DETAILED SYLLABUS
FOR
DISTANCE EDUCATION
M.SC IN FASHION DESIGNING
(SEMESTER SYSTEM)
COURSE TITLE: MSCFDDURATION : 2 YEARMODE : SEMESTER
FIRST SEMESTER
COURSE TITLE Paper Code MARKSTHEORY PRACTICAL TOTAL
INTERNAL EXTERNAL INTERNAL EXTERNAL
TEXTILE ELECTRONICS-II MSCFD/S/110 40 60 40 60 200
STRUCTURE & PRODUCTION OF KNITTED FABRIC MSCFD/S/120 40 60 40 60 200
GARMENT PROCESSING MSCFD/S/130 40 60 40 60 200
TESTING OF TEXTILES & APPARELS MSCFD/S/140 40 60 40 60 200GARMENT PRODUCTION MACHINERY &EQUIPMENTS MSCFD/S/150 40 60 40 60 200
FASHION ART & DESIGN MSCFD/S/160 40 60 40 60 200
INPLANT TRAINING - I MSCFD/S/170 40 60 40 60 200
SECOND SEMESTER
COURSE TITLE Paper Code MARKSTHEORY PRACTICAL TOTAL
INTERNAL EXTERNAL INTERNAL EXTERNALADVANCED COMPUTER PROGRAMMING MSCFD/S/210 40 60 40 60 200
FASHION ILLUSTRATION MSCFD/S/220 40 60 40 60 200EMBROIDERY & SURFACE ORNAMENTATION MSCFD/S/230 40 60 40 60 200HOME TEXTILES IN FASHION MSCFD/S/240 40 60 200MERCHANDISING IN APPAREL & FASHIONINDUSTRY MSCFD/S/250 40 60 200
MEN, WOMEN & CHILDREN'S W EAR MSCFD/S/260 40 60 40 60 200
DESIGN COLLECTION & PRESENTATION MSCFD/S/270 40 60 200
THIRD YEAR B. TEXT (FASHION TECHNOLOGY) - SEMESTER-ITEXTILE ELECTRONICS-II MSCFD/S/110
Lectures : 3 Hrs / Week
Practicals : 2 Hrs / Week
Theory Paper : 100 MarksPractical Exam : 100 Marks
Subject Total : 200 Marks
I) Digital Electronics and Number System:-
Difference between digital and analog, digital gates, working, truth table &
Boolean equation, with examples from TTL family.
Digital Circuits :- Introduction to multiplexers, Demultiplexers, Encoders,decoders, Flip Flop – R-S, D & J – K, Registers Latches, binary counter,
buffers, Tri state devices, memories – RAM, ROM, EPROM.
Introduction to Number systems :- Decimal, Binary, hexadecimal, conversion
of numbers from one system to other. Binary arithmetic – addition,subtraction, two’s complement representation.
II) 8085 Microprocessor:-
Introduction to microprocessor, features of 8085, Architecture of 8085 –
Register section, ALU, Timing & Control etc. Demultiplexing of address data
bus. Generation of control signals, Example of microprocessor basedsystem, 8085 machine cycles and bus timing. Memory interfacing to 808
III) Programming of 8085:-
Instruction classification, instruction and data formats, addressing modes,
complete instruction set, assembly language programming , Execution of
programs, programming with looping, counting & indexing techniques. Time
delay’s & counters.
IV) Stacks and Subroutine:-Stack, subroutine, call & Return instructions advanced subroutine concepts.
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V) Interfacing Input / output devices:-Basic interfacing concept, interfacing output displays, interfacing input
devices, difference between peripheral Input/output memory mapped
Input/out.
VI) Interrupts:-
Concept of interrupts, software & hardware interrupts, Description of interrupt
process, vectored interrupts, programming using interrupts.
VII) Interfacing of peripherals & other I/O devices:-
8255 PPI interfacing & programming, interfacing of keyboard (matrix) &
display, interfacing of thumbwheel switches, stepper motor, D/A & A/Dconverters, Relays etc.
VIII) Introduction to Microcontroller:-
Introduction to microcontroller, Block diagram of microcontroller, Difference
between microprocessor and microcontroller, Features of 8051microcontroller, Introduction to PLC & its applications.
IX) Applications of Microprocessor in Textiles:-
Use of Microprocessor / Microcontroller in Sizing Machine, Jet dyeing
machine, advanced looms, Spinning machines, Ring data System, Auto
levelers, On-line monitoring systems, Evenness tester.
List of Experiments
1) Study of basic gates.2) Study of flip flops
3) Assembly language programms ( 6 to 8)
4) Interfacing of 8255 in simple I / O & BSR mode.
5) Interfacing of Seven segment display.6) Interfacing of keyboard.
7) Interfacing of stepper motor.
8) Interfacing of D/A converter.
9) Interfacing of A/D converter.10) Interfacing of thumbwheel.
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Reference Books
1) Digital Principles and applications by Malvino & leach.
2) Microprocessor Architecture, Programming and applications with 8085 by
Ramesh Gaonkar.3) Microprocessor & Digital system by Douglas Hall.
4) Fundamentals of microprocessors & microcomputers by B. Ram.
5) The 8051 Microcontroller Architecture, Programming and Applications by
Kenneth J, Ayala.6) Machine manuals of USTER, LOPHE, PREMIER
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THIRD YEAR B. TEXT (FASHION TECHNOLOGY) - SEMESTER-I2 STRUCTURE & PRODUCTION OF KNITTED FABRIC MSCFD/S/120
Lectures : 3 Hrs / Week
Practicals : 2 Hrs / Week
Theory Paper : 100 MarksTerm Work : 100 Marks
Subject Total : 200 Marks
I) Introduction:- Reasons for the growth of knitting, Comparison of knitted &
woven fabric with respect to production and properties, Hand knitting. Knitting
processes (weft & warp) and their structures. Basic terms and definitions used
in knitting (wales, courses, stitch length, stitch density, face & back loops)II) Weft Knitting:-
1. Machine: Passage of yarn through circular weft knitting machine. Study of
elements of knitting machines such as : Creel, Yarn feeding – Need, types,stop motions, indicators, tensioners etc. , Loop forming mechanism – Knitting
cycle, types of needles and their comparison, Study of essential elements of
loop forming such as cylinder, sinker, cam, dial, yarn guide. etc, Loop forming
cycle for single jersey, rib and Interlock fabrics. Take down motion –Spreader, Nip roller, cloth roller
2. Fabric structures: - Principle stitches such as knit, Tuck, miss and their
representation, their effects on fabric properties. Types and properties of
knitted fabrics such as single jersey, double jersey and their derivatives likeinterlock, Rib and purl etc. Pattern analysis method, Needle order, Cam order.
Pattern structures with one, two, three & four needle types (Single Jersey :
cross miss, Lapique, Longitudinal tuck stripes, Plain pique. Rib : Milano, Half
Milano, Cardigan, Half Cardigan, Double Cardigan, Swiss and French doublepique. Interlock: Pique, Texi Pique, Pin tuck, Interlock Super Roma,
Bourrelet). Concept of colour and structure Jacquards. Fleecy fabrics, plush
fabrics, stripers, Loop transfer.
3. Study of weft knitted fabric defects and their remedies, yarn quality
requirements.
4. Circular weft knitting machine production calculations, fabric weight andTightness factor. Knitted fabric relaxation concept.
