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BY
MAÁABO : i .::.:::.. TED REED
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MERENGUE
BOLERO ::::::.:;:¡¡;¡:l ';i#,$*¡:;*¡¡i*t:ii: :;:!ii::í*ii::i¡"::'..-:i4t?J;1
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BEGUINE $l¡Í*i¿i'ii;*;,'-.:r" .1 "'..' .:;.
1:1:i,...9i::!t:rr*::.i ni::::r::r1:a:lr;:f; l .,t:?¿:1¡;fi'-. ]:'all::ti;i :ul;l;?Jn:,,,:r:rt":::.:iqi:i*:::t:3.;9;air:ti:,i:;,ti::i!::i:r:t'1;t::ar:!;{::e:,,€j jI:itt¡:i5t?:i:Élar,::r;r ¿!Í.i{4ji'.:*;i: r f;ai3jii5r:r.:iif¡a:t':.r;i
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MONTUNO :r:r:.:i,:::::!r::ri.ir;i:ir:::jr .. -:" i" :" i:: .--.f.-',.. . .';" : "", ': r:.::.
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CONGA .ti:*:lff¡f
PASO DOBLE i**iÍi,ltii**?i
TANGO .¡ 1 #f*¡*$': ''iuj.: ;i¡"-'t¡ ' .$ffi
$3.50in U. 5. A.
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TED REED'i*¡;;l¿rr¿*i*;**f:a¡i¡s:;¡*r;rt¡*
33515
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LATIN RHYTHMS
Copyrisht O l95Z by TED REEDCopyrishr O l9ó0 by TED REED
lntcrnotionol Copyright Sccurcd printcd in U.S.A.All rightr rc¡crvcd including thc right of public performoncc for profit
DRUMS AND TIMBALESBY
TED REED
9tcludu
'YIAMBOCHA-CHA-CHA
MERENGUE
BOTERO
SAMBA
CONGA
BEGUINE
PASO DOBLE
TANGO
MONTUNO
CATYPSO
JOROPO
Published By
TED REEDCLEARWATER, FLA.33515
P.O. BOX 327
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3COI,IIBELL BEATS
Fo¡r; Uambo, llonüuno, Chraracha,
BA.SIC
ccu cc
Rlgbt hendIr.ft ha¡rd i
Cal.¡pso and Fast Rhr¡nba.
RITTHM
ucM
CowbellLarge Tlmbale
Ba.ss dn.tm
u-c-x-
oo-
x-oo-
l[outb of oo¡rbell. Strlke tbe corbell flat on top neaip the openlng.
Center of cowbeLl. Strlke the cowbell ln the center. Use tlp of stlctRlm shoü. fhe stlck ls held between the forefinger and thumb, thepel:n
ür¡rneddornward.
St:rlke the center of the head wlth thepalm
of the hand. and tl¡e stlck. Tl¡e stlck, extend.ed fo:rsa:rd ov€r thenl-m, st¡plkes tt¡e r1¡r at the sq¡re tlme. IbLs shoüd.-!-duce a ¡mrffled.sound. Eo not let ttre head. rLng.
Strlke the center of the head. twlce wlth the tlp of the stlck. IÉtthe head nlng.
X and OO may also be played slth the hand ... NO STICK"
SünÍ.ke the centen of the head wLth the tlps of the flngers. UIIIFFLED.
tove the hand beck about helf ray between tho center and the rünand strlke the head, twice wlth the ttp of the foneflnger. LET RING.
Illb,en uslng the hand to produee the sound.s fon X and. OO, the stlckls placed on the snall Tlmbale whene lt w111 be handy to plck upfor shorü f111-1nt s a¡rd, b¡reakg.
In onder to produce the beet sound.s, use gtlcks made of 3/8 dowel,il¡ lncbes long.
Íl¡e trso-barfollo¡rs;
cowbell rhythns a¡re based on the clave beat wrLtten as
The¡re a¡re a@e ür¡nes ühat call fo¡r ühe clave beat beLng nevensed,as follows;
When tbts occurs, tb,e cowbell beat nrst aLso be neversod.
Cowbell beats are also played on ttrs slde of the snaLl Tf.mbale o¡rühe cup of the la:rge c¡rmbal. Use the slde of the small Tlmbale forsoft chorugeg.
