American & European Paintings & PrintsSale 2470 September 11, 2009 Boston
SKINNER
Robin S. R. StarrDepartment DirectorPro Tem
Laura Conover508.970.3258
Kathy Wong508.970.3297
AUCTION 2470
PREVIEW
American & European Paintings & Prints
SPECIALISTS IN CHARGE
American & European Paintings & Prints Department - 508.970.3206
General Inquiries: [email protected]
Wednesday, September 9, 2009 12 to 5 p.m.Thursday, September 10, 2009 12 to 7 p.m.Friday, September 11, 2009 9 to 10:30 a.m.
Tel: 617.874.4318Fax: 617.350.5429
View lots and bid online: www.skinnerinc.com
Illustrated catalogue #2470 available for $35 by mail, $42 overseas
COVER: 779; FRONTISPIECE: 789; BACK COVER: 767
ABSENTEE BIDDING
Friday, September 11, 2009Prints & Photography at 12 noonPaintings & Sculpture at 4 p.m.
63 Park PlazaBoston, Massachusetts
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TABLE OF CONTENTS
1 Auction & Specialist Information
2 Web Site & Online Bidding
4 Event Announcement
7 Prints & Photography - Lots 1-227
89 Paintings & Sculpture - Lots 301-846
314 Glossary of Terms
315 Artist Index
320 Conditions of Sale
321 Absentee Bid Form
322 Company Directors & Specialty Departments
323 Administrative Staff & Client Services
324 Map & Driving Directions
325 Parking & Accomodations
326 Dining
327 Catalogue Subscription Form
Please Note: All lots sold subject to our Conditions of Sale. Please refer to page 320 of this cataloguefor the full terms and conditions governing your purchase.
Copyright © Skinner, Inc. 2009All rights reserved
SKINNER presents a
Fine Art Gallery WalkPresented by Robin Starr, Director Pro Tem
of Skinner’s Paintings Department
Thursday, September 10, 2009
5:30 p.m. Reception/6:00 p.m. Gallery Walk
63 Park PlazaBoston, MA
R.S.V.P. 617.350.5400Reservations are Limited
Gallery Walk held in conjunction with a preview of Skinner’sSeptember 11th auction of American & European Paintings & Prints
Session IPrints & PhotographyLots 1-227
to be sold Friday, September 11th, 2009 at 12 noon
I T ’ S O U R C O M M I T M E N T
Proudly printed by
5 Almeida Avenue, East Providence, R.I., USAToll Free: 866-229-7752
Certno. XXX-XXX-000
1.GENTSE KONSTRUKTIEVE KUNST/A Portfolio of SixWorks
Jan van den Abbeel (Belgian, b. 1943), Piet Beckaert(Belgian, 1939-2000); Hugo de Clercq (Belgian, b. 1930);Amédée Cortier (Belgian, 1921-1976); Willy Plompen(Belgian, b. 1942); and Yves de Smet (Belgian, b. 1946),1972, edition of 150. Each signed in pencil or ink on the reverse,most numbered “53/150” in pencil or ink on the reverse. Colorscreenprints on paper, image/sheet sizes 19 1/2 x 19 3/4 in.(49.4 x 50.0 cm), presented in the original folder.Condition: Minor handling marks and/or creases.
Provenance: Property of the Fogg Art Museum, Harvard ArtMuseum, sold to benefit the acquisition fund.
$300-500
2.Louis Abel-Truchet (French, 1857-1918)
La quadrille, 1890. Signed in the matrix. Color lithograph onpaper, image size 20 1/4 x 28 1/4 in. (51.4 x 71.7 cm), framed.Condition: Not examined out of frame.
$600-800
3.Clinton Adams (American, b. 1918)
Interior, 1953, edition of 10. Signed and dated “Clinton Adams‘53” in pencil l.r., numbered “1/10” in pencil l.l., dry stamp l.l.Lithograph on paper, image size 9 3/4 x 13 7/8 in. (24.7 x 35.2cm), framed.Condition: Toning, several pale fox marks and stains, unpressedcrease to image c.r., not examined out of frame.
$200-300
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4.Ivan Le Lorraine Albright (American, 1897-1983)
Fleeting Time Thou Hast Left Me Old, 1945, edition of 250,published by American Associated Artists (Grayson, 11). Signed“Ivan Le Lorraine Albright” in pencil l.r., titled in pencil l.l.,identified on an AAA label on the reverse. Lithograph on paper,image size 13 3/4 x 9 1/2 in. (34.8 x 24.0 cm), framed.Condition: Not examined out of frame.
$600-800
5.Alison Cann-Clift, called Ali (American, b. 1949)
Blue and White, 1986, edition of 70. Signed and dated “Ali‘86” in pencil l.r., titled and numbered “...8/70” in pencil l.l.Color screenprint on paper, image size 32 x 24 in. (81.3 x 60.8cm), framed.Condition: Not examined out of frame.
Provenance: Purchased at Pucker Gallery, Boston.$400-600
6.Alison Cann-Clift, called Ali (American, b. 1949)
Center Tent, 1986, edition of 70. Signed and dated “Ali ‘86” inpencil l.r., titled and numbered “...8/70” in pencil l.l. Colorscreenprint on paper, image size 31 3/4 x 32 in. (80.5 x 81.3cm), framed.Condition: Not examined out of frame.
Provenance: Purchased at Pucker Gallery, Boston.$400-600
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7.Richard Anuszkiewicz (American, b. 1930)
Triangulated Green, 1977-1978, edition of 50, printed byEditions Lassiter-Meisel, New York. Signed, numbered, anddated “ANUSZKIEWICZ 17/50 1977” in pencil (within theimage) l.r., stamped “© RICHARD ANUSZKIEWICZ” and“ELM” (the printer’s monogram) on the reverse, inscribed “24”on the reverse. Color screenprint on paper mounted onto board,image/support size 84 x 48 in. (213.4 x 121.3 cm), unframed.Condition: Surface grime and rubs.
$400-600
8.Richard Anuszkiewicz (American, b. 1930)
Triangulated Orange, 1977-1978, edition of 50, printed byEditions Lassiter-Meisel, New York. Signed, numbered, anddated “ANUSZKIEWICZ 17/50 1977” in pencil (within theimage) l.r., stamped “© RICHARD ANUSZKIEWICZ” and“ELM” (the printer’s monogram) on the reverse, inscribed “23”on the reverse. Color screenprint on paper mounted onto board,image/support size 84 x 48 in. (213.4 x 121.3 cm), unframed.Condition: Surface grime and rubs, retouched damage u.r.
$300-500
9.John Taylor Arms (American, 1887-1953)
Rouen, 1925, edition of 150 (Fletcher, 162). Signed and dated“John Taylor Arms - 1925” in pencil l.r., identified on a labelfrom Doll & Richards, Inc., Boston, on the reverse. Etching onpaper, plate size 8 1/4 x 8 in. (20.8 x 20.3 cm), framed.Condition: Toning, not examined out of frame.
$200-300
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10.Lot of Two Animal Prints:
Helen Baker (American, 20th Century), Seahorse Parade, colormonotype; American School, 20th Century, Penguins, coloretching with aquatint and roulette. The former signed in pencil,the latter unsigned. Image sizes to 10 x 16 in. (25.4 x 40.5 cm),framed.Condition: Toning to Seahorse, not examined out of frame;margins to Penguins over 1 1/2 inches and with mat burn.
$200-250
11.Will Barnet (American, b. 1911)
Cat and Canary, 1971, aside from the edition of 225 (Cole,145). Signed “Will Barnet” in pencil l.r., titled in pencil l.l.,inscribed “artist’s proof” in pencil l.c. Color lithograph on paper,image size 14 1/2 x 17 5/8 in. (36.7 x 44.7 cm), framed.Condition: Margins 3 1/2 inches or more, foxing, subtlerippling, not examined out of frame.
$300-500
12.Leonard Baskin (American, 1922-2000)
Man of Peace, 1952 (Fern & O’Sullivan, 180). Signed “Baskin”in pencil l.r., titled in pencil l.l. Woodcut on paper, image size 60x 30 3/4 in. (152.4 x 78.0 cm), framed.Condition: Rippling, unpressed crease to upper margin, subtletoning, not examined out of frame.
$1,000-1,500
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13.Leonard Baskin (American, 1922-2000)
Lot of Four Works: Two Blind Men, c. 1952/53 (Fern &O’Sullivan, 215); The Owl That Calls Upon the Night Speaks theUnbeliever’s Fright, 1959, reproduced version of 1961 (Fern &O’Sullivan, 375); Death Among the Thistles, 1959 (Fern &O’Sullivan, 379); and Pomegranate - New Year’s Greeting, 1960(Fern & O’Sullivan, 410). Blind and Thistles signed in pencil l.r.Woodcuts and wood engravings on paper, image sizes to 6 x 8 in.(15.2 x 20.3 cm), framed.Condition: Mat burn, subtle toning, Blind with foxing, notexamined out of frames.
N.B. The lot is accompanied by the pamphlet Leonard Baskin:Ten Woodcuts, (The Gehenna Press: Northampton,Massachusetts), 1961.
$400-600
14.Leonard Baskin (American, 1922-2000)
Saturn, 1970 (Fern & O’Sullivan, 577). Signed “Baskin” inpencil l.r., titled in pencil l.l., titled, initialed, and dated in theblock. Woodcut in red and black on fine paper, image size 711/2 x 37 1/2 in. (181.6 x 95.2 cm), unmatted, unframed.Condition: Rippling, unpressed creases, subtle toning.
$1,000-1,500
15.Leonard Baskin (American, 1922-2000)
Lot of Three Etchings: Iris for Lisa, 1970, edition of 130 (Fern& O’Sullivan, 584); Shakespeare from TITUS ANDRONICUS,1970, edition of 200 (Fern & O’Sullivan, 594); and Lessons inFar Future, 1978, edition of 125 (Fern & O’Sullivan, 671).Each signed “Baskin” in pencil l.r. and numbered in pencil l.l.Plate sizes to 17 3/4 x 11 3/4 in. (45.0 x 29.7 cm), framed.Condition: Not examined out of frames.
$500-700
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16.Romare Bearden (American, 1911-1988)
The Return of Ulysses, 1976, edition of 30. Numbered, signed,and dated “25/30 Romare Bearden 9/76” in pencil l.r., titled inpencil l.l. Color screenprint on paper, image size 18 3/4 x 221/2 in. (47.5 x 57.0 cm), framed.Condition: Not examined out of frame.
$2,000-3,000
17.Cecil Crosley Bell (American, 1906-1970)
Lot of Two Prints: Shoe Shine, 1933, and Trolley Car, 1933,both probably later editions. Both signed and dated “Cecil C.Bell ‘33” in pencil l.r. and inscribed “...2nd” in pencil l.l.Etchings on cream paper, plate sizes approximately 8 x 5 3/4 in.(20.3 x 14.5 cm), unmatted, unframed.Condition: Margins over 2 inches with deckled edges.
$200-300
18.Frank Weston Benson (American, 1862-1951)
Brown Pelican, 1915, published state, edition of 50 (Paff, 48).Signed “FrankWBenson.” in pencil l.l., numbered “25/50” inpencil l.r., initialed in the plate. Etching on Shogun paper withpartial watermark, plate size 7 7/8 x 5 7/8 in. (20.0 x 15.0 cm),matted, unframed.Condition: Margins 1 1/2 inches or more, subtle toning.
$700-900
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19.Frank Weston Benson (American, 1862-1951)
Flying Ducks, 1919, published state of 235 (Paff, 160). Signed“FrankWBenson.” in pencil l.l., initialed and dated in the plate.Etching on paper, plate size 8 7/8 x 6 7/8 in. (22.4 x 17.4 cm),framed.Condition: Subtle toning, not examined out of frame.
$500-700
20.Frank Weston Benson (American, 1862-1951)
November Moon, 1931, published state, edition of 150 (Paff,316). Signed “FrankWBenson.” in pencil l.l. Etching andaquatint on paper, plate size 10 x 8 in. (25.5 x 20.5 cm), framed.Condition: Margins over 1/4 inch, subtle rippling, not examinedout of frame.
$800-1,200
21.Thomas Hart Benton (American, 1889-1975)
Arkansas Evening, alternatively titled Nebraska Evening, 1941,edition of 250, published by Associated American Artists (Fath,45). Signed “Benton” in pencil l.r. and in the matrix, identifiedon an AAA label on the reverse. Lithograph on paper, image size10 x 13 1/8 in. (25.4 x 33.2 cm), framed.Condition: Not examined out of frame.
$1,000-1,500
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22.Thomas Hart Benton (American, 1889-1975)
Nebraska Evening, alternatively titled Arkansas Evening, 1941,edition of 250, published by Associated American Artists (Fath,45). Signed “Benton” in pencil l.r. and in the matrix, identifiedon an AAA label on the reverse. Lithograph on paper, image size10 x 13 1/8 in. (25.5 x 33.2 cm), framed.Condition: Foxing, not examined out of frame.
$700-900
23.Thomas Hart Benton (American, 1889-1975)
Gateside Conversation, 1946, edition of 250, published byAssociated American Artists (Fath, 69). Signed “Benton” inpencil l.r. and in the matrix. Lithograph on paper, image size 97/8 x 13 7/8 in. (25.0 x 35.2 cm), framed.Condition: Subtle toning, not examined out of frame.
$800-1,200
24.Thomas Hart Benton (American, 1889-1975)
Prayer Meeting, 1949, edition of 300 (Fath, 73). Signed“Benton” l.r., signed and inscribed in the matrix. Lithograph onpaper, image size 9 x 12 1/4 in. (22.8 x 31.0 cm), unmatted,unframed.Condition: Tape residue/staining to upper edge (both recto andverso).
$2,000-2,500
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25.Thomas Hart Benton (American, 1889-1975)
Photographing the Bull, 1950, edition of 500 (Fath, 75). Signed“Thomas H. Benton” l.r., signed in the matrix, inscribed“#78/500” in pencil l.l. Lithograph on paper, image size 11 7/8x 16 in. (30.0 x 40.5 cm), unmatted, unframed.Condition: Margins over 1 1/2 inches with deckled edges.
$2,000-2,500
26.Carol Thayer Berry (American, 1886-1978)
Hillside Farm - Maine (No. 2), 1960, edition of up to 100(Dearborn, 78). Signed “Carroll Thayer Berry” in pencil l.r.,signed in the block, titled in pencil l.l. Wood engraving on paper,image size 7 3/8 x 9 5/8 in. (18.7 x 24.2 cm), framed.Condition: Subtle mat burn and toning, not examined out offrame.
$300-500
27.Jolan Gross Bettelheim (Czechoslovakian/American, 1900-1972)
Fascism, c. 1940. Signed “J-GROSS B.” in the matrix.Lithograph on paper, image size 13 x 10 in. (33.0 x 25.4 cm),framed.Condition: Not examined out of frame.
$300-500
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28.Natvar Bhavsar (Indian, b. 1934)
Blue Accent, 1967, edition of 20. Numbered, dated, and signed“1/20 1967 NATVAR BHAVSAR” in pencil l.r. and u.l.,identified on a label from Obelisk Gallery, Boston, on the reverse.Color screenprint on paper, image size 10 x 10 in. (25.4 x 25.4cm), framed.Condition: Subtle toning and rippling, not examined out offrame.
$300-500
29.Natvar Bhavsar (Indian, b. 1934)
Untitled, 1967. Inscribed, dated, and signed “artist’s proof.1967 NATVAR BHAVSAR” in pencil l.r. Color screenprint onpaper, image size 27 1/4 x 25 1/4 in. (69.1 x 64.0 cm), framed.Condition: Subtle toning and rippling, not examined out offrame.
$400-600
30.Bernard Buffet (French, 1928-1999)
The Clown with the Green Background, 1960, edition of 175(Mourlot, 24). Signed “Bernard Buffet” in pencil l.r., numbered“86/175” in pencil l.l. Color lithograph on paper, image size 261/4 x 20 1/4 in. (66.5 x 51.3 cm), framed.Condition: Toning, not examined out of frame.
$1,000-1,500
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31.After Bernard Buffet (French, 1928-1999)
Bread and Wine, from the poster edition of 2000, published bySorlier (Mourlot, 63). Signed “Bernard Buffet” in pencil l.r.,signed, dated, and with publisher in the matrix. Color lithographon paper, image size 22 1/4 x 17 in. (56.5 x 43.2 cm), framed.Condition: Margins over 1 1/2 inches, not examined out offrame.
$700-900
32.Félix Hilaire Buhot (French, 1847-1898)
La Petite Marine - Souvenir de Medway, 1879, probably thethird state of six (Bourcard & Goodfriend, 153).Monogrammed, dated, and inscribed in the plate, identified on alabel from Frederick Keppel & Co., Inc., New York, on thereverse. Etching on paper, plate size 6 3/8 x 8 1/2 in. (16.0 x21.5 cm), framed.Condition: Margins 1/4 inch or more, subtle toning, notexamined out of frame.
$400-600
33.Alexander Calder (American, 1898-1976)
Untitled (Stabile), edition of 90. Signed “Calder” in pencil l.r.,numbered “8/90” in pencil l.l. Color lithograph on paper, imagesize 14 1/2 x 18 1/2 in. (36.7 x 47.0 cm), framed.Condition: Deckled edges to three sides, subtle staining nearupper edge, not examined out of frame.
$400-600
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34.Alexander Calder (American, 1898-1976)
Untitled (Helix), edition of 125. Signed “Calder” in pencil l.r.,numbered “112/125” in pencil l.l. Color lithograph on paper,image size 25 x 18 1/2 in. (63.4 x 46.9 cm), framed.Condition: Deckled edges to two sides, subtle toning, notexamined out of frame.
$500-700
35.Alexander Calder (American, 1898-1976)
Lot of Two Works: La Croix sur le soleil, edition of 90; andUntitled, edition of 100. Both signed “Calder” in pencil l.r. andnumbered in pencil l.l., the former identified on a label from theGalerie Moderne at Brentano’s, New York, on the reverse. Colorlithographs on paper, image sizes to 21 1/2 x 28 in. (54.5 x 71.0cm), framed.Condition: Unobtrusive toning, fading (almost exclusively toCroix), not examined out of frames.
$500-700
36.Alexander Calder (American, 1898-1976)
Untitled (Yellow Spiral). Signed “Calder” in pencil l.r.,inscribed “EA” in pencil l.l. Color lithograph on paper,image/sheet size 26 x 39 in. (66.0 x 98.8 cm), framed.Condition: Unobtrusive toning, subtle rippling, not examinedout of frame.
$400-600
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37.Jacques Callot (French, 1592-1635)
Lot of Two Scenes: Les troupes en marche, and Attaque des fortsavancés de Bone from LA VIE DE FERDINAND Ier DEMÉDICIS, c. 1619, probably impressions before letters (Lieure,153 & 159). Both inscribed beneath the image. Engravings onpaper, plate sizes 8 7/8 x 11 3/4 in. (22.5 x 29.8 cm), oneframed, both matted.Condition: Laid down, narrow margins, unobtrusive soiling.
$400-600
38.Eugène Carrière (French, 1849-1906)
Lot of Two Portraits: Méditation, 1893, published by EdSagot, Paris, with dry stamp l.l. (Delteil, 14); and Maternité(petite planche), 1896 (Delteil, 23). Both signed “...EugèneCarrière” in the matrix and with collector’s stamp “SPB” l.r.Lithographs on paper (latter on chine collé), image sizes to 9 1/2x 5 7/8 in. (24.1 x 14.8 cm), matted, unframed.Condition: Margins over 3 inches, subtle toning to former.
$300-500
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39.Marc Chagall (Russian/French, 1887-1985)
Green Tree with Lovers, 1980, edition of 50 (Mourlot, 959).Signed “Marc Chagall” in pencil l.r., inscribed “H.C.” in pencill.l. Color lithograph on Arches paper with watermark, image size19 3/4 x 15 in. (50.2 x 38.1 cm), framed.Condition: Deckled edges to two sides, not examined out offrame.
$3,000-5,000
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40.Samuel V. Chamberlain (American, 1895-1975)
Valley of the Var, second state (Chamberlain & Kingsland, 132).Signed “Samuel Chamberlain” in pencil l.r., inscribed “SecondState II/II” in pencil in the artist’s hand l.l. Etching on paper,plate size 10 7/8 x 13 1/8 in. (27.5 x 33.2 cm), matted,unframed.Condition: Margins approximately 1 inch, subtle toning.
Provenance: Through the family of the artist.$200-250
41.Samuel V. Chamberlain (American, 1895-1975)
A Chateau Farm Near Siena, c. 1925 (Chamberlain &Kingsland, 159). Signed “Samuel Chamberlain” in pencil l.r.Etching on paper, plate size 5 5/8 x 8 7/8 in. (14.2 x 22.4 cm),matted, unframed.Condition: Margins approximately 2 inches with two decklededges, subtle toning, annotations to lower margin.
Provenance: Through the family of the artist.$150-200
42.Samuel V. Chamberlain (American, 1895-1975)
Lot of Two Impressions of The Fortress Carmona, c. 1925(Chamberlain & Kingsland, 165 or 166). Unsigned, oneinscribed “early proof” in pencil l.l. Etchings on paper, plate sizes3 1/2 x 4 5/8 in. (8.8 x 11.5 cm), in a common mat, unframed.Condition: Margins over 2 inches with most edges deckled,subtle toning, annotations to lower margins.
Provenance: Through the family of the artist.$200-250
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43.Samuel V. Chamberlain (American, 1895-1975)
The Market Place, Vernon, probably proof impression numberthree (Chamberlain & Kingsland, 167). Unsigned, annotated inthe lower margin and on the mat. Etching on paper, plate size 91/2 x 13 3/8 in. (24.0 x 33.8 cm), matted, unframed.Condition: Margins over 1/2 inch with several unpressed creases,subtle toning.
Provenance: Through the family of the artist.$200-250
44.Samuel V. Chamberlain (American, 1895-1975)
Farm Vista, Le Plessis - Luzarches, 1930, edition ofapproximately 20 (Chamberlain & Kingsland, 191). Unsigned.Etching on paper, plate size 8 1/8 x 7 in. (20.5 x 17.7 cm),matted, unframed.Condition: Margins over 1 inch, with crease to u.l. corner.
Provenance: Through the family of the artist.$200-250
45.Samuel V. Chamberlain (American, 1895-1975)
New England Hill Town, proof impression (Chamberlain &Kingsland, 199). Signed “Samuel Chamberlain” in pencil l.r.,inscribed “fifth state I/III” in pencil l.l. Etching on paper, platesize 10 1/8 x 13 1/8 in. (25.5 x 33.3 cm), matted, unframed.Condition: Margins 3/4 inches or more, subtle toning.
Provenance: Through the family of the artist.
N.B. This work exists only as proofs; an edition was neverpublished.
$200-250
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46.Samuel V. Chamberlain (American, 1895-1975)
Harkness Memorial Tower, 1933, edition of 125 (Chamberlain &Kingsland, 231). Signed “Samuel Chamberlain” in pencil l.r.,inscribed “Ed. 125” in pencil l.l. Etching on paper, plate size 135/8 x 10 1/8 in. (34.5 x 25.6 cm), matted, unframed.Condition: Margins 3/4 inches or more with deckled edges,subtle toning, annotations to lower margin.
Provenance: Through the family of the artist.$200-250
47.Samuel V. Chamberlain (American, 1895-1975)
The Harvard Yard, Cambridge, c. 1940, proof impressionbefore the edition of 1500 (Chamberlain & Kingsland, 259).Inscribed “first State II/III” in pencil in the artist’s hand l.l.Etching on paper, plate size 6 3/4 x 4 1/2 in. (17.0 x 11.3 cm),matted, unframed.Condition: Margins over 1 inch, subtle toning.
Provenance: Through the family of the artist.$150-200
48.Samuel V. Chamberlain (American, 1895-1975)
Summer Shadows, alternatively titled The King Hooper Mansion,1940, edition of 300 (Chamberlain & Kingsland, 275). Signed“Samuel Chamberlain” in pencil l.r., inscribed “Ed. 300” inpencil l.l. Etching on paper, plate size 8 1/2 x 11 in. (21.5 x27.8 cm), framed.Condition: Toning, not examined out of frame.
N.B. The view depicts a square in Marblehead, Massachusetts.$200-300
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49.Continental School, 20th Century
Nineteen Images from FROM THE WILD WEST INAMERICA, A Suite of Twenty Works. Each signed “A.J.Alex”in pencil l.r., identified on the cover. Etchings with drypoint(several in color) on paper, plate sizes to 6 x 4 1/4 in. (15.1 x10.6 cm), in the original hand-bound book (cover detached).Condition: Laid down, subtle toning or soiling.
$800-1,200
50.John Edward Costigan (American, 1888-1972)
April. Signed “J.E. Costigan N.A.” in pencil l.r., titled in pencill.l. Etching on paper, plate size 9 7/8 x 9 7/8 in. (25.0 x 25.0cm), framed.Condition: Subtle toning and rippling, not examined out offrame.
$200-250
51.Jack Davis Coughlin (American, b. 1932)
Dream of a Hyena, edition of 50. Signed “Jack Coughlin” inpencil l.r., numbered and titled “5/50...” in pencil l.l. Etchingon paper, plate size 19 3/4 x 15 1/2 in. (50.0 x 39.4 cm),shrink-wrapped.Condition: Not examined out of wrap.
N.B. This print earned Coughlin first prize for printmaking atthe 60th Annual Exhibit for the Connecticut Academy of FineArts, held at the Wadsworth Atheneum in Hartford, Connecticut,in 1970.
$250-300
52.John Steuart Curry (American, 1897-1946)
Summer Afternoon, 1939, edition of 250, published byAssociated American Artists (Czestochowski, C-36). Signed“John Steuart Curry” in pencil l.r., initialed within the matrix,identified on an AAA label on the reverse. Lithograph on paper,image size 10 x 14 in. (25.4 x 35.5 cm), framed.Condition: Mat burn, not examined out of frame.
$1,000-1,500
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52A.Salvador Dalí (Spanish, 1904-1989)
Fleuve d’abondance from POEMES DE MAO TSE-TUNG,1967, from the edition of 95 (Lopsinger & Michler, 213).Signed “Dali” in pencil l.r., Dali dry stamp l.r., numbered“72/95” in pencil l.l. Heliogravure and drypoint with coloringon Japan paper, plate size 9 3/8 x 7 3/8 in. (23.8 x 18.8 cm),framed.Condition: Not examined out of frame
$300-500
52B.Salvador Dalí (Spanish, 1904-1989)
50 Secrets of Magic Craftsmanship/Book with an OriginalDrawing, 1948, published by New York: The Dial Press,translated by Haakon M. Chevalier, numbered 6 of 49 copies,containing a signed sepia watercolor drawing depicting classicalfigures before a European town dated 1948, the limitations pagelater inscribed by Dalí dated 1952, half vellum, pictorial boardsand slipcase, folio.Condition: Minor soiling, slipcase with minor wear and soilingand cracks to upper edge.
$7,000-9,000
52A
52B
53.After Edgar Degas (French, 1834-1917)
Avant la course, 1910. Signed in the matrix. Color lithographon paper, sight size 18 3/4 x 22 in. (47.5 x 55.7 cm), framed.Condition: Toning, rippling, not examined out of frame.
Provenance: Estate of Anna Eleanor Roosevelt (née Braman)Grasso, Essex, Connecticut.
$3,000-5,000
54.Adolf Arthur Dehn (American, 1895-1968)
Haitian Night, 1961, edition of 200 plus proofs (Lumsdaine &O’Sullivan, 553.ii). Signed “Adolf Dehn” in pencil l.r., numbered“79/210” in pencil l.l. Lithograph in black and tan on paper,image size 14 x 18 in. (35.4 x 45.7 cm), framed.Condition: Subtle toning, not examined out of frame.
$400-600
53
54
55.Morgan Dennis (American, 1892-1960)
Lot of Three Views: The Four Courts - Dublin, 1923; TheSailmender; and Summer Afternoon. Each signed “MORGANDENNIS” in pencil l.r. and titled in pencil or in the plate.Etchings on paper, plate sizes to 7 x 5 5/8 in. (17.6 x 14.2 cm),framed.Condition: Pale foxing, subtle toning, not examined out offrames.
$400-600
56.Lot of Two Dog Prints:
Morgan Dennis (American, 1892-1960), The Pup, 1926,second plate; and Diana Thorne (American, b. 1895), Waiting.Both signed in pencil l.r. Etchings on paper, plate sizes to 6 x 8in. (15.2 x 20.3 cm), framed.Condition: Subtle toning, not examined out of frames.
$300-500
57.Morgan Dennis (American, 1892-1960)
Lot of Two Dog Scenes: A Bone of Contention and TheContented Companion. Both signed “MORGAN DENNIS” inpencil l.r. Etchings on paper, plate sizes approximately 3 1/2 x 5in. (8.8 x 12.5 cm), framed.Condition: Unobtrusive toning (more so to Companion), notexamined out of frames.
$250-350
55 56
57
58.Werner Drewes (German/American, 1899-1985)
Reflections, 1960, from the second edition of 160, published byAssociated American Artists (Jentsch, III.197). Signed “Drewes”in pencil l.r., inscribed “No. 63” in pencil l.l., label from AAA onthe reverse. Woodcut in blue and black on paper, image size 111/4 x 20 7/8 in. (28.5 x 52.8 cm), framed.Condition: Subtle toning, mat burn, pale pin-point fox marks,rippling, not examined out of frame.
$400-600
59.Jean Dubuffet (French, 1901-1985)
Le vent et l’eau, from LES PHENOMENES X: EAUX,PIERRES, SABLE, 1959, total edition of 35 (Webel, 565).Signed and dated “J. Dubuffet 59” in pencil l.r., titled in pencill.c., numbered “6/10” in pencil l.l. Lithograph on Japan paper,image size 20 7/8 x 15 1/4 in. (52.8 x 38.6 cm), framed.Condition: Not examined out of frame.
N.B. The lot is accompanied by a copy of Daniel Cordier’s bookThe Drawings of Jean Dubuffet (George Braziller; New York,1960).
$250-350
60.Romain de Tirtoff, called Erté (Russian, 1892-1990)
The Duel, 1981, edition of 300 (Lee, 202). Signed “Erté” inpencil l.r., numbered “155/300” in pencil l.l. Color screenprinton paper, image size 24 3/4 x 17 3/4 in. (62.7 x 45.0 cm),framed.Condition: Not examined out of frame.
$200-300
58
59
60
61.Romain de Tirtoff, called Erté (Russian, 1892-1990)
Oriental Tale, 1982, from a proof edition of 125. Signed “Erté”in pencil l.r., numbered “CII/CXXV” in pencil l.l. Colorscreenprint on paper, image size 23 5/8 x 17 3/4 in. (59.9 x45.0 cm), framed.Condition: Not examined out of frame.
$800-1,200
62.Romain de Tirtoff, called Erté (Russian, 1892-1990)
Stolen Kisses, 1982, edition of 300. Signed “Erté” in pencil l.r.,numbered “105/300” in pencil l.l. Color screenprint on creampaper, image size 22 1/2 x 17 7/8 in. (57.0 x 45.3 cm), framed.Condition: Not examined out of frame.
$1,000-1,500
63.Romain de Tirtoff, called Erté (Russian, 1892-1990)
Sloth from THE SEVEN DEADLY SINS, 1983, from a proofedition of 90. Signed “Erté” in pencil l.r., numbered “V/XC” inpencil l.l. Color screenprint on paper, image size 19 1/4 x 145/8 in. (49.0 x 37.0 cm), framed.Condition: Not examined out of frame.
$800-1,200
61 62
63
64.Romain de Tirtoff, called Erté (Russian, 1892-1990)
Helen of Troy, 1987, edition of 300. Signed “Erté” in pencil l.r.,numbered “16/300” in pencil l.l. Color screenprint on blackpaper, image size 28 1/8 x 24 1/4 in. (71.2 x 61.5 cm), framed.Condition: Not examined out of frame.
$1,200-1,800
65.Aaron Fink (American, b. 1955)
Cup, 1983. Signed and dated “Aaron Fink ‘83...” in pencil l.r.,identified on a label from The Alpha Gallery, Boston, on thereverse. Hand-colored woodcut on paper, image size 23 1/2 x31 1/2 in. (59.5 x 80.0 cm), framed.Condition: Not examined out of frame.
$300-500
66.Eliza Draper Gardiner (American, 1871-1955)
Fishing off the Dock, edition of 50. Signed and numbered“Eliza D. Gardiner 23/50” in pencil l.r. Color woodcut onpaper, image size 10 7/8 x 8 in. (27.5 x 20.3 cm), framed.Condition: Subtle toning and rippling, not examined out offrame.
$800-1,200
64
65
66
67.Eliza Draper Gardiner (American, 1871-1955)
On the Boat, edition of 50. Signed and numbered “Eliza D.Gardiner 42/50” in pencil l.r., titled in pencil l.c. Color woodcuton gray paper, image size 10 1/2 x 12 1/2 in. (26.5 x 31.7 cm),framed.Condition: Margins 1/2 inch or more, subtle toning, several palefox marks, not examined out of frame.
$1,000-1,500
68.Gerald Drexler Garston (American, 1925-1994)
Burning Bright. Signed “Garston” in pencil l.r., inscribed“AP/II” in pencil l.l., identified on a label from Pucker/SafraiGallery, Boston, on the reverse. Color screenprint on paper,image size 34 x 17 in. (86.3 x 43.2 cm), framed.Condition: Margin 1/2 inch or more, subtle rippling, notexamined out of frame.
$400-600
69.Ignaz Marcel Gaugengigl (American, 1855-1932)
Self-Portrait of Artist, c. 1909 (R.ORG IMG, 23). Signed“I.M. Gaugengigl” in pencil l.r., monogrammed within the plate.Drypoint on paper, plate size 11 1/4 x 7 3/4 in. (28.5 x 19.6cm), framed.Condition: Unobtrusive toning and mat burn, subtle rippling,not examined out of frame.
$200-300
67
68
69
70.Michiel Gloeckner (American, 1915-1989)
Lot of Two Untitled Works, 1974. Both signed and dated“Michiel Gloeckner 1974” in pencil l.r. and numbered in pencill.l. Color lithographs on paper, image sizes to 26 5/8 x 19 5/8in. (67.5 x 49.8 cm), shrink-wrapped.Condition: Not examined out of wrap.
$500-700
71.George Ehrenfried Grosz (German/American, 1893-1959)
Feierabend (L’angelus à Munich) from GOTT MIT UNS, 1920-21, edition of 125 (Dückers, M III, 3). Signed and dated“GROSZ 1920” in pencil l.r., titled and identified in the matrix.Photo-lithograph on paper, image size 16 x 11 7/8 in. (40.5 x30.0 cm), unmatted, unframed.Condition: Margins 1 inch or more with deckled right edge,soiling, nicks to margins, creasing, annotations to lower marginand the reverse.
$200-400
72.Richard Haas (American, b. 1936)
Grand Central Station, 1973. Signed “Richard Haas” in pencill.r., titled in pencil l.l., inscribed “AP 2” in pencil l.c. Etching oncream paper, plate size 14 3/4 x 19 3/4 in. (37.4 x 50.2 cm),framed.Condition: Several pale fox marks, not examined out of frame.
$200-250
70
71 72
73.Sir Francis Seymour Haden (British, 1818-1910)
Mytton Hall, 1859, fourth state of five (Schneiderman, 19).Signed “Seymour Haden” in pencil l.l., signed and dated in theplate, identified on a label from M. Knoedler & Co., Inc., NewYork, on the reverse. Etching on paper, plate size 4 7/8 x 103/8 in. (12.3 x 26.3 cm), framed.Condition: Margins 1/4 inch or more, unobtrusive toning, notexamined out of frame.
$600-800
74.Sir Francis Seymour Haden (British, 1818-1910)
Grayling Fishing, c. 1897 (Schneiderman, 227 ii/v). Signed“Seymour Haden” in pencil l.r. Mezzotint with drypoint onpaper, plate size 7 1/2 x 12 in. (19.0 x 30.5 cm), matted,unframed.Condition: Margins 2 inches or more, pale mat burn,tape/residue to upper edge.
$700-900
75.Ellen Day Hale (American, 1855-1940)
Willow Whistle, 1888-89. Signed “Ellen Day Hale” in pencil l.r.,Signed, identified, and dated within the plate. Etching on paper,plate size 15 1/2 x 8 1/2 in. (39.3 x 21.5 cm), framed.Condition: Toning, crease l.c. (almost exclusively to the margin),not examined out of frame.
$600-800
73
74
75
76.Frederick Childe Hassam (American, 1859-1935)
Easthampton, 1917 (Cortissoz, 134). Monogrammed andinscribed “CH imp” in pencil l.r., monogrammed, inscribed, anddated in the plate, identified on a label from Frederick Keppel &Co., Inc., New York, on the reverse. Etching on paper, plate size7 1/2 x 11 1/2 in. (19.0 x 29.0 cm), framed.Condition: Subtle toning, not examined out of frame.
$2,000-3,000
77.Stanley William Hayter (British, 1901-1988)
Masques, alternatively titled Masques sur une plage, 1937, editionof 30 (Black & Moorhead, 107). Signed “SWHayter” in pencill.r., titled in pencil l.c., numbered “13/30” in pencil l.l.Engraving with etching on paper, plate size 4 1/8 x 7 7/8 in.(10.4 x 20.0 cm), framed.Condition: Toning, several fox marks, not examined out offrame.
$400-600
76
77
78.Ludwig Hohlwein (German, 1874-1949)
Direct China Cotton Importers Wonalancet Company NashuaNH, 1909. Identified in the matrix. Color lithographic posteron paper, sheet size 32 1/2 x 23 1/4 in. (82.4 x 59.0 cm),shrink-wrapped.Condition: Subtle toning, minor handling creases, creases andminute nicks to corners, not examined out of wrap.
$3,000-4,000
79.Lester George Hornby (American, 1882-1956)
A Montrouge, Propriétaire et Chien, 1909, edition of 24 (Falk,52). Signed “L.G. Hornby” in pencil l.r., signed and titled withinthe plate, dedicated and signed “A most humble appreciation ofgenerous courtesy extended to me by the Yorick Club. L.G.Hornby June 1910” in ink on the mat. Etching on paper, platesize 10 x 7 in. (25.4 x 17.7 cm), framed.Condition: Subtle toning, not examined out of frame.
$200-250
78
79
80.Alfred Heber Hutty (American, 1877-1954)
The Old Stand of Trees. Signed “Alfred Hutty...” in pencil l.r.Etching on paper, plate size 9 x 15 in. (22.8 x 38.1 cm), framed.Condition: Not examined out of frame.
Provenance: Sold to benefit the Bennington Museum, Vermont.$300-500
81.Louis Icart (French, 1888-1950)
La robe de chine, 1926 (Holland et al., 276). Signed “LouisIcart” in pencil l.r., numbered “6/394” in pencil l.l., dated inpublication text within the plate, artist’s dry stamp l.l. Coloretching and aquatint with stencil coloring on paper, plate size 151/4 x 18 3/8 in. (38.5 x 46.5 cm), framed.Condition: Toning, mat burn, not examined out of frame.
$500-700
82.Louis Icart (French, 1888-1950)
La dame aux camelias, 1927 (Holland et al., 321). Signed“Louis Icart” in pencil l.r., dated in publication text within theplate. Color etching and aquatint with stencil coloring on paper,oval format, plate size 16 3/4 x 21 in. (42.5 x 53.2 cm), framed.Condition: Toning, breaks along plate mark, not examined outof frame.
$600-800
80
81
82
83.Louis Icart (French, 1888-1950)
Conchita, 1929 (Holland et al., 361). Signed “Louis Icart” inpencil l.r., dated in the publication text within the plate, artist’sdry stamp l.l., numbered “183/500” in pencil l.l. etching withaquatint and stencil coloring on paper, plate size 21 1/8 x 141/8 in. (53.5 x 35.8 cm), framed.Condition: Toning, minute abrasions to image l.r., not examinedout of frame.
$300-500
84.Robert Indiana (American, b. 1928)
LOVE, 1967, edition of 2,275 plus proofs (Sheehan, 39).Unsigned, stamped “© 1967 by ROBERT INDIANA” in blue onthe reverse. Color screenprint on paper, image/sheet size 34 x34 in. (86.2 x 86.2 cm), framed.Condition: Small area of soiling l.c., not examined out of frame.
$1,000-1,500
85.Eli Jacobi (Russian/American, 1898-1984)
Bathers by a Pool. Monogrammed in the block. Woodcut onthin paper, image size 10 1/8 x 8 1/4 in. (25.5 x 21.0 cm),framed.Condition: Toning, margins approximately 1/2 inch, brownpaper tape hinges to top edge.
$200-250
83
8485
86.Bertha Evelyn Clausen Jaques (American, 1863-1941)
Japanese Pine. Signed “Bertha E. Jaques” in pencil l.r., titled inpencil l.l. Etching with coloring on paper, plate size 9 7/8 x 77/8 in. (25.0 x 20.0 cm), framed.Condition: Subtle toning and mat burn, not examined out offrame.
$200-300
87.Jasper Johns (American, b. 1930)
Cup 2 Picasso, 1973, from the larger edition published for XXeSiecle. Signed and dated in the matrix. Color offset lithographon paper, image size 11 3/4 x 10 1/4 in. (29.8 x 26.0 cm),matted, unframed.Condition: Margins approximately 1/2 inch.
$200-300
88.Jasper Johns (American, b. 1930)
Lot of Two Works: Silver Cicada, 1982, and Summer, c. 1991.Both unsigned. Offset lithographs on paper, image sizesapproximately 9 x 7 in. (22.8 x 17.7 cm), matted, unframed.Condition: Hinged along upper edge.
$400-600
86 87
88
89.Lester F. Johnson (American, b. 1919)
The Scene, 1979, edition of 175. Signed and dated “LesterJohnson 79” in pencil l.r., numbered “138/175” in pencil l.l.Color screenprint on paper, image size 30 x 23 1/8 in. (76.2 x58.7 cm), framed.Condition: Not examined out of frame.
$300-500
90.Max Kaus (German, 1891-1977)
Sinnendes Mädchen, c. 1923, edition of 8 (Moeller, 57). Signed“MKaus...” in pencil (within the image) l.l., numbered “3 - 8” inpencil l.r. Lithograph in black and tan on paper, image size 163/4 x 18 7/8 in. (42.5 x 47.8 cm), framed.Condition: Foxing, toning, subtle fading, unobtrusive rippling,not examined out of frame.
$300-500
91.John Melville Kelly (American, 1879-1962)
Lot of Two Hawaiian Figure Studies: Kaipo Hawaii andSahpan Fisherman, Hawaii. Both signed “John Kelly” in pencill.r., signed in the plate, and titled in pencil l.l. Etchings on paper,plate sizes to 10 x 8 in. (25.4 x 20.3 cm), framed.Condition: Unobtrusive mat burn, not examined out of frames.
$800-1,200
89 90
91
92.Harald Kihle (Norwegian, 1905-1997)
A Passing Shower, 1952. Signed and dated “Harald Kihle rito1952.” in pencil l.l., titled or inscribed “(Fricksemplar) FraTelemarken.” in pencil l.l. Color lithograph on paper, image size18 5/8 x 21 3/4 in. (47.2 x 55.2 cm), framed.Condition: Unobtrusive toning and soiling, not examined out offrame.
$400-600
93.Robert Kipniss (American, b. 1931)
Opening Road, 1985, edition of 120 plus proofs. Signed“Kipniss” in pencil l.r., numbered “12/120” in pencil l.l.,identified in information affixed to the reverse. Color lithographon paper, image size 13 1/2 x 10 in. (34.2 x 25.4 cm), framed.Condition: Not examined out of frame.
$300-500
94.Robert Kipniss (American, b. 1931)
Two Trees and Balustrade, edition of 120. Signed “Kipniss” inpencil l.r., numbered “74/120” in pencil l.l. Color lithograph onwove paper, image size 19 x 11 in. (48.2 x 27.8 cm), matted,unframed.Condition: Margins approximately 2 inches.
$250-350
92
93
94
95.Marguerite Kirmse (American, 1885-1954)
Lot of Two Prints: A Straight Flush and Tiny Tim. Bothsigned “Marguerite Kirmse” in pencil l.r. and titled in pencil l.l.,Flush identified on a label from Arthur H. Harlow & Co., NewYork, on the reverse. Etchings on paper, plate sizes to 2 x 6 in.(5.0 x 15.2 cm), framed.Condition: Foxing, toning, not examined out of frames.
Provenance: Estate of Anna Eleanor Roosevelt (née Braman)Grasso, Essex, Connecticut.
$400-600
96.Marguerite Kirmse (American, 1885-1954)
Point! Signed “Marguerite Kirmse” in pencil l.r., titled in pencill.l., initialed within the plate. Etching on paper, plate size 7 5/8x 9 5/8 in. (19.3 x 24.4 cm), framed.Condition: Subtle toning, not examined out of frame.
$300-500
97.Gene (Alice Geneva Glasier) Kloss (American, 1903-1996)
Pueblo Dancer. Signed “Gene Kloss” in pencil l.r., inscribed andtitled “Artist’s Proof...” in pencil l.l. Drypoint on paper, platesize 8 x 5 3/4 in. (20.3 x 14.5 cm), matted, unframed.Condition: Margins 2 inches or more.
$400-600
95
96
97
98.Gene (Alice Geneva Glasier) Kloss (American, 1903-1996)
All Souls’ Day Pilgrimage. Signed “Gene Kloss” in pencil l.r.,numbered and titled “42/50...” in pencil l.l. Etching anddrypoint on paper, plate size 12 x 9 in. (30.4 x 22.7 cm), matted,unframed.Condition: Margins 2 inches or more.
$700-900
99.Gan Kolski (Polish/American, 1899-1932)
Head. Signed “Gan Kolski” in pencil l.r., monogrammed in theblock, titled in pencil l.l. Woodcut on paper, image size 8 x 57/8 in. (20.3 x 14.8 cm), framed.Condition: Unobtrusive toning, not examined out of frame.
N.B. Although the artist worked primarily in New York, Kolskicreated a number of woodcuts depicting Provincetown,Massachusetts.
$150-200
100.Irving G. Lehman (American, 1900-1982)
Figure in Landscape. Initialed in the block. Woodcut on paper,image size 9 x 9 in. (22.8 x 22.8 cm), framed.Condition: Margins over 1 inch with ink and soiling, rippling.
$300-500
9899
100
101.Clare Veronica Hope Leighton (Anglo/American, 1901-1988)
Landing, from the LUMBER CAMP SERIES, 1931, edition of130 (BPL, 195). Unsigned. Wood engraving on paper, imagesize 8 1/4 x 12 3/8 in. (20.8 x 31.4 cm), unmatted, unframed.Condition: Margins over 1 1/2 inches.
Provenance: Through printer Harold McGrath.$300-500
102.Clare Veronica Hope Leighton (Anglo/American, 1901-1988)
Bread Line, New York, 1932, edition of 100 (BPL, 198).Unsigned, inscribed “P” in pencil l.l. Wood engraving on paper,image size 11 3/4 x 7 7/8 in. (29.7 x 20.0 cm), unmatted,unframed.Condition: Margins over 1 1/4 inches.
