Download - The need of multicultural Web technologies
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The need for Multicultural
Web Technologies
Xavier Serra Music Technology Group
Universitat Pompeu Fabra, Barcelona (Spain) [email protected]
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Our view on the Web
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Low Level
Mid Level
High Level
duration
spectrum intensity
pitch timbre
loudness
melody
chord
beat
dynamics
emotion
genre
similarity
style relations performer
labels
names scene
sign motions
gestures
preferences
colors shape
textures tags
mood motives
instrument
composer
lyricist
form
Music Information Processing
Audio Text Images
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CompMusic: Computational models for the discovery of the world’s music”
[funded with an ERC Advanced Grant for a period of 5 years and a budget of 2.5 million Euros]
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Main danger!!!
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compmusic.upf.edu
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CompMusic Objectives
• Promote multicultural approaches in Music Information Technology.
• Work on information models for culture specific contexts. Characterize differences.
• Use as many types of information sources as possible (audio features, symbolic scores, text commentaries, user evaluations, …)
• Use culture specific perspectives. Involve researchers immersed in the music cultures to be studied.
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Musical repertoires • Hindustani (North India), Carnatic (South India),
Turkish-makam (Turkey), Andalusi (North Africa), Han (China).
• Classical traditions with alive performance practices and strong social and cultural relevance.
• A lot of “good” data available.
Possibility to challenge current western centred information paradigms.
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Audio recordings
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Expert information
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Community information
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Multicultural approaches should make qualitative advancements in
Web Technologies.
Low Level
Mid Level
High Level
duration
spectrum intensity
pitch timbre
loudness
melody
chord
beat
dynamics
emotion
genre
similarity
style relations performer
labels
names scene
sign motions
gestures
preferences
colors shape
textures
tags
mood
motives
instrument
composer
lyricist
form
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The Web Technologies should help preserve and enrich our
multicultural world.
Low Level
Mid Level
High Level
duration
spectrum intensity
pitch timbre
loudness
melody
chord
beat
dynamics
emotion
genre
similarity
style relations performer
labels
names scene
sign motions
gestures
preferences
colors shape
textures
tags
mood
motives
instrument
composer
lyricist
form
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Thanks!!!
[more in: compmusic.upf.edu]