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Table des matires
Chalumeau Register: E3 to B4....................................................................................................1Clarion Register: B4 to C6..........................................................................................................3
Lower Altissimo Register: C6 to G6...........................................................................................5
Upper Altissimo Register: G6 to A...........................................................................................6Alternate !ingering Chart "or Boehm#$%stem Clarinet.................................................................1&
Chalumeau Register: E3 to B4..................................................................................................1&Clarion Register: B4 to C6........................................................................................................15
Upper Altissimo Register: G6 to A.........................................................................................&1
'ultiphoni( !ingering Chart "or Boehm#$%stem $oprano Clarinet..............................................&Arrange) *% lowest note o" multiphoni(s.................................................................................&
+rill !ingering Chart "or Boehm#$%stem Clarinet.........................................................................&,+rill "ingering : Chalumeau Register: E3 to B4........................................................................&,
+rill "ingering : Clarion Register: B4 to C6..............................................................................3&
+rill "ingering : Altissimo Register: C6 to C...........................................................................35
Chalumeau Register: E3to B
4
This fingering chart includes the primary fingerings learned by all clarinetists.These fingerings are the same on all sizes of Boehm-system clarinets unlessspecified otherwise.
Note Written Fingering Description
E3F3
T 123E|
123
Use in combination with fingerings usingright little finger or no little fingers.
T 123|
123E
Use in combination with fingerings usingleft little finger or no little fingers.
T 123E|
123F
Use in combination with F3or C5.
E3F3
T 123|
123F
Use in combination with fingerings usingleft little finger or no little fingers.
T 123F|
123
Use in combination with fingerings usingright little finger or no little fingers.
F3G3
T 123F#|
123
Use in combination with fingerings usingright little finger or no little fingers.
T 123|
123F#
Use in combination with fingerings usingleft little finger or no little fingers.
T 123F#|
123F
Use in combination with F3or C5.
G3 T 123|123 Basic.
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G 3A3
T 123|
123G#
Basic.
T 123G#|
123
For models with ! "# $ey% use incombination with fingerings using rightlittle finger or no little fingers.
A3 T 123|12- Basic.
A3B 3 T 123|1-- Basic.
B3C 4 T 123|-2- Basic.
B 3C4 T 123|--- Basic.
C 4D 4
T
123C#|---Basic.
D4 T 12-|--- Basic.
D 4E 4
T 12-|4--- Basic.
T 12Eb-|---Chromatic and trill fingering% use incombination with &'and (5.
T 1--|1--)harp% use in combination with fingeringsin*ol*ing +! ,.
E4F 4 T 1--|--- Basic.
E 4F4 T ---|--- Basic.
F 4G 4
1--|--- Basic.
T ---|34
--- Chromatic% use in combination with F'.
G4
---|--- Basic.
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G 4A4
G#---|--- Basic.
A4 A---|--- Basic.
A4B 4
R A---|--- Basic.
A---|2--- Trill fingering with ('.
Clarion Register: B4to C6
This fingering chart includes the primary fingerings learned by all clarinetists.
These fingerings are the same on all sizes of Boehm-system clarinets unlessspecified otherwise.
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E 5 RT 123G#|
123
For models with ! "# $ey% use incombination with fingerings using rightlittle finger or no little fingers.
E5F 5
RT 123|
12-Basic.
E 5F5
RT 123|
1--Basic.
F 5G 5
RT 123|-
2-Basic.
RT 123|1-
B-
Chromatic% use in combination with Bb'or
F5.
G5 RT 123|--- Basic.
G 5A5
RT
123C#|---Basic.
RT 12-|
12-
Use in combination with fingeringsin*ol*ing the right hand fingers.
A5 RT 12-|--- Basic.
A5B 5
RT 12-|
4--- Basic.
RT
12Eb-|---
Chromatic and trill fingering% use incombination with &'and (5.
RT 1--|1--Use in combination with fingeringsin*ol*ing +! ,.
RT 1--|-2-)harp% use for facility in combination withfingerings in*ol*ing +! .
B5
C RT 1--|--- Basic.
B 5C RT ---|--- Basic.
Lower Altissimo Register: C 6to G6This fingering chart includes the primary fingerings learned by all clarinetists.These fingerings are the same on all sizes of Boehm-system clarinets unless
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specified otherwise.
