March 2004 Charles A. DiMarzio, Northeastern University 10464-15-1
ECEG287 Optical Detection Course Notes
Part 15: Introduction to Array Detectors
Profs. Charles A. DiMarzio
and
Stephen W. McKnight
Northeastern University, Spring 2004
March 2004 Charles A. DiMarzio, Northeastern University 10464-15-2
Imaging Detectors
• Goal: – Measure I(x,y,t)
– Or perhaps E(x,y,t)
• Other Variables– z, etc.
• Approaches:– Scanning
– Arrays
– Combinations
A’A
s s’
x
-x’
March 2004 Charles A. DiMarzio, Northeastern University 10464-15-3
Nipkow Disk, 1884
• The Nipkow disk was a device which its inventor, Paul Nipkow, thought that could be used to transmit pictures by wire. The disk had a spiral of holes cut into it. These holes were positioned so that they could scan every part of an image in turn as the disk spun around. The light coming from each point would then be turned into an electrical current. This electrical signal would light up a second light at the other end of the wire. The second light would flicker because the amount of current it received would depend on the brightness of the image being scanned. The light from this light bulb passing through a second disk spinning at the same speed, would then project the picture onto a screen.
http://www2.fht-esslingen.de/telehistory/nipkow2.html
March 2004 Charles A. DiMarzio, Northeastern University 10464-15-4
Image Orthicon ~1940-60
• The front of the Image Orthicon contains a screen called a photocathode that releases electrons when light from the camera lens strikes it. Bright parts of the scene knock out more electrons than dim parts do. Another screen behind the photocathode, called the target, attracts the released electrons, and a positively charged electronic image of the scene forms on the target. The image consists of highly and weakly charged spots that correspond to the bright and dim areas of the scene. A beam of electrons then scans the target, which absorbs electrons from the beam in proportion to those knocked out by the image.
http://www.acmi.net.au/AIC/IMAGE_ORTHICON.html
March 2004 Charles A. DiMarzio, Northeastern University 10464-15-5
Scanning Systems
March 2004 Charles A. DiMarzio, Northeastern University 10464-15-6
Array Detector Concept
March 2004 Charles A. DiMarzio, Northeastern University 10464-15-7
Pixelation and Digitization
“Brightness”
Count
0
255
March 2004 Charles A. DiMarzio, Northeastern University 10464-15-8
Digitization and Dynamic Range
Signal Voltage
2N-1
0
Pedestal
Saturation
Step Size
Dark
MinimumSignal
MaximumSignal
March 2004 Charles A. DiMarzio, Northeastern University 10464-15-9
Linearity and AGC
0 0.2 0.4 0.6 0.8 10
0.2
0.4
0.6
0.8
1
Input Voltage
Ou
tpu
t Vol
tage
Gxy
21
5.0
• Automatic Gain Control (AGC)
• Feedback– Control G– Based on...
• Peak Signal• Average Signal• Peak in a Region
• Not Desirable for Quantitative Work
March 2004 Charles A. DiMarzio, Northeastern University 10464-15-10
CCD Charge Transfer
Clock Signals
m10057_1.mFigure 1
time, Clock Cycles
Row
Num
ber
Clock Voltage
0 0.5 1 1.5 2 2.5 3
2
4
6
8
10
120
0.1
0.2
0.3
0.4
0.5
0.6
0.7
0.8
0.9
1
time
OneLineV
V
March 2004 Charles A. DiMarzio, Northeastern University 10464-15-11
Formats
Collection Frame Transfer Frame
Frame Transfer Line Transfer
March 2004 Charles A. DiMarzio, Northeastern University 10464-15-12
Computer Interfacing
• Analog Camera and Frame Grabber
• Digital Camera
Analog CameraComputer withFrame Grabber
AnalogMonitor
ComputerMonitor
Digital Camera
Computer
ComputerMonitor
March 2004 Charles A. DiMarzio, Northeastern University 10464-15-13
Signals and Noise
10057p1-3 and 4 on this page
(Gaussian)
March 2004 Charles A. DiMarzio, Northeastern University 10464-15-14
Some Standard and Extreme Parameters
• VGA Frame Size: 640 by 480– Up to 4k Square?
• Standard Update Rate: 30 Hz. Interlaced– Up To few kHz.
• Standard Digitization: 8 Bits– Up To 12.
• Pixel Size: 10 micrometers.• Color Camera: 3 Channels, 8 Bits Each
March 2004 Charles A. DiMarzio, Northeastern University 10464-15-15
Quantitative Imaging
• Quantitative Calculations– Difficult
– Subject to Change
• Calibration Standards– Light Level
– Reflectance
DarkWhite
DarkTarget
R
• Sources of Variation– Light Source
– Camera Sensitivity
– Filter Losses
– Geometry
– Atmosphere?
– Other?