II
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ccc u c
l+ COüTBEI,L BEATS CONTIMIM
fhc foLlorlng sowbell beats are used for moderately slow tempos.
All corbelL beats wllL be based on the reversed elave beat.
BA,SIC NINflTRll
Rtgbt har¡d
Ipft hand
ccuccc u
ccl{ uccc M ccM cc
ccM cc
VARIATIONS
cc cl{ }úcc
CowbelI
Large Tlmbale
Bass drrrrtr
ccM c![
7.
cc![
ccM
MCC
MCCC MCCM
CC I¡CCM
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COI|ÍBELL BEATS CONTI¡IT'D
The followlng cowbell beats ane used fon medfi¡¡r to moderately brlgbttempos.
BA,STC RIüTHII
I.
Rtght ha¡rd
I€ft hand y'
Cowbell
L,arge Tlnbale
Bass dnr¡tr
VA.RIATIONS
uccu cccM
MCCM
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COIVBtr,L BEATS CONTI}IUD
llhe followlng cowbell beats a¡re usod fon medÍ¡n to moderately brlghttempos.
BA,STC RIüTHII
I.
Rlgbt ha¡rd
I€ft hand y'
Cowbell
Large Tlmbale
BsSs dnrm
VANIATIONS
uccM cccM
MCCM
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6 COTBET,L BEilIE¡ CO}ÍTITfi'BD
ft¡e fol,lowlng eowbell beaüs are used, for brlgbt üo veqy fast tqros.
B.ASIC RffiITTII
ltc c u clr.
mght handLfü hand /
ct[ cü
uccG t cr ccc
Dfccc u cr[
VARIATIOTS¡
CorbellLarge I{mbale
Bass d¡u¡n
ccr cc
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7
VARIATIOI{S FOR IHE I,EFT RA¡ID
ft¡e followlng rhyühns alre played on the largehend NO STfCK.
X and 0O are played, as explalned on page 3.Corabine any of these two bar rhythms wlth any
Tlmbale wlth the left
two ber cowbell rhythm..
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B
SEORT FILL-INS AND BREAiCS
Fon; Mambo, Montuno, Gua::acha, Cha-6ha-Cha a¡rd. fast Rhrrnba.
llbc baslc cowbell nhythn w111 be used to lllustrate alLftlL-lns. !9hen these are mastered, practlce them wlthvarlous cowbell rhythms.
ABBREIIIATIONS
C.B. CowbeLl.B.D. Bass D?un.
R. S.
U-CandX-OOareplayed
S . T. fuaIl Tlmba1.
L.T. Iarge Tlmbal.
Sl¡ot
same as explalned on page
SEORT FILITINS
3.
Rixl
the
-ln)11
A
r
ecI-l.c.B.S. T.L.!.FB.D.
ccm
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SHORT FILI'INS CONTINUD
cca
9
C. B.L S.T.vaTm
Ir¡ .l ¡
B. D.
B.
ccm
cccc cccc
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BREAKS10
L.C. B.
i:il:¡B.D.
cccco
occ
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BREAKS CONTINUD11
9.C.B.S. T.tm&1. ¡.B.D.
ccccc
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L2CEA-CEA- CEA
TB[PO:- IoderatelY slor l¡. (C)
OPJGIN:- GTbA.
llhc follorlng rtryths a¡e uoually pl-ayed on a four- (lf ) lnob cowbell'
ñ;tare-araó práVea on- the oun !r.¡uá 1"I9" 9ryb+^on tlre slde oftb;'su¡a1l tLrnb-al.-Ilse the gld,e of the snall ttmbal for soft cboruges.
tÍ - c ar¡t I - oo are played the sane as e:qrlalned on page J.
BA^SIC RITTTHII
1o icnfght handI€ft hand
CowbellL,arge ttmbaL
Bas s &ruln
2.
VARIATIONS
OPTIONAL BASIC RT]1MII,f
m
\
crtroocm o m
t
mo
cm com c m c
om mo onomocm o m o
t)n
5.I
mc
CowbelI
Ipft hand. - $O STICK.
Bass dru¡n
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CHA-CHA-CHA FILIFfNTS
C CC C C C C CC c CC CC
F111-1ns may also be used as short solos.
13
1.
Rlght handI€ft handIóft hand
orbellI Timbele
La.nge Tlmbele
Bass dtrul!