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III) Flat Knitting :-1. Basic elements & their functions of flat knitting machine. Hand and machine
operated flat knitting machines & their knitting actions.
2. Machine operation for various stitches such as Miss, Tuck, Transfer, drop
stitch.3. Design with and without needle selection, bed racking, new formed and
transfer loop for hand and machine operated machines.
4. Concept of seamless knitting.
IV) Warp Knitting :-
1. Passage of yarn through warp knitting machine. Essential elements of warp
knitting machine. Knitting cycle of Tricot and Raschel warp knitting machine.
2. Study and representation of single and two guide bars structures like Pillerstitch, Tricot, Blind lap, In lay, Atlas, Full Tricot, Locknit, Reverse Locknit,
Satin, Loop raised, Shark Skin, nettings and Crochet
3. Methods for calculating runner ratios for each bar for different structures.
List of Experiments
1. Study of single jersey circular weft knitting machine – yarn supply
arrangements, loop forming mechanism, takedown motion, Production
calculation.2. Study of double jersey circular weft knitting machine – yarn supply
arrangements, loop forming mechanism, takedown motion, Production
calculation.
3. Study of warp knitting machine – yarn supply arrangements, loop formingmechanism, takedown motion, Production calculation.
4. Study of flat knitting machine – yarn supply arrangements, loop forming
mechanism, takedown motion, Production calculation.
Design setting on single jersey circular weft knitting machine- Machineoperation, cam & needle arrangements, yarn feeding and take down setting.
6. Design setting on Double jersey circular weft knitting machine- Machine
operation, cam & needle arrangements, yarn feeding and take down setting.
7. Knitted fabric analysis Single jersey8. Knitted fabric analysis Derivative of single jersey
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9. Knitted fabric analysis. Derivative of single jersey10. Knitted fabric analysis. Double Jersey
11. Knitted fabric analysis. Derivative of Double Jersey
12. Visit to knitting unit.
Reference Books
1. Knitting Technology by Prof.D.B. Ajgaonkar.
2. Circular Knitting by Dr. Chandrashekhar Iyer.
3. Knitting Technology by Mr. D. Spenser.4. Warp Knitting by Dr. S. Raz.
Flat Knitting by Dr. S. Raz.
THIRD YEAR B. TEXT (FASHION TECHNOLOGY) - SEMESTER-I
3 GARMENT PROCESSING MSCFD/S/130
Lectures : 3 Hrs / Week
Practicals : 2 Hrs / WeekTheory Paper : 100 Marks
Practical Exam : 100 Marks
Subject Total : 200 MarksI. Introduction – Objects of finishing, Importance of finishing, classification of
finishes, Difference between finishing of woven fabric, Knit goods, Terry towel
and Readymade garments.II. Resin Finishing – Mechanism of resin finishing, concept of anti crease, wash-
n-wear and durable press finish.
III. Finishing of Synthetic Materials – Heat setting and weight reduction of
polyesterIV. Functional Finishes – Soil release finish, water repellent and flame retardant
finish, anti microbial finish, Anti static finish, mildew and moth proofing finish,
Organdie finish.
V. Finishing of Readymade Garments – Aim and scope of garment field withspecial reference to textile wet processing. Difference between pre-garment
stage and readymade garment stage finishing, concept of garment finishing,
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general precaution to be taken during finishing of cotton, wool, silk, rayon,woven and knitted materials.
VI. Speciality Finishes on Garments – Finishing of woven / knitted garments –
Stoneless stone wash effects – Mud wash, Ion wash, chalk wash etc. , various
softening treatments, water resistant breathable finish, Bio polishing, LeatheryFinish, Protective Finishes – Antimicrobial, Deodorizing etc., Functional
Finishes – Cool finish, Thermocat finishes, Wrinkle free finishes.
VII. Wash down effects on Denim - Stone Wash, Enzyme Wash, Combined
enzyme and stone wash, Acid wash, Antique wash, Ball blast, W hiskering,Sand blast, Ice wash.
VIII. Finishing Machines – Rotary and paper press, Drum washing machine, hydro
extractor, Tumble drier, Pedal dyeing machine, W hiskering Machine, Fusing
Machine.IX. Finishing of Wool – Potting, Crabbing, Felting.
List of Experiments
1. Weight reduction to produce silk like finish2. To identify various types of stains and their removal
3. To test cotton & blended fabrics for dimensional stability (Shrinkage)
4. Wrinkle free finishing of garment.
Permanent press finishing of garment6. Softening treatments on garment.
7. Stiffening treatment on garment.
8. Soil release finishing.
9. Water repellant finishing.10. Antimicrobial finishing on garment.
11. Bio-polishing treatment on garment.
12. Stone wash on garment.
13. Acid wash on garment.14. Special printing on garments like Plastizol.
1 Pearl and Metallic Printing on garment.
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Reference Books1) Chemical after treatments of textile by Marks, Atlas & Wooding.2) Textile finishing by A.J. Hall.3) Introduction to textile finishing by J.T. Marsh.4) Technology of finishing – Vol. X by Dr. V.A. Shenai.5) Chemical processing of polyester/cellulosic blends by R.M. Mittal and S.S.
Trivedi.6) Silk dyeing, printing and finishing by Prof. M.L. Gulrajani.7) Garment Finishing & Care Labelling byS.S.Satsangi, Usha Publishers,53-B/AC-
IV, Shalimar Bagh, New Delhi.8) Stain Removing T echniques by byS.S.Satsangi, Usha Publishers,53-B/AC-IV,
Shalimar Bagh, New Delhi.9) Fabric Care by Noemia D’SOUZA, New Age International Publishers,
Daryagang, New Delhi.
THIRD YEAR B. TEXT (FASHION TECHNOLOGY) - SEMESTER-I
4 TESTING OF TEXTILES & APPARELS MSCFD/S/140
Lectures : 3 Hrs / Week
Practicals : 2 Hrs / WeekTheory Paper : 100 Marks
Practical Exam : 200 Marks
Subject Total : 200 Marks
I) Classification of fabric Properties, Sampling of Fabrics
II) Dimensional characteristics - Length, width & thickness and their
measurement, importance of thickness.III) Threads/Unit length – EPI and PPI, count warp count, weft count, weight of
fabric weight per unit length, weight per unit area, warp & weft crimp, effect of
crimp on the fabric properties, Measurement of crimp, fabric cover – cover
factor.IV) Fabric Strength – Tensile strength testing – cut strip method, Grab test
method, comparison between strip test & grab test, Tear strength testing –
Measurement of tear strength – different methods of testing, ballistic test,
bursting test & its measurement.
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V) Fabric abrasion & Handle of fabric – Serviceability, wear, abrasion, testingof abrasion resistance, assessment of abrasion damage, the BFT abrasion
testing machine, Martindale abrasion tester.
VI) Pilling of fabrics – Pills, mechanism of pilling, factors responsible for pilling,
effect of pilling, remedies, ICI Pill Box Tester.VII) Fabric Stiffness, Handle & Drape – Handle, drape, measurement of drape,
stiffness, Shirley stiffness tester (cantilever test), Heart loop test.
VIII) Crease resistance & crease reco very, measurement of crease recovery.
IX) Air permeability– air permeability, air resistance, air porosity, SHIRLEY airpermeability tester,
X) Water proofing & water repellency – Wetting time test, spray test. Drop
penetration test, Bundesmann testers, W ater head tester.
