Download - Wasting Light.pdf
Intro
Moderately fast q = 170
Words and Music by David Grohl, Taylor Hawkins, Christopher Shiflett, Nate Mendel and Pat Smear
Bridge Burning
Copyright © 2011 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC,I LOVE THE PUNK ROCK MUSIC, FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC
All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC.All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP.
All Rights for FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC Administered by BUG MUSICAll Rights Reserved Used by Permission
from Foo Fighters - Wasting Light
*Gtr. 1 (dist.)*Gtr. 1 (dist.)
mf
Riff A
µ
11
E5
1
D/F#
32 1
C
13
D5/A
1134
Eb5/Bb
End Riff A
*Two gtrs. arr. for one.
**
**Hammer on low note w/ left hand while strumming muted notes behind the bridge.
Gtr. 2 (dist.)
Gtr. 1: w/ Riff A (2 times)
f
E5
P.M. P.M. P.M. P.M.
Gtr. 2
P.M. P.M. P.M. P.M.
Gtr. 3 (dist.)
Riff B
f
End Riff B
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9
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5 7 5 7 5 7 5 7 5 70
5 70
5 7 5 7 5 7 5 7 5 70
5 70
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1
*Gtrs.
2 & 4
Gtr. 3: w/ Riff B (2 times)
Riff C
P.M. P.M. P.M. P.M.
End Riff C
*Gtr. 4 (dist.), played f.
Verse
E5
These1. are
Eb5
my fa
D5
mous- last
Db5
words!
C5 G A D5
Gtr. 4
**Gtrs. 2 & 3
Rhy. Fig. 1
End Rhy. Fig. 1
**Composite arrangement
Gtrs. 2 & 3: w/ Rhy. Fig. 1
E5
My num
Eb5
ber’s- up,
D5
bridg es
Db5
- well
C5
burned!
G A D5
Gtr. 4
10 12 10 12 10 12 10 12 10 12 0 10 12 0 10 12 10 12 10 12 10 12 10 12 0 10 12 0
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688
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688
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466
4 15 355
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15 355
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466
4 15 355
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2
Em
Oh, won’t
Eb
you let
Dsus4
me twist
A7/C#
your fate?
C5 G5
It’s get
A7
ting- kind
Dsus4
a- late,
Gtr. 4Riff D1
Gtrs. 2 & 3
Riff D
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
Em Eb
and I
Dsus4
don’t wan
A7/C#
na- wait
C5 G5
no more.
A7 µ
Harm.
8vaEnd Riff D1
loco
P.M. P.M. P.M. P.M. P.M. P.M. P.M. Harm.
8vaEnd Riff D
loco
Gtrs. 2 & 3: w/ Riff D (2 times)Gtr. 4: w/ Riff D1 (2 1/2 times)
Em
Oh, may
Eb
I have
Dsus4
this dance
A7/C#
of days
C5 G5
locked
A7
in your
Dsus4
em brace?-
Em Eb
Passed
Dsus4
your test
A7/C#
of faith.
C5 G5 A7 µ
50
50
50
50
50
50
50
50
7 75
0 0 6 65
0 0 5 55
0 0 4 45
0 0 3 35
0 0 3 3
5
0 0 5 5
50 0 5 5
5
50
50
50
50
50
50
50
44
17
7 75
0 0 6 65
0 0 5 55
0 0 4 45
0 0 3 35
0 0 3 3
5
0 0 5 5
53
4
17
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3
Em
An oth-
Eb
er- time,
Dsus4
an oth-
A7/C#
er- place,
C5
an oth
G5
- er- line
A7
up on-
Dsus4
your face.
Em
Eb
An oth
Dsus4
- er- in
A7/C#
your way.
C5 G5
A7 µ
Em
Down crook
Eb
ed- stairs
Dsus4
and side
A7/C#
ways- glanc
C5
es- comes
G5
the king
A7
of sec
Dsus4
ond- chanc -
Gtrs. 2 & 3
P.M.
Em
es.
-
Eb
Now throw
Dsus4
him in
A7/C#
the flame.
C5 G5 A7 Dsus4
Gtr. 4
Gtrs. 2 & 3
P.M. let ring
7 75
0 0 6 65
0 0 5 55
0 0 4 45
0 0 3 35
0 0 3 3
5
0 0 5 5
50 0 5 5
5
50
50
50
50
50
50
50
50
7 75
0 0 6 65
0 0 5 55
0 0 4 45
0 0 3 35
0 0 3 3
5
0 0 5 5
50 0 5 5
00
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4
Pre-Chorus
Csus2
What ev- er- keeps you warm at night.
A7sus4 Csus2
(What ev- er- keeps you warm at night.)
What ev- er- keeps you warm in side.
Dsus4
-
Eb
*Gtrs. 4 & 5
*Gtr. 5 (dist.), played f.
Doubled throughout
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5
403
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003
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000
000
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5
Chorus
E5
Your bridg es- are burn
D%
in’- down. They’re
Gtrs. 2, 3 & 4
Rhy. Fig. 2
Gtr. 5Rhy. Fig. 2A
let ring
all
C,7
com in’- down,
E
it’s all
C,7
com in’- ’round.
E
End Rhy. Fig. 2
let ring let ring
End Rhy. Fig. 2A
799
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9X11
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000
81010
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0
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0
81010
81010
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0
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000
81010
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0
81010
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000
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6
2CTo oda 1CTo oda
Gtrs. 2, 3 & 4: w/ Rhy. Fig. 2 (1st 4 meas.)Gtr. 5: w/ Rhy. Fig. 2A
E5
You’re burn in’- them down.
D%
It’s
all
C,7
com in’- ’round,
E
they’re all
C,7
com in’- down.
E
You’re
Gtrs. 2, 3 & 4
Riff E End Riff E
bridg
C,7
es- are burn
E
in’- down.
D5
Eb5
Gtrs. 2, 3 & 4
Rhy. Fig. 3 End Rhy. Fig. 3
Gtr. 5Rhy. Fig. 3A
let ring
End Rhy. Fig. 3A
10X12
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000
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81010
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0
109
0
81010
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000
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7
Gtr. 3
Interlude
Gtr. 2: w/ Riff C
Riff F
E5End Riff F
Gtr. 4Riff F1
End Riff F1
Gtr. 5Riff F2
End Riff F2
VerseGtrs. 2 & 3: w/ Riff D
Gtr. 4: w/ Riff D1Gtr. 5 tacet
Em
Oh,2. let
Eb
me put
Dsus4
you in
A7/C#
your place.
C5 G5
I love
A7
it when
Dsus4
you say
Em Eb
you’re giv
Dsus4
in’- ev
A7/C#
’ry- thing
C5
- a
G5
way.
A7
- But
µ
tell
E5
me, what’s
Eb5
in it
D5
for me?
Db5
Tell
C5
me now, what’s
G5
in it
A5
for me?
D5
No
E5
Gtrs. 2 & 3
7 9 7 9 7 9 7 9 7 9
0
7 9
0
7 9 7 9 7 9 7 9 7 9
0
7 9
0
7 7 7 7
0 0 0 0
7799
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7799
6688
6688
6688
5577
5577
5577
4466
4466
3355
3355
3355
355
355
355
577
577
577
5577
5577
7799
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8
D.S. al Coda 1
1 Coda
one’s get
Eb5
tin’- this
D5
for free,
Db5
so tell
C5
me now, what’s
G5
in it
A5
for me?
D5
bridg
Gtrs. 3 & 4: w/ Rhy. Fig. 3
Gtr. 5: w/ Rhy. Fig. 3A
C,7
es- are burn
E
in’- down.
D5
Eb5
Gtr. 2Rhy. Fig. 4 End Rhy. Fig. 4
Gtr. 5
Rhy. Fig. 5
Bridge
*E5
Gath er- in’- the ash es,-
D/F#
ev ’ry- thing- thrown a -
Gtr. 4Riff G1
1 1 1 1 1 1 1 1 1
Gtrs. 2 & 3Riff G
P.M.
*See top of first page of song for chord diagrams pertaining to rhythm slashes.
7799
7799
7799
6688
6688
6688
5577
5577
5577
4466
4466
3355
3355
3355
355
355
355
577
577
577
5577
5577
5577
000
10X12
10X12
10X12
5X7
5
7
7X9
2X4
2X4
2X4
2X4
2X4
2X4
2X4
000
5577
5577
5577
5577
5577
5577
5577
5577
5577
5577
5577
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5577
6688
1412 12
141212
1212
141212 12
141212 12
121012 10
121010 10
121010 10
121010
1210
10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12
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9
D.S.S. al Coda 2 2 Coda
End Rhy. Fig. 5
way.
C
Gath er- in’- the ash es,-
D5/A
scat
Eb5/Bb
ter- as they blow a -
End Riff G1
1 1 1 1 1 1 1 1 1
End Riff G
P.M.
way.
Gtrs. 3 & 4: w/ Riffs G & G1
Gtr. 5: w/ Rhy. Fig. 5
E5
Gath er- in’- the ash es,-
D/F#
ev ’ry- thing- thrown a -
Gtr. 2
way.
C
Gath er- in’- the ash es,-
D5
scat
Eb5
ter- as they blow a -
way.
Gtr. 2: w/ Riff C (1st 2 meas.)
Gtrs. 3, 4 & 5: w/ Riffs F, F1 & F2 (1st 2 meas.)
E5
all
Gtrs. 2, 3 & 4: w/ Rhy. Fig. 2 (last 2 meas.)
C,7
com in’- down.
E
108 8
1088 8
1088 8
1088 8
12108 10
121010 10
131110 11
131111
1311
10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 126 8 6 8 6 8 6 8
7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9
7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 8 10 8 10 8 10 8 10
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10
Gtrs. 2, 3 & 4: w/ Rhy. Fig. 2 (1 1/2 times)
Gtr. 5: w/ Rhy. Fig. 2A (2 times)
E5
Your bridg es- are burn
D%
in’- down. They’re
(Gath
Voc. Fig. 1
er- in’- the ash es,- ev ’ry- thing- thrown a -
all
C,7
com in’- down,
E
it’s all
C,7
com in’- ’round.
