TA B L E L A M P S , F L O O R L A M P S A N D C A N D L E S
2 0 1 6
999PA G E 9PA G E8
CrossBec Brittain
ExcelRich Brilliant Willing
BounceKarl Zahn
DemeterKarl Zahn
ExcelRich Brilliant Willing
AtlasKarl Zahn
Superordinate AntlersJason Miller
ModoJason Miller
CounterweightFort Standard
I P . 1 0
I V P . 2 4
V I I P . 4 4
I I P . 1 4A
TA B L E L A M P S
C
C A N D L E S
B
F L O O R L A M P S
V P . 3 0
V I I I P . 4 8
I I I P . 1 8
V I P . 3 8
BugiaFormafantasma
CacheJames Killinger
MoorJason Miller
Agnes CandelabraLindsey Adelman
I X P . 5 6 X P . 6 2
X I P . 6 6
X I V P . 8 0
OrbitLindsey Adelman
GambalungaFormafantasma
X I I P . 7 0
X V P . 8 6
X I I I P . 7 6
TABLE OF CONTENTS
1 11 11 1PA G E 1 1PA G E1 0
TABLE LAMPSA
1 31 31 31 3AT L A S
01 (Black) H 10 in / 26 cm × W 8 in / 20 cm × D 8 in / 20 cm
I
ATLAS
Designer Born and raised in rural Vermont, Karl Zahn’s work with wood and natural materials developed
out of his time spent playing in forests and wood shops. His designs express a pared down
simplicity and stark aesthetic that blends modernist hard lines with traditional furniture craft.
After earning a degree in product design from the Rhode Island School of Design in 2003,
Karl travelled to San Francisco, where he immersed himself in the creative and complicated
metalworking culture that thrives there. In 2007, he moved to New York to begin working on
his own. He lives in Greenpoint, Brooklyn.
Materials Brass, glass
Finishes Black Polished Brass
Lamping 120V / 240V Integrated LED
Named for the Titan doomed to shoulder the world, Atlas combines an illuminated glass globe with an intersecting metal armature, drawing on
Karl Zahn’s elegant use of geometry and metaphor in design.
1 51 51 51 51 4 AT L A S AT L A S
02 (Black)H 13 in / 33 cm × W 8 in / 20 cm × D 8 in / 20 cm
01 (Polished Brass)H 10 in / 26 cm × W 8 in / 20 cm × D 8 in / 20 cm
1 71 71 71 7B O U N C E
Table Lamp (Ebonized White Oak / Black) H 17 in / 44 cm × W 22.5 in / 57 cm × D 13 in / 33 cm
I I
BOUNCE
Lamping 120V / 240V
Designer Born and raised in rural Vermont, Karl Zahn’s work with wood and natural materials developed
out of his time spent playing in forests and wood shops. His designs express a pared down
simplicity and stark aesthetic that blends modernist hard lines with traditional furniture craft.
After earning a degree in product design from the Rhode Island School of Design in 2003,
Karl travelled to San Francisco, where he immersed himself in the creative and complicated
metalworking culture that thrives there. In 2007, he moved to New York to begin working on
his own. He lives in Greenpoint, Brooklyn.
Materials Aluminum, acrylic, wood
Finishes
Integrated LED
A compact spinoff on the original series, Karl Zahn’s Bounce table lamp combines a folded aluminum shade and an independently positioned
light source. One side of the shade is white to reflect illumination while the other has a decorative wood veneer finish.
Ebonized White Oak / Black White Oak / Brushed Brass
1 91 91 91 91 8 B O U N C E B O U N C E
Table Lamp (White Oak / Black)H 17 in / 44 cm × W 22.5 in / 57 cm × D 13 in / 33 cm
Table Lamp (Ebonized White Oak / Black)H 17 in / 44 cm × W 22.5 in / 57 cm × D 13 in / 33 cm
2 12 12 12 1D E M E T E R
I I I
DEMETER
Named after the goddess of the harvest, the Demeter series was inspired by the symbol of the scales commonly associated with her. Built from transversal poles with opposing elements
at either end, Demeter achieves an elegant sense of balance through economy of means and engineering.
