Download - Tadao ando nariwa museum
TADAO ANDO 安藤 忠雄
I believe that the way people live can be directed a little by architecture. -ANDO
Is a Japanese architect born on September 13, 1941,Has led a storied life working as a truch driver and boxer prior to settling on the profession of architecture,Despite never having taken formal training in the field.
(A self-taught architect)
Tadao ando
INTRODUCTION TO
When conceptualizing his structures Ando took inspiration from Zen philosophies as an underlying constant, with the interplay of nature and artificial structures often resulting in complex interweaving three-dimensional designs that come together to form large geometric shapes which transverse both interior and exterior spaces – intended to represent the dual nature of existence.
Water temple
Meditation space
CONCEPT
creative use of natural light
compliment the contours of the surrounding landscape
extensive use of a building material traditionally viewed as crude – exposed, cast in place concrete
Geometric purity
Single idea
Uses of monotone color
SIGNATURE ELEMENTS
Church of light
Chichu art museum
Sunday schoolKoshino house
TADAO ANDO : ARCHITECT OF LIGHT
Akira Sakomoto
Pulitzer foundation for the arts
"In all my works, light is an important controlling factor,"
Tom Ford Ranch
- ANDO
Chichu art museumWater temple
I do not believe Architecture has to speak too much. It should remain silent and let nature in the guise of sunlight and wind. - Tadao ando
WHAT TRULY INSPIRE US ABOUT ANDOHis respect for nature was integral to his work ethic and
rather than hindering him it pushed his work to new heights of greatness.
Water tample
Church on water
Noshino hotel
We borrow from nature the space upon which we build - Ando
His design concepts and materials have a crucial role in the aesthetics of his work.Honesty of materialsWorking with smooth-as-silk concretewith the thin, fragile transparency of glass the ruggedness of steel complete his palette from which he paintsHe does not veneer, rather he uses the brutal beauty of concrete formwork to texture his buildings, inside and out.
Azuma House
Modern art museum
EXTENSIVE USE OF CRUDE MATERIALS
Garden of Fine ArtsChurch of Light
Chikatsu-Asuka
Water temple
Suntody museum
GEOMETRIC PURITY
Church of light
Suntory museum
Water temple
Work with bold form like rectangular, square, cirle
INTERLOCKING & OVERLAPING
A series of interlocking geometric shapes in a muted teal shade give a flattened perspective to another image, which appears to reference the panes of glass and tall walls of Tadao Ando's 4x4 House in Kobe.
ARCHISHAPE
•.Tadao Ando’s constancy of form gives his work merit and timeless appeal.
•clean line, and sheer simplicity.
•Ando orchestrates masses and voids
•The structure is firm, tranquil, and even a bit mysterious.
•There are no irrelevant ornaments.
•Avoids direct entry to the interior
•Creates a kind of hierarchical approach by using paths, pillars, walls and colonnades
TADAO ANDO’S ESSENCE OF STYLE
NARIWA MUSEUM OF ART
YEARS OF CONSTRUCTION: 1992-1994
A museum dedicated toimpressionist painterTorajima Kojima.
CONCEPT BEHIND NARIWA MUSEUMThis work again using reinforced
concrete to neutralize the importance of the building and to give elevate the natural landscape.
The approach is a bit of a
labyrinth, that encourages visitors to notice the attractiveness of the mountain landscape.
an artificial pond being the
link that provides continuity and fluidity to this design.
JOINERY
Bold interlocking
Pure geometry
ENTRYBarrier like façade at entryno openings
No direct entry to interior
Access to the museum is via an entrance ramp that leads visitors on a path upward and away from the street and over an artificial pond created in the mountainside.
OPENINGS Wall window
Through the large openings, the interior of the space can commune with the landscape
SEMI OUTDOOR SPACES
“Light: the creator of relationships that constitute the world… continually re- invents the world”-ANDO
SPATIAL RELATIONSHIPRELATION BETWEEN INDOOR AND OUTDOOR SPACE
adjacent spaces
WATER-COURT a water-court is an above-defined courtyard filled with water instead of dry ground.
In Nariwa museum courtyard is partially enclosed by a natural slope, by the surrounding landscape close-by and by artificial pond along side surfaces of concrete walls.
SCALE AND PROPORTION
Scale: MonumentalProportion: Structural and Manufactured
MATERIALS
Using reinforced concrete,
the edifice feels made from
an authentic material. Ando
has shown that the use of
concrete allows multiple
formal and structural
variants.
SITE ANALYSIS (NARIWA MUSEUM)
Located from google map
museum
site
Nariwa museum of art okayama , japan
ありがとうArigatō