E E5
You’re
way. Gath er- in’- the ash es,- scat ter- as they blow a way.)-
End Voc. Fig. 1
burn
Bkgd. Voc.: w/ Voc. Fig. 1
in’- them down.
D%
It’s all
Gtrs. 2, 3 & 4: w/ Riff E
C,7
com in’- ’round,
E
they’re
all
C,7
com in’- down.
E
You’re bridg
Gtr. 2: w/ Rhy. Fig. 4
Gtrs. 3 & 4: w/ Rhy. Fig. 3
Gtr. 5: w/ Rhy. Fig. 3A
C,7
es- are burn
E
in’- down.
D5
Eb5
Gtr. 2: w/ Riff C
Gtrs. 3, 4 & 5: w/ Riffs F, F1 & F2
Outro
E5
Gtr. 3
Gtr. 2
P.M. P.M.
7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 97 9 7 9 7 9 7 9 7 9
0
7 9
0
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11
Intro
Moderately q = 138
Words and Music by David Grohl, Taylor Hawkins, Christopher Shiflett, Nate Mendel and Pat Smear
Rope
Copyright © 2011 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC,I LOVE THE PUNK ROCK MUSIC, FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC
All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC.All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP.
All Rights for FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC Administered by BUG MUSICAll Rights Reserved Used by Permission
from Foo Fighters - Wasting Light
Gtr. 1 (slight dist.)
*
**w/ delay
Rhy. Fig. 1
mf
Bm11 F#m11 Dm11End Rhy. Fig. 1
*Chord symbols reflect implied harmony.
**Delay set for quarter-note triplet regeneration w/ 5 repeats.
Gtr. 2 (slight dist.)
Bm11
mf
F#m11 Dm11
Gtr. 1
delay offf
Gtr. 3 (dist.)
f
7750
14
0
1412
10
0
108
10
0
108
775
775
775
7
07
775
141412
141412
141412 0
1414
141412
10
0
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10
0
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010
8
10108
10
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10
0
108
7750
14
0
1412
10
0
108
7 5 07 5 0
7 5 07 5 0
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1
Rhy. Fig. 2
Bm11
F#m11
Riff A
Riff A1
Dm11
End Rhy. Fig. 2
A5
Rhy. Fig. 3
Bm11
End Riff A Riff B
End Riff A1 Riff B1
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07
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0
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1412 0
14
0
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0
1412
07 7 7 7 7
57
9 9 9 9 97
9
07 7 7 7 7
57
9 9 9 9 97
9
10
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010
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010
8
10108
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07
0
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7 7 7 7 75
7
5 5 5 5 5 3 5 5 5 5 5 5 3 5 07 7 7 7 7
57
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2
F#m11 *Dm11
End Rhy. Fig. 3
A5
End Riff B
End Riff B1
*Bass plays F.
Verse
This1.
Bm11
in de- ci- sion
F#m11
- got me climb
Dm11
in’- up a wall.
A5
**Gtr. 2
Rhy. Fig. 4
End Rhy. Fig. 4
**Doubled throughout
Gtrs. 1 & 3
Riff C
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0
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0
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0
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0
108
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9 9 9 9 97
9 8 8 8 8 8 7 8 8 8 8 8 87 5 0
7 5 0
9 9 9 9 97
9 5 5 5 5 5 3 5 5 5 5 5 57 5 0
7 5 0
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07
0
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1412 0
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010
8
10108
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10
0
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010
8
10108
0
0 0
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3
Gtrs. 2 & 3: w/ Rhy. Fig. 3
Been
Bm11
cheat in’- grav i
F#m11
- ty- and wait
Dm11
in’- on the fall.
A5
Gtrs. 1 & 3
End Riff C
Gtrs. 1 & 3: w/ Riff C
Gtr. 2: w/ Rhy. Fig. 4
How
Bm11
did this come o
F#m11
ver- me? Thought I
was
Dm11
a bove- it all.
A5
Gtr. 2: w/ Rhy. Fig. 3
Our
Bm11
hopes gone up in
F#m11
smoke, swal -
-
Dm11
low your crown.
A5
Pre-Chorus
Gtrs. 1 & 3: w/ Riffs A & A1
Gtr. 2: w/ Rhy. Fig. 4
Bm11
Yow!
F#m11
On
a
kiss,
Dm11
thought I’d save my breath for
A5
you.
Gtrs. 1 & 3: w/ Riffs B & B1
Gtr. 2: w/ Rhy. Fig. 3
Bm11
Yow!
F#m11
On
a kiss,
Dm11
thought I’d save my breath for you.
A5
07 5 0
7 5 0
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
4
Chorus
G5
Gim me- some rope,
Em7
I’m com in’- loose.
Bm('4)
I’m hang
A5
in’- on you.
G5
Gtr. 2
Rhy. Fig. 5
let ring let ring
End Rhy. Fig. 5
1/2
Gtr. 3
Rhy. Fig. 5A End Rhy. Fig. 5A
1/2
Gtrs. 2 & 3: w/ Rhy. Figs. 5 & 5A (1 1/2 times)
Gim me- some rope,
Em7
I’m com in’- loose.
Bm('4)
I’m pull -
A5
in’- for you now.
G5
Gim me- some rope,
Em7
I’m com in’-
out
Bm('4)
of my head, in
A
to- the clear. When
Gtr. 2
Rhy. Fig. 6
let ring let ring
Gtr. 3
Rhy. Fig. 6A
3X00
33
30
02203
0
03
0
24
244
30
3
00 0
200
2 2 02 0
3X003
3X003
3X003
3X003
3X003
02203
02203
02203
02203
02203
2443
2443
2443
2443
2443
02
00
2 20
3X003
3X003
24
24
03
244
00
02
02
22
02 0
000
2443
2443
2443
2443
2443
00
00
022
022
022
022
022
00
00
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
5
CTo oda
you
G5
go,
E/G#
I
A5
come
F#/A#
loose.
*Gtrs. 2 & 3 End Rhy. Figs. 6 & 6A
*Composite arrangement
InterludeGtr. 2: w/ Rhy. Fig. 2
Bm11 F#m11
Dm11
A5
Gtr. 4 (dist.)
f
Gtr. 1
Gtr. 3
Gtr. 4
Gtrs. 1 & 3: w/ Riffs B & B1
Gtr. 2: w/ Rhy. Fig. 3
Bm11 F#m11 **Dm11 A5
**Bass plays F.
35
35
35
35
35
0 47
47
47
47
47
0 57
57
57
57
57
0 69
69
69
69
17
2X4
2X4
2X4
2X4
2X4
2X4
4X6
5X7
5X7
5X7
5X7
5X7
5X7
5X7
5X7
7X9
8X10
8X10
8X10
8X10
8X10
8X10
8X10
8X10
10X12
12X14
12X14
12X14
12X14
12X14
12X14
12X14
12X14
12X14
0
7 7 7 7 75
79 9 9 9 9
79
10 10 10 10 10 8 10 10 10 10 10 10 8 100
7 7 7 7 75
79 9 9 9 9
79 5 5 5 5 5 3 5 5 5 5 5 5 3 5 0
2X4
2X4
2X4
2X4
2X4
2X4
4X6
5X7
5X7
5X7
5X7
5X7
5X7
5X7
5X7
7X9
8X10
8X10
8X10
8X10
8X10
8X10
8X10
8X10
15X17
12X14
12X14
12X14
12X14
12X14
12X14
00
7 5 07 5 0
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6
D.S. al Coda
Coda
VerseGtrs. 1 & 3: w/ Riff C
Gtr. 2: w/ Rhy. Fig. 4
Gtr. 4 tacet
These2.
Bm11
prem o- ni- tions
F#m11
- got me cry
Dm11
in’- up a storm.
A5
Gtr. 2: w/ Rhy. Fig. 3
Leave
Bm11
your con di- tion,
F#m11
- this po si
- tion
-
Dm11
does no harm.
A5
Pre-Chorus
Gtrs. 1 & 3: w/ Riffs A & A1
Gtr. 2: w/ Rhy. Fig. 4
Bm11
Yow!
F#m11
On
a kiss,
Dm11
thought I’d save my breath for
A5
you.
Gtrs. 1 & 3: w/ Riffs B & B1
Gtr. 2: w/ Rhy. Fig. 3
Bm11
Yow!
F#m11
On
a kiss,
Dm11
thought I’d save my breath for you.
A5
Interlude
B5 A5 B5 D5/A E5/Bµ B5
A5 B5 D5/A E5/Bµ
B5 A5 B5 D5/A E5/B µ
B5 A5 B5 D5/A E5/B µ
79
57
79
5577
7799
79
57
79
5577
7799
79
57
79
5577
7799
79
57
79
5577
7799
17
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7
Gtr. 5 (dist.)
B5
A5 B5 D5/A E5/B G5
A5 E5 B5
A5 B5 D5/A E5/B G5 A5 E5
f
Gtrs. 2 & 3
Rhy. Fig. 7
let ring
End Rhy. Fig. 7
let ring
Gtr. 5
Guitar Solo
Gtrs. 2 & 3: w/ Rhy. Fig. 7 (3 times)
B5 A5 B5 D5/A E5/B G5 A5 E5 B5 A5 B5 D5/A E5/B G5 A5
Harm.
E5
Harm.
Pitch: G# B
*
*Harmonic located three-tenths the distance between the 3rd & 4th frets.
3.3D
2.6G# B
3.3D
2.6G# B
3.3G# B
3.3D
2.6G# B
3.3G
2.6
F#
w/ wah-wah
B5 A5 B5 D5/A E5/B G5 A5 E5
1 1
B5 A5 B5 D5/A E5/B
G5
A5 E5 B5 A5
Harm.
B5 D5/A E5/B
1 1
G5 A5 E5 B5 A5 B5 D5/A E5/B G5 A5 E5
1 1 1/2 11
00
79
57
79
5577
7799
XXXX
XXXX
XXXX
XXXX
35
35
35
57
57
02
00
79
57
79
5577
7799
XXXX
XXXX
XXXX
XXXX
35
35
35
57
57
02
00
4 4 4 4 4000
4000
00
7 10 79
7 10 79
10 79
00
10 710
710 7
107
10 9 7 9 79
7
9 79
79 7
10 75 7 5 7
7
00 7 7
00
10 10 87
10 10
00
10 10 7 10 7 10 1000
12
00 12
12
1212
1212
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8
Chorus
Gtrs. 2 & 3: w/ Rhy. Figs. 5 & 5A (3 1/2 times)
G5
Gim me- some rope,
Gtr. 5 tacet
Em7
I’m com in’- loose.