Provenance: Through printer Harold McGrath.$300-500
101
102
103.Clare Veronica Hope Leighton (Anglo/American, 1901-1988)
Apple Picking: September, from THE FARMER’S YEAR, 1933,published edition of 60 (BPL, 209). Unsigned. Wood engravingon paper, image size 8 5/8 x 11 in. (21.8 x 27.8 cm), unmatted,unframed.Condition: Margins over 1 1/4 inches.
Provenance: Through printer Harold McGrath.$300-500
104.Clare Veronica Hope Leighton (Anglo/American, 1901-1988)
Haymaking: June, from THE FARMER’S YEAR, 1933,published edition of 60 (BPL, 212). Unsigned. Wood engravingon paper, image size 8 x 9 7/8 in. (20.2 x 25.0 cm), unmatted,unframed.Condition: Margins over 1 1/4 inches.
Provenance: Through printer Harold McGrath.$300-500
105.Clare Veronica Hope Leighton (Anglo/American, 1901-1988)
Stooking: August, from THE FARMER’S YEAR, 1933,published edition of 60 (BPL, 213). Unsigned, inscribed “P” inpencil l.l. Wood engraving on paper, image size 8 x 10 5/8 in.(20.3 x 26.8 cm), unmatted, unframed.Condition: Margins over 1 1/4 inches.
Provenance: Through printer Harold McGrath.$300-500
104
103
105
106.Clare Veronica Hope Leighton (Anglo/American, 1901-1988)
Sheepshearing: May, from THE FARMER’S YEAR, 1933,published edition of 60 (BPL, 214). Unsigned. Wood engravingon paper, image size 8 x 10 3/8 in. (20.3 x 26.3 cm), unmatted,unframed.Condition: Margins over 1 1/4 inches.
Provenance: Through printer Harold McGrath.$300-500
107.Clare Veronica Hope Leighton (Anglo/American, 1901-1988)
The Fat Stock Market: December, from THE FARMER’S YEAR,1933, published edition of 60 (BPL, 217). Unsigned, inscribed“P” in pencil l.l. Wood engraving on paper, image size 7 7/8 x10 1/8 in. (20.0 x 25.6 cm), unmatted, unframed.Condition: Margins over 1 1/4 inches.
Provenance: Through printer Harold McGrath.$300-500
108.Clare Veronica Hope Leighton (Anglo/American, 1901-1988)
Plowing: November, from THE FARMER’S YEAR, 1933,published edition of 60 (BPL, 220). Unsigned. Wood engravingon paper, image size 7 1/2 x 9 7/8 in. (19.0 x 25.9 cm),unmatted, unframed.Condition: Margins over 1 1/4 inches.
Provenance: Through printer Harold McGrath.$300-500
107
108
106
109.John Lennon (British, 1940-1980)
John and Yoko with Bananas, edition of 300. Dry stampsignature with chop l.r., printer and/or publisher’s dry stamps l.r.,numbered “213/300 edition” in pencil l.l. Color screenprint onpaper, image size 22 x 17 1/2 in. (55.7 x 44.4 cm), framed.Condition: Not examined out of frame.
$1,000-1,500
110.Roy Lichtenstein (American, 1923-1997)
Lot of Two Impressions of the Triptych As I Opened Fire...,1966 (Corlett, app. 5). Unsigned, identified in the matrix and onthe reverse. Offset color lithographs on paper, each sheetmeasures 25 1/8 x 20 7/8 in. (63.7 x 52.9 cm), unmatted,unframed.Condition: Minor handling marks and creases.
$1,200-1,800
111.Tod Lindenmuth (American, 1885-1976)
The Net Menders. Signed “Tod Lindenmuth” in pencil l.r., titledin pencil l.l. Woodcut on paper, image size 10 1/8 x 9 in. (25.5x 22.7 cm), framed.Condition: Margins 1 1/2 inches or more with two decklededges, unobtrusive soiling, nicks and/or creases to edges, notexamined out of frame.
$250-300
110
111
109
112.Philip Little (American, 1857-1942)
Harbor View, Possibly Salem, Massachusetts, 1927. Signedand dated “Philip Little 1927” in pencil l.r., signed and dated inthe plate. Etching and drypoint on paper, plate size 7 7/8 x 97/8 in. (20.0 x 25.0 cm), framed.Condition: Not examined out of frame.
$200-250
113.Elyse Ashe Lord (British, 1900-1971)
Immortals, edition of 75. Signed “Elyse Lord-” in pencil l.r.,numbered “24/75” in pencil l.l. Etching with stencil coloring onpaper, plate size 17 x 21 3/4 in. (43.2 x 55.1 cm), framed.Condition: Subtle toning, not examined out of frame.
$400-600
114.Elyse Ashe Lord (British, 1900-1971)
Lot of Two Images of Women: Waiting, edition of 100; andCymbals, edition of 100. Both signed “Elyse Lord-” in pencill.r., numbered in pencil l.l., and identified on a label from W.Russell Button Gallery, Chicago, on the reverse. Etchings withstencil coloring on paper, plate sizes to 8 1/2 x 12 in. (21.5 x30.4 cm), framed.Condition: Subtle toning, not examined out of frames.
$600-800
115.Elyse Ashe Lord (British, 1900-1971)
Lot of Three Images of a Dancer: Li-Si Dancer, trial proof;Before the Dance, edition of 85; and After the Dance, edition of85. Each signed “Elyse Lord-” in pencil l.r., numbered orinscribed in pencil l.l., and identified on a label from ArthurAckermann & Son, Inc., London, New York, and Chicago, onthe reverse. Etchings with stencil coloring on paper, plate sizes to10 3/8 x 8 1/2 in. (26.3 x 21.5 cm), framed.Condition: Subtle toning, not examined out of frames.
$600-800
113
114
115
112
116.Bertha Boynton Lum (American, 1869-1954)
Butterfly Dance, 1922 (Gravalos & Pulin, 66). Signed andinscribed “Bertha Lum copyright 1929 by” in pencil (within theimage) l.c., identified (as Incense on a label from the SchwartzGalleries, Inc., New York, on the reverse. Raised line hand-colored woodcut on paper, image size 14 3/4 x 10 1/4 in. (37.3x 26.0 cm), framed.Condition: Subtle toning, not examined out of frame.
$300-500
117.Bertha Boynton Lum (American, 1869-1954)
Promenade of the Marionettes, 1927 (Gravalos & Pulin, 92B).Signed and inscribed “copyright by Bertha Lum” in pencil(within the image) l.c., identified on a label from the SchwartzGalleries, Inc., New York, on the reverse. Raised line hand-colored woodcut on paper, image size 17 1/4 x 23 1/4 in. (43.7x 59.0 cm), framed.Condition: Subtle toning, not examined out of frame.
$300-500
118.Bertha Boynton Lum (American, 1869-1954)
Elephant Procession at Angkor Wat/A Triptych, 1930 (Gravalos& Pulin, 95). Unsigned. Raised line hand-colored woodcut onpaper, total sight size 19 1/4 x 48 in. (49.0 x 121.5 cm), framed.Condition: Subtle toning, not examined out of frame.
$500-700
116
117
118
119.Bertha Boynton Lum (American, 1869-1954)
Spinning Goddess, 1930-36 (Gravalos & Pulin, 98). Signed anddated “Bertha Lum ‘34” in pencil (within the image) l.c.,identified on a label from the Schwartz Galleries, Inc., New York,on the reverse. Color woodcut on paper, image size 19 1/4 x 131/2 in. (48.9 x 34.2 cm), framed.Condition: Subtle toning, not examined out of frame.
$500-700
120.Bertha Boynton Lum (American, 1869-1954)
Incense, 1932 (Gravalos & Pulin, 144). Signed and inscribed“Bertha Lum copyright 1929 by” in pencil (within the image)l.c., identified (as Butterfly Dance on a label from the SchwartzGalleries, Inc., New York, on the reverse. Raised line hand-colored woodcut on paper, image size 14 3/4 x 10 3/4 in. (37.3x 27.2 cm), framed.Condition: Subtle toning, not examined out of frame.
$300-500
121.Aristide Maillol (French, 1861-1944)
Lot of Two Figural Works: Le sommeil sous les arbres,alternatively titled Faucheuse endormie, 1943 (Guerin, 208); andReclining Nude in a Landscape. Both numbered “38/100” inpencil l.l. and stamped with artist’s monogram l.l. Woodcuts (theformer in red) on paper, image sizes to 3 3/4 x 5 1/2 in. (9.5 x13.8 cm), framed.Condition: Margins over 1 1/2 inches with all but the left edgesdeckled, subtle rippling, not examined out of frames.
$300-500
119 120
121
122.John Marin (American, 1872-1953)
Ponte Ghetto, Venezia, 1907, edition of approximately 30(Zigrosser, 69). Signed “John Marin” in pencil l.r., signed anddated in the plate, titled in the plate. Etching on paper, plate size9 1/4 x 7 3/8 in. (23.5 x 18.8 cm), framed.Condition: Not examined out of frame.
$400-600
123.Marino Marini (Italian, 1901-1980)
Chevaux et cavaliers 4, 1972 (Guastalla & Schulz-Hoffman,L107). Signed “MARINO” in pencil l.r., inscribed “EC.” inpencil l.l. Color lithograph on paper, image size 15 x 20 in. (38.2x 50.7 cm), framed.Condition: Mat burn, not examined out of frame.
$200-300
124.Marino Marini (Italian, 1901-1980)
Le sacre du printemps, 1973, edition of 3000 plus proofs,published by XXe SIÈCLE (Guastalla & Schulz-Hoffman, LR).Bears signature “MARINO” in pencil l.r. Color lithograph onpaper, image size 12 1/2 x 9 3/4 in., framed.Condition: Mat burn, not examined out of frame.
$400-600
122
123
124
125.John Stockton De Martelly (American, 1903-1980)
Economic Discussion, 1936, edition probably of 200 (North, 17).Signed “John S. De Martelly” in pencil l.r., identified in aninscription and information on the reverse. Lithograph on paper,image size 10 7/8 x 8 3/8 in. (27.5 x 21.2 cm), framed.Condition: Not examined out of frame.
$250-350
126.Henri Matisse (French, 1869-1954)
Le repos du modèle, 1922, second state, edition of 575 (Duthuit,416). Signed in the matrix, dry stamp “GALERIE DESPEINTRES GRAVEURS PARIS” l.r. Lithograph on chine,image size 8 3/4 x 11 3/4 in. (22.2 x 29.8 cm), matted,unframed.Condition: Margins over 1 inch with deckled edges, several foxmarks, subtle staining just into image l.c.
$1,500-2,000125
126
127.Henri Matisse (French, 1869-1954)
Nu couché, jambe repliée (Étude de jambes), 1925, edition of 50(Duthuit-Matisse, 461). Numbered and signed “22/50 Henri -Matisse” in pencil u.r. Lithograph on paper, image size 10 1/4 x18 3/4 in. (25.8 x 47.5 cm), framed.Condition: Not examined out of frame.
$3,000-5,000
128.Henri Matisse (French, 1869-1954)
Etudes pour Saint Dominique, 1950-51, edition of 200(Duthuit, 658). Signed and numbered “125/200 H. Matisse” inpencil l.r. Lithograph on chine appliqué, image size 7 1/2 x 63/8 in. (19.0 x 16.2 cm), unmatted, unframed.Condition: Two deckled edges to supporting sheet, toning(especially to margins), glue/residue to edges on the reverse.
$1,500-2,000
127
128
129.Valerie Maynard (American, b. 1937)
Lot of Two Images: Strange Fruit and Artist Trying to Get ItAll Done. Both signed “Valerie Maynard...” in pencil l.r., titledin pencil l.l., and inscribed “AP” in pencil l.l. Woodcuts on paper,image size 12 x 9 in. (30.4 x 22.8 cm), framed.Condition: Not examined out of frames.
$300-500
130.Leo John Meissner (American, 1895-1977)
Adam, edition of 50. Signed “Leo Meissner” in pencil l.r., titledin pencil l.l., numbered “36/50” in pencil l.c., monogrammed inthe block. Wood engraving on paper, image size 9 7/8 x 7 7/8in. (25.0 x 20.0 cm), framed.Condition: Subtle rippling, several pale fox marks, not examinedout of frame.
$300-500
130A.Charles Meryon (French, 1821-1868)
Lot of Two Works: La morgue, 1854, fourth state of seven(Schneiderman, 42); and Le Ministère de la Marine, 1865,(Schneiderman, 94). Both identified within the plates. Etchingson paper, plate sizes to 9 x 8 in. (22.4 x 19.7 cm), unmatted,unframed.Condition: Unobtrusive toning, Morgue laid down, trimmed justinto image, and with staining, Ministère with staining to uppermargin.
$400-600
129130
130A
131.Joan Miró (Spanish, 1893-1983)
Image from SUITE: LA BAGUE D’AURORE, 1957, from thehand-colored edition of 12 (Dupin, 132). Signed “Miró.” inpencil l.r., numbered “III/XII” in pencil l.r., label from the FarGallery, New York, on the reverse. Aquatint in black withdrawing by the artist on Rives paper with watermark, plate size 41/2 x 5 1/2 in. (11.4 x 14.0 cm), framed.Condition: Mat burn, staining from backing and transfer, deckledleft and lower edges, lower margin folded over 4 3/4 inchesbeneath the plate mark.
Provenance: Estate of Anna Eleanor Roosevelt (née Braman)Grasso, Essex, Connecticut.
$3,000-5,000
132.Henry Moore (British, 1898-1986)
Picture Book, 1967, edition of 50 (Cramer et al., 91). Signed“Moore” in pencil l.r., numbered “45/50” in pencil l.l. Etchingon paper, plate size 3 7/8 x 5 1/8 in. (10.0 x 12.8 cm), matted,unframed.Condition: Margins over 2 1/2 inches with all but the upperedge deckled.
$400-600
131
132
133.Henry Moore (British, 1898-1986)
Resting Girl from NUDES, 1974, edition of 50, printed byCurwen Prints Ltd., London (Cramer, 405). Signed “Moore” inpencil l.r., numbered “35/50” in pencil l.l. Lithograph in tanand brown on paper, image size 6 1/8 x 6 3/4 in. (15.5 x 17.0cm), framed.Condition: Margins 1 inch or more, not examined out of frame.
$800-1,200
134.Thomas Sidney Moran (American, 1837-1926)
A Tower in Cortez - Mexico, 1883 (Morand & Friese, 44).Signed “T. Moran.” in pencil l.r., signed, dated, and titled withinthe plate. Etching with drypoint and roulette printed in umberon paper, plate size 12 x 9 3/4 in. (30.5 x 24.7 cm), framed.Condition: Toning, not examined out of frame.
$300-400
135.Robert Motherwell (American, 1915-1991)
Tricolor, 1973, published in XXe SIECLE, volume XL, number40, June 1973 (Terenzio, appendix 24). Initialed and dated“RM/73” in the matrix. Offset lithograph in red, black, and blueon wove paper, sheet size 14 1/2 x 10 5/8 in. (36.8 x 27.0 cm),unmatted, unframed.Condition: Minor handling creases.
$300-500
133134
135
136.Robert Motherwell (American, 1915-1991)
Gypsy Curse, 1983, edition of 98, separate from the edition forthe book El Negro, published by Tyler Graphics (Terenzio, 286).Signed and numbered “Motherwell 88/98” in pencil l.r.,publisher’s dry stamp l.r. Lithograph on red chine collé, imagesize 8 3/4 x 5 3/4 in. (22.2 x 14.5 cm), framed.Condition: Deckled edges.
$400-600
137.Louise Nevelson (American, 1899-1988)
Untitled, 1984, edition of 105. Signed and dated “nevelson -84” in pencil l.r., numbered “33/105” in pencil l.l., “gg” drystamp l.r. Color screenprint with lithography on paper, image size34 x 24 in. (86.2 x 60.9 cm), framed.Condition: Margins over 2 inches, subtle rippling, not examinedout of frame.
$400-600
138.José Clemente Orozco (Mexican, 1883-1949)
La Familia, alternatively titled Three Generations, 1926, editionof 100 (Hopkins, 4). Signed “José Clemente Orozco” in pencill.r., identified on a label from E. Weyhe, Inc., New York, on thereverse. Lithograph on paper, image size 10 1/4 x 14 3/4 in.(26.0 x 37.4 cm), framed.Condition: Margins 1/2 inch or more, rippling, subtle toning,not examined out of frame.
$300-500
136
137 138
139.Mimmo Paladino (Italian, b. 1948)
Tra gli ulivi, 1984, edition of 35, published by EditionsSchellmann, Munich. Signed and dated “M. Paladino 84” inpencil l.r., numbered “10/35” in pencil l.l., artist’s dry stamp l.c.Color etching with aquatint and drypoint on paper, sheet size 521/4 x 38 in. (132.5 x 96.5 cm), framed.Condition: Deckled edges, gentle rippling, not examined out offrame.
$1,500-2,500
140.Margaret Jordan Patterson (American, 1867-1950)
Zinnias and Marigolds, edition of 100 (Bakker, 104). Signed“Margaret Patterson” in pencil (twice - once within the image)l.r., titled in pencil l.c., numbered “no 45/100” in pencil l.l.Color woodcut on paper, image size 10 1/4 x 7 1/2 in. (26.0 x19.0 cm), framed.Condition: Unobtrusive toning to sheet, not examined out offrame.
$700-900
141.Edward Penfield (American, 1866-1925)
Harper’s May, 1897. Signed and identified within the matrix.Color lithographic poster on paper, sight size 18 1/8 x 13 in.(46.0 x 33.0 cm), framed.Condition: Subtle toning, not examined out of frame.
$300-500
139140
141
142.Joseph Pennell (American, 1860-1926)
Lot of Two City Views: St. Dunstan’s, Fleet Street, 1903,edition probably of 50 (Wuerth, 269); and Upper Fifth Ave,1904, edition probably of 50 (Wuerth, 323). Both signed“JPennell...” in pencil l.c. Etchings on paper, plate size 11 1/2 x8 in. (29.2 x 20.2 cm), framed.Condition: Unobtrusive toning, mat burn, not examined out offrames.
$600-800
143.Joseph Pennell (American, 1860-1926)
Thames From Richmond Hill, 1903, edition probably of 50(Wuerth, 276). Signed “JoPennell” in pencil l.c. Etching onpaper, plate size 8 3/4 x 11 in. (22.2 x 27.8 cm), matted,unframed.Condition: Margins approximately 1 inch with deckled loweredge, annotations to lower margin, mat burn.
$200-250
144.Joseph Pennell (American, 1860-1926)
The Foreign Office, 1904, edition probably of 25 (Wuerth, 297).Signed “JPennell imp” in pencil l.c., identified on a label fromFrederick Keppel & Co., New York, on the reverse. Etching onpaper, plate size 11 x 8 1/2 in. (27.8 x 21.5 cm), framed.Condition: Subtle toning, not examined out of frame.
$400-600
142
143
144
145.Joseph Pennell (American, 1860-1926)
Old and New Mills, 1910, edition probably of 50 (Wuerth, 602).Signed “JPennell imp” in pencil l.c., signed and dated in theplate, identified on a label from Frederick Keppel & Co., NewYork, on the reverse. Etching on paper, plate size 9 1/2 x 125/8 in. (24.0 x 32.0 cm), framed.Condition: Mat burn, subtle toning, not examined out of frame.
$300-400
146.Joseph Pennell (American, 1860-1926)
The City In 1915, 1915, edition probably of 75 (Wuerth, 679).Signed “JosPennell” in pencil l.c., inscribed “Trial” in pencil l.l.Etching on paper, plate size 8 3/8 x 11 in. (21.2 x 27.8 cm),matted, unframed.Condition: Unobtrusive mat burn, not examined out of frame.
$300-500
147.Pablo Picasso (Spanish, 1881-1973)
Sculpteur, modele et sculpture assise, plate 40 from LA SUITEVOLLARD, 1933 (Bloch, 146). Signed “Picasso” in pencil l.r.Etching and drypoint on laid paper with Picasso and figuralwatermarks, plate size 12 1/2 x 7 1/4 in. (31.6 x 18.3 cm),unmatted, unframed.Condition: Margins over 1 3/4 inches with deckled edges,annotations to lower margin.
$3,000-5,000
145
146147
148.Pablo Picasso (Spanish, 1881-1973)
Sueño y mentira de Franco (Planche II), 1937, total edition of1,000 (Cramer, 28). Stamped signature l.r., numbered“494/850” in pencil l.l., dated and identified within the plate,identified in text affixed to the reverse. Etching and aquatint onpaper, plate size 12 3/8 x 16 5/8 in. (31.4 x 42.1 cm), framed.Condition: Not examined out of frame.
$3,000-4,000
149.Pablo Picasso (Spanish, 1881-1973)
Petite nue assis au miroir, 1947, edition of 50 (Bloch, 451).Signed “Picasso” in pencil l.r., numbered “38/50” in pencil l.l.,dated within the matrix, stamp from R. Dogana, Rome, on thereverse. Lithograph on cream Arches paper with partialwatermark, image size 12 3/8 x 19 1/8 in. (31.3 x 48.8 cm),unmatted, unframed.Condition: Deckled edges to all but the upper edge, edges andmargins with minor nicks and creases, minor soiling to image,annotations and hinging residue (with minor thinned spots) tothe reverse.
$4,000-6,000
148
149
150.Pablo Picasso (Spanish, 1881-1973)
Lot of Two Portraits: L’Age de soleil, pour Roby, 1950 (Bloch680) and After Picasso, Visage de femme, c. 1950. Both signedin the plate, the latter signed or inscribed “Picasso” in pencil l.r.Etchings on cream paper, plate sizes approximately 9 1/4 x 7 in.(23.3 x 17.7 cm), unmatted, unframed.Condition: Margins over 1 3/4 inches with deckled edges,hinges to verso of latter.
$600-800
151.Pablo Picasso (Spanish, 1881-1973)
Dessins d’un demi-siècle, 1956, edition for the cover of thecatalogue for L’exposition 1956 de Berggruen & Cie (Bloch,792). Signed in the matrix. Color lithograph on paper, sheet size8 5/8 x 9 1/4 in. (21.8 x 23.5 cm), matted, unframed.Condition: Two vertical central creases, very subtle toning.
$400-600
152.Pablo Picasso (Spanish, 1881-1973)
La Pique I, 1959, edition of 50 (Bloch, 898). Signed “Picasso”in pencil l.r., numbered “33/50” in pencil l.l., dated within thematrix. Lithograph on cream Arches paper with watermark,image size 17 x 22 in. (43.2 x 55.8 cm), unmatted, unframed.Condition: Deckled edges with minor nicks, tear to left edge(less than 1/2 inch), subtle toning, hinging residue to the reverse.
$3,000-5,000
150151
152
153.After Pablo Picasso (Spanish, 1881-1973)
Tête de femme, 1946. Unsigned, dated “29 Juin 46” u.l.,numbered or inscribed “17/58” in yellow pencil l.r. Color offsetlithograph on paper, image size 9 x 6 in. (22.8 x 15.2 cm),framed.Condition: Not examined out of frame.
$1,000-1,500
154.Scott Prior (American, b. 1949)
Hadley Landscape, 1984. Signed and dated “Scott Prior 1984”in pencil l.r., titled in pencil l.l., identified on a label from theAlpha Gallery, Boston, on the reverse. Color monotype on paper,plate size 8 3/4 x 8 in. (22.0 x 20.3 cm), framed.Condition: Subtle rippling, not examined out of frame.
$700-900
155.Mel Ramos (American, b. 1935)
Phantom Lady, 1963. Signed “Mel Ramos” in pencil l.r.,numbered “HC 9/20” in pencil l.l., copyright, printer, andpublisher noted within the matrix. Color screenprint on paper,sheet/image size 37 x 30 in. (94.0 x 76.2 cm), unmatted,unframed.Condition: Minor handling marks and creases.
$300-500
153
154
155
156.Mel Ramos (American, b. 1935)
Camilla, 1963, edition of 161. Signed “Mel Ramos” in pencill.r., numbered “80/161” in pencil l.l., copyright, printer, andpublisher noted in the matrix l.l. Color screenprint on paper,image size 37 x 32 in. (94.0 x 81.3 cm), unmatted, unframed.Condition: Wide margins, unobtrusive handling marks andcreases.
$300-500
157.Doel Reed (American, 1895-1985)
Rest, 1941, edition of 25, published by Associated AmericanArtists (Cohen & Rogers, 43). Signed “Doel Reed” in pencil l.r.,identified on an AAA label on the reverse. Aquatint and etchingon paper, plate size 9 x 15 in. (22.6 x 38.0 cm), framed.Condition: Mat burn, subtle toning, not examined out of frame.
$700-900
158.James Rizzi (American, b. 1950)
Baseball Like it Ought to Be, 1987, edition of 250. Signed,titled, numbered, and dated “RIZZI...51/250 87” in pencilbeneath the image. Color screenprint with three-dimensionalcollage, image size 12 x 9 in. (30.4 x 22.8 cm), framed.Condition: Not examined out of frame.
$200-400
156
157
158
159.James Rizzi (American, b. 1950)
Sidewalk Cafe, 1987, edition of 175. Signed, titled, numbered,and dated “James RIZZI...14/175 1987” in pencil beneath theimage. Color screenprint with three-dimensional collage, imagesize 8 1/2 x 12 1/8 in. (21.5 x 30.5 cm), framed.Condition: Not examined out of frame.
$300-500
160.James Rizzi (American, b. 1950)
Running Thru America, 1987, edition of 175. Signed, titled,numbered, and dated “James RIZZI...92/175 87” in pencilbeneath the image. Color screenprint with three-dimensionalcollage, image size 5 1/2 x 19 3/4 in. (14.0 x 50.2 cm), framed.Condition: Not examined out of frame.
$300-500
161.James Rizzi (American, b. 1950)
People, 1988, edition of 250. Signed, titled, numbered, anddated “James RIZZI...101/250 1988” in pencil beneath theimage. Color screenprint with three-dimensional collage, imagesize 16 x 26 in. (40.5 x 66.0 cm), framed.Condition: Not examined out of frame.
$300-500
159
160
161
162.James Rizzi (American, b. 1950)
Women Who Work Out, 1989, edition of 350. Signed, titled,numbered, and dated “RIZZI...12/350 89” in pencil beneath theimage. Color screenprint with three-dimensional collage, imagesize 20 3/4 x 14 3/4 in. (52.7 x 37.4 cm), framed.Condition: Not examined out of frame.
$300-500
163.James Rizzi (American, b. 1950)
Which Way Is Up, 1989, edition of 350. Signed “RIZZI” inpencil l.l., numbered “171/350” in pencil l.r., titled and datedwithin the matrix. Color screenprint with three-dimensionalcollage, image size 11 7/8 x 7 1/2 in. (30.0 x 19.0 cm), framed.Condition: Not examined out of frame.
$200-400
164.James Rizzi (American, b. 1950)
It Ain’t Over Till It’s Over, 1992, edition of 350. Signed“RIZZI” in pencil l.l., numbered “32/350” in pencil l.r., titledand dated within the matrix. Color screenprint with three-dimensional collage, image size 8 1/2 x 9 in. (21.5 x 22.8 cm),framed.Condition: Not examined out of frame.
$200-400
162 163
164
165.James Rosenquist (American, b. 1933)
Bottomless House, 1976, edition of 41 (Glenn, 99). Signed anddated “Rosenquist 1976” in pencil l.r., numbered and titled“23/41...” in pencil l.l., dry stamp l.c. Etching and aquatint inred with hand-coloring on paper, plate size 6 x 12 in. (15.2 x30.4 cm), framed.Condition: Margins over 2 1/2 inches with deckled edges, subtlerippling, not examined out of frame.
$700-900
166.Georges Rouault (French, 1871-1958)
Suaire, c. 1925 (cf. Wofsy, 82). Signed in the matrix. Colorphoto-lithograph on paper, image size 23 1/4 x 17 3/4 in. (59.0x 45.0 cm), framed.Condition: Margins approximately 1 inch, toning, scattered moldgrowth.
Provenance: Estate of Anna Eleanor Roosevelt (née Braman)Grasso, Essex, Connecticut.
$1,000-2,000
167.Georges Rouault (French, 1871-1958)
Ne sommes-vous pas forçats? from MISERERE, published 1948,edition of 425 plus proofs (Wofsy, 113). Signed and dated“...1926” in the plate. Etching and aquatint on laid paper with“Arches” and “Ambrose Vollard” watermarks, plate size 23 1/4 x17 1/4 in. (59.0 x 43.7 cm), unmatted, unframed, presented inits original folder.Condition: Margins approximately 1 inch with deckled edges,subtle toning.
$400-600
165
166 167
168.Georges Rouault (French, 1871-1958)
Et Veronique au tendre lin, pass encore sur le chemin..., fromMISERERE, published 1948, edition of 425 plus proofs (Wofsy,140). Initialed and dated “...1922” in the plate. Etching andaquatint on paper, plate size 17 x 16 1/2 in. (43.0 x 41.7 cm),framed.Condition: Toning, rippling, not examined out of frame.
Provenance: Estate of Anna Eleanor Roosevelt (née Braman)Grasso, Essex, Connecticut.
$1,000-2,000
169.Georges Rouault (French, 1871-1958)
Mon doux pays, où êtes-vous? from MISERERE, published 1948,edition of 425 plus proofs (Wofsy, 151). Signed and dated“...1927” in the plate. Etching and aquatint on laid paper with“Arches” and “Ambrose Vollard” watermarks, plate size 16 3/4 x23 3/4 in. (42.5 x 60.3 cm), unmatted, unframed, presented inits original folder.Condition: Margins approximately 1 inch with deckled edges,subtle toning.
$400-600
170.Georges Rouault (French, 1871-1958)
Christ prenant congé da sa mère from PASSION, published in1939 by Vollard (Wofsy, 341). Initialed and dated “...1936” inthe plate. Etching and aquatint on laid paper with partialwatermark, plate size 12 3/8 x 8 3/8 in. (31.4 x 21.3 cm),matted, unframed.Condition: Margins over 2 1/4 inches with deckled edges tothree sides, unobtrusive toning, pale scattered fox marks.
$500-700
168 169
170
171.Georges Rouault (French, 1871-1958)
Les Disciples from PASSION, published in 1939 by Vollard(Wofsy, 352). Initialed and dated “...1936” in the plate. Etchingand aquatint on laid paper with partial watermark, plate size 12 x8 5/8 in. (30.4 x 21.8 cm), matted, unframed.Condition: Margins over 2 1/4 inches with deckled edges tothree sides, unobtrusive toning, pale scattered fox marks.
$500-700
172.Margery Austen Ryerson (American, 1886-1989)
Seated Child. Signed “Margery Ryerson” in pencil l.r., identifiedin information affixed to the reverse. Color etching on paper,plate size 6 x 4 in. (15.2 x 10.1 cm), framed.Condition: Not examined out of frame.
$300-500
173.Kiyoshi Saito (Japanese, 1907-1992)
Plowing. Signed “Kiyoshi Saito” in ink and with chop (withinthe image) l.l. Color woodcut on paper, sight size 9 7/8 x 15 in.(25.0 x 37.8 cm), framed.Condition: Not examined out of frame.
$200-300
171
172 173
174.Ferdinand Schmutzer (Austrian, 1870-1928)
Violinist from the Joachim Quartet, c. 1904. Signed “F.Schmutzer” in pencil l.r. Etching on paper, plate size 8 1/2 x 87/8 in. (21.5 x 22.5 cm), unframed, mat accompanies the lot.Condition: Margins over 1 1/2 inches, subtle toning, several pin-point fox marks.
$200-300
175.Fritz Scholder (Native American, 1937-2005)
War Cry, edition of 100. Signed “Scholder” in pencil l.r.,numbered “77.100” in pencil l.l. Color lithograph on paper,image/sheet size 34 x 22 1/4 in. (86.3 x 56.4 cm), shrink-wrapped.Condition: Not examined out of wrap.
$300-500
176.Karl Schrag (American, 1912-1995)
Lot of Two Views: Storm at Sea and Trees and Wind,probably from the BY THE SEA Portfolio, 1965-1966, bothfrom proof editions of 12. Both signed “Karl Schrag” in pencill.r. and numbered “Artist’s Proof 5/12” in pencil l.l. Etchingswith aquatint on paper, plate sizes 4 x 6 in. (10.2 x 15.2 cm),framed.Condition: Margins over 4 inches, not examined out of frames.
Provenance: Through the family of the artist.$300-500
174
175
176
177.Junichiro Sekino (Japanese, 1914-1988)
Girl with Birds. Signed “Jun. Sekino” in pencil l.r., chop markl.c. Color woodcut on paper, image size 13 3/4 x 9 1/8 in.(34.8 x 23.1 cm), framed.Condition: Not examined out of frame.
$300-500
178.Junichiro Sekino (Japanese, 1914-1988)
Lot of Three Portraits: Gentleman Seated and Seated Lady,two impressions; each an edition of 20. Each signed “JunichiroSekino” in pencil l.r., numbered in pencil l.l., and with seal andstamped “Z. SEKINO” within the image. Color woodcuts onpaper, image sizes approximately 23 1/2 x 18 3/4 in. (59.5 x47.5 cm), unmatted, unframed.Condition: Margins 1 inch or more, handling marks and creases,subtle water damage.
$600-800
179.Lot of Two Images Relating to Paul Signac:
Joseph Victor Roux Champion (French, 1871-1953),Portrait of Paul Signac; and Paul Signac (French, 1863-1935), Paris: Le Pont des Arts avec remorqueurs, c. 1927,possibly a later impression (Kornfeld & Wick, 24). Both signedin the plate. Etchings with aquatint on paper, plate sizesapproximately 7 1/2 x 5 in. (19.0 x 12.5 cm), matted, unframed.Condition: Margins 2 inches or more with most edges deckled,foxing, unobtrusive toning.
$500-700
180.Tavik Frantisek Simon (Czech, 1877-1942)
Lot of Two Views of Paris: Barges on the Seine in Winter andNotre Dame Sous la Niege, 1909. Each signed “T.F. Simon...” inpencil l.r., the latter monogrammed and dated in the plate andidentified on a label from Albert Roullier, Chicago, on thereverse. Color etchings with aquatint on paper, plate sizes to 14 x15 1/2 in. (35.5 x 39.4 cm), framed.Condition: Unobtrusive toning, not examined out of frames.
$600-800
177
178
179
180
181.Tavik Frantisek Simon (Czech, 1877-1942)
Lot of Three Views of Paris: Petit Pont en Hiver, Paris, QuaiVoltaire, and Chiffoniers Sous le Pont Neuf, 1922. Each signed“T.F. Simon” in pencil l.r. and inscribed and/or titled in pencil l.l.Color etchings with aquatint on paper, plate sizes to 13 x 15 in.(33.0 x 38.0 cm), framed.Condition: Subtle toning, not examined out of frames.
Provenance: The property of Samuel E. Codman, Charles G.Loring House, Prides Crossing, Massachusetts.
$400-600
182.Yngve Edward Soderberg (American, 1896-1971)
The Weather Rail. Signed “Yngve Edward Soderberg” in pencill.r., identified on a label on the reverse. Etching on paper, platesize 7 x 8 3/4 in. (17.7 x 22.2 cm), framed.Condition: Toning, not examined out of frame.
$200-250
183.Joseph Constantine Stadler, engraver (British, 18th/19thCentury), After Philipp Reinagle (British, 1749-1833)
Large Flowering Sensitive Plant from Thornton’s TEMPLE OFFLORA, 1799. Identified within the plate. Color etching withaquatint on paper, plate size 18 1/2 x 14 in. (46.8 x 35.5 cm),framed.Condition: Unobtrusive toning, break to paper along plate mark(primarily along the right side), pale fox marks, not examined outof frame.
$300-350
181 182
183
184.Frank Stella (American, b. 1936)
Sidi Ifni, 1973, edition of 90 plus proofs (Axsom, 91a).Inscribed, signed, and dated “P.P. II F. Stella ‘73” in pencil l.r.Color lithograph on paper, image size 19 x 19 in. (48.2 x 48.2cm), framed.Condition: Margins 1 inch or more, minor creases to very edges,not examined out of frame.
$1,500-2,500
185.David Sullivan (American, b. 1941)
Musgrove/Andover, Massachusetts/A Five-Panel Suite.Signed “David Sullivan” in pencil on the right panel, titled inpencil on the left panel. Color screenprints on paper, sight sizesto 40 x 24 in. (101.5 x 60.7 cm), each panel framed individually.Condition: Not examined out of frames.
$800-1,200
186.Carol Summers (American, b. 1925)
Navarro Ridge, 1973, proof outside of the edition of 75(Summers et al., 112). Signed “Carol Summers” in pencil withinthe image c.r., titled and inscribed “AP...” in pencil within theimage c.l. Color woodcut on paper, image/sheet size 48 3/4 x37 in. (123.7 x 94.0 cm), unmatted, unframed.Condition: Minor handling marks and creases, nicks and creasesto edges.
$500-700
187.Carol Summers (American, b. 1925)
Lot of Three Landscapes: Esperanza, 1978, artist’s proofoutside of the edition of 100 (Summers et al., 149); PrimitiveLandscape, 1983, artist’s proof outside of the edition of 50(Summers et al., 181); and Gulf Stream, edition of 100. Eachsigned “Carol Summers” in pencil within the image and titled andnumbered or inscribed in pencil within the image. Colorwoodcuts on paper, image/sheet sizes approximately 30 x 30 in.(76.5 x 76.5 cm), unmatted, unframed.Condition: Minor handling marks and creases, nicks to edges,scattered fox marks (primarily to Primitive).
$1,000-1,500
184
185 (detail)
186
187
188.Carol Summers (American, b. 1925)
Family Portrait by the Sea, 1981, edition of 100 (Summers et al.,172). Signed, titled, and numbered “6/100...Carol Summers” inpencil within the image u.c. Color woodcut on paper,image/sheet size 36 1/2 x 37 1/4 in. (92.5 x 95.7 cm),unmatted, unframed.Condition: Minor handling marks and creases, nicks and creasesto edges, thin spots from previous hinging to verso at edges.
$300-500
189.Carol Summers (American, b. 1925)
Sunset at Sea, edition of 75. Signed “Carol Summers” in pencilwithin the image u.r., titled and numbered “9/75...” in pencilwithin the image u.l. Color woodcut on paper, image/sheet size36 x 49 in. (91.4 x 124.5 cm), unmatted, unframed.Condition: Minor handling marks and creases, nicks and creasesto edges (the latter primarily to corners), hinging/residue on thereverse.
$500-700
190.Carol Summers (American, b. 1925)
Storm Over Mt. Meru, edition of 75. Signed “Carol Summers”in pencil within the image l.r., titled and numbered “33/75...” inpencil within the image l.l. Color woodcut on paper,image/sheet size 37 1/4 x 47 3/4 in. (94.4 x 121.2 cm),unmatted, unframed.Condition: Minor handling marks and creases, nicks and creasesto edges.
$400-600
191.Carol Summers (American, b. 1925)
Spirit of Trees, edition of 75. Signed “Carol Summers” in pencilwithin the image l.r., titled and numbered “11/75...” in pencilwithin the image l.l. Color woodcut on paper, image/sheet size37 1/2 x 48 in. (95.2 x 121.8 cm), unmatted, unframed.Condition: Minor handling marks and creases, nicks and creasesto edges.
$600-800
188
189
190 191
192.Henri de Toulouse-Lautrec (French, 1864-1901)
Portrait de Monsieur X, 1898, possibly a posthumousimpression (Adriani, 248). Monogrammed in the plate.Drypoint on paper with “...LBN Voiron” watermark, platesize 6 5/8 x 4 1/8 in. (16.6 x 10.5 cm), matted, unframed.Condition: Margins 1 3/4 inches or more with a deckledupper edge.
$250-300
193.Henri de Toulouse-Lautrec (French, 1864-1901)
Jane Avril, 1899, third state of three (Adriani, 354).Monogrammed, dated, and titled in the matrix, identified ona label from Far Gallery, New York, on the reverse. Colorlithographic poster on paper, sheet size 22 x 14 7/8 in. (55.8x 37.7 cm), framed.Condition: Toning, repair to corner l.r. (plus to minute nicksand tears to edges), handling creases, rippling, backed withchine or similar.
Provenance: Estate of Anna Eleanor Roosevelt (née Braman)Grasso, Essex, Connecticut.
$50,000-70,000
192
193
194.Victor Vasarely (French/Hungarian, 1908-1997)
Per Mutations, 1968, edition of 150. Signed “Vasarely” in pencill.r., numbered “55/150” in pencil l.l., identified on a label fromRetina Gallery, Boston, on the reverse. Color screenprint onpaper, image size 23 1/2 x 23 1/2 in. (59.5 x 59.5 cm), framed.Condition: Subtle toning, not examined out of frame.
$500-700
195.Victor Vasarely (French/Hungarian, 1908-1997)
Untitled, edition of 250. Signed “Vasarely-” in pencil l.r.,numbered “142/250” in pencil l.l. Color screenprint on paper,image size 26 x 25 3/4 in. (65.7 x 65.3 cm), framed.Condition: Subtle rippling, not examined out of frame.
$600-800
194
195
196.Andy Warhol (American, 1928-1987)
African Elephant from ENDANGERED SPECIES, 1983,total edition of 150 plus proofs (Feldman & Schellmann,II.293). Numbered and signed “II/X AndyWarhol” inpencil l.r., dry stamp l.l. Color screenprint on paperboard,sheet size 38 x 38 in. (96.4 x 96.4 cm), framed.Condition: Not examined out of frame.
$20,000-30,000
196
197.Andy Warhol (American, 1928-1987)
Giant Panda from ENDANGEREDSPECIES, 1983, total edition of 150 plusproofs (Feldman & Schellmann, II.295).Numbered and signed “II/X AndyWarhol” inpencil l.l., dry stamp l.l. Color screenprint onpaperboard, sheet size 38 x 38 in. (96.4 x96.4 cm), framed.Condition: Minute creases to very tips ofcorners and l.l. and l.r., not examined out offrame.
$15,000-25,000
198.Andy Warhol (American, 1928-1987)
Bighorn Ram from ENDANGEREDSPECIES, 1983, total edition of 150 plusproofs (Feldman & Schellmann, II.302).Numbered and signed “II/X AndyWarhol” inpencil l.c., dry stamp l.l. Color screenprint onpaperboard, sheet size 38 x 38 in. (96.4 x96.4 cm), framed.Condition: Minor creases to corners u.l. andl.l., hinges broken, not examined out of frame.
$15,000-25,000
197
198
199.After Andy Warhol (American, 1928-1987)
Lot of Two Posters: Vom Surrealismus Bis Zur Pop-Art...Wurtt Kunstveren, Stuttgart, 1970, and Andy Warhol GalerieKammer, Hamburg, 1982. Both signed “Andy Warhol” in inkwithin the image. Color lithographic posters on paper,image/sheet sizes 33 x 23 1/4 in. (83.7 x 59.0 cm), unmatted,unframed.Condition: Unobtrusive surface rubs.
$400-600
200.After Andy Warhol (American, 1928-1987)
ANDY WARHOL Colorado State University..., 1981. Signed“Andy Warhol” in ink within the image. Color offset lithographicposter on paper, sheet size 35 x 25 in. (88.8 x 63.5 cm),unmatted, unframed.Condition: Subtle surface rubs, minor handling creases.
$500-700
201.After Andy Warhol (American, 1928-1987)
Williams College Museum of Art, 1986. Signed “Andy Warhol”in silver marker within the image l.l. Color offset lithographicposter on paper, image/sheet size 34 x 34 in. (86.2 x 86.2 cm),unmatted, unframed.Condition: Minor handling marks and creases, subtle surfacerubs.
$800-1,200
199
200
201
202.Andy Warhol (American, 1928-1987) and Keith Haring(American, 1958-1990)
20th Montreux Jazz Festival July 3rd - 19th 86, 1986. Signed“K. Haring...” in silver marker within the image. Colorscreenprint on paper, image/sheet size 39 1/2 x 27 in. (100.3 x68.5 cm), unmatted, unframed.Condition: Subtle surface rubs, minor handling creases.
$500-700
203.Stow Wengenroth (American, 1906-1978)
Black Weather, 1932, edition of 53 (Stuckey, 25). Signed “StowWengenroth” in pencil l.r., identified on a label from TheNational Arts Club on the reverse. Lithograph on paper, imagesize 6 1/2 x 14 in. (16.4 x 35.5 cm), framed.Condition: Not examined out of frame.
N.B. The view depicts Eastport, Maine.$800-1,200
204.Stow Wengenroth (American, 1906-1978)
Wharf at Wellfleet, 1938, edition of 135 (Stuckey, 73). Signed“Stow Wengenroth” in pencil l.r. Lithograph on paper, imagesize 7 5/8 x 13 1/8 in. (19.3 x 33.2 cm), framed.Condition: Not examined out of frame.
$200-300
202
203
204
205.Stow Wengenroth (American, 1906-1978)
Spring on Pleasant Street, 1958, edition of 40 (Stuckey, 250).Signed “Stow Wengenroth” in pencil l.r., inscribed “Ed/40” inpencil l.l. Lithograph on paper, image size 11 3/4 x 15 7/8 in.(29.8 x 40.3 cm), framed.Condition: Toning, not examined out of frame.
N.B. The view depicts a house in Kennebunkport, Maine.$200-300
206.James Abbott McNeill Whistler (American, 1834-1903)
La Vieille aux Loques, third state of three, possibly a laterimpression (Kennedy, 21). Unsigned, identified on a label fromFrederick Keppel & Co., Inc., New York, on the reverse. Etchingon paper, plate size 8 1/4 x 5 5/8 in. (21.0 x 14.0 cm), framed.Condition: Margins 1/4 inch or more, not examined out offrame.
$400-600
207.James Abbott McNeill Whistler (American, 1834-1903)
Bibi Lalouette, 1859, second state of two (Kennedy, 51). Signedand dated in the plate, identified on a label from Frederick Keppel& Co., Inc., New York, on the reverse. Etching on paper, platesize 9 x 6 in. (22.8 x 15.2 cm), framed.Condition: Subtle toning, not examined out of frame.
$2,000-3,000
208.James Abbott McNeill Whistler (American, 1834-1903)
La robe rouge, 1894, second state of two, published in TheStudio, 1895 (Spink, Stratis & Tedeschi, 107). Butterflymonogram within the matrix, dry stamp from The Studio l.l.,identified in an inscription on the reverse. Lithograph on paper,image size 7 1/2 x 6 1/8 in. (19.0 x 15.5 cm), framed.Condition: Subtle toning, not examined out of frame.
$1,000-1,500
205
206 207 208
209.Henry E. Winzenreid (American, 1892-1971)
Field Work. Signed “Henry E. Winzenreid” in pencil l.r.,numbered “1/20” in pencil l.l., stamped “Henry Winzenreid(Estate)” l.r. Lithograph on paper, image size 9 3/4 x 11 7/8 in.(24.5 x 30.0 cm), matted.Condition: Margins 1 inch or more, subtle toning.
$200-250
210.Grant Wood (American, 1891-1942)
Approaching Storm, 1940, edition of 250, published byAssociated American Artists (Czestochowski, W-17). Signed“Grant Wood” in pencil l.r., identified on an AAA label on thereverse. Lithograph on paper, image size 11 3/4 x 8 7/8 in.(29.8 x 22.5 cm), framed.Condition: Mat burn, not examined out of frame.
$3,000-5,000
211.Jack Youngerman (American, b. 1926)
Untitled Yellow, 1966, edition of 90. Initialed and dated “JY66” in pencil (within the image) l.r., numbered “45/90” in pencil(within the image) l.l., identified on a label from Obelisk Gallery,Boston, on the reverse. Color lithograph on paper, image/sheetsize 31 1/2 x 22 1/2 in. (79.9 x 57.0 cm), framed.Condition: Not examined out of frame.