XI) Fabric Hand – Objective & subjective evaluation of textiles, Measurement offabric hand by KAW ABATA & FAST techniques
XII) Luster – Subjective aspects of luster, measurement of luster, Effect of fabric
construction in luster.
App arel Testing
Strength properties of Apparel Fabrics – Fabric strength, Seam Strength,
Resistance to Yarn Slippage, Fabric Stretch Properties, Dimensional Stability in
Apparel, Durable Press Evaluation, Needle cutting/Yarn Severance, Sewability ofFabrics, Soil/Stain Release Testing, Snagging, Colorfastness to – Washing, Dry
Cleaning, Light, Crocking, Perspiration, Frosting, Heat, Burnt Gas fumes, Ozone
Testing of Fusible interlinings, Testing of Zippers, Testing of Elastic Waistband
List of Experiments
1. Determination of Fabric Tensile strength and Elongation
2. Determination of crimp in Yarn.3. Determination of Abrasion Resistance.
4. Determination of Fabric bursting strength
Determination of fabric washing fastness.
6. Determination of Shrinkage of knitted and woven fabrics.7. Determination of color fastness to rubbing - Crock meter
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8. Analyzing of Woven and knitted fabric EPI, PPI, Wales and courses per inch,loop length, GSM,
9. Determination of fabric stiffness and crease recovery angle.
10. Determination of fabric Drape
11. Seam strength testing12. Dimensional Stability
Reference Books
1. J.E.Booth- “Principles of Textile Testing”, CBS Publishers & Distributors, 1996.2. Sundaram V, “Hand book of Textile Testing”, CTRL Publication, Bombay.
3. Textile Testing Vol.I & II by Anagappan & Gopalkrishnan
4. An Introduction to Quality Control for Apparel Industry , Pradip Mehta
Managing Quality in the Apparel Industry, Pradip Mehta & Satish Bhardwaj
THIRD YEAR B. TEXT (FASHION TECHNOLOGY) - SEMESTER-I
5 GARMENT PRODUCTION MACHINERY & EQUIPMENTS MSCFD/S/150
Lectures : 3 Hrs / Week
Practical : 2 Hrs / Week
Theory Paper : 100 Marks
Term Work : 100 MarksSubject Total : 200 Marks
I) Introduction to spreading machines and cutting machines - types andfunctions History of sewing machines and development. Sewing machinery -
classification according to bed types, stitch types (hook or looper), material
wise (extra light to heavy weight).
II) Major parts of sewing machinery and functions. Adjustment of major parts ofSingle needle lock stitch machine: non-UBT: stand height, pedal, presser foot,
height of needle bar, needle to hook relationship, height of feed dog, normal
and reverse feed stitch length, feed timing, presser foot pressure, needle and
bobbin thread tension, bobbin winding assembly, belt tension. Sewingmachine safety regulations.
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III) Sewing needle and sewing thread, thread consumption, thread routing.Adjustment on SNLS UBT: Needle stop position, wiper, thread timing
sequence, timing of thread trimmer cam, positioning the moving knife,
installation, sharpening, replacing moving knives, adjusting the floating
amount of the auxiliary tension disk.IV) Parts, functions and adjustments of Over lock: Needle height, feed dog height,
differential feed ratio, tilt of the feed dog, position of the upper and lower
knives, sharpening of knife and loopers, trouble shooting in over lock.
V) Work-aids and attachments, functions of pullers, guides and folderscompensating presser foots- left, right, double; feller, hemmer etc. Collar
turning machines, folding machinery, fusing and pressing machinery.
Computer controlled cutting, sewing, folding machinery.
List of Experiments
1. Study of various types of cutting machine for the working & construction.
2. Study of various types of cutting machine for the working & construction.
3. Study the various types of beds of the sewing machines.
4. Study the major parts of sewing machines.Study of Needles for the sewing machine.
6. Study of sewing threads.
7. Study of single needle sewing machine for working & construction.
8. Study of overlock sewing machine for working & construction9. Study of special sewing machines for working & construction.
10. Study of feed off the arm machine for working & construction
11. Work aids and attachment for sewing machine.
12. Visit to garment unit.
Reference Books
1. Jacob Solinger., “Apparel Manufacturing Handbook ", Van Nostrand Reinhold
Company (1980).2. Peyton B .Hudson., " Guide to Apparel Manufacturing ", MEDIApparel Inc
(1989) ISBN: 0 -945116-08-X.
3. Carr.H, Latham. B., " The Technology of Clothing Manufacture ", Blackwell
Scientific Publications(1988).
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THIRD YEAR B. TEXT (FASHION TECHNOLOGY) - SEMESTER-I6 F ASHION ART & DESIGN MSCFD/S/160
Lectures : 3 Hrs / Week
Practicals : 2 Hrs / Week
Theory Paper : 100 Marks
Term Work : 100 MarksSubject Total : 200 Marks
I) Origin of clothing – Grouping of dress out of painting, cutting and other
methods. Role of costumes as a status symbol, sex appeal, Fashion andseasons. Costumes of ancient civilization – Egypt, Greece, Roman, English,
French empires during Rennaizance 1500 –1600 AD.
II) Costumes of India. History of Indian costumes up to Mughal period, History of
Indian costumes post Mughal period. Traditional costumes of different states.In India – Factors influencing costumes changes. Accessories and Garment
used in India. Costumes of Pakistan, Srilanka, Burma, China & Japan.
III) Lines- color, light Theory of Color, prang of color system – Proportions –
rhythm – Balance. Emphasis, Harmony – Sketching and Drawing – FashionClassification And Types Of Fashion – Origin of Fashion language –
Philosophy of Design – street Fashion – Study of leading Fashion Designers –
French, Italian, American, Indian& English.
IV) Concepts of Design – Background to the world of Fashion Design – DefinitionOf Fashion Designing – Initial steps of Fashion Designing – Ingredients of
Fashion Designing – Designing Equipments – Computer Aided Designing.
Knowledge Of Latest Fashions – Based On Age, Sex, Nationality,
Occupation, Socio Economic Status.V) Study of Dacca Muslin, Jamdhani, Himrus & Amrus, Carpets, Kashmir shawls,
Kancheepuram & Baluchari saris, Paithani Saris, Bandhani, Patola, Ikkat,
Kalamkari & other styles of printing and dyeing textiles. Factors determining
changes in Costumes from period to period.VI) Design Details of:
(a) Neckline finishes classification and their types.(b) Collars – classification & Their types(c) Seam & Pockets – Classification & Their types(d) Cuffs.
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List of Experiment1. Drawing of Neckline finishes I
2. Drawing of Neckline finishes I
3. Drawing of Collars and their types
4. Drawing of Collars and their typesDrawing of Collars and their types
6. Drawing of different types of Seams
7. Drawing of different types of Seams
8. Drawing of different types of Pockets9. Drawing of different types of Pockets
10. Drawing of different types of Cuffs.
Reference Books1. Russel Gillow, Nicholas Barnard, “Traditional Indian Textiles”, Thames and
Hudson Ltd., London, 1991.
2. Elizabeth Rouse, “Understanding Fashion”, Blackwell Scientific Publication,
Oxford, 1989. ISBN:0632018917.3. Mckelvey, K. and Munslow, J. “Illustrating Fashion”, Blackwell Science, 1997,
ISBN:0632040246.