Bm('4)
I’m hang
A5
in’- on you.
G5
Gim me- some rope,
Em7
I’m com in’- loose.
Bm('4)
I’m pull
A5
in’- for you now.
G5
Gim me- some hope,
Em7
I’m com in’- through.
Bm('4)
I’m count
A5
in’- on you.
G5
Gim me- some rope,
Em7
I’m com in’- out
Gtrs. 2 & 3: w/ Rhy. Figs. 6 & 6A
Bm('4)
of my head, in
A
to- the clear. When
you
G5
go,
E/G#
I
A5
come...
F#/A#
Gtr. 1
Outro
*w/ delay
Bm11
F#m11 Dm11
delay off
*Set as before.
Gtr. 3
1616
7750
14
0
1412
10
0
108
10
0
108
7 5 07 5 0
7 5 07 5 0
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9
loose.
Bm7'4 F#m7'4
Gtr. 2
Gtr. 1
Gtr. 3
Dm11
7750
7750
7750
7750
7
07
0
7750
14
0
1412
14
0
1412
14
0
1412
14
0
1412 0
14
0
1414
0
1412
07 7 7 7 7
57
9 9 9 9 97
9
07 7 7 7 7
57
9 9 9 9 97
9
10
0
108
10
0
108
10
0
108
10
0
108
010
8
10108
10
0
108
10
0
108
10
0
108
7 5 07 5 0
8 8 8 8 8 7 8 8 8 8 8 87 5 0
7 5 0
5 5 5 5 5 3 5 5 5 57 5 0
7 5 0
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10
Intro
Moderately q = 124
Words and Music by David Grohl, Taylor Hawkins, Christopher Shiflett, Nate Mendel and Pat Smear
Dear Rosemary
Copyright © 2011 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC,I LOVE THE PUNK ROCK MUSIC, FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC
All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC.All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP.
All Rights for FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC Administered by BUG MUSICAll Rights Reserved Used by Permission
from Foo Fighters - Wasting Light
Gtr. 1 (elec.)
*
mfw/ slight dist.
Riff A
Bm Em7
7fr
134
B5
5fr
134
A5
2 34
G5
111
A
1342
Bm
231
E
Bm Em7
let ring
*Chord symbols reflect implied harmony.
**Gtrs. 1 & 2
Bm Em7 Bm Em7End Riff A
let ring
**Gtr. 2 (elec.) w/ slight dist., played mf.
Gtr. 3 (elec.)
mfw/ dist.
44
34
4 24
3
04
34
0 24
3
44
34
4 24
3
04
34
0 24
3
10
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
1
Gtr. 4 (elec.)
**
w/ dist.
Gtrs. 1 & 2: w/ Riff A (2 times)
f
Bm A'Ê G Em7
*Gtrs. 3 & 5
Rhy. Fig. 1 End Rhy. Fig. 1
*Gtr. 5 (elec.) w/ dist., played f.
**Chord symbols reflect overall harmony.
Gtr. 4
Gtrs. 3 & 5: w/ Rhy. Fig. 1 (3 times)
Bm A'Ê G Em7 Bm A'Ê
G Em7 Bm A'Ê G Em7
Gtr. 4
B5 Asus2 G E5 B5 Asus2 G E5
1
Gtr. 5
P.M.
Rhy. Fig. 2
P.M. P.M. P.M. P.M. P.M. P.M. P.M.
End Rhy. Fig. 2
let ring
11 9 9 7 7 6 6 7 7 6 6 4 4 2 2 4
2X4
2X4
2X4
2X4
024
024
024
3X04
3X04
3X04
3X04
0224
0224
0224
4 4 6 6 6 7 7 7 9 9 9 11 11 9 9 7 7 6 6 7
7 6 6 4 4 2 2 4 4 4 6 6 6 7 7 7 9 910
1112
11 9 9 7 9
0 0 0 0
2
40
2 02224
03
40
3 0
400
0 2
40
2 02224
03
40
3 0224
00
0
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2
VerseGtr. 4 tacet
Bm
You1. got a way,
A'2
- got a way,
G
- got a way
E5
- from me.
Bm A'2 G
E5
Gtr. 3
Rhy. Fig. 3 End Rhy. Fig. 3
Gtr. 5
P.M.
Rhy. Fig. 3A
P.M. P.M. P.M. P.M. P.M. P.M. P.M.
End Rhy. Fig. 3A
P.M.
Gtr. 5: w/ Rhy. Fig. 2
Bm
Now get a way,
A'2
- get a way,
G
- get a way
E5
- from me.
Bm A'2 G
E
Gtr. 3
Rhy. Fig. 4 End Rhy. Fig. 4
Gtrs. 3 & 5: w/ Rhy. Figs. 3 & 3A
Bm
I could n’t- grow
A'2
just, a, liv
G
in’- in the shad
E5
ow.-
Bm
Where do you go
A'2
when no one’s fol
G
low- in’- you?
E5
Gtrs. 1 & 2
Riff B
let ring
43
43
22
22
00
00 0
0
2400
43
43
22
22
00
00 0
0
2400
2
40
2 02224
03
40
3 0
400
0 2
40
2 02224
03
40
3 0
2400
0
43
43
22
22
00
00 0
0
2400
43
43
22
22
00
00
100
100
100
100
44
34
44
34
44
34
44
34
44
34
44
34
44
34
44
34
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3
Bm
You ran a way,
A'2
- ran a way.
G
- It was right
E5
on cue.
Bm A'2 G E5
Shall I go
A5
Gtr. 3
Rhy. Fig. 5 End Rhy. Fig. 5
Gtr. 5
P.M.
Rhy. Fig. 5A
P.M. P.M. P.M. P.M. P.M. P.M. P.M.
End Rhy. Fig. 5A
(cont. in slashes)
Gtrs. 1 & 2
End Riff B
let ring
Gtr. 5
Rhy. Fig. 6 End Rhy. Fig. 6
on,
Gtrs. 1 & 2 tacet
*B5
and on,
A5
and on,
B5
and on,
A5
and on,
B5
and on
A5
a gain?-
B5 A5
Gtr. 3
Harm. Harm. Harm. Harm. Harm. Harm.
*See top of first page of song for chord diagrams pertaining to rhythm slashes.
Pitch: E E E
43
43
22
22
00
00 0
0
2400
43
43
22
22
00
00 0
0
2
40
2 02224
03
40
3 0
400
0 2
40
2 02224
03
40
3 022400
00
577
44
34
44
34
44
34
44
34
44
34
44
34
44
34
44
3
799
7 7 799
577
5 5 577
799
7 7 799
577
5 5 577
799
7 7 799
577
5 5
79
10
91112
91112
91112
91112
91112
91112
15
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4
Rhy. Fig. 7A End Rhy. Fig. 7A
Rose
Pre-Chorus
G5
mar- y,- you’re part
A
of me, you know
Bm
you are, you are,
A
you are.
Rhy. Fig. 7
let ring let ring
End Rhy. Fig. 7
Rose
Gtrs. 3 & 5: w/ Rhy. Figs. 7 & 7A
G5
mar- y,- you’re part
A
of me, you know
Bm('4)
you are, you are,
A
you are.
Rose
G5
mar- y,- please par
2nd time, Gtr. 3: w/ Rhy. Fill 1
E5
don- me.
Gtr. 3
let ring
Gtr. 5
Rhy. Fill 1
Gtr. 3
3X00
3X00
33
3X00
0000
0222
0222
0222
0222
0222
0000
2443
2443
03
244
000
0222
0222
0222
0222
0222
0000
3X00
3X00
33
3X00
0000
0X2
0X2
0X2
0X2
0X2
0X2
0X2
0
3
0X
033
3
0X
033
3
0X
033
3
0X
033
3
0X
033
0000
0X2
0X2
0X2
0X2
0X2
0X2
0X2
000
000
0X24
0X24
0X24
0X24
0X24
0X24
0X24
00
00
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5
2CTo oda 1CTo oda
Truth
3rd time, Gtr. 7 tacet
Chorus
Bm
ain’t gon na
A
- change
G5
the way you
E5
lie.
Bm A G5
E5
Gtr. 4
Gtrs. 3 & 5
Rhy. Fig. 8
let ring
End Rhy. Fig. 8
let ring
Youth
Gtrs. 3 & 5: w/ Rhy. Fig. 8
Bm
ain’t gon na
A
- change
G5
the way
E5
you die.
Bm A G5
Dear
E5
Rose -
Gtr. 4
fdbk.
Gtr. 5: w/ Rhy. Fig. 2
B5
mar- y.-
Asus2 G E5
Dear Rose
B5
mar- y.-
Asus2
G
E5
1
11 9 9 7 7 6 6 7 7 6 6 4 4 2 2 4
2443
2443
2443
2443
0222
0222
0000
3X0033
3X0033
3X0033
3X0033
022
00
022
2443
2443
2443
2443
0222
0222
0000
3X0033
3X0033
3X0033
3X0033
022
00
022
4 4 4 11 11 9 9 7 7 6 6 7 7 6 6 4 4 2 210
1112
11 9 11 9 9
0 0 0 0
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6
VerseGtrs. 3 & 5: w/ Rhy. Figs. 3 & 3A
Gtr. 4 tacet
Bm
You’ve2. got a way,
A'2
- got a way,
G
- got a way
E5
- with things.
Bm A'2 G
E5
Gtr. 6 (elec.)
w/ dist.
f
Gtr. 3: w/ Rhy. Fig. 4
Gtr. 5: w/ Rhy. Fig. 2
Bm
You got a way,
A'2
- got a way,
G
- got a way
E5
- with things.
Bm A'2 G
E
Gtrs. 1 & 2: w/ Riff B
Gtrs. 3 & 5: w/ Rhy. Figs. 3 & 3A
Bm
False starts,
A'2
your hearts
G
get shat
E5
tered.-
Bm
Pick up the piec
A'2
es- com in’- down
G
a round- you.