Note Written Fingering Description
C D RT -23|12- Basic.
D
RT -23|1--G# Basic.
RT G#---|4--- ess flat% trill fingering with C5.
RT G#---|--- Trill fingering with C5.
D E
RT -23|1-B-
G#
Basic.
RT -23|--3G#
Use in combination with lower clarionnotes.
RT -23|-2-G#
Flat% use for facility% trill fingering withC#5.
EF
RT -23|---G# Basic.
E F
RT -23C#|---
G#Basic.
RT 123C#|
123
Use for slurring with lower registers andforpp.
F G
RT -2-|---G# Basic.
RT 12-|4---
G#
(ccurate pitch. )pea$s easily in alldynamics. "ood for wide s$ips.
RT 12-|
123G#
Use for slurs with lower registers% morestable% good forppandff.
G
RT -2-|12-G# Basic.
RT 1--|12-G# Use for slurs from clarion notes.
RT --3C#|---
F#
Trill fingering with F5.
RT -2-|4---G# Trill fingering with F#5.
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Upper Altissimo Register: G6to A
7
This fingering chart includes both basic fingerings and alternati*es that aremore appropriate in some passages. )ome alternate fingerings are designed for
fast passages% while others modify the tone% color% or pitch at normal andetreme dynamic le*els. These fingerings apply to all sizes of Boehm-systemclarinet unless specified otherwise. There is also an alternate fingering chart forBoehm-system alto% bass% and contrabass clarinet% which includes additionalalternate chalumeau and altissimo fingerings for those models.
Note Written Fingering Description!rc"
G A
RT -23F#|
1-3
RT -23|1-3
F#
RT ---|4---
G#
+esponds well at all dynamics withaccurate pitch.
"/
RT ---|1--
G#
0asy to finger in all contets withecellent tuning. Top note of (barpeggio with basic 0b1fingering.
"/
R 1--|12-
G#
"ood response atffand accuratepitch.
"/
RT -23|-2-
F
RT -23F|-
2-
RT -23|1-
B-G#
RT -23|1--
F#
RT -23F#|
1--
RT -2-|-2-
G#
RT -2-|
34---
RT --3C#|
12---
RT --3C#|
12---
G#
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RT --3|1--
G# &"
RT --3|1--
F#)harper. &"
RTG#1--|--
3G#
RT C#|
3-
G#
Use for fast chromatic passagesbetween 01and "#1.
2C
A
RT -23|---
F
RT
-23F|---
RT -23|---
F#
RT
-23F#|---
RT -23|
4---
F#
RT -23F#|
4---
RT G#-
23C#|-
23F#
RT G#-23|
12-2-
F#
R -23|1-
3F#
+esponds uic$ly and in tune. "/
R ---|12-
F#
+esponds uic$ly and in tune. "/
AB
RT G#-
23C#|---G#
RT G#-
23C#|---F#
RT G#-
23|---F#
RT G#-
23C#|34
--- "ood intonation% easy response. 4
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RT 123C#|
123F
RT 123C#|
123G#
RT 123F
|123
G# &"
RTG#123F|
123G#
)harper. &"
RT 123|
123F
RT 123F|
123
RT -23C#|
123F
-2-|--- )
R -2-|--- )harper than pre*ious fingering. )
BC #
RT G#12-|
12-
RT 12-|
12-F#
RT 12-F|
12-F#
(B
RT G#12-|
12-F#
RT G#12-F#|12-
G#
RTG#
12-C#|12-G#
RT -2-F#|
12-G#
B C#
RT G#1--|
1--F#
RT G#1--F#|1--
RT G#1--C#|1--
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RT G#---|
1--G#
RT 1--C#|
1--G#
0
RT 1--|1--F
RT 1--F|
1--
RT 1--F|
1--F#
(B
RT 1-Eb-|
1-B
-G#
RT 1--|1--G#
4)
RT A1--|--
G#
Better response than RT 1--|1--G#
. 4)
RT A1--|
1--G#
RT A1--|
12-G#
C #D #
RT 123|
123G#
RT 1--|
2341--
F
RT 1--F|
2341--
RT G#1--|
2341--
F#
RT G#1--F#|
2341--
RT -23|-
23G#
D# RT --3|--3
G#
RT --3|
34---
RT -23|---
RT -23|---
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G#
RT 123|
12-E
D #
E #
RT 123E|
123F
RT -23|1-
3
E#F #
RT 12-|
123G#
RT 1--|
123G#
R+ G#1--1&3
G#
+esponds well with a clear sound.For all dynamics.
