his son appears at the door
Asking him who it was
Behind him, his son appears at the doorway
His father turning askance to address him
Nothing you need concern yourself with
Never once looking back as he leaves the manor behind him
Lord Bertrands figure slowly recedes into the distance
Before completely disappearing into the fog
Hiking through forest he uses a fallen branch as a walking aid
The more distance he puts behind him and that accursed manor the closer he gets to
returning to his own home stead
Over time the conditions seem to gradually improve
The perpetual fog that seems to enshroud the forest in perpetual gloom soon gives
way to rich evergreen trees and shrubs
Emerging into the light of day
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MAIN STORY
The end of the story teller narrating the intro as it seamlessly transitions into the
main story itself
Set many years later
As many years pass in an instant
There is a seamless transition as he ages before our very eyes
There are lines upon his face, signs of having aged
Wrinkles around his eyes, hair graying at the temples
The hair of the young girl changes, with the curls growing out becoming slightly
darker
The nobleman grows into an old man and his young daughter has since grown to
become a beautiful woman.
Pulling back from the embrace, he stops to look at her
She has since grown from the girl he once knew into young woman
Itscome to the day when he has to fulfill that promise made long ago
By giving his daughter away
Promised to another when she was just a young girl
Now that day has come, he will have to send her away
There is a look of sadness and regret as he is forced to watch his daughter go,
married off to someone else she hardly even knows
(When they pull back from the embrace, we the audience realize it isnt Belle)
Belle is at the doorlooking in
(It is here we realize the situation/roles are reversed)
Belle interrupts, coughs to get their attention/ knocks politely
Accidentally interrupting them
To announce the carriage has arrived
Father leaves them to talk amongst themselves
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Her father tells his daughter Anna that he will be downstairs waiting
Preparing the carriage for departure
Belle the servant helps Anna pack her things for the journey
Her friend is thankful for her coming when she did
Things could have gotten a lot more awkward if she hadnt
Her friend hasnt even finished packing, indecisive about what to take with her
(Exposition - says a lot about her state of mind)
Helping Anna pack her clothes and belonging
For the journey ahead
Where she will be sent off to live with her new husband
They are both tentative and anxious
Belle and her friend get into some long winded conversationwhere they
contemplated this kind of thing since they were young
Never thinking about what would happen when it would
And now the day has arrived, she is not sure what to think
Belle chides herself for being so bad at saying goodbye
Lord Bertrands daughter Anna discuss the impending marriagewith her close friend
Belle; the niece of the caretaker of the grounds.
The woman being betrothed is scared and anxious and needs Belle there for
reassurance
Belle wants to go with her, but she has commitments
One of which is to take care of her Uncle
Being a product of their upbringing, both have different views on the impending
marriage.
While Anna acts like a traditional housewife who wants to be waited on hand and foot
and have everything provided for her
Belle is more like a contemporary role model. She does not want to be a stay at
home all day mom waiting for her man to return so she can tend to his every need.
She is more comfortable in working. Keeping herself occupied.
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Having a great sense of satisfaction in knowing that she has accomplished
something at the end of the day.
Having been brought up on the notion of fairy tale weddings, the Anna talks about
the tradition of arranged marriages as if it were something to be proud of. But Belle is
not one to be tied down by convention.
It goes without saying that Belle has her reservations about her friend being married
off to someone she hardly even knows, but the real reason she is so sad is that her
friend is going away.
(Their roles have been switched. Instead of Belle, someone else is to be sent in her
place. Belle helps Anna pack her things for the trip while she stays behind)
Farewell scene
Lord Bertrand and the other house servants see her off
Gathered around the carriage with Belle amongst them
Watching as her friend leaves
Belle holds her to a promise, to write back to her when she gets there
But her friend says that once shes settled in, she will send for Belle
Which reassures her somewhat?
The carriage departs
Anna waving goodbye to those gathered
The others go back to doing their chores, as life continues on
Bell stays behind, watching as the carriage passes beyond the gates
Being closest to her, there is a sense of longing as she watches her go
Either that she wont see her again or that she longs to venture beyond
She wistfully sighs before joining the others
Returning back to her everyday existence
Belle returns to the kitchen pantry, slipping through the back door
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Sitting on the edge of the bed, staring out the window
He turns to her askance;an empty and forlorn look upon his face
Feeling as if shessomehow caught him in the act or invading his privacy
She excuses herself, apologizing for intruding
She turns on her heel trying to exit graciously
She is about to close the door behind her
When she hears Lord Bertrands voice calling for her to wait
She peeks in, meek and subservient
He remains looking out the window, looking off into the distance
As if in contemplation
(This scene is a clue/hint to Belles true identity - From Belles POV he could be
talking about his daughter Anna, but from his POV he could be hinting at Belle being
his daughter)
Belle offers him her condolence and excuses him for his faults
(From Belles POV she offers him her condolence, but from his POV it is as if she is
excusing him for his faults)
Before reverting once again to master and servant role
(Long Version)
He looks like a man who lives in the past, haunted by the decisions he has had to
make
He is somehow distant with an air of detachment
Belle apologizes for intruding and politely excuses herself
Lord Bertrand however tells her to wait before bidding her to enter.