(contlnuebaslc rhytlm)
MctÍc MCMC
6.
cccccc
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il+IERMG['E
rmfPo :- Bnlgirt 2. (l)ORIGIN:- Natlve dance of Sar¡to DomLngo.
Menensue rhyths are pJ.ayed on übe large Tlmbale -- wttb stlcks. lÚreymay aÍso be- played. on the snane d¡n¡n - SNA'RESI OFF.
To produce the best sounds, uso 3/8 doreJ., il¡ lnches long.
Large TLmbale
Bass drun
Tlhe sticks are hold the ssme as ty:npanl stlcks tbe palns üurned.d.ownwa¡rd.. .&11 ¡rotes for the Tfunbale that are not accented are llgltt nl¡nstrots. Tbe rlm shots for the rlglrt hand, are pISeffi3ffihe edge of the
rLm shots fon the left handln the center of the head. ---Ihen, Ilft the stlck wlth theDo not llft the left ha¡rd fromshots these sounds should
be mlffIed.. A].L accented qoJsg are playedthem nlng.
ln the cente:r of the head. IÉü
VARIATTONS
tual1 Tlmbale
Tlmbalearge
Bass dru¡n
rim to produce a hlgh pltched' sound. Tboare played by plaelng the hand and sticktfre sttók extended. forward over the r1m.thr:mb and foreflngeñ-e'n trlke the r1m.the head wh1le playirrg left or rlght r1m
1.
a
R LR.LR L R NLN
LR'LRR L R RLR L RLRLR LR'LR
R LR LR L RLRLR R LR LR RLR LRL
R LR'LR
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16PIII¡ BEATS
(rldrr of tho tt¡úalcs)
For¡ Bolcro, Son, Out¡eol¡e ud fe¡tPal'h boaüg lro u¡od for vocr,lttp of thc ¡tiok.To producc thc bc¡t counda, troa
RIGET Ir^{D - ¡ldr of thc runellLEFT EAID sLd,e of tho Largc
Rh¡ubr.
lnd eIl rofü ch,ort¡scs. Uso tJrc
3/8 dorellng, l4 tnohes tong.
tl¡nbaI.tf.nbrl.RETTEIff¡IC
L. I
VARIATIO$S
lre follorlng r\ytha a¡c usod fon mcd.ft¡m to fast tenpos.
nLnnI,nLn RLNLNNL 8[,RntnRt RLNLRRL
RLNLNRLE RLNNI,RR NLRRLRLL RLNIRNL
RINTLRNL NLNLRRL RLRNLLRL NLNLNNL0.
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PA,SO DOBI,E
TmfPO :- Moderately bnigbt. In 2 (Z/1ü or 3 . B/1+\
ORIGIN¡- Spaln.
The folloylog rhythms are played on a sna¡e drum, (snares on ) basadrtrm, hlgb-hat, wood blook, cyrnbaJ.s
eto.Do NoT
úse Tlmbales ór corrbells.tho hlgh-hat ls used sl¡mltaneously wlth tbc bass d¡'r¡¡n on cnsamblechoruges.
Íhe wood block ls used on soft and legato chortlges.
BASIC RIIYTIfM (2/1+) O/1+)L. I.
S.D.
BnD.
t7
BASIC R}TYIHM
i:lffiVANTATIONS
ffiz-
ffiffi
r.
ffis-
' 3 ¡r
6.
2,
3.
l+.
5,
6.
R RLR RLR RL
:R LRL RLRLRL:
;R LRLn LRLn L:
:R LRLR INLR LRL
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18 BOI,ERO
( slow rhr:nrba)
TE¡IPO :- ModeratolY slow. (C)
0RIGIN:- Ctrba.
ltre followlng nhythms are played on the Tl¡rbal-es (head's) and t!q.bass d,run. ñ"yáay also bá piayea on- the snare drurÁ (snares off)and the small tom-tom. D0 NOT use cowbellsr cyurbals etc.
The stLcks are held ln the samo manner as explalned for the ilet'éngueo
BA.SIC RtrTEM
2&3&
Large Tlsbale.Bass d¡n¡¡!.
