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The Interdependence of
Rhythm and Image
Pauline von Bonsdorff
University of Jyväskylä
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Daniel N. Stern
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Rudolf Arnheim
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Elements de rythmanalyse.
Introduction à la
connaissance des
rythmes (1992)
”to grasp a rhythm, one must
have been grasped by it”
”the interaction of diverse
rhythms, repetitive and
different, animate the place”
”a unity of time and space, an
alliance. In and through
rhythm?”
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Maurice Merleau-Ponty (with his daughter)
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Arnheim in ”Beginning with the child”
“The child … is clearly
closer to the cheerful
noise of reality.”
“an unintended but
enlivening transparency”
“The small accidents … help
to enrich the visual
variety of the picture.”
“Dubuffet’s Grand Jazz
Band looks austere”
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Maurice Merleau-Ponty:
Le monde sensible et le
monde de l’expression.
Cours au Collège de
France. Notes, 1953
(2011), 48
“there is not just a human
being who expresses
himself in a product, but
in addition a product that
expresses the world, and
the human being testifies
to himself as this
relationship appears”
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”a greasy buzz”
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Pirjo Honkasalo, The Three Rooms of Melancholia
(2004)
1 Longing (Kronstadt)
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3 Remembering (Ingushetia)
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Gaston Bachelard
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Gaston Bachelard, L’eau et les rêves
• A dynamic joy handles them, kneads them,
lightens them. We dream these images of matter
substantially, intimately, avoiding forms,
vanishing forms, vain images, the becoming of
surfaces. They have a weight, they are a heart.
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Reima and Raili Pietilä, Dipoli