&2
E #F#
RT 123|
123
RT A1--|
12--3
G#
F #G #
RT 123|
123G#
RT -23|1-
3G#
G#RT 12-|123
RT -2-E|-
2-G#
G #A#
RT G#2E|2
G#
+euires much effort. (C
A#
R+ -&3---
G#)lightly flat. "ood forff. 6C
R+ -
&3C#---
G#
)lightly sharp. "ood for mp. 6C
B$# Submit a fingering for this note or for ahigher note.
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Alternate Fingering Chart for Boehm!"stem Clarinet
Chalumeau Register: E3to B
4
This fingering chart includes both basic fingerings and alternati*es that aremore appropriate in some passages. )ome alternate fingerings are designed forfast passages% while others modify the tone% color% or pitch at normal andetreme dynamic le*els. These fingerings apply to all sizes of Boehm-systemclarinet unless specified otherwise. There is also an alternate fingering chart forBoehm-system alto% bass% and contrabass clarinet% which includes additionalalternate chalumeau and altissimo fingerings for those models.
Note Written Fingering Description!rc"
E3F 3
T 123E|
123
Use in combination with fingeringsusing right little finger or no littlefingers.
T 123|
123E
Use in combination with fingeringsusing left little finger or no littlefingers.
T 123E|
123F
Use in combination with F3or C5.
E 3F3
T 123|
123F
Use in combination with fingerings
using left little finger or no littlefingers.
T 123F|
123
Use in combination with fingeringsusing right little finger or no littlefingers.
F 3G 3
T 123F#|
123
Use in combination with fingeringsusing right little finger or no littlefingers.
T 123|
123F#
Use in combination with fingeringsusing left little finger or no little
fingers.
T 123F#|
123F
Use in combination with F3or C5.
G3 T 123|123
Basic.
G 3A
3
T 123|
123G#
Basic.
T 123G#|123
For models with ! " $ey% use incombination with fingerings usingright little finger or no little fingers.
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A3 T 123|12- Basic.
A3B 3 T 123|1--
Basic.
B3C 4
T 123|-2- Basic.
T 123|1-
B-
Chromatic% use in combination withBb3or F'.
B 3C4 T 123|--- Basic.
C 4D 4
T
123C#|---Basic.
D4 T 12-|--- Basic.
D 4E 4
T 12-|4--- Basic.
T
12
Eb
-|---
Chromatic and trill fingering% use incombination with &
'
and (5
.
T 1--|1--)harp% use for facility incombination with fingeringsin*ol*ing +! ,.
T 1--|-2-)harp% use for facility incombination with fingeringsin*ol*ing +! .
T 1-3|---For 7-ring models% use incombination with C'.
E4F 4
T 1--|--- Basic.
T 1-Eb-|
4--3
F
+ounder and lower in pitch thanbasic fingering.
/C
T 1-Eb-C#|
4123
F
8roduces louder% clear sound%especially useful for long notes.
)C
E 4F4 T ---|--- Basic.
F 4 1--|--- Basic.
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G 4
T ---|34
---Chromatic% use in combination withF'.
1--|123Try different +! combinations for
better intonation and tone.
T ---|
34123
Try different +! combinations for
better intonation and tone.
G4---|--- Basic.
---|123Try different +! combinations for
better intonation and tone.
G 4A4
G#---|--- Basic.
T G#---|
34---
Use in combination with F '.
G#-23|
41--
Flatter.
G#---|123Try different +! combinations for
better intonation and tone.
T G#---|
34123
Try different +! combinations forbetter intonation and tone.
+ 1--
2---
Use in combination with 0'. " 'is
sharp.6
A4
A---|--- Basic.
A---|-23F Fuller sound without sounding airy.
44E%&
A-23|-
23F
Flatter.
A---|123Try different +! combinations for
better intonation and tone.
A4
B 4
R A---|--- Basic.