$300-500
209 210
211
Photography
212.Pierre Choumoff (Russian/French, 1872-1936) and CharlesBerthelomier (French, 19th/20th Century)
Seven Photographs of Auguste Rodin Sculptures. Fivestamped “...Choumoff...5, Faubourg St-Jacques, PARIS” on thereverse, one stamped “Ch. BERTHELOMIER/15, Rue duDelta/PARIS” on the reverse, sheet sizes to 9 3/8 x 7 1/8 in.(23.8 x 18.1 cm), unframed.Condition: Toning, scattered soiling/staining, mild nicks/wearto edges..
Provenance: Through the estate of the American painter, AntonioCirino (American, 1889-1983).
N.B. Auguste Rodin believed photography was integral to thedissemination of his work. During his lifetime, photographs ofRodin’s sculptures were used to supplement exhibitions of hissculptures by providing the viewer with images of works that werenot on display. They were also sold commercially in albums andused to illustrate articles on Rodin’s work. Rodin worked with avariety of photographers, each offering “his own vision, thusrenewing and enriching the artist’s view of his sculptures.”Eugene Duret collaborated with Rodin from 1896 until 1903,followed by Jacques-Ernest Bulloz and several others. PierreChoumoff was the last photographer to collaborate with Rodin,and after the Rodin’s death in 1917 Choumoff became the firstphotographer for the Musee Rodin.1
1. http://www.musee-rodin.fr/images/cult.pdf/press_english.pdf, p. 19.$300-500
213.Harold Eugene Edgerton (American, 1903-1990)
Broken Glass of Milk. Signed “HAROLD EDGERTON” inpencil on the reverse. Gelatin silver print, image size 8 3/4 x 117/8 in. (22.2 x 30.1 cm), unframed, matted.Condition: Good.
$1,500-2,000
214.Harold Eugene Edgerton (American, 1903-1990
Gussie Moran. Unsigned, stamped “H.E. EDGERTON, M.I.T.4-405, CAMBRIDGE - MASS.” on the reverse, titled on thereverse. Gelatin silver print, image size 7 5/8 x10 in. (19.4 x25.4 cm), unframed.Condition: Good.
Provenance: Directly from the artist to the family of the presentowner.
$1,000-1,500
212
213
214
215.Harold Eugene Edgerton (American, 1903-1990)
Sprinkler, signed “HAROLD EDGERTON” in pencil on thereverse. Gelatin silver print, image size 8 x 12 in. (20.3 x 30.5cm), unframed, matted.Condition: Good.
$1,000-1,500
216.Harold Eugene Edgerton (American, 1903-1990)
Lot of Two Tennis Images. One signed “HAROLDEDGERTON” in ink on the reverse, one signed and dated“Regards HAROLD EDGERTON 1979” in pencil and stamped“H.E. EDGERTON, M.I.T. 4-405, CAMBRIDGE - MASS” onthe reverse. Gelatin silver prints, image sizes to 7 5/8 x 10 in.(19.4 x 25.4 cm), unframed.Condition: Minor handling creases.
Provenance: Directly from the artist to the family of the presentowner.
$2,000-3,000
217.Fritz Henle (German, 1909-1993)
Magens Bay, St. Thomas seen from Mountain Top. Titled andsigned “...by Fritz Henle” on mount verso, printed signature onphoto paper attached. Gelatin silver print, mounted, image size15 1/2 x 19 3/4 in. (39.4 x 50.2 cm), unframed, matted.Condition: Very minor wear/creases to corners.
$300-500
215
216
217
218.Lotte Jacobi (American, 1896-1990)
Albert Einstein/A 100th Anniversary Portfolio of 25 Images,1979, published by Lotte Jacobi, Deering, New Hampshire. Titlepage of the portfolio dedicated, signed and dated “To Gordonand Clara for their 40th anniversary with good wishes, Lotte, Aug26th,” each image signed “Lotte Jacobi” in the matrix l.r. or u.r.Photogravures on paper, 5 x 7 in. (12.7 x 17.8 cm), presented inoriginal cover.Condition: Subtle toning, very mild wear to corners.
N.B. This lot also includes eight photographic postcards eachsigned and inscribed by Lotte Jacobi. “In addition to the publicholdings of her work, private collectors benefited from herpractice of making original, signed photographic postcards of herwork. She used these prints as an expression of friendship andwas perhaps inspired by the Stieglitz use of postcard prints for hisseries of cloud pictures, the Equivalents.”1
1. Jacobi, Lotte and Peter A. Moriarty, Lotte Jacobi: Photographs (Jaffrey, NewHampshire: David R. Godine, 2003), p. 74.
$300-500
219.John S. Johnston (British/American, born c. 1839-1899)
Lot of Five Yachting Images: Mischief, Pilgrim, Ariel andLasca, Ventura, and Half-Raters in Trial Race. Unsigned,sailing vessels inscribed l.c., Pilgrim inscribed “COPYRIGHT1893, BY J.S. JOHNSTON, N.Y.” l.r., Half-Raters inscribed“COPYRIGHT 1896, BY J.S. JOHNSTON, N.Y.” l.r.. Albumenprints on paper, approximate sizes 6 1/2 x 8 1/4 in. (16.5 x 21.0cm), unframed.Condition: Minor wear/nicks to edges, handling creases, toning,mild rippling.
$700-900
220.John S. Johnston (British/American, born c. 1839-1899)
Lot of Five Yachting Images: Volunteer and Defender,Defender, Merlin, Norota, and Asthore. Unsigned, sailing vesselsinscribed l.c., the former two inscribed “COPYRIGHT 1895, BYJ.S. JOHNSTON, N.Y.” l.r., Merlin inscribed “WINNINGGOBLET CUP RACE, 1890” l.r. Albumen prints on paper,approximate sizes 6 1/2 x 8 1/4 in. (16.5 x 21.0 cm), unframed.Condition: Minor wear/nicks to edges, toning, mild rippling.
$800-1,200
218
219
220
221.John S. Johnston (British/American, born c. 1839-1899)
Lot of Five Yachting Images: Columbia & Shamrock,Shamrock, Valkyrie III, Cicada, and Robin Hood. Unsigned,sailing vessels inscribed l.c., Columbia & Shamrock and Shamrockinscribed “COPYRIGHT 1899, BY J.S. JOHNSTON, N.Y.” l.r.,Cicada inscribed “COPYRIGHT 1898, BY J.S. JOHNSTON,N.Y.” l.r.. Albumen prints on paper, approximate sizes 6 1/2 x 81/4 in. (16.5 x 21.0 cm), unframed.Condition: Minor wear/nicks to edges, toning, mild rippling.
Literature: The views of Cicada presented here (image no. 628)was published in Rudder magazine, August 1898, p. 292.
$700-900
222.John S. Johnston (British/American, born c. 1839-1899)
Lot of Five Yachting Images: Mayflower, Bedouin, Madrine,and two images of Glencairn. Unsigned, sailing vessels inscribedl.c., Mayflower inscribed “J.S.J.” l.r., both images of Glencairninscribed “COPYRIGHT 1896, BY J.S. JOHNSTON, N.Y.” l.r.Albumen prints on paper, approximate sizes 6 1/2 x 8 1/4 in.(16.5 x 21.0 cm), unframed.Condition: Minor wear/nicks to edges, Mayflower with smallcrease u.l., toning, mild rippling.
Literature: One of the views of Glencairn presented here (imageno. 402) was published in Forest and Stream magazine, July 25,1896, p. 76.
$700-900
223.B.A. King (Canadian/American, b. 1934)
The Great Oak, 1978, edition of 100. Signed “B.A. King” inpencil on the mount verso. Gelatin silver print, image size 7 1/4x 9 1/2 in. (18.4 x 24.1 cm), unframed, mounted.Condition: Rippling l.c.
N.B. This work was commissioned by the Worcester Art Museumin 1978.
$200-300
224.Aaron Siskind (American, 1903-1991)
Chicago 56. Signed “Aaron Siskind” in pencil on the reverse.Gelatin silver print, image size 14 x 17 1/2 in. (35.6 x 44.5 cm),unframed, matted.Condition: Good.
$1,000-1,500
221
222
223
224
225.Michael A. Smith (American, b. 1942)
Toledo. Signed “Michael A. Smith” in pencil on the mount l.r.,dated “1980” in pencil on the mount l.l., titled and dated on theback of the mount. Gelatin silver print, mounted, 7 1/2 x 191/2 in. (19.1 x 49.5 cm), framed.Condition: Good.
$200-250
226.Doug and Mike Starn (American, b. 1961)
Attracted to Light- K, 1996-2001, edition of 25. Signed “DougStarn” and “Mark Starn” in pencil on the reverse, numbered“24/25” in pencil on the reverse. Toned silver print on ThaiMulberry paper, sheet size 10 x 10 in. (25.4 x 25.4 cm),unframed, unmatted.Condition: Deckled edges, tape to corners verso.
$700-900
227.William Wegman (American, b. 1943)
Image from Bird Dog Suite, 1990. Signed and dated “WilliamWegman 1990” l.r., inscribed and numbered “Colorized Series8/16” l.l. Photolithograph on paper/board, image size 19 3/4 x19 3/4 in. (50.2 x 50.2 cm), framed.Condition: Toning, broad rippling, not examined out of frame.
N.B. Wegman completed a black and white version of the BirdDog Suite in an edition of 50.
$1,200-1,800
225
226
227
Session IIPaintings & SculptureLots 301-846
to be sold Friday, September 11th, 2009 at 4 p.m.
301.After Pier Francesco Fiorentino (Italian, 1444-1497)
The Mystic Marriage of Saint CatherineLabel and wax seals on the reverse.Tempera with oil, gold, and tooling on panel, lunette form, 20 x13 1/2 in. (50.9 x 34.2 cm), with an applied molding.Condition: Losses to surface and molding (primarily near loweredge), retouch, bloom, cracks and insect damage to panel,craquelure.
$2,000-3,000
302.Manner of Sebastiano Mazzoni (Italian, c. 1611-1678)
DepositionUnsigned, inscribed “Veronese” and Lorenzo Lotto” in laterhands on the reverse.Oil on panel, 9 1/8 x 7 3/8 in. (23.0 x 18.5 cm), framed.Condition: Subtle curve to panel, retouch, fine craquelure.
$2,000-3,000
301
302
303.Manner of Sir Joshua Reynolds (British, 1723-1792)
Portrait of Sir Joshua ReynoldsUnsigned.Oil on canvas, 31 1/2 x 25 in. (80.0 x 63.5 cm), framed.Condition: Lined, retouch and varnish inconsistenciesthroughout, craquelure, surface grime.
N.B. This composition is related to several self-portraits executedby the master.
$300-500
304.Manner of Melchior de Hondecoeter (Dutch, 1636-1695)
Birds in a LandscapeUnsigned.Oil on canvas, 12 x 14 in. (30.5 x 35.6 cm), framed.Condition: Pinhole puncture c.l., minor scattered retouch,craquelure, surface grime.
$1,800-2,200
305.Continental School, 17th Century Style
Lot of Two Portraits of GentlemenUnsigned.Oil on canvas, sizes approximately 14 1/2 x 12 in. (26.8 x 30.5cm), framed.Condition: Lined, retouch, craquelure.
$1,200-1,800
303 304
305
306.After Gabriel Metsu (Dutch, 1629-1667)
The Game SellerUnsigned.Oil on canvas, 17 3/4 x 13 3/4 in. (45.1 x 34.9 cm), framed.Condition: Lined, retouch, varnish inconsistencies.
$1,000-2,000
307.Adriaen de Grÿef (Flemish, 1657-1715)
Still Life with Game and FruitSigned “A Grÿef f” l.r.Oil on canvas, 25 3/4 x 32 3/4 in. (65.4 x 83.2 cm), framed.Condition: Lined, retouch, surface grime, craquelure.
$4,000-6,000
308.School of David Teniers II (Flemish, 1610-1690)
The Tric Trac PlayersSigned or inscribed “D. TENIERS...” l.l., identified on a labelfrom the Dayton Art Institute affixed to the backing.Oil on canvas, 18 x 26 1/2 in. (45.7 x 67.3 cm), framed.Condition: Lined, retouch, varnish inconsistencies, craquelure,surface grime.
$2,000-4,000
307
306
308
309.Charlotte Hay (Swedish, b. 1798)
Mother’s Careful AdviceSigned and dated “Carlte Hay nee Militz fecit, Janvier 1840” l.l.,identified on a period label affixed to the reverse.Oil on panel, 16 x 21 in. (40.6 x 53.3 cm), framed.Condition: Retouch, varnish inconsistencies, craquelure.
$2,000-3,000
310.Albert Ernest Carrier-Belleuse (French, 1824-1887)
MolièreSigned “Carrier.” in the cast on the reverse l.l., titled on theplinth.Bronze with light brown patina, approximately 10 x 5 x 5 in.(25.4 x 12.7 x 12.7 cm), mounted to a stone plinth.Condition: Surface dust/grime, loose washer beneath plinth.
$3,000-5,000
311.Moritz Stifter (Austrian, 1857-1905)
Profile of a Young LadySigned and dated “M. Stifter/1889” u.r., identified on apresentation plaque.Oil on panel, 10 3/4 x 8 1/4 in. (27.3 x 21.0 cm), framed.Condition: Minor retouch, fine craquelure, subtle varnishinconsistencies.
$2,500-3,500
309 310
311
312.Adolphe Alexandre Lesrel (French, 1839-1929)
The HuntsmanSigned and dated “A. A. LESREL 1904” l.r., a partial labelaffixed to the reverse.Oil on panel, 13 7/8 x 9 7/8 in. (35.2 x 25.1 cm), framed.Condition: Minor nicks/losses to edges, scattered craquelure.
Provenance: A New England institution.$5,000-7,000
312A.Christian Meyer Ross (Norwegian, 1843-1904)
Portrait of a LadySigned or inscribed “Fra....C M Ross...68 Capole Case Roma, CM Ross” on a period label affixed to the reverse.Oil on canvas, 30 1/4 x 22 in. (76.8 x 55.9 cm), framed.Condition: Laid down onto Masonite, bloom, craquelure, surfacegrime.
$800-1,200
313.Lajos Kolozsvary (Hungarian, 1871-1937)
The Antiques DealerSigned “L Kolozsvary” l.l.Oil on canvas, 27 1/2 x 22 in. (69.8 x 55.9 cm), framed.Condition: Scattered retouch, fine craquelure.
$1,000-2,000
312 312A
313
314.Cuthbert Edmund Swan (British, 1870-1931)
Lion CubsSigned and dated “C.E. SWAN 1905” l.r., a label from Doll &Richards, Boston, affixed to the reverse.Watercolor on paper/board, 9 x 14 in. (22.9 x 35.6 cm), framed.Condition: Toning, not examined out of frame.
$600-800
315.Georges Gardet (French, 1863-1939)
Lion et LionneSigned “G. GARDET” on the base l.c., marked “SIOTDECAUVILLE, Fondeur, Paris” on the base.Bronze with a brown patina, height 14 1/4 in. (36.2 cm).Condition: Wear, oxidation, surface grime.
Provenance: Descended within the families of William Walters(1819-1894) and/or George Harold Edgell (1887-1954).
$3,000-5,000
316.Attributed to Gustave Doré (French, 1832-1883)
Caricatures/A Group of Head StudiesSigned or inscribed “G. Doré” in ink l.l.Ink and watercolor on paper, sheet size 8 1/8 x 10 in. (20.6 x25.4 cm), framed.Condition: Tears/losses to the margins, subtle rippling, subtleacid burn, toning, glue residue on the reverse.
$500-700
314
315
316
317.François Flameng (French, 1856-1923)
Le GrenadierSigned “FRANCOIS - FLAMENG” l.r.Oil on panel, 16 1/4 x 10 3/4 in. (41.3 x 27.3 cm), framed.Condition: Scattered retouch, varnish inconsistencies.
Provenance: A New England institution.$10,000-15,000
317A.Philippe Louis Parizeau (French, 1740-1801)
Portrait of a ManSigned and dated “Ph L Parizeau 1775” l.r., inscribed “Boughtby J Lafowteur 1829.” on the backing.Red chalk on paper, sheet size 17 1/4 x 14 in. (43.8 x 35.6 cm),unframed.Condition: Laid down, strips of blue paper (losses) adhered toedges, toning, foxing, staining, creases, losses.
$400-600
317
317A
318.Willem Stad (Dutch, 1873-1959)
Lot of Two Works: De Vijgendam... and Het Rotterdammer...The former signed “W Stad” l.r., identified on labels affixed tothe reverse.Watercolor and ink on paper, sight sizes to 10 3/4 x 15 in. (27.3x 38.1 cm), framed.Condition: Subtle toning, minor scattered foxing, not examinedout of frames.
$1,400-1,800
319.Frans Schikkinger (Dutch, 1838-1902)
The Doelensluis, with the Hotel Het Rondeel to the Left and theEngelse Huizen and The Munt Tower and the Hotel De Munton the Schapenplein BeyondSigned and inscribed “Frans J Schikkinger/nach J. Cats./1901”l.l.Ink and wash on paper, sight size 14 1/4 x 21 in. (36.2 x 53.3cm), framed.Condition: Not examined out of frame.
Provenance: Sotheby’s Amsterdam, November 8, 2000, lot 218.$400-600
318
319
320.Frans Schikkinger (Dutch, 1838-1902)
The Binnen-Amstel with the Munt Tower and the EngelseHuizenSigned “Frans J. Schikkinger” l.l.Watercolor, ink and graphite on paper, sight size 13 x 20 1/2 in.(33.0 x 52.1 cm), framed.Condition: Not examined out of frame.
Provenance: Sotheby’s Amsterdam, November 8, 2000, lot 211.$400-600
321.Frans Schikkinger (Dutch, 1838-1902)
Lot of Two Views: De Nieuwe Brug Met Het Paalhuis, BjjWinter... [The New Bridge with the Pile House in Winter]and Achter ‘t Stadhuis... [Behind Town Hall...]Each signed “Frans Schikkinger...” within the composition l.l. orl.r., identified on labels affixed to the reverse.Watercolor with ink on paper, sight sizes to 15 x 20 1/4 in. (38.1x 51.4 cm), framed.Condition: Foxing, toning, not examined out of frames.
$800-1,200
320
321
322.Frans Schikkinger (Dutch, 1838-1902)
View of the House of Three Canals at the Confluence of theOudezijds Voorburgwal, Oudezijds Achterburgwal andGrimburgwal, AmsterdamSigned and inscribed “Frans J Schikkinger... J. Cats 1793” l.r.,identified on a label on the reverse.Ink and wash on paper, sight size 15 x 21 in. (38.1 x 53.3 cm),framed.Condition: Not examined out of frame.
Provenance: Sotheby’s Amsterdam, November 8, 2000, lot 220.$400-600
323.Gustave Mascart (French, 1834-1914)
Promenade Along the CanalSigned “G. Mascart” l.r.Oil on canvas, 25 3/4 x 36 in. (65.4 x 91.4 cm), framed.Condition: Surface grime, craquelure, retouch, lined.
$300-500
322
323
323A.Dutch School, 20th Century
View of the Oudezijks KapelUnsigned, identified on a label on the reverse.Watercolor and ink on paper, sight size 9 1/2 x 13 1/2 in. (24.1x 34.3 cm), framed.Condition: Not examined out of frame.
$800-1,200
323B.Willem Stad (Dutch, 1873-1959)
View of the Binnenamstel with the HoogesluisUnsigned, identified on a label on the reverse.Watercolor on paper, sight size 9 3/4 x 14 in. (24.8 x 35.6 cm),framed.Condition: Not examined out of frame.
$600-800
323C.Dutch School, 20th Century
View of the Singel Canal in Winter, with Skaters by theLuthersche Oude Kerk on the SpuiUnsigned, identified on a label on the reverse.Watercolor and ink on paper, sight size 8 5/8 x 13 in. (21.9 x33.0 cm), framed.Condition: Not examined out of the frame.
$800-1,200
323A
323B
323C
324.Charles Collins (British, 1851-1921)
The Camel RideSigned “CCollins RBA” l.r., identified on a label affixed to thereverse.Watercolor with gouache on paper/board, sight size 8 3/4 x 103/4 in. (22.2 x 27.3 cm), framed.Condition: Toning, not examined out of frame.
$400-600
325.Charles Henry Turner (American, 1848-1908)
Market at StathagenSigned and titled “...C.H. Turner-” l.l., stamped “Estateof/Charles Henry Turner//1848-1908” with a partial exhibitionlabel from the Boston Art Club on the stretcher.Oil on canvas, 34 x 42 in. (86.4 x 106.7 cm), framed.Condition: Patch reinforcement, craquelure, retouch.
$800-1,200
324
325
326.Attributed to Jozef Israels (Dutch, 1824-1911)
HomewardsSigned “Jozef Israels” l.l., identified on a period label fromFrench Gallery, London, affixed to the reverse.Oil on panel, 11 x 7 3/4 in. (27.9 x 19.7 cm), framed.Condition: Retouch, varnish inconsistencies, scatteredcraquelure.
Provenance: A New England institution.$4,000-6,000
327.William F. Ashburner (British, fl. 1900-1932)
Gathering Flowers in the GardenSigned “Wm F. ASHBURNER” l.r., identified on a presentationplaque.Watercolor and graphite on paper, 19 1/2 x 10 5/8 in. (49.5 x27.0 cm), framed.Condition: Subtle acid burn, toning, not examined out of frame.
$1,000-2,000
326
327
327A.Gerhard Peter Franz Vilhelm Munthe (Norwegian, 1849-1929)
In the CabinSigned and dated “G Munthe 73” l.r.Oil on canvas mounted onto board, 16 x 12 1/4 in. (40.6 x 31.1cm), unframed.Condition: Surface rubs, light scattered surface abrasions, wear toedges/corners, varnish inconsistencies, scattered retouch,craquelure with separating, surface grime.
$400-600
327B.Continental School, 19th Century
Coach Driving Through a Winter Landscape at DuskSigned, dated and inscribed “C. Kehn/96/Nürnberg” l.r.Oil on canvas, 21 1/2 x 16 1/2 in. (54.6 x 41.9 cm), framed.Condition: Lined, retouch, tears.
$400-600
327A
327B
328.Continental School, 19th Century
Lake Geneva and the Chateau de ChillonSigned “A George-” l.l., identified in an inscription on thereverse.Oil on canvas, 30 x 43 1/2 in. (76.2 x 110.4 cm), framed.Condition: Lined, retouch, surface grime, craquelure.
$800-1,200
329.François-Auguste Ravier (French, 1814-1895)
Woodland ViewStamped “F A Ravier” l.r.Oil on canvas, 12 1/4 x 16 in. (31.1 x 40.6 cm), framed.Condition: Lined, tape to tacking edge, area of flaking and lossl.r., minor scattered retouch, surface grime.
$1,500-2,000
328
329
330.Joan Roig y Soler (Spanish, 1852-1909)
The Shady Street/An Italian ViewSigned and inscribed “Roig y Soler/Atella” l.r.Oil on canvas, 14 1/2 x 10 in. (36.8 x 25.4 cm), framed.Condition: Surface grime, puncture to u.r. quadrant.
$3,000-5,000
330A.School of Thomas Gainsborough (British, 1727-1788)
Headed HomeUnsigned.Ink, charcoal, watercolor, and gouache on paper/board, sight size18 1/4 x 26 1/2 in. (46.3 x 67.2 cm), framed.Condition: Toning, rippling, not examined out of frame.
$800-1,200
330
330A
331.Attributed to Marinus Adrianus Koekkoek (Dutch, 1807-1870)
Cleve on the RhineSigned “MA Koekkoek” l.r., identified on a presentation plaque.Oil on panel, 6 3/4 x 8 3/4 in. (17.2 x 22.2 cm), framed.Condition: Very mild varnish inconsistencies, fine craquelure,surface grime.
Provenance. A New England institution.$2,500-3,500
332.Jean Charles Cazin (French, 1841-1901)
Landscape with Figures by a Tree and CartSigned “J.C. Cazin” l.r.Oil on panel, 16 3/4 x 21 5/8 in. (42.5 x 54.9 cm), framed.Condition: Pigment fluorescence.
$2,000-3,000
331
332
333.Henry Enrico Coleman (Italian, 1846-1911)
Bullock Cart Conveying Stone from a QuarrySigned and inscribed “HE· Coleman· Roma·” l.r.Watercolor and graphite on paper, 15 1/2 x 28 1/2 in. (39.4 x72.4 cm), framed.Condition: Not examined out of frame.
$4,000-6,000
334.Attributed to Lawrence Carmichael Earle (American, 1845-1921)
The Wood Carver’s Little ApprenticesUnsigned.Oil on canvas, 12 1/2 x 10 1/2 in. (30.5 x 26.6 cm), framed.Condition: Lined, retouch, fine craquelure, bloom/surface grimeu.r., light scattered surface abrasions.
$600-800
335.R. Maghelli (Italian, 19th/20th Century)
Working the FieldsSigned “R. Maghelli” l.r.Watercolor, ink wash, and whiting on paper/board, sight size 133/4 x 20 3/4 in. (34.9 x 52.7 cm), framed.Condition: Toning, scattered foxing/staining, not examined outof frame.
$1,200-1,800
333
334
335
336.Aloysius C. O’Kelly (Irish/American, 1853-1926)
A Breton PilgrimageSigned “A. O’KELLY” l.l., with a label from Ben Kabatznick,Brookline, Massachusetts, on the stretcher.Oil on canvas, 25 1/2 x 21 1/4 in. (64.8 x 54.0 cm), framed.Condition: Surface grime.
$8,000-12,000
337.Francesco Pausas y Coll (Spanish, 1877-1944)
Father and ChildSigned “F. Pausas” l.r.Oil on canvas, 41 1/2 x 30 1/2 in. (105.4 x 77.5 cm), framed.Condition: Craquelure, subtle canvas deformations.
$3,000-5,000
336
337
338.Nazzarreno Cipriani (Italian, 1843-1923)
The Gypsies’ RefreshmentSigned and inscribed “N. Cipriani. Roma.” l.r.Watercolor on paper, 21 1/2 x 16 in. (54.6 x 40.6 cm), framed.Condition: Toning, light soiling/surface grime, not examinedout of frame.
$1,000-1,500
339.Addison Thomas Millar (American, 1860-1913)
Portrait of a Spanish CraftsmanSigned and inscribed “A.T. MILLAR, MADRID” u.r.Oil on canvas mounted onto board, 16 x 13 in. (40.6 x 33.0 cm),framed.Condition: Scattered retouch, varnish inconsistencies, surfacegrime.
$800-1,200
340.Saverio Xavier della Gatta (Italian, fl. circa 1777-1829)
Della FraolaSigned and dated “Xavr Gatta 1800” l.r., titled l.c.Gouache on paper, 9 1/2 x 7 1/4 in. (24.0 x 18.3 cm), framed.Condition: Flaking, creases and abrasions with losses, toning.
$300-500
338 339
340
341.Raffaele Resio (Italian, 1854-1927)
Serenade on the BalconySigned “R. RESIO.” l.l., Rome panel stamp on the reverse.Oil on panel, 9 1/4 x 14 in. (23.4 x 35.5 cm), framed.Condition: Minor scattered retouch, subtle surface grime, finecraquelure.
$2,000-3,000
342.Victor Schivert (Romanian, 1863-1926)
A Good StorySigned and inscribed “V. Schivert MN” c.l., inscribed “MAXGAISSER” on the reverse.Oil on canvas, 19 3/4 x 15 3/4 in. (50.2 x 40.0 cm), framed.Condition: Retouch, varnish inconsistencies, scatteredcraquelure, mild surface grime.
$2,000-3,000
341
342
343.Herbert Dalziel (British, 1858-1941)
Still Life with White RosesSigned and dated “HERBERT DALZIEL ‘86” l.l., identified onfragmentary label on the reverse.Oil on panel, 10 1/8 x 5 3/4 in. (25.5 x 14.5 cm), framed.Condition: Subtle surface grime and varnish inconsistencies.
$300-500
344.August Laux (American, 1847-1921)
Cat and Playful KittensSigned “A Laux” l.r.Oil on canvas, 18 x 22 in. (45.7 x 55.9 cm), framed.Condition: Tape to tacking edges, light retouch, mild surfacegrime.
$1,500-2,500
345.Paul De Longpre (French/American, 1855-1911)
Bouquet of ChrysanthemumsSigned, inscribed, and dated “Paul de Longpre. Los Angeles.1908” l.l.Watercolor on paper/board, sight size 28 x 20 in. (71.1 x 50.8cm), framed.Condition: Subtle toning, not examined out of frame.
$2,000-3,000
343
344
345
346.Aurora Gilardelli (Italian, 19th Century)
A Basket of FlowersSigned and inscribed “Aurora...Gilardelli, Milano” l.l., identifiedon a label affixed to the reverse.Oil on canvas, 19 x 31 in. (48.3 x 78.7 cm), framed.Condition: Lined, tape to tacking edge, retouch.
$600-800
347.Clemence Nielssen (German, 1850-1911)
Un Coin de Bonheur/A Portrait of a Mother Tabby Cat andCalico KittensSigned and titled “...Clemence Nielssen” u.l.Oil on canvas, 19 x 24 1/8 in. (48.3 x 61.3 cm), framed.Condition: Craquelure, surface grime, retouch, patchreinforcement.
$3,000-5,000
348.Attributed to Karl Christian Aubel (German, 1796-1880)
Bouquet of FlowersUnsigned, inscribed “...Aubel...” on the reverse.Oil on canvas, 26 x 22 3/4 in. (66.0 x 57.8 cm), unframed.Condition: Relined, retouch, minute scattered losses, surfacerubs, craquelure.
$1,500-2,000
346
347348
349.Robert Watson (British, 1865-1916)
Flock of Sheep on a HillsideSigned and dated “R. Watson 1901” l.r.Oil on canvas, 19 3/4 x 29 1/4 in. (50.2 x 74.3 cm), framed.Condition: Mounted onto panel, scattered losses, retouch,craquelure, surface rubs, surface grime.
$4,000-6,000
350.Henry Garland (British, 1834-1913)
Highland CattleSigned and dated “H. GARLAND 1889” l.l.Oil on canvas, 14 x 20 in. (35.6 x 50.8 cm), framed.Condition: Surface rubs, scattered retouch, varnishinconsistencies, lifting, fine craquelure.
$1,000-2,000
350A.Attributed to John Frederick Herring, Jr. (British, 1815-1907)
Horses Watering by the River BendUnsigned.Oil on canvas, 18 x 24 in. (45.7 x 61.0 cm), framed.Condition: Lined, tape to tacking edge, retouch, craquelure,surface grime.
$1,000-1,500
349
350
350A
351.School of Constant Troyon (French, 1810-1865)
Cows in a LandscapeUnsigned.Oil on canvas, 24 x 30 in. (61.0 x 76.2 cm), framed.Condition: Mounted onto board, scattered retouch, mild varnishinconsistencies, scattered abrasions, minor nicks/wear to edges,tear to l.l. edge, craquelure, surface grime.
$400-600
352.Henry Charles Bryant (British, 1812-1890)
Barnyard with Cows and TurkeysSigned “H.C. Bryant” l.l.Oil on canvas, 12 x 16 in. (30.5 x 40.6 cm), framed.Condition: Lined, retouch.
$3,000-5,000
351
352
353.Friedrich Gauermann (Austrian, 1807-1862)
Boy at the River BankSigned “F. Gauermann” on the reverse.Oil on board, 3 1/2 x 4 1/4 in. (8.9 x 10.8 cm), framed.Condition: Retouch, varnish inconsistencies, surface grime.
$800-1,200
354.Johan Nicolaas van Lokhorst (Dutch, 1837-1929)
In the PastureSigned and dated “Jan. v. Lokhorst 1872” l.l., artist identified inan inscription on the stretcher.Oil on canvas, 18 x 25 1/2 in. (45.7 x 64.8 cm), framed.Condition: Lined, retouch, varnish inconsistencies, craquelure.
$3,000-5,000
355.Léon Joseph Florentin Bonnat (French, 1833-1922)
Young Girl at RestSigned “L. Bonnat” l.r., canvas stencil on the reverse.Oil on canvas, 9 3/4 x 13 in. (24.8 x 33.0 cm), framed.Condition: Retouch, varnish inconsistencies, scatteredcraquelure, surface grime.
$1,500-2,000
353 355
354
356.Daniel Sherrin (British, 1868-1940)
The Evening TourSigned “D. Sherrin” l.l., a label from Findlay Galleries Inc.,Chicago, affixed to the reverse, identified on a label (see below)affixed to the reverse.Oil on canvas, 30 x 20 in. (76.2 x 50.8 cm), framed.Condition: Scattered retouch, surface grime.
N.B. A label on the reverse indicates that this work was exhibitedas one of a pair of paintings, the other titled A Surrey Common.
$800-1,200
357.Emile Charles Lambinet (French, 1815-1877)
Figures and Punts at a Quiet LandingSigned “Emile Lambinet” l.r.Oil on panel, 11 x 16 in. (27.9 x 40.6 cm), framed.Condition: Cradle to the reverse, retouch, varnishinconsistencies, craquelure.
$1,000-1,500
358.Adam Knight (British, fl. 1881-1931)
Portrait of a Girl by a Wooded PathSigned and dated “Adam Knight-/1885” l.r., with a W.A. Smith,Nottingham, canvas stencil on the reverse.Oil on canvas, 38 1/4 x 25 1/4 in. (87.2 x 64.1 cm), unframed.Condition: Retouch, craquelure, surface grime, patchreinforcement.
$2,000-3,000
357
356
358
359.George Harvey (British/American, 1800-1878)
The Parish Church of St. John the Baptist, Wickhamford,Worcestershire, EnglandSigned “G. Harvey” l.l., inscribed “Wickhamford Church,Worcestershire/(contains Washington coat of arms)/”Penelope”buried under the pavement by alter [sic]” in pen on the reverse.Watercolor on paper, sheet size 13 7/8 x 10 in. (35.2 x 25.4 cm),unframed.Condition: Subtle toning.
$700-900
360.Ernest Procter (British, 1886-1935)
Civilian Evacuation Section, alternatively titled A Battlefield inFranceSigned and dated “Ernest Procter 18” l.r., inscribed on twoperiod labels (one in the artist’s hand) affixed to the backing.Watercolor on paper, sheet size 5 x 8 in. (12.7 x 20.3 cm),framed.Condition: Not examined out of frame.
$300-500
361.Rustom Vicaji (British, fl. 1918-1927)
On the Ramparts, Montreuil, FranceSigned “R.Vicaji” l.l., titled in an inscription on the stretcher.Oil on canvas, 19 1/4 x 15 3/4 in., framed.Condition: Surface grime, craquelure.
$800-1,200
359
360
361
362.Stuart William Lloyd (British, 1875-1929)
View of the Durham Cathedral from Across the River WearSigned and dated “Stuart Lloyd 1902” l.r.Watercolor with gouache on paper mounted onto board, 11 3/4x 25 7/8 in. (29.8 x 65.8 cm), unframed.Condition: Toning, loss u.r.
$600-800
363.James Edwin Meadows (British, 1828-1888)
Landscape with Children Gathering WheatSigned and dated “Jas. E. Meadows: 1859.” l.l.Oil on canvas, 28 x 48 in. (71.1 x 121.9 cm), framed.Condition: Scattered flaking/losses, craquelure, retouch, lined.
$8,000-12,000
364.Carl Maria Nicolaus Hummel (German, 1821-1907)
Winding RoadSigned “C. Hummel” l.r.Watercolor on paper/board, sight size 12 x 17 in. (30.5 x 43.2cm), framed.Condition: Toning, not examined out of frame.
$500-700
362
364
363
365.Hendrik Savry (Dutch, 1823-1907)
Ships at HarborSigned “Savry” l.l.Oil on canvas, 18 1/4 x 25 5/8 in. (45.7 x 65.1 cm), framed.Condition: Tape-reinforced tear, minor surface grime.
Provenance: Christie’s East, Nineteenth Century Art, October 5,1999, sale 8273, lot 135.
$2,000-4,000
366.William Currie (British, 19th/20th Century)
Lot of Two Marine ScenesEach signed and dated “Wm Currie 1874” l.r. (one signed againl.l.).Oil on paper/board, sight sizes 11 x 17 3/4 in. (27.9 x 45.1cm), framed.Condition: Surface grime, not examined out of frames.
$1,800-2,200
365
366
367.Georges Jean Marie Haquette (French, 1854-1906)
Fisherman in a Dory off the White CliffsSigned “G- HAQUETTE” l.l.Oil on canvas, 24 x 32 in. (61.0 x 81.3 cm), framed.Condition: Surface grime, tear, craquelure.
$1,500-2,500
368.British/Dutch School, 19th Century
Marine SceneUnsigned.Oil on canvas, 8 x 16 in. (20.3 x 40.6 cm), in a frame with aTilden-Thurber label affixed to the reverse.Condition: Lined, surface grime.
$800-1,200
367
368
369.Attributed to Nelson Augustus Moore (American, 1924-1902)
Along the HudsonSigned or inscribed “NA Moore” in pencil l.r.Graphite on paper, sight size 9 1/4 x 15 1/4 in. (23.5 x 38.7cm), framed.Condition: Tape hinged to backing mat.
$800-1,200
370.Hartwell Leon Woodcock (American, 1853-1929)
Crashing SurfSigned and dated “Hart L Woodcock. 1901 -” l.l.Watercolor with graphite underdrawing on paper/board, sightsize 13 x 19 in. (33.0 x 48.3 cm), framed.Condition: Mild toning, not examined out of frame.
$600-800
371.George M. Hathaway (American, 1852-1903)
Coastal View, Probably Portland, MaineSigned “G.M. Hathaway” l.l.Oil on academy board, 6 x 10 1/4 in. (15.2 x 26.0 cm). framed.Condition: Mild pigment fluorescence, surface grime.
$250-350
369
370
371
372.William Trost Richards (American, 1833-1905)
Summer CloudsSigned “Wm. T. Richards.” l.l., purportedly titled, probably in a later hand, on the reverse.Watercolor on paper, sight size 33 3/4 x 24 in. (85.7 x 61.0 cm), framed.Condition: Toning, tear u.r., not examined out of frame.
Provenance: Private collection, Cambridge, Massachusetts.
N.B. William Trost Richards began working in watercolors by 1860 and frequently worked in that medium throughout the1860s and 70s, at which time watercolor as a medium was experiencing a revival in American art. During this period,Richards also began to shift his subject matter away from highly detailed landscapes (often done in oil) that reflected theinfluence of the Pre-Raphaelites and John Ruskin, toward marine and coastal views. “Richards’s intensive work inwatercolor coincided with a new stylistic direction for the artist and an emerging fascination with shoreline subjects that hewould indulge regularly for the rest of his career.”1 He traveled throughout the northeast, studying the crashing surf of thecoastal waters. In 1874, Richards bought a home in Newport and frequently painted the surrounding waters ofNarragansett Bay. “Watercolor proved an ideal medium for expressing his preoccupation with surf and the moist, hazyatmosphere of the summer shore.”2 Although he did not totally abandon the highly detailed and technically preciserenderings of his environment seen in his earlier landscape compositions, the medium of watercolor lent “a broad, airyquality” to his work.3
1. MacAdam, Barbara J., Hood Museum of Art et al., Marks of Distinction: 200 Years of American Drawings and Watercolors from the Hood Museumof Art, March 29–May 29, 2005 (Hanover, New Hampshire: Hood Museum of Art, Dartmouth College) 2005, p. 96.2. Ibid.3. Ibid.
$8,000-12,000
372
373.American School, 19th Century
The Merrimac Sinking the Cumberland, March 8th, 1862Unsigned, with a label from Kennedy Galleries, Inc., New Yorkon the reverse.Oil on canvas, 18 x 24 in. (45.7 x 61.0 cm), framed.Condition: Craquelure, surface grime, retouch.
Provenance: Estate of Anna Eleanor Roosevelt (née Braman)Grasso, Essex, Connecticut.
$4,000-6,000
374.Frederick Tordoff (American, b. 1939)
Shipping in Boston HarborInscribed and signed “BOSTON HARBOR, F. TORDOFF” onthe reverse, signed “FREDERICK TORDOFF” on the reverse,titled on a label in the artist’s hand on the reverse.Oil on panel, 9 x 12 in. (22.9 x 30.5 cm), framed.Condition: Mild surface grime.
$300-500
373
374
375.Clement Drew (American, 1806-1889)
Ship in Stormy SeasSigned or inscribed and dated “C. DREW 1885” on the reverse.Oil on canvas, 14 x 20 in. (35.6 x 50.8 cm), framed.Condition: Craquelure, surface grime.
$1,000-1,500
375A.Richard K. Loud (American, b. 1942)
The Yacht RaceSigned “RKLOUD” l.l.Oil on canvas, 27 x 39 in. (68.6 x 99.1 cm), framed.Condition: Good.
$4,000-6,000
375
375A
376.Derek George Montague Gardner (British, 1914-2007)
Burford, Third Rate, 70 Guns. Built at Deptford 1722. PortoBello 1739, Cartagena 1741, La Guayra 1743.Signed “Derek G.M. GARDNER” l.l., titled on the mat l.c.Watercolor with whiting on paper/board, sight size 10 x 14 1/2in. (25.4 x 36.8 cm), framed.Condition: Toning/mat burn, not examined out of frame.
$800-1,200
377.Robert F. Lie (American, 1899-1980)
The Dreadnought/A Three-Masted Medium Clipper ShipSigned, dated and inscribed “LiE -64 NY” l.l.Oil on canvas with paper collage, 18 1/4 x 24 1/4 in. (46.4 x61.6 cm), framed.Condition: Surface grime, subtle canvas deformations,craquelure, subtle varnish inconsistencies.
$2,500-3,500
376
377
378.Jack Lorimer Gray (American, 1927-1981)
Heavy Weather on Crossing to France, alternatively titled JohnPaul Jones’ “Ranger”Signed “Jack L. Gray” l.l., titled in pencil, stamped, and with alabel from Kennedy Galleries, Inc., New York, on the stretcherbars.Oil on canvas, 24 x 36 in. (61.0 x 91.4 cm), framed.Condition: Surface grime, minor craquelure, varnishinconsistencies.
Provenance: Estate of Anna Eleanor Roosevelt (née Braman)Grasso, Essex, Connecticut.
$20,000-30,000
378
379.Walter Lofthouse Dean (American, 1854-1912)
Study of Sailboats off the CoastSigned and inscribed “W. L. DEAN...” l.l.Oil on canvas mounted to board, 4 1/8 x 5 1/4 in. (10.4 x 13.3cm), framed.Condition: Surface grime, retouch.
Provenance: Private New England collection, by family descent.$500-700
380.Daniel J. Strain (American, 1847-1925)
Quiet HarborSigned “Daniel Strain.” l.l.Oil on canvas, 12 x 18 in. (30.5 x 45.7 cm), framed.Condition: Craquelure, surface grime.
$1,800-2,200
381.Walter Lofthouse Dean (American, 1854-1912)
Pope’s RockSigned and dated “W L DEAN/1880” l.l., titled and signed“...Walter Dean” on a period label affixed to the stretcher.Oil on canvas, 12 x 18 in. (30.5 x 45.7 cm), framed.Condition: Mild surface grime, extremely mild scattered surfaceabrasions.
$800-1,200
379
380
382.George M. Hathaway (American, 1852-1903)
Lot of Four Coastal Maine Views: Whitehead-Cushing’sIsland, Near Portland, Me., Portland Head Light, CapeElizabeth, Trefethen’s Landing, Casco Bay-nr. Portland, andBreakwater Light, Portland HarborWhitehead, Portland, and Trefethen’s signed “G.M. Hathaway”l.r., Breakwater initialed “G M H” l.r., each with labels fromMatthews Bros. & Co., Toronto, Ontario, on the backing.Oil on artist board, each 6 x 10 in. (15.2 x 25.4 cm), framed.Condition: Not examined out of frames.
$3,000-5,000
383.Marshall Johnson, Jr. (American, 1850-1921)
Fisherman in TowInitialed “M.J.” l.r., identified on an exhibition label affixed tothe reverse.Oil on board, 8 1/8 x 10 in. (20.6 x 25.4 cm), framed.Condition: Pigment fluorescence, surface grime.
$800-1,200
384.Stephen Salisbury Tuckerman (American, 1830-1904)
Harbor View, Possibly BostonSigned “Tuckerman” l.r.Oil on canvas, 12 x 16 in. (30.5 x 40.6 cm), unframed.Condition: Tape-reinforced tear in the l.l. quadrant, surfacegrime, craquelure, minor losses/abrasions.
$500-700
382
383
384
385.William Edward Norton (Anglo/American, 1843-1916)
Boston Harbour, MoonlightSigned “W. E. Norton” l.l., identified on labels affixed to thereverse.Oil on panel, 8 x 11 1/2 in. (20.3 x 29.2 cm), framed.Condition: Scattered retouch.
$2,000-2,500
386.Charles George Copeland (American, 1858-1945)
Haying On the River BankSigned “Chas. Copeland” l.l.Watercolor with whiting on paper/board, sight size 7 1/4 x 26in. (18.4 x 66.0 cm), framed.Condition: Toning, not examined out of frame.
$400-600
385
386
387.Augustus W. Buhler (American, 1853-1920)
Light at AnnisquamSigned, inscribed, and dated “-A.W. BUHLER-. -Annisquam-1895-” l.l.Watercolor with whiting on paper/board, 14 3/4 x 21 in. (37.5 x53.3 cm), framed.Condition: Toning, not examined out of frame.
$400-600
388.Warren W. Sheppard (American, 1858-1937)
Moonlit SeaSigned and dated “WARREN. SHEPPARD. 1888” l.r.Oil on canvas, 10 x 14 in. (25.4 x 35.6 cm), in a period frame.Condition: Retouch, craquelure, mild surface grime.
$3,000-5,000
387
388
389.Charles Harry Eaton (American, 1850-1901)
Autumn LandscapeSigned and dated “Charlie. H. Eaton 1878.” l.l.Oil on canvas, 27 x 46 in. (68.6 x 116.8 cm), framed.Condition: Lined, retouch, varnish inconsistencies, craquelure,surface grime.
$3,000-5,000
390.Edward Hill (American, 1843-1923)
Lot of Two Landscapes: Autumn Brook, Possibly the WhiteMountains, New Hampshire and Verdant Hills, PossiblyElephant Head, Crawford Notch, New HampshireBrook signed “Edward Hill.” l.r., inscribed “Painted by EdwardHill/Oregon” on the stretcher, Verdant unsigned, with a labelfrom Plymouth State College, Department of Art and ArtGalleries, Plymouth, New Hampshire, affixed to the reverse.Oil on canvas, sizes to 17 1/4 x 13 1/2 in. (43.8 x 34.3 cm),framed.Condition: Brook with craquelure, Verdant lined, scatteredretouch.
Exhibitions: Verdant in Edward Hill: A Man of His Time,Plymouth State College, March 8–April 16, 1985.
$1,500-2,500
389
390
391.Thomas Hill (American, 1829-1908)
Approaching StormUnsigned, identified on a label affixed to the reverse.Oil on canvas, 34 1/4 x 27 in. (87.0 x 68.6 cm), framed.Condition: Lined, retouch.