1-&-2-&-3-&-l+-
&-
llght ntm shotstlck across head'center of head --stl-ck across headllgbt rlm shotstlck across bead,cente:r of head --drop left hand. --
nean the edge.and rlm -- cllck sound.mr¡f f Ied.and nfun -- cllck sound..nean the edge.a¡rd nlm -- cllck sound.LET RING. (llft left hand
stlck across head and rim2,
&-2-&-3-&-l+-&-
RLR
1-
Ilght rln shot--
near the edge.
stLck across headcenten of head --
llllll
stlck across headllttll
centen of head --drop left hand --
and ri¡u -- cllck sound.1-et rlng. (smaII Ti.:nbale)illrltll
and rLm -- cIlck sound.ilil
let ning. (llft left handstlck across head and rf¡n
off head)
cllck sound.
off head)cllck sound.
Srnal1 Tlmbale.
Iarge Tlmbale.
Bass dn¡.m.
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center of head --l1sht rLn shot --stlck ecross headcentcr. of heed. --llght ¡rl¡n shot --stlck across headoente¡l of head --drop left har¡d --
Bof,,mo coNTrNum
2&3&
r,rLrff 1ed.
near ttre ed.ge.a¡rd. rl¡n -- cllck sound.¡¡t¡ff 1od.near the edge.and rl¡o -- ollck sound.Let rlng. (ltft Left handstlck acros s head and rl-n&ehz &
s¡a¡ne as e:rplalnedon the second half
1g
Large Tlmbale.
Bass drRtn.
off head)c1lck gound.
&
Large T1mbale.
Bass d::r.¡n.
for rhythrn No. 3. Justof the flnst beat. (A al¡
I
L-
&-2-&-3-&-l+-&-
l¡-
lT.
the sounds are produced thed,ouble the L1ght ntm shots
2oLarge Tl¡rbale.
Bass drum.
Le played. as follows:-Ught l'lln strot -- near tlre edge.stlck across head and nfr¡ -- cllck sound.llgt¡t rim shot neet the edge.
ALL oühen notes are played ln the senl€| manner as explalned fon nhythnNo. 3,
tlhe tnlploüLst note -2nd note -Jrd note -
NOTE:- When playlng ellsk sounds for the left hand, do not ltft thehar¡d off the head. --- Just llft the fnont pa:rt of the stlck and. strlketh9 11n. By keeplrrg the Left ba¡¡d on ühe head, all sound,s w111 benuffled except the sound, on the for¡¡tb (l+) count.
: N RI,R
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CONGA
TEf,FO:- Brlght two. (llgRIGIN:- Afrlca. Brouglrt to ühe Western Eomlspbere by the slaveg.
(su¿nus oFF)BA'SIC ntrfHl{ 6:rB. or Tom-Tom
r.C.B.
s.D. É
B.D.
S:- Sa1l cowbell.L:- Large corbell.
fhe effect w111 stll1 be good lf Just one cowbell 1g used.
VANIATIONS
2.
3.
L S/
R I R JL
tLt-
l
SSAI
LAIR RR R n
J
Lt tI LLt-
S e LL SSAI /)
R I nR R RJ
LI
LI
ta
(-L
SS LLL S S/tt
NR RRR R R Ia
LI
Lt
La-
L+.
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Ihe following rhytLunsbass drr"ur, snaro drum
1.
S. T. T.
S.D.
L. T. T.B.D.
l+.
CONGA CO]'ITINUED
are played on the s'nall(snares off ) and c¡rmbal.
tom-tom, large tom-tomr
c:nn
e1
2.
3.
a
R J R Itl L
IL L JL:
Ra- -
: LL I tL
z L L I t L
5.
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22
BEI[PO:- t[ode¡raüely sJ'ow to moderately bnlgbt. (C)
ORIGIN:- Argentl'na.
Ithe follow!.ng rhythms a:re played on the snare d¡n¡:n (enares 99) a¡d
bass d¡n¡¡l.pÓ
NOT use Tbnbal-es, Cowbell, Cltnbalc cto.
rAIGO
BA,SIC NffiTIil[
OPTIONAL BA.SIC NffiTHU
VANIATIONS
ss ro11
ss ro11
mgbt h,anrd..
I¡ofü h,and.
ss noII
Rlght har¡d,.
I€ft hand,.
1.S. D.
B.D.
S.D.
S.D.
B.D"
S.D"
B.D.
S.D.
S.D.
B.D.
p¡Po
/
pre
/
p¡3o
/
éo
3.
ls.
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IAIÍGO
S.D.5.
B.D.
S.D.6.
B.D.