A---|2--- Trill fingering with ('.
R A--3|1-
3F
Better in tune and clearer than basicfingering.
&+
R A--3F|
1-3
Better in tune and clearer than basicfingering.
&+
R A---|
123
Try different +! combinations forbetter intonation and tone.
A---|2123
Try different +! combinations for
better intonation and tone.
R A123|- "ood intonation and smooth
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23 transitions with other notes.
R A-23|-
23F
Fuller sound9 in tune9 less aw$ward.44E%&
R A--3|--
3F
:n tune and fuller% less airy sound.&"'B
Clarion Register: B4to C
6
Note Written Fingering Description!rc"
B4C 5
R+ 1&3E
1&3
Use in combination with fingeringsusing right little finger or no little
fingers.R+ 1&3
1&3E
Use in combination with fingeringsusing left little finger or no littlefingers.
R+ 1&3E
1&3!
Use in combination with C5.
A###1### Trill fingering with ('.
R A##### Trill fingering with Bb'.
R+ A1&3E1&3
)uitable for sustained notes. "i*esa more open sound than basicfingering.
+T6+
R+ A1&3
1&3E
)uitable for sustained notes. "i*esa more open sound than basicfingering.
+T6+
R+ A1&3E
1&3!
)uitable for sustained notes. "i*esa more open sound than basicfingering.
+T6+
B 4C5
R+ 1&31&3
!
Use in combination with fingeringsusing left little finger or no littlefingers.
R+ 1&3!
1&3
Use in combination with fingeringsusing right little finger or no littlefingers.
R A###1### Trill fingering with Bb'.
R A###
1##
Trill fingering with Bb'% more in
tune than pre*ious fingering.0
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C 5D 5
R+ 1&3!/
1&3
Use in combination with fingeringsusing right little finger or no littlefingers.
R+ 1&3
1&3!/
Use in combination with fingeringsusing left little finger or no littlefingers.
R+ 1&3!/1&3
!
Use in combination with C5.
D5 R+ 1&31&3
Basic.
D 5E 5
R+ 1&31&3
G/ Basic.
R+ 1&3G/
1&3
For models with ! "# $ey% use in
combination with fingerings usingright little finger or no little fingers.
E5F 5
R+ 1&3
1Basic.
E 5F5 R+ 1&31## Basic.
F 5G 5
R+ 1&3# Basic.
R+ 1&31#
B#
Chromatic% use in combination withBb'or F5.
R+ 1&3##3 Use in combination with &5.
G5 R+ 1&3### Basic.
G 5A5
R+
1&3C/### Basic.
R+ 1Use in combination with fingeringsin*ol*ing the right hand fingers.
A5 R+ 1### Basic.
A5B 5
R+ 1### Basic.
R+
1&E*####
Chromatic and trill fingering% use in
combination with &'and (5.
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R+
#&3C/###Trill fingering with (b5.
R+ 1##1##Use in combination with fingeringsin*ol*ing +! ,.
R+ 1###
)harp% use for facility in
combination with fingeringsin*ol*ing +! .
R+ 1#3###For 7-ring models. Use incombination with "5.
R+ 1-31&3
! Forpppentrances. "/
B5C
R+ 1##### Basic.
R+ -&3!/
1&3
Use in combination with lower
altissimo notes.
B 5C
R+ ###### Basic.
R+ ##3
41&3
Useful forppattac$s and upwards$ips from &5.
"/
R+ ---1&3
)uitable for large inter*al s$ips%such as with &5% and forpp.
T8
R+ 1&E*-
34
---)lightly sharp. "ood forff. Usefulin combination with Bb5.
T8
R+ 1&3
1&3G/
For legato slurring from &1. "/
R+ -&3
1&3"ood intonation and good forff. 4
R+ -&31&3
G/ "ood intonation and good forff. 4
R+ 0&31&3
G/
For bass clarinet. Use in
combination with C 1% &1% and 0 1.(+
Note Written Fingering Description!rc"
C D
RT -23|12- Basic.
RT ---|34
--- Trill fingering with C1.
RT 1--|4--- Trill fingering with B5.
http://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/clarinet/cl_alt_3.html#fhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/clarinet/cl_alt_3.html#f -
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1--|--- !armonic ;F#'
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F
RT 123C#|
123
Use for slurring with lowerregisters and forpp.