Designer Born and raised in rural Vermont, Karl Zahn’s work with wood and natural materials developed
out of his time spent playing in forests and wood shops. His designs express a pared down
simplicity and stark aesthetic that blends modernist hard lines with traditional furniture craft.
After earning a degree in product design from the Rhode Island School of Design in 2003,
Karl travelled to San Francisco, where he immersed himself in the creative and complicated
metalworking culture that thrives there. In 2007, he moved to New York to begin working on
his own. He lives in Greenpoint, Brooklyn.
Shade Finishes Bronze Brushed Brass
02 (Bronze) L 17.5 in / 44 cm × W 31 in / 79 cm × D 6 in / 15 cm
Materials Glass, steel, aluminum, marble
Lamping 120V / 240V Integrated LED
2 32 32 32 2 D E M E T E R D E M E T E R
03 (Brushed Brass)H 9 in / 22 cm × W 7 in / 18 cm × D 6 in / 15 cm
01 (Brushed Brass)H 17.5 in / 45 cm × W 26.5 in / 67 cm × D 6 in / 15 cm
2 52 52 52 4 D E M E T E R D E M E T E R
02 (Bronze)Detail
03 (Bronze)Detail
2 72 72 72 7E X C E L
I V
EXCEL
Spare and playful, the Excel desk lamp is part of a family of fixtures made from elegant wood dowels, metal rods and an illuminated shade. Inspired by the lines and geometric charts of the Microsoft spreadsheet
program, Excel is a three dimensional take on the clever software.
Lamping 120V
Lamping 240V
Designer Theo Richardson, Charles Brill and Alexander Williams are Rich Brilliant Willing. Founded in
2007, Rich Brilliant Willing is an internationally-recognized multidisciplinary design studio.
Why do they work together? The combined output is greater than sum of individual parts.
Each member has a different point of view; one explicitly loves materiality, another has an
unconventional color palette and eye for sculptural form, the third is an inventor bringing
spontaneity and theatrical energy to the work.
Materials Oak, steel
Finishes Black/Oak White/Oak Red/Oak
A
A
B
43-Watt frosted E26 base. UL, cUL certified
3.5-Watt frosted E27 base LED. UL, cUL certified
3.5-Watt frosted E26 base LED. UL, cUL certified
A
A
B
Desk Lamp (Black / Oak) H 20 in / 50 cm × W 10 in / 25 cm × D 19 in / 48 cm
2 92 92 92 8 E X C E LE X C E L
Desk Lamp (Red / Oak)H 20 in / 50 cm × W 10 in / 25 cm × D 19 in / 48 cm
Desk Lamp (White / Oak)H 20 in / 50 cm × W 10 in / 25 cm × D 19 in / 48 cm
3 13 13 13 0
Desk Lamp (Red / Oak)Detail
E X C E LE X C E L
Desk Lamp (Black / Oak)H 20 in / 50 cm × W 10 in / 25 cm × D 19 in / 48 cm
Pri
vate
Res
iden
ce —
Sag
apon
ack,
New
Yor
k
3 33 33 33 3M O D O
V
MODO
Like other fixtures in the series, the Modo desk lamp was inspired by the kinds of ready-made, off-the-shelf parts that can be found
at inexpensive lighting stores. Unlike those, however, Modo is painstakingly engineered and custom CNC-milled from solid metal.
Lamping 120V / 240V
Designer Jason Miller is a Brooklyn-based designer and the founder of Roll & Hill. Born in New York
and raised in Darien, Connecticut, Jason’s sub urban upbringing heavily influenced his
early, more conceptual pieces — duct-taped chairs and racked vases, among them — and
continues to inform the elegant, historically rich work that has become his signature.
Jason received an MFA in painting and spent time in both the art and advertising worlds,
but soon realized he preferred making things to documenting them. His designs — like a
mirror whose photographic surface recalls a painted landscape — still often reflect those
early preoccu pations, but each is a functional object, with a kind of beauty and wit. Today,
Jason runs both Jason Miller Studio and Roll & Hill from his headquarters in Sunset Park,
Brooklyn. He lives nearby with his daughter, Tuesday.