(In a very cryptic manner he reveals some clues without going into detail)
One the one hand it could be construed that he misses his daughter and talks about
her in absence (how Belle perceives it)
But on the other hand he could be vaguely hinting at her true identity
Lord Bertrand is seated on the bed, he is turned away from her(metaphorically
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Before making his way inside
(Employing misdirection so as to keep a sense of mystery and not give away
anything away too soon. I want to use the effect of the storm, the play of light and
shadow here, the foreboding and ominous drum and rhythm of the thunder)
Taking out anyone who stands in his way
The reverberating bass of thunder can be felt, a deep bass in time with the growing
tension and suspense that continues to build
He is on the roof overlooking the grounds
Watching as the guards scurry about
Lightning flashes behind him and his dark silhouette with his long flowing cape is
cast into relief against the stormy sky
Lord Bertrand is frantic with anxiety
He knew this would happen
The captain of the guard is trying desperately to reassure him
Saying they have the situation under control
Reassuring him that they have guards posted outside
The captain of the guard goes out
Closing the door behind him
Outside the door
The guards gather together, trying to protect him from what is coming (a last stand)
All is silent
Lord Avenant appears, but we do not get a proper glimpse of his face under the brim
of his hat
Terrified the men fire all at once
The flashes from their muzzle lights their faces and roar of gun fire, plumes of smoke
Roar of gun fire can be heard inside the noblemans room from the door
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Lord Bertrand hears a commotion going on outside
Sounds of a struggle
Then all is silent
He goes through the drawer and grabs a flintlock pistol
Sitting on the edge of the bed, he looks down at the weapon
It is almost seems as if he is desperate enough to use on himself
The door slowly opens and the nobleman gets a glimpse of what has happened
As the lightning flashes revealing the fallen bodies strewn along the ground
Tension builds as the reverberating sound of thunder in the distance
But there is no sign of the master
(Version 2)
The scene is timed to the beat of the story being told in the pub/tavern
As they are talking about the beast in the forest, we see from the POV of the beast
moving through the forest mist/fog only to emerge at the gates of the castle itself
The guards are on watch duty at their post or patrolling the grounds
The surrounding fog seems to creep up on them
A cloud of dark smoke or mist, which seems be amorphous with no shape or form
Coming upon the guards suddenly without warning and renders them unconscious
Some of the guards are caught unaware while others put up a struggle, but to no
avail
They are enveloped in fog/enshrouded in mist and as the cloud passes over them
Leaving a trail of bodies in its wake
From afar it looks like a formless mass of dark cloud that leaves behind this trail of
smoke
But as it goes further along we see it take on the semblance of shape and form
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A dark shrouded wraith like figure
The guards try to fight against it, but it is as if their weapons have no effect on it
Bullets pass through it as they try firing upon it
Swords slice apart the smoke only for it to reform
Whatever they do they are powerless to stand against it
Inside his tower strong hold, Lord Bertrand hears the commotion outside and goes to
the window to see whatshappening
Seeing the bodies of his fallen men
Returning to the pub/tavern where there is talk amongst the patrons of a rumored
deal that was struck between the Lord (ambiguously implying either Lord Bertrand or
Master Avenant) and the Devil himself
The lord tries to escape and opens the door
One of his men posted outside, emerges from out of the smoke and falls to the
ground before him
Smoke escaping his lips
The amorphous mass resolves and takes shape and form
As the dark wraith like form passes over the fallen man
Stepping over his fallen body approaching Lord Bertrand
Who cowers in fear from him
Lord Bertrand rushes to close the door
Locking the dead bolt
His anxious state is expressed in his heavy and ragged breathing
Trying to remain calm despite thoughts to the contrary
His breathing begins to slow and subside
Coming out in short spurts
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From behind him a dark shape rises into view
The lightning cast his dark shadow looming over him
Lord Bertrand turns to find himself confronted by Master Avenant
Lord Avenant grabs him by his shirt front and picks him up off the ground
We get a glimpse of his masked face as it peers out from beneath the brim of his hat,
lightning illuminating his features
(This is not the original Master Avenant, but his son and heir who has taken his place
A marked difference in the sound of his voice and the style of clothing he wears)
He confronts Lord Bertrand for betraying the agreement
Sending a servant girl in place of his own daughter
He is angry that he spared his life and this is how he repays him
The nobleman has reason for not honoring the agreement
Having suspected for some time now that the deal was rigged
Everything from the ambush to the chance meeting to the deal itself was all
prearranged
That nothing was left to chance (The illusion of free will and choice)
Justification for not honoring the bargain
The Master threatens an ultimatum
Either he sends his daughter or he takes everything from him
Letting go of Lord Bertrand
Who crumples to his knees, a broken man (as if he is on his hands and knees
begging)
The Master leaves, turning his back on him
What if he doesn't, a final weak protest
As if he had a choice / itsnot like he has a choice the master says (summing up the
whole dilemma entirely - The illusion of free will and choice)
Then the master leaves by the open window, stepping out
He becomes like a trail of smoke that descends to the ground below
The smoke cloud billows outwards, as he emerges from the smoke
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The carriage soon arrives at the destination
Stopping outside the manor steps
The coach man hangs up his riding crop before jumping off, landing heavily on his
feet
Inside the carriage, Belle is still asleep
Her head rested to the side next to the window pane
The coach man raps upon the window pane waking her up
She comes awake with a start
Looking around almost uncertain of where she is and how she got here
The coachman gets her bags off the back and drops them at the bottom of the
pavement steps
The coach man is brusque and rude, making no move to help with her bags her or
even open the carriage door for her
She steps off the carriage, looking up at the manor that looms in front of her
At a window curtain which is slightly parted
POV of someone inside, looking down from the window
Belle does not get a proper chance to see the coachmansface or even thank him
Before he departs, leaving her momentarily stranded in this strange and foreboding
place
She is left alone before the steps of the manor, watching as the carriage disappears
The sound of the horses hooves receding into the distance
There is a feeling of loneliness and vulnerability
She looks around with a little confusion and unease
Dragging her heavy bags along the steps before piling it near the doorstep (she is
not like a lady who lets others do the work for her, when she is able to do it herself)
She looks back and sees the muddy outline of footprints she has left behind,
definitely not a good first impression to make
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