Provenance: The collection of John A. Faul, San Francisco, then by descent to the current owner.
N.B. Thomas Hill moved with his family from England to Taunton, Massachusetts, at the age of fifteen.By 1847, Hill was in Boston, where he started his painting career before going on to study at thePennsylvania Academy of Fine Arts in 1853. For the rest of the decade, he continued to paint images ofNew England scenery, in particular New Hampshire’s White Mountains. Hill first traveled to San Franciscoin 1861 and made his first trip to Yosemite a year later. However, his career brought him to Paris in 1967,where his studied and exhibited at the Paris Universal Exposition (1867). Before returning to California,where he ultimately settled, Hill stopped again in Boston from 1867 until 1871. The work presented heremost likely dates from that period.
$6,000-8,000
391
392.Benjamin Champney (American, 1817-1907)
View with Artists Sketching in a Forest GroveSigned and dated “...Champney ‘73” l.r.Oil on canvas, 28 1/2 x 24 1/2 in. (72.4 x 62.2 cm), framed.Condition: Minor surface grime.
$3,000-5,000
393.Daniel François Santry (American, 1858-1915)
Hiker in the Autumn WoodsSigned “-Santry-” l.r.Oil on canvas, 18 x 24 in. (45.7 x 61.0 cm), framed.Condition: Reinforcements, retouch, varnish inconsistencies,surface grime.
$800-1,200
393A.William Samuel Horton (American, 1865-1936)
Landscape with StreamSigned “Wm. S. Horton” l.r., a label from Alice & Win Dibble,Shoreham, Vermont, on the reverse.Oil on canvas, 16 x 22 in. (40.6 x 55.9 cm), framed.Condition: Lined, surface grime, craquelure.
Provenance: Sold to benefit the Bennington Museum, Vermont.$1,000-1,500
392
393
393A
394.Benjamin Champney (American, 1817-1907)
The Lone TravellerSigned “B. Champney” l.l.Oil on canvas, 16 x 24 in. (40.6 x 61.0 cm), framed.Condition: Lined, retouch, varnish inconsistencies, craquelure.
$2,500-3,500
395.American School, 19th Century
Rocky Wooded HillsideSigned and dated “A Rossi 86” l.l., inscribed and signed “...ARossi” l.r.Oil on canvas, 11 1/2 x 19 1/4 in. (29.2 x 48.9 cm), framed.Condition: Patch reinforcements, tears/losses at edges, surfacegrime.
$800-1,200
394
395
396.Samuel W. Griggs (American, 1827-1898)
Panoramic Landscape with Hay WagonSigned “S.W. Griggs” l.r.Oil on canvas, 18 x 30 in. (45.7 x 76.2 cm), framed.Condition: Lined, retouch, surface grime.
$3,000-5,000
397.American School, 19th Century
View with a Fisherman on a LakeSigned and dated “F.B. Clayton 1874” l.l.Oil on canvas, 22 x 38 in. (55.9 x 96.5 cm), framed.Condition: Lined, partially reinforced signature, retouch, varnishinconsistencies.
$800-1,200
398.John White Allen Scott (American, 1815-1907)
HayingSigned and dated “JWA Scott ‘65” l.l., a tag from the Inventoryof American Paintings, National Museum of American Art,Smithsonian Institution, affixed to the reverse.Oil on canvas, 12 x 18 in. (30.5 x 45.7 cm), framed.Condition: Lined, retouch, varnish inconsistencies, craquelure,surface grime.
$700-900
396
397
398
399.Sylvester Phelps Hodgdon (American, 1830-1906)
Path Along the RiverSigned “S.P. Hodgdon” l.r., a period label from J. EastmanChase, Boston, affixed to the reverse.Oil on canvas, 16 x 26 in. (40.6 x 66.0 cm), framed.Condition: Craquelure, surface grime.
$2,000-3,000
400.Joseph Morviller (American, 1800-1870)
Figures on a River BankSigned and dated “J morviller 1863” l.r.Oil on canvas, 18 x 24 in. (45.7 x 61.0 cm), framed.Condition: Scattered retouch, varnish inconsistencies, scatteredsurface rubs, craquelure, surface grime.
$1,000-1,500
401.Jasper Francis Cropsey (American, 1823-1900)
On the LakeSigned, inscribed, and dated “J F Cropsey xmas 1887” l.r.Watercolor on paper, sight size 7 1/2 x 14 1/4 in. (19.1 x 36.2cm), framed.Condition: Toning, subtle rippling, adhered to supporting mat(with front mat glued along top).
N.B. This work will be included in a forthcoming catalogueraisonné of Cropsey’s works in watercolor by the Newington-Cropsey Foundation. We would like to thank the Newington-Cropsey Foundation for their kind assistance with cataloging thislot.
$5,000-7,000
399
400
401
402.Henry Ward Ranger (American, 1858-1916)
Landscape near Old Lyme, Connecticut, c. 1899Artist’s estate stamp l.l.Oil on academy board, 12 x 16 in. (30.5 x 40.6 cm), framed.Condition: Retouch, wear to edges, surface grime.
$2,000-4,000
403.George E. Candee (American, 1837-1867)
Connecticut HomesteadSigned and dated “G E Candee 64” l.l., canvas stencil on thereverse.Oil on canvas, 18 x 24 in. (45.7 x 61.0 cm), framed.Condition: Retouch, mild surface grime.
$3,000-5,000
404.James Rogers Rich (American, 1847-1910)
Spring LandscapeSigned and dated “JAMES ROGERS RICH ‘88” l.l.Oil on panel, 10 1/2 x 13 3/4 in. (26.6 x 34.9 cm), framed.Condition: Support slightly warped, surface grime.
$250-350
402
403
404
405.Ross Sterling Turner (American, 1847-1915)
Cambridge HouseInitialed (twice) and dated “R.T. May 6th 1885 - R.T.-” l.r.,identified on a note signed by the artist and other artists affixedto the reverse.Watercolor on paper, 10 7/8 x 18 7/8 in. (27.5 x 47.8 cm),unframed.Condition: Unobtrusive toning, minor nicks, losses, and tears toedges.
$500-700
406.Edwin Forsythe Porter (American, 19th/20th Century)
Landscape at DuskSigned “Edwin Forsythe Porter” l.l.Oil on canvas, 20 x 30 in. (50.8 x 76.2 cm), framed.Condition: Craquelure, surface grime/abrasions.
$800-1,200
407.James Crawford Thom (American, 1835-1898)
Seated Figure in a FieldSigned and dated “J C Thom 9...” l.r.Watercolor on paper, sight size 15 3/4 x 27 1/2 in. (40.0 x 69.8cm), framed.Condition: Not examined out of frame.
$400-600
405
406
407
408.George William Whitaker (American, 1840-1916)
Our Geneva, R.I.Signed “G W WHITAKER.” l.r., dated and titled, possibly in theartist’s hand, along the tacking edge.Oil on canvas, 6 1/4 x 9 in. (15.9 x 22.9 cm), framed.Condition: Lined, repairs/retouch, scattered craquelure, surfacegrime.
$600-800
409.Alfred S. Mira (American, 1900-1980)
The Lake at TwilightSigned “A. Mira” l.r.Oil on canvasboard, 9 x 12 in. (22.9 x 30.5 cm), framed.Condition: Mild surface grime.
$800-1,200
410.Arthur Quartley (American, 1839-1886)
Sunrise, New Jersey MarshSigned and dated “Quartley 74” l.r.Oil on canvas, 7 1/2 x 16 1/4 in. (19.1 x 41.3 cm), framed.Condition: Lined, retouch, scattered craquelure.
$1,500-2,500
408
409
410
411.Nelson Augustus Moore (American, 1924-1902)
Path to the Park Gazebo, Katonah Park, New York, 1897Monogrammed signature “NAMoore 497” l.l., identified on alabel from Spanierman Gallery LLC, New York, affixed to thebacking.Oil on canvas, 10 x 17 1/4 in. (25.4 x 43.8 cm), framed.Condition: Lined, tape to tacking edge.
$1,500-2,500
412.William H. Thwaites (American, fl. 1854-1871)
WestmorelandTitled and initialed “...W.H.T.” along lower margin onsupporting sheet of paper.Watercolor on paper adhered to a sheet of blue paper, sight size 41/8 x 6 1/2 in. (10.5 x 16.5 cm), framed.Condition: Toning.
$300-350
411
412
413.George Albert Frost (American, 1843-1907)
Sylvan Landscape with Cattle and FarmerSigned “G A. Frost.” l.r.Oil on canvas, 25 1/2 x 39 3/4 in. (64.8 x 101.0 cm), framed.Condition: Surface grime, minor scattered losses.
$3,000-5,000
413A.Joseph Frank Currier (American, 1843-1909)
Lot of Three Works: River Landscape with Stand of Trees,Landscape with Cypress Tree by a Path, and Landscape withLone TreeStand signed, inscribed, and dated “Currier...81” l.r., contécrayon on paper; Cypress unsigned, watercolor on paper; Lonesigned and dated “Currier 81” within the matrix l.r., heliogravure.Sight sizes to 8 1/2 x 12 1/2 in. (21.6 x 31.8 cm), framed.Condition: Not examined out of frames.
Provenance: Through the estate of the artist.$600-800
414.Scott (Nicholas Winfield) Leighton (American, 1849-1898)
PlowingSigned and dated “Scott Leighton 71” l.r.Oil on canvas, 8 x 9 in. (20.3 x 22.9 cm), in a frame with a Lewis& Son, New York, label affixed to the reverse.Condition: Retouch, scattered craquelure with lifting.
$1,000-1,500
413
413A
414
415.William M. Hart (American, 1823-1894)
Cows in a Woodland LandscapeSigned and dated “Wm HART 1877.8.” l.r.Oil on canvas, 15 x 12 1/2 in. (38.1 x 31.8 cm), framed.Condition: Mounted onto Masonite, retouch, varnishinconsistencies.
$3,000-5,000
416.George William Whitaker (American, 1840-1916)
Hay Wagon on a BridgeSigned and dated “G. W. WHITAKER 190...” l.l.Oil on canvas, 8 x 10 in. (20.3 x 25.4 cm), framed.Condition: Scattered retouch, craquelure, surface grime.
$600-800
417.Thomas Bigelow Craig (American, 1849-1924)
Grazing CowsSigned “THOS. B. CRAIG” l.l.Oil on canvas mounted onto board, 19 3/4 x 30 in. (50.2 x 76.2cm), framed.Condition: Retouch, varnish inconsistencies, craquelure, surfacegrime.
$1,800-2,200
415
416
417
418.Thomas Harris Robinson (American, 1834-1888)
Sheep in a FieldSigned “TRobinson” l.l.Oil on canvas, 24 1/2 x 32 1/2 in. (62.2 x 82.6 cm), framed.Condition: Tear u.c., scattered retouch, craquelure, surfacegrime.
$1,800-2,200
418A.Elizabeth Foote Ferguson (American, 1884-1925)
Cows in a PastureSigned “E. Ferguson.” l.l., also signed and dated “-E. Ferguson1916” in pencil on the reverse.Oil on artist board, 10 x 12 in. (25.4 x 30.5 cm), framed.Condition: Surface grime.
$300-350
419.Gaylord Sangston Truesdell (American, 1850-1899)
Shepherd with his FlockSigned and dated “G.S. Truesdell 1896.” l.r., inscribed “W 531L” on the reverse.Oil on canvas, 15 x 27 1/2 in. (38.1 x 69.9 cm), within a frameliner.Condition: Craquelure, retouch, patch reinforcements, surfacegrime, minor losses, subtle canvas deformations.
$700-900
418
418A
419
420.Arthur Fitzwilliam Tait (Anglo/American, 1819-1905)
Doe and Fawns in a LandscapeSigned “A F Tait” l.r.Oil on canvas, 20 1/4 x 24 1/2 in. (51.4 x 62.2 cm), framed.Condition: Lined, tape to the tacking edge, slight wear to edges, retouch, signature reinforced, craquelure,surface grime.
Provenance: By family descent to the present owner.
N.B. Arthur Fitzwilliam Tait was born in Liverpool, but as a child moved to the English countryside nearLancaster where he first became interested in nature, animals, hunting, and fishing. By the 1840s Taitrelocated to Manchester where he worked at Agnew’s Repository for the Arts, and discovered the work ofEdwin Landseer and John Frederick Herring. Herring’s use of color, in particular, inspired the young artist.In 1850, Tait, after viewing an exhibition of George Catlin’s paintings of the American West, decided tomove to America. He settled in New York, where he painted views of the surrounding Adirondacks. Hepurchased a farm in Westchester County, which offered the opportunity to paint animals in their naturalenvironment. Tait is best known for these realistic, narrative scenes, often featuring animals and huntsmen,using rich natural colors.
$30,000-50,000
420
421.William McGregor Paxton (American, 1869-1941)
Portrait of a Seated WomanSigned and dated “Paxton Dec 1933” l.r.Pencil on Strathmore drawing board, sight size 14 x 11 in. (35.6x 27.9 cm), framed.Condition: Toning, soiling, not examined out of frame.
$800-1,200
422.William Edward Norton and Studio (Anglo/American,1843-1916)
Lot of Three Figure StudiesEach signed or inscribed “W.E. Norton Atelier.” l.l.Oil on canvas, each 16 x 12 1/4 in. (40.6 x 31.1 cm), framed.Condition: Mild surface grime.
$2,400-3,000
421
422
422A.American School, 19th Century
Portrait of Richard VarickUnsigned, sitter identified in information affixed to the reverse.Oil on canvas stretched over panel, 30 x 25 in. (76.2 x 63.5 cm),framed.Condition: Retouch, varnish inconsistencies, surface abrasions(predominately beneath the liner), fine craquelure, surface grime.
N.B. Richard Varick was born in 1753 in Hackensack, NewJersey. He served in the army during the Revolutionary War, firstas the captain of the 1st New York Regiment, then under GeneralPhilip Schuyler and, after, at West Point, where he was aide toGeneral Benedict Arnold. By the end of the war, Varick served asGeorge Washington’s private secretary. Varick entered politicsafter the war; he worked to standardize the statutes of New Yorkand then served as Mayor of New York from 1791 until 1801.Varick was also a philanthropist, and founded the American BibleSociety in 1816.
$1,000-1,500
422B.Harper Pennington (American, 1854-1920)
Portrait of OfficerSigned and dated “Harper Pennington 1894” l.r.Oil on canvas mounted onto panel, 40 x 30 in. (101.6 x 76.2cm), framed in a liner.Condition: Warping and splits to support, retouch, surface rubs,bloom, surface grime.
$1,000-1,500
422A
422B
423.Thomas Nast (American, 1840-1902)
Peace and Goodwill Ringing in the AirSigned “Th: Nast” l.c.Ink with wash on paperboard, sight size 13 x 10 1/2 in. (33.0 x26.6 cm), framed.Condition: Adhered to front and back boards, soiling, surfacegrime.
$500-700
423A.George Henry Hall (American, 1825-1913)
Still LifeSigned and dated “G. H. Hall ‘62” l.c., identified on a label fromGrand Central Art Galleries, New York, affixed to the reverse.Oil on canvas mounted onto board, 11 1/2 x 10 in. (29.2 x 25.4cm), framed.Condition: Scattered retouch, mild varnish inconsistencies,craquelure.
$700-900
424.Charles B. Russ (American, 1825-1920)
Town View, Probably a Haverhill, Massachusetts, LandscapeSigned and dated “C.B. Russ 1883” l.r.Watercolor on paper/board, sight size 13 1/2 x 9 1/2 in. (34.3 x24.1 cm), framed.Condition: Toning, not examined out of frame.
$300-500
423 423A
424
425.Benjamin Franklin Reinhart (American, 1829-1885)
Playing Among the DaisiesSigned and dated “BFReinhart. 1873.” l.l., inscribed “...Reinhart,N. York, Dec. 18 1872.” in the artist’s hand on the reverse.Oil on canvas mounted onto panel, 15 x 12 in. (38.1 x 30.5 cm),framed.Condition: Retouch, craquelure.
$2,000-4,000
426.Charles Henry Turner (American, 1848-1908)
Maine ImagesUnsigned, inscribed “York Harbor. Aug. 81.” l.r.Graphite on paper, 11 x 8 3/4 in. (27.9 x 22.2 cm), framed.Condition: Hinged to back mat at u.r. and u.l. verso, toning,mild nicks/wear to edges.
$200-300
427.John Clinton Spencer (American, 1861-1919)
Still Life with Basket of FruitSigned and dated “-J. C. Spencer 1917-” l.l.Oil on canvas, 20 x 30 in. (50.8 x 76.2 cm), framed.Condition: Patch reinforcement u.l., scattered retouch.
$1,500-2,000
425
426
427
428.Emily Harris McGary Selinger (American, 1848-1927)
Chrysanthemums and a VaseSigned “Emily Selinger” l.l.Oil on canvas, 14 1/4 x 20 in. (35.6 x 50.8 cm), framed.Condition: Mild varnish inconsistencies, surface grime.
$400-600
429.John Haberle (American, 1856-1933)
Still Life with Pears and PanSigned “Haberle” l.r.Oil on canvas, 11 x 15 3/4 in. (27.9 x 40.0 cm), framed.Condition: Lined, retouch, signature partially reinforced.
$1,000-1,500
428
429
430.Arnoud Wydeveld (American, 1823-1888)
Two PeachesUnsigned, artist inscribed on a label from Questroyal Fine ArtLLC, New York, affixed to the reverse, inscribed “A.W.” on thereverse.Oil on canvas mounted to board, 5 1/2 x 7 in. (14.0 x 17.8 cm),framed.Condition: Scattered retouch, water damage to the supportingboard, fine craquelure.
$500-700
431.Evelyn Almond Withrow (American, 1858-1928)
Blue FlowersSigned, inscribed, and dated “E. Withrow-. Paris. ‘92” l.r.,identified on a label from Richard York Gallery, New York, affixedto the reverse.Oil on paper/board, sight size 5 1/4 x 15 3/4 in. (13.3 x 40.0cm), framed.Condition: Mild scattered surface abrasions, mild surface grime.
$500-700
432.American School, 19th Century
Plums in a BasketUnsigned.Oil on board, 13 x 16 1/2 in. (33.0 x 41.9 cm), framed.Condition: Wear/losses to edges, minor scattered retouch,craquelure, surface grime.
$400-600
430 432
431
433.Attributed to Seth Eastman (American, 1808-1875)
Ball Play of the Sioux on the St. Peters River in WinterUnsigned, identified on a label affixed to the backing.Oil on board, 13 x 18 in. (32.5 x 45.5 cm), framed.Condition: Curve to support, varnish inconsistencies, surfacegrime.
N.B. The work is nearly identical to Ballplay of the Dakota on theSt. Peters River in Winter of 1848, presently in the collection ofthe Amon Carter Museum, Fort Worth, Texas.
$2,000-4,000
434.Frederic Remington (American, 1861-1909)
Seated Man Holding a Walking StickApplied signature “Frederic Remington” in ink l.r., identified on alabel on the reverse (see below).Pencil on paper, 11 1/4 x 9 in. (28.5 x 22.8 cm), framed.Condition: Nicks and tears to edges, unobtrusive abrasions,toning, not examined out of frame.
Provenance: From the artist to his widow to Dr. Roland J.Mulford, then by descent within his family to the present owner.
N.B. This work is a preliminary sketch for Remington’s A Sketchon the Work from 1890-91, which was published as an illustrationin Julian Ralph’s article, “Dan Dunn’s Outfit” in Harper’s Weekly(November 1891), p. 890. In this work, Mrs. Remington took asignature from one of her husband’s canceled checks and appliedit to the unsigned drawing, a common practice after the artist’sdeath.
A copy of correspondence from the Buffalo Bill HistoricalCenter’s Remington Examination Committee discussing the workaccompanies the lot.
$1,000-2,000
435.Alice Price King (British, fl. 1907-1922)
Lot of Three Chilean Views: Cerro San Francisco PampaTerrapaca [sic], El Cerro de Arena, Iquique (The Sand Hill),and Rocky Coastal ViewEach signed “Price King” l.r. or l.r., respectively, two identified onlabels affixed to the backing.Watercolor on paper, sight sizes to 13 1/4 x 18 3/4 in. (33.7 x47.6 cm), framed.Condition: Not examined out of frames.
$700-900
433 434
435
436.Cyrus Edwin Dallin (American, 1861-1944)
Massasoit, Chief of the Wampanogas, c. 1920Signed “Dallin ©” and inscribed “Massasoit” within the cast onthe base.Bronze with dark brown patina, 11 x 2 3/4 x 4 in. (27.9 x 7.0 x10.2 cm).Condition: Minor surface dust/grime.
N.B. This sculpture is after the large-scale version created in1920, which was commissioned by the Improved Order of RedMen as a monument for the Plymouth Tercentenary.
$7,000-9,000
437.Attributed to Cornelius David Krieghoff (Canadian, 1815-1872)
Indian Holding MoccasinsSigned “K...hoff” l.l.Oil on canvas, 12 x 10 in. (30.5 x 25.4 cm), framed.Condition: Signature possibly partially reinforced, craquelure,surface grime.
$2,000-4,000
436
437
438.H.A. Driscole (American, 19th/20th Century)
Small Mouth BassSigned “H.A. Driscole” l.l.Oil on canvas, 20 1/4 x 14 1/4 in. (51.4 x 36.2 cm), framed.Condition: Minor surface grime.
N.B. A copy of an article on Driscole from The American Angler(May 1919) and picture light accompany the lot.
$1,500-2,000
439.Edwin Megargee (American, 1883-1958)
Two PointersSigned “Edwin Megargee” l.r.Oil on canvas mounted onto board, 8 x 10 in. (20.3 x 25.4 cm),framed.Condition: Mild surface grime.
$1,000-1,500
440.Alexander Pope (American, 1849-1924)
Hanging DucksSigned and dated “ALEXANDER POPE - 03” l.r.Oil on canvas, 36 x 26 in. (91.4 x 66.0 cm), unframed.Condition: Lined, scattered retouch, fine craquelure, surfacegrime.
$2,000-2,500
438
439
440
441.Percival Leonard Rosseau (American, 1859-1937)
Stylish Mack/Portrait of a Pointer in a LandscapeSigned and dated “Rosseau/1933” l.l., titled on the reverse,identified on a presentation plaque.Oil on canvas, 34 x 27 in. (86.4 x 68.6 cm), framed.Condition: Surface grime, retouch.
N.B. Percival Leonard Rosseau was born in Louisiana and hadworked as a commodities broker, and cattle driver, and cowboybefore moving to Paris at the age of 35 to study at the AcademieJulian. While in Paris he discovered a talent for portrayinganimals. Rosseau returned to the U.S. in 1915, and enjoyed asuccessful career painting hunting dogs. He set up his studio inOld Lyme, Connecticut, but frequently traveled to NorthCarolina, where Percy Rockefeller set up a studio for him on hisprivate hunting ground at Overhills Club in Fayetteville.
$30,000-50,000
441
442.John Whorf (American, 1903-1959)
Duck HuntersDated and signed “33. John Whorf.” l.r.Watercolor on paper/board, sight size 24 1/2 x 18 1/2 in. (62.2x 47.0 cm), framed.Condition: Not examined out of frame.
$7,000-9,000
443.Phillip Brown Parsons (American, 1895-1977)
Mallards in Flight, Probably a Duck Stamp CompositionSigned “P.B. PARSONS” l.r.Watercolor and gouache on paper, 5 x 4 in. (12.7 x 10.2 cm),framed.Condition: Broad ripple/wave to support, not examined out offrame.
Provenance: Through the estate of the artist.$500-700
444.Aiden Lassell Ripley (American, 1896-1969)
Mr. + Mrs. Cunningham with Sam Baby on Point at Merry GoRound, Carver, MassachusettsSigned “A. Lassell Ripley” by the artist’s estate, identified ininscriptions on the backing.Watercolor and graphite on paper, sight size 9 3/4 x 13 3/4 in.(24.6 x 34.8 cm), framed.Condition: Subtle toning, not examined out of frame.
N.B. Born in Wakefield, Massachusetts, the son of a musicianwith the Boston Symphony Orchestra, Ripley was anaccomplished musician, however, he chose to establish his careerin art. After serving in the Army during World War I, heattended the Boston Museum School where he studied withartists such as Philip Hale and Frank W. Benson. While there, hewas awarded a Paige Traveling Fellowship to study in Europe andAfrica. Upon his return to America, he focused his work on theNew England countryside, as well as scenes of city life and therailroad. Ripley himself was a committed outdoorsman, hunter,and active conservationist. He also worked as a portraitist andmuralist and, in 1939, completed a mural for the Lexington PostOffice.
$3,500-5,000
442
443
445.Frank Weston Benson (American, 1862-1951)
Canada Geese in the SnowSigned and dated “F. W. Benson ‘30” l.r.Watercolor with graphite on paper, sight size 18 1/2 x 23 1/2 in. (47.0 x 59.7 cm), framed.Condition: Ripping, subtle mat burn.
N.B. A member of “The Ten” and one of the leading American Impressionist artists, FrankBenson worked in a variety of media, including oil, watercolor, and etching, and producedportraits, landscapes, sporting scenes, and still lifes. Born in Salem, Massachusetts, Benson firststudied at Boston’s Museum School before traveling to Paris, where he enrolled at the AcademieJulian. After returning to the U.S. in 1885, he taught at Boston’s Museum School and enjoyed asuccessful career, gaining membership to the Society of American Artists and winning manyawards, including the Hallgarten Prize at the National Academy in New York. At this time Bensonwas best known for his graceful plein-air oil portraits which incorporated elements of FrenchImpressionism. However, as American artistic tastes began to change in the 1910s Benson’s focusbegan to shift too, towards landscapes and sporting subjects. Always an avid outdoorsman, it wasat this time that he began depicting views of New England and Canada, and abandoned oil paintin favor of watercolors and etchings.
$30,000-50,000
445
446.Attributed to Gladys Thayer Reasoner (American, 1886-1945)
Desert ViewUnsigned, artist’s name inscribed on the stretcher.Oil on canvas, 18 x 20 in. (45.7 x 50.8 cm), framed.Condition: Surface grime.
$500-700
447.Edward Willis Redfield (American, 1869-1965)
Summer SceneSigned and dated “E Willis Redfield 40” l.r.Oil on canvas, 29 x 46 in. (73.6 x 116.8 cm), framed.Condition: Retouch and varnish inconsistencies, craquelure.
Literature: Fletcher, J.M.W., Edward Willis Redfield 1869-1965,An American Impressionist: His Paintings and the Man Behind thePalette: (Lahaska, Pennsylvania: JMWF Pub., 1996), p. 105(illus.).
N.B. This work will be included in Dr. Tom Folk’s forthcomingcatalogue raisonné on the artist.
$4,000-6,000
448.John L. O’Hagan (American, 1889-1932)
Desert Landscape/A View of Southern CaliforniaSigned “J L O’Hagan” l.r.Oil on canvas, 24 x 30 in. (61.0 x 76.2 cm), unframed.Condition: Craquelure, surface grime.
$400-600
446
447
448
449.Xiang Zhang (Chinese/American, b. 1954)
The Cattle DriveSigned “XIANG ZHANG ©” l.r.Oil on canvas, 30 x 40 in. (76.2 x 101.6 cm), framed.Condition: Small loss and craquelure to u.c.
$7,000-9,000
450.Attributed to Arthur J. Hammond (American, 1875-1947)
Sonora Desert View with Saguaro Cactus/An ArizonaLandscapeSigned or inscribed “A.J. HAMMOND” l.l.Oil on artist board, 10 7/8 x 13 7/8 in. (27.6 x 35.2 cm),framed.Condition: Surface grime/abrasions.
$700-900
449
450
451.Willi (Wilhelm) Lorenz (German, 1901-1981)
Lion at RestSigned “Willi Lorenz.” l.r.Oil on canvas, 23 x 39 in. (58.4 x 99.1 cm), framed.Condition: Craquelure, subtle retouch.
Provenance: Ex-collection of the Catskill Game Farm, Catskill,New York.
$1,200-1,800
452.Olive Rush (American, 1873-1966)
Three Deer Three AspensSigned “Olive Rush” l.l., signed, inscribed, and titled “OliveRush...22...” on the backing.Watercolor and ink wash on paper/board, sight size 21 x 14 1/2in. (53.3 x 36.8 cm), framed.Condition: Subtle toning, not examined out of frame.
$300-500
452A.Jean Jacques Pfister (American, 1878-1949)
High Mountain Landscape, Possibly the Rocky Mountains,Lander’s PeakSigned “Jean J. Pfister” l.r., inscribed “Property of F.RAEGEBEHN...” on the reverse.Oil on canvas, 24 x 30 in. (61.0 x 76.2 cm), framed.Condition: Craquelure, pigment fluorescence.
$1,500-2,500
451
452
452A
452B.Kathryn Woodman Leighton (American, 1875-1952)
The High Scierras [sic] near Mammoth, Lake George in theForegroundSigned “K. Leighton” l.l., titled on a label affixed to the reverse.Oil on canvas, 28 x 36 in. (71.1 x 91.4 cm), framed.Condition: Lined, retouch.
N.B. This work is possibly Lake George, mentioned in PatriciaTrenton’s Woman Painters of the American West 1890-1945,which is included “on an artist index card dated June 1925 anddeposited in the California State Library in Sacramento, on whichLeighton lists the titles of her principle works...”1
1. Trenton, p. 279, note 60.$3,000-5,000
453.Anne Lyman Powers (American, b. 1922)
The Osprey’s Nest on a DaybeamSigned and dated “POWERS 79 ©” l.l., artist and title inscribedon the backing.Gouache on paper/board, sight size 17 1/2 x 23 3/4 in. (44.5 x60.3 cm), framed.Condition: Not examined out of frame.
$500-700
454.Richard Evans Younger (American, 1928-2008)
Big Horn Sheep, Grandfather MountainSigned and dated “© RICHARD EVANS YOUNGER ‘90” l.r.Oil on canvas, 30 x 40 in. (76.2 x 101.6 cm), framed.Condition: Good.
$2,000-2,500
452B
453
454
455.Gino De Colle (Italian, b. 1899)
Venetian Street SceneSigned and dated “G. de Colle 96” l.r., a label from Robert C.Vose, Boston, affixed to the backing.Watercolor on paper/board, sight size 13 1/2 x 8 in. (34.3 x20.3 cm), framed.Condition: Toning, subtle fading.
Provenance: The property of Samuel E. Codman, Charles G.Loring House, Prides Crossing, Massachusetts.
$800-1,200
456.Virgilio Ripari (Italian, 1843-1902)
View Along the Grand Canal, VeniceSigned “Ripari” l.r.Oil on canvas, 14 x 26 in. (35.6 x 66.0 cm), framed.Condition: Retouch, minor surface grime.
$3,000-5,000
457.Isabel (Belle) M. Ross (American, 19th/20th Century)
Santa Maria della Salute from the Guidecca Venice, c. 1910Signed “B. Ross” l.r. and identified on a presentation plaque andon a label affixed to the stretcher bar.Oil on canvas, 24 x 18 in. (61.0 x 45.7 cm), framed.Condition: Craquelure, surface grime.
$2,000-3,000
455
456
457
458.Walter F. Lansil (American, 1846-1925)
Repose/A View of Venetian SailboatsSigned “Walter F. Lansil” l.l., titled, signed, and indistinctly dated“...Walter F. Lansil...” on the reverse.Oil on canvas, 9 x 12 1/4 in. (22.9 x 31.1 cm), framed.Condition: Scattered surface abrasions, mild surface grime.
$1,000-1,500
459.J. Pavlikevitch (Russian, 19th/20th Century)
Constantinople StreetIndistinctly inscribed and signed “...J. Pavlikevitch...” l.l.Watercolor on paper, 11 3/4 x 17 3/4 in. (29.8 x 45.1 cm),framed.Condition: Toning, mild scattered staining/foxing, not examinedout of frame.
$200-250
460.Leopold Ziller (German, 19th Century)
View Along the BosphorusSigned “Ziller” l.l.Oil on canvas, 9 1/2 x 13 3/4 in. (24.0 x 34.9 cm), framed.Condition: Several small patch reinforcements, retouched, surfacegrime, craquelure.
$800-1,200
458
459
460
461.Henry Roderick Newman (American, 1833-1918)
Queen Nefertiti, c. 1896-1899Signed “HR Newman” l.r., and inscribed “...The figure to theright of the door of the Temple of Abu Simbel near the 2ndCataract...Fuller/22 Feby 1945” in pencil on the reverse, with alabel from Alexander Reeves Fine Art, Richmond, Virginia, on thepaper backing.Watercolor on linen-backed paper, 18 x 9 3/4 in. (45.7 x 24.8cm), framed.Condition: Trimmed sheet, cloth tape hinged, small restored tearu.l.
$3,000-5,000
462.Attributed to Hughson Hawley (American, 1850-1936)
Interior of an Egyptian Revival HallMonogram signed and dated “HHawley 30” l.r.Gouache on paper, sight size 11 3/4 x 23 1/2 in. (29.8 x 59.7cm), framed.Condition: Partially reinforced signature, not examined out offrame.
$800-1,200
463.Albert Herter (American, 1871-1950)
Mohamed Ben Hadge Abdeslam Djedidi/A Tunisian Portrait, c.1925Bears signature “...ALBERT HERTER” l.l., identified on apresentation plaque, inscribed “Mohamet” and with a stamp fromLucien Lefebvre Foinet, Paris, on the stretcher.Oil on canvas, 45 1/2 x 26 in. (115.6 x 66.0 cm), framed.Condition: Surface grime.
Provenance: Sold to benefit the Bennington Museum, Vermont.$800-1,200
461
462
463
464.Charles Zacharie Landelle (French, 1812-1908)
Jeune Fille OrientaleSigned “Landelle” l.l., partial canvas stencil on the reverse.Oil on canvas, 18 x 13 3/4 in. (45.7 x 34.9 cm), framed.Condition: Minor scattered losses, retouch, varnishinconsistencies, craquelure with lifting, mild surface grime.
$5,000-7,000
465.Charles Bourdon (French, 19th Century)
Venetian BelleSigned “Ch. Bourdon” l.r., identified on a presentation plaque.Oil on canvas, 30 x 20 in. (76.2 x 50.8 cm), in a shadowboxframe.Condition: Craquelure, surface grime.
$3,000-5,000
464
465
466.Leota Williams Loop (American, 1893-1961)
Beech WoodsSigned “Leota-Williams-Loop-” l.l., inscribed and titled “#588...”on the stretcher bars.Oil on canvas, 16 x 20 in. (40.6 x 50.8 cm), framed.Condition: Minor surface grime.
$2,000-4,000
467.John C. Terelak (American, b. 1942)
Autumn BirchesSigned and dated “J C TERELAK © 77” l.r.Oil on Masonite, 20 x 30 in. (50.8 x 76.2 cm), framed.Condition: Varnish inconsistencies.
$2,000-4,000
468.Louis F. Mueller (American, 1886-1958)
Hillside Farm with HaystacksSigned “Louis Mueller.” l.r.Oil on board, 21 1/2 x 31 1/4 in. (54.6 x 79.4 cm), framed.Condition: Retouch, varnish inconsistencies.
$600-800
466
467
468
469.Ernest David Roth (American, 1879-1964)
Green and GoldSigned “E.D. Roth” l.r., title depicted on a photograph affixed tothe reverse.Oil on canvas, 24 1/4 x 20 in. (61.6 x 50.8 cm), framed.Condition: Craquelure, lined.
$1,500-2,500
470.William Mouncey (Scottish, 1852-1901)
On the Banks of the RiverSigned “W. Mouncey” l.l., inscribed “I, Joan Mouncey, eldestdaughter of the late William Mouncey of Kirkcudbright, Scotland,know that this picture was the work of the said WilliamMouncey/dated May 22nd 1911...” on the reverse.Oil on canvas, 20 1/4 x 24 1/4 in. (51.4 x 61.6 cm), framed.Condition: Craquelure.
$2,000-4,000
471.Ralph Davison Miller (American, 1858-1945)
Brother OaksIncised signature “Ralph Davison Miller” l.r., titled on thereverse.Oil on canvas, 21 1/4 x 27 1/4 in. (54.0 x 69.2 cm), framed.Condition: Craquelure, minor surface grime.
$1,500-2,500
469 470
471
472.Antonio Cirino (American, 1889-1983)
Late Day in AutumnSigned “A. CIRINO” l.r.Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), framed.Condition: Retouch, craquelure.
Provenance: Through the artist’s estate.$3,000-5,000
473.Cecil Chichester (American, 1891-1963)
Autumn LandscapeSigned “Cecil Chichester” l.r., a partial gallery label affixed to thereverse.Oil on board, 8 1/4 x 10 1/2 in. (21.0 x 26.6 cm), framed.Condition: Slight bowing to the support, scattered retouch.
$400-600
474.Bernard Corey (American, 1914-2000)
AuburnSigned “BERNARD COREY” l.r., also signed and titled“BERNARD COREY...” on the reverse.Oil on canvas mounted to board, 8 3/4 x 13 in. (22.2 x 33.0cm), unframed.Condition: Minor surface grime.
$700-900
474A.Beatrice J. Humphreys Jackson (American, b. 1905)
Hathaways FarmSigned “B. Jackson” l.l., identified on a period label from GrandCentral Art Galleries, New York, and a partial label from C.W.Kraushaar Art Galleries affixed to the reverse.Oil on canvas, 22 3/4 x 30 3/4 in. (57.8 x 78.1 cm), framed.Condition: Mild surface grime.
$300-500
472
473
474 474A
475.Robert Shaw Wesson (American, 1902-1967)
Cambridge Valley BrookSigned “Robert Wesson” l.r., also signed and titled “...RobertWesson” on the reverse.Oil on canvas, 23 3/4 x 30 in. (60.3 x 76.2 cm), framed.Condition: Abrasion/loss l.l., varnish inconsistencies.
$1,500-2,000
476.Annabelle E. Williams (American, 20th Century)
October SunlightSigned “Annabelle E. Williams” l.r., titled and signed“...Annabelle E. Williams” on the reverse.Oil on canvas, 24 x 30 in. (61.0 x 76.2 cm), in a frame signed“ANNABELLE E. WILLIAMS FRAME.” u.c.Condition: Good.
$800-1,200
477.Anders Daniel Johansen (Danish, 1882-1967)
Autumn Trees Nestled within the HillsSigned “ANDERS D. JOHANSEN” l.l.Oil on artist board, 8 x 11 in. (20.3 x 27.9 cm), framed.Condition: Minor abrasions along liner.
$200-300
475
476
477
478.Charles Gordon Harris (American, 1891-1963)
Autumn HillsSigned “C. GORDON HARRIS” l.r.Oil on artist board, 9 3/4 x 12 in. (24.8 x 30.5 cm), framed.Condition: Surface grime.
$300-350
479.Frank Townsend Hutchens (American, 1869-1937)
River ReflectionsSigned “F.T. HUTCHENS” in ink l.r.Oil on canvas, 20 x 14 in. (50.8 x 35.6 cm), framed.Condition: Surface grime, subtle varnish inconsistencies.
$2,000-4,000
480.Joseph Eliot Enneking (American, 1881-1942)
Autumn TreesSigned or inscribed “J. E. Enneking” in pencil on the reverse.Oil on board, 8 1/4 x 14 in. (21.0 x 35.6 cm), framed.Condition: Flaking/losses l.c., retouch, extremely finecraquelure, mild surface grime.
$600-800
478
479
480
481.Louis H. Richardson (American, 1853-1923)
Autumn View with StreamSigned and dated “LHRICHARDSON 1911” l.r.Oil on canvas, 14 x 11 in. (35.6 x 27.9 cm), framed.Condition: Scattered retouch, signature partially reinforced,surface grime.
$1,000-1,500
482.David Cunningham Lithgow (American, 1868-1958)
Woods Behind David Lithgow’s Cottage in the Adirondacks, 1922Unsigned, inscribed, and titled “Painted by David Lithgow...” onthe stretchers.Oil on canvas, 19 3/4 x 15 1/4 in. (50.2 x 38.7 cm), framed.Condition: Minor surface grime.
$500-700
483.Mariquita Gill (American, 1861-1915)
Lakeview in AutumnSigned “Mariquita Gill” l.l., inscribed indistinctly on the stretcher.Oil on canvas, 15 x 22 in. (38.1 x 55.9 cm), framed.Condition: Surface grime, retouch, craquelure.
$1,000-1,500
481
482
483
484.Antonio Cirino (American, 1889-1983)
The Lullaby of the Leaves, alternatively titled Obliging AutumnSigned “A. CIRINO” l.r., titled on the stretcher bars.Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), unframed.Condition: Losses along tacking margin, craquelure, pigmentfluorescence.
Provenance: Through the artist’s estate.$3,000-5,000
485.George Glenn Newell (American, 1870-1947)
Landscape with CattleSigned and dated “G Glenn Newell 1931” l.l., identified on apresentation plaque.Oil on canvas, 36 x 42 1/4 in. (91.4 x 107.3 cm), framed.Condition: Surface grime, craquelure.
$3,000-5,000
486.James Goodwin McManus (American, 1882-1958)
Lot of Two Landscapes: The Hatt Farm House at SalemConnecticut and Captain Jim’s MeadowSalem signed and dated “James Goodwin McManus 1953” l.l.,identified in the artist’s hand on the reverse, Meadow signed“James Goodwin McManus” l.r., identified on a partial label fromthe Lyme Art Association, Old Lyme, Connecticut, affixed to thereverse.Oil on canvasboard, 12 x 16 in. (30.5 x 40.6 cm), framed.Condition: Surface grime.
$325-500
484
485
486
487.Antonio Cirino (American, 1889-1983)
Old Livery StableSigned “A. CIRINO” l.r., identified on a label from theSalmagundi Club, New York, on the reverse.Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), unframed.Condition: Losses along tacking margin, craquelure, minorsurface grime.
Provenance: Through the artist’s estate.$3,000-5,000
488.Antonio Cirino (American, 1889-1983)
New England, Autumn, 1932Signed “ACIRINO” l.l., also signed “ACIRINO” on thestretcher, identified on labels on the reverse.Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), framed.Condition: Craquelure, retouch, pigment fluorescence.
Provenance: Through the artist’s estate.$3,000-5,000
487
488
489.William Lester Stevens (American, 1888-1969)
Winter FieldSigned “W. LESTER STEVENS N.A.” l.c., titled in the artist’shand on the reverse.Oil on canvas mounted to Masonite, 24 x 48 in. (61.0 x 121.9cm), framed.Condition: Varnish inconsistencies, surface grime, partiallyreinforced signature.
$7,000-9,000
490.Ethel M. Lomasney (American, 1887-1959)
Blue ValleySigned “Ethel Lomasney.” l.r., identified on a presentationplaque.Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), framed.Condition: Subtle varnish inconsistencies, pigment fluorescence.
$400-600
489
490
491.Carl Wuermer (American, 1900-1982)
December AfternoonSigned “Carl Wuermer” l.r., identified on a period label affixed tothe backing.Oil on canvas, 25 x 30 in. (63.5 x 76.2 cm), framed.Condition: Surface grime, minor surface abrasions.
$10,000-15,000
492.Stowell B. Sherman (American, b. 1886)
Winter ShadowsSigned “STOWELL SHERMAN” l.r., identified on an exhibitionlabel from South County Art Association affixed to the stretcher.Oil on canvas, 26 1/4 x 30 in. (66.7 x 76.2 cm), framed.Condition: Fine scattered craquelure, surface grime.
$800-1,200
491
492
493.Gene (Charles Eugene) Klebe (American, b. 1907)
Maine Harbor in WinterSigned “Gene Klebe AWS” l.r.Watercolor on paper/board, sight size 17 x 26 1/2 in. (43.2 x67.3 cm), framed.Condition: Not examined out of frame.
$400-600
493A.Ernest David Roth (American, 1879-1964)
Winter Landscape with HousesSigned “E.D. Roth” l.l.Oil on board, 10 1/8 x 14 1/8 in. (25.7 x 35.9 cm), framed.Condition: Surface grime.
$800-1,200
494.Boris Ivanovich Gorbunov (Russian, b. 1922)
Blue SnowInitialed and dated “G49” l.r., inscribed and stamped “B.Gorbunov. 1949...USSR City of PodolskCardboard...Dimensions...” and titled in Cyrillic on the reverse.Oil on paper/board, 11 x 14 in. (27.9 x 35.6 cm), framed.Condition: Losses and flaking u.r., trimmed board.
Provenance: Private New England collection.$200-300
493
493A
494
495.Thomas Andrew Nicholas (American, b. 1934)
Along the River, VermontSigned “-TOM NICHOLAS- N.A.” l.r. identified on labelsaffixed to the reverse.Oil on canvas, 30 1/4 x 36 1/4 in. (76.8 x 92.1 cm), framed.Condition: Good.
$3,500-5,500
496.Marian Williams Steele (American, 1912-2001)
Winter at AnnisquamSigned “Marian Williams Steele” l.l. and on the reverse.Oil on board, 24 x 36 in. (61.0 x 91.4 cm), framed.Condition: Pigment fluorescence, surface grime.
$1,200-1,800
496A.Elisabeth Roberta “Betty” Galbraith-Cornell (Canadian, b.1916/17)
“Spring Melting” - The GlenSigned “B. Galbraith-Cornell” l.r.Oil on Masonite, 12 3/4 x 26 in. (32.4 x 66.0 cm), framed.Condition: Surface grime.
$300-500
495
496
496A
497.Ellen Day Hale (American, 1855-1940)
Almond BlossomsSigned and dated “E.D. Hale/ 91” in pencil l.l.Pastel on paper, sight size 11 1/2 x 19 3/8 in. (29.2 x 49.2 cm),framed.Condition: Tack holes to margins, pentimento l.l.
$2,000-4,000
498.Arthur Bowen Davies (American, 1862-1928)
Houses Beyond the TreesUnsigned.Oil on panel, 5 3/8 x 9 3/8 in. (13.7 x 23.8 cm), framed.Condition: Minor splits to edges, losses/wear to edges, surfacegrime.
$400-600
497
498
499.Eric L. (Frederic) Pape (American, 1870-1938)
View of an Egyptian FarmSigned, dated, and inscribed “·PAPE· 91·/·EGYPT·” l.r., stamped“ESTATE OF Eric Pape 1870-1938” on the backing.Oil on canvas, 11 x 13 1/2 in. (27.9 x 34.3 cm), framed.Condition: Lined, retouch.
Provenance: Through the estate of the artist.$2,500-3,500
500.Helen M. Goodwin (American, 1865-1955)
California LandscapeInitialed “H.M.G.” l.r., a label from Pasadena Artists’ Supplyaffixed to the frame.Oil on board, 14 x 18 in. (35.6 x 45.7 cm), framed.Condition: Surface grime.
$400-600
500A.Dana Ripley Pond (American, 1881-1962)
Scene from Family HouseSigned “Dana Pond.” l.l., titled and inscribed “...10 CambridgeStreet, Winchester, Mass. Given to his Brother Shepard + HisWife June T. Pond” on the reverse.Oil on canvas, 30 1/4 x 24 in. (76.2 x 61.0 cm), framed.Condition: Surface grime.
Provenance: Through the family of the artist.$1,000-1,500
499
500 500A
501.Isabelle H. Ferry (American, 1865-1937)
Garden StepsUnsigned, artist’s estate stamp on the reverse.Oil on canvas mounted onto board, 12 x 16 in. (30.5 x 40.6 cm),framed.Condition: Pigment fluorescence, mild surface grime.