Materials Steel, glass
Integrated LED
Glass Colors Smoke Clear Cream
Desk Lamp (Brushed Brass / Cream) H 17 in/ 43 cm × W 8.5 in / 21 cm × D 11 in / 28 cm
Finishes Black Bronze Polished Nickel
Brushed Brass
3 53 53 53 4 M O D O M O D O
Desk Lamp (Polished Nickel / Clear)H 17 in/ 43 cm × W 8.5 in / 21 cm × D 11 in / 28 cm
Desk Lamp (Polished Nickel / Cream)H 17 in/ 43 cm × W 8.5 in / 21 cm × D 11 in / 28 cm
Private R
esidence — U
vita, Costa R
ica
3 73 73 73 6
Desk Lamp (Black / Smoke)H 17 in/ 43 cm × W 8.5 in / 21 cm × D 11 in / 28 cm
Desk Lamp (Bronze / Smoke)H 17 in/ 43 cm × W 8.5 in / 21 cm × D 11 in / 28 cm
Private R
esidence — Jackson H
ole, Wyom
ingM O D O M O D O
3 93 93 93 8
Desk Lamp (Polished Nickel / Clear)Detail
Desk Lamp (Bronze / Smoke)H 17 in/ 43 cm × W 8.5 in / 21 cm × D 11 in / 28 cm
Bond S
treet — N
ew York
M O D O M O D O
4 14 14 14 1S U P E R O R D I N AT E A N T L E R S
V I
SUPERORDINATE ANTLERS
The Superordinate Antler table lamp, part of a collection designed in 2003, was influential in the back-to-nature
movement in design. When the natural environment offers such a breadth of beautiful forms, why not bring it indoors?
Designer Jason Miller is a Brooklyn-based designer and the founder of Roll & Hill. Born in New York
and raised in Darien, Connecticut, Jason’s sub urban upbringing heavily influenced his
early, more conceptual pieces — duct-taped chairs and racked vases, among them — and
continues to inform the elegant, historically rich work that has become his signature.
Jason received an MFA in painting and spent time in both the art and advertising worlds,
but soon realized he preferred making things to documenting them. His designs — like a
mirror whose photographic surface recalls a painted landscape — still often reflect those
early preoccu pations, but each is a functional object, with a kind of beauty and wit. Today,
Jason runs both Jason Miller Studio and Roll & Hill from his headquarters in Sunset Park,
Brooklyn. He lives nearby with his daughter, Tuesday.
Table Lamp (Chrome) H 6 in / 15 cm × W 18 in / 46 cm × D 11 in / 20 cm
Materials Ceramic
Lamping 120V
Lamping 240V
25-Watt frosted T6 1/2 tubeE17 base. UL, cUL certified
18-Watt double-envelope halogen E14 base. CE, CB certified
A
A
A
A
Colors White Black Chrome
Gold
4 34 34 34 2 S U P E R O R D I N AT E A N T L E R SS U P E R O R D I N AT E A N T L E R S
Table Lamp (Black)Detail
Table Lamp (White)H 6 in / 15 cm × W 18 in / 46 cm × D 11 in / 20 cm
4 54 54 5PA G E 4 5PA G E4 4
FLOOR LAMPSB
4 74 74 74 7C O U N T E R W E I G H T
Floor Lamp (Ash) H 83 in / 210 cm × W 10.5 in / 27 cm × D 23 in / 58 cm
V I I
COUNTERWEIGHT
The Counterweight floor lamp is part of a series of LED fixtures made of gently arching, steam-bent wood that uses marble and brass as ballasts. Whether fixed, as at the base of this floor lamp, or acting to cantilever the arms of the other, mobile lights also found in the
Counterweight series, the mass of the stone and metal acts as a foil to the otherwise lightweight frames.
Lamping 120V / 240V
Designer Fort Standard is a contemporary industrial design studio founded by Gregory Buntain
and Ian Collings. Their collaborative work is a manifestation of their shared vision and
progressive design approach that pairs timeless materials with modern processes.
Often using traditional materials in innovative ways, the designers have developed a
unique formal language rooted in simplicity and functionality. Their attention to detail,
connections and materiality generate what Buntain and Collings describe as a “warm-
contemporary” aesthetic.