E5
Gtrs. 3 & 5: w/ Rhy. Figs. 5 & 5A
Bm
You ran a way,
A'2
- ran a way.
G
- It was right
E5
on cue.
Bm A'2 G E5
Can I go
A5
14 74 5
4 24
5 35
5 24
5
7 14 74 5
4 24
5 35
5
0 0 0 0
7
14 74 5
4 24
5 35
5 24
5
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7
D.S. al Coda 1
1 Coda
on,
Gtr. 5: w/ Rhy. Fig. 6
B5
and on,
A5
and on,
Gtr. 6 tacet
B5
and on,
A5
and on,
B5
and on
A5
a gain?-
B5 A5
Gtr. 3
Harm. Harm. Harm. Harm. Harm. Harm.
Pitch: E E E
Gtr. 6
die.
Bm
A G5
E5
*Gtrs. 3,
5 & 7
Rhy. Fig. 9 End Rhy. Fig. 9
Bridge
G5
This was no or
Gtr. 4 tacet
A
di- nar- y- life.
Bm
(This was no or
A
di- nar- y life.
Gtr. 2
Gtr. 4
*Gtr. 7 (acous.), played mf.
799
7 7 799
577
5 5 577
799
7 7 799
577
5 5 577
799
7 7 799
577
5 5
7 16 16 16 16 16 16
17
7
11 9 9 7 7 6 6 7 7 6 6 4 4 2 2 4
3 2
5 2 3 52
43
25 3
4 0 22 3 5
4
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8
D.S.S. al Coda 2
2 Coda
Gtrs. 3, 5 & 7: w/ Rhy. Fig. 9 (2 times)
G5
This was no or
A
di- nar- y- life.
Bm
This was no or
A
di- nar- y- life.)
Gtr. 2
Riff C End Riff C
I’m
Gtr. 2: w/ Riff C
G5
here from
A
now on.
Bm
But once
A
I’m gone,
Gtr. 7
G5
I’m gone.
E
Gtr. 4
Gtrs.
3 & 5
die.
Bm
A G5
Dear
E5
Rose -
Gtr. 4
0
3 25 2 3 5
2
43
25 3
4 0 22 3 5
0
3 25
43
43 5
4
3X0033
3X0033
3X0033
3X0033
3X0033
3X0033
3X0033
0000
022100
799
799
799
799
799
799
15
11 9 9 7 7 6 6 7 7 6 6 4 4 2 2 4
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9
Gtrs. 3 & 5: w/ Rhy. Fig. 1 (4 times)
Bm
mar- y,-
(Dear
A'Ê
Rose
G
mar- y,-
you’re
Em7
part
Bm
of me.
you’re
A'Ê
part
G
of me.
Dear
Em7
Rose -
Gtr. 6
Gtr. 4
Bm
mar- y,-
Dear
A'Ê
Rose
G
mar- y,-
please
Em7
par
Bm
don- me.
please
A'Ê
par
G
don- me.)
Em7
11 9 9 7 7 6 6 7 7 6 6 4 4 2 2 11 9 9 7 7 6 6 7
11 9 9 7 7 6 6 7 7 6 6 4 4 2 2 11 9 9 7 7 6 6 7 7 6 6 4 4 2 2
7 6 6 4 4 2 2 11 9 9 7 7 6 6 7 7 6 6 4 4 2 2 11 9 9 7 7 6 6 7
11 9 9 7 7 6 6 7 7 6 6 4 4 2 2 11 9 9 7 7 6 6 7 7 6 6 4 4 2 2 4
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10
*B5
A5 G5 E5
Dear Rose
B5
mar- y.-
A5 G5
B5
Gtr. 3
P.H.fdbk.
Pitch: F# A
Gtr. 6
grad. bend
1
2
Gtr. 4
grad. bend
1
2
Gtr. 5
grad. bend
*Chord symbols implied by bass.
1
2
Outro
Gtrs. 3 - 6 tacet
B5
You got a way,
A5
- got a way,
G5
- got a way
E5
- from me.
B5 A5 G5
E5 B5
Now get a way,
A5
- get a way,
G5
- get a way
E5
- from
µ
me.
Gtr. 4
Harm. let ring
Pitch: B
**
**Harmonic loacted one-third the distance between the 3rd & 4th frets.
3.3
D
2 2022
022
022
022
7 7 9 7 7
0 0 0 0
4 6 4 4
0 0 0 0
2 2022
022
022
022
5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
11
Intro
Moderately fast q = 169
Words and Music by David Grohl, Taylor Hawkins, Christopher Shiflett, Nate Mendel and Pat Smear
White Limo
Copyright © 2011 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC,I LOVE THE PUNK ROCK MUSIC, FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC
All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC.All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP.
All Rights for FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC Administered by BUG MUSICAll Rights Reserved Used by Permission
from Foo Fighters - Wasting Light
Gtr. 1 (dist.)
*
mf
B'b9
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
A5 B5 C5 B5 A5 C5
Gtrs. 2 & 3 (dist.)
f
*Chord symbols reflect implied harmony.
B'b9
A5 B5 C5 B5 A5
Uh!
F5/C
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
(Gtr. 2, cont. on higher staff)
7 7
8
7
10
7 7
8
7
10
799
77 7
7
7 7 7 7
8
7
10
7 7
8
00
57
79
79
810
79
57
810
57
79
79
810
79
57
810
810
7
8
7
10
7 7
8
7
10
799
77 7
7
7 7 7 7
8
7
10
7 7
8
00
57
79
79
810
79
57
88
10
810
57
79
79
810
79
57
88
10
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
1
B'b9
A5 B5 C5 B5 A5 C5
Gtrs. 1 & 2
Rhy. Fig. 1
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
Gtr. 3
Rhy. Fig. 1A
P.M.
B'b9
P.M. P.M. P.M. P.M. P.M. P.M. P.M.
A5 B5 C5 B5 A5End Rhy. Fig. 1
F5/C
End Rhy. Fig. 1A
VerseGtrs. 1 & 2: w/ Rhy. Fig. 1 (1 1/2 times)
Gtr. 3: w/ Rhy. Fig. 1A (1 1/2 times)
I’ll1.
B'b9
take it out ta- the wish in’- well. I’m think in’- I have a plan.
A5 B5 C5 B5 A5 C5
B'b9
Go with your bad self.
Why did you cheat your self?-
A5 B5 C5 B5 A5 F5/C
You
B'b9
think you’re los in’,- it’s time to stop ac cus- in’.- You’re nev er- gon na- take a hit on the head.
A5 B5 C5 B5 A5 C5
88
10
7
8
7
10
7 7
8
7
10
799
77 7
7
7 7 7 7
8
7
10
7 7
8
00
57
79
79
810
79
57
810
88
10
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 00
57
79
79
810
79
57
81010
810
7
8
7
10
7 7
8
7
10
799
77 7
7
7 7 7 7
8
7
10
7 7
8
00
57
79
79
810
79
57
88
10
81010
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 00
57
79
79
810
79
57
88
10
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
2
B'b9
Now if you don’t care, take a ride some where.-
A5 B5 C5 B5 A5
Hey!
B5
Gtrs. 1 & 2
P.M. P.M. P.M. P.M. P.M.
Rhy. Fig. 2
P.M. P.M. P.M.
End Rhy. Fig. 2
Gtr. 3 Rhy. Fig. 2A End Rhy. Fig. 2A
Chorus
You got some
D5/A
thin’,- you wan na- try
Bb5
and buy us in.
G5
Hey!
B5
Rhy. Fig. 3 End Rhy. Fig. 3
Gtrs. 1 & 2: w/ Rhy. Fig. 3
You got some
D5/A
thin’,- it’s go in’- ’round
Bb5
and ’rounda
and gain.
’round
G5
-
a gain.-
B
Gtr. 3
810
7
8
7
10
7 7
8
7
10
799
77 7
7
7 7 7 7
8
7
10
7 7
8
00
57
79
79
810
79
57
799
81010
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 00
57
79
79
810
79
57
799
799
799
799
799
799
799
00
5577
5577
5577
5577
5577
00
688
688
688
688
688
0 355
355
355
355
355
0 799
799
799
799
799
799
799
00
5577
5577
5577
5577
5577
00
688
688
688
688
688
688
00
3X0033
3X0033
3X0033
3X0033
3X0033
00 2
44
244
244
244
244
244
244
00
0023
0023
0023
0023
0023
00
133
133
133
133
133
133
00
3X0033
3X0033
3X0033
3X0033
15 00 2
44
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
3
CTo oda
Go!
D
Go!
Bb
You
You said
nev
that
er-
I’ve
have
been
been
a
a
way
way
G
-
-
so
so
long.
long.
B
Gtrs. 1 & 2
Rhy. Fig. 4
Gtr. 3
Rhy. Fig. 4A
Go!
D
Go!
A
And the ride was shared.
Em A5 B5 C5 B5 A5
Go
C5
End Rhy. Fig. 4
End Rhy. Fig. 4A
799
799
89
00
101212
101212
1112
00
688
688
78
0 355
355
45
0799
244
244
0023
0023
133
133
3X003
3X003
244
799
799
89
00
101212
101212
1112
00
577
577
67
0 022X00
57
79
79
810
79
57
810
244
244
0023
0023
02220
02220
022000
57
79
79
810
79
57
81010
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
4
Interlude
B'b9
lim o.-
A5 B5 C5 B5 A5
Go
F5/C
Rhy. Fig. 5
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
Rhy. Fig. 5A
B'b9
lim o.-
A5 B5 C5 B5 A5 C5
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
End Rhy. Fig. 5
End Rhy. Fig. 5A
Verse
Gtrs. 1 & 2: w/ Rhy. Fig. 5 (1 3/4 times)Gtr. 3: w/ Rhy. Fig. 5A (1 3/4 times)
I2.
B'b9
guess you’re stuck in the Hab i- trail.- You’ve grown to lov in’- this shit.
