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Rhythm Patterns Introduced
(Page 40)
(Page 42)
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Overview of New Materials in Lesson Book 2B
Moving the hand
Technique Principles
Hand-over-hand arpeggiosLegato pedalingScale fingeringspass-under and cross-overFingering—stretch
—
A-B form
Musical Terms and Symbols
minor 5-finger patterns (A, D, C, G)
andante
arpeggio
melodic and harmonic intervals of a 7th, 8th (octave)D. C. al Fine
A-B-A form
pedal sign
,
natural sign
major scales (C, G)
π ƒ
....
three-note V7 chords (in C, G)
key signatures (C, G)
Premier Music Review . . . . . . . . . . . . . . . . . . . 2A-B Form . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4New Note F in Bass Clef . . . . . . . . . . . . . . . . . . 5New Note E in Bass Clef . . . . . . . . . . . . . . . . . . 6New Tempo Marking—Andante . . . . . . . . . . . . 7New Notes A and B in Treble Clef . . . . . . . . . . . 8Minor 5-Finger Patterns . . . . . . . . . . . . . . . . . 10Major and Minor 5-Finger Patterns and Chords . 12Hand-over-Hand Arpeggios . . . . . . . . . . . . . . 14 f–p . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16Interval of a 7th . . . . . . . . . . . . . . . . . . . . . . . 18D .C . al Fine . . . . . . . . . . . . . . . . . . . . . . . . . . 20Legato Pedaling . . . . . . . . . . . . . . . . . . . . . . . 22New Dynamic Sign π . . . . . . . . . . . . . . . . . . 23Interval of an Octave (8th) . . . . . . . . . . . . . . . 24New Dynamic Sign ƒ . . . . . . . . . . . . . . . . . . . 25A-B-A Form . . . . . . . . . . . . . . . . . . . . . . . . . . 26C Major Scale . . . . . . . . . . . . . . . . . . . . . . . . . 30G Major Scale . . . . . . . . . . . . . . . . . . . . . . . 3 1The Three-Note V7 Chord in C . . . . . . . . . . . . 34The Three-Note V7 Chord in G . . . . . . . . . . . . 35Key Signature of G Major . . . . . . . . . . . . . . . . 36Single Eighth Note and Eighth Rest . . . . . . . . . 40Dotted Quarter Note . . . . . . . . . . . . . . . . . . . 42
Contents
Edited by Morton ManusCover Design by Ted Engelbart
Interior Design by Tom Gerou
Illustrations by Jimmy Holder
Music Engraving by Linda Lusk
Lesson Book 2B is designed to correlate with Theory and Performance Books 2B of Alfred’s Premier Piano Course. When used together, they offer a fully integrated and unparalleled comprehensive approach to piano instruction .
The Book with CD version includes a recording that provides a performance model and practice companion . Each title is performed twice on acoustic piano—a performance tempo and a slower practice tempo .
See page 49 for information on the CD . Flash Cards 2B (#25727) and a General MIDI Disk 2B (#23263) are available separately .
Lesson 2B is available in two versions: Book with CD (#25722) or Book without CD (#25721) . Level 2B continues the steady development of artistry and keyboard skills that began in 1A and continued through 2A . • Note-reading skills are expanded
to include additional ledger-line notes . Melodic and harmonic 7ths and octaves are used to help the student move freely around the keyboard . • Dotted quarter and eighth-note
rhythm patterns are added to other rhythms of gradually increasing complexity . • Technical Workouts continue
the development of skills, including one-octave scales, chord patterns, hand-over-hand arpeggios, and legato pedaling .
Copyright © MMVI by Alfred Music All Rights Reserved.
Lesson 2B
4
Jazzy ToccatinaCD 1/2 GM 1
Theory Book: page 3Performance Book: pages 2–3
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Section A
A-B Form
The first section of a piece of music is often labeled as A .
The second section (which sounds different) is often labeled as B .
Jazzy Toccatina is in A-B form .
* A toccatina is a short piece intended to show off playing skills .
16
Pirates at Sea
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Theory Book: page 11Performance Book: pages 12–13
CD 13/14 GM 7
Play forte first time.Play piano on repeat.
–pf
Inspector BeauregardCD 39/40 GM 20
Rhythm Workouts
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LH
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On your lap, tap each rhythm 3 times daily as you count aloud .
Theory Book: page 31Performance Book: pages 28–29
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