$600-800
502.Freda Churchwell MacAdam (American, 1907-1998)
White ColumnsSigned “FREDA MACADAM” l.r., signed, titled, and inscribed“FREDA MACADAM...Virginia 1935” on the reverse, inscribed“Rehoboth Annual Show” on the reverse.Oil on canvas, 25 x 30 in. (63.5 x 76.2 cm), framed.Condition: Retouch.
$400-600
503.American School, 20th Century
Garden ViewUnsigned, partial oil on canvas figure study of a male nude on thereverse.Oil on canvas mounted onto board, 19 x 13 1/2 in. (48.3 x 34.3cm), unframed.Condition: Mild surface grime, losses, tears and adhesive residueto the reverse.
$300-500
501
502 503
504.Anthony Thieme (American, 1888-1954)
Southern DoorwaySigned “A. Thieme” l.r., titled and inscribed “SouthernDoorway...290/500” in the artist’s hand on the reverse,identified on a label from the Boston Art Club affixed tothe reverse.Oil on canvas, 18 x 15 in. (45.7 x 38.1 cm), framed(under glass).Condition: Pigment fluorescence, area of lifting l.r.
$4,000-6,000
505.Abbott Fuller Graves (American, 1859-1936)
Portrait of a Young Breton Girl in a Summer GardenSigned “-Abbott Graves-” l.l.Oil on canvas, 18 x 14 in. (45.7 x 35.6 cm), framed.Condition: Craquelure, scattered retouch.
$15,000-20,000
504
505
506.Waldo Peirce (American, 1884-1970)
A Walk in the ParkDated, dedicated, and signed “15 feb 53 All the best, for Sally &Peter...Waldo Peirce.” l.l., indistinctly inscribed, signed, and dated“...W Peirce ‘53” l.r.Watercolor, ink, and pencil on paper/board, sight size 10 3/4 x15 1/2 in. (27.3 x 38.1 cm), framed.Condition: Toning, creases, staining, not examined out of frame.
$300-500
507.Virginia Cuthbert (American, 1908-2001)
Spring LandscapeSigned “Virginia Cuthbert” l.l., titled and signed or inscribed“...VIRGINIA CUTHBERT ELLIOTT” on the stretcher.Oil on canvas, 20 1/4 x 24 in. (51.4 x 61.0 cm), framed.Condition: Minor surface grime/abrasions.
$800-1,200
508.Everett Lloyd Bryant (American, 1864-1945)
Lot of Two Works: Path Along the River and A Studio StillLife with Flowers and SculptureEach signed “E L Bryant” l.l. or l.r.Oil on canvas, sizes to 26 x 32 in. (66.0 x 81.3 cm), unframed,unstretched.Condition: Creases, scattered abrasions with losses, surfacegrime.
$200-300
506
507
508
509.William Johnson Bixbee (American, 1850-1921)
Along the Charles River, Perkins SchoolSigned “Bixbee” l.l., identified on a label affixed the reverse.Oil on canvas, 14 1/4 x 20 in. (36.2 x 50.8 cm), framed.Condition: Craquelure, pigment fluorescence.
Exhibitions: Artists of the Boston Art Club, 1854-1950, FullerMuseum of Art, July 3–September 19, 1993, exh. no. 5.
$2,000-3,000
510.Frank Swift Chase (American, 1886-1958)
Bare TreesSigned “FS CHASE” l.r., information regarding the artist affixedto the reverse.Oil on paper mounted onto board, 8 1/8 x 10 1/8 in. (20.6 x25.7 cm), framed.Condition: Craquelure.
$2,500-3,500
509
510
511.Joseph Randolph Brown (American, 1861-1953)
Marsh View in SpringSigned and dated “J. Randolph Brown 1937” l.l.Oil on artist board, 16 x 20 in. (40.6 x 50.8 cm), framed.Condition: Retouch, surface grime.
$1,000-1,500
512.Margaret Jordan Patterson (American, 1867-1950)
Low TideUnsigned, artist’s estate stamp on the reverse.Watercolor and gouache on paper, sight size 8 x 17 1/4 in. (20.3x 43.8 cm), framed.Condition: Tear l.r., not examined out of frame.
$400-600
513.Katherine Adams Lovell (American, 1877-1965)
Waterfall, Ogunquit, MaineSigned “K. LOVELL” l.l., also identified, titled, and inscribed“...K. Lovell/Brooklyn 26...” on the reverse.Oil on canvasboard, 18 x 22 in. (45.7 x 55.9 cm), framed.Condition: Retouch, pigment fluorescence, surface grime, subtlebowing to board.
$800-1,200
511 513
512
513A.Wolf Kahn (American, b. 1927)
Barn in Summer, 1971-2Signed “W. Kahn” l.r., signed, dated, and titled “Wolf Kahn1972...” and identified on a label from Parker Street 470, Boston,on the stretcher.Oil on canvas, 50 x 50 in. (127.0 x 12.7.0 cm), framed.Condition: Fine craquelure.
$12,000-18,000
514.Henry W. Rice (American, 1854-1922)
Shoreside CottageUnsigned.Watercolor on paper, sight size 13 3/4 x 19 3/4 in. (35.2 x 50cm), framed.Condition: Tears, foxing, not examined out of frame.
$600-800
513A
514
515.Eugene Henry Bischoff (American, 1880-1954)
Franconia Notch/A New Hampshire ViewSigned and dated “E.H. Bischoff 1936” l.r., identified on apresentation plaque.Oil on canvas, 34 x 42 in. (86.4 x 106.7 cm), framed.Condition: Minor surface grime.
Provenance: Sold to benefit the Bennington Museum, Vermont.$300-500
516.Bernard Corey (American, 1914-2000)
Trees in the WoodsSigned “BERNARD COREY” l.r., identified on labels, includingone from the artist’s estate, affixed to the reverse.Watercolor with ink on paper/board, sight size 9 1/2 x 13 1/2in. (24.1 x 34.3 cm), framed.Condition: Not examined out of frame.
$500-700
517.David Bareford (American, b. 1947)
Spring Run-Off, Belfast, MaineSigned “David Bareford” l.l., identified on a label from QuesterGallery, Stonington, Connecticut, on the reverse.Oil on canvas mounted to board, 11 x 14 in. (27.9 x 35.6 cm),framed.Condition: Good.
$1,000-1,500
515
516
517
518.Charles Warren Eaton (American, 1857-1937)
The Heart of New EnglandSigned and dated “CHAS. WARREN EATON - 1905” l.l., titled,signed, and dated “...Chas. Warren Eaton. 1905.” on the reverse.Oil on canvas, 30 1/4 x 36 in. (76.8 x 91.4 cm), framed.Condition: Scattered retouch, scattered craquelure, mild surfacegrime.
$10,000-15,000
519.Ernest Lawson (Canadian/American, 1873-1939)
Along the RiverbankSigned “E. L...” l.r.Oil on canvas mounted to artist board, 12 x 14 3/4 in. (30.5 x37.5 cm), framed.Condition: Surface grime, retouch.
Provenance: William Doyle Galleries, American Paintings,October 21, 1987, lot 133; private collection, Montecito,California; private New England collection.
$8,000-12,000
518
519
520.Carl Gordon Cutler (American, 1873-1945)
Umbrella PineSigned “Carl G Cutler” l.l., titled in a later hand on the backing.Watercolor with charcoal on paper/board, sight size 16 3/4 x 241/2 in. (42.5 x 61.6 cm), framed.Condition: Not examined out of frame.
$800-1,200
521.Carl Gordon Cutler (American, 1873-1945)
Stone PilesSigned “Carl G Cutler” l.r., titled in a later hand on the backing.Watercolor with charcoal on paper/board, sight size 17 1/4 x 241/4 in. (43.8 x 61.6 cm), framed.Condition: Not examined out of frame.
$800-1,200
522.Carl Gordon Cutler (American, 1873-1945)
View Across Eggen Moy in BeachSigned “Carl G Cutler” l.l., titled in a later hand on the backing.Watercolor with charcoal on paper/board, sight size 17 1/2 x 233/4 in. (44.5 x 60.3 cm), framed.Condition: Not examined out of frame.
$800-1,200
520
521
522
523.Carl Gordon Cutler (American, 1873-1945)
Forgotten QuarrySigned “Carl G Cutler” l.r., titled in a later hand on the backing.Watercolor with charcoal on paper/board, sight size 19 1/2 x 241/2 in. (49.5 x 62.2 cm), framed.Condition: Not examined out of frame.
$700-900
524.Carl Gordon Cutler (American, 1873-1945)
Walker PondSigned “Carl G Cutler” l.c., titled in a later hand on the backing.Watercolor with charcoal on paper/board, sight size 18 3/4 x 241/2 in. (47.6 x 62.2 cm), framed.Condition: Not examined out of frame.
$800-1,200
525.Carl Gordon Cutler (American, 1873-1945)
After the RainSigned “Carl G Cutler” l.r., titled in a later hand on the backing.Watercolor with charcoal on paper/board, sight size 17 x 24 3/4in. (43.2 x 62.9 cm), framed.Condition: Not examined out of frame.
$700-900
523
524
525
526.Elizabeth Galbraith Jewell (American, 1874-1956)
Hampton Marshes, Hampton, New HampshireSigned “E.G. Jewell” l.r., artist and title inscribed, probably in theartist’s hand, on the reverse, artist’s estate stamp on the reverse.Oil on canvasboard, 14 x 18 in. (35.6 x 45.7 cm), framed.Condition: Scattered retouch, surface grime.
$600-800
527.Theodore Frederick Hussa (American, 1909-1939)
Grey BarnsSigned and dated “Hussa ‘39” l.r., titled on a presentationplaque, inscribed and titled “Bennington Museum + ArtGallery...Hussa” on a period label affixed to the reverse.Oil on Masonite, 18 x 24 in. (45.7 x 61.0 cm), framed.Condition: Minor retouch, mild surface grime.
Provenance: Sold to benefit the Bennington Museum, Vermont.$200-250
528.MacIvor Reddie (American, 1864-1931)
Ploughing the FieldsSigned “MacIvor Reddie” l.r.Oil on canvas, 30 x 36 in. (76.2 x 91.4 cm), framed.Condition: Minor surface losses u.l., surface grime.
$2,200-2,800
526
527
528
529.Mabel May Woodward (American, 1877-1945)
The Hills of New England, AutumnSigned “M. Woodward” l.r.Oil on Masonite, 10 x 13 in. (25.4 x 33.0 cm), framed.Condition: Good.
$800-1,200
530.Paul Starrett Sample (American, 1896-1974)
Island Pond MeadowsSigned “PAUL SAMPLE” l.l., titled and inscribed, possibly by theartist, copyright stamped and identified on labels on the reverse.Oil on canvasboard, 14 x 20 in. (35.6 x 50.8 cm), framed.Condition: Surface grime, minor abrasions along frame liner.
$7,000-9,000
531.Harold Broadfield Warren (American, 1859-1934)
Landscape with Distant MountainsSigned “H.B. WARREN” l.l.Watercolor on paper/board, sight size 9 x 12 in. (22.9 x 30.5cm), framed.Condition: Toning, scattered foxing, not examined out of frame.
$200-300
529 531
530
532.Hayley Lever (American, 1876-1958)
Moore’s Farm, Kensington, ConnecticutSigned “Hayley Lever” l.r., titled and dated “...1935” in pencil onthe reverse.Oil on Masonite, 24 x 36 in. (61.0 x 91.4 cm), framed.Condition: Minor surface grime.
$3,000-5,000
533.Dexter B. Dawes (American, b. 1872)
Green House at Bridge TowerSigned “D.B. DAWES” l.l., titled on the reverse, identified on alabel affixed to the backing.Gouache, charcoal, and graphite on paper, sight size 12 1/2 x 151/4 in. (31.8 x 38.7 cm), framed.Condition: Paper strip backed along bottom margin, glued atcenter to cardboard.
$300-350
534.Morris Hall Pancoast (American, 1877-1963)
A Warm Day in JanuarySigned “Morris Hall Pancoast” l.r., identified on a label from theSalmagundi Club (see below) affixed to the reverse.Oil on board, 14 x 13 3/4 in. (35.6 x 34.9 cm), framed.Condition: Surface grime.
Exhibitions: Annual Exhibition and Auction Sale of Pictures,Salmagundi Club, no 86.
$800-1,200
532
534533
535.Minna Walker Smith (American, b. 1883)
Road Up the Mountain, Probably a View of CrawfordNotch, New HampshireSigned and dated “Minna Walker Smith ‘46” l.l.Watercolor on paper, sight size 10 x 14 in. (25.4 x 35.6 cm),framed.Condition: Toning, not examined out of frame.
$500-700
536.Dexter B. Dawes (American, b. 1872)
The White House, Piermont/A New Hampshire ViewSigned “D.B. DAWES” l.r., titled in pencil on the reverse.Gouache, charcoal, and graphite on paper, sheet size 11 5/8 x 141/2 in. (29.5 x 36.8 cm), framed.Condition: Paper strip backed along bottom margin.
$300-500
537.Richard LaBarre Goodwin (American, 1840-1910)
Port View with Railroad Trestle BridgeSigned “R. LaBarre Goodwin” l.l.Watercolor on paper, sheet size 5 3/4 x 8 3/4 in. (14.6 x 22.2cm), unframed.Condition: Toning, paper backed, acid burn, tape hinged tobacking mat.
$500-700
535
536
537
538.Antonio Cirino (American, 1889-1983)
New England Harbor ViewSigned “A. CIRINO” l.r.Oil on Masonite, 10 x 12 in. (25.4 x 30.5 cm), unframed.Condition: Minor surface grime, pigment fluorescence.
Provenance: Through the artist’s estate.$1,000-1,500
539.Attributed to MacIvor Reddie (American, 1864-1931)
Lobster Dories/A Cohasset ViewUnsigned, artist identified in two later inscriptions on the reverse.Oil on canvasboard, 16 x 20 in. (40.6 x 50.8 cm), framed.Condition: Mild scattered retouch, mild surface grime.
$600-800
540.Arthur Sarnoff (American, 1912-2000)
House and Dock, Peggy’s CoveSigned “Arthur Sarnoff” l.l.Ink and gouache on paper, sight size 15 1/2 x 19 1/2 in. (39.4 x49.5 cm), framed.Condition: Not examined out of frame.
$800-1,200
538
539
540
541.Antonio Cirino (American, 1889-1983)
Fishermen on the CoastSigned “A CIRINO” l.l.Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), unframed.Condition: Craquelure, minor surface grime.
Provenance: Through the artist’s estate.$4,000-6,000
542.Bernard Corey (American, 1914-2000)
The Dry-Docked BoatSigned “BERNARD COREY” l.r. and on the reverse.Oil on Masonite, 8 x 12 in. (20.3 x 30.5 cm), framed.Condition: Retouch and/or pigment fluorescence.
$700-900
541
542
543.Francis Isabel Neill (American, b. 1871)
Maine Coast in SummerSigned “Francis Isabel Neill” l.l., a stamp from Trisdonn Gallery,Ltd., New York, on the reverse.Oil on canvas mounted to board, 19 1/2 x 23 1/2 in. (49.5 x59.6 cm), framed.Condition: Craquelure, minor retouch, minor losses.
$800-1,200
544.Franz Arthur Bischoff (American, 1864-1929)
Crashing Waves/A Southern California ViewSigned “Franz A. Bischoff” l.l.Watercolor on paper, sheet size 19 1/8 x 28 7/8 in. (48.6 x 73.3cm), framed.Condition: Masking taped to beveled mat, subtle toning, subtleacid burn, old glue residue on the reverse.
$2,000-4,000
545.Helen Lincoln Sorenson (American, c. 1870-1929)
Coastal ViewSigned “Helen L. Sorenson” l.r., information affixed to thereverse (see below).Oil on canvas, 24 x 30 in. (61.0 x 76.2 cm), framed.Condition: Canvas deformations, scattered craquelure, mildsurface grime.
N.B. According to the information affixed to the reverse, thiswork was possibly exhibited at Vose Galleries of Boston under thetitle Rocks & Surf at Ogunquit, Maine.
$600-800
543
544
545
546.Emile Albert Gruppé (American, 1896-1978)
Fishermen on the CoastSigned “Emile A. Gruppé” l.r.Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), framed.Condition: Craquelure, subtle varnish inconsistencies.
$6,000-8,000
547.Cecil Crosley Bell (American, 1906-1970)
Ambrose Light HouseSigned “C. BELL” l.r., identified on a label affixed to the reverse,a label from Associated American Artists affixed to the reverse.Watercolor and gouache with pencil on a partial envelope, sightsize 6 3/4 x 11 1/2 in. (17.2 x 29.2 cm), framed.Condition: Toning, broad rippling, not examined out of frame.
$500-700
546
547
548.John Michael Buckley (American, 1891-1958)
MoonlitSigned “JM Buckley” l.r., titled, signed, dated, and inscribed“W.P.A. Fed. Art Project...J.M. Buckley/ 1939...” on the reverse.Oil on canvas, 25 x 30 in. (63.5 x 76.5 cm), framed.Condition: Craquelure, surface grime, puncture l.c.
$800-1,200
549.James Milton Sessions (American, 1882-1962)
The Fish CannerySigned “SESSIONS” l.r., titled and initialed “...JMS” on thereverse.Watercolor with graphite on paperboard, sight size 13 3/4 x 171/2 in. (34.9 x 44.5 cm), framed.Condition: Taped to the front mat verso, mat burn.
$1,000-1,500
550.Antonio Cirino (American, 1889-1983)
Cape Ann Harbor ViewSigned “ACIRINO” within the composition c.r.Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), framed.Condition: Subtle surface grime and craquelure, retouch and/orpigment fluorescence.
Provenance: Through the artist’s estate.$4,000-6,000
548
549
550
551.Mabel May Woodward (American, 1877-1945)
HarborStamped “M. Woodward” l.r.Oil on canvas mounted onto board, 10 x 13 in. (25.4 x 33.0 cm),framed.Condition: Pinholes at corners, mild surface grime.
$1,000-1,500
552.Emile Albert Gruppé (American, 1896-1978)
Harbor ViewSigned “Emile A. Gruppé“ l.r.Oil on canvas mounted onto board, 20 x 16 in. (50.8 x 40.6 cm),framed.Condition: Retouch, mild surface grime.
$3,000-5,000
551
552
553.Robert Tolman (American, b. 1886)
SeascapeSigned “Robert Tolman” l.r.Oil on panel, 18 x 21 3/4 in. (45.7 x 55.2 cm), framed.Condition: Mounted onto board, wear to edges, scatteredcraquelure, surface grime.
$400-600
554.Robert S. Bacon (American, 20th Century)
View of a LighthouseSigned and dated “R.S. Bacon ‘49” l.c., signature pentimento l.r.Oil on canvas, 22 x 30 in. (55.9 x 76.2 cm), framed.Condition: Minor surface grime.
$600-800
555.William Holland Drury (American, 1888-1960)
Rhode Island Coastal ViewSigned “W.H. DRURY” l.l., artist identified on informationaffixed to the reverse.Oil on canvas mounted onto board, 12 x 16 in. (30.5 x 40.6 cm),framed.Condition: Surface grime.
$500-700
553
554
555
556.Harland A. Riker (American, 20th Century)
November SeasSigned and dated “Harland A. Riker/11 50” l.r., titled on a labelon the stretcher.Oil on canvas, 32 x 32 in. (81.3 x 81.3 cm), framed.Condition: Surface grime.
$400-600
557.Don Stone (American, b. 1929)
Surf and FogSigned “Don Stone N.A.” l.r., identified and titled, possibly in alater hand, on the backing.Oil on canvasboard, 10 x 12 in. (25.4 x 30.5 cm), framed.Condition: Good.
$800-1,200
558.George Forest Payne (American, 20th Century)
Crashing SurfSigned “GEO F PAYNE” l.l., inscribed on the reverse.Oil on board, 24 x 36 in. (61.0 x 91.4 cm), framed.Condition: Wear/losses to edges, slight bowing to support,scattered retouch, varnish inconsistencies, scattered craquelure,minor scattered losses, mild surface grime.
$400-600
556
557
558
559.John Whorf (American, 1903-1959)
Mediterranean PortSigned “John Whorf.” l.r., identified on an exhibition label (seebelow) affixed to the backing.Watercolor on paper, sight size 15 x 21 in. (38.1 x 53.3 cm),framed.Condition: Very subtle toning, not examined out of frame.
Exhibitions: 9th International Exhibition of WatercolorPaintings, The Art Institute of Chicago, 1929, no. 303
$7,000-9,000
560.Hayley Lever (American, 1876-1958)
Yachting CentreSigned “Hayley Lever” l.r., also titled, signed, inscribed, anddated “...Haley Lever/Larchmont N.Y./Aug. 1947” with a labeland stamp from the Clayton-Liberatore Art Gallery,Bridgehampton, New York, on the reverse.Oil on board, 13 3/4 x 18 in. (34.9 x 45.7 cm), framed.Condition: Minor surface grime, craquelure, scattered retouch.
$4,000-6,000
559
560
561.Anthony Thieme (American, 1888-1954)
Bahama IndustrySigned (incised) “A. Thieme” l.r., titled in the artist’s hand on the reverse, identified on a periodlabel from Grand Central Art Galleries, New York, affixed to the reverse.Oil on canvas, 30 1/2 x 36 1/4 in. (77.5 x 92.1 cm), framed.Condition: Scattered craquelure (and very slight canvas deformation along stretcher bar), surfacegrime.
N.B. Anthony Thieme, best known for his Impressionistic plein-air coastal views and seascapes,was born in Rotterdam, Holland, but came to the U.S. as a young artist, setting up a studio inCape Ann, Massachusetts. Although Thieme was attracted to the colorful surroundings andsparkling waters of Rockport and Gloucester, he continued to travel throughout his career. Hespent the winter months in St. Augustine, Florida (where he set up a studio in 1947) but alsotraveled to Mexico, Guatemala, and the Bahamas. He was “seeking new challenges to capture oncanvas”1 and his paintings reflected the warm sunlight, vibrant colors, rich textures, and variedcultures of these places.
1. Curtis, Judith A., Anthony Thieme 1888-1954, (Rockport, Massachusetts: Rockport Art Association, 1999), p. 12.$15,000-25,000
561
562.John Whorf (American, 1903-1959)
DerelictSigned “John Whorf” in pen twice l.r., titled in an inscription onthe reverse.Watercolor on paper, sheet size 22 1/4 x 28 in. (56.5 x 71.1 cm),framed.Condition: Masking and gum paper taped to window mat,trimmed sheet, toning.
$2,000-3,000
563.Anton Otto Fischer (American, 1882-1962)
Out of the FogSigned and dated “1940/ANTON OTTO FISCHER” l.r.,identified on a presentation plaque.Oil on canvas, 24 x 36 in. (61.0 x 91.4 cm), framed.Condition: Craquelure.
$1,500-2,000
564.Anton Otto Fischer (American, 1882-1962)
USS Brazley in ConvoySigned “Anton Otto Fischer” l.l.Oil on canvas, 22 x 32 in. (55.9 x 81.3 cm), framed.Condition: Lined, craquelure, retouch.
$2,000-3,000
562
563
564
565.Henry McDaniel (American, 1906-2008)
Canoers on the BaySigned “Henry McDaniel” l.r.Watercolor on paper, sight size 11 1/4 x 15 1/2 in. (28.6 x 39.4cm), framed.Condition: Not examined out of frame.
$500-700
566.Charles Wellington Furlong (American, 1874-1967)
Yahgans in a Beech-log CanoeSigned and dated “Charles W Furlong 09” l.l.Oil on canvas, 24 x 16 in. (61.0 x 40.6 cm), framed.Condition: Patch reinforcement, retouch, signature reinforced.
Literature: Charles Wellington Furlong, F.R.G.S., “TheSouthernmost People of the World,” Harper’s New MonthlyMagazine, June 1909, no. 709, p. 128 (illus.).
N.B. Charles Wellington Furlong, the son of artist Atherton B.Furlong, was born in Cambridge, Massachusetts, and began hisartistic career at the Massachusetts Normal Art School. Furlongcontinued his studies at the École des Beaux Arts in France, andlater became the head of the art department at Cornell University.Furlong’s success, however, extended beyond his career as anartist. He was an explorer, scientist, and author. Furlong, fundedby Harper’s magazine, traveled to Tierra del Fuego in 1907-08where he mapped the region and collected data and ethnologicalartifacts.1 This work appeared as an illustration for an articleauthored by Furlong titled “The Southernmost People of theWorld.” In it he writes, “So the Yahgan constructs his canoe of aheavy beech log and seeks the paths of least resistance …oftenventuring into the broad reaches of the sounds and the veryoceans in search of stranded whales, seals, sea-otters, birds, andfish...”2
The lot is accompanied by a copy of the 1909 issue of Harper’sMonthly magazine featuring “The Southernmost People of theWorld.”
1. University of Oregon Libraries, Historic Photograph Collections: ThePendleton Group, Charles W. Furlong photographs(http://libweb.uoregon.edu/speccoll/photo/Pendleton/ffurlong.html)
2. Harper’s Monthly, June 1909, no. 709, p. 126.$1,500-2,000
565
566
567.Marion P. Howard (American, 1883-1953)
Rocky Coastal ViewSigned “M. Howard” l.r.Oil on canvas, 17 x 21 in. (43.2 x 53.3 cm), framed.Condition: Canvas deformations, craquelure, retouch, losses,abrasions.
$1,500-2,000
567A.Jacob Dutweiler Wagner (American, 1852-1898)
Coastal ViewSigned “J. Wagner” l.r., a period label from Bigelow & Jordan,Boston, affixed to the reverse.Watercolor on paper/board, sight size 9 1/2 x 13 1/2 in. (24.1 x34.3 cm), framed.Condition: Toning, subtle fading, not examined out of frame.
$300-500
568.Charles Chase Emerson (American, 1874-1922)
Off MagnoliaSigned “Chase Emerson” l.r., identified on a label from VoseGalleries of Boston affixed to the reverse, title inscribed on thereverse.Oil on board, 9 3/4 x 13 7/8 in. (24.8 x 35.3 cm), framed.Condition: Scattered retouch, craquelure.
$2,500-3,500
567
567A
568
569.Charles Herbert Woodbury (American, 1864-1940)
SpindriftSigned “Charles H Woodbury” l.r., identified on an exhibitionlabel from Springvine High School and a partial period label fromthe Museum of Fine Arts, Boston, affixed to the reverse.Oil on canvas, 20 x 27 in. (50.8 x 68.6 cm), in a frame signed“19...22, Thulin, 955” l.c.Condition: Oil paint on the reverse.
$8,000-12,000
570.Philip Little (American, 1857-1942)
Coastal View/Possibly Swampscott, MassachusettsSigned “PHILIP LITTLE” l.l., stamped “PHILIP LITTLE,SALEM MASS” on the reverse.Oil on canvas, 25 x 30 1/4 in. (63.5 x 76.8 cm), framed.Condition: Surface grime.
$800-1,200
569
570
571.Robert Remsen Vickrey (American, b. 1926)
The VigilSigned “Robert Vickrey” l.l., identified on a partial label fromThe Harmon Gallery, Naples, Florida, and a label from theRoanoke Museum of Fine Arts, Roanoke, Virginia, attached tothe backing.Egg tempera on fiberboard, 15 1/2 x 24 in. (39.4 x 61.0 cm),framed.Condition: Minor surface abrasions.
Exhibitions: Robert Vickrey, Roanoke Museum of Fine Arts, July5–August 26, 1984; Images of Robert Vickrey, Midwest Museumof American Art, Elkhart, Indiana, September 7–October 6,1984.
$4,000-6,000
572.Robert Remsen Vickrey (American, b. 1926)
Low Tide, 1985Signed “Robert Vickrey” l.l., identified on a label from TheHarmon Gallery, Naples, Florida, affixed to the backing.Egg tempera on fiberboard, 15 1/2 x 23 1/2 in. (39.4 x 59.7cm), framed.Condition: Good.
$4,000-6,000
571
572
573.Robert Remsen Vickrey (American, b. 1926)
Sea View, 1984-85Signed “Robert Vickrey” l.r., identified on a label from TheHarmon Gallery, Naples, Florida, on the reverse.Egg tempera on Masonite, 17 x 22 in. (43.2 x 55.9 cm), framed.Condition: Minor surface abrasions along frame liner.
$4,000-6,000
573
574.Bernard V. Carpenter (American, 1872-1936)
Nantucket HousesUnsigned.Watercolor on paper, 7 3/4 x 10 1/4 in. (19.7 x 26.0 cm),framed.Condition: Subtle toning, not examined out of frame.
$200-300
575.George Oberteuffer (American, 1878-1940)
Coastal Landscape/Probably Boothbay Harbor, MaineSigned “Oberteuffer” l.r.Watercolor on Arches paper, sheet size 15 x 22 5/8 in. (38.1 x57.5 cm), framed.Condition: Tape hinged to window mat, deckled edges, subtlemat burn.
$800-1,200
576.James King Bonnar (American, 1883-1961)
Road to the BeachSigned “JAMES K BONNAR” l.l.Watercolor with gouache on paper/board, image size 6 7/8 x 87/8 in. (17.5 x 22.6 cm), framed.Condition: Subtle toning, not examined out of frame.
$400-600
574
575
577.Charlotte Harrington Scott (American, 1905-1963)
Christopher Wren Church, ProvincetownSigned and dated “Charlotte Scott ‘33” l.r., titled on the reverse.Watercolor on paper, sight size 9 1/2 x 12 1/2 in. (24.1 x 31.8cm), framed.Condition: Subtle toning, mild rippling, not examined out offrame.
$400-600
578.Julius Lars Hoftrup (American, 1874-1954)
Monterey Coast, CaliforniaSigned “LARS HOFTRUP” l.r., dedicated and signed “TONORMAN MY DELIGHTFUL FRIEND From Lars Hoftrup”on the reverse.Oil on canvas mounted onto board, 8 3/4 x 10 1/2 in. (22.2 x26.6 cm), framed.Condition: Bowing to supporting board, canvas lifting off ofsupporting board, surface grime.
$400-600
579.Olga Itasca Sears (American, 1906-1990)
Pigeon Cove/A Massachusetts ViewSigned “O. Sears” l.l., titled and dated, possibly in the artist’shand, “...Summer 1953” on the reverse.Oil on canvasboard, 13 3/4 x 17 3/4 in. (34.9 x 45.1 cm),framed.Condition: Mild surface grime.
$800-1,200
577
578
579
580.Attributed to Charles Muller (German/American, 19thCentury)
Woodland StreamSigned “C Muller” l.l.Oil on canvas, 18 x 24 in. (45.7 x 61.0 cm), framed.Condition: Retouch, craquelure, surface grime.
$800-1,200
581.Robertson Kirtland Mygatt (American, 1862-1919)
Spring DaysSigned and dated “Robertson K Mygatt 1916” l.l., titled andidentified with labels from the Salmagundi Club and FolmanGallery, Bronxville, New York, on the reverse.Oil on panel, 10 x 14 in. (25.4 x 35.6 cm), framed.Condition: Minor surface grime.
Literature: Alexander W. Katlan, The Salmagundi Club PaintingExhibition Records 1889 to 1939, Alexander Katlan Conservator,Inc.: New York, 2008, pp. 56, 62, 341-2.
Exhibitions: Salmagundi Club Special Exhibition for the Benefitof the New Club House Fund, April 4-April 14, 1917, entry no.154.
$1,500-2,500
582.Russian School, 20th Century
Forest GladeMonogram initialed in Cyrillic l.r.Oil on paper/board, 10 x 8 in. (25.4 x 20.3 cm), framed.Condition: Trimmed board, minor surface grime.
Provenance: Private New England collection.$200-400
580
581
582
583.Clarence Clark Rosenkranz (American, 1871-1959)
Early AutumnSigned and dated “C.C. Rosenkranz 1920” l.r.Oil on canvas, 21 1/4 x 29 in. (54.0 x 73.6 cm), unframed.Condition: Restretched and possibly trimmed, craquelure withlifting and separating, scattered retouch, scattered losses(predominately at the edges), surface grime.
$600-800
584.Russian School, 20th Century
Birch GroveMonogram signed in Cyrillic l.r., titled, inscribed, and signed“A...Po...ov” in Cyrillic on the reverse.Oil on artist board, 18 x 14 in. (45.7 x 35.6 cm), framed.Condition: Minor surface grime.
Provenance: Private New England collection.$300-500
585.Wayne Beam Morrell (American, b. 1923)
The River Alde Near Aldeburgh/A Suffolk, England,LandscapeSigned “WAYNE MORRELL” l.r., inscribed and identified on thereverse.Oil on Masonite, 24 x 36 in. (61.0 x 91.4 cm), framed.Condition: Minor surface grime, pigment fluorescence.
$1,500-2,500
583
584
585
586.Aiden Lassell Ripley (American, 1896-1969)
The Bell, alternatively titled Red Tiled RooftopUnsigned, artist’s estate stamp on the reverse, identified on a labelfrom Alfred J. Walker Fine Art, Boston, affixed to the reverse.Watercolor on paper, sight size 11 1/2 x 9 in. (29.2 x 22.9 cm),framed.Condition: Subtle toning, not examined out of frame.
$600-800
587.Andre Gisson (French, 1921-2003)
French Countryside ViewSigned “GiSSON” l.r.Oil on canvas, 9 x 12 in. (22.9 x 30.5 cm), framed.Condition: Minor surface grime.
$800-1,200
588.Igor Vladimirovich Pchelnikov (Russian, b. 1931)
River LandscapeSigned and dated “I. PCH. 1952” in Cyrillic l.r.Oil on paper/board, 7 3/16 x 9 in. (18.3 x 22.9 cm), framed.Condition: Mounted to cardstock.
Provenance: Private New England collection.$300-500
588A.Maxim Bugzester (American, 1910-1978)
Street View with FigureSigned “M. BUGZESTER” l.r.Oil on Masonite, 14 x 11 in. (35.6 x 27.9 cm), framed.Condition: Subtle varnish inconsistencies.
$1,000-1,500
586
587
588
588A
589.Joseph Paul Louis Berges (French, 1878-1956)
Landscape StudyUnsigned, stamped “EXPOSITION JOSEPH BERGES,DECEMBRE 1984” on the reverse, information on the artistaffixed to the reverse.Oil on panel, 9 7/8 x 13 3/4 in. (25.1 x 34.9 cm), framed.Condition: Mild surface grime.
$400-600
590.Russian School, 20th Century
Russian FieldSigned and titled “Mironova...E. Mironova...” in Cyrillic on thereverse.Oil on paper/board, 11 1/4 x 18 in. (28.6 x 45.7 cm), framed.Condition: Craquelure, minor surface grime.
Provenance: Private New England collection.$200-400
591.Joseph Henry Boston (American, 1860-1954)
River VistaSigned “JOSEPH H. BOSTON.” l.l., identified on a presentationplaque.Oil on canvas, 25 1/4 x 30 in. (64.1 x 76.2 cm), framed within ashadow box.Condition: Not examined out of shadow box.
Provenance: Sold to benefit the Bennington Museum, Vermont.$1,000-1,500
589
590
591
592.Albert Worcester (American, 1878-1935)
Almond Trees/A Balearic Island, Spain, LandscapeSigned and dated “Worcester ‘35” l.r., identified on the reverse.Oil on canvas, 20 1/8 x 26 1/8 in. (51.1 x 66.4 cm), framed.Condition: Retouch, pigment fluorescence, minor surface grime,craquelure.
$2,000-3,000
593.Eleanor Parke Custis (American, 1897-1983)
Leaving the MosqueSigned “ELEANOR PARKE CUSTIS-” l.r.Gouache and charcoal on paper/board, sight size 21 1/2 x 171/4 in. (54.6 x 43.8 cm), framed.Condition: Subtle toning, subtle rippling, not examined out offrame.
$1,000-1,500
594.Arthur Bowen Davies (American, 1862-1928)
View of ToledoSigned “A.B. Davies” l.l.Watercolor, charcoal and gouache on paper, sight size 12 x 8 1/2in. (30.5 x 21.6 cm), framed.Condition: Toning, not examined out of frame.
$300-500
592 593
594
595.Lillian Mathilde Genth (American, 1876-1953)
TarifaSigned “L. Genth” l.r. and “Genth” l.l., identified on apresentation plaque.Oil on canvas, 29 1/4 x 35 in. (74.3 x 88.9 cm), framed.Condition: Loss in l.r. quadrant, minor surface grime, retouch,pigment fluorescence.
N.B. Tarifa is in Spain’s southern-most province of Cadiz.$2,000-3,000
596.Robert Remsen Vickrey (American, b. 1926)
The Red WindowSigned “Robert Vickrey” l.r., identified on a label from Harmon-Meek Gallery, Naples, Florida, on the reverse.Egg tempera on fiberboard, 11 1/2 x 16 1/2 in. (29.2 x 41.9cm), framed.Condition: Good.
$3,000-5,000
597.Ernest David Roth (American, 1879-1964)
Segovia, SpainSigned “E.D.Roth” l.r., titled and signed “...E.D. Roth” on thereverse, a partial label from the Mattatuck Historical Societyidentifying this work as a sketch for a larger painting affixed tothe reverse.Oil on panel, 12 x 16 in. (30.5 x 40.6 cm), framed.Condition: Extremely mild surface grime.
$800-1,200
595
596
597
598.Lucien Adrion (French, 1889-1953)
Day at the RacesSigned “Adrion” l.l., with a canvas stencil from Lucien LefebvreFoinet, Paris, on the reverse.Oil on canvas, 19 3/4 x 28 3/4 in. (50.2 x 73.0 cm), framed.Condition: Surface grime, minor patch reinforcement andretouch to u.r. quadrant.
$7,000-9,000
599.Andre Gisson (French, 1921-2003)
Paris View, Probably La Place VendômeSigned “ANDRE GiSSON” l.r.Oil on canvas, 9 x 12 in. (22.9 x 30.5 cm), framed.Condition: Minor surface grime.
$800-1,200
600.Konstantin Alexeevitch Korovin (Russian, 1861-1939)
Study of a Café in ParisSigned in Cyrillic “K...K...” l.r.Gouache and watercolor on paper, sheet size 12 7/8 x 11 1/8 in.(32.7 x 28.3 cm), framed.Condition: Good.
$5,000-7,000
598
599 600
601.Robert Henri (American, 1865-1929)
Au Bois de Vincennes (At the Forest Vincennes)Signed and dated “Robert Henri 1899” l.r., identified on a labelfrom Vose Galleries of Boston and a partial exhibition label (seebelow) affixed to the reverse.Oil on canvas mounted on board, 28 x 24 in. (71.1 x 61.0 cm),framed.Condition: Retouch, varnish inconsistencies, craquelure.
Exhibitions: The Eight: A New Spirit in American Art, TheDanforth Museum, Framingham, Massachusetts, October 26,1986–January 4, 1987.
N.B. An Ohio native, Robert Henri moved to New York andthen New Jersey before beginning his artistic studies at thePennsylvania Academy of Fine Arts in Philadelphia in 1886. In1888, Henri, like many young artists at the time, ventured toParis to attend the Academie Julian and Ecole des Beaux Arts.While in France, Henri studied with such artists as Jean LeonGerome and Leon Bonnat. He also traveled extensively and wasexposed to the Impressionist movement and artistic styles thatbroke with the academic tradition. Henri returned to the U.S. in1891, later becoming a prominent teacher and leading member ofThe Eight (later called the Ash Can School).
$10,000-15,000
602.Continental School, 20th Century
View of Notre Dame and Book Stalls Along the SeineSigned “Haefflinger” l.r.Oil on canvas, 8 1/2 x 10 1/2 in. (21.6 x 26.7 cm), framed.Condition: Surface grime, craquelure.
$500-700
601
602
603.Pierre Thibault (French, 20th Century)
City View with CathedralSigned “PIERRE THIBAULT” l.r.Oil on canvasboard, 18 x 21 1/4 in. (45.7 x 54.0 cm), framed.Condition: Scattered retouch, subtle surface grime.
$400-600
604.Igor Vladimirovich Pchelnikov (Russian, b. 1931)
Black Sea ShoreInitialed and dated “I. PCH.1953” in Cyrillic l.r., signed, titled,and dated “Igor Pchelnikov...1953” on the reverse.Oil on artist board, 13 3/4 x 9 1/2 in. (34.9 x 24.1 cm), framed.Condition: Creases/tears to the u.r. and l.l. quadrants.
Provenance: Private New England collection.$200-400
605.Anthony Klitz (Irish, 1917-2000)
Figures Along a PromenadeSigned “KLITZ” l.r.Oil on burlap, 15 x 30 in. (38.1 x 76.2 cm), framed.Condition: Surface grime.
$800-1,200
605A.Willem Welters (Continental, 1881-1972)
Rocky CoastlineSigned “W. Welters” l.l., a label from N.M. Vose Gallery,Providence, affixed to the reverse.Oil on board, 11 x 14 1/4 in. (27.9 x 36.2 cm), framed.Condition: Scattered surface losses, pigment fluorescence.
$300-500
603 605A
604
605
606.American School, 20th Century
Vue du QuaiSigned and dated “Selden ‘59” l.r.Oil on Masonite, 36 x 36 in. (91.4 x 91.4 cm), framed.Condition: Surface grime, craquelure.
Provenance: Estate of Anna Eleanor Roosevelt (née Braman)Grasso, Essex, Connecticut.
$400-600
607.Konstantin Alexeevitch Korovin (Russian, 1861-1939)
Harbor ViewSigned in Cyrillic and dated “K...K...191...” l.r.Gouache on paper/board, sheet size 12 x 14 1/2 in. (30.5 x 36.8cm), framed.Condition: Subtle creases.
$5,000-7,000
608.Andre Gisson (French, 1921-2003)
Paris View, La Place Du ChâteletSigned “GiSSON” l.l.Oil on canvas, 9 x 12 in. (22.9 x 30.5 cm), framed.Condition: Minor surface grime.
$800-1,200
606
608
607
609.Edward Bright Bruce (American, 1879-1943)
The Pear TreeSigned “Edward Brice” l.r., a letter from the artist discussing thework, dated 1928, is affixed to the reverse.Oil on panel, 29 x 25 in. (73.6 x 63.5 cm), framed.Condition: Cradle to the reverse, mild retouch and varnishinconsistencies.
$800-1,200
610.Nelly Littlehale Murphy (American, 1867-1941)
Morrow Swimming PoolUnsigned, titled l.l.Watercolor with graphite on paperboard, 5 x 7 in. (12.7 x 17.8cm), unframed.Condition: Toning, small tear u.l.
Provenance: John F. Enser (American, 1898-1962), then giftedto the current owner circa 1950.
N.B. A letter from Hermann Dudley Murphy to John F. Enser,written from Calle Dwight Morrow, which mentions NellyMurphy’s watercolors, accompanies the lot.
$250-350
611.Frank Carson (American, 1881-1968)
Into the GardenSigned “Frank Carson” l.r.Watercolor with graphite on paper/board, sight size 23 x 18 in.(58.4 x 45.7 cm), framed.Condition: Subtle toning, not examined out of frame.
$500-700
609
610
611
612.Alfred James Daplyn (Australian, 1844-1926)
Farmyard in NormandySigned “A. J. Daplyn” l.r., identified on a label affixed to thestretcher.Oil on canvas, 18 1/2 x 13 3/4 in. (47.0 x 34.9 cm), framed.Condition: Retouch, surface grime.
$1,200-1,800
613.Margaret Jordan Patterson (American, 1867-1950)
An Italian ViewUnsigned, artist’s estate stamp on the reverse.Watercolor and gouache on paper, sight size 13 1/2 x 10 1/4 in.(34.3 x 26.0 cm), framed.Condition: Toning, staining, creases, not examined out of frame.
$400-600
614.Michele Cascella (Italian, 1892-1989)
Piccola Pianta in Fiore [Little Blossoming Tree], 1970Signed “M. Cascella” l.r., identified on a label from Galerie JuarezInc., Los Angeles and Palm Beach, on the reverse.Oil on canvas, 22 x 11 in. (55.9 x 27.9 cm), framed.Condition: Minor surface grime.
N.B. The work is no. 70-79/219 in the Archivio Generaledell’Opera di Michele Cascella, compiled by Galleria Torcular,Milan, and a photo-certificate accompanies the lot.
$6,000-8,000
612 613
614
615.American School, 20th Century
City View at NightSigned “C KIENZLE KURTZ” l.r.Watercolor on paper, sheet size 19 1/8 x 13 1/8 in. (48.6 x 33.3cm), framed.Condition: Taped to backing mat, glue residue to the reverse.
$300-500
616.Olga Itasca Sears (American, 1906-1990)
Rooftops, WinterUnsigned, artist’s estate stamp on the reverse.Oil on canvasboard, 18 x 24 in. (45.7 x 61.0 cm), framed.Condition: Bowing to support, mild surface grime.
$800-1,200
617.Lester David Boronda (American, 1886-1953)
The TownhouseSigned “Lester D Boronda 47” l.r.Oil on board, 10 x 8 in. (25.4 x 20.3 cm), framed.Condition: Mild surface grime.
$300-500
615
616
617
618.Lester David Boronda (American, 1886-1953)
City StreetSigned “Lester Boronda” l.r.Oil on board, 8 x 10 in. (20.3 x 25.4 cm), framed.Condition: Mild surface grime.
$300-500
619.Inna Garsoian (American, 1896-1984)
RooftopsSigned “I. Garsoian” l.l.Oil on canvas, 16 x 20 in. (40.6 x 50.8 cm), framed.Condition: Surface grime.
Provenance: Gift from the artist; by family descent to the presentowner.
$1,000-1,500
620.Clara Fargo Thomas (American, 1891-1970)
MetropolisUnsigned, stamped “ESTATE OF/CLARA FARGOTHOMAS...” on the reverse.Oil on vellum mounted to Masonite, 26 1/4 x 22 in. (66.7 x55.9 cm), framed.Condition: Subtle rippling to sheet, tacks to margins.
$1,000-1,500
618
619
620
621.Jack Lorimer Gray (American, 1927-1981)
Lot of Two New York City Views of the Brooklyn andManhattan BridgesOne initialed “J.L.G-” l.l., the other unsigned, both with labelsfrom F.A.R. Gallery, New York, on the backing.Watercolor, ink, and graphite on paper, sight sizes to 7 x 11 1/2in. (17.8 x 29.2 cm), each framed.Condition: Not examined out of frames.
Provenance: Estate of Anna Eleanor Roosevelt (née Braman)Grasso, Essex, Connecticut.
$1,500-2,500
622.Paul Cornoyer (American, 1864-1923)
Rainy Day, New York CityIncised signature “PAUL CORNOYER” l.r.Oil on panel, 6 x 8 in. (15.2 x 20.3 cm), framed.Condition: Minor surface grime.
Provenance: Private New England collection, by family descent.$1,200-1,800
621
622
623.Paul Cornoyer (American, 1864-1923)
New England Street View, Possibly Cape AnnSigned “PAUL CORNOYER” beneath frame l.l.Oil on panel, 5 x 6 5/8 in. (12.7 x 16.8 cm), in a frame signed“19...23, Carrig-Rohane Shop, RCQ N.M. Vose, Boston #3592”on ther reverse.Condition: Surface grime.
Provenance: Private New England collection, by family descent.$1,200-1,800
624.Arthur Clifton Goodwin (American, 1864-1929)
Philadelphia City Hall at NightSigned and inscribed “A C Goodwin...” l.l.Pastel on board, sight size 23 x 18 in. (58.4 x 45.7 cm), framed.Condition: Small tear l.l., not examined out of frame.