In spots rbero t-bc r.lrythn sectton Ls r¡oü plaVk¡g, ple¡r a ro11 on
tb,e sn^ere druu and quertc¡r noües on the bass dr't.u -- but keep ltlofte (gee oxenplo belor) If you shouLd, lncrease the volr¡mo of tbcro11, bc sure üo kcep ühe bass dn¡n soft -- unless ühe pa¡t t sna¡lked oüberrt sc.
tf,AXPI¡E:-
s.D
B.D
oto.
Urc lango usuelllr cnds ag follors:-
a-?
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BEGUINE
trilpQ3- ![ode¡rately slow 2. (l)
ORIGIN:- IsIe of ![artlnlque.
lhe followlng rtrythms are played on the sn&re drun - sNAnEs oFFo
BA"SIC RffTETI
S.D.1.É
B.D.
To produce the correct sound -- play_ all notes for,.á"i ttt" edge of tl¡c dn¡m and keep them.Ieqy soft.
i,;" ttre gg[t ha4d must beplayed.near the center
á U"""y Effintl-lEe last tfrree noües fon the rlglrt"¿ - ¡üt not as treavY as the flrst'
VANIATIONS
tbe left handfbe first note
of the dnrm wltl¡hand. are accent-
stlck.
FIRST RIGIIT:
2.í
Accented Press rollS. T. T.
wLth rlght stlck.
3. I
S.T.T.3 Smell tom-tom.R onL
l+. É
R on L: STICK SHOT - cross rlgltt stlck on
a
lefta
5. I
a
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25
Íhe fo1lowlng rhytlems
Hold the stlcks in the
BEGUINE CONTINUED
are played on the t1mba1€s.
same m&nner as explained fon the Menongue.
BASIC RIIyTHM
1.FSrnall tlmbale.
Large tlmbale.
Bass drun.
I - llght rlm shot -- near the od.ge.& - center of head - ACCENTED. (sma11 tlmbale)2
-stick across head and rlm -- cllck sound.
&- ll ll ll ll ll ll ll
3 light rlm shot -- near the edge.& - stlck across head and rl¡n -- elick sound.l+ - center of head -- LET RING. (lift ].eft hand off head)& - drop left hand -- stlck across head and rlm -- click sound.
Vftren playlng cllck sound.s for the left hand, do not Ilft the handoff the hoad --- Jusü I1ft the front part of the stlck and strlkethe nim. By keeplng the left hand on the head, all sounds w111 bemuffled exóept ühe sound on the fourth (l+) count.
BA,SIC R}TTTHM
Rlght stlck
1. IÉft hand /(no stick)
S.T. shelI.
L.T. - head.
B. D.
RIGHT STICK: Play all notes on the slde (shel}) of the s¡na1ltlmbale. (use tlp of stlck)
Lff'T IIAND : FIRST NOTE; strlke the cente:r of the head wlth thetlps of the flve f1-ngers - HEAVy ACCENT -- muffled.
SECOND NOTE; sane as flnst note -- do not aecent.
LAST T't¡fO NOTES; strlke tho head halfway betwoen the
i:tT;"ilurll"'lt3""lll*:n" t1p or the lndex rlnser
R LLN LR L
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26 BECUTNE COIITINT'D
2.
mgbt stlckIÉft hend 6(no stlck)'
S. T.t.T.B.D.
she1l- tread
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27JOROFO
TEIIFO :- tloderately bnlght. 3l+lT!?E :- f,altz -- wLüh a two-beat feel.ORIGIN:- Venezuela.
Ilre foLlorlng rhytluts are played on the snare drunr ( snares on) e¡¡d,bass drum. DO NOT use TlnbaLes, Cowbells, Maracas etc.
BA,SIC RETTH}I
I :- Rlgbt on left stlck shoü.
llotioe thaü the last th¡ree clgltth notes are played the aame as thcfl¡rsü tl¡ree. lhls glves ühe nhythm a two-beat fóeI.
lhcn uolng ühJ's bass
OPTIOTAI, BA.STC RfiTTHU
dJn¡¡r beat, aoocnt the fl¡rgt beat
3
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of caob blro
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ó0 poges of rhythms ond exercises in 4/4 to im-prove your reoding. Also plenty of occentedeighth notes, dotted eighths ond sixteenths, eightnote triplets ond sixteenth notes for extendedsolos. Price $4.00
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