A5 B5 C5 B5 A5 F5/C
810
7
8
7
10
7 7
8
7
10
799
77 7
7
7 7 7 7
8
7
10
7 7
8
00
57
79
79
810
79
57
88
10
81010
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 00
57
79
79
810
79
57
88
10
88
10
7
8
7
10
7 7
8
7
10
799
77 7
7
7 7 7 7
8
7
10
7 7
8
00
57
79
79
810
79
57
810
88
10
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 00
57
79
79
810
79
57
81010
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
5
D.S. al Coda
Coda
B'b9
Way out on a back shelf,
you nev er- meant what you planned.
A5 B5 C5 B5 A5 C5
Look
B'b9
what you’re do in’,- now ma ma- said it’s ru ined.- You got a mol lusk- in the palm of your hand.
A5 B5 C5 B5 A5 F5/C
B'b9
So
it’s a bad smell.
Gtrs. 1 & 2: w/ Rhy. Fig. 2
Gtr. 3: w/ Rhy. Fig. 2A
Your ass won’t win.
A5 B5 C5 B5 A5
Hey!
B5
And the ride was shared.
E B
Gtr. 2
Gtr. 1
Gtr. 3
Gtrs. 1 & 2: w/ Rhy. Fig. 4
Gtr. 3: w/ Rhy. Fig. 4A
Go!
D
Go!
Bb
What ev- er- hap pened- to Day
G
Glo- clothes?
B
Go!
D
Go!
A
And the ride was shared.
Em A5 B5 C5 B5 A5
Go
C5
577
577
67
0 799
799
99
00
799
577
577
67
002
02
12
00
799
02220
02220
022
022
244
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
6
Interlude
Gtrs. 1 & 2: w/ Rhy. Fig. 5 (1st 4 meas.)Gtr. 3: w/ Rhy. Fig. 5A (1st 4 meas.)
B'b9
lim o.-
A5 B5 C5 B5 A5
Go
F5/C
B'b9
lim o.-
A5 B5 C5 B5
Yeah!
A5
Gtrs. 1 & 2
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
Gtr. 3
Guitar Solo
A5 E5/B
All
B
right!
A
*Gtr. 4 (dist.)
f
*Dave Grohl
1 1 1 1
**Gtrs. 1, 2 & 3
Rhy. Fig. 6 End Rhy. Fig. 6
**Composite arrangement
88
10
7
8
7
10
7 7
8
7
10
799
77 7
7
7 7 7 7
8
7
10
7 7
8
00
57
79
79
810
79
0 577
88
10
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 00
57
79
79
810
79
0 577
000
077
977
77
977
77
977
77
97 7
7
1212
577
577
577
577
577 0
0
7799
7799
7799
7799
7799 0
2444
2444
2445
2445
2444
2444
2445
2444
2445
2444
2444
0222
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7
*Gtr. 5 (dist.)
Gtrs. 1, 2 & 3: w/ Rhy. Fig. 6 (2 times)Gtr. 4 tacet
E5/B
f
B A
*Dave Grohl
1 1 1/2 1/2 11 1
Gtr. 4
Gtr. 5 tacet
E5/B B
1
grad. bend
A
5
1 1/22
2 1/2
2
2 1/2
1/21
Gtr. 5
Gtr. 4 tacet
E5/B B A5 B5 C5 B5 A5 C5
Gtrs. 1, 2 & 3
00
00 9
797
11 119 9
1310
1310
1412
1412
00
0000
000 9
9 9 9 9 9 9 9 9 9 9 9 9 9
00
00
77
77
77
77
77
77
77
77
00
57
79
79
810
79
57
810
577
577
577
577
577 0
0
7799
7799
7799
7799
7799 0
2444
2444
2444
2444
2444
2444
2444
2444
57
79
79
810
79
57
810
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
8
Gtr. 5
Interlude
B'b9Gtr. 5 tacet
A5 B5 C5 B5 A5 F5/C
Gtr. 1
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
Gtrs. 2 & 3
(Gtr. 2, cont. on upper staff)
B'b9
µ
Whoa!
C5
Gtrs. 1 & 2
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
Gtr. 3
810
810
7
8
7
10
7 7
8
7
10
7 799
77 7
7
7 7 7 7
8
7
10
7 7
8
00
57
79
79
810
79
57
88
10
810
57
79
79
810
79
57
88
10
88
10
7
8
7
10
7 7
8
7
10
7 799
77 7
7
7 7 7 7
8
7
10
7 7
8
81010
88
10
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 81010
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9
OutroGtr. 2: w/ Rhy. Fig. 5 (1st 7 meas.)
B'b9 A5 B5 C5 B5 A5 F5/C
Gtrs. 1 & 3
B'b9
(Gtr. 3, cont. on lower staff)
Gtrs. 1 & 2
B7(no3rd) A
1/2 1/2 1/2 1/2
Gtr. 3
1/2 1/2 1/2 1/2
Gtrs. 1 & 2
Gtr. 3 tacet
w/ bar
G#5 A5 µ
-1/2
81010
79
79
79
79
79
79
79
79
79
79
79
79
79
79
79
79
79
79
79
79
79
79
79
00
57
79
79
810
79
57
88
10
88
10
79
79
79
79
79
79
79
79
79
79
79
79
79
79
79
79
79
79
79
79
79
79
79
00 0 2 2 2 2 0 2
X2
0 2 2 2 2 0 0X2
0 2 2 2 2 0 0X2
00
0 2 2 2 2 022
00 0 2 2 2 2 0 2
X2
0 2 2 2 2 0 0X2
0 2 2 2 2 0 0X2
0 2 2 2 2 0222
022
022
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
10
Intro
Moderately q = 116
Words and Music by David Grohl, Taylor Hawkins, Christopher Shiflett, Nate Mendel and Pat Smear
Arlandria
Copyright © 2011 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC,I LOVE THE PUNK ROCK MUSIC, FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC
All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC.All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP.
All Rights for FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC Administered by BUG MUSICAll Rights Reserved Used by Permission
from Foo Fighters - Wasting Light
Gtr. 2 (dist.)
**
mf
C#m
1/4
Gtr. 1 (dist.)
f
1/4
*Gtr. 3 (dist.)
f
*Doubled throughout
**Chord symbols reflect implied harmony.
119
911
9
119
911 9
11 119
911
9
9 1211 9 11
9 1211 9
12 9 9 1211 9 11
9 9
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
1
Gtr. 3 tacet
Ain’t1. that the way
it al ways-
Gtr. 2
1
Gtr. 1
1
starts?
Verse
Gtrs. 1 & 2 tacet
C#m7 Asus2 E5
A sim ple
F#
- round of con ver- -
Gtr. 4 (dist.)
Rhy. Fig. 1
mpP.M.
sa
C#m7
tion-
Asus2 E5
be came- a
F#
shame ful- e qua- -
End Rhy. Fig. 1
P.M.
119
911
99 9
9 1211 9 11
12 12
4X4
4X4
4X4
0X4
0X4
0X4
0X4
0X4
0XX4
0XX4
0XX4
2XX3
2XX3
2XX3
2XX3
00
4X4
4X4
4X4
0X4
0X4
0X4
0X4
0X4
0XX4
0XX4
0XX4
2XX3
2XX3
2XX3
2XX3
00
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
2
tion.
Gtr. 4: w/ Rhy. Fig. 1 (2 1/2 times)
C#m7 Asus2 E5
I flipped to
F#
sta tion- to sta tion.
C#m7
-
Asus2 E5
F#
Hey,
C#m7 Asus2 E5
don’t go and
F#5
turn the oth er- way.
Gtr. 1
Rhy. Fig. 2
mp
End Rhy. Fig. 2
P.M.
Gtr. 1: w/ Rhy. Fig. 2 (2 times)
C#m7 Asus2 E5
Don’t say there’s
F#5
noth in’- more to
C#m7
say.
Asus2 E5
Come on,
F#5
hear me out.
Hush,
C#m7
hush,
Asus2
set tle- down. But
E5
ton- up, don’t
F#
make a sound.
Gtr. 2
Riff A
let ring
1 1 1 1
Gtr. 4
Gtr. 1
424
424
424
024
024
024
024
024
0224
0224
0224
24
24
24
24
24
119
119
119
119
4X4
4X4
4X4
0X4
0X4
0X4
0X4
0X4
0XX4
0XX4
0XX4
2XX3
2XX3
2XX3
2XX3
00
424
424
424
024
024
024
024
024
0224
0224
0224
244
244
244
244
04
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
3
Shame,
C#m7
shame,
Asus2
go a way.- Come
E5
a gain- some
F#
oth er- day.
Gtr. 2
End Riff A
let ring 1 1 1 1
Gtr. 4
mf
Gtr. 1
*Gtr. 5 (dist.)
f
*Doubled throughout
Gtrs. 1, 2 & 4 tacet
Pre-Chorus
C#5
You used to say I could n’t- save
A5
you e nough,- so I’ve been sav
E5
in’- it up, I start ed- sav
B5
in’- it up.
F#5
Gtr. 5
Rhy. Fig. 3
119
119
119
119
4X4
4X4
4X4
0X4
0X4
0X4
0X4
0X4
0XX4
0XX4
0XX4
2XX3
2XX3
2XX3
2XX3
00
424
424
424
024
024
024
024
024
0224
0224
0224
244
244
244
244
04
16
466
466
466
466
466
466
466
00
02255
02255
02255
02255
02255
02255
02255
0000
022
022
022
022
022
022
022
00 2
44
244
244
244
00
244
244
244
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
4
C#5
And when you said I could n’t- give
A5
you e nough,- I start ed- giv
E5
in’- you up, I start ed- giv
B5
in’- you up.
C5
Gtr. 6 (dist.)
mf
Gtr. 5 End Rhy. Fig. 3
Gtr. 7 (dist.)
mf
Chorus
C#m7
You are not me,
F#7'4
Ar lan- dri- a,-
Rhy. Fig. 4A
Rhy. Fig. 4
Rhy. Fig. 4B
16000
4466
4466
4466
4466
4466
4466
4466
00 0
225
0225
0225
0225
0225
0225
0225
000
022
022
022
022
022
022
022
00 2
44
244
244
044
355
355
355
0
16
4665
4 6 46 4
244
466
466
466
46
06
0
466
466
00
244
244
244
244300
244
00
4 2 4 24 2
424
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
5
CTo oda
A'9
Ar lan- dri- a.-
B5 C
End Rhy. Fig. 4A
1 1
End Rhy. Fig. 4
End Rhy. Fig. 4B
You
Gtrs. 5, 6 & 7: w/ Rhy. Figs. 4, 4A & 4B
C#m7
and what ar my?-
F#7'4
Ar lan- dri- a,-
A'9
Ar lan- dri- a.