4. Entwistle, J. “The Fashioned Body”, Polity 2000, ISBN: 0745620078.
S.N Dar, “Costumes of India & Pakistan”, D.B Tataporevala sons & co. Ltd.,1982.
6. Churye G.S, “Indian Costume”, Ramdas Bhatkal for Popular Prakashan Pvt.
Ltd., Bombay, 199
7. Corter Ernestine, “The Changing World Of Fashion”, Om Book Service, 1900 to8. present.
9. Singer, “Sewing Active Wear”, The Hamlyn Publishing group Ltd., London 1963.
10. Hatanaka kokyo Collection –“Textile arts of India”, chronide Books, 1996
11. Madhubani, K.prakash, “An Invaluable book on the original Art Tradition”,Design Point, 1994.
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THIRD YEAR B. TEXT (FASHION TECHNOLOGY) - SEMESTER-I7 INPLANT TRAINING-I MSCFD/S/170
Term Work : 100 Marks
Subject Total : 200 Marks
Objective:To provide an opportunity to observe industrial activities and gather related
technical and non-technical information about industry working.
Training Period:
One Month after completion of second semester of Second Year B.Text.
Industry:
Training with a Boutique/domestic garment production house for minimum of4 weeks/one month.
Observations:Observe working of industry and collect data as per guidelines in the manual,
study machineries / systems / practices.
During this period, students are required to study the layout, structure,
process flow, Types of fabric, Types of Garment, Machinery working & specification,layout, humidification, air supply system, material handling systems, inspection
techniques, In-house quality practices, packing system for local and export market,
industrial practices and the other relevant data, and information.
Training Report:* Report should have Title on Cover of Report as per Format.
* Report should be prepared as per following sequence -
I Page Certificate from Institute as per Format.
II Page AcknowledgementIII Page Programme of Training
IV Page Introduction of Industry
V Page Index with Page Numbers
VI Page Plant/Dept. LayoutVII Page Organization Structure.
VIII Page Department wise / Product wise Report: Report should
(Onwards) be based on Own Observations made, data
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colleted during Inplant Training (i.e. Study of Machinery, ActualProduction and Efficiency, Production Control, Modern
Developments in Machines/Process, Flow Chart of Processes,
Speed of Important Parts, Labour Allocation, Maintenance
Practices, Process Control & Quality Control Activities etc.) rolesand responsibilities of various W orkers/Technical Staffs.
Special Study: Mini Project Undertaken, Costing,
Production Planning & Control, Target Achievement, Information
regarding humidification plant, Utility, Electrical Supply, Store,Purchase, Marketing, Sales, Samples, Lay-out of Mill etc.
Assessment:
Viva-voce to be conducted in first semester of Third Year B.Text. Term Work
Marks are assigned on the basis of student’s performance in viva-voce, conductedby internal and external examiners from related field.
THIRD YEAR B. TEXT (FASHION TECHNOLOGY) - SEMESTER-II
6.1 ADVANCED COMPUTER PROGRAMMING MSCFD/S/210
Lectures : 3 Hrs / WeekPracticals : 2 Hrs / Week
Theory Paper : 100 Marks
Practical Exam : 100 MarksSubject Total : 200 Marks
1. Introduction to Windows:
Managing windows, working with disks, folders and files, finding lost files,
creating backups, shortcut keys, installing and removing programmes,
printing in windows, printer setting, fonts, installing fonts.
2. Netw orking Concepts:Introduction to network, use of computer networks, network topologies, network
types – LAN, MAN, WAN, network hardware components – cables, connectors, NIC,
Hub, Switch etc. Network operating system, client/server architecture, Internet and
its applications.
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3. Database Management:Introduction to database, records, Relational database management systems,
structural query languages (SQL), SQL commands – Select, Insert, update,
delete, joins – inner join, outer join, equijoin.
4. Visual Basic Fundamentals:
Introduction, projects in visual basic, project explorer, setting project options,
Visual Basic code – understanding procedures, subroutines, functions,comments, code window & its features, controlling program flow, conditional
branching, loops.
Visual Basic Data Types:
Data types in visual basic, - byte, lnteger, long, single, double, currency,
Boolean, data, string, object, variant, declaring variables, variable scope & life
time, data conversion, arrays, constants, user defined data types.
6. Designing User Interface:
Forms, form properties, form events, loading, unloading, showing & hiding
forms controls in visual Basic – label, buttons, text box, list, dropdown
selection list, checkbox, option button, timer control, setting tab order, manusin visual basic.
7. Dialogs:
Introduction, message box, input box, common dialog.8. Programming Database Access :
Introduction, Record set object – definition, properties, methods & events,
records, working with record set in code, visual basic data control,
Introduction to ADO.
List of Experiments1. Study of Windows 98 operating system.2. Working with Start Button, Desktop, Explorer, Control Panel.
3. Study of network System with commands from Novell Network.
4. Creating databases, tables using Ms-access.
Working with SQL Commands like Select, Insert, Update, Delete, etc.6. Creating simple form in Visual Basic.
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7. Writing applications in Visual Basic using multiple forms, various controls (likeradio button, list etc.) and database application using data control for
Finding mean, SD, CV% of yarn strength testing machine
Finding twist & its SD, mean & CV%
To calculate production of winding m/c, warping m/c, sizing m/c, looms, (Weaving
Machine.), blow room, card, speed frame, ring frame etc (Spinning Machine).
Finding % exhaustion of dye bath.
Finding correlation between whiteness & strength.
Finding at add on of finish.
Reference Books1. Windows 95 for busy people – Ron Mansfield (Tata McGraw-Hill Edition)2. Computer Guide to Networking – Peter Norton (Techmedia publication)3. Computer Networks (Third Edition)4. SQL for professional – Swapna Kishore, Rajesh Naik (Tata McGraw-Hill editon)
Guide to Visual Basic 6 – Peter Norton (Techmedia Publication)6. Beginning Visual Basic 6 – Peter Wright (WROX Publication)
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THIRD YEAR B. TEXT (FASHION TECHNOLOGY) - SEMESTER-II6.2 FASHION ILLUSTRATION MSCFD/S/220
Lectures : 3 Hrs / Week
Practicals : 3 Hrs / Week
Theory Paper : 100 MarksTerm Work : 100 Marks
Subject Total : 200 Marks
I) Anatomy for Designer – Human proportion and figure construction
II) Head the unit of measurement – methods of determining individualproportions – Basic Drawing of the Fashion Figure – Flat Sketching average
proportions- Methods of determining standards of Child, Men & Women’s
Figure
III) Drawing the Lay figures – Three Quarter View of Lay Figure – proportions of
the figure measuring 8 Heads
IV) Sketching and illustration of body figures and body shapes
V) Display of Fashion Materials – Definition , Importance, Source, Techniques,
Window Display
VI) Folios – Creative- Dress – Designer
List of Experiments
1. Concept of fashion drawings2. Drawing of Basic figures,
3. Drawing of Bone Structure
4. Drawing of Muscle view
Drawing of Front view ½ sheet each6. Drawing of Side view
7. Drawing of Back pose
8. Drawing of Structure of hands, legs & foot
9. Enlargement and reduction of Basic Figures
10. Drawing the face & Facial proportion
11. Drawing of hair Styles12. Drawing of 8 Head Figure
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Reference Books
1. Fashion Drawing Designs by Magazine of Thailand2. Fashion Drawing – The Basic Principles by Anne Allen and Julion Seaman
3. Fashion Illustration by Bina Abling
4. Erwin Mabel(1994) Clothing for Moderns Macmillan Publications, New York.
Mckelvey, K. and Munslow, J. “Illustrating Fashion”, Blackwell Science, 1997,ISBN:0632040246.