Materials
Finishes Ash Walnut
Integrated LED
Brass, glass, marble, wood
4 94 94 94 94 8 C O U N T E R W E I G H T C O U N T E R W E I G H T
Floor Lamp (Walnut) H 83 in / 210 cm × W 10.5 in / 27 cm × D 23 in / 58 cm
Floor Lamp (Ash)H 83 in / 210 cm × W 10.5 in / 27 cm × D 23 in / 58 cm
Luquer Street —
Brooklyn
5 15 15 15 1E X C E L
V I I I
EXCEL
Spare and playful, the Excel floor lamp is part of a family of fixtures made from elegant wood dowels, metal rods and an illuminated shade. Inspired by the lines and geometric charts of the Microsoft spreadsheet
program, Excel is a three dimensional take on the clever software.
Lamping 120V
Lamping 240V
Designer Theo Richardson, Charles Brill and Alexander Williams are Rich Brilliant Willing. Founded in
2007, Rich Brilliant Willing is an internationally-recognized multidisciplinary design studio.
Why do they work together? The combined output is greater than sum of individual parts.
Each member has a different point of view; one explicitly loves materiality, another has an
unconventional color palette and eye for sculptural form, the third is an inventor bringing
spontaneity and theatrical energy to the work.
Materials Oak, steel
Finishes: Floor Lamp Black/Oak White/Oak
A
A
B
43-Watt frosted E26 base. UL, cUL certified
3.5-Watt frosted E27 base LED. UL, cUL certified
3.5-Watt frosted E26 base LED. UL, cUL certified
A
A
B
Floor Lamp (Black / Oak) H 86 in / 218 cm × W 33 in / 83 cm × D 51 in / 130 cm
5 35 35 35 35 2 E X C E L E X C E L
Floor Lamp (Black / Oak)H 86 in / 218 cm × W 33 in / 83 cm × D 51 in / 130 cm
Trio
de —
Par
is
Floor Lamp (Black / Oak)H 86 in / 218 cm × W 33 in / 83 cm × D 51 in / 130 cm
Bond S
treet — N
ew York
5 55 55 55 55 4
Floor Lamp (Black)H 86 in / 218 cm × W 51 in / 129 cm × D 33 in / 83 cm
Floor Lamp (White)H 86 in / 218 cm × W 51 in / 129 cm × D 33 in / 83 cm
E X C E L E X C E LP
riva
te R
esid
ence
— T
oron
oto
5 75 75 7PA G E 5 7PA G E5 6
CANDLESC
5 95 95 95 9A G N E S C A N D E L A B R A
Table — 3 Candles (Bronze) H 14.5 in / 37 cm × W 20 in / 50 cm × D 13.5 in / 35 cm
I X
AGNES CANDELABRA
Canopy
Designer Lindsey Adelman designs and produces lighting in Manhattan. Lindsey discovered
Industrial Design while working at the Smithsonian and introducing herself to a woman
carving French fries out of foam for an exhibition. Thinking that looked like more fun than
her editorial job, she left to get a degree in ID from the Rhode Island School of Design
in 1996. Her work has been exhibited at the Cooper-Hewitt Museum, Design Miami, and
Nilufar Gallery. Her body of work has grown to include vessels, jewelry, blankets, wallpaper,
tiles, and video. Always asking the question “what if?” the studio now embraces a
philanthropic mission supporting Robin Hood Foundation to fight poverty in NYC. She lives
with her designer husband Ian and their son Finn in Brooklyn.
Materials Machined aluminum
Finishes Black Bronze Polished Nickel
Brushed Brass
5-inch round in matching metal finishAA
The Agnes Candelabra are inspired by our heroine Agnes, a worker in the world’s oldest profession during the 1849 American Gold Rush. Defying the expected roles as wife and mother, she instead chose the
fierce independence and transient lifestyle of the frontier. The modular system allows Agnes easy setup in her makeshift “workspace.”