RT 123C#|
2---
G#
Useful for wide inter*al s$ipswith any !-only fingering.=uic$ response.
"/
RTA123C#|---
0asy to finger ;! only
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RT 1--|---
G#
For uic$ slurs with &1. 2"
RT
--3C#|---F#
Trill fingering with F1.
RT -23|12-
G#!armonic ;C#1
-
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G#
ecellent tuning. Top note of (barpeggio with basic 0b1fingering.
R 1--|12-
G#
"ood response atffand accuratepitch.
"/
RT -23|-2-
F
RT -23F|-
2-
RT -23|1-
B-G#
RT -23|1--
F#
RT -23F#|
1--
RT -2-|-2-
G#
RT -2-|
34---
RT --3C#|
12---
RT --3C#|
12---G#
RT --3|1--
G# &"
RT --3|1--
F#)harper. &"
RTG#1--|--
3G#
RT C#|
3-
G#
Use for fast chromatic passagesbetween 01and "#1.
2C
A RT -23|---
F
RT
-23F|---
RT -23|---
F#
RT-23F#|---
http://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#cl -
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RT -23|
4---
F#
RT -23F#|
4---
RT
G#
-23C#|-
23F#
RT G#-23|
12-2-
F#
R -23|1-
3F#
+esponds uic$ly and in tune. "/
R ---|12-
F#+esponds uic$ly and in tune. "/
AB
RT G#-
23C#|---G#
RT G#-
23C#|---F#
RT G#-
23|---F#
RT G#-
23C#|34---"ood intonation% easy response. 4
RT 123C#|
123F
RT 123C#|
123G#
RT 123F|
123G#
&"
RT
G#123F|
123G#
)harper. &"
RT 123|
123F
RT 123F|
123
RT -23C#|
123F
-2-|--- )
http://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#cl -
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R -2-|--- )harper than pre*ious fingering. )
BC #
RT G#12-|
12-
RT 12-|
12-F#
RT 12-F|
12-F#
(B
RT G#12-|
12-F#
RT G#12-F#|12-
G#
RT G#12-
C#|12-G#
RT -2-F#|
12-G#
B C#
RT G#1--|
1--F#
RT G#1--F#|1--
RT
G#
1--C#|1--
RT G#---|
1--G#
RT 1--C#|
1--G#
0
RT 1--|1--
F
RT 1--F
|1--
RT 1--F|
1--F#
(B
RT 1-Eb-|
1-B
-G#
RT 1--|1--
G# 4)
RT A1--|--
G#Better response than RT 1--|1--G#. 4)
http://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#cl -
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RT A1--|
1--G#
RT A1--|
12-G#
C #D #
RT 123|
123G#
RT 1--|
2341--
F
RT 1--F|
2341--
RT G#1--|
2341--
F#
RT G#1--F#|
2341--
RT -23|-
23G#
D#
RT --3|--
3G#
RT --3|
34---
RT -23|---
RT -23|---
G#
RT 123|
12-E
D #E #
RT 123E|
123F
RT -23|1-
3
E#F #
RT 12-|
123G#
RT 1--|
123G#
R+ G#1--
1&3G#
+esponds well with a clear sound.For all dynamics.
&2
E #
F#
RT 123|
123
RT A1--|
12--3
G#
http://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#cl -
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F #G #
RT 123|
123G#
RT -23|1-
3G#
G#
RT 12-|
123
RT -2-E|-
2-G#
G #A#
RT G#2E|2
G#
+euires much effort. (C
A#
R+ -
&3---G# )lightly flat. "ood forff. 6C
R+ -
&3C#---
G#
)lightly sharp. "ood for mp. 6C
B$# Submit a fingering for this note or for ahigher note.