6. Tate and Sharon Lee 1976. Inside Fashion Design Canfield Press publication
Inc London
THIRD YEAR B. TEXT (FASHION TECHNOLOGY) - SEMESTER-II6.3 EMBROIDERY & SURFACE ORNAMENTATION MSCFD/S/230
Lectures : 3 Hrs / Week
Practicals : 3 Hrs / Week
Theory Paper : 100 Marks
Practical Exam : 100 Marks
Subject Total : 200 Marks
I) Introduction and origin of embroidery – general rules for hand and machine
embroidery, Attachments of sewing machines for embroidery – Selection of
needle, threads & fabrics for embroidery.
II) Knowledge, classification & practice of hand embroidery stitches- running,couching, button hole, satin, long & short, wheat, chain, stem, herringbone,
cross stitch, knotted stitches, fish bone etc. Some Indian traditional
embroideries – Phulkari, Kasuti, Kashmiri embroidery, kutch work,
chikkankari, kantha, tribal embroideries- stitches, designs, colors andmaterials used.
III) Knowledge & practice of the following machine embroideries and surface
ornamentations– eyelet work, cutwork, Richelieu work, lace work, drawn
thread and fabric work, patch work, mirror work, applique, shaded embroidery,
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shadow work, badala work, bead and sequins work, bobbin thread embroideryetc.
IV) Selection of thread color and suitable stitches for embroidery using computer
–Care and maintenance of embroidery articles – pressing embroidery articles
– frames & backing materials Types & Purposes. Estimating, costing &marketing of finished embroidery goods.
V) CAD Softwares used for embroideries – process of designing, types of stitch
applications, punching. Types of embroidery machines and their working –
vertical embroidery machines, multi-head embroidery machines- Specialattachments in Embroidery machines.
List of Experiments
1. Study of the stitches and work style .2. Study of historical background motifs, colours, and materials used in
embroideries of Phulkari, Kasuti.
3. Study of historical background motifs, colours, and materials used in
embroideries of Kashmiri, Kutch.4. Study of historical background motifs, colors, and materials used in
embroideries of kantha and tribal embroidery.
Study of computerized embroidery machine.
6. Selection of material for different types of embroidery work and for the differentarticles.
7. Study of embroidery software.
8. Design development for embroidery.
9. Design development for embroidery.10. Embroidering of the developed design on machine.
11. Study of the special types of embroidery machines and applications.
12. Visit to Embroidery unit.
Reference Books
1. Shailaja D. Naik, “Traditional Embroideries of India”, A.P.H Publishing
Corporation, New Delhi, 1996.
2. . Sheila Paine, “Embroidered textiles”, Thames and Hudson Ltd., 1990.
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3. 2. Gail Lawther, “Inspirational Ideas for Embroidery on clothes & Accessories”,Search Press Ltd., 1993.
THIRD YEAR B. TEXT (FASHION TECHNOLOGY) - SEMESTER-II6.4 HOME TEXTILES IN FASHION MSCFD/S/240
Lectures : 3 Hrs / Week
Theory Paper : 100 Marks
Subject Total : 100 Marks
I) Textile for seating – Upholstery fabrics for domestic applications – scope,
fixed upholstery, non-stretch loose covers, stretch covers. Upholstery fabricsfor contract use – general, automotive applications, Commercial applications.
II) Window Textiles – Sun filters (Sheers and nets), Semi-sheers, Reflective
textiles, curtain fabrics & drapes, Blinds.
III) Bed Textiles – Sheets & Pillow Cases, Quilted Textile, Blankets & Rugs -Jacquard blankets, Printed blankets, Fire proof blankets, Baby blankets. Bed
Spreads, Mattress covers, (Ticking)
IV) Fabrics for Wall Covering, Textile Art – Tapestries, Wall hangings, Textiles
for screens & Room Dividers.
V) Bathroom Textiles - General shower curtains, Terry Toweling.
VI) Accessories – Scatter Cushions, Floor Cushions, Lampshade fabrics.VII) Table Textiles – Tablecloths – Colour – Woven & Printed type, jacquard
types, embroidered types, non-woven types. Table mats – Colour -woven,
Printed jacquard, embroidered.
VIII) Textile Floor Coverings – Introduction, Pile Fibres, Backing fibres & fabrics– Tufted carpets, Needle felt backings, woven carpet. Woven Carpet
Manufacture – Wilton weaving, shedding mechanism, Aximinster. Tufted
Carpet Manufacture – Broadloom machinery, Hand tufting, Ancillary
equipments Needle felt Manufacture – Needling machinery, textured &patterned needle felts, thermo-bonded products. Unconventional methods for
making carpets – Bonding, knitted carpet, stitch bonding, flocking.
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IX) Towels :- Types of towels, Bath robes, Beech Towels, Kitchen Towels, Terrytowels, Napkins - Construction, weave, pile height, patterning, production,
dyeing, finishing, etc.
X) Velour: - Types of velvets – Jacquard, Dobby, Plain, Printed – Manufacture &
construction. Methods of velour making by cutting and shearing.XI) Kitchen Textiles :-Aprons, Dish cloth, Teacosy, Bread bag, Mittens, Pot
Holders, Table Mats – Construction & manufacturing details.
XII) General: - Hand / machine embroidered scarves, stoles, shawls,Madeups
used in hospitals, etc. Textiles care labeling & Design aids.
Reference Books
1. Carpets : Back to Front, Textile Progress, Vol.19, No.3 by – L Cegielka MA, The
Textile Inst. Publication
2. Textile Floor coverings by G.H. Crawshaw, Textile Progress, Vol.9, No.2, TheTextile Inst. Publisher.
3. Interior Furnishings’, Textile Progress, Vol.11, No.1, By Mortimer O.Shea, The
Textile Inst. Publication
4. Interior Furnishing by Mortimer O.Shea, Textile Progress, Vol.11, No.1, TheTextile Institute, Publication.
Textile Floor covering by G.H. Crawshaw, Textile Progress Vol.9, No.2, The
Textile Institute, Publication
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THIRD YEAR B. TEXT (FASHION TECHNOLOGY) - SEMESTER-II6.5 MERCHANDISING IN APPAREL & F ASHION INDUSTRY MSCFD/S/250
Lectures : 4 Hrs / Week
Theory Paper : 100 Marks
Subject Total : 100 Marks
I) Organization of the Apparel Business - Introduction to apparel industry -
organization of the apparel industry types of exporters Business conceptsapplied to the apparel industry - International trade.
II) Marketing - Functional organization of an apparel firm. Responsibilities of a
marketing division - marketing objectives and strategies - Marketing research
- Types of markets: Retails and wholesale strategies for merchandisedistribution- retailers - sourcing flows and practices. Marketing plan. Labeling
and licensing.
III) Merchandising - Definition of merchandising - functions of merchandising
division - Role and responsibilities of a merchandiser- different types ofbuyers -Communications with the buyers - awareness of current market
trends – product development - line planning line presentation.
IV) Sourcing - Need for sourcing - sourcing materials - manufacturing resources
planning - principles of MRP – Overseas sourcing - sourcing strategies.Supply chain and demand chain analysis - Materials management for quick
response - JIT technology.