6 16 16 16 16 0 A G N E S C A N D E L A B R A A G N E S C A N D E L A B R A
Table — 9 Candles (Bronze)H 21.5 in / 55 cm × W 38.5 in / 98 cm × D 29.5 in / 75 cm
Hanging — 5 Candles (Bronze)L 17 in / 43 cm × W 13.5 in / 34 cm × H 30.5 in / 77 cm
6 36 36 36 36 2
Hanging — 10 Candles (Bronze)L 31 in / 79 cm × W 36 in / 92 cm × H 18 in / 46 cm
Table — 6 Candles (Polished Nickel)H 12 in / 31 cm × W 33.5 in / 85 cm × D 17.5 in / 45 cm
Pri
vate
Res
iden
ce —
Tor
onto
A G N E S C A N D E L A B R A A G N E S C A N D E L A B R A
6 56 56 56 5B U G I A
Bugia (Brushed Brass) H 5 in / 13 cm × W 8.5 in / 21 cm × D 5 in / 13 cm
X
BUGIA
Bugia’s delicate steel structure is an ode to the perfect shape of rings. The name directly translates to “candleholder” in
Italian; however, it also means “white lie.” The elegant design uses minimal means for a striking effect, recalling the iconic
candlesticks used before the invention of electricity. Designed by Formafantasma, whose practice is rooted in cultural and historical
nuance, this candleholder, too, alludes to a timeless practice.
Designer Andrea Trimarchi and Simone Farresin are Formafantasma, an Italian designer duo based
in Amsterdam. Since graduating from the Design Academy Eindhoven in 2009, they
have forged a distinctive practice characterized by careful attention to process and
sustainability, and a critical consideration of materials and their historical value. They work
as much with leather, wood, and charcoal as with ideas and concepts, ever mindful of the
political and cultural forces informing their decisions. Formafantasma’s work has been
presented and collected by museums internationally, including the Museum of Modern Art
and the Metropolitan Museum, New York; Victoria & Albert Museum, London; Chicago Art
Institute; and the Stedelijk in Hertogenbosch, Netherlands. Trimarchi and Farresin also
direct workshops and teach at the Design Academy Eindhoven.
Materials Steel, leather
Finish Brushed Brass
6 76 76 76 76 6 B U G I AB U G I A
Bugia (Brushed Brass)H 5 in / 13 cm × W 8.5 in / 21 cm × D 5 in / 13 cm
Bugia (Brushed Brass)H 5 in / 13 cm × W 8.5 in / 21 cm × D 5 in / 13 cm
6 96 96 96 9C A C H E
(Black Marble / Polished Brass) H 3 in / 7 cm × W 4.5 in / 12 cm × D 4.5 in / 12 cm
X I
CACHE
With its removable brass top and hollow stone base, Cache holds more than a candle. Inspired by the need to contain a growing collection of new and vintage matchbooks, and playing on the French word for “hiding,” this modern reliquary is perfect for
stashing small keepsakes and private mementos.
Designer James Killinger was born and raised in of the American Midwest. Before moving to his
current home in Brooklyn, New York, James earned separate bachelor’s degrees in art and
psychology at Iowa State University. With a desire to reconcile his aesthetic expression
and curiosity for human behavior, James obtained a masters degree for industrial design
at Pratt Institute. His background in studio craft and time studying furniture design in
Denmark continue to inform his playful, yet honest, approach to ideas and materials.
Materials Marble, brass, leather
Finishes White Marble / Polished Brass Black Marble / Polished Brass
7 17 17 17 17 0 C A C H E C A C H E
(White Marble / Polished Brass)H 3 in / 7 cm × W 4.5 in / 12 cm × D 4.5 in / 12 cm
(Black Marble / Polished Brass)H 3 in / 7 cm × W 4.5 in / 12 cm × D 4.5 in / 12 cm
7 37 37 37 3C R O S S
X I I
CROSS
A two-dimensional shape, when crossed with another, becomes a three-dimensional object. This is the inspiration for a series of candlesticks
by Bec Brittain—flat metal forms are interlocked and held together by a small leather keystone to create beautiful functional objects.
