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Kurt Vonnegut’s Tips on Writing Fiction• Use the time of a total stranger in such a way that he or
she will not feel the time was wasted. • Give the reader at least one character he or she can root
for. • Every character should want something, even if it is only
a glass of water. • Every sentence must do one of two things—reveal
character or advance the action. • Start as close to the end as possible. • Be a sadist. No matter how sweet and innocent your
leading characters, make awful things happen to them—in order that the reader may see what they are made of.
• Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.
• Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages. From the preface to Vonnegut's short story collection Bagombo Snuff Box
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Tips Before Beginning Narrative Fiction
• Plot is driven by the conflict, so determine what that conflict will be
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Conflict TypesInternal: • Person vs. Self External: • Person vs. Person
Person vs. NaturePerson vs. SocietyPerson vs. SupernaturalPerson vs. Technology
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Tips Before Beginning Narrative Fiction
• Plot follows patterns, so diagram key plot points
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Exposition
Rising Action
Falling Action
Traditional Plot Diagram
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Exposition Or
IntroductionSetting, characters, main conflicts are introduced to the reader; this is the beginning of a novel or story and may be short or long, but is always flat (little action or emotion).
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Rising Action
Round characters are developed, conflicts are increased and acted out in many ways, motives are introduced, and things happen; generally, the major part of a story. This part of the story is marked by complications.
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c
ClimaxThe "high point" of a story in which the major conflicts erupt in some kind of final showdown (fight, argument, violent action, tense emotional moment...). At the end of the climax, the "winner" will be clear (there is not always a winner!).
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Falling Action
c
The events that immediately follow the climax; a kind of "cleaning up."
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Resolution
Where everything ends; the reader may have some sense of "closure" or may be asked to think about what might come next.
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