Download - PCEP Koppin 5th Fauvism Powerpoint
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Jessica Wilke & Gabbi Zott
FAUVISM
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Used intense color to emphasize light & space; show artists emotional state.
Favored traditional subjects. One of the first modernist movements. Rejected natural perspective Used ordinary subject matter in own
expressive ways. Juxtaposing colors to create new tones
and looks
WHAT IS FAUVISM?
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Lasted from 1903-1907ish Became evident at Salon d’Automne of 1905 “Fauves” translates directly to “wild beasts” Grew from works of several acquaintances
interested in the same technique› pupils of Gustave Moreau
Artists used the unique light of the south of France to inspire new color pallets. › The city of Chatou
HOW DID IT BEGIN?
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GUSTAVE MOREAU
“He did not send us on the right road, but off the roads”-Henri Matisse Fauvist painter
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Known for his strange and mystical works Parents were both artists Began studies with Neoclassicism Attended L’Ecole des Beaux-Arts Learned to love exotic romanticism,
dramatic lighting and bright colors Inspired a lot of symbolist painters, poets
and writers Became professor at L’Ecole des Beaux-
Arts
GUSTAVE MOREAU
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HENRI MATISSE
“Fauve art isn’t everything, but it is the foundation of everything”-Henri Matisse
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Pointillism led Matisse to develop color structure
Studied at L’Ecole des Beaux-Arts Goal was to create his own language through
works Studied under Gustave Moreau Basically the founder of Fauvism Only artist who really stuck with it his whole life Inspired many young painters Liked to paint with the female figure
HENRI MATISSE
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MAURICE DE VLAMINCK
“In art, theories are as useful as a doctor’s prescription; one be sick to believe [the other].”-Maurice de Vlaminck
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Born in Paris from two musical parents Didn’t get to have “the best” education
› Still very curious and emotionally fearless Seen in his works that he was not afraid
of how the public would react› Rebellion, roughness, and disorder
Met Derain on a train; shared a studio in the city Chatou
After fauvism, turned toward more conserved paintings
MAURICE DE VLAMINCK
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ANDRE DERAIN DERAIN
“I used color as means of expressing my emotion and not a transcription of nature”- Andre Derain
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Studied with de Vlaminck in Paris Met Matisse in 1899 and began to work
together Can see a lot of Impressionist subjects in his
work› Landscapes› Cities
Was drafted into the war from 1901-1904 and art studies intrupted
When he returned, jumped right into Fauvism with his old friends
ANDRE DERAIN
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GEORGES ROUAULT
“My only objective is to paint a Christ so moving that those who see him will be converted.”-Georges Rouault
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Cubism, expressionism, and fauvism all part of his work; but never wanted to be tied to a specific movement
Very religious, aimed to show life in “best light”
Paintings sought to reveal society’s imperfections
Paintings showed this by using violent colors and sharp strokes
Also studied at L’Ecole de Beaux Arts under Moreau
GEORGES ROUAULT
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COMPARISONS
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Influences for Fauvism› Represented the break of ordinary things
in nature to artist’s interpertation› Post-Impressionism: the bright and vibrant
colors & crazy brushstrokes› The pure, bright colors with which Vincent
Van Gogh will forever remain associated› Futurism: broke away from Romanticism › Futurism and Fauvism worked together› Naturism: cultural and political movement
promoting public nudity
INFLUENCES
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Influences from Fauvism › Modernism: reject normal connections and
committed to new ideas› Experimentation, discovery, searching were used
to define art› Abstractionism › Began to ignore “social realities” › Bold colorization was a formative influence on
countless artists, including Max Beckmann, Oskar Kokoschka, Egon Schiele, and George Baselitz
› Context of being first modernism movement highly influenced Katherine Mansfield Writer for a journal that used “raw” qualities of Fauvist
movement
INFLUENCES
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INFLUENCED ART
Max Beckmann
Oskar Kokoschka
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INFLUENCED ART
Egon Schiele
George Baseelitz
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Exhibition at Salon d’Automne 1905 shocked many people › Where critic Louis Vauxcelles gave them their name
All of the works put in a room with a renaissance statue put in the middle of them all
Some saw as political statement since colors challenged normal aesthetics of traditional art
Judges of Salon asked Fauves to stop painting “out of respect”
Positive critics said paintings were “flat”; considered a window to the world
PUBLIC REACTION
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