Designer Bec Brittain studied industrial design at Parsons, earned a BA in philosophy from New
York University, and received an architecture degree from The Architectural Association
in London. Bec draws from these different modes of thinking and making to create
relationships between normally disparate elements. Her aim is to create work eliciting
both an immediate sensual reaction, and a more gradual appreciation of a larger aesthetic
concept. Located in New York City, Bec’s studio focuses on lighting design and custom
projects. Bec has been featured in Architectural Digest, The New York Times, Elle Décor
and Dwell. Her work can be seen in commercial and residential projects across the world.
Materials Brass, leather
Finishes Polished Nickel Polished Brass
01 (Polished Brass) H 4.5 in / 12 cm × W 3.5 in / 9 cm × D 3.5 in / 9 cm
7 57 57 57 57 4 C R O S SC R O S SP
rivate Residence —
Uvita, C
osta Rica
03 (Polished Nickel)H 7 in / 17 cm × W 4 in / 10 cm × D 4 in / 10 cm
01 (Polished Nickel)H 4.5 in / 12 cm × W 3.5 in / 9 cm × D 3.5 in / 9 cm
7 77 77 77 77 6
03 (Polished Nickel)H 7 in / 17 cm × W 4 in / 10 cm × D 4 in / 10 cm
01 (Polished Brass)H 4.5 in / 12 cm × W 3.5 in / 9 cm × D 3.5 in / 9 cm
03 (Polished Brass)H 7 in / 17 cm × W 4 in / 10 cm × D 4 in / 10 cm
C R O S SC R O S S
7 97 97 97 9G A M B A L U N G A
X I I I
GAMBALUNGA
The elegant Gambalunga seems to defy gravity. The paired-down design defies what one would imagine a candleholder should
be while also achieving a sense of familiarity. The circular base both grounds the object and catches melting wax, a reflection of
Formafantasma’s studious attention to form and function.
Designer Andrea Trimarchi and Simone Farresin are Formafantasma, an Italian designer duo based in
Amsterdam. Since graduating from the Design Academy Eindhoven in 2009, they have forged
a distinctive practice characterized by careful attention to process and sustainability, and a
critical consideration of materials and their historical value. They work as much with leather,
wood, and charcoal as with ideas and concepts, ever mindful of the political and cultural
forces informing their decisions. Formafantasma’s work has been presented and collected by
museums internationally, including the Museum of Modern Art and the Metropolitan Museum,
New York; Victoria & Albert Museum, London; Chicago Art Institute; and the Stedelijk in
Hertogenbosch, Netherlands. Trimarchi and Farresin also direct workshops and teach at the
Design Academy Eindhoven.
Finish Brushed Brass
Gambalunga (Brushed Brass) H 17.5 in / 44 cm × W 4.5 in / 11 cm × D 9 in / 22 cm
Materials Steel, leather
8 18 18 18 0 G A M B A L U N G AG A M B A L U N G A
Gambalunga (Brushed Brass)Detail
Gambalunga (Brushed Brass)Detail
8 38 38 38 3M O O R
X I V
MOOR
The Moor Candleholder is Jason Miller’s latest exploration into the combination of ceramic and metal. The conical stoneware base blends into a trumpet-shaped brass top, culminating in an
effortless union of contrasting materials.
Designer Jason Miller is a Brooklyn-based designer and the founder of Roll & Hill. Born in New York
and raised in Darien, Connecticut, Jason’s sub urban upbringing heavily influenced his
early, more conceptual pieces — duct-taped chairs and racked vases, among them — and
continues to inform the elegant, historically rich work that has become his signature.
Jason received an MFA in painting and spent time in both the art and advertising worlds,
but soon realized he preferred making things to documenting them. His designs — like a
mirror whose photographic surface recalls a painted landscape — still often reflect those
early preoccu pations, but each is a functional object, with a kind of beauty and wit. Today,
Jason runs both Jason Miller Studio and Roll & Hill from his headquarters in Sunset Park,
Brooklyn. He lives nearby with his daughter, Tuesday.