$4,000-6,000
623
624
625.Hazel (Mrs. William C.) Finck (American, 1894-1977)
Main Street, Essex, 1937Signed “h. finck” l.r., identified on a label affixed to the reverse.Oil on canvas, 25 x 30 in. (63.5 x 76.2 cm), framed.Condition: Surface grime.
$3,000-5,000
626.Flaville G. Kyle (American, fl. 1930-1940s)
Game Today at 3 PM/A View of Fenway ParkSigned “Kyle” l.l., titled incised l.r.Oil on board, 10 x 8 1/8 in. (25.4 x 21.0 cm), framed.Condition: Wear to corners, possibly trimmed along right edge,mild surface grime.
$500-700
627.Mary Callahan (American, 20th/21st Century)
The Duck House/A View of the Boston Public GardenSigned “Mary Callahan” l.r., titled and dated “...(Swa)May 2005”in the artist’s hand on the backing, signed “Mary Callahan C.M.”on the backing.Watercolor on paper/board, sight size 16 x 20 in. (40.6 x 50.8cm), framed.Condition: Not examined out of frame.
$400-600
625626
627
628.Alice Marion Sutton Bacon (American, b. 1907)
Along the CharlesSigned “Alice Bacon” l.l.Watercolor with graphite on paper/board, sight size 15 1/4 x 191/2 in. (38.7 x 49.5 cm), framed.Condition: Mat burn, toning, scattered staining, not examinedout of frame.
$400-600
629.Marie (Bruner) Haines Burt (American, 1881-1979)
Fountain ParkSigned “Marie Haines Burt” l.l., identified on a label on thereverse.Oil on artist board, 30 x 22 in. (76.2 x 55.9 cm), framed.Condition: Minor surface grime.
Provenance: Sold to benefit the Bennington Museum, Vermont.$200-250
630.Thomas Adrian Fransioli (American, 1906-1997)
Late Afternoon Light/A View of the South End, BostonInitialed and dated “T.F., 1947” l.r., figure study in oil on thereverse.Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), framed.Condition: Subtle surface grime.
$1,000-1,500
628629
630
631.Gary Ernest Smith (American, b. 1942)
Potato SeasonSigned “GARY ERNEST SMITH ©” l.r., also signed, titled, andinscribed “...GARY E. SMITH/© COPYRIGHT RETAINED”on the stretcher.Oil on canvas, 40 x 30 in. (101.6 x 76.2 cm), framed.Condition: Retouch.
N.B. Utah artist Gary Ernest Smith is best known for his heroicregionalist style, drawing on everyday scenes of the agriculturalNorthwest. The present work shares a spirit with Jean-FrancoisMillet’s The Angelus, in its humble and pious tone. The potatopicker’s anonymous face is soft and ageless, in contrast to the hardlines of his hands, pick, and crate. His relaxed, upright posturebelies the hours he has just spent kneeling, bending, andsquatting in the early morning, expressing endurance andresiliency. The work is at once a dignified portrait of a man andhis livelihood, and a valorization of a simpler way of life.
$5,000-7,000
632.Karl Eugene Fortess (American, 1907-1993)
Old Apple TreeSigned “K. Fortess” l.l., titled and signed “...K.E. Fortess” inpencil with a New York State WPA Art Program presentationplaque on the stretcher.Oil on canvas, 15 1/8 x 28 1/8 in. (38.4 x 71.4 cm), framed.Condition: Surface grime, craquelure, flaking, losses, retouch,pigment fluorescence.
$300-500
633.Marston Dean Hodgin (American, 1903-2003)
February BusinessSigned “Marston Hodgin” l.r., titled, inscribed, and signed“...Oxford, Ohio/Marston Hodgin” with a label from theOgunquit Art Center on the reverse.Oil on canvas, 22 1/4 x 36 in. (56.5 x 91.4 cm), framed.Condition: Craquelure, canvas deformations, surface grime.
Provenance: Acquired from the son of the artist.$1,000-1,500
634.Jon S. Legere (American, 1944-1996)
New England Landscape with Church on a HillSigned and dated “JON S. LEGERE-63-” within the compositionl.l., identified on a label affixed to the backing.Watercolor on paper, sight size 13 1/4 x 20 3/4 in. (33.7 x 52.7cm), framed.Condition: Subtle rippling, not examined out of frame.
$400-600
631
633
632
634
635.Marie (Bruner) Haines Burt (American, 1881-1979)
House in the HillsSigned “MARIE HAINES BURT” l.l., identified on labels on thereverse.Oil on canvas, 29 1/4 x 24 in. (74.3 x 61.0 cm), framed.Condition: Surface grime, canvas deformations.
Provenance: Sold to benefit the Bennington Museum, Vermont.$200-250
636.Robert M. Rucker (American, 1932-2001)
Lot of Two Southern Homestead ViewsOne signed “Rucker” l.l., the other signed “Robert Rucker” l.l.Watercolor on paper, sight sizes to 7 3/8 x 10 in. (18.7 x 25.4cm), framed.Condition: Not examined out of frames.
$400-600
637.Marie (Bruner) Haines Burt (American, 1881-1979)
Fig Tree in the GardenSigned “MARIE HAINES BURT” l.r., titled on a label affixed tothe reverse.Oil on artist board, 29 x 25 1/2 in. (73.7 x 64.8 cm), framed.Condition: Subtle bowing to board, surface grime.
Provenance: Sold to benefit the Bennington Museum, Vermont.$200-250
635 636
637
638.Jessie Burns Parke (American, 1889-1964)
Portrait of a Woman in ProfileSigned or inscribed on a period label from the School of theMuseum of Fine Arts, Boston, affixed to the l.r.Oil on canvas, 21 x 17 in. (53.3 x 43.2 cm), unframed,unstretched.Condition: Scattered abrasions/losses, retouch, varnishinconsistencies, craquelure, surface grime.
$300-350
639.Edward Francis McCartan (American, 1879-1947)
AdrianSigned “E. McCARTAN” l.r.Bronze relief with golden brown patina, 8 3/4 x 5 1/4 in. (22.2x 13.3 cm), framed.Condition: Scattered surface abrasions, inconsistencies to patina,surface grime.
$300-500
640.Harrington Mann (Scottish/American, 1865-1937)
Portrait of Amelia Herrick PondSigned and dated “HARRINGTON MANN 1916” l.l.Oil on canvas, 36 x 30 in. (91.4 x 76.2 cm), framed.Condition: Surface grime.
$1,500-2,000
638639
640
642.Eric L. (Frederic) Pape (American, 1870-1938)
Portrait of Natalie Harris HammondUnsigned, stamped “ESTATE OF Eric Pape 1870-1938” on thebacking.Oil on canvas, 21 1/2 x 17 1/4 in. (54.6 x 43.8 cm), framed.Condition: Lined, retouch, surface grime.
Provenance: Through the artist’s estate.$4,000-6,000
641.Eric L. (Frederic) Pape (American, 1870-1938)
Profile Portrait of Alice Monroe PapeSigned and dated “.FREDERIC. L. M. PAPE. 92” within the castl.l., stamped “ESTATE OF Eric Pape 1870-1938” on thebacking.Bronze bas-relief, approximately 10 x 8 x 1 in. (25.4 x 20.3 x 2.5cm), in a shadow box frame.Condition: Not examined out of frame.
Provenance: Through the artist’s estate.
Literature: “Frederick [sic] L. M. Pape The California Artist isHere,” San Francisco Chronicle, Sunday, September 10, 1893(illus.).
Exhibitions: Les Deux Grandes Eres, Société Nationale desBeaux-Arts, Salon de Champs-de-Mars, 1893.
$3,500-5,500
643.American School, 20th Century
Freda De KnoopMonogrammed “DP...BC” l.r.Bronze relief plaque with brown patina, 10 1/2 x 7 1/2 in. (26.6x 19.1 cm).Condition: Light scattered surface abrasions.
$400-600
641
642 643
644.Fanny Marc (French, 19th/20th Century)
The Expulsion of Adam and Eve from the Garden of EdenSigned, dated, and inscribed “Fanny Marc 1906 3me ébauche”within the cast on the base.Bronze with dark brown patina, 12 x 6 x 7 1/2 in. (30.5 x 15.2 x19.1 cm).Condition: Minor surface dust/grime.
$1,000-1,500
645.Dana Ripley Pond (American, 1881-1962)
Portrait of Shepard Pond, the Artist’s Brother, in HuntingDressSigned and dated “Dana R. Pond...” l.r.Oil on canvas, 80 x 47 in. (203.2 x 119.4 cm), framed.Condition: Patch reinforcement, craquelure, surface grime.
Provenance: Through the family of the artist.$3,000-5,000
646.Madeleine Fish Park (American, 1891-1960)
Torch GlitterSigned and dated “MADELEINE PARK 1931” l.r. and titled l.c.Bronze with a brown patina, height 10 3/4 in., on a woodenbase.Condition: Surface grime to the interstices, felt adhered to theunderside of the base.
$800-1,200
644
645
646
647.Harper Pennington (American, 1855-1920)
Portrait of a Young Man, NudeMonogrammed, dated and dedicated “...1903, to OgdenCodman-” l.l.Pastel on paperboard, sight size 17 x 9 1/2 in. (43.2 x 24.1 cm),framed.Condition: Toning, not examined out of frame.
Provenance: The property of Samuel E. Codman, Charles G.Loring House, Prides Crossing, Massachusetts.
$800-1,200
648.Adolphe Yvon (French, 1817-1893)
Portrait of a Man, Possibly a Napoleonic EmissarySigned “Ad. Yvon” c.r., with a label from the Museum of FineArts, Boston, affixed to the reverse.Oil on oval board, 5 3/4 x 4 1/4 in. (14.6 x 10.8 cm), framed.Condition: Minor abrasions beneath frame liner.
Provenance: Mr. Lyman Delano (1883-1944), chairman ofAtlantic Coast Lines and first cousin of President Franklin DelanoRoosevelt; descended within the families of William Walters(1819-1894), and/or George Harold Edgell (1887-1954).
$1,500-2,000
649.Raffaello Romanelli (Italian, 1856-1928)
Portrait of a ManSigned and inscribed “Raffaello Romanelli” and “Fond. G.Vignali Firenze” within the cast on the base.Bronze with dark brown patina, 22 x 7 x 7 in. (55.9 x 17.8 x17.8 cm).Condition: Surface dust/grime, plaster filled.
$800-1,200
647
648
649
650.Dana Ripley Pond (American, 1881-1962)
Portrait of a WomanSigned and dated “Dana Pond 1913” l.r.Oil on canvas, 25 1/2 x 21 1/2 in. (64.8 x 54.6 cm), framed.Condition: Surface grime.
Provenance: Through the family of the artist.$1,000-1,500
651.John A. Ruthven (American, b. 1924)
Indian SummerSigned “John A. Ruthven” in pencil l.r., identified on a label fromClosson’s Art Gallery, Cincinnati, and with a label fromThompson House Gallery, Georgetown, Ohio, on the backing.Watercolor and graphite on paper, sight size 11 3/4 x 5 in. (29.8x 12.7 cm), framed.Condition: Not examined out of frame.
$1,500-2,500
652.George Frederick Kaber (American, 1860-c. 1945)
Miss Kaber/Possibly Nellie Robie Kaber, the Artist’s WifeSigned “Frederick Kaber” l.l., identified on a label affixed to thereverse.Oil on artist board, 21 1/2 x 17 in. (54.6 x 43.2 cm), framed.Condition: Minor surface grime, pigment fluorescence.
Provenance: Through the family of the artist.$300-500
650
651
652
653.Francis Coates Jones (American, 1857-1932)
At the Garden FountainSigned “FRANCIS C. JONES” twice l.r.Oil on canvas, 23 x 19 in. (58.4 x 48.3 cm), framed.Condition: Restretched, puncture (u.l. quadrant with tapereinforced on the reverse), light retouch/varnish inconsistencies,craquelure, surface grime.
Provenance: A private New Jersey collection.
N.B. Francis Coates Jones was born in Baltimore, but receivedthe majority of his artistic training abroad. He first traveled tothe artist’s colony in Pont-Aven, Brittany, along with his brotherand fellow artist, Hugh Bolton Jones. In 1877 Francis enrolledin the École des Beaux Arts in Paris, eventually studying withAdolphe Bouguereau and Jules Joseph Lefebvre. He spent severalyears traveling and painting throughout France and Europe.Jones returned to the U.S., where he worked as an illustrator andtaught at the National Academy of Design. Best known forfigurative works and genre scenes, Jones’ highly detailed andnaturalistic compositions incorporate elements of bothImpressionism and his French Academic training.
$10,000-15,000
654.Marion Louise Pooke (American, 1883-1975)
Profile Portrait of a Woman in BlackSigned or inscribed “Marion L. Pooke” on a period label fromthe Museum of Fine Arts, Boston, affixed to the front of thecanvas l.r.Oil on canvas, 20 x 16 in. (50.8 x 40.6 cm), framed.Condition: Scattered retouch and varnish inconsistencies,craquelure.
$1,000-1,800
655.Frederick B. Williams (American, 1871-1956)
The SwingSigned “-FredK Ballard Williams-” l.r., identified on apresentation plaque.Oil on canvas, 28 x 36 in. (71.1 x 91.4 cm), framed.Condition: Craquelure.
$2,000-4,000
653
654 655
656.Marion Louise Pooke (American, 1883-1975)
Portrait of a Woman in BlueSigned or inscribed “M L Pooke” on the reverse.Oil on canvas, 20 x 16 in. (50.8 x 40.6 cm), framed.Condition: Scattered retouch, craquelure.
$1,000-1,800
657.Florence Julia Bach (American, 1887-1978)
Still Life with RosesUnsigned.Oil on panel, 23 1/2 x 17 3/4 in. (59.7 x 45.1 cm), framed.Condition: Cracks to panel, loss l.c., retouch, varnishinconsistencies, surface grime.
Provenance: From the artist to the family of the present owner.$800-1,200
658.Marion Louise Pooke (American, 1883-1975)
Portrait of a WomanSigned or inscribed “M. POOKE” in pencil on the reverse.Oil on canvas, 18 x 16 in. (45.7 x 40.6 cm), framed.Condition: Craquelure, retouch.
$400-600
656 657
658
659.Douglas Volk (American, 1856-1935)
Portrait of a Young Lady, Purportedly the Artist’s DaughterSigned “Douglas Volk” l.r.Oil on canvas, 18 x 15 in. (45.7 x 38.1 cm), framed.Condition: Retouch, craquelure, patch reinforcement.
$800-1,200
660.Augustus Saint-Gaudens (American, 1848-1907)
Commemorative Medal of the Cornish Celebration June 23,1905Unsigned, inscribed “[Names of Participants] AMOR VINCIT[on altar] ...IN AFFECTIONATE REMEMBRANCE OF THECELEBRATION OF JUNE XXIII. MCMV AUGUSTA ANDAUGUSTUS SAINT GAUDENS...” within the cast l.c., stamped“ESTATE OF Eric Pape 1870-1938” on the backing.Silvered bronze, approx. 3 1/8 x 1 3/4 in. (7.9 x 4.4 cm), in apresentation frame.Condition: Not examined out of frame.
Provenance: Through the estate of Eric Pape.
N.B. This medal is after a plaque occasioned by the “Masque ofthe Golden Bowl” held at Cornish, New Hampshire, to celebratethe twentieth anniversary of Saint-Gaudens’ founding of theCornish art colony. The Masque was held on the summer solsticeof 1905 at Saint-Gaudens’ estate of Aspet, and was written byplaywright Louis Evans Shipman. There were over seventyparticipants, including Eric Pape, Maxfield Parrish (his masksdecorate the trees in the medal), Kenyon Cox, and PercyMacKaye. As part of the festivities, Saint-Gaudens was honoredwith a golden cup.
$700-900
661.Leon Karp (American, 1903-1951)
Peonies in a GlassSigned “Leon Karp” l.r.Oil on canvas, 12 x 9 in. (30.5 x 22.9 cm), framed.Condition: Surface grime, craquelure, pigment fluorescence.
$600-800
659
660
661
662.Edith Widing Yaffee (American, 1895-1961)
Portrait of a WomanSigned, inscribed, and dated “Edith L. Widing...1915” l.r.Graphite on board, 9 1/2 x 6 1/2 in. (24.1 x 16.5 cm), framed.Condition: Staining, toning.
Provenance: The property of Samuel E. Codman, Charles G.Loring House, Prides Crossing, Massachusetts.
$300-500
663.George Frederick Kaber (American, 1860-c. 1945)
Portrait of a Reclining Woman Amid RosesSigned “Frederick Kaber” l.l.Gouache on paper/board, sight size 20 x 14 7/8 in. (50.8 x 37.8cm), framed.Condition: Not examined out of frame.
Provenance: Through the family of the artist.$300-500
662
663
664.George Frederick Kaber (American, 1860-c. 1945)
Lot of Four Genre and Allegorical ScenesTwo signed “G.F. Kaber” l.r., one signed “G.F. KABER” l.l.Watercolor and graphite on paper, sight sizes to 27 3/4 x 21 1/4in. (70.5 x 54.0 cm), framed.Condition: Staining, subtle rippling, not examined out of frames.
Provenance: Through the family of the artist.$500-700
665.William P. Bodwell (American, 1852-1940)
Lot of Two Illustrations: Manhattan Bay Oyster andChophouse and Capture of the Java by the ConstitutionOyster and Chophouse monogrammed, signed, and dated “WPBWmP... Bodwell-1894” l.l., ink on paper mounted onto board,Capture monogrammed, signed, and dated “WPB Wm P Bodwell- 1897” l.l., ink, wash, and whiting on board, both inscribed inthe margins, 11 1/2 x 15 in. (29.2 x 38.1 cm), unframed.Condition: Toning, soiling, Capture with staining and foxing.
$400-600
664
665
666.American School, 20th Century
Portrait of a WomanUnsigned, inscribed in a later hand on the frame.Oil on canvas mounted onto board, oval format 12 x 10 in. (30.5x 25.4 cm), framed.Condition: Scattered retouch, minute losses at edges, surfacegrime.
$300-500
667.Hermon Atkins MacNeil (American, 1866-1947)
Survival of the FittestSigned, dated, and titled “© H.A. MacNeil 27...” within the caston the base.Plaster maquette, 36 1/2 x 8 1/2 x 16 in. (92.7 x 21.6 x 40.6cm).Condition: Loss to figure’s right arm, surface grime, scatteredlosses to base.
$300-500
668.Christine S. Bredin (American, 1860-1934)
Lady with a PinkSigned “CSBredin” l.r.Oil on canvas, 19 1/2 x 15 3/4 in. (49.5 x 40.0 cm), framed.Condition: Small puncture u.l., retouch, varnish inconsistencies,craquelure, surface grime.
$700-900
666
667
668
669.Robert Tolman (American, b. 1886)
Woman Reading/A Portrait of the Artist’s Wife, LynnTolmanSigned, titled, and inscribed “...from R. Tolman/ Vinalhaven,Maine” on the reverse.Oil and graphite on canvasboard, 18 x 24 in. (45.7 x 61.0 cm),framed.Condition: Subtle bowing to board.
Provenance: Gifted from the artist, private collection; then bydescent to the present owner.
$800-1,000
670.Aristide Maillol (French, 1861-1944)
Baigneuse debout à la draperieInitialed, numbered and foundry stamped “M 6/6...·AlexisRudier·/·Fondeur·Paris” in the cast on the base.Bronze with brown patina, approximately 12 x 4 1/4 x 3 1/2 in.(30.5 x 10.8 x 8.9 cm).Condition: Minor surface dust.
Provenance: Estate of Anna Eleanor Roosevelt (née Braman)Grasso, Essex, Connecticut.
$20,000-40,000
669
670
671.Joseph Lindon Smith (American, 1863-1950)
Lot of Two Portraits: Breton Boy, c. 1885, and Portrait of aBoy in ProfileEach unsigned.Oil on canvas, sizes to 14 5/8 x 11 5/8 in. (37.1 x 29.5 cm),framed.Condition: Craquelure, pigment fluorescence.
Provenance: Through the artist’s estate.
Exhibitions: Artists of the Boston Art Club, 1854-1950, FullerMuseum of Art, July 3 to September 19, 1993.
$1,500-2,500
672.Italian School, 20th Century
La Bambina Russa, c. 1935Unsigned, attribution and title “Zago, Enrichetta/Asolo (Treviso)1887-1976...” on a label affixed to the reverse.Oil on board, 12 3/4 x 8 in. (32.4 x 20.3 cm), framed.Condition: Surface grime, craquelure.
Provenance: Private New England collection.$300-500
673.Dana Ripley Pond (American, 1881-1962)
Balinese GirlUnsigned, titled and inscribed “...by Dana Pond who lived in Baliin 1930s- June T. Pond” on the stretchers.Oil on canvas, 21 x 17 in. (53.3 x 43.2 cm), framed.Condition: Surface grime.
Provenance: Through the family of the artist.$600-800
671 672
673
674.Janet D. Wheeler (American, 1866-1945)
Seated Girl in WhiteSigned and dated “JANET WHEELER 1901” l.r.Oil on canvas mounted to panel, 26 1/4 x 16 in. (66.7 x 40.6cm), framed.Condition: Retouch, varnish inconsistencies.
$2,000-4,000
675.Kate Greenaway (British, 1846-1901)
Portrait of Three Girls with BouquetsInitialed and dated “KG. Dec 1890.” in pencil l.l.Graphite and watercolor on paper, sheet size 5 9/16 x 7 1/8 in.(14.1 x 18.1 cm), framed.Condition: Toning, tape hinged to backing mat.
$200-300
676.Eva Dora Cowdery (American, 19th/20th Century)
Portrait of Shepard Pond at Age 3Signed “EVA D. COWDERY” l.r., titled in an inscription on thebacking.Pastel on paper, sight size 26 1/2 x 21 1/2 in. (67.3 x 54.6 cm),framed.Condition: Not examined out of frame.
Provenance: Through the family of the artist Dana Ripley Pond(American, 1881-1962).
$500-700
675
674
676
677.Amy Jones (American, 1899-1968)
Still Life with FlowersSigned and dated “Amy Jones ‘30” l.r., information regarding theartist affixed to the backing.Oil on canvas, 16 1/4 x 20 in. (41.3 x 50.8 cm), framed.Condition: Scattered retouch, fine scattered craquelure.
$800-1,200
678.Frederic Luce (French, 1896-1974)
Une Corbeille des FruitsSigned “frederic luce” l.l., Paris canvas stencil on the stretcher.Oil on canvas, 13 x 16 1/2 in. (33.0 x 41.9 cm), framed.Condition: Losses, surface grime, staining to the reverse,pigment fluorescence.
$600-800
679.Katherine Allmond Hulbert (American, 1859-1937)
Still Life with Mountain LaurelSigned “K. Allmond Hulbert” l.r.Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), framed.Condition: Abrasion u.r., scattered craquelure, surface grime.
$400-600
677
678
679
680.Charles Henry Miller (American, 1842-1922)
Still Life with FlowersInitialed and dated “C.H.M / Sept. 2nd 1889” l.r.Oil on canvas, 26 x 17 1/2 in. (66.0 x 44.5 cm), framed.Condition: Lined, retouch.
$400-600
681.Carle John Blenner (American, 1862-1952)
Mixed Glads and AstersSigned “Carle J. Blenner” u.r., inscribed and titled “#271...byCARLE J. BLENNER...” on the reverse.Oil on canvas, 25 x 30 1/4 in. (63.5 x 76.8 cm), in a Newcomb-Macklin frame.Condition: Light retouch, craquelure, surface grime.
$4,000-6,000
682.Maude Drein Bryant (American, 1880-1946)
Vermillion, Blue and GoldSigned and dated “Maude Drein 1915-” l.r., identified on periodlabels affixed to the reverse.Oil on canvas, 36 x 30 in. (91.4 x 76.2 cm), framed.Condition: Puncture l.r. quadrant, mild surface grime.
Exhibitions: This may be the work exhibited at the PennsylvaniaAcademy of Fine Arts, Annual Exhibition, 1916, under the titleVermillion, Rose and Blue (no. 269).
$1,500-2,000
680
681
682
683.Gino Emilio Cesara Conti (American, 1900-1983)
OH-SLUMBERING-SOUL-ARISETH-FEELETH-NOT-THY-MATE-WHO-FAITHFUL-ONTO-DEATH-CAMEST-TO-REDEEM-THEESigned and dated “GINO E. CONTI Anno MCMXXVI” l.l., alsosigned and inscribed “Gino E. Conti/50 Rue rue VercingetorixParis France” on the reverse and “Painting Mrs. Giguere” on thestretchers.Oil on canvas, 60 x 85 1/2 in. (152.4 x 217.2 cm), framed.Condition: Canvas deformations, losses.
$1,500-2,000
684.Louis Frederick Berneker (American, 1876-1937)
Dancing NymphsSigned “LOUIS F. BERNEKER A.N.A” l.r.Oil on canvas, 40 x 50 in. (101.6 x 127 cm), framed.Condition: Surface grime, craquelure.
$4,000-6,000
683
684
685.Aubrey Beardsley (British, 1872-1898)
Chapter Heading from Le Morte Darthur, 1892Unsigned.Pen, brush, and India ink over graphite on paper, sheet size 3 3/8 x 2 3/4 in. (8.3 x 7.0 cm), sandwiched between two sheets ofPlexiglas.Condition: Subtle soiling/surface grime, not examined out of Plexiglas.
Provenance: Collection of Mark Samuels Lasner, Delaware, then to a private East Coast collection.
Exhibitions: Beautiful Decadence, The Museum of Fine Arts, Gifu, Japan (as well as other venues), April 3–May 10, 1998, no. 11(illus.).
Literature: Gillon Jr., Edmund V., Beardsley’s Illustrations for La Morte Darthur (New York; Dover Publications, Inc., 1972) pp. 80,154; Malory, Sir Thomas, The Birth, Life, and Acts of King Arthur, of His Noble Knights of the Round Table, Their Marvelous Enquestsand Adventures, The Achieving of the San Greal, and in the End, Le Morte Darthur with the Dolourous Death and Departing Out of ThisWorld of Them All, (London: J.M. Dent, 1893-1894).
N.B. London publisher J.M. Dent approached Aubrey Beardsley in 1892 to illustrate an edition of Sir Thomas Malory’s Le MorteDarthur. Beardsley, at age 20, was an unknown insurance office clerk. Dent first came across his work through photographer FrederickH. Evans, who owned the book shop Jones & Evans, frequented by Beardsley. Beardsley was paid 250 pounds for his work for Le MorteDarthur, which would be issued in twelve separate parts, and he produced a total of approximately 585 illustrations for the book. Avery productive period for Beardsley, during this time he also was working on his illustrations for Salomé and The Yellow Book. Le MorteDarthur is not only “a superb example of the illustrated book, but it is also the work that launched the ‘Beardsley look’ which was tochange the appearance of the fin de siècle and influence succeeding generations...”1
1. Gillon Jr., Edmund V., Bearsley's Illustrations for Le Morte Darthur (New York: Dover Publications Inc., 1972, Publishers Note, pp. v-vi.$15,000-20,000
685
686.Andre Dunoyer de Segonzac (French, 1884-1974)
Etude pour le Georgiques de “Virgile”Signed and inscribed “...A. Dunoyer de Segonzac” l.c.Ink on paper, sheet size 7 1/4 x 5 in. (18.4 x 12.7 cm), framed.Condition: Acid burn to four corners from tape verso, notexamined out of frame.
Provenance: Daniel Sickles, Paris, France; Hans Peter Kraus, NewYork; Estate of Anna Eleanor Roosevelt (née Braman) Grasso,Essex, Connecticut.
Literature: [Collection Daniel Sickles] Bibliothèque d’unAmateur, Très Beaux Livres Illustrés Modernes Dans d’ImportantesReliures dont 53 Signées de Pierre Legrain, Exemplaires uniquesdont Les Fleurs du Mal Illustrées par Rouault, Deuxieme partie,Paris: Musée Galliéra, 21 May 1963 (no. 265); Kraus, H.P., TheIllustrated Book, Catalogue 108, no. 138.
N.B. The work was one of eight original drawings included in apresentation copy of Souvenirs d’un marchand de tableaux byAmbroise Vollard, published by Éditions Albin Michel in 1937,which was pen inscribed and gifted to his chauffeur Marcel Z.Méraud (see lot 777 for two letters in the Archives Matisse fromMéraud regarding the circumstances of Vollard’s gift).
$2,000-4,000
687.Ker-Xavier Roussel (French, 1867-1944)
Portrait of Vaslav NijinskyInitialed and inscribed “K.X.R./étude pour l’Apres midi/d’unFaune” l.l.Graphite on paper, sheet size 6 7/8 x 4 7/8 in., framed.Condition: Paper backed, tape hinged, minor acid burn, minorhandling creases.
Provenance: Daniel Sickles, Paris, France; Hans Peter Kraus, NewYork; Estate of Anna Eleanor Roosevelt (née Braman) Grasso,Essex, Connecticut.
Literature: [Collection Daniel Sickles] Bibliothèque d’unAmateur, Très Beaux Livres Illustrés Modernes Dans d’ImportantesReliures dont 53 Signées de Pierre Legrain, Exemplaires uniquesdont Les Fleurs du Mal Illustrées par Rouault, Deuxieme partie,Paris: Musée Galliéra, 21 May 1963 (no. 265); Kraus, H.P., TheIllustrated Book, Catalogue 108, no. 138, 1964.
N.B. See lot 686.$300-500
686
687
688.Emile Bernard (French, 1868-1941)
Portrait of a Seated NudeSigned “Emile Bernard” l.r.Ink wash and graphite on paper, sheet size 8 1/4 x 5 1/8 in.(21.0 x 13.0 cm), framed.Condition: Subtle toning, not examined out of frame.
Provenance: Daniel Sickles, Paris, France; Hans Peter Kraus,New York; Estate of Anna Eleanor Roosevelt (née Braman)Grasso, Essex, Connecticut.
Literature: [Collection Daniel Sickles] Bibliothèque d’unAmateur, Très Beaux Livres Illustrés Modernes Dansd’Importantes Reliures dont 53 Signées de Pierre Legrain,Exemplaires uniques dont Les Fleurs du Mal Illustrées parRouault, Deuxieme partie, Paris: Musée Galliéra, 21 May1963 (no. 265); Kraus, H.P., The Illustrated Book, Catalogue108, no. 138, 1964.
N.B. See lot 686.$1,500-3,000
689.Henri de Toulouse-Lautrec (French, 1864-1901)
L’Amazone/An Illustration for Chasseur de CheveluresMonogram signed “TL” l.r., inscribed “...Amazone...” inpencil on the reverse, identified on a label affixed to thebacking.Ink on paper, sight size 14 1/4 x 9 1/8 in. (36.2 x 23.2 cm),framed.Condition: Cloth taped to backing mat, masking taperesidue along top margin, fold along left edge.
Provenance: Estate of Anna Eleanor Roosevelt (née Braman)Grasso, Essex, Connecticut.
Literature: Catalogue des Tableaux modernes, aquarelles,pastels, dessins, lithographies... composant la collectionAlexandre Natanson, Hotel Drouot, Salles Nos. 9 et 10Reunies, May 16, 1929, no. 39; Tristan Bernard, “Chasseurde Chevelures,” Revue Blanche, no. 32, June 1894 (illus.).
$20,000-40,000
689
688
690.Robert Henri (American, 1865-1929)
Portrait of a WomanUnsigned, stamped “RH” l.r., stamped “Estate of ROBERTHENRI, Hirschl & Adler, NYC” and inscribed “APG: 11070D”in pencil u.l. verso, stamped “Harbor Gallery...New York...” onthe backing.Charcoal on notebook paper, sight size 9 x 7 in. (22.9 x 17.8cm), framed.Condition: Hinged to supporting mat, toning, scattered foxing,
$400-600
691.Georgi Alexandrovich Lapchine (Russian, 1885-1951)
Still Life with Fruit and Wine JugSigned “G. Lapchine” l.l.Oil on panel, 14 1/2 x 17 in. (36.8 x 43.2 cm), framed.Condition: Craquelure, surface grime.
Provenance: Private New England collection.$2,000-3,000
692.Conger A. Metcalf (American, 1914-1998)
A Portrait of PanSigned “Metcalf” in pencil l.r.Graphite and conté crayon on paper, sight size 17 1/4 x 13 in.(43.8 x 33.0 cm), framed.Condition: Not examined out of frame.
N.B. A hardbound, dedicated, and inscribed copy of the bookConger Metcalf: A Retrospective, published by The BostonAthenaeum, accompanies the lot.
$400-600
691
690
692
693.John Whorf (American, 1903-1959)
By the DocksSigned “John Whorf.” l.r.Watercolor on paper, sheet size 19 x 22 3/4 in. (48.3 x 55.9 cm),framed.Condition: Taped to front mat at top edge verso, toning, mildscattered foxing.
$1,500-2,000
694.Charles R. Knapp (American, fl. circa 1929-1930)
Church Procession, CzechoslovakiaSigned and dated “C.R. Knapp 1936” l.r., inscribed “Presented toRobert C. Vose March 1938 by Charles R Knapp Boston Mass”in a period hand, and identified in an inscription in a later handon a label affixed to the reverse.Watercolor, ink and gouache on paper/board, sight size 11 x 81/2 in. (27.9 x 21.6 cm), framed.Condition: Toning, not examined out of frame.
$400-600
694A.George Ehrenfried Grosz (German, 1893-1959)
Nude, c. 1929Signed “Grosz” l.l., identified on a lable from Greer Gallery, Inc.,New York, on the reverse.Watercolor and ink on paper, sheet size 18 7/8 x 16 in. (47.9 x40.6 cm), framed.Condition: Masking tape hinged to beveled mat.
N.B. We wish to thank Ralph Jentsch who has kindly confirmedthe authenticity of the lot. The work will be included in RalphJentsch’s forthcoming catalogue raisonné of the artist.
$5,000-7,000
693 694
694A
695.Yamada Baske (Japanese/American, 1871-1934)
Woman in the GardenSigned “...Baske” with Japanese character l.r.Watercolor with gouache on paper/board, sight size 17 1/4 x 111/4 in. (43.8 x 28.6 cm), framed.Condition: Toning, not examined out of frame.
$500-700
696.American School, 20th Century
Carved Wood Picture FrameUnsigned, a period label from J.H. Miller Co., Inc., Springfield,Massachusetts, affixed to the reverse.Giltwood, outside dimensions 40 3/4 x 35 1/2 in. (103.5 x 90.2cm), inside dimensions 29 1/2 x 24 1/4 in. (74.9 x 61.6 cm).Condition: Minor nicks/losses, scattered craquelure, surfacegrime.
$400-600
695
696
697.Ernest W. Longfellow (American, 1845-1921)
Shobo Temple, Tokyo, JapanSigned and dated “Ernest Longfellow ‘03” l.r., identified on apresentation plaque.Oil on canvas, 12 1/2 x 19 in. (31.8 x 48.3 cm), framed.Condition: Lined.
$8,000-10,000
697
698.Grant Tyson Reynard (American, 1887-1967)
The Dark ShawlSigned “Reynard” l.r., a partial Salmagundi Club label affixed tothe reverse.Oil on canvasboard, 16 x 12 in. (40.6 x 30.5 cm), framed.Condition: Retouch, craquelure, surface grime.
$250-350
699.Robert Tolman (American, b. 1886)
Woman Painting/A Portrait of the Artist’s Wife, LynnTolmanUnsigned, identified on a label affixed to the stretcher.Oil on canvas, 12 x 16 in. (30.5 x 40.6 cm), framed.Condition: Craquelure.
Provenance: Gift from the artist to a private collection; then bydescent to the present owner.
$700-900698
699
700.Attributed to Georges d’Espagnat (French, 1870-1950)
Reading the PaperUnsigned.Oil on canvas mounted onto board, 11 x 8 1/4 in. (27.9 x 21.0cm), framed.Condition: Mild surface grime.
$1,000-1,500
701.Louis Kronberg (American, 1872-1965)
Mlle. MireilleSigned “LOUIS KRONBERG-” l.l. and initialed “L�K.” l.r.,identified on labels including the Museum of Modern Art, NewYork, and Lucien Lefebvre-Foinet, Paris, and stamped “TheChinese Women’s Relief Association of New York...” on thereverse.Pastel on paper mounted to canvas, 24 x 18 1/4 in. (61.0 x 46.4cm), framed.Condition: Not examined out of frame.
$1,200-1,800
700
701
702.René-Xavier Prinet (French, 1861-1946)
L’ElephantSigned “R.X. Prinet” l.l., identified on a label from GaleriesGeorges Petit, Paris, and with a Blanchet, Paris, stencil on thereverse.Oil on panel, 12 11/16 x 16 1/8 in. (32.2 x 40.9 cm), framed.Condition: Surface grime.
Provenance: Sold to benefit the Bennington Museum, Vermont.$300-500
703.George Augusta (American, 20th Century)
Man ReadingSigned “Augusta” l.r.Oil on board, 27 1/2 x 16 in. (69.8 x 40.6 cm), framed.Condition: Surface abrasions (predominately along the left side),surface grime.
$300-500
704.Gifford Beal (American, 1879-1956)
Interior View, Purportedly William Merritt Chase’s TenthStreet StudioUnsigned.Oil on canvas, 20 x 14 in. (50.8 x 35.6 cm), framed.Condition: Craquelure, varnish inconsistencies.
Provenance: Through the estate of the artist, by family descent toa granddaughter.
$1,500-2,500
704A.Richard Maguet (French, c. 1896-1944)
InterieurSigned “Maguet” l.r., signed, titled, and dated “RichardMaguet...1931” on the reverse.Oil on canvas, 21 3/4 x 18 1/4 in. (55.2 x 46.4 cm), framed.Condition: Retouch, surface grime.
$300-500
702
704
703 704A
705.Arthur Clifton Goodwin (American, 1864-1929)
Night at the TheaterSigned “A.C. GOODWIN” l.l.Oil on canvas, 20 1/4 x 26 in. (51.4 x 66.0 cm), framed.Condition: Lined, craquelure, surface grime.
$2,500-3,500
706.Marguerite Stuber Pearson (American, 1898-1978)
Tone PoemSigned “MARGUERITE S. PEARSON” l.r., identified on apartial exhibition label affixed to the reverse, a copy of a letterdated 1962 from the artist, discussing the work, affixed to thereverse.Oil on canvas, 30 x 36 in. (76.2 x 91.4 cm), framed.Condition: Scattered retouch, varnish inconsistencies, mildsurface grime.
$3,000-5,000
705
706
707.Sigmund Joseph Menkes (Polish/American, 1896-1986)
Figures on a BedSigned “Menkes” l.r.Felt pen and oil on paper, sight size 13 1/2 x 16 1/4 in. (34.3 x41.3 cm), framed (without glass).Condition: Toning, not examined out of frame.
$300-500
708.Russian School, 20th Century
LeisureSigned “I. Kulik” in Cyrillic l.r., titled, dated and inscribed “...’90canvas, oil” in Cyrillic on the reverse.Oil on canvas, 31 1/2 x 23 5/8 in. (80.0 x 60.0 cm), framed.Condition: Surface grime.
$400-600
709.French/American School, 20th Century
Figure StudyInitialed “JAC” l.r.Ink and wash on paper, sheet size 12 x 4 1/2 in. (30.5 x 11.4cm), framed.Condition: Toning, not examined out of frame.
$300-500
707
708
709
710.Jessica Rice (American, b. 1941)
Figures at the BeachSigned and dated “Jessica Rice 90” l.l. and “© Jessica Rice 89”on the reverse.Oil on canvas, 22 x 20 in. (55.9 x 50.8 cm), framed.Condition: Good.
$600-800
711.Isabel Bishop (American, 1902-1988)
Two Figure Studies: Nude and Seated ManSigned “Isabel Bishop” l.r. and l.l., respectively, Nude titled anddated “...1950” on the reverse, Man titled, signed, and inscribed“...-’A’ by I/Bishop...c. 1932” on the reverse.Ink on paper/board, sight sizes to 6 1/8 x 4 3/8 in. (15.5 x11.1 cm), framed.Condition: Scattered staining, not examined out of frames.
$400-600
712.Patrick M. Webb (American, 20th/21st Century)
Bathers on the BeachSigned “P. WEBB” l.l.Oil on canvas, 33 x 48 in. (83.8 x 121.9 cm), framed.Condition: Surface grime, minor abrasions.
$1,000-1,500
710711
712
713.Frank H. Redelius (American, 20th Century)
Remembrance of FlandersSigned “F.H. REDELIUS” within the composition c.l., figurestudy on the reverse, identified on a period label from GrandCentral Art Galleries, Inc., New York, affixed to the reverse.Oil on board, 14 x 18 in. (35.6 x 45.7 cm), framed.Condition: Repair u.r. with additional scattered retouch, finecraquelure, wear/losses to edges, surface grime.
$600-800
714.Harold F. Lindergreen (American, 1902-1988)
Floral StudySigned “HAROLD F. LINDERGREEN” l.l., monogrammed anddated “...37” l.r.Gouache on paper/board, sight size 14 x 8 3/4 in. (35.6 x 22.2cm), framed.Condition: Mild scattered surface abrasions, not examined out offrame.
$300-600
715.American School, 20th Century
Sherlock Holmes Trompe L’oeilIndistinctly signed l.r.Oil with collage on board, 19 x 9 1/2 in. (48.3 x 24.1 cm),framed.Condition: Mild surface grime.
$400-600
713
714
715
716.Robert Remsen Vickrey (American, b. 1926)
Poppies, 1991Signed “Robert Vickrey” l.l., identified on a label from Harmon-Meek Gallery, Naples, Florida, on the reverse.Egg tempera on fiberboard, 12 x 18 1/4 in. (30.5 x 46.4 cm),framed.Condition: Good.
$4,000-6,000
717.Robert Remsen Vickrey (American, b. 1926)
As the World TurnsSigned “Robert Vickrey” l.r., identified on a label from Harmon-Meek Gallery, Naples, Florida, on the reverse.Oil on fiberboard, 12 3/4 x 16 1/2 in. (32.4 x 41.9 cm),framed.Condition: Good.
$4,000-6,000
716
717
718.William Sommer (American, 1867-1949)
June with Strudel/A Portrait of the Artist’s Granddaughterand Her DogSigned “William Sommer” in pencil l.l., inscribed “WilliamSommer...his granddaughter...” on the backing.Watercolor and graphite on paper, sight size 20 1/2 x 28 in.(52.1 x 71.1 cm), framed.Condition: Subtle foxing, not examined out of frame.
Provenance: Ex-collection of Henry Francis, former curator atthe Cleveland Museum of Art, then by descent.
$2,200-2,800
719.Kay Mollison (American, b. 1896)
Gentleman Cat PortraitSigned “Kay Mollison” l.r.Oil on canvas, 30 1/2 x 25 in. (77.5 x 63.5 cm), framed.Condition: Retouch, varnish inconsistencies, scatteredflaking/losses, surface grime.
N.B. Mollison was married to artist Harry Russell Ballinger(American, 1892-1993).
$400-600
720.Conger A. Metcalf (American, 1914-1998)
Seated BoySigned “Metcalf” in pencil l.r., identified on a label from SwetzoffGallery, Boston, on the reverse.Watercolor and graphite on paper, 17 x 12 in. (43.2 x 30.5 cm),framed.Condition: Not examined out of frame.
$500-700
718
719
720
721.American School, 20th Century
The Sad ClownUnsigned.Oil on canvas, 24 x 20 in. (61.0 x 50.8 cm), framed.Condition: Small puncture l.c. (reinforced with tape on thereverse), scattered retouch, mild varnish inconsistencies, surfacegrime.
$300-500
722.John Wesley Carroll (American, 1892-1959)
Portrait of a CatSigned and dated “John Carroll 33” l.r.Oil on canvas, 20 x 29 in. (50.8 x 73.7 cm), framed.Condition: Canvas deformations, surface grime, minor varnishinconsistencies.
Provenance: Estate of Anna Eleanor Roosevelt (née Braman)Grasso, Essex, Connecticut.
$1,000-2,000
723.Ernest Fiene (American, 1894-1965)
White ClownSigned “E. Fiene” l.r., artist and title inscribed on the stretcher.Oil on canvas, 20 x 16 in. (50.8 x 40.6 cm), unframed.Condition: Minor scattered losses, surface grime.
$400-600
721
722
723
724.Guy Arnoux (French, 1886-1951)
Regiment du DauphinSigned “GUY ARNOUX” l.l.Ink and watercolor on paper/board, sight size 11 x 13 1/2 in.(27.9 x 34.3 cm), framed.Condition: Toning, not examined out of frame.
$500-700
725.Ludwig Bemelmans (American, 1898-1962)
Portrait of a ManSigned “Bemelmans” l.r., three figural studies on the reverse, alabel from Kulicke & Chambers, Inc., New York, on the backing.Graphite and wash on paper, sheet size 9 x 6 in. (22.9 x 15.2cm), framed.Condition: Subtle handling creases.
Provenance: Estate of Anna Eleanor Roosevelt (née Braman)Grasso, Essex, Connecticut.
$800-1,200
726.Maurice Day (American, 1892-1983)
Wake Up It’s Christmas!Signed “MAURICE DAY” l.r.Charcoal, crayon, watercolor and gouache on paper, sight size 81/2 x 7 in. (21.6 x 17.8 cm), framed.Condition: Mat burn, toning, tape c.l., not examined out offrame.
N.B. This image was used for the Ranger Rick Christmas CardAssortment published by the National Wildlife Federation,copyright 1967. A copy of the printed Christmas cardaccompanies the lot.
$300-500
724
725
726
727.Ludwig Bemelmans (American, 1898-1962)
The DoctorSigned “Bemelmans” l.l., a label from Kennedy Galleries, Inc.,New York, affixed to the backing.Ink and watercolor on paper, sight size 6 5/8 x 4 3/8 in. (16.8 x11.1 cm), framed.Condition: Toning, mat burn, acid burn from tape verso to u.l.and u.r. corners, not examined out of frame.
Provenance: Estate of Anna Eleanor Roosevelt (née Braman)Grasso, Essex, Connecticut.
$800-1,200
728.Walt Disney Studios (American, 20th Century)
Doc from Snow White and the Seven Dwarfs, 1937Identified on a label affixed to the reverse.Gouache on celluloid over a wood-grained background, sight size7 1/4 x 6 7/8 in. (18.4 x 17.5 cm), framed.Condition: Not examined out of frame.
$600-800
729.Conger A. Metcalf (American, 1914-1998)
Portrait of a Young SchoolboySigned “Metcalf” in pencil l.r.Gouache, watercolor, and ink on canvas mounted to Masonite, 15x 18 in. (38.1 x 45.7 cm), framed.Condition: Minor surface grime.
$500-700
727
728
729
730.Raymond Breinin (American, 1910-2000)
Table Top Still Life with FruitSigned and dated “Breinin 36” l.l., information regarding theartist affixed to the reverse.Gouache on paper/board, sight size 15 1/2 x 27 in. (39.4 x 68.6cm), framed.Condition: Scattered bloom, not examined out of frame.
$500-700
731.Conger A. Metcalf (American, 1914-1998)
Portrait of a Young GirlSigned “Metcalf” in pencil l.r.Graphite and conté crayon on paper, sight size 10 1/4 x 7 1/4in. (25.4 x 18.4 cm), framed.Condition: Not examined out of frame.