V) Documentation - Order confirmation, various types of export documents,
Pre-shipment Post -shipment documentation, Terms of sale, payment,shipment etc.Export incentives: Duty drawback, DEPB, I / E license -
exchange control regulation - foreign exchange regulation acts - export
management risk - export finance. WTO / GATT / MFA - Functions and
objectives, successes and failures.
Reference Books1. D. Sinha., - " Export Planning and Promotion ", - IIMS, Calcutta (1989).2. Tuhin K. Nandi., - " Import - Export Finance ", - IIMS, Calcutta (1989).3. Elaine Stone, Jean A. Samples., - “Fashion Merchandising ", McGraw Hill Book
Company (1985) ISBN: 0 - 07 - 061742 - 2.4. S. Shivaramu., - " Export Marketing - A practical guide to Exporters ",W heeler
Publishing ( 1996) ISBN: 81-7544-166-6.J.A. Jarnow, M.Guerreiro, B.Judelle., - " Inside the Fashion Business "
,Macmillan Publishing Company ( 1987) ISBN: 0-02-360000-4.
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THIRD YEAR B. TEXT (FASHION TECHNOLOGY) - SEMESTER-II6.6 MEN, WOMEN & CHILDREN’S WEAR MSCFD/S/260
Lectures : 4 Hrs / Week
Theory Paper : 100 Marks
Term Work : 100 MarksSubject Total : 200 Marks
I) Study of various types of kids wear and children’s wear; measurements
required for construction of kids & children’s wear (Baba suit, Baby frock,
shorts, Rompers, Pedal pushers). Selection of fabrics, trimmings, seams for
Children’s wear. Factors affecting selection.
II) Pattern lay rules, common method of layout for asymmetric design, strips,checks and one way design for children’s garments. Fit for children’s
garments.
III) Step by step procedure for construction and minimizing fabric consumption for
men’s Boxer shorts, formal shirts with regular collar, button down collar-plackets – back tucks – center and side tucks – Balancing of designs –
Asymmetric & symmetric designs - checks & stripes.
IV) Step by step procedure for construction and minimizing fabric consumption for
Men’s formal trouser: –principles involved in fitting –step-by-step constructionprocedure for men’s trousers. Formal trouser –pleated and flat front – Double
welt and single welt back pockets- 5 pocket casual trousers.
V) Step by step procedure for construction and minimizing fabric consumption for
Men’s suits: – principles of fit- step by step construction of 2 piece and 3 piecesuits – single and double breasted suits.
VI) Step by step procedure for pattern making & construction, nighties, blouses,
midi skirts & tops – dart manipulation – dart relocation by pivot.
VII) Method – connectivity darts into seams –fitting problems. Step by stepProcedure for pattern making and construction of salwar kameez – selection
of thread, color, material – embroidery using computer – beadwork and tinged
work.
VIII) Step by step pattern making – construction for trousers and peach bottom –pleated trousers - skirts ‘A’ line– umbrella- 6 gore skirt – circular skirt.
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IX) Intimate apparels – Different types of fitting for ladies inner wear – step bystep procedure of construction– braziers – size & fit – ladies panties- – other
lingerie’s- use of Elastomeric yarns in lingerie.
Reference Books
1. Harold Carr & Barbara Latham, “The technology of Clothing Manufacture”,Blackwell Science Inc., 1994.
2. Singer, “Sewing Lingerie”, Cy DeCosse Incorporated, 1991.
3. Singer, “Sewing Active Wear”, Cy DeCosse Incorporated, 1986.
4. Singer, “Sewing Pants That Fit”, Cowles Creative Publishing Inc., 1989.Patric John Ireland, “Fashion Design Illustration: Men”, B.T Batsford Ltd.,
London, 1996.
6. Cooklin Gerry, “Pattern Grading for Children’s”, Om Book Service, 1991.
7. Gerry Cooklin, “Garment Technology for Fashion Designers”, BlackwellScience, 1997
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THIRD YEAR B. TEXT (FASHION TECHNOLOGY) - SEMESTER-II6.7 DESIGN COLLECTION & PRESENTATION MSCFD/S/270
Practicals : 2 Hrs / Week
Term Work : 100 Marks
Subject Total : 100 Marks
List of Experiments
1. Forecasting colours, pattern and fabric for the ensuing seasons based on
international forecast2. Collections of fabric swatches and colours based on future forecast.
3. Collection of the laces, braids, linings, waddings, etc. on future forecast.
4. Preparation of story boards/Mood boards
Illustrating Fashion Models6. Selection F abric Swatches
7. Selection of Surface Ornamentation techniques
8. Preparation of various Styles for Selected fabrics
9. Selection of Seams, Necklines, Collars, Sleeves etc10. Selection of cuffs, pockets , etc.
11. Selection of Accessories
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DETAILED SYLLABUS
FOR
DISTANCE EDUCATION
MASTER OF SCIENCE IN
Fashion Designing
(SEMESTER SYSTEM)
COURSE TITLE: MSCFDDURATION : 2 YEARMODE : SEMESTER
THIRD SEMESTER
COURSE TITLE Paper Code MARKSTHEORY PRACTICAL TOTAL
INTERNAL EXTERNAL INTERNAL EXTERNALApparel Manufacturing Technology MSCFD/S/310 40 60 40 60 200
Fashion Communication MSCFD/S/320 40 60 40 60 200
Advanced Pattern Making – I MSCFD/S/330 40 60 40 60 200
Construction of Women’s Wear MSCFD/S/340 40 60 40 60 200
Design Illustration – I MSCFD/S/350 40 60 40 60 200
Computer Designing – I MSCFD/S/360 40 60 40 60 200
Seminar MSCFD/S/370 40 60 40 60 200
FOURTH SEMESTER
COURSE TITLE Paper Code MARKSTHEORY PRACTICAL TOTAL
INTERNAL EXTERNAL INTERNAL EXTERNALRetail Marketing & Merchandising MSCFD/S/410 40 60 40 60 200
Knitwear Design Technology MSCFD/S/420 40 60 40 60 200Advanced Pattern Making – II MSCFD/S/430 40 60 40 60 200Construction of Men’s Wear MSCFD/S/440 40 60 40 60 200Design Illustration – II MSCFD/S/450 40 60 40 60 200Computer Designing – II MSCFD/S/460 40 60 40 60 200
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APPAREL MANUFACTURING TECHNOLOGY MSCFD/S/310
Objectives• To impart knowledge of Industrial operations• To impart awareness about machines and equipments used in apparel industry
Instructions to the Examiner1. Question paper will have four sections2. Examiner will set a total of nine questions comprising two questions from each unit and
one compulsory question of short answer type covering the whole syllabus.3. Students will attempt one question from each unit and the compulsory question.4. All questions may carry equal marks, unless specified
Unit-I
• Introduction to Indian Apparel Industry• Structure of the Apparel Industry• Sectors of the Apparel Industry
Unit-II
Organization of an Apparel Industry
The Design Department• Forecasting• Designing• Collection Planning• Pattern Making• Production of Sample Garments• Pattern Grading
The Production Departmenta) Operations in cutting room
1. Marker Planning2. Spreading3. Cutting
b) Sewing1. Preparation for sewing, stitches, seams, feed systems, needles, threads,machinery and equipment
2. Assembly
Unit-III
Finishing Department• Pressing Machinery and equipment• Finishing, Inspecting, Warehousing and shipping
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Unit-IV
Marketing Department• Marketing – Marketing Calendar• Product Pricing• Price Evaluation• Product Planning• Customers
Merchandising – Distribution
Sales – Promotion• Market Research• Selling• Sales Forecasting & Budgeting
References:
• Carr Harold and Latham Barbara “The technology of clothing manufacture” BlackwellPublisher (1994-2004)
• Ruth EC “Apparel manufacturing and Sewn Product Analysis”• Chultler AJ, Blackwell Science UK, 1998 “Introduction to Clothing Production
Management” Blackwell science (1995) London• Kaplan, NS “Changing Trends in Apparel Industry” Abhishek Publisher (2004)• Cooklin Gerry “Introduction to Clothing manufacture, Blackwell Science, UK, 1991• Bheda Rajesh, “Managing Productivity in the Apparel Industry” CBS Pub, New Delhi
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FASHION COMMUNICATION MSCFD/S/320
Objectives:To enable the students to understand the intricacies of fashion industry
Instructions to the Examiner1. Question paper will have four sections.2. Examiner will set a total of nine questions comprising two questions from each unit and one
compulsory question of short answer type covering the whole syllabus.3. Students will attempt one question from each unit and the compulsory question.4. All questions may carry equal marks, unless specified.
