Transcript
Page 1: To Gaze implies more than to look at it signifies a psychological relationship

to Gaze implies more than to look at

it signifies a psychological relationship

Page 2: To Gaze implies more than to look at it signifies a psychological relationship
Page 3: To Gaze implies more than to look at it signifies a psychological relationship

Several key forms of gaze can be identified

• the spectator’s gaze: the gaze of the viewer at an image of a person

• the intra-diegetic gaze: a gaze of one depicted person at another (or at an animal or an object) within the world of the image

• the direct address to the viewer: the gaze of a person depicted in the image looking ‘out of the frame’ as if at the viewer

• the look of the camera - the way that the camera itself appears to look at the people; less metaphorically, the gaze of the photographer.

Page 4: To Gaze implies more than to look at it signifies a psychological relationship

In addition, there are several other types of gaze which are less often

mentioned:

•the gaze of a bystander - outside the world of the image, the gaze of another individual watching the spectator in the act of viewing. Have you ever watched someone in a museum?

• the averted gaze - a depicted person’s noticeable avoidance of the gaze of another, or of the camera lens or artist (and thus of the viewer) - this may involve looking up, looking down or looking away

• the gaze of an audience within the text - certain kinds of popular televisual texts (such as game shows) often include shots of an audience watching those performing in the 'text within a text';

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It is useful to note how directly a depicted person gazes out of the frame. A number of authors have explored this issue in relation to advertisements in particular.

In his study of women’s magazine advertisements, Trevor Millum distinguished between these forms of attention:

•attention directed towards other people; •attention directed to an object;•attention directed to oneself; •attention directed to the reader/camera; •attention directed into middle distance, as in a state of reverie; •direction or object of attention not

discernible.

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Julia Margaret Cameron

Charles Darwin

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For I am the Queen

Mother

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Sadness

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Mountain Nymph

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The Echo

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Alice

Boughton

Untitled

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Unidentified

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Unidentified

A Chat

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Palmer

Instructor with Three Graduates with Diplomas and Geraniums

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Southworth and Hawes

Woman in Floral Bonnet and Zig-Zag Dress

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A Conversation Piece

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E.J. Bellocq

Storyville Portrait

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Storyville Portrait

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Harry Callahan

Eleanor

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Eleanor

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Emmet Gowin Ruth and Edith

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Nancy

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Edith

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Edith

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Nadar

Self-Portrait

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Woman in profile

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Sarah Bernhardt

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The Photographer’s

Wife

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Irving Penn

Tennessee Williams

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Three Rissani Women

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Richard Avedon

Marilyn Monroe

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Beekeeper

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Uranium Miner

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You are not simply taking a portrait. You are studying the way you look

at your subject, the way your subject is looking back, and the relationship you are establishing

between the viewer and that subject.


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