Transcript
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Oboe

36 ChoralesFor Band

By

Aaron Cole

 Version 1.0

Decoygrape Productions

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Table of Contents

1.  I – IV – V – I p. 1

2.  Canon in D by Johann Pachelbel p. 1

3.  Circle of Fifths Chorale p. 1

4. 

A!"ente# $th Ca#ence p. 2

%.  Tallis Canon by Tho"as Tallis p. 2

$.  &spensions p. 3

'.  (l# )n#re#th by *oys +or!eois p. 3

,.  (#e to Joy by *#-i! Van +eethoen p. 4

/.  0o# est e erry 0entle"en p. %

1.  A"a5in! 0race by John 6e-ton p. $

11.  sic for 7een ary by )enry Prcell p. $

12. 

+e Tho y Vision p. '13.  In the +lea8 i#-inter by 0sta )olst p. ,

14.  Chester by 9illia" +illin!s p. /

1%.  Ae Ver" Corps by 9olf!an! A"a#es o5art p. 1

1$.  )or8sto- 0ran!e in the style of Percy 0rain!er p. 11

1'.  Chaconne fro" the First &ite in :b by 0sta )olst p. 12

1,.  Finlan#ia by Jean &ibelis p. 12

1/.  Prel#e 6o. 2; (ps 2, by Fre#eric Chopin p. 14

2.  To a 9il# ose by :#-ar# cDo-ell p. 1%

21.  6i"ro# fro" the :ni!"a Variations by :#-ar# :l!ar p. 1$

22.  +lesse# are They That orn by Johannes +rah"s p. 1$

23.  Chant Fnaire by 0abriel Fare p. 1'

24.  Irish Tne fro" Conty Derry p. 1,

2%.  henish &y"phony "t. 4 (penin! by obert &ch"ann p. 1/

2$.  &alation is Create# by Pael Tchesno8o p. 2

2'.  Ae aria by &er!ei ach"aninoff p. 21

2,.  3r#

 Tne by Tho"as Tallis p. 22

2/. 

*ar!o fro" &y"phony 6o. / by Antonin Dora8 p. 23

3.  Co"e; &-eet Death by J. &. +ach p. 24

31.  Chorale fro" Jpiter by 0sta )olst p. 2%

32.  In the Villa!e by o#este ssor!s8y p. 2$

33.  A i!hty Fortress is or 0o# arr. J. &. +ach p. 2,

34.  Christ *ay in Death<s +on#s by J. &. +ach p. 2/

3%.  &y"phony 6o. 2 Vocal Chorale by 0sta ahler p. 3

3$.  &y"phony 6o. 2 +rass Chorale by 0sta ahler p. 31

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)o- to se this boo8

For oboe players

1. The SOPRANO an# ALTO parts are yor "ain parts

a. &o"eti"es; the soprano parts are a bit hi!h in the

oboe ran!e. In that case; try the alto part; or play

the soprano part #o-n an octae =ce notes are

proi#e#>.

2. The TENOR an# BASS parts are ?st there so yo can see

-hat the others are #oin!

3. 9hen a part !ets too hi!h or too lo-; little CUE NOTES 

are proi#e# so yo can al-ays play -ith a GOOD

SOUND 4. &o"eti"es; yo<ll see a note in parenthesis = >. o

!enerally cannot play these notes becase they are too

lo-. @sally; they are there ?st to sho- yo -here the

actal part shol# !o.

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Written by Aaron Cole - Released for free through Decoygrape Productionsunder the Creative Commons License - CC BY-C-D !"#$$%

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A simple chord

progression

 

 

 

Canon in D

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,ohann Pachelbel

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Circle of 1ifths

Chorale

A common

se2uence

 

 

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Augmented .th

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of cadence

 

 

 

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'allis Canon

by

'homas 'allis

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tale of ho6 a 6aggoner? ,ohn <&teeleye< &pan?and his foreman? ,ohn Bo6lin>? fell out and came to blo6s

8ouldthorpe informed 8rainger that &teeleye &pan resented ,ohn Bo6lin>s harsh treatment and? burning 6ith

resentment? &pan 6rote this song 'he 6ords are set to the tune of a ballad about naval mistreatment

<Andre6 Rose? the British &ailor< o other variants of this song have been found

5or=sto6 8range is a house and range of farm buildings situated about half a mile north of &a@by All &aints 'hose6ho have researched the songs have produced no 6ritten evidence of these men or indeed

any local memory of them other than in this song

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orth Lincolnshire accent and ta=es the song at a bris= pace

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do6n considerably giving it a stately feel 'his is arguably the greatest transformation of any 8rainger arrangement

and he deserves credit for creating such a fine piece from such as a fragmentary song

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