$500-700
732.Bertram Hartman (American, 1882-1960)
Still Life with Sunflowers and FruitSigned and dated “Bertram Hartman Nov. 1946” l.r.Watercolor on paper, sight size 20 3/4 x 29 in. (52.7 x 73.7 cm),framed.Condition: Subtle rippling, not examined out of frame.
$400-600
730
731
732
733.Rifka Angel (American, 1899-1986)
Bouquet of FlowersSigned and dated “Rifka Angel 1964” l.r., identified on a labelaffixed to the reverse.Oil and encaustic on panel, 15 1/2 x 10 in. (39.4 x 25.4 cm),framed.Condition: Splits to panels, scattered losses, craquelure, surfacegrime.
$400-600
734.Conger A. Metcalf (American, 1914-1998)
Portrait of a Boy with CherriesSigned “Metcalf” u.l.Gouache, watercolor, and ink on paper, sight size 23 1/4 x 171/4 in. (59.1 x 43.8 cm), framed.Condition: Not examined out of the frame.
$300-500
735.Paul Strisik (American, 1918-1998)
Bouquet of Black Eyed SusansSigned “P. STRISIK” l.l.Oil on Masonite, 24 x 20 in. (61.0 x 50.8 cm), framed.Condition: Varnish inconsistencies.
$1,000-1,500
733734
735
736.(Samuel) Marshall Frantz (American, b. 1890)
A Surprising AnnouncementSigned “Frantz” l.rInk and gouache on illustration board, 13 1/4 x 14 1/2 in. (33.7x 36.8 cm), framed.Condition: Toning, soiling/residue (predominately l.r and l.l.corners), not examined out of frame.
$400-600
737.(Samuel) Marshall Frantz (American, b. 1890)
Windy Day by the BeachSigned “Frantz” l.r.Watercolor and gouache on paper/board, sight size 8 1/2 x 111/4 in. (21.6 x 28.6 cm), framed.Condition: Toning, not examined out of frame.
$300-500
736
737
738.Paul Rouwette (Dutch, b. 1955)
Young Couple on a Grassy KnollSigned “Paul Rouwette” l.l.Oil on canvas, 31 1/2 x 39 in. (80.0 x 99.1 cm), unframed.Condition: Good.
$800-1,200
739.Anton Otto Fischer (American, 1882-1962)
The Boarding Party/Possibly an Illustration for a JackLondon TaleSigned and dated “1930/ ANTON OTTO FISCHER” l.r.Oil on canvas, 26 x 36 in. (66.0 x 91.4 cm), framed.Condition: Retouch, minor losses, patch reinforcements.
$3,000-5,000
738
739
740.Sarah Supplee (American, 1941-1997)
Ryder Sky (Route 2 to Fitchburg, Massachusetts)Signed and dated “Sarah Supplee 1976” in graphite l.l., identifiedon the reverse.Pastel on paper, sight size 32 1/2 x 21 3/4 in. (82.6 x 55.2 cm),framed.Condition: Not examined out of frame.
$1,500-2,500
741.Sarah Supplee (American, 1941-1997)
New York, Route 28, North of Utica with CloudbankSigned and dated “SUPPLEE 1975” l.l., also identified, titled,and inscribed “Sarah Supplee...June, 1975,” probably in theartist’s hand, on the stretcher bars.Oil on canvas, 66 x 44 in. (167.6 x 111.7 cm), framed.Condition: Good.
N.B. Sarah Supplee was born in Maryland, but workedextensively in Massachusetts. Known as Sally by her friends, shewas married to Fred Faudie.An exhibition catalogue for SarahSupplee: Recent Work in Oil and Pastel, November 4–30, 1989,Tatistcheff & Company, Inc., New York, accompanies the lot.
$6,000-8,000
740
741
742.Sarah Supplee (American, 1941-1997)
Route 93, New HampshireSigned and dated “SARAH SUPPLEE 1978” l.r.Oil on canvas, 78 x 46 in. (198.1 x 116.8 cm), framed.Condition: Good.
$6,000-8,000
742
743.Moses Soyer (American, 1899-1974)
Nude Front ViewSigned “M Soyer” u.r., identified on a label from ACA Galleries,Inc., New York, on the reverse.Oil on canvas, 16 x 12 in. (40.6 x 30.5 cm), framed.Condition: Minor surface grime.
$800-1,200
744.Charlot Bowman (American, 20th Century)
Mother and ChildSigned “CHARLOT·BOWMAN” l.l., with a stamp from H.H.Sullivan Inc., Rochester, New York, on the reverse.Oil on canvasboard, 20 x 16 in. (50./8 x 40.6 cm), framed.Condition: Surface grime/abrasions.
$800-1,200
745.Harold Knight (American, 20th Century)
Healing WatersSigned “Harold Knight” l.l., titled, signed and inscribed on thereverse.Oil on canvasboard, 12 1/2 x 14 1/2 in. (30.5 x 36.8 cm),framed.Condition: Surface grime.
$800-1,200
743 744
745
746.Elsie Caron Ives (American, 1864-1915)
Still Life with Fruit and DecanterSigned “Elise [sic] Ives” u.l.Oil on canvas, 16 x 18 in. (40.6 x 45.7 cm), unframed.Condition: Mounted onto Masonite, tears/abrasions, surfacerubs, damage to tacking edges, retouch, scattered craquelure,surface grime.
$200-300
747.Rico Lebrun (American, 1900-1964)
Portrait of a Veiled Female FigureUnsigned.Ink and conté crayon on paper, sheet size 25 3/8 x 19 in. (64.5 x48.3 cm), framed.Condition: Mounted to paperboard.
Provenance: Gift from the artist; by family descent to the presentowner.
$300-500
748.Irina Igorevna Lavrova (Russian, 1931-1999)
FlowersSigned and dated “1949 I. Lavrova” in Cyrillic l.r., also signed,titled, and dated “Irina Lavrova....K.M. [Karton. Maslo(cardboard, oil)] 1949” in Cyrillic on the reverse.Oil on artist board, 13 1/4 x 16 1/2 in. (33.7 x 41.9 cm),framed.Condition: Creases/tears and pinholes to the u.r. and l.r.quadrants.
Provenance: Private New England collection.$300-500
746
747
748
749.Gary Ernest Smith (American, b. 1942)
Cornfield in SnowSigned “GARY ERNEST SMITH ©” l.r., titled, signed andinscribed “...Gary E. Smith/© OPYRIGHT [sic] RETAINED”on the stretcher.Oil on canvas, 24 x 36 in. (61.0 x 91.4 cm), framed.Condition: Mild surface grime, subtle pigment fluorescence.
$2,000-4,000
750.Norman Millet Thomas (American, b. 1915)
The Sculptor’s StudioUnsigned, inscribed “Painted by Norman Thomas/ Certified bysisister [sic]-in-law Marie Thomas” on the stretcher.Oil on Masonite, 48 x 30 1/4 in. (121.9 x 76.8 cm), unframed.Condition: Surface grime/abrasions, tack holes to the margins.
$600-800
751.Henry A. (Hank) Walker (American, 1919-1995)
Two HuntersSigned “HANK WALKER” l.r.Oil on canvas, 18 x 24 in. (45.7 x 61.0 cm), framed.Condition: Good.
N.B. An artist biography and the photograph on which thiscomposition is based accompanies the lot.
$800-1,200
749
750751
752.Cecil Crosley Bell (American, 1906-1970)
Lot of Nine Drawings: Including Figural Studies, FactoryScene, and Possible Studies for Team at AuctionMany stamped “Cecil C. Bell” l.r., some initialed, signed orinscribed.Charcoal, watercolor and ink on paper, approximate sheet sizes to9 x 12 in. (22.9 x 30.5 cm), unframed.Condition: Toning, tears, some with tape at edges.
$800-1,200
753.Julian Edwin Levi (American, 1900-1982)
Dock Worker/A Maquette Probably for a WPA MuralSigned and dated “JULIAN LEVY 1938” l.l., titled andidentified, probably in a later hand, on the reverse.Egg tempera and graphite on fiberboard, 15 3/8 x 9 3/8 in.(39.1 x 23.8 cm), framed.Condition: Surface grime.
$700-900
754.George Manuel Aarons (American, 1896-1980)
Lot of Two Maquettes for a Large Scale InstallationOne signed and dated “Georg...Aarons/1964” l.l., the otherunsigned.Carved plaster bas-reliefs, sizes to 11 x 22 3/4 x 5 3/4 in. (27.9x 57.8 x 14.6 cm).Condition: Small chips and losses, surface grime.
$1,200-1,800
752
753
754
755.George Rodrigue (American, b. 1944)
The Secret of the Hollow, alternatively titled The Secret of PirateLafitte’s GoldSigned and dated “Rodrigue 74” l.l., also signed and inscribed “©G. Rodrigue...” on the reverse, signed or inscribed and titled“#7422 George Rodrigue ©...” on the stretcher bar.Oil on canvas, 30 x 36 in. (76.2 x 91.4 cm), framed.Condition: Good.
Provenance: Purchased at Arvest Galleries, Inc., Boston, 1993.
Literature: Rodrigue, George, The Cajuns of George Rodrigue,Birmingham: Oxmoor House, 1976, pp. 18-19 (illus.); GeorgeRodrigue: Cajun Artist, Lafayette: Rodrigue Gallery & Studio,1975, p. 17 (illus.).
N.B. The alternative title was issued by Oxmoor House forpublication. A copy of George Rodrigue: Cajun Artist, and aphotocopy of a letter from the artist accompany the lot.
$20,000-30,000
756.George Rodrigue (American, b. 1944)
Prayer Under the OaksSigned “Rodrigue” l.l. and “© Rodrigue” on the reverse, titledand inscribed “#7520...” and stamped from George RodrigueGallery, Lafayette, Louisiana, on the stretcher bars.Oil on canvas, 24 x 36 in. (61.0 x 91.4 cm), framed.Condition: Good.
Provenance: Purchased at Arvest Galleries, Inc., Boston, 1975.
Literature: Rodrigue, George, The Cajuns of George Rodrigue,Birmingham: Oxmoor House, 1976, p. 22 (illus.).
N.B. An autographed copy of Rodrigue [The Newspaper andMagazine Articles of Louisiana’s International Folklore Artist],Lafayette: George Rodrigue Gallery & Studio, 1975, and anautographed poster accompany the lot.
$15,000-20,000
756
755
757.George Rodrigue (American, b. 1944)
Cajun Farmer’s Daughters, alternatively titled The Daughters ofFrancis RobertSigned “Rodrigue” l.l. and “© Rodrigue” on the reverse, titledand numbered “...#7525” and with stamps from the GeorgeRodrigue Gallery, Lafayette, Louisiana, on the stretcher bars.Oil on canvas, 24 x 36 in. (61.0 x 91.4 cm), framed.Condition: Good.
Literature: Rodrigue, George. The Cajuns of George Rodriguez,Birmingham: Oxmoor House, Inc., 1976, p. 40 (illus.).
Provenance: Purchased at Arvest Galleries, Inc., Boston, 1993.
N.B. The alternative title was issued by Oxmoor House forpublication. A copy of the book from the limited Louisianaedition (#2239/8000) and a photocopy of a letter from the artistaccompany the lot.
$20,000-30,000
757
758.Miguel Covarrubias (Mexican, 1904-1957)
Tropical LandscapeSigned “COVARRUBIAS” l.r., a label from Forty-Seventh StreetGallery, New York, affixed to the reverse.Gouache, watercolor and ink on paper/board, 10 1/2 x 13 3/4in. (26.7 x 34.9 cm), framed.Condition: Glued to window mat.
$2,000-4,000
759.Balinese School, 19th/20th Century
At the RiverSigned and inscribed “KT. MANGGI – BALI.” l.r., stamped onthe reverse.Watercolor and gouache on paper, sight size 12 1/2 x 8 1/2 in.(31.8 x 21.6 cm), framed.Condition: Taped along bottom edge to front mat, tear u.l.,rippling, light creases, soiling/staining.
$400-600
760.Clementine Hunter (American, 1886-1988)
Church ProcessionMonogram initialed “CH” l.r.Oil on Masonite, 11 1/2 x 15 1/2 in. (29.2 x 39.4 cm),unframed.Condition: Craquelure, minor losses at center, nail holes in theu.r. and u.l. quadrants.
$300-500
758
760
761.Audrey May Hatfield (American, fl. 1984-present)
Indigenous Figures Receiving Nourishment from a CowSigned and dated “Audrey Hatfield 1991” l.r.Pastel on paper, sheet size 15 x 22 1/2 in. (38.1 x 57.2 cm),framed.Condition: Not examined out of frame.
$400-600
762.Jay Thurston Robinson (American, b. 1915)
Jungle Clearing, alternatively titled Village Clearing/An ImageBased on the Bakuba Tribe of the Bulape Group, KasaiDistrict, Belgian CongoSigned “Jay Robinson” l.l., identified in inscriptions on thereverse.Mixed media relief on panel, 18 x 11 3/4 in. (45.7 x 29.8 cm),framed.Condition: Surface grime.
$400-600
763.William Sommer (American, 1867-1949)
The Purple GoatSigned and dated “William Sommer. 1942” l.r., identified on alabel affixed to the backing.Ink and watercolor on paper, sight size 11 3/4 x 17 in. (29.8 x43.2 cm), in a Prendergast-style frame.Condition: Not examined out of frame.
Provenance: Ex-collection of Henry Francis, former curator atthe Cleveland Museum of Art, then by descent.
Exhibitions: The William Sommer Memorial Exhibition:Catalogue of an Exhibition of Works by William Sommer,Cleveland Museum of Art, November 1–December 10, 1950, no.179.
$2,500-3,500
761
762
763
764.Miguel Covarrubias (Mexican, 1904-1957)
Retrato de Mujer TehuanaSigned and dedicated “For Sam withapologies/COVARRUBIAS” l.r.Gouache and watercolor on paper/board, sight size 14 1/4 x 101/2 in. (36.2 x 26.7 cm), framed.Condition: Cloth tape hinged to backing mat, tack holes.
$2,000-3,000
765.Margaret D. H. Keane (American, b. 1927)
Lot of Two Figural StudiesEach signed and dated “© MDH Keane 1968” l.l. or l.r.Charcoal on paper, sight sizes to 4 1/2 x 5 1/2 in. (11.4 x 14.0cm), framed.Condition: Subtle toning, mild foxing/staining, not examinedout of frames.
$300-500
766.American School, 20th Century
HikerSigned “Myriam Pistor” l.r.Watercolor on paper/board, sight size 11 1/4 x 6 in. (28.6 x15.2 cm), framed.Condition: Toning, mat burn, not examined out of frame.
$300-500
764
765
766
767.Diego Rivera (Mexican, 1886-1957)
Vendedora de PozoleSigned and dated “Diego Rivera 38” l.r.Ink and watercolor on Japan paper, sheet size 15 x 10 3/4 in.(31.1 x 27.3 cm), framed.Condition: Mounted to linen-covered mat, tack holes to corners.
Provenance: Gift of the artist to Frida Kahlo de Rivera, MexicoCity; Private collection, Los Angeles, California; Privatecollection, Florida, 1984.
Literature: Diego Rivera Acuarelas [1935-1945] - ColecciónFrieda [sic] Kahlo, text by Dr. Samuel Ramos, Mexico, EditorialAtlante, S.A., 1948, Plate 18 (illus.).
N.B. This work appears to be a finished composition based onthe drawing in the collection of Rafael Coronel, which isillustrated in Diego Rivera: Catalogo General de Obra deCaballete, no. 1194.
$40,000-80,000
767
768.Henry Schwartz (American, 1927-2009)
After the Flood, alternatively titled The CrossingSigned and dated “Henry Schwartz 1961” u.l., titled, dated andsigned “...1961 Henry Schwartz” on the reverse, identified on aperiod label from Boris Mirski Gallery, Boston, affixed to thereverse.Oil on canvas (and frame liner), 28 3/4 x 26 1/2 in. (73.0 x67.3 cm), framed.Condition: Loss u.r., pigment fluorescence, surface grime.
$400-600
769.Maurice de Vlaminck (French, 1876-1958)
Village Street ViewSigned “Vlaminck” in pen l.r.Ink and graphite on paper, sheet size 5 1/8 x 8 1/8 in. (13.0 x20.6 cm), framed.Condition: Subtle toning, acid burn from tape hinges at fourcorners verso.
Provenance: Daniel Sickles, Paris, France; Hans Peter Kraus, NewYork; Estate of Anna Eleanor Roosevelt (née Braman) Grasso,Essex, Connecticut.
Literature: [Collection Daniel Sickles] Bibliothèque d’unAmateur, Très Beaux Livres Illustrés Modernes Dans d’ImportantesReliures dont 53 Signées de Pierre Legrain, Exemplaires uniquesdont Les Fleurs du Mal Illustrées par Rouault, Deuxieme partie,Paris: Musée Galliéra, 21 May 1963 (no. 265); Kraus, H.P., TheIllustrated Book, Catalogue 108, no. 138, 1964.
N.B. The work was one of eight original drawings included in apresentation copy of Souvenirs d’un marchand de tableaux byAmbroise Vollard, published by Éditions Albin Michel in 1937,which was pen inscribed and gifted to his chauffeur Marcel Z.Méraud (see lot 777 for two letters in the Archives Matisse fromMéraud regarding the circumstances of Vollard’s gift).
$2,000-4,000
770.Florence Henri (Swiss, 1893-1982)
View of a Dutch LandscapeSigned and dated “Florence Henri 1956” in pen l.r.Gouache on paper, sight size 14 x 17 1/2 in. (35.6 x 44.5 cm),framed.Condition: Subtle acid burn, not examined out of frame.
$800-1,200
768
769
770
771.Giorgio De Chirico (Italian, 1888-1978)
Untitled Landscape with Petrified Boat and Figures [TheDioscuri], c. 1925 and Untitled Portrait of Gala Dali, c. 1924-25/A Double-sided WorkLandscape signed “G. de Chirico” in pencil l.r., Portrait signedand inscribed “Le retour a une suite...G. de Chirico” l.r. andinscribed “Madame Gala Dali” in a later hand l.c.Graphite on paper, sight size 12 x 9 in. (30.5 x 22.9 cm), framed.Condition: Subtle foxing, pinhole u.c.
Provenance: From the Hillman Family Collection by descent toAlex Hillman; private collection c. 1990s.
Literature: Emily Braun, Manet to Matissse: The Hillman FamilyCollection, Seattle: University of Washington Press, 1994, pp. 54-57, (illus.).
N.B. In Emily Braun’s analysis of the landscape composition ofthe present work, she notes that the two figures depicted in theforeground may allude to the twin sons of Zeus Castro andPolydeuces—also known as the Dioscuri—but may also representthe artist and his brother, Alberto Savinio.1 Supporting thisinterpretation, Braun cites the depiction of eyes in the lower left,which commonly represented for De Chirico “the visionarypowers of the artist” or “the omnipotence of the gods.”2 Of theportrait composition on the reverse, Braun contextualizes thework within the Parisian surrealist circle of Paul Eluard, GalaDali’s first husband. She notes that Eluard was a patron of DeChirico circa 1923, and that De Chirico associated with thecouple through 1926.3
1. Emily Braun, Manet to Matisse: The Hillman Family Collection, Seattle:University of Washington Press, 1994, p. 54.2. Ibid., 54.3. Ibid., 55.
$15,000-25,000
772.Diego Rivera (Mexican, 1886-1957)
Skyline, Florence, ItalySigned and dated “Diego Rivera. 21” in pencil l.r.Graphite on paper, sheet size 8 3/8 x 10 5/8 in. (21.3 x 27.0cm), unframed.Condition: Acid burn to l.l. quadrant, tear to u.l. and l.l.quadrants, glued to backing sheet at corners.
Provenance: Collection of Caroline Johnston (née Ramsay)Chandler of Wilmington, Delaware (b. 1893-?), by family descentto private collection, Maine. Caroline Ramsay Chandler was theeldest daughter of William Gouverneur Ramsay, a civil engineerand vice president of E.I. du Pont de Nemours & Company. Shewas a student of the Woodstock Art Colony, an artist inwatercolors and oils, as well as an art collector. She traveled toMexico in the 1930s, and is believed by her family to haveacquired art on this trip, including the present work.
$8,000-12,000
771
772
773.Paul Delvaux (Belgian, 1897-1994)
Portrait of Two Women EmbracingSigned and dated “P. DELVAUX/1945” in pencil l.r., watermarkc.l.Graphite and ink on Antique de Luxe laid paper, sheet size 8 1/4x 6 3/4 in. (15.9 x 17.1 cm), framed.Condition: Slight toning, paper tape hinged to backing mat.
Provenance: Gift from the artist to the present owner, c. 1946.
N.B. The present work is characteristic of Delvaux’s female nudestudies, where he explores the relationship between the idealizedfemale body and naturalistic representation. The work echoesGustave Courbet’s Le Sommeil (1866), but without thelanguorous surrender. The alert gaze directed at the viewer andthe ambiguous indoor-outdoor background decontextualizes itfrom an academic “odalisque,” and creates a tension over thepropriety of the scene for the spectator.
His works have been said to both “entice and demystify, allowingthe viewer the fullest sensual and emotional satisfaction the visualimage can offer, yet alerting him or her to the artificiality, evenabsurdity, of the principles that produce such pleasure.”1
1. Scott, David, Paul Delvaux: Surrealizing the Nude, London: Reaktion Books,1992, p. 13.
$3,000-5,000
774.Georges Rouault (French, 1871-1958)
La Sainte Face (esquisse), 1921Unsigned, identified on a label from Hammer Galleries, NewYork, on the backing.Ink wash on paper, sheet size 4 3/4 x 4 in. (12.1 x 10.2 cm),framed.Condition: Tape hinged along top edge to backing mat, subtlerippling.
Provenance: Estate of Anna Eleanor Roosevelt (née Braman)Grasso, Essex, Connecticut.
Literature: Dorival, Bernard and Isabelle Rouault, Rouaultl’Oeuvre Peint, Monte Carlo: Andre Sauret, 1988, no. 864,(illus.).
N.B. We wish to thank Jean-Yves Rouault and Anne-MarieAgulhon of the Fondation Georges Rouault for their assistancewith cataloguing the lot.
$3,000-5,000
775.Oja Kodar (Croatian, b. 1941)
Dancing FiguresMonogram initialed and numbered “O.. 1/6.” on the reverse l.r.Bronze, 14 x 11 x 5 in. (35.6 x 27.9 x 12.7 cm), mounted to awooden plinth.Condition: Minor surface grime.
Provenance: Purchased from Rolly-Michaux Gallery, Boston.$300-500
773
774
775
776.Marc Chagall (French/Russian, 1887-1985)
Two Lovers on a RoosterSigned “Marc Chagall” l.r.Ink, graphite, and crayon on laid paper, sheet size 7 1/2 x 5 1/8 in. (19.1 x 13.0 cm), framed.Condition: Paper-backed, taped along margins verso to backing linen-covered mat, acid burn.
Provenance: Daniel Sickles, Paris, France; Hans Peter Kraus, New York; Estate of Anna EleanorRoosevelt (née Braman) Grasso, Essex, Connecticut.
Literature: [Collection Daniel Sickles] Bibliothèque d’un Amateur, Très Beaux Livres IllustrésModernes Dans d’Importantes Reliures dont 53 Signées de Pierre Legrain, Exemplaires uniquesdont Les Fleurs du Mal Illustrées par Rouault, Deuxieme partie, Paris: Musée Galliéra, 21 May1963 (no. 265); Kraus, H.P., The Illustrated Book, Catalogue 108, no. 138, 1964.
N.B. The work was one of eight original drawings included in a presentation copy of Souvenirsd’un marchand de tableaux by Ambroise Vollard, published by Éditions Albin Michel in 1937,which was pen inscribed and gifted to his chauffeur Marcel Z. Méraud (see lot 777 for twoletters in the Archives Matisse from Méraud regarding the circumstances of Vollard’s gift).
$40,000-60,000
776
777.Henri Matisse (French, 1869-1954)
Tête de Femme, 1942Inscribed, signed and dated “A Monsieur Marcel Z. Méraud/Cordialement/Henri Matisse 17...42” in pencil l.l.Ink and graphite on paper, sheet size 8 1/8 x 5 in. (20.6 x 12.7 cm), framed.Condition: Taped to silk covered mat at four corners verso, acid burn to corners, deckled edges.
Provenance: Daniel Sickles, Paris, France; Hans Peter Kraus, New York; Estate of Anna Eleanor Roosevelt (née Braman) Grasso, Essex,Connecticut.
Literature: [Collection Daniel Sickles] Bibliothèque d’un Amateur, Très Beaux Livres Illustrés Modernes Dans d’Importantes Reliures dont53 Signées de Pierre Legrain, Exemplaires uniques dont Les Fleurs du Mal Illustrées par Rouault, Deuxieme partie, Paris: Musée Galliéra,21 May 1963 (no. 265); Kraus, H.P., The Illustrated Book, Catalogue 108, no. 138, 1964.
N.B. We wish to thank Wanda de Guebriant of the Archives Matisse for her kind assistance with cataloguing the lot. The work is no.K296 in the Archives Matisse and a photo-certificate accompanies the lot.
The work was one of eight original drawings included in a presentation copy of Souvenirs d’un marchand de tableaux by AmbroiseVollard, published by Éditions Albin Michel in 1937, which was pen inscribed and gifted to his chauffeur Marcel Z. Méraud.
In a letter at the Archive Matisse dated February 16, 1942, Méraud shares his enthusiasm for the gift from Vollard, and requests a workfrom Matisse to add to the book. He writes: “Mr. Fabiani had to tell you about the book that Mr. Ambroise Vollard dedicated to me;among other things, it is the first book out of the printing press that Mr. Vollard gave to me, saying, “Marcel, the first is for you!”Within this book are [works by] Mr. Vollard’s art colleagues and friends-one made me a drawing, another a watercolor, another adrawing with watercolor, etc. … Would you allow me to ask a remembrance of you? I would be very grateful.” (translated from French)
In a second letter, also at the Archive Matisse dated September 23, 1942, Méraud acknowledges receipt of a drawing and expresses hispleasure with the work: “I received your magnificent drawing that I quickly put it in my book of the recollections of Mr. AmbroiseVollard, which is for me, the best souvenir, with the nice dedication of Mr. Vollard and fine drawings by artists that I had the pleasure ofseeing regularly without knowing more intimately, I thank you even more, because your beautiful gesture allows me to enrich my bookwith a beautiful memory of a great master.” (translated from French)
$20,000-40,000
778.No lot.
777
779.Raoul Dufy (French, 1877-1953)
Grand Orchestre, 1948Signed “Raoul Dufy” in pencil l.r., inscribed “Expo. GalerieMotte Geneve/1957 No. 36...” in pencil and with labels on thereverse, also identified on a label from Hirschl & Adler Galleries,Inc., New York, on the backing.Watercolor and ink on paper, sheet size 19 3/4 x 25 3/4 in.(50.2 x 65.4 cm), framed.Condition: Taped to beveled mat.
Provenance: Estate of Anna Eleanor Roosevelt (née Braman)Grasso, Essex, Connecticut.
Exhibitions: Exposition Raoul Dufy 1877–1953 DessinsGouaches, Galerie Motte, March 15–April 14, 1957, exh. no. 36(illus.); Raoul Dufy 1877-1953, Hirschl & Adler Galleries, Inc.,November 3–December 4, 1965, exh. cat. no. 76.
N.B. We are grateful to Fanny Guillon-Laffaille for confirmingthe authenticity of this work.
$75,000-125,000
779
780.Peter Robert Keil (German, b. 1942)
Lake Wannsee Near BerlinSigned and dated “Keil 68” l.l., titled, signed and dated “...PRobert Keil Berlin 68” on the reverse.Acrylic on Masonite, 22 x 28 in. (55.9 x 71.1 cm), framed (underglass).Condition: Minor retouch.
$400-600
781.Jean Liberte (American, 1896-1965)
Farm View in the EveningSigned “LiBERTE” l.r.Oil on canvasboard, 20 x 24 in. (50.8 x 61.0 cm), framed.Condition: Surface grime.
$600-800
782.Regis de Bouvier De Cachard (French, b. 1929)
Birds at Piazza San Marco, VeniceSigned and dated “BOUVIER de CACHARD 65” l.r.Oil on canvas, 27 3/4 x 31 3/4 in. (70.5 x 80.6 cm), framed.Condition: Surface grime.
$500-700
780
782
783.Lawrence Edward Kupferman (American, 1909-1982)
Old Streets, BostonSigned “Kupferman” l.r., inscribed, titled, signed and dated “#17-46...JANUARY 22, 1946/LAWRENCE KUPFERMAN” on thereverse.Oil on Masonite, 16 1/4 x 23 in. (41.3 x 58.4 cm), framed.Condition: Surface grime, pigment fluorescence, varnishinconsistencies.
$400-600
784.Peter Busa (American, 1914-1985)
Cottages by a BayIncised signature “Busa” l.r.Oil on Masonite, 8 1/4 x 18 in. (21.0 x 45.7 cm), framed.Condition: Good.
$700-900
785.Peter Robert Keil (German, b. 1942)
On the Lake Starnberger, MunichSigned and dated “Keil 63” l.r., titled, signed, and dated “...P.Robert Keil Berlin 63” on the reverse.Acrylic on Masonite, 25 1/2 x 29 3/4 in. (64.8 x 75.6 cm),framed.Condition: Minor surface grime.
$400-600
783 785
784
786.Eugene G. Berman (American, 1899-1972)
Head of a Satyr with Dark VisageMonogram signed and dated “EB 1942” l.c.Mixed media (watercolor, ink, and collage) on blue/gray paper,sheet size 15 1/8 x 11 7/8 in. (38.4 x 30.2 cm), framed.Condition: Tape hinged to backing glass, not examined out offrame.
Provenance: Gift from the artist; by family descent to the presentowner.
$800-1,200
787.Oja Kodar (Croatian, b. 1941)
Running FigureMonogram initialed and numbered “1/4...O....” on the reversel.r.Bronze with brown-black patina, 10 1/2 x 4 x 3 1/2 in. (26.7 x10.2 x 8.9 cm), mounted on a wooden plinth.Condition: Minor surface grime.
Provenance: Purchased from Rolly-Michaux Gallery, Boston,Massachusetts.
$300-500
788.Eugene G. Berman (American, 1899-1972)
Head of a SatyrMonogram signed and dated “19 EB 42” l.c.Mixed media (watercolor, ink, and collage) on paper, sheet size15 1/4 x 12 in. (38.7 x 30.5 cm), framed.Condition: Tape hinged to backing glass, not examined out offrame.
Provenance: Gift from the artist; by family descent to the presentowner.
$800-1,200
786
788
787
789.Henry Moore (British, 1898-1986)
Studies for Sculpture, 1950Signed and dated “Moore 50” in ink l.r., identified on labels fromMarlborough Gallery, London, and M. Knoedler & Co., Inc.,New York, affixed to the backing.Charcoal, wax crayon, watercolor wash, ink, and gouache onpaper, sheet size 15 3/4 x 11 1/2 in. (40.0 x 29.2 cm), framed.Condition: Tape hinged to backing mat along left edge, subtlerippling.
Provenance: Estate of Anna Eleanor Roosevelt (née Braman)Grasso, Essex, Connecticut.
Literature: Ann Garrould (ed.), Henry Moore Complete Drawings1950-1976 Volume 4, London: Lund Humphries, 2003, pp. 22-23, AG. 50.50, HMF no. 2611 (illus.).
Exhibitions: Marlborough Fine Art, London, September 1962(cat. 52).
$30,000-50,000
789
790.Peter Robert Keil (German, b. 1942)
Nude in GreenSigned and inscribed “Keil New-York” l.r., titles along top tackingedge.Acrylic on cinema-motif silk jacquard fabric, 39 1/2 x 27 1/2 in.(100.3 x 69.8 cm), unframed.Condition: Minor surface grime, craquelure, lifting, abrasions.
$400-600
791.Robert Beauchamp (American, 1923-1995)
Self-Portrait with Yellow HairIncised signature and date “Beauchamp 75” l.r.Oil on canvas, 27 x 20 in. (68.6 x 50.8 cm), framed.Condition: Good.
Provenance: Through the artist’s estate.$2,000-3,000
792.Peter Robert Keil (German, b. 1942)
Untitled [Portrait]Signed and inscribed “Keil New-York” l.l.Acrylic on cinema-motif silk jacquard fabric, 39 1/2 x 27 1/2 in.(100.3 x 69.85 cm), unframed.Condition: Minor surface grime, craquelure, lifting, abrasions.
$500-700
790 791
793.Pavel Tchelitchew (Russian/American, 1898-1957)
Tête de jeune hommeSigned and dated “P. Tchelitchew 31” l.l., titled and inscribed“...P. Tchelitchew” on the stretcher, stamped“DOUANES/PARIS/EXHIBITION” on the reverse.Oil on canvas, 25 1/2 x 19 3/4 in. (64.8 x 50.2 cm), framed.Condition: Surface grime, craquelure.
Provenance: Gift from the artist; by family descent to the presentowner.
N.B. We wish to thank Erik La Prade for his kind assistance withcataloguing the lot.
$15,000-25,000
794.Manfred Schwartz (American, 1909-1970)
Portrait of a Man with FruitSigned and dated “Manfred Schwartz 46” l.l.Oil on canvas, 25 x 30 in. (63.5 x 76.2 cm), framed.Condition: Minor surface grime and canvas deformations.
$2,000-4,000793
794
795.Howard Mandel (American, 1917-1999)
Les Halles-Autrefois (Pied de Porc)Signed “HOWARD MANDEL” l.r., identified on stamps andlabels on the reverse.Acrylic on Masonite, 30 x 36 in. (76.2 x 91.4 cm), framed.Condition: Minor flaking, minor surface grime.
Exhibitions: Audubon Artists 54th Annual, 1996.$1,800-2,200
796.Felix (Varlamishvili) Varla (Georgian/French, 1903-1986)
Les PecheursSigned “Varla” l.l., identified on a partial label from MonedeGallery, New York, affixed to the reverse.Oil on canvas, 15 x 18 in. (38.1 x 45.7 cm), framed.Condition: Minor surface grime, craquelure, minor losses.
$400-600
797.María Jesús de Solà (Spanish, 20th Century)
HarlequinSigned and dated “Mª Jesús de Sola IX-LIV” l.r.Oil on canvas, 45 x 28 in. (114.3 x 58.4 cm), framed.Condition: Minor surface grime.
$700-900
795
796 797
798.Andre Derain (French, 1880-1954)
The JugglerSigned “a derain” l.r.Gouache and graphite on paper, sheet size 8 1/8 x 5 1/8 in.(20.6 x 13.0 cm), framed.Condition: Toning, acid burn from tape verso on all fourcorners, not examined out of frame.
Provenance: Daniel Sickles, Paris, France; Hans Peter Kraus, NewYork; Estate of Anna Eleanor Roosevelt (née Braman) Grasso,Essex, Connecticut.
Literature: [Collection Daniel Sickles] Bibliothèque d’unAmateur, Très Beaux Livres Illustrés Modernes Dans d’ImportantesReliures dont 53 Signées de Pierre Legrain, Exemplaires uniquesdont Les Fleurs du Mal Illustrées par Rouault, Deuxieme partie,Paris: Musée Galliéra, 21 May 1963 (no. 265); Kraus, H.P., TheIllustrated Book, Catalogue 108, no. 138, 1964.
N.B. The work was one of eight original drawings included in apresentation copy of Souvenirs d’un marchand de tableaux byAmbroise Vollard, published by Éditions Albin Michel in 1937,which was pen inscribed and gifted to his chauffeur Marcel Z.Méraud (see lot 777 for two letters in the Archives Matisse fromMéraud regarding the circumstances of Vollard’s gift).
$2,000-4,000
799.Japanese School, 20th Century
Lot of Two Works: A Mask Engraver and A BirdSigned “Fujiyama” l.r. and u.r., respectively.Ink and watercolor on mulberry paper, sheet sizes to 15 1/2 x 101/2 in. (39.4 x 26.7 cm), unframed.Condition: Glued along right margin to backing cardstock,subtle rippling to sheet.
$300-500
800.Howard Mandel (American, 1917-1999)
Pure and Simple, 1991Signed “HOWARD MANDEL” l.r., identified on stamps andlabels on the reverse.Acrylic and graphite on Masonite, 30 x 36 in. (76.2 x 91.4 cm),framed.Condition: Surface grime.
Exhibitions: National Society of Painters in Casein and Acrylic39th Annual Exhibition, 1992.
$1,800-2,200
798
799 800
801.Doris Klein (American, b. 1918)
Portrait of a Female NudeSigned “Doris Klein” in pen l.r., a partial label from Revel Gallery,New York, on the reverse.Oil on canvas, 48 x 37 3/4 in. (121.9 x 95.9 cm), framed.Condition: Patch reinforcement, small tear in the u.l. quadrant,minor surface grime.
$800-1,200
802.Akira Tanaka (Japanese, 1918-1982)
Four FiguresSigned “Akira · Tanaka” l.l.Oil on canvas, 39 1/2 x 29 in. (100.3 x 73.7 cm), framed.Condition: Good.
$2,500-3,500
803.American School, 20th Century
The SunbathersSigned “...Kamps” l.r.Oil on canvas, 28 x 36 in. (71.1 x 91.4 cm), framed.Condition: Surface grime.
$400-600
803A.Cavit Atmaca (Turkish, b. 1933)
Three Figural ScenesTwo signed and dated “C.ATMACA 64” l.r. or l.l., one signed“C. ATMACA” u.l.Gouache and ink on paper/board, approximate sight sizes to 33/4 x 6 3/4 in. (9.5 x 17.2 cm), framed.Condition: Toning, not examined out of frames.
$500-700
801
802
803
803A
804.Xavier Bueno (Italian, 1915-1979)
Portrait of a Young GirlSigned “Xavier Bueno” u.l., canvas stamp from FratelliRigacci, Florence, on the reverse.Oil on canvasboard, 19 5/8 x 15 3/4 in. (40.0 x 50.0 cm),framed.Condition: Good.
N.B. A copy of Xavier Bueno by Salvatore Quasimodo, andXavier Bueno exhibition pamphlets including GalleriaSantacroce, Florence, and Sagittarius Gallery, New York,accompany the lot.
$10,000-15,000
805.J. Sultan Ali (Indian, 1920-1990)
The First SinSigned and dated “...SULTAN ALI ‘65” l.l., titled, inscribed,and identified on a label from Lalit Kala Akademi, NewDelhi, on the reverse.Oil on canvas, 31 3/4 x 54 1/4 in. (81.0 x 137.0 cm),framed.Condition: Surface grime, mildew, craquelure.
Provenance: Purchased from the artist c. 1965; gift to thepresent owner.
Exhibitions: Lalit Kala Akademi, National Exhibition of Art,1965.
N.B. J. Sultan Ali was born in Mumbai and studied paintingat the venerable Government School of Arts and Crafts, nowcalled the Government College of Fine Arts, in the SouthIndian city of Chennai. He exhibited in a number ofnational and international art exhibitions, including shows atthe Lalit Kala Academy, Venice Biennale, São Paulo Biennial,and India Triennale New Delhi.
$5,000-7,000
804
805
806.Harold C. Wolcott (American, 1898-1977)
Still Life with Fruit and PitcherSigned or inscribed “H.C. WOLCOTT” l.r., inscribed “...H.C.WOLCOTT/ SOUTHPORT/CONN. -06490-” on the reverse.Oil on canvasboard, 16 x 20 in. (40.6 x 50.8 cm), framed.Condition: Good.
Provenance: Through the estate of Harold C. Wolcott, Westport,Connecticut, 1980.
$600-800
807.Hazel Burnham Slaughter (American, 1888-1979)
Abstract CompositionSigned and dated “HAZEL SLAUGHTER 1944-” l.l., inscribed“HAZEL BURNHAM SLAUGHTER...” in a later hand on thereverse.Oil on canvas mounted to panel, 26 x 19 1/2 in. (66.0 x 49.5cm), framed.Condition: Surface grime, craquelure.
$2,000-2,500
808.Josef Scharl (German/American, 1896-1954)
Still Life with ApplesSigned and dated “Jos. Scharl 1943” l.r.Oil on canvas, 17 x 25 in. (43.2 x 63.5 cm), framed.Condition: Craquelure, cupping, scattered losses/abrasions.
$300-500
806
807
808
809.Antonio Dattorro (American, 1918-2001)
Fire and IceSigned “Dattorro” l.l., titled on a label affixed to the stretcher,artist identified on information affixed to the reverse.Oil on canvas, 20 x 14 in. (50.8 x 35.6 cm), framed.Condition: Pigment fluorescence, scattered losses, craquelure,surface grime.
$300-500
810.Florence Henri (Swiss, 1893-1982)
Abstract CompositionSigned “Florence Henri” l.r.Gouache on paper, sight size 10 1/8 x 7 3/4 in. (25.7 x 19.7cm), framed.Condition: Not examined out of frame.
$600-800
811.Billy Al Bengston (American, b. 1934)
Untitled, 1979Identified on labels from Tobey C. Moss Gallery, Los Angeles,and Thomas Segal Gallery, Boston, on the reverse.Collage with watercolor on handmade paper, circular format, 14in. diameter (35.6 cm), framed.Condition: Not examined out of frame.
$400-600
809 810
811
812.Budd Hopkins (American, b. 1931)
Black AbstractSigned and dated “Hopkins 65” l.r.Ink on paper, sheet size 9 3/4 x 12 1/2 in. (24.8 x 31.8 cm),framed.Condition: Not examined out of frame.
$200-300
813.Tim Rollins + K.O.S. (American, b. 1955)
Study for Amerika, 1988Identified on a label from Barbara Krakow Gallery, Boston, on thereverse.Watercolor and graphite on typeset sheet, sheet size 7 7/8 x 51/8 in. (20.0 x 13.0 cm), framed.Condition: Not examined out of frame.
$400-600
814.John G.F. Von Wicht (American, 1888-1970)
Abstract CompositionSigned “V. Wicht” in pencil l.r.Oil and mixed media on paper, sight size 16 1/2 x 21 in. (41.9 x53.3 cm), framed.Condition: Losses, subtle creases to u.r., not examined out offrame.
$800-1,200
812
813
814
815.Gianni Frassati (Italian, b. 1924)
Le Maitre CoordonnateurSigned and dated “GIANNI FRASSATI 1960” l.r., also signedand titled “GIANNI FRASSATI...” on the reverse.Oil on canvas, 13 1/4 x 16 1/4 in. (33.7 x 41.3 cm), framed.Condition: Subtle varnish inconsistencies.
$1,500-2,500
816.Lucy Stelle Brown L’Engle (American, 1889-1978)
Collage ISigned and inscribed “Lucy L’Engle/Truro...” on the cardboardbacking.Mixed media collage on paper, sight size 15 x 25 in. (38.1 x 63.5cm), framed.Condition: Not examined out of frame.
Provenance: Through the estate of William and Lucy L’Engle,Massachusetts.
$800-1,200
815
816
817.Virginia Berresford (American, 1902-1995)
Fire in the JungleUnsigned.Ink, watercolor, and gouache on paper, 15 1/2 x 11 1/4 in.(39.4 x 28.6 cm), framed.Condition: Subtle toning, pale fox marks visible on the reverse.
Provenance: Through the artist.$250-300
818.Donald Hugo Stoltenberg (American, b. 1927)
Healing BoatsSigned and dated “Stoltenberg ‘66” l.l., identified on a label fromKanegis Gallery, Boston, affixed to the reverse.Mixed media with gouache on paper/board, sight size 12 1/2 x9 3/4 in. (31.8 x 24.8 cm), framed.Condition: Mat burn, not examined out of frame.
$300-500
819.William Johnson L’Engle (American, 1884-1957)
Weather MapSigned and dated “7.5.50/L’ENGLE” l.r.Gouache, ink, watercolor, and graphite, sight size 18 x 24 1/4 in.(45.7 x 61.6 cm), unframed.Condition: Not examined out of wrap.
Provenance: Through the estate of William and Lucy L’Engle,Massachusetts.
$400-600
817
818
819
820.Leonardo M. Nierman (American, b. 1932)
Untitled [Caverns]Signed and dated “nierman 67” l.r.Oil on Masonite, 23 1/2 x 30 5/8 in. (59.7 x 77.8 cm), framed.Condition: Nails through composition to corners, minorabrasions along edges.
$2,000-2,500
821.Leonardo M. Nierman (American, b. 1932)
UntitledSigned and dated “nierman 68” l.l.Oil on Masonite, 15 3/4 x 23 5/8 in. (40.0 x 60.0 cm), framed.Condition: Subtle surface abrasions in the u.l. quadrant, minorsurface grime.
$1,500-2,500
822.Masatoyo Kishi (Japanese/American, b. 1924)
Opus No. 151Signed, titled, dated, and inscribed “...September 5, 1960/Kishi...” on the reverse.Oil on canvas, 50 x 75 in. (127.0 x 190.5 cm), framed.Condition: Surface grime.
$300-500
820
821
822
823.Reba Stewart (American, 1930-1971)
RiverscapeSigned “Reba Stewart” on the stretcher.Oil on canvas, 36 x 24 in. (91.4 x 61.0 cm), framed.Condition: Mild varnish inconsistencies.
Provenance: Through the collection of Genevieve McMillan toa private New England collection.
N.B. Characterized by her peers and mentors as“independent,” “a very vivacious person, with a strong sense ofhumor,” and having “an intuitive genius in creating beauty…”Reba Stewart had an energetic artistic output until her tragicdeath by malaria at the age of 41.1
At the age of 18, Stewart moved on her own to Boston, whereshe attended the New England School of Art and Design in theevenings. The following year she enrolled full-time at theSchool of the Museum of Fine Arts, attending from 1949 to1955. It was while she was a student at the Museum Schoolthat she met Genevieve McMillan, then the wife of TACarchitect Robert S. McMillan, who would become her lifelongfriend and patron.2 Upon receiving her diploma, Stewartreceived a scholarship to study printmaking in Japan for a year.She received critical acclaim for her Japanese-inspired prints,which were exhibited at the Swetzoff Gallery and the DeCordova Museum. She received her B.F.A. and M.F.A. fromYale University, and held teaching positions at the MuseumSchool and Maryland Institute College of Art until her passingin 1971.
1. Pierce, Sally, “Notes on Reba Stewart,” Reba Stewart: A Legacy,Massachusetts College of Art, October 9 to November 20, 2006 (exh. cat.), pp.8-12.2. Ibid., 2.
$800-1,200
824.Ilya Bolotowsky (Russian/American, 1907-1981)
Golden DiamondUnsigned, titled and dated “...1975” and identified on a labelfrom Andrew Crispo Gallery, Inc., New York, on the reverse.Acrylic on canvas, 51 x 51 in. (129.5 x 129.5 cm), unframed.Condition: Minor surface grime.
$1,500-2,500
823
824
825.Jack Hamilton Bush (Canadian, 1909-1977)
Centre 3Signed, inscribed, and dated “...Jack Bush-Toronto... Jan 1/68”in pencil on the reverse, identified on labels from Harcus-KrakowGallery, Boston, and Janie C. Lee Gallery, Dallas, with a stampfrom Andre Emmerich Gallery, New York, on the stretchers.Acrylic polymer on canvas, 31 1/4 x 26 1/2 in. (79.4 x 67.3cm), framed.Condition: Minor surface grime.