-
B5
Oh, God, you got
C
ta- make it
577
5776 9 9
7 797
9 10 108 8
108
0
5776
5776
577
06
0
577
06
0
577
577
06
0
00 2
44
244
244
00 3
555
3555
3555
00
57
2244
2244
2244
00
3355
3355
3355
00
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
6
stop.
Interlude
C#m7 Asus2
Gtr. 7 tacet
E5
F#7'4 C#m7
Asus2 E5
F#7'4
Gtr. 5
Gtrs. 1 & 4
P.M. P.M. P.M. P.M.
Gtr. 7
Chase
Verse
2.
Gtrs. 1 & 5 tacetGtr. 4: w/ Rhy. Fig. 1 (1 1/2 times)
C#m7 Asus2 E5
all of those
F#
mem o- ries- a -
Gtr. 8 (clean)
mplet ring throughout
Riff B End Riff B
way.
Gtr. 8: w/ Riff B (2 times)
C#m7 Asus2 E5
Save them all
F#
for an oth- er-
C#m7
day.
Asus2 E5
Don’t you re
F#
mem- ber- it was
400
400
400
400
400
400
400
400
400
400
400
300
300
300
300
300
400
400
400
400
400
400
400
400
400
400
400
300
300
300
300
300
4 0 4 00 0 0 2
4 0 4 00 0 4 2
466
64
0
44
00
0
24
0
43
00
0
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
7
rain
C#m7 Asus2
that drowned
E5 F#
you?
µ
Gtr. 8
Gtr. 4
P.M.
Wait!
Gtrs. 4 & 8 tacet
C#m7 Asus2 E5
I wan na
F#
- see if you can
Gtr. 5
Riff D1 End Riff D1
Gtr. 3
Riff D
End Riff D
Gtr. 3: w/ Riff D (2 times)
Gtr. 5: w/ Riff D1 (3 times)
C#m7
change.
Asus2 E5
I wan na
F#
- keep all I can
C#m7
take.
Asus2 E5
I feel much
F#
bet ter- now.
64
0
44
00
0
24
0
4
4X4
4X4
4X4
0X4
0X4
0X4
0X4
0X4
0XX4
0XX4
0XX4
2XX3
4
4
4 0
4
0
4
00
4
0 2
3
2
3
2
9
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
8
D.S. al Coda
Coda
Use
C#m7
me up,
Asus2
spit me out. Let
E5
me be your
F#
hand me down.
Gtr. 2
let ring
1 1 1 1
Fame,
C#m7
fame,
Asus2
go a way.-
Come
E5
a gain- some
F#
oth er- day.
Gtr. 2
let ring 1 1 1 1
Gtr. 5
stop.
Bridge
*
Gtr. 5: w/ Rhy. Fig. 3
C#m
My sweet
Gtr. 6 tacet
A
Vir gin- ia,-
E
I’m the same
Gtr. 6
1
Gtr. 7
*Chord symbols reflect combined harmony, next 7 meas.
129
129
129
129
129
129
129
12
9
4
4
4 0
4
0
4
00
4
0 2
3
24
119
119
5 5 5 46 4 4 2 1
00
5 5 7
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
9
B
as I was in
F#
your arms.
C#
My sweet
A
Vir gin- ia,-
Gtr. 7
let ring
E
I’m the same
B5
as I was
C5
in your heart.
1 1 1 1 1 1 1
Interlude
Gtr. 4: w/ Rhy. Fig. 1
C#m7 Asus2
Gtr. 7 tacet
E5
F# C#m7
Asus2 E5
F#
Gtr. 7
Shame,
VerseGtr. 4: w/ Rhy. Fig. 1 (3 times)
3.
C#m7
shame,
Asus2
go a way.- Come
E5
a gain- some
F#
oth er- day.
Mem
C#m7
o- ries- keep
Asus2
haunt ing- me. Help
E5
me chase them
F#
all a way.-
7 4 4 46 4 6 6 4
6
00
5 5 46 4
4 2 100
5 597
9 97
107 8
10 108
118 9
119
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
10
Hush
C#m7
now,
Asus2
set tle- down.
But
E5
ton- up, don’t
F#
make a sound.
Gtr. 7
**w/ delay*
**Set for quarter-note regeneration w/ multiple repeats (hold for next 12 meas.).
*Pluck strings behind nut.
Close
C#m7
your eyes,
Asus2
turn a round.-
Help
E5
me burn this
F#
to the ground.
Come
Gtr. 2: w/ Riff A
C#m7
now,
Asus2
take the blame.
That’s
E5
o kay,- I’ll
F#
play the game. I
C#m7
don’t care, it’s
Asus2
all the same.
Watch
E5
it all go
F#
up in flames.
Use
C#m7
me up,
Asus2
spit me out. Let
E5
me be your
F#
hand me down.
Gtr. 2
let ring
1 1 1 1
Gtr. 4
XXXXXX
129
129
129
129
4X4
4X4
4X4
0X4
0X4
0X4
0X4
0X4
0XX4
0XX4
0XX4
2XX3
2XX3
2XX3
2XX3
00
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11
Fame,
C#m7
fame,
Asus2
go a way.-
Come
E5
a gain- some
F#
oth er- day.
µ
let ring
1 1 1 1
mf
Pre-Chorus
Gtrs. 2 & 4 tacetGtr. 5: w/ Rhy. Fig. 3
C#5
You used to say I could n’t- save
A5
you e nough,- so I’ve been sav
E5
in’- it up, I start ed-
Gtr. 7
Gtr. 6
129
129
129
129
4X4
4X4
4X4
0X4
0X4
0X4
0X4
0X4
0XX4
0XX4
0XX4
2XX3
2XX3
2XX3
2XX3
9 9 9 9 7 7 7 7 5 5 5 4 5 4 5 44 4
4 5 4
5 5 5 5 4 4 4 46 6 6 4 6 4 6 4
64 4 6 4
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12
sav
B5
in’- it up.
F#5 C#5
And when you said I could n’t- give
A5
you e nough,- I start ed-
giv
E5
in’- you up, I start ed- giv
B5
in’- you up.
C5
1
5 4 0 0 9 9 9 9 7 7 7 7 5 5 5 4 5 4
6 46 6
5 5 5 5 4 4 4 46 6 6 4 6 4
5 44 4
4 5 4 5 4 015 15 15 1513 13 13 13
6 46
4 4 6 4 6 4 4 5 5 5 5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
13
Outro-Chorus
Gtr. 5: w/ Rhy. Fig. 4 (4 times)
C#m7
You are not me,
F#7'4
Ar lan- dri- a,-
A'9
Ar lan- dri- a.-
B5 C
Riff E1 End Riff E1
1
Riff E End Riff E
You
Gtrs. 6 & 7: w/ Riffs E & E1
C#m7
and what ar my?-
F#7'4
Ar lan- dri- a,-
A'9
Ar lan- dri- a.
-
B5
Oh, God, you got
C
ta- make it
stop.
C#m7
My sweet
F#7'4
Vir gin- ia.-
A'9 B5
Oh, God, you got
C
ta- make it stop!
µ
Gtr. 7
Gtr. 1
9 9 9 7 7 7 7 5 5 5 4 5 4 5 44 4
4 5 4 5 4 015 15 15 1513 13 13 13
65 5 5 4 4 4 4
6 6 6 4 6 4 6 46
4 4 6 4 6 46
4
355
355
355
0
119
911
9
119
911 9
11 119
911 9
11
12 12 12 12 13 13 13 13
9 1211 9 11
9 1211 9
12 9 9 1211 9
12 9 799
799
799
799
81010
81010
81010
81010
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14
Intro
Moderately q = 133
Words and Music by David Grohl, Taylor Hawkins, Christopher Shiflett, Nate Mendel and Pat Smear
These Days
Copyright © 2011 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC,I LOVE THE PUNK ROCK MUSIC, FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC
All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC.All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP.
All Rights for FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC Administered by BUG MUSICAll Rights Reserved Used by Permission
from Foo Fighters - Wasting Light
Gtr. 1 (elec.)
*
mpw/ clean tone
w/ fingers
let ring throughout
A Dsus2
111
A
13
D5/A
A Dsus2
*Chord symbols reflect implied harmony.
One
Verse
1.
A
of these days,
Dsus2
the ground
A
will drop
Dsus2
out from
Riff A End Riff A
Gtr. 1: w/ Riff A (8 times)
A
be neath-
Dsus2
your feet.
A Dsus2
One
A
of these days,
Dsus2
your heart
A
will stop
Dsus2
and play
A
its fi
Dsus2
nal- beat.
A
Dsus2
012
110
12
11
1212
12
0
1212
12
0
120
12
11
120
12
11
1212
12
0
1212
12
0
12
012
11
120
12
11
1212
12
0
1212
12
0
120
12
11
120
12
11
1212
12
0
1212
12
0
12
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
1
Gtr. 2 (elec.)
mfw/ clean tone & chorus
A
let ring
Dsus2
A
let ring
Dsus2
One
A
of these days,
*Dsus2/A
the clocks
A
will stop
Dsus2/A
and time
Riff B
let ring throughout
End Riff B
*Bass plays A.
Gtr. 2: w/ Riff B (2 times)
A
won’t mean
Dsus2/A
a thing.
A Dsus2/A
One
A
of these days,
Dsus2/A
their bombs
A
will drop
Dsus2/A
and si -
-
A
lence ev
Dsus2/A
’ry- thing.
-
A
Dsus2/A
Gtr. 2
Riff C End Riff C
Pre-Chorus
C
But it’s all
G
right.
D'4
Yeah, it’s all
A'4
right.
*Gtrs. 1 & 2
Riff D
*Composite arrangement
120
110
120
110
120
110
120
110
120
110
120
110
1212
012
1212
012
120
110
120
110
1212
012
1212
012
120
110
120
110
1212
012
1212
012
120
110
120
110
1212
012
1212
00
32
3
02
33
23
02
35
45
04
55
45
04
5
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2
C
Said it’s all
G5
right.