Unit-I• Communication:- Concept, Definition, Scope, functions of communication• Mass Communication:- Concept, Definition, Scope and functions of Mass Communication
through different media – Electronic media, Print media, Cyber media• Role of media in society.• Need of Mass Communication in Fashion world.
Unit-II• Creative writing:- writing a feature, different types of feature, rules for writing feature:-
Defining Article, rules for writing.• Interviews:- Definition, Concept and scope of interviews, types of interview. How to
conduct an interview, writing interview.• Designing catalogues and brochures.
Unit-III• Photography:- Role of photography in fashion world, concept, definition and functions of
photography. Types of camera, camera angles, shots and movements.• Editing:-Definitions, various techniques of editing.• Ethics of media.
Unit-IV• Event management:- fashions shows, photo shoots, outdoor and indoor shoots.• Advertising:- concept, definition, scope, functions and need of advertising in fashion world.• Public relations:- concept, definition, scope, functions and qualities of good PRO. Need of
PRO in fashion.• Publicity:- Definition and scope, event reporting, concept of image management.
Reference:• Kristen K. Swanson, Judith C. Everett., ‘Writing for the Fashion Business’, Fairchild Pub.,
USA.• Guy Masterman, Emma H.Wood, ‘Innovative Marketing Communication: Strategies for the
Events Industry, Elsevier Butterworth–Heinemann, Burlington.• Williams John Matt, ‘Business through Correspondence and Advertising’,• Ashok Bhalla, ‘Effective Communicationn’, Abhishek Pub.,Chandigarh.• Ashok Bhalla, ‘Perfect Public Speaking’, Abhishek Pub.,Chandigarh.• Vaibhav Mehndiratta, ‘Event Management’, Abhishek Pub.,Chandigarh.
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ADVANCED PATTERN MAKING – I MSCFD/S/330
Objectives:• To enable the students to develop the patterns through dart manipulation• To enable the students to understand & realize the importance of fitting.
Instructions to the ExaminerThe Examiner will set questions covering the whole syllabus.
Pattern Development of the following:• Halter neck one piece dress• Off shoulder – single and both• Choli cut corseted kurti• One piece fitted dress with gathers in princess line.
Pattern development of at least two fitted garments with fullness added in various dart locations.
References:• Helen Joseph Armstrong ‘Pattern Making for Fashion Design’, Pearson Education, 2007.• Jaffe Hilde & Nurie Relis ‘Draping for Fashion Design’, N Jersey, Prentice Hall, 1993.• Natalie Bray ‘Dress Pattern Designing’, Blackwell Science, London, 1996.• Winfred Aldrich ‘Fabric, Form and Flat Pattern Cutting’, Blackwell Science, USA, 2001.• Connie Amaden Crawford ‘Art of Fashion Draping’, Om B ook International, New Delhi,
2003• Bane Allyne, ‘Flat Pattern Design’, McGraw Hill USA
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CONSTRUCTION OF WOMEN’S WEAR MSCFD/S/340
Objectives:To enable the students to develop skills in construction of fitted and stylized dresses.
Instructions to the ExaminerThe Examiner will set questions covering the whole syllabus.
Construction of the following fitted garments:• Halter neck one piece dress• Off shoulder dress: single and both• Choli cut corseted Kurti• One piece fitted dress with gathers in princess line.
Construction of two fitted garments with fullness added in various dart locations.
References:• Thomas Anna Jacob, ‘The Art of sewing,’ UBS, Publishers distributors ltd, New Delhi,
1999.• Allynie, ‘Creative sewing’ McGraw-Hill Book Co. Inc, New York.• Connie Amadon Crawford, ‘A Guide to Fashion Sewing’, Fairchild Pub., USA, 1992.• Doongaji Sherie & Deshpande, R, ‘Basic Processes and Clothing Construction’.• Dorothy Wood, ‘The practical Encyclopedia of Sewing’• Reader’s Digest ‘Complete guide to Sewing’• Singer, ‘Sewing Book’
DESIGN ILLUSTRATION – I MSCFD/S/350
Objectives:• To learn to design theme based collection.• To develop a personal style of illustration and presentation technique.• To impart skills for portfolio presentations
Instruction to the ExaminerThe Examiner will set questions covering the whole syllabus
The below mentioned Design illustrations should be based on Advanced Pattern Makingand Construction of Women’s Wear subjects of this semester.
• Design a collection for Women’s Wear on various specified themes.• Drape these garments on fashion figures in different moods.• Colour and Texture rendering; swatches and notions; spec sheets• Define a personal designer style and make a portfolio.
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References:• Patrick John Ireland, ‘Fashion Design Drawing & Presentation’ Om Books International,
New Delhi, 2005• Seaman ‘Professional Fashion Illustration’ B.T. Batsford Ltd.• Kathryn McKalvey, ‘Illustrating Fashion’ Black Well Publishing.• Patrick John Ireland, ‘Fashion Design Illustration Women’ B.T.Batsford Ltd. London.• Colussy ‘Rendering Fashion-Fabrics & Paints’• Hagen, ‘Fashion Illustration for designers’.• Martin Dawber, ‘Big book of Illustrations’.
COMPUTER DESIGNING – I MSCFD/S/360
Objectives:To enable the students to understand the application of Adobe Photoshop and used the same tocreate various design compositions.
Instruction to the ExaminerThe Examiner will set questions covering the whole syllabus[[Understanding application of basic tools of Photoshop.Learning the technique of scanning pictures of celebrities/veterans/models and redefining themin terms of hair styles, dresses, and accessories.
Designing the following for sales promotion:• Posters and Fliers• CD covers of fashion shows, music CD’s etc.• Visiting cards and brochures of designers, professors etc.• Thematic backgrounds like corporate/ Board meeting room, hotel lounge, teller desk; party
hall; beach; classroom; etc.References:
• User guide for the Software.
SEMINARMSCFD/S/370 Total Marks : 50
ObjectivesTo enable the students to improve their presentation skills and to make them aware aboutvarious designers and their collections.
Note:Seminar will not be exam based. It will be assessed internally.
Each student has to present a seminar on at least one national and one international designerand their collections.