Finishes
(Polished Nickel / Brown) H 8 in / 20 cm × W 4 in / 10 cm × D 4 in / 10 cm
Materials Ceramic, aluminum
Polished Nickel / Brown Polished Brass / White
8 58 58 58 4
(Polished Nickel / Brown)Detail
(Polished Brass / White)H 8 in / 20 cm × W 4 in / 10 cm × D 4 in / 10 cm
M O O RM O O R
8 78 78 78 6 M O O RM O O R
(Polished Nickel / Brown)Detail
(Polished Brass / White)Detail
8 98 98 98 9O R B I T
X V
ORBIT
Kepler’s laws of planetary motion confirmed that the Earth and other planets move in elliptical orbits, and not in perfect
circles. Inspired by this discovery, the chic Orbit candleholder invokes the shape of planetary trajectories with an elliptical
bobeche perched on each of the three bases.
Designer Lindsey Adelman designs and produces lighting in Manhattan. Lindsey discovered
Industrial Design while working at the Smithsonian and introducing herself to a woman
carving French fries out of foam for an exhibition. Thinking that looked like more fun than
her editorial job, she left to get a degree in ID from the Rhode Island School of Design
in 1996. Her work has been exhibited at the Cooper-Hewitt Museum, Design Miami, and
Nilufar Gallery. Her body of work has grown to include vessels, jewelry, blankets, wallpaper,
tiles, and video. Always asking the question “what if?” the studio now embraces a
philanthropic mission supporting Robin Hood Foundation to fight poverty in NYC. She lives
with her designer husband Ian and their son Finn in Brooklyn.
Finishes Oil-Rubbed Bronze Brushed Brass
03 (Oil-Rubbed Bronze) H 4 in / 10 cm × W 4 in / 10 cm × D 5 in / 13 cm
Material Brass
9 19 19 19 0 O R B I T O R B I T
01 (Brushed Brass) — H 2 in / 5 cm × W 3 in / 8 cm × D 3.5 in / 9 cm03 (Brushed Brass) — H 4 in / 10 cm × W 3 in / 8 cm × D 5 in / 13 cm
02 (Brushed Brass) — H 3 in / 7 cm × W 3.5 in / 9 cm × D 4.5 in / 11 cm01 (Brushed Brass)
Detail
9 39 39 39 2
01 (Oil-Rubbed Bronze)H 2 in / 5 cm × W 3 in / 8 cm × D 3.5 in / 9 cm
02 (Oil-Rubbed Bronze)H 3 in / 8 cm × W 3.5 in / 9 cm × D 4.5 in / 11 cm
O R B I T O R B I T
ABOUT
Roll & Hill collaborates with some of the most exciting independent designers working today to create a collection of beautiful and unique lighting fixtures. Roll & Hill was founded in 2010 by Jason Miller, whose experience as a
designer and producer inspired him to create a company that might harness the talents of those independent
designers, while offering a small-batch production model that’s more often associated with boutique studios.
Roll & Hill is committed to on-demand production, which allows for each piece to be customized to a client’s needs. At Roll & Hill’s headquarters in Sunset Park, Brooklyn,
parts are assembled by hand, one lamp at a time.
Roll & Hill’s pieces draw from a rich material palette that includes brass, bronze, leather, wood, hand-knotted rope and mouth-blown glass. Roll & Hill’s designers often pair
historical elements with contemporary forms to create lights that feel familiar, yet totally new.
G E N E R A L I N Q U I R I E S
3 2 3 3 R D S T , U N I T 1 0 , B R O O K LY N , N Y 1 1 2 3 2
T + 1 ( 7 1 8 ) 3 8 7 6 1 3 2
I N F O @ R O L L A N D H I L L . C O M
S A L E S I N Q U I R I E S
3 M E R C E R S T , N E W YO R K , N Y 1 0 0 1 3
T + 1 ( 7 1 8 ) 3 8 7 6 1 3 2
S A L E S @ R O L L A N D H I L L . C O M
P. 28
P. 33
P. 35
P. 37
P. 47
P. 50
P. 51
P. 52
P. 60
P. 73
Marili Forastieri
Jeffrey Schad
Trevor Tondro
Elizabeth Felicella
Michel Arnaud
Alexis Toureau
Elizabeth Felicella
Michael Graydon / Designer: Croma Design
Michael Graydon / Designer: Croma Design
Jeffrey Schad
CREDITS
Joseph de Leo
Jeffrey Schad
Lotta Nieminen
Product photography
Outdoor photography
Graphic design
R O L L A N D H I L L . C O M