µ
Eas y- for you
End Riff D
Gtrs. 1 & 2 tacet
Chorus
µ
to say.
A
Asus2
Your heart has nev er- been bro ken,
Em7
- your pride has nev er- been stol -
Gtr. 3 (elec.)
Rhy. Fig. 1
fw/ dist.
Gtr. 4 (elec.)
Rhy. Fig. 1A
fw/ dist.
*Gtrs. 5 & 6
Rhy. Fig. 1B
flet ring throughout
*Gtr. 5 (elec.) w/ dist.; Gtr. 6 (acous.).
Composite arrangement
32
3
02
30
3 3
003
3X0033
3X0033
3X0033
3X0033
3X0033
3X0033
3X0033
011
011
011
09
07
07
07
07
07
07
00
0 010
00
12
0
010
00
12
0
010
00
12
0
010
00
12
0
010
00
12
0
010
00
12
0
010
00
12
0
010
00
12
0
010
00
12
0
010
00
12
0
00
011
011
011
09
07
07
07
07
07
07
00
0 079
07
0
079
07
0
079
07
0
079
07
0
079
07
0
079
07
0
079
07
0
079
07
0
079
07
0
079
07
0
00
0222
0222
0222
0222
02200
02200
02200
02200
02200
02200
02200
0 022030
022030
022030
022030
022030
022030
022030
022030
022030
022030
000
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
3
C'9
en.- Not
yet, not yet.
D
One of these
End Rhy. Fig. 1
End Rhy. Fig. 1A
End Rhy. Fig. 1B
Gtrs. 3 & 4: w/ Rhy. Figs. 1 & 1A
Gtrs. 5 & 6: w/ Rhy. Fig. 1B
µ
days,
A
Asus2
I’ll bet your heart ’ll- be bro ken.
Em7
-
I’ll bet your pride ’ll- be stol -
C'9
en.- I
bet,
I bet,
D
I bet, I bet.
One of these
81012
81012
81012
81012
81012
81012
81012
81012
81012
81012
81012 0
0
10
09
11
10
09
11
10
09
11
10
09
11
10
09
11
10
09
11
10
09
11
10
09
11
10
09
11
10
09
11
10
09
11
10
09
11
3203
3203
3203
3203
3203
3203
3203
3203
3203
3203
3203
00
554
554
554
554
554
554
554
554
554
554
554
554
32010
32010
32010
32010
32010
32010
32010
32010
32010
32010
32010
000
00232
00232
00232
00232
00030
00232
00232
00232
00232
00232
00232
00232
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
4
CTo oda
Gtr. 6
Rhy. Fig. 2C End Rhy. Fig. 2C
*A
days,
D5/A
one of these
A
days.
D5/A
Gtr. 3
Rhy. Fig. 2 End Rhy. Fig. 2
Gtr. 4
Rhy. Fig. 2A End Rhy. Fig. 2A
Gtr. 5
Rhy. Fig. 2B End Rhy. Fig. 2B
*See top of first page of song for chord diagrams pertaining to rhythm slashes.
One
Verse
2.
Gtr. 1: w/ Riff A (4 times)Gtr. 2: w/ Riff B (3 times)
Gtrs. 3 - 6 tacet
A
of these days,
Dsus2/A
your eyes
A
will close
Dsus2/A
and pain
A
will dis -
Dsus2/A
ap- pear.-
A Dsus2/A
One
A
of these days,
Dsus2/A
you will
A
for get-
Dsus2/A
to hope
Gtr. 2: w/ Riff C
A
and learn
Dsus2/A
to fear.
A
Dsus2/A
011
011
011
011
011
011
011
011
012
012
012
012
012
012
012
012
011
011
011
011
011
011
011
011
012
012
012
012
012
012
012
012
022
022
022
022
022
022
022
022
077
077
077
077
077
077
077
077
022
022
022
022
022
022
022
022
077
077
077
077
077
077
077
077
577
577
577
577
577
577
577
577
557
557
557
557
557
557
557
557
577
577
577
577
577
577
577
577
557
557
557
557
557
557
557
557
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
5
D.S. al Coda
Coda
Pre-Chorus
Gtrs. 1 & 2: w/ Riff D
C
But it’s all
G
right.
D'4
Yeah, it’s all
A'4
right.
*Gtrs. 3 & 4
mf
*Composite arrangement
C
Said it’s all
G5
right.
Eas
µ
y- for you
(cont. in notation)
A
days.
D5/A
3X033
3X033
3X033
3X033
3X033
3X0033
3X0033
3X0033
3X0033
3X0033
3X0033
3X0033
0023
0023
0023
0023
0023
0222
0222
0222
0222
0222
000
3X033
3X033
3X033
3X033
3X033
3X0033
3X0033
3X0033
3X0033
3X0033
3X0033
3X0033
3X0033
3X0033
3X0033
011
011
011
011
011
011
011
011
012
012
012
012
012
012
012
0000
022
022
022
022
022
022
022
022
077
077
077
077
077
077
077
00
577
577
577
577
577
577
577
577
557
557
557
557
557
557
557 0
00
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
6
Bridge
Csus2
But
it’s all
G5
right.
D5/A
Yeah, it’s all
A
right.
Asus2
*Gtrs. 3 - 6
Rhy. Fig. 3 End Rhy. Fig. 3
*Composite arrangement
Gtr. 2
Riff E End Riff E
Gtr. 2: w/ Riff E (2 times)
Gtrs. 3 - 6: w/ Rhy. Fig. 3 (2 times)
Csus2
Said
it’s all
G5
right.
D5/A
Yeah, it’s all
A
right.
Asus2
Csus2
Don’t
say it’s all
G5
right.
D5/A
Don’t say it’s all
A
right.
Asus2
Csus2
Don’t
say it’s all
G5
right.
Gtrs. 3 - 6
Gtr. 2
3X033
3X033
3X033
3X033
3X033
3X0033
3X0033
3X0033
3X0033
3X0033
3X0033
3X0033
0023
0023
0023
0023
0023
0222
0 02200
02200
02200
02200
02200
32
3
02
03
23
02
30 5
45
04
05
45
04
5
3X033
3X033
3X033
3X033
3X033
3X0033
3X0033
3X0033
3X0033
3X0033
3X0033
3X0033
3X0033
3X0033
3X0033
3X0033
3X0033
32
3
02
03
30
0
30
0
30
0
30
0
30
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
7
InterludeGtr. 1: w/ Riff A
Gtrs. 2 - 6 tacet
A
Dsus2
A
Dsus2
One
Verse
Gtr. 1: w/ Riff A
3.
A
of these days,
Dsus2
your heart
A
will stop
Dsus2
and play
A
its fi
Dsus2
nal- beat.
A Dsus2
Gtr. 1
C
But it’s all
G
right.
Eas y- for you
Chorus
Gtr. 1 tacet
Gtrs. 3 & 4: w/ Rhy. Figs. 1 & 1A (2 times)
Gtrs. 5 & 6: w/ Rhy. Fig. 1B (2 times)
µ
to say.
A Asus2
Your heart has nev er- been bro ken,
Em7
-
your pride has nev er- been
stol -
C'9
en.-
Not
yet,
not yet.
D
One of these
µ
days,
A
Asus2
I bet your heart ’ll- be bro ken.
Em7
- I’ll bet your pride ’ll- be stol -
012
11
120
12
11
1212
12
0
1212
12
0
120
12
11
120
12
11
1212
12
0
1212
12
0
32
3
02
30
320
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8
C'9
en.-
I’ll
bet,
I’ll
bet,
D
I’ll
bet,
I’ll bet.
One of these
Gtrs. 3 - 6: w/ Rhy. Figs. 2, 2A, 2B & 2C (2 times)
A
days,
D5/A
one of these
A
days.
D5/A
One of these
Gtr. 7 (elec.)
w/ dist.
f
Gtr. 6
A
days.
D5/A
A
D5/A
Gtr. 7
11 1 1
Gtr. 3
Gtr. 4
Gtr. 5
17
75
12 710 5
0 53
011
011
011
011
011
011
011
011
012
012
012
012
012
012
012
012
011
011
011
011
011
011
000
002
022
022
022
022
022
022
022
022
077
077
077
077
077
077
077
077
022
022
022
022
022
022
000
002
577
577
577
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Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
9
Intro
Moderately q = 138
Copyright © 2011 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC,I LOVE THE PUNK ROCK MUSIC, FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC
All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC.All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP.
All Rights for FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC Administered by BUG MUSICAll Rights Reserved Used by Permission
from Foo Fighters - Wasting Light
Back & ForthWords and Music by David Grohl, Taylor Hawkins, Christopher Shiflett, Nate Mendel and Pat Smear
Gtr. 1 (dist.)
**
mf
F5 F#5 B5 C5 G5 G#5 C#5
5fr
1342
A
A5
P.M.
*Gtrs. 2 & 3 (dist.)
mf
*Composite arrangement
**Chord symbols reflect overall harmony.
Gtr. 2 tacet
Once1.
A
Verse
up on- a time,
A,7
I was some
Gtr. 3 tacet
A6
bod- y- else.
A5
In
C5
Gtr. 1
P.M. P.M.
Gtr. 3
133
244
224
335
355
466
446
07
07
07
07
07
07
07
133
244
224
335
355
466
446
577
577
07
07
07
07
07
07
07
079
10
07
07
07
06
06
06
06
04
04
04
02
02
02
0 35
5776
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1
an oth- er- life,
C(#4)
I
C
sold my
C(#4)
self.- Way
G
back then,
Gsus4
back
Gtr. 1
P.M.
G
when I
G6
was new.
D Dsus4 D5
P.M.
Gtr. 3
Some
*A
where- down the line I start
Gtr. 3 tacet
A6
ed- to slip.
A5
Years
C5
gone by,
C(#4)
bit
C
ing- my
C(#4)
lip. All
G
Gtrs. 1 & 2
Rhy. Fig. 1
P.M.
*See top of first page of song for chord diagrams pertaining to rhythm slash.
the while,
Gsus4
all
G5
this time
G6
I knew.
D Dsus4 D5 µ F5 F#5 B5 C5 G5 G#5
Now2.
C#5
P.M.