http://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/submit.htmlhttp://www.wfg.woodwind.org/submit.htmlhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/submit.htmlhttp://www.wfg.woodwind.org/submit.html -
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#ultiphoni$ Fingering Chart for Boehm!"stem!oprano Clarinet
Arrange% &" lowest note of multiphoni$s
This fingering chart includes multiphonics fingerings% which are fingeringssuited for playing two or more notes simultaneously. These fingerings apply tosoprano Boehm-system clarinets. (ll notes are specified to the nearest uarter
tone in terms of naturals ;no symbol
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'rill Fingering Chart for Boehm!"stem Clarinet
'rill fingering : Chalumeau Register: E3to B
4
This fingering chart includes trill fingerings% which are fingerings designed for
rapid alternation between two notes at an inter*al of a minor second ;semitoneor second ;whole tone< apart. any of these fingerings can also be usedas alternate fingerings for some fast passages. /eys to be trilled are indicated inre). 6hen more than one $ey is to be trilled% the $eys should be simultaneouslypressed and simultaneously released% unless the description says to alternatepressing and releasing the $eys. These fingerings apply to all sizes of Boehm-system clarinet unless specified otherwise.
*rill Written Fingering Description !rc"
E3+F3T 123E|123
F
T 123F|123E
E3+F 3F 3+G 3
T 123E|123F#
T 123F#|123E
E 3+F 3F3+G 3
T 123F#
|123F
T 123F|123F#
F3+G3T 123|123
F
T 123F|123
F 3+G3T 123F#|123
T 123|123F#
F 3+G 3G 3+A3
T 123F#|123G#
G3+A3 T 123|123G#
G3+A3 T 123|123
http://www.wfg.woodwind.org/clarinet/cl_tr2_1.html#fhttp://www.wfg.woodwind.org/clarinet/cl_tr2_1.html#f -
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G 3+A3 T 123|123G#
G 3+A3A
3+B
3
T 123|123G#
T 123|123G#
A3+B 3 T 123|12-
A3+B3 T 123|12-
A3+B3
B 3+C 4T 123|1-
B
-
A3+B 3B 3+C4
T 123|1--
B3+C4 T 123|-2-
B3+C 4C 4+D 4
T 123C#|-2-
T 123C#|1-B
-
T 123C#|--3
B 3+C 4C4+D 4 T 123
C#|---
C4
+D4
T 123|---
T 123|4---
C 4+D4T 123C#|---
T 123C#|---
C 4+D 4D 4+E 4
T 123C#|4---
D4+E 4 T 12-|4---
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T 12Eb-|---
D4+E4 T 12-|---
D 4+E4E 4+F 4
T 12-|4---
T 12Eb-|---
T 1--|1--
D 4+E 4E 4+F4
T 12-|4---
T 12Eb-|34
---
E4+F4 T 1--|---
E4+F 4F 4+G 4
T1--|---
T 1--|34
---
E 4+F 4F4+G 4
T ---|34
---
F4+G4T G#---|---
T---|---
F 4+G4 1--|---
F 4+G 4G 4+A4
T G#---|34
---
G#2--|--- ! closes ! , hole while! , trills. &?
G4+A4 G#---|---
G4+A4A---|---
G 4+A4 G#---|2---
http://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#cl -
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G 4+A4A4+B 4
G#---|1---
A4+B 4 A---|2---
A4+B4 A---|1---
A4+B4B 4+C 5
R A---|2---
A4+B 4
B 4+C5
R A---|1---
R A---|12
--- ore in tune than pre*iousfingering.
0
http://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#cl -
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'rill fingering : Clarion Register: B4to C
6
*rill Written Fingering Description!rc"
B4+C5
RT 123E|
123F
RT 123F|
123E
B4+C
5
C 5+D
5
RT 123E|
123F#
RT 123F#|
123E
B 4+C
5
C5+D
5
RT 123F#|
123F
RT 123F|
123F#
C5+D5
RT 123|
123F
RT 123F|
123
C 5+
D5
RT 123F#|
123
RT 123|
123F#
C 5+D
5
D 5+E
5
RT 123F#|
123G#
RT 123F#|
123G#
D5+E
5RT 123|
123G#
D5+E5 RT 123|123
D 5+
E5E 5+F
RT 123|123G#
http://www.wfg.woodwind.org/clarinet/cl_tr2_2.html#fhttp://www.wfg.woodwind.org/clarinet/cl_tr2_2.html#f -
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5
D 5+E
5
E5+F
5
RT 123|
123G#
RT 123|
123G#
E5+F5 RT 123|12-
E5+F 5F 5+G
5RT 123|12-
E 5+F
5
F5+G
5
RT 123|1-B
-
F5+G5 RT 123|1--
F5+
G5 RT 123|-2-
F 5+G
5
G5
+A
5
RT 123C#|-
2-
RT 123C#|--
3
RT 123C#|1-
B-
RT 123|-2-
RT 123|1-B
-
R+ 1&3C#-
2-
For models with an articulatedC#@"# $ey.