$7,000-9,000
826.Jack Wolfe (American, 1924-2007)
Soft BoeingSigned and dated “J. Wolfe ‘64” l.r., also signed, titled, andinscribed “Jack Wolfe STOUGHTON MASS USA...” on thestretchers.Oil on canvas, 34 x 50 in. (86.4 x 127 cm), framed.Condition: Surface grime.
$600-800
825
826
827.Doug Anderson (American, b. 1954)
Too SmartSigned, titled, and dated “DOUG ANDERSON/ 1985...” on thereverse.Oil on canvas, 30 x 46 in. (76.2 x 116.8 cm), unframed.Condition: Surface grime.
$600-800
828.Erle Loran (American, 1905-1999)
The Inner DoorSigned and dated “Loran ‘63” l.r., titled, inscribed and signed“...Erle Loran” on the strainer, identified on labels from the SanFrancisco Museum of Art Rental Gallery and The Arleigh Gallery,San Francisco, affixed to the reverse.Oil and acrylic on Arches paper mounted to Masonite, 29 x 227/8 in. (73.7 x 58.1 cm), framed.Condition: Mounting bubble in the u.l. quadrant.
$1,200-1,800
829.John McNamara (American, b. 1950)
UntitledSigned and dated “John McNamara 81” on the reverse.Oil on canvas, 50 x 50 in. (127 x 127 cm), framed.Condition: Surface grime.
N.B. A native of Boston, John McNamara is presently a professorof Art Practice at the University of California, Berkeley. Hereceived his B.F.A. in Painting in 1971 and his M.F.A. in Paintingin 1977 from the Massachusetts College of Art, and his works arein university museum collections on the East and West coasts.
$500-700
827
828
829
830.Carl Liner (Swiss, 1914-1997)
#3Signed and dated “Liner 70” l.r., identified on a label from SmithCollege Museum of Art, Northampton, Massachusetts, affixed tothe reverse.Oil on canvas, 45 1/2 x 35 in. (115.6 x 88.9 cm), framed.Condition: Retouch, surface grime.
N.B. Sold for the benefit of the collections of the Smith CollegeMuseum of Art.
$500-700
831.Pierre Clerk (Canadian, b. 1928)
Painting. July 1955Unsigned, identified on a label from Margaret Brown Gallery,Boston, on the reverse.Oil on canvas, 23 x 28 in. (58.4 x 71.1 cm), framed.Condition: Minor surface grime.
$600-800
832.Edward Avedisian (American, b. 1936)
Untitled (Abstract), 1969Signed and inscribed “Avedisian/Bless its pointed little head” l.c.,identified on a label from Robert Elkon Gallery, New York, onthe reverse.Acrylic on paper, sheet size 31 3/8 x 22 1/4 in. (79.7 x 56.5cm), framed.Condition: Not examined out of frame.
Provenance: Through the estate of William S. Paley.$800-1,200
830
831
832
833.Marcella Rodange Comès (American, b. 1905)
Still Life with Playing Cards and Giovanni Bellini’s Portraitof a YouthSigned “Comès” l.r.Oil on panel, 24 x 20 in. (61.0 x 50.8 cm), framed.Condition: Craquelure, retouch, subtle varnish inconsistencies.
$600-800
834.Georges Spiro (French, 1909-1994)
Vue de la Ville de Cagnes-sur-Mer/A Surreal LandscapeSigned “Spiro” l.l., inscribed “A Monsieur Rudolph Schein avectoute mon amitié/Spiro...17.3.1956” on the reverse.Oil on canvas, 15 x 18 in. (38.1 x 45.7 cm), framed.Condition: Minor surface grime, minor retouch.
$600-800
833
834
835.Jules Kirschenbaum (American, 1930-2000)
ConjurerMonogrammed and dated “19 K 55” l.r., identified on anexhibition label (see below) and a label from Harry SalpeterGallery Inc., New York, affixed to the reverse.Tempera on Masonite, 40 x 24 1/2 in. (101.5 x 62.2 cm),framed.Condition: Minor scattered flaking and losses.
$1,500-2,000
835
836.Pierre Le Tan (French, b. 1950)
Interior View of a BedroomInitialed “L.-T.” l.r.Watercolor and ink on paper, sight size 7 7/8 x 6 3/4 in. (20.0 x17.2 cm), framed.Condition: Not examined out of the frame.
$800-1,200
837.Gayle B. Tate (American, b. 1944)
Hindenburg Explodes, 1996/A Trompe L’oeil Still LifeSigned and dated “g.b.tate...” l.l., initialed within thecomposition u.r., and identified on a presentation plaque, and ona label from Spanierman Gallery, LLC, New York, on the reverse.Oil on panel, 15 3/4 x 12 1/2 in. (40.0 x 31.8 cm), framed.Condition: Good.
$800-1,200
838.Richard Dennison Taylor (American, 1902-1970)
Lot of Two Editorial Cartoons: It’ll come to you after a fewmore trips... and Portrait of an Art Student Copying a MasterTrips signed “R.TAYLOR” l.r., titled and inscribed “...RichardTaylor” on a label affixed to the mat, gouache, ink, and graphiteon illustration board; Portrait signed “R.TAYLOR” l.l. andsigned “Richard Taylor” on the mat l.r., watercolor, ink, andgraphite on paper.Sight sizes to 9 7/8 x 7 7/8 in. (25.1 x 20.0 cm), unframed.Condition: Taped to beveled mats.
$500-700
836 837
839.Harry Aaron Kernoff (Irish, 1900-1974)
Darby and Joan, St. Stephen’s Gn DublinSigned “KERNOFF” l.l., titled and inscribed “...GO41771” onthe reverse, identified on a label from The Vincent PriceCollection affixed to the backing.Oil on artist board, 6 1/16 x 7 15/16 in. (15.4 x 20.2 cm),framed.Condition: Surface dust/grime, minor abrasions beneath frameliner, very minor retouch.
Provenance: Private New England collection.
N.B. Harry Kernoff, best known for his sympathetic scenes ofeveryday life, was raised in Dublin from the age of fourteen andremained there until his death. He attended the MetropolitanSchool of Art in Dublin in the early 1920s, first taking nightclasses and then studying full-time on scholarship. By 1926, hebegan exhibiting at the Royal Hibernian Academy and nearly adecade later, was elected an Academician.
The present work is a portrayal of a couple in St. Stephen’sGreen, a popular central park in Dublin. Kernoff makes theirdevotion to each other apparent in such details as theirmonogrammed bag, interlocking arms, and tightly-croppedcomposition.
$3,000-5,000
840.Agnes Weinrich (American, 1873-1946)
Tree by the RiverSigned “A. Weinrich” in pencil l.r.Pastel on paper, sheet size 13 7/8 x 9 7/8 in. (35.2 x 25.1 cm),framed.Condition: Minor tear in the margin l.r., not examined out offrame.
$700-900
841.Mary Good (American, b. 1931)
Portrait of Pat, 1981Unsigned, identified on labels affixed to the reverse.Charcoal on paper, sheet size approximately 45 x 52 in. (114.3 x132.1 cm), in a Plexiglas frame.Condition: Not examined out of frame, sheet is wrapped aroundfoamcore along top and bottom edges.
Provenance: From the collection of the Fuller Museum of Art,Brockton, Massachusetts.
$400-600
839
840
841
842.Robert R. Bliss (American, 1925-1981)
Sunset & EstuarySigned and dated “Bliss 65” l.l., titled and signed “...Bliss” on thereverse.Oil on Masonite, 24 x 32 in. (61.0 x 81.3 cm), framed.Condition: Surface grime.
$200-300
843.Jon S. Legere (American, 1944-1996)
Dory at Low TideSigned “Jon S. Legere” l.r.Gouache on Masonite, sight size 17 1/2 x 23 in. (44.5 x 58.4cm), framed.Condition: Minor surface grime.
$400-600
842
843
844.Laura Anderson (American, b. 1943)
Porch TributeSigned “L. ANDERSON” l.r., also signed and titled “L.ANDERSON...” on the reverse.Acrylic on canvas, 30 x 24 in. (76.2 x 61.0 cm), framed.Condition: Good.
Provenance: From the collection of the Fuller Museum of Art,Brockton, Massachusetts.
$200-300
845.Grant Collier (American, 20th/21st Century)
Trees in Griffith Park, Los Angeles, Joshua Tree NationalPark, and Pasadena, California/A TriptychEach signed “Grant Collier” in pen on the reverse.Oil on canvas, 12 x 8 7/8 in. (30.5 x 22.5 cm), unframed.Condition: Good.
$700-900
846.William Ciccariello (American, b. 1954)
Chair in GardenIdentified on a label from Obelisk Gallery, Boston, affixed to thereverse.Pastel on paper, sheet size 20 x 15 in. (50.8 x 38.1 cm), framed.Condition: Not examined out of frame.
$500-700
END OF SALE
844 846
845
All items in this catalogue are described according to the following table ofterminology. Please note that all statements in this catalogue as to Authorship,Period, and Origin, are qualified statements subject to the Conditions of Sale.
Authorship will be described in the following ways:
John Joseph Enneking. - In our judgment, the work is by the artist.
Attributed to John Joseph Enneking. - In our judgment, the work may beascribed to the artist on the basis of style, but leaves some question as to actualauthorship.
School of John Joseph Enneking. - In our judgment, a work of an unknownfollower executed in the style of the artist and contemporary in period.
Manner of John Joseph Enneking. - In our judgment, a work executed inthe style of the artist by an unknown hand and probably from a later period.
After John Joseph Enneking. - In our judgment, an intended copy of thework of the artist.
American School, 19th Century. - In our judgment, the work of anunknown hand that can only be identified as to period and culture.
Other terms:
Bears Signature. - In our judgment, the signature not of the artist. This termis generally used separately, or together with a description of the work as“attributed to,” “school of,” “manner of,” or “after” the artist.
Glossary of Terms
Artist IndexAarons, George Manuel ..........................................................754van den Abbeel, Jan ..................................................................1Abel-Truchet, Louis ..................................................................2Adams, Clinton ..........................................................................3Adrion, Lucien ......................................................................598Albright, Ivan Le Lorraine ..........................................................4Ali (Cann-Clift, Alison) ..........................................................5, 6Ali, J. Sultan ..........................................................................805American School, 19th Century ..........373, 395, 397, 422A, 432American School, 20th Century ......10, 503, 606, 615, 643, 666..............................................................696, 715, 721, 766, 803Anderson, Doug ....................................................................827Anderson, Laura ....................................................................844Angel, Rifka............................................................................733Anuszkiewicz, Richard ............................................................7, 8Arms, John Taylor ......................................................................9Arnoux, Guy ..........................................................................724Ashburner, William F. ............................................................327Atmaca, Cavit ......................................................................803AAubel, Karl Christian (Attributed to) ......................................348Augusta, George ....................................................................703Avedisian, Edward ..................................................................832
Bach, Florence Julia ................................................................657Bacon, Alice Marion Sutton....................................................628Bacon, Robert S. ....................................................................554Baker, Helen ............................................................................10Balinese School, 19th/20th Century ......................................759Bareford, David ......................................................................517Barnet, Will ..............................................................................11Baske, Yamada ........................................................................695Baskin, Leonard ..................................................................12-15Beal, Gifford ..........................................................................704Bearden, Romare ......................................................................16Beardsley, Aubrey ..................................................................685Beauchamp, Robert ................................................................791Beckaert, Piet ............................................................................1Bell, Cecil Crosley ....................................................17, 547, 752Bemelmans, Ludwig ......................................................725, 727Bengston, Billy Al ..................................................................811Benson, Frank Weston ................................................18-20, 445Benton, Thomas Hart ........................................................21-25Berges, Joseph Paul Louis ......................................................589Berman, Eugene G. ........................................................786, 788Bernard, Emile........................................................................688Berneker, Louis Frederick ......................................................684Berresford, Virginia ................................................................817Berry, Carol Thayer ..................................................................26Berthelomier, Charles ............................................................212Bettelheim, Jolan Gross ............................................................27Bhavsar, Natvar ..................................................................28, 29Bischoff, Eugene Henry..........................................................515Bischoff, Franz Arthur ............................................................544Bishop, Isabel ........................................................................711Bixbee, William Johnson ........................................................509Blenner, Carle John ................................................................681Bliss, Robert R. ......................................................................842Bodwell, William P. ................................................................665Bolotowsky, Ilya......................................................................824Bonnar, James King ................................................................576Bonnat, Léon Joseph Florentin ..............................................355Boronda, Lester David....................................................617, 618Boston, Joseph Henry ............................................................591Bourdon, Charles....................................................................465Bowman, Charlot ..................................................................744Bredin, Christine S. ................................................................668Breinin, Raymond ..................................................................730British/Dutch School, 19th Century ......................................368
Brown, Joseph Randolph ........................................................511Bruce, Edward Bright ............................................................609Bryant, Everett Lloyd ............................................................508Bryant, Henry Charles ............................................................352Bryant, Maude Drein..............................................................682Buckley, John Michael ............................................................548Bueno, Xavier ........................................................................804Buffet, Bernard ..................................................................30, 31Bugzester, Maxim ................................................................588ABuhler, Augustus W. ..............................................................387Buhot, Félix Hilaire ..................................................................32Burt, Marie (Bruner) Haines ..................................629, 635, 637Busa, Peter ............................................................................784Bush, Jack Hamilton ..............................................................825
Calder, Alexander ..............................................................33-36Callahan, Mary ......................................................................627Callot, Jacques ........................................................................37Candee, George E. ................................................................403Cann-Clift, Alison, called Ali ..................................................5, 6Carpenter, Bernard V. ............................................................574Carrier-Belleuse, Albert Ernest ..............................................310Carrière, Eugène ......................................................................38Carroll, John Wesley ..............................................................722Carson, Frank ........................................................................611Cascella, Michele ..................................................................614Cazin, Jean Charles ................................................................332Chagall, Marc ..................................................................39, 776Chamberlain, Samuel V. ....................................................40-48Champion, Joseph Victor Roux ..............................................179Champney, Benjamin ......................................................392, 394Chase, Frank Swift ..................................................................510Chichester, Cecil ....................................................................473Choumoff, Pierre....................................................................212Ciccariello, William ................................................................846Cipriani, Nazzarreno ..............................................................338Cirino, Antonio......................472, 484, 487, 488, 538, 541, 550de Clercq, Hugo ........................................................................1Clerk, Pierre ..........................................................................831Coleman, Henry Enrico..........................................................333Collier, Grant ........................................................................845Collins, Charles ......................................................................324Comès, Marcella Rodange ....................................................833Conti, Gino Emilio Cesara ....................................................683Continental School, 17th Century Style..................................305Continental School, 19th Century................................327B, 328Continental School, 20th Century ....................................49, 602Copeland, Charles George ......................................................386Corey, Bernard ......................................................474, 516, 542Cornoyer, Paul ..............................................................622, 623Cortier, Amédée ........................................................................1Costigan, John Edward ............................................................50Coughlin, Jack Davis ..............................................................51Covarrubias, Miguel ......................................................758, 764Cowdery, Eva Dora ..............................................................676Craig, Thomas Bigelow ..........................................................417Cropsey, Jasper Francis ..........................................................401Currie, William ......................................................................366Currier, Joseph Frank ..........................................................413ACurry, John Steuart ................................................................52Custis, Eleanor Parke ..............................................................593Cuthbert, Virginia ..................................................................507Cutler, Carl Gordon ........................................................520-525
Dalí, Salvador ..............................................................52A, 52BDallin, Cyrus Edwin ..............................................................436Dalziel, Herbert ....................................................................343Daplyn, Alfred James ............................................................612
Dattorro, Antonio ................................................................809Davies, Arthur Bowen ..................................................498, 594Dawes, Dexter B. ..........................................................533, 536Day, Maurice ........................................................................726De Cachard, Regis de Bouvier ..............................................782De Chirico, Giorgio ..............................................................771De Colle, Gino ......................................................................455De Longpre, Paul ..................................................................345De Martelly, John Stockton ..................................................125Dean, Walter Lofthouse ................................................379, 381Degas, After Edgar ..................................................................53Dehn, Adolf Arthur ................................................................54Delvaux, Paul ........................................................................773Dennis, Morgan ................................................................55-57Derain, Andre ........................................................................798Walt Disney Studios ................................................................728Doré, Gustave (Attributed to) ................................................316Drew, Clement ......................................................................375Drewes, Werner ......................................................................58Driscole, H.A. ......................................................................438Drury, William Holland ........................................................555Dubuffet, Jean ........................................................................59Dufy, Raoul ..........................................................................779Dutch School, 20th Century ....................................323A, 323C
Earle, Lawrence Carmichael (Attributed to)............................334Eastman, Seth (Attributed to) ................................................433Eaton, Charles Harry ............................................................389Eaton, Charles Warren ..........................................................518Edgerton, Harold Eugene ..............................................213-216Emerson, Charles Chase ........................................................568L’Engle, Lucy Stelle Brown ..................................................816L’Engle, William Johnson ......................................................819Enneking, Joseph Eliot ..........................................................480Erté (de Tirtoff, Romain)....................................................60-64d’Espagnat, Georges (Attributed to) ......................................700
Ferguson, Elizabeth Foote ..................................................418AFerry, Isabelle H. ..................................................................501Fiene, Ernest ........................................................................723Finck, Hazel (Mrs. William C.) ..............................................625Fink, Aaron ............................................................................65Fiorentino, Pier Francesco (After) ..........................................301Fischer, Anton Otto ..............................................563, 564, 739Flameng, François ..................................................................317Fortess, Karl Eugene ..............................................................632Fransioli, Thomas Adrian ......................................................630Frantz, (Samuel) Marshall ..............................................736, 737Frassati, Gianni ......................................................................815French/American School, 20th Century ................................709Frost, George Albert ..............................................................413Furlong, Charles Wellington ..................................................566
Gainsborough, Thomas (School of)......................................330AGalbraith-Cornell, Elisabeth Roberta “Betty” ......................496AGardet, Georges ....................................................................315Gardiner, Eliza Draper ......................................................66, 67Gardner, Derek George Montague ........................................376Garland, Henry ....................................................................350Garsoian, Inna ......................................................................619Garston, Gerald Drexler ..........................................................68della Gatta, Saverio Xavier ......................................................340Gauermann, Friedrich ............................................................353Gaugengigl, Ignaz Marcel ........................................................69Genth, Lillian Mathilde ........................................................595Gilardelli, Aurora ..................................................................346Gill, Mariquita ......................................................................483Gisson, Andre ........................................................587, 599, 608Gloeckner, Michiel ..................................................................70Good, Mary ..........................................................................841
Goodwin, Arthur Clifton ..............................................624, 705Goodwin, Helen M. ..............................................................500Goodwin, Richard LaBarre ....................................................537Gorbunov, Boris Ivanovich ....................................................494Graves, Abbott Fuller ............................................................505Gray, Jack Lorimer ........................................................378, 621Greenaway, Kate ....................................................................675Griggs, Samuel W. ..................................................................396Grosz, George Ehrenfried ............................................71, 694AGruppé, Emile Albert ....................................................546, 552de Grÿef, Adriaen ..................................................................307
Haas, Richard ..........................................................................72Haberle, John ........................................................................429Haden, Sir Francis Seymour ..............................................73, 74Hale, Ellen Day ..............................................................75, 497Hall, George Henry ............................................................423AHammond, Arthur J. (Attributed to) ......................................450Haquette, Georges Jean Marie ..............................................367Haring, Keith ........................................................................202Harris, Charles Gordon ........................................................478Hart, William M. ..................................................................415Hartman, Bertram ................................................................732Harvey, George ....................................................................359Hassam, Frederick Childe ........................................................76Hatfield, Audrey May ............................................................761Hathaway, George M. ....................................................371, 382Hawley, Hughson (Attributed to) ..........................................462Hay, Charlotte ......................................................................309Hayter, Stanley William ..........................................................77Henle, Fritz ..........................................................................217Henri, Florence ............................................................770, 810Henri, Robert ................................................................601, 690Herring, Jr., John Frederick (Attributed to) ........................350AHerter, Albert ........................................................................463Hill, Edward ..........................................................................390Hill, Thomas ........................................................................391Hodgdon, Sylvester Phelps ....................................................399Hodgin, Marston Dean ........................................................633Hoftrup, Julius Lars ..............................................................578Hohlwein, Ludwig ..................................................................78de Hondecoeter, Melchior (Manner of) ..................................304Hopkins, Budd ......................................................................812Hornby, Lester George ............................................................79Horton, William Samuel ......................................................393AHoward, Marion P. ................................................................567Hulbert, Katherine Allmond ..................................................679Hummel, Carl Maria Nicolaus ..............................................364Hunter, Clementine ..............................................................760Hussa, Theodore Frederick ....................................................527Hutchens, Frank Townsend ..................................................479Hutty, Alfred Heber ................................................................80
Icart, Louis ........................................................................81-83Indiana, Robert ......................................................................84Israels, Jozef (Attributed to) ..................................................326Italian School, 20th Century ..................................................672Ives, Elsie Caron ....................................................................746
Jackson, Beatrice J. Humphreys ..........................................474AJacobi, Eli ................................................................................85Jacobi, Lotte ..........................................................................218Japanese School, 20th Century ..............................................799Jaques, Bertha Evelyn Clausen ................................................86Jewell, Elizabeth Galbraith ....................................................526Johansen, Anders Daniel ........................................................477Johns, Jasper ......................................................................87, 88Johnson, Jr., Marshall ............................................................383Johnson, Lester F. ..................................................................89Johnston, John S. ..........................................................219-222
Jones, Amy ............................................................................677Jones, Francis Coates ............................................................653Kaber, George Frederick ........................................652, 663, 664Kahn, Wolf ..........................................................................513AKarp, Leon ............................................................................661Kaus, Max ..............................................................................90Keane, Margaret D. H. ..........................................................765Keil, Peter Robert ........................................780, 785, 790, 792Kelly, John Melville ..................................................................91Kernoff, Harry Aaron ............................................................839Kihle, Harald ..........................................................................92King, Alice Price ....................................................................435King, B.A. ............................................................................223Kipniss, Robert ..................................................................93, 94Kirmse, Marguerite ............................................................95, 96Kirschenbaum, Jules ..............................................................835Kishi, Masatoyo ....................................................................822Klebe, Gene (Charles Eugene) ..............................................493Klein, Doris ..........................................................................801Klitz, Anthony ......................................................................605Kloss, Gene (Alice Geneva Glasier) ....................................97, 98Knapp, Charles R. ..................................................................694Knight, Adam ........................................................................358Knight, Harold ......................................................................745Kodar, Oja ....................................................................775, 787Koekkoek, Marinus Adrianus (Attributed to) ..........................331Kolozsvary, Lajos ..................................................................313Kolski, Gan ..............................................................................99Korovin, Konstantin Alexeevitch ....................................600, 607Krieghoff, Cornelius David (Attributed to) ............................437Kronberg, Louis ....................................................................701Kupferman, Lawrence Edward ..............................................783Kyle, Flaville G. ....................................................................626
Lambinet, Emile Charles ........................................................357Landelle, Charles Zacharie ....................................................464Lansil, Walter F. ....................................................................458Lapchine, Georgi Alexandrovich ............................................691Laux, August ........................................................................344Lavrova, Irina Igorevna ..........................................................748Lawson, Ernest ......................................................................519Le Tan, Pierre ........................................................................836Lebrun, Rico ........................................................................747Legere, Jon S. ................................................................634, 843Lehman, Irving G. ................................................................100Leighton, Clare Veronica Hope ......................................101-108Leighton, Kathryn Woodman ..............................................452BLeighton, Scott (Nicholas Winfield) ......................................414Lennon, John ........................................................................109Lesrel, Adolphe Alexandre ....................................................312Lever, Hayley ................................................................532, 560Levi, Julian Edwin ................................................................753Liberte, Jean ..........................................................................781Lichtenstein, Roy ..................................................................110Lie, Robert F. ........................................................................377Lindenmuth, Tod ..................................................................111Lindergreen, Harold F. ..........................................................714Liner, Carl ............................................................................830Lithgow, David Cunningham ................................................482Little, Philip ..................................................................112, 570Lloyd, Stuart William ............................................................362van Lokhorst, Johan Nicolaas ................................................354Lomasney, Ethel M. ..............................................................490Longfellow, Ernest W. ..........................................................697Loop, Leota Williams ............................................................466Loran, Erle ............................................................................828Lord, Elyse Ashe ............................................................113-115Lorenz, Willi (Wilhelm) ........................................................451Loud, Richard K. ................................................................375ALovell, Katherine Adams ........................................................513
Luce, Frederic ........................................................................678Lum, Bertha Boynton ....................................................116-120
MacAdam, Freda Churchwell ................................................502MacNeil, Hermon Atkins ......................................................667Maghelli, R. ..........................................................................335Maguet, Richard ................................................................704AMaillol, Aristide ............................................................121, 670Mandel, Howard ..........................................................795, 800Mann, Harrington ................................................................640Marc, Fanny ..........................................................................644Marin, John ..........................................................................122Marini, Marino ..............................................................123, 124Mascart, Gustave ..................................................................323Matisse, Henri ........................................................126-128, 777Maynard, Valerie ....................................................................129Mazzoni, Sebastiano (Manner of) ..........................................302McCartan, Edward Francis ....................................................639McDaniel, Henry ..................................................................565McManus, James Goodwin ....................................................486McNamara, John ..................................................................829Meadows, James Edwin ........................................................363Megargee, Edwin ..................................................................439Meissner, Leo John ................................................................130Menkes, Sigmund Joseph ......................................................707Meryon, Charles ..................................................................130AMetcalf, Conger A. ................................692, 720, 729, 731, 734Metsu, Gabriel (After) ............................................................306Millar, Addison Thomas ........................................................339Miller, Charles Henry ............................................................680Miller, Ralph Davison ............................................................471Mira, Alfred S. ......................................................................409Miró, Joan ............................................................................131Mollison, Kay ........................................................................719Moore, Henry ......................................................132, 133, 789Moore, Nelson Augustus ..............................................369, 411Moran, Thomas Sidney ..........................................................134Morrell, Wayne Beam ............................................................585Morviller, Joseph ..................................................................400Motherwell, Robert ......................................................135, 136Mouncey, William ..................................................................470Mueller, Louis F. ..................................................................468Muller, Charles (Attributed to) ..............................................580Munthe, Gerhard Peter Franz Vilhelm ................................327AMurphy, Nelly Littlehale ........................................................610Mygatt, Robertson Kirtland ..................................................581
Nast, Thomas ........................................................................423Neill, Francis Isabel ..............................................................543Nevelson, Louise ..................................................................137Newell, George Glenn ..........................................................485Newman, Henry Roderick ....................................................461Nicholas, Thomas Andrew ....................................................495Nielssen, Clemence ................................................................347Nierman, Leonardo M. ..................................................820, 821Norton, William Edward ..............................................385, 422
O’Hagan, John L. ................................................................448O’Kelly, Aloysius C. ..............................................................336Oberteuffer, George ..............................................................575Orozco, José Clemente ..........................................................138
Paladino, Mimmo ..................................................................139Pancoast, Morris Hall ............................................................534Pape, Eric L. (Frederic) ........................................499, 641, 642Parizeau, Philippe Louis ......................................................317APark, Madeleine Fish ..............................................................646Parke, Jessie Burns ................................................................638Parsons, Phillip Brown ..........................................................443Patterson, Margaret Jordan ....................................140, 512, 613
Pausas y Coll, Francesco ........................................................337Pavlikevitch, J. ......................................................................459Paxton, William McGregor ....................................................421Payne, George Forest ............................................................558Pchelnikov, Igor Vladimirovich ......................................588, 604Pearson, Marguerite Stuber ....................................................706Peirce, Waldo ........................................................................506Penfield, Edward ..................................................................141Pennell, Joseph ..............................................................142-146Pennington, Harper ....................................................422B, 647Pfister, Jean Jacques ............................................................452APicasso, Pablo ................................................................147-153Plompen, Willy ..........................................................................1Pond, Dana Ripley ......................................500A, 645, 650, 673Pooke, Marion Louise ..........................................654, 656, 658Pope, Alexander ....................................................................440Porter, Edwin Forsythe ..........................................................406Powers, Anne Lyman ............................................................453Prinet, René-Xavier ................................................................702Prior, Scott ............................................................................154Procter, Ernest ......................................................................360
Quartley, Arthur ....................................................................410
Ramos, Mel ..................................................................155, 156Ranger, Henry Ward ..............................................................402Ravier, François-Auguste ........................................................329Reasoner, Gladys Thayer (Attributed to) ................................446Reddie, MacIvor ............................................................528, 539Redelius, Frank H. ................................................................713Redfield, Edward Willis ........................................................447Reed, Doel ............................................................................157Reinagle, Philipp (After) ........................................................183Reinhart, Benjamin Franklin ..................................................425Remington, Frederic ..............................................................434Resio, Raffaele ......................................................................341Reynard, Grant Tyson ............................................................698Reynolds, Sir Joshua (Manner of) ..........................................303Rice, Henry W. ......................................................................514Rice, Jessica ..........................................................................710Rich, James Rogers ................................................................404Richards, William Trost ........................................................372Richardson, Louis H. ............................................................481Riker, Harland A. ..................................................................556Ripari, Virgilio ......................................................................456Ripley, Aiden Lassell ......................................................444, 586Rivera, Diego ................................................................767, 772Rizzi, James ..................................................................158-164Robinson, Jay Thurston ........................................................762Robinson, Thomas Harris ......................................................418Rodrigue, George............................................................755-757Roig y Soler, Joan ..................................................................330Rollins, Tim (and K.O.S.) ......................................................813Romanelli, Raffaello ..............................................................649Rosenkranz, Clarence Clark ..................................................583Rosenquist, James ..................................................................165Ross, Christian Meyer ........................................................312ARoss, Isabel (Belle) M. ..........................................................457Rosseau, Percival Leonard ......................................................441Roth, Ernest David ............................................469, 493A, 597Rouault, Georges ..................................................166-171, 774Roussel, Ker-Xavier ................................................................687Rouwette, Paul ......................................................................738Rucker, Robert M. ................................................................636Rush, Olive ............................................................................452Russ, Charles B. ....................................................................424Russian School, 20th Century ........................582, 584, 590, 708Ruthven, John A. ..................................................................651Ryerson, Margery Austen ......................................................172
Saint-Gaudens, Augustus ......................................................660Saito, Kiyoshi ........................................................................173Sample, Paul Starrett ............................................................530Santry, Daniel François ..........................................................393Sarnoff, Arthur ......................................................................540Savry, Hendrik ......................................................................365Scharl, Josef ..........................................................................808Schikkinger, Frans ..........................................................319-322Schivert, Victor ......................................................................342Schmutzer, Ferdinand ............................................................174Scholder, Fritz ......................................................................175Schrag, Karl ..........................................................................176Schwartz, Henry ....................................................................768Schwartz, Manfred ................................................................794Scott, Charlotte Harrington ..................................................577Scott, John White Allen ........................................................398Sears, Olga Itasca ..........................................................579, 616de Segonzac, Andre Dunoyer ................................................686Sekino, Junichiro ..........................................................177, 178Selinger, Emily Harris McGary ..............................................428Sessions, James Milton ..........................................................549Sheppard, Warren W. ............................................................388Sherman, Stowell B. ..............................................................492Sherrin, Daniel ......................................................................356Signac, Paul ..........................................................................179Simon, Tavik Frantisek ..................................................180, 181Siskind, Aaron ......................................................................224Slaughter, Hazel Burnham ....................................................807de Smet, Yves ............................................................................1Smith, Gary Ernest ........................................................631, 749Smith, Joseph Lindon ............................................................671Smith, Michael A. ..................................................................225Smith, Minna Walker ............................................................535Soderberg, Yngve Edward ......................................................182de Solà, María Jesús ..............................................................797Sommer, William ..........................................................718, 763Sorenson, Helen Lincoln ......................................................545Soyer, Moses ..........................................................................743Spencer, John Clinton ..........................................................427Spiro, Georges ......................................................................834Stad, Willem ................................................................318, 323BStadler, Joseph Constantine ..................................................183Starn, Doug and Mike ..........................................................226Steele, Marian Williams ..........................................................496Stella, Frank ..........................................................................184Stevens, William Lester ..........................................................489Stewart, Reba ........................................................................823Stifter, Moritz ........................................................................311Stoltenberg, Donald Hugo ....................................................818Stone, Don ............................................................................557Strain, Daniel J. ....................................................................380Strisik, Paul ............................................................................735Sullivan, David ......................................................................185Summers, Carol ..............................................................186-191Supplee, Sarah ................................................................740-742Swan, Cuthbert Edmund ......................................................314
Tait, Arthur Fitzwilliam ........................................................420Tanaka, Akira ........................................................................802Tate, Gayle B. ........................................................................837Taylor, Richard Dennison ......................................................838Tchelitchew, Pavel ..................................................................793Teniers II, David (School of) ..................................................308Terelak, John C. ....................................................................467Thibault, Pierre ....................................................................603Thieme, Anthony ..........................................................504, 561Thom, James Crawford ..........................................................407Thomas, Clara Fargo ............................................................620Thomas, Norman Millet ........................................................750Thorne, Diana ........................................................................56Thwaites, William H. ............................................................412
de Tirtoff, Romain, called Erté............................................60-64Tolman, Robert ......................................................553, 669, 699Tordoff, Frederick ................................................................374de Toulouse-Lautrec, Henri ..................................192, 193, 689Troyon, Constant (School of) ................................................351Truesdell, Gaylord Sangston ..................................................419Tuckerman, Stephen Salisbury ..............................................384Turner, Charles Henry ..................................................325, 426Turner, Ross Sterling ............................................................405
Varla, Felix (Varlamishvili) ......................................................796Vasarely, Victor ..............................................................194, 195Vicaji, Rustom ......................................................................361Vickrey, Robert Remsen..........................571-573, 596, 716, 717de Vlaminck, Maurice ............................................................769Volk, Douglas ........................................................................659Von Wicht, John G.F. ............................................................814
Wagner, Jacob Dutweiler ....................................................567AWalker, Henry A. (Hank) ......................................................751Warhol, Andy ................................................................196-202Warren, Harold Broadfield ....................................................531Watson, Robert ....................................................................349Webb, Patrick M. ..................................................................712Wegman, William ..................................................................227Weinrich, Agnes ....................................................................840Welters, Willem ..................................................................605AWengenroth, Stow ..........................................................203-205Wesson, Robert Shaw ............................................................475Wheeler, Janet D. ..................................................................674Whistler, James Abbott McNeill ....................................206-208Whitaker, George William ..............................................408, 416Whorf, John ..................................................442, 559, 562, 693Williams, Annabelle E. ..........................................................476Williams, Frederick B. ............................................................655Winzenreid, Henry E. ............................................................209Withrow, Evelyn Almond ......................................................431Wolcott, Harold C. ................................................................806Wolfe, Jack ............................................................................826Wood, Grant ..........................................................................210Woodbury, Charles Herbert ..................................................569Woodcock, Hartwell Leon ....................................................370Woodward, Mabel May ..................................................529, 551Worcester, Albert ..................................................................592Wuermer, Carl ......................................................................491Wydeveld, Arnoud ................................................................430
Yaffee, Edith Widing ..............................................................662Younger, Richard Evans ........................................................454Youngerman, Jack ..................................................................211Yvon, Adolphe ......................................................................648
Zhang, Xiang ........................................................................449Ziller, Leopold ......................................................................460
320
1. Some of the lots in this sale are offered subject to a reserve. The reserve is a confidential minimum price agreed upon by the consignor andSkinner, Inc. below which the lot will not be sold. In most cases, the reserve will be set below the estimated range, but in no case will it exceedthe estimates listed. A representative of Skinner, Inc. will execute such reserves by bidding for the consignor. In any event and whether or not alot is subject to a reserve, the auctioneer may reject any bid or raise not commensurate with the value of such lot.
2. All property is sold “as is,” and neither the auctioneer nor any consignor makes any warranties or representation of any kind or nature withrespect to the property, and in no event shall they be responsible for the correctness, nor deemed to have made any representation or warranty, ofdescription, genuineness, authorship, attribution, provenance, period, culture, source, origin, or condition of the property and no statement madeat the sale, or in the bill of sale, or invoice or elsewhere shall be deemed such a warranty of representation or an assumption of liability.
3. Except as provided in paragraph 1 above, the highest bidder as determined by the auctioneer shall be the purchaser. In the case of a disputedbid, the auctioneer shall have sole discretion in determining the purchaser and may also, at his or her election, withdraw the lot or reoffer the lotfor sale.
4. All merchandise purchased must be paid for and removed from the premises the day of the auction. Skinner, Inc. may impose, and thepurchaser agrees to pay, a monthly storage charge of 1.5% of the purchase price of any lot or portion of a lot not removed by the purchaser withinthree (3) business days after the date of sale. Skinner, Inc. shall have no liability for any damage to property left on its premises for more thanthree (3) days after the date of sale. At the option of Skinner, Inc., the merchandise may be transferred to and stored at a bonded warehouse andthe purchaser agrees to pay all transfer and storage expenses. Skinner, Inc. may impose, and the purchaser agrees to pay, a monthly interest chargeof 1.5% of the purchase price of any lot or item not paid by the purchaser within thirty-five (35) days of the date of sale.
5. Skinner accepts cash or check for payment. Personal checks will be acceptable only if credit has been established with Skinner, Inc. or if a bankauthorization has been received guaranteeing a personal check. Skinner, Inc. reserves the right to hold merchandise purchased by personal checkuntil the check has cleared the bank. The purchaser agrees to pay Skinner, Inc. a handling charge of $25.00 for any check dishonored by thedrawee. Please contact Accounting for additional payment methods. Skinner does not accept payment by credit card for merchandise purchases.
6. If the purchaser breaches any of its obligations under these Conditions of Sale, including its obligation to pay in full the purchase price of allitems for which it was the highest successful bidder, Skinner, Inc. may exercise all of its rights and remedies under the law including, withoutlimitation, (a) cancelling the sale and applying any payments made by the purchaser to the damages caused by the purchaser’s breach, and/or (b)offering at public auction, without reserve, any lot or item for which the purchaser has failed to pay in full the purchase price, holding thepurchaser liable for any deficiency plus all costs of sale.
7. In no event will the liability of Skinner, Inc. to any purchaser with respect to any item exceed the purchase price actually paid by suchpurchaser for such item.
8. Shipping is the responsibility of the purchaser. Upon request, our staff will provide the list of shippers who deliver to destinations within theUnited States and overseas. Some property that is sold at auction can be subject to laws governing export from the U.S., such as items thatinclude material from some endangered species. Import restrictions from foreign countries are subject to these same governing laws. Granting oflicensing for import or export of goods from local authorities is the sole responsibility of the buyer. Denial or delay of licensing will not constitutecancellation or delay in payment for the total purchase price of these lots.
9. All purchases are subject to the Massachusetts 6.25% sales tax unless the purchaser possesses a Massachusetts sales tax exemption number.Exemption numbers from other states are accepted in Massachusetts if presented with a business card or letterhead. Dealers, museums, and otherqualifying parties can apply for a Massachusetts exemption number prior to the auction by contacting the Massachusetts Department ofCorporations and Taxation at 100 Cambridge Street in Boston.
10. Except for property purchased via on-line Live Auctions, a premium equal to 18.5% of the final bid price up to and including $200,000, plus10% of the final bid over $200,000, will be applied to each lot sold, to be paid by the Buyer as part of the purchase price. The buyers premium onproperty purchased via on-line Live Auctions will be in the amount equal to 22.5% of the final bid price up to and including $200,000, plus 15%of the final bid over $200,000.
11. Bidding on any item indicates your acceptance of these terms and all other terms announced at the time of sale whether bidding in person,through a representative, by phone, by Internet, or other absentee bid.
12. Skinner, Inc. and its consignors make no warranty or representation, express or implied, that the purchaser will acquire any copyright orreproduction rights to any lot sold. Skinner, Inc. expressly reserves the right to reproduce any image of the lots sold in this catalogue. Thecopyright in all images, illustrations and written material produced by or for Skinner, Inc. relating to a lot, including the contents of thiscatalogue, is, and shall remain at all times, the property of Skinner, Inc. and shall not be used by the purchaser, nor by anyone else, without ourprior written consent.
13. These conditions of sale shall be governed by the laws of the Commonwealth of Massachusetts (excluding the laws applicable to conflicts orchoice of law). The buyer/bidder agrees that any suit for the enforcement of this agreement may be brought, and any action against Skinner inconnection with the transactions contemplated by this agreement shall be brought, in the courts of the Commonwealth of Massachusetts or anyfederal court sitting therein. The bidder/buyer consents to the nonexclusive jurisdiction of such courts and waives objections that it may now orhereafter have to the venue of any such suit.
Skinner, Inc. - Conditions of Sale
Name (Please Print) Business Name
Address check if change in address
City State Zip Code
Phone # Alternate # e-mail
SKINNERAuctioneers and Appraisers of Antiques and Fine Art
63 Park Plaza , Bo s t on , MA 02116 Te l : 617 .350 .5400 Fax : 617 .350 .5429274 Cedar Hi l l S tre e t , Mar lborough , MA 01752 Te l : 508 .970 .3000 Fax : 508 .970 .3100
www. sk inner inc . c om
I wish to place the following bids in the sale listed above. I understand that Skinner, Inc. will execute bids asa convenience, and will not be held responsible for any errors or failure to execute bids. I understand that
my bids are executed and accepted as per Conditions of Sale as printed in the catalogue of this sale.
Absentee Bid Form
Marlborough Boston Phone Fax Mail Person Employee:
FOR OFFICE USE
Lot # Description Bid Price
Signature (Required) Date
Sale Title Sale Date
First Time Bidder? YES NO Customer #
Board of Directors
Administration
ExpertDepartments
SKINNER, INC.Auctioneers andAppraisers of Antiquesand Fine Art
63 Park PlazaBoston, MA 02116617.350.5400Fax 617.350.5429
274 Cedar Hill StreetMarlborough, MA 01752508.970.3000Fax 508.970.3100
www.skinnerinc.com
Chairman of the Board - Nancy R. SkinnerRichard AlbrightBarnet FainStephen L. FletcherKaren M. Keane
President/Chief Executive Officer - Karen M. KeaneChief Financial Officer - Don KellyExecutive Vice President - Stephen L. FletcherVice Presidents- Gloria Lieberman, Carol McCaffrey, Kerry Shrives,Stuart G. Slavid, Stuart P. Whitehurst
American & European Paintings & Prints - Robin S.R. Starr, Director Pro Tem;Assistants: Laura Conover, Kathy WongAmerican Furniture & Decorative Arts - Stephen L. Fletcher, Martha Hamilton;Assistants: LaGina Austin, Karen Langberg, Chris Barber, Susan ZachariasAmerican Indian & Ethnographic Art - Douglas DeihlAsian Works of Art - James F. CallahanBooks & Manuscripts - Stuart P. WhitehurstAssistant: Sara C. WishartBottles, Flasks & Early Glass - Stephen L. FletcherCeramics - Stuart G. SlavidClassic Automobiles & Motorcycles - Jane D. PrentissCouture - Jane D. PrentissDiscovery Sales - Kerry Shrives;Assistants: Garrett J. Sheahan, Nicole Nicas Rovner, Harry B. McNabbEuropean Furniture & Decorative Arts - Stuart G. Slavid;Assistants: Stuart P. Whitehurst, Sara C. WishartFine Wines - Marie KeepJewelry - Gloria Lieberman;Assistants: Sheila Barron Smithie, F.G.A., G.G.; John ColasaccoJudaica - Kerry ShrivesModernism: 1896–Present: Art Glass, Pottery, Metalwork & Furniture -Jane D. PrentissMuseum & Collections Services - Martha HamiltonMusical Instruments - David BonseyOriental Rugs & Carpets - Gary RichardsScience, Technology & Clocks - Robert C. CheneyAssistant - Chris BarberSilver - Stuart G. Slavid;Assistant: Sara C. WishartToys & Dolls - Robert C. CheneyAuctioneers - LaGina Austin, David Bonsey, Robert C. Cheney,Stephen L. Fletcher, Karen M. Keane, Marie C. Keep, Gloria Lieberman,Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr, Laura V. Sweeney,Stuart P. Whitehurst
Marlborough: Warehouse Manager - Jonathan Dowling, ext. 3280Property Manager - Samuel Combs, ext. 3262508.970.3000
Boston: Elisabeth Benson-Allott, ext. 4312Property Distribution Manager - Jessica R. Lincoln, ext. 4308617.350.5400
Marlborough: Accounts Receivable - Denise Johnson, ext. 3269Accounts Payable - Kathleen Hayes, ext. 3268Credit Supervisor - Denise Ubaldino, ext. 3266
Marlborough: Karen Skinner, ext. 3240508.970.3000
Appraisal & Auction Services - Patricia Walker King, Beth Zwicker,Katharine HoltmanAdvertising Production - Pamela Van de HoutenBoston Gallery Director - Laura V. Sweeney;Assistant Gallery Director: Paige Lewellyn;Gallery Assistant: Sarah McDermottCatalogue Production - Pamela Van de Houten, Kristina Harrison;Assistant: Cheryl FreemanCustomer Relations - Carol McCaffreyHuman Resources - Carol McCaffreyInformation Technology & Internet Auctions - Kerry ShrivesAssistant: Timothy ShaughnesseyConsignment Services - Deanna Williams, Megan J. Blomgren, Carol ZeiglerManaging Director - Marie C. KeepMarketing & Public Relations - Catherine Riedel, Anne M. Trodella,Karen SkinnerPhotographers - Stanley P. Bystrowski, Jeffrey R. Antkowiak, Stephanie PaulusReceptionists - Marlborough: Elizabeth H. Wilson, Judy McLeodBoston: Erica BoccardTransportation - Eric Jones;Assistants: Mark McCaffrey, John Williams
Service Departments
Exhibitions andProperty Distribution
Finance Department
Subscriptions
Directions to Skinner’s Boston Gallery/63 Park Plaza, Boston, MATelephone: 617-350-5400
From the West:Take the Massachusetts Turnpike to the Prudential/Copley exit located in the Prudential tunnel.
Once on the exit ramp, stay in the right hand lane and follow the signs for Copley.The ramp exits onto Stuart Street. Drive straight through five sets of lights and take a left onto
Charles Street South. Take your first left off of Charles St. South onto Park Plaza.Skinner is at 63 Park Plaza, one block up on the right.
From the South:Take 93-N to Exit 20 for I-90 W toward Worcester. Follow signs for Chinatown/South Station.
Bear left at the fork to continue towards Kneeland Street. Turn left onto Kneeland Street. KneelandStreet becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza.
Skinner is at 63 Park Plaza, one block up on the right.
From Logan Airport:Take the Ted Williams Tunnel. Take Exit 25 toward South Boston and bear left at the fork in theramp. Bear right onto B St. Turn left onto Northern Ave which becomes Seaport Blvd. Turn leftonto Surface Rd. Turn right onto Kneeland Street which becomes Stuart Street. Turn right onto
Charles Street South. Turn left onto Park Plaza.Skinner is at 63 Park Plaza, one block up on the right.
From the North:Take I-93 South towards Boston. Take exit 26 towards Storrow Drive. Merge onto MA-28 Southvia the ramp on the left. Turn left onto Beacon Street. Turn right onto Arlington Street. Turn
left onto Boylston Street. Turn right onto Hadassah Way. Skinner is on the right at 63 Park Plaza.