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M.Sc. Fashion Designing
SEMESTER – IV
1. Retail Marketing & Merchandising (RMM)
2. Knitwear Design Technology (KDT)
3. Advanced Pattern Making – II (APM-II)
4. Construction of Men’s Wear (CMW)
5. Design Illustration – II (DI-II)
6. Computer Designing – II (CD-II)
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RETAIL MARKETING & MERCHANDISING MSCFD/S/410
Objectives:• To introduce the concept of Retailing & Marketing• To impart knowledge regarding the marketing environment and consumer behaviour.
Instruction to the Examiner1. Question paper will have four sections.2. Examiner will set a total of nine questions comprising two questions from each unit
and one compulsory question of short answer type covering the whole syllabus.3. Students will attempt one question from each unit and the compulsory question.4. All questions may carry equal marks, unless specified.
Unit-I• Introduction to Retailing: types and its formats.• Merchandising: its definition, types, role and responsibility of merchandiser.• Orga nisational structure
Unit-II• Identification and analysis of consumer.• Communicating with consumer.• Relationship between retailer and consumer.• Business ethics and social responsibility.
Unit-III• Financial aspects of retail merchandising.• Retail Pricing.• Planning sales and inventory.
Unit-IV• Merchandising control.• Store Planning and Design.• Human Resource Management.
References:• John Donnellan, ‘Merchandise Buying a nd Management’• Leslie Davis Burns, Nancy O. Bryant, ‘The Business of Fashion’• Edited by Mike Easey, ‘Fashion Marketing’• Ellen Diamond, ‘Fashion Retailing’• Jay Diamond Gerald Pintel, ‘Retail Buying’• Rasshid Din, ‘New Retail’• Michael R. Solaman, ‘Consumer Behaviour in Fashion’
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KNITWEAR DESIGN TECHNOLOGY MSCFD/S/420
Objectives:• To understand the characteristics of knitted fabrics• To understand the versatility of knit fabrics for end uses.
Instructions to the Examiner1. Question paper will have four sections.2. Examiner will set a total of nine questions comprising two questions from each
unit and one compulsory question of short answer type covering the wholesyllabus.
3. Students will attempt one question from each unit and the compulsory question.4. All questions may carry equal marks, unless specified.
Unit-IIntroduction to knitting• Definition of knitting• Weft and Warp Knitting• Comparison of Weft and Warp Knitting
Unit-IIWeft knitted fabrics• Plain, Knit, Purl, Tuck, Float, Rib, Jacquard.Warp knitted fabrics• Tricot, Raschel, Simplex, Milenese.
Unit-IIIKnitted garments• Fully cut• Stitch shaped cut• Fully fashioned• Integral
Unit-IVQuality Control of knitted fabricsGarment Quality
References:• Terry Blackenbury ,’Knitted Clothing Technology’ , Blackwell Publishing, 2005.• Henry Joshnson, ‘Introduction to Knitting Technology’, Abhishek Pub., 2006.• D.B. Ajgaonkar, ‘Knitting Technology’• David J.Spencer, ‘Knitting Technology’• Samuel Rag, ‘Flat Knitting Technology’• Smirfitt, ‘An Introduction to Weft Knitting’
12
KNITWEAR DESIGN TECHNOLOGY MSCFD/S/430
Objectives:• To impart the knowledge of Knitting• To develop an understanding of the various knitted structures
Instructions to the ExaminerThe Examiner will set questions covering the whole syllabus.
For a knitted sample file develop 20 swatches from basic stitches(Knit, Purl, Tuck, Miss, Transfer loop)
Develop a garment from a creative swatch
References:• Sandy Black ‘Knitwear in Fashion’, Thames & Hundson, London, 2005• Debbie B lis ‘Cotton Knits for all seasons’• Zoe Mellor ‘Double Knits’• The step by step guide to knitting• The Harmony guide to knitting stitches
ADVANCED PATTERN MAKING – II
Objectives:To enable the students to develop patterns for men’s wear garments.
Instruction to the ExaminerThe Examiner will set questions covering the whole syllabus.
Pattern development of the following garments• Jacket–Reversible, Lined• Trousers–Jeans, Formal• Shirt• Sherwani with aligarhi pyjama
References:• Helen Joshpa Armstrong, ‘Pattern Making for Fashion Design’, Pearson Education, 2007.• Jaffe Hilde & Nurie Relis ‘Draping for Fashion Design’, N.Jersey, Prentice Hall Career, 1993.• Natalie Bray ‘Dress Pattern Designing’, London Blackwell Science, 1996• Winfred Aldrich ‘Fabric Form and Flat Pattern Cutting’, Blackwell Science, USA, 2001.• Connie Amaden Crawford ‘Art of Fashion Draping’, Om B ook International, New Delhi,
2003.• Bane Allyne, MC Graw Hill USA ‘Flat Pattern Design’.• Bernar Zamkoff, ‘Basic Pattern Skills for Fashion Design’.
13
CONSTUCTION OF MEN’S WEAR MSCFD/S/440
Objectives:To learn to assemble and stitch the diverse components of men’s garments.
Instructions to the ExaminerThe Examiner will set questions covering the whole syllabus.
Construction of the following garments:• Jacket–Reversible, Lined• Trousers–Jeans, Formal• Shirt• Sherwani with aligarhi pyjama
References:• Thomas Anna Jacob, “The Art of Sewing,” UBS, Publishers Distributors Ltd., New
Delhi, 1994.• Reader’s Digest Complete Guide to Sewing.• Allynie, ‘Creative Sewing’, McGraw Hill Book Co. Inc, New York.• Dorothy Wood, ‘The Practical Encyclopaedia of Sewing’.• Connie Anadon Crawford, ‘A Guide to Fashion Sewing, Fairchild Pub., USA, 1992.• Doongaji Sherie & Deshpande, R, Basic Process and Clothing Construction.
DESIGN ILLUSTRATION-II MSCFD/S/450
Objectives:• To introduce male croqui and various postures.• To impart skill for development of inspirational designing ability.
Instruction to the ExaminerThe Examiner will set questions covering the whole syllabus.
Introduction to male figure, features and postures
Draping male figure in• Casual wear• Street wear• Formal wear
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Detailed line planning with emphasis on design development sheets for men.
Making a theme based working drawing collection of five ensembles of men’s wear–formal andcasual.
Creation of different textures for men’s wear.
References• John Ireland, ‘Fashion Design Illustration–Men’, B.T. Batsford Ltd, London, 1996.• Bina Abling, ‘Illustrating Fashion’• Kathryn McKalvey, and Janiew Musslwo, ‘Illustrating Fashion’ Blackwell Pub. Co., 2005.• Patrick John Ireland, ‘Fashion Design-Drawing and Presentation’, Om Book
International, New Delhi, 2005.• Seaman ‘Professional Fashion Illustration’ B.T. Batsford Ltd.• Colussy ‘Rendering Fashion-Fabrics & Paints’
COMPUTER DESIGNING-II MSCFD/S/460
Objectives:To make students acquire skill in computer aided designing.
Instruction to the ExaminerThe Examiner will set questions covering the whole syllabus.
Prepare design illustrations and work sheets of the following garments using the tools of AdobePhotoshop and Corel Draw:• Jacket• Trousers• Sherwani with aligarhi pyjama
Create different textures for above garments.
Drape of created textures in the above garments.
Reference:• User guide for the software.• Corel Draw by BPB Publications
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