&
G5+A
5RT
123C#|---
G5+A5 RT 123|---
http://www.wfg.woodwind.org/sources.htmlhttp://www.wfg.woodwind.org/sources.html -
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RT 123|4---
A5 RT
123C#|---
RT
123C#|---
RT 12-|12-
A5+B
5RT
123C#|---
RT 123C#|
4---
RT1
2-|12- 5
RT 12Eb-|---
RT 12-|4---
RT 12-|---
RT 12-|--- B 5+C
RT 12-|4---
RT 1--|1--
B 5+
CRT 12-|
4---
RT 12Eb-|
34---
B5+C RT 1--|---
C +D
RT1--|---
RT 1--|34
---
RT 1--|4---
RT 1-3|123
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B 5+C
C+D
RT ---|34
---
C+D
RT G#---|---
RT ---|2---
RT G#---|
4---
For soprano models. (6
R+ -&3
1&3G#
"ood intonation and response.6or$s well at mftoffdynamics.
4
'rill fingering : Altissimo Register: C6to C
7
*rill Written Fingering Description!rc"
C +
D
RT -23|12-
RT G#-23|12Full tone and ecellent pitchon &1.
"/
RT1
--|2---
C +D
D +E
RT -23|12-
RT -23|12-G#
RT A-23|12-
D+E
RT -23|1-B
-G#
RT G#-23|1--G# "reat for rapid trills. "/
D+E RT -23|1--G#
D +
EE +F
RT -23|--3G#
RT -23|-2-G#
RT -23C#|1-B
-G#
http://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/clarinet/cl_tr2_3.html#fhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/clarinet/cl_tr2_3.html#fhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#cl -
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D +E
E +
F
RT -23|1-B
-G#
RT -23|-2-G#
RT -23|--3G#
E+FRT -23C#|---
G#
RT -23|4---
G#
E+F
F +G
RT -23|---G#
E +F
F+G
RT -23C#|---G#
RT -23C#|---G#
RT -23C#|4---
G#
F+G RT -23C#|---G#
F +
G
RT -2-|4---
G#
RT -2Eb-|---G#
RT 12-C#|123G#
RT 12-|123G# (B
RT 123C#|123
RT 12-|1---G#
F +G
G +A
RT -23|123G#
RT -2-|34
---G#
RT -2-|1--G#
RT 12-|1---
G+A RT -23|12-G#
http://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#cl -
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RT --3C#|4---
G#
RT -2-|123F
G+A
RT -23|12-G#
RT -2-|12-G#
RT 1--|12-G#
G +A
RT -23|-2-F
RT -23|-2-G#
RT -23|1--F#
RT -23|1-3F#
RT --3|1--F#
RT -23|--3F
RT -2-|-2-G#
G +A
A+B
RT A-23|34
---G#
RT-23|-2-G#
A+B
RT G#-23C#|---F#0cellent pitch9 some left handcoordination needed.
"/
RT -23|---F# )lightly flat Bb. "/
A+B
RT A-23|123F# "/
RT A-23|12-F# )lightly sharper B. "/
A+
BB +C
#
RT AG#-23C#|---
RT 123C#|123F
A+B RTG#123C#|123
F
http://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#cl -
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B +
C#RT G#123C#|123F
B+C#
RTG#
12-|12-G#
RT 12-|12- )harp B. ?/
R A-23C#|12-G# "/
B+C
#
C #+D
#
RT 12|12BG#)li*er $ey $eeps pitch of C#from going flat.
&"
B +C
#
C#+D
#
RT G#1--|234
1--F#
RT 1--|234
1--F
C#+D# R+ 1-31-3G#(lternate pressing both inde
fingers and both ring fingers.
2
C #+
D#
Submit a fingering for this trill orfor a higher trill.
http://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/submit.htmlhttp://www.wfg.woodwind.org/submit.htmlhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/submit.htmlhttp://www.wfg.woodwind.org/submit.html