Gtrs. 1, 2 & 3End Rhy. Fig. 1
35
35
35
35
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34
00 3
232
32
34
34
34
34
32
32
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32
330
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00
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00 5
454
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057
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0
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2
Verse
A5
you’re on your own,
A,7
worn
Gtr. 3 tacet
A6
through the pag
A5
es.- O
C5
ver- the hill
C(#4)
and through
C
the ag
C(#4)
es.- Does
G
*Gtrs. 1 & 2
Rhy. Fig. 2
P.M. P.M.
End Rhy. Fig. 2
*Composite arrangement
Gtr. 3
Rhy. Fill 1 End Rhy. Fill 1
my heav
Gsus4
en- burn
G5
like hell
G6
on you?
D Dsus4 D5
Gtr. 3: w/ Rhy. Fig. 1 (last meas.)
µ F5 F#5 B5 C5 G5 G#5
Half
C#5
Gtrs. 1 & 2
P.M. P.M.
Gtrs. 1 & 2: w/ Rhy. Fig. 2Gtr. 3: w/ Rhy. Fill 1
A5
be neath- the cracks,
A,7
they’re com
A6
ing- in waves.
A5 Roll
C5
ing- like an earth
C(#4)
quake- un
C
der- the pave
C(#4)
ment.- Where
G
07
07
07
06
06
06
06
04
04
04
02
02
02
02
35
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000
32
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079
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00
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3
they now?
Gsus4
Tell
G5
me if it’s
G6
still true.
D Dsus4 D5
You got a lot of nerve,
A5
Gtrs. 1 & 2
P.M. P.M.
Gtr. 3
Pre-Chorus
A5 Ab5 G5 Ab5 A5
oh.
Ab5
G5
*Gtrs. 1, 2 & 3
Riff A End Riff A
*Composite arrangement
Ab5
F5
Now show a lit tle- back
G5
bone,- why don’t you?
Gtr. 3 Rhy. Fill 2A End Rhy. Fill 2A
Gtrs. 1 & 2 Rhy. Fill 2 End Rhy. Fill 2
32
32
32
32
330
330
330
00
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00 5
454
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00 5
757
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5
14 5
5
000
4 4
000
3 3
000
4 4
000
5 5
000
4 4
000
3
3
000
4 4 13
000
000
81010
81010
81010
81010
81010
810108
81010
81010
101212
101212
101212
101212
101212
101212
101212
101212
3
000
4 4
000
00
133
133
133
133
133
133
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355
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4
Chorus
C5
I’m look ing- for some back
F5
and forth with you.
C5
Are you feel ing- the same
*Gtr. 4 (dist.)
mf
Rhy. Fig. 3A
*Two gtrs. arr. for one.
Gtrs. 1, 2 & 3
Rhy. Fig. 3
F5
as I do now
D7
and
now
F7
and
then?
A5 5 A 5 A 5 A 5 A
End Rhy. Fig. 3A
1/4 1/2
End Rhy. Fig. 3
Gtrs. 1, 2 & 3: w/ Rhy. Fig. 3
Gtr. 4: w/ Rhy. Fig. 3A
C5
I’m look ing- for some back
F5
and forth with you.
C5
Are you feel ing- the same
F5
as I do
3X5
3X5
3X5
3X5
3X5
3X5
3X5
3X5
3X5
3X5
3X5
3X5
3X5
3X5
3X5
3X5
3X5
3X5
3X5
3X5
3X5
3X5
3X5
3X5
81010
81010
81010
81010
81010
81010
81010
81010
88
1010
88
1010
88
1010
88
1010
88
1010
88
1010
88
1010
88
1010
81010
81010
81010
81010
81010
81010
81010
81010
3X5
3X5
3X5
3X5
3X5
3X5
3X5
3X5
545
545
545
545
545
545
545
545
X8
10X8
10X8
10
8
X
10
8
X
10
8
X
10
8
X
10
8
X
10
88
1010
88
1010
88
1010
88
1010
88
1010
88
1010
88
1010
88
1010
109
10
109
10
109
10
109
10
109
10
109
10
109
10
109
10
131213
131213
131213
131213
131213
131213
131213
131213
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
5
CTo oda
down
D7
and
out?
F7
Gtrs. 1, 2 & 3: w/ Rhy. Fig. 1 (last meas.)
µ F5 F#5 B5 C5 G5 G#5
Roll3.
C#5
-
Verse
A5
ing- my path,
A,7
I’ve wait
A6
ed- and wait
A5
ed.- How
C5
could sim ple- life
C(#4)
get so
C
com pli- cat
C(#4)
- ed?- Shoes
G
Gtrs. 1 & 2
Rhy. Fig. 4
P.M. P.M.
End Rhy. Fig. 4
Gtr. 3
Rhy. Fig. 4A End Rhy. Fig. 4A
to fill,
Gsus4
se crets
G5
- to spill
G6
down you.
D Dsus4 D5 µ F5 F#5 B5 C5 G5 G#5
Deer
C#5
P.M. P.M.
07
07
07
06
06
06
06
04
04
04
02
02
02
02
35
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00 3
232
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00
32
07
35
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33
33
33 3 5
35
35
35
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37
00 5
454
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00 5
7
0 133
244
224
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355
466
446
32
32 5
454
54
133
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Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
6
D.S. al Coda
Coda
Gtrs. 1 & 2: w/ Rhy. Fig. 4Gtr. 3: w/ Rhy. Fig. 4A
A5
in the head
A,7
lights,- spoke
A6
in the wheel.
A5 You
C5
won’t pre
C(#4)
tend- I
C
mean for
C(#4)
real. I’m
G
tak ing- it back,
Gsus4
all
G5
my I
G6
O U’s.
D Dsus4 D5
You got a lot of nerve,
A5
Gtrs. 1 & 2
P.M. P.M.
Rhy. Fill 3 End Rhy. Fill 3
Gtr. 3
Gtr 5. (dist.)
µF5 F#5 B5 C5 G5
*fdbk.
f
G#5
15ma
C#5
**Gtrs. 5 & 6
loco
Riff B
Interlude
A5 A,7 A6 A5 C5
*Microphonic fdbk., not caused by string vibration.
Pitch: A
**Gtr. 6 (dist.), played f. Composite arrangement
1 1 1 11
Gtrs. 1, 2 & 3
Rhy. Fig. 5
32
32
32
32
33
33
33 3 5
35
35
35
37
37
37
00 5
454
54
54
54
55
55
00 5
757
57
57
57
57
00
20 5
32
32 5
47
547
547
5
X1210
12 12 1110 10
119 9
119
9 9 9 9 77 7 7 5
1008
133
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446
07
07
07
06
06
06
06
04
04
04
02
02
02
00 3
5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
7
C(#4) C C(#4) G
1 1 1 1 1
Gsus4 G5 G6
End Riff B
D
1 1 1 1 1
Dsus4 D5 µ F5 F#5 B5 C5 G5 G#5 C5
1 1 1 1 1 1 1
End Rhy. Fig. 5
108
108
10 10 98 8
97 7
97
9 7 7 7 95 5 5 7
9 97 7
14 1412
35
35
35
35
34
34
00 3
232
32
34
34
00
32
1412
1412
14 14 1512 12
15 15 15 1713 13 13 13
17 17 1915 15 15 17
1917
97
32
32
32
32
33
33
33
00
35
35
35
37
37
00 5
4
97
97
9 9 107 7
108 8
1210
8 96
9 107 7
10 11 118 8 9 9
54
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54
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55
00 5
7
133
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Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
8
Gtr. 6
Gtrs. 1, 2 & 3: w/ Rhy. Fig. 5Gtr. 5: w/ Riff B
A5 A,7 A6 A5 C5
1 1 11
C(#4) C C(#4) G
1 1 1 1 1 1
Gsus4 G5 G6 D
1 1 1 1
Dsus4 D5
Gtrs. 1, 2 & 3: w/ Rhy. Fill 3
You got a lot of nerve,
A5
Gtr. 6
1 1 1
Gtr. 5
1 1 1
Pre-Chorus
Gtrs. 1, 2 & 3: w/ Riff A (4 times)
Gtrs. 5 & 6 tacet
A5 Ab5 G5 Ab5
A5
oh.
Ab5 G5 Ab5
A5
1614
1614
1614
1412
1412
1412
14 1210
1210
1210
1210
1210 0
0
19 1917
1917
1917
1917
1917
1715
1715
1715
17 1513
1513
1513
1715
1715
1715
1715
1715
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1715
17 1917
1917 18
151815
1815
1815
181210
1210
1210
1210
1412
1412
1715
1715
1715
1715
1715
1715
97
97
97
97
108
108
1210
1210
1210
1210
1210
1210
1210
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
9
Nerve,
A Ab
G Ab
A
oh.
Ab
G Ab
Gtr. 4
Gtrs. 1 & 2: w/ Rhy. Fill 2
Gtr. 3: w/ Rhy. Fill 2AGtr. 4 tacet
F5
Now show a lit tle- back
G5
bone,- why don’t you?
Gtrs. 1, 2 & 3: w/ Rhy. Fig. 3 (3 times)
Gtr. 4: w/ Rhy. Fig. 3A (3 times)
Outro-Chorus
C5
I’m look ing- for some back
F5
and forth with you.
C5
Are you feel ing- the same
F5
as I do now
D7
and
now
F7
and
then?
C5
I’m look ing- for some
back
F5
and forth with you.
C5
Are you feel ing- the same
F5
as I do now
D7
and
now
F7
and
then?
C5
I’m look ing- for some back
Fsus2
and forth with you.
C5
Are you feel ing- the same
Gtr. 6
P.S.
Fsus2
as I do down
D7
and
out?
F7
Gtr. 6 tacet
µ
F5 F#5 B5 C5 G5 G#5 C#5
Gtrs. 1, 2 & 3
4X6
3X5
3X5
2X4
2X4
3X5
3X5
4X6
4X6
3X5
3X5
2X4
2X4
3X5
3X5
4X6
XXX 11
12
14
121315
121315
121315
121315
121315
121315
121315
121315
121313
121313
121313
121313
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121315
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121315
121315
121315
121315
121315
121315
121315
121315
121313
121313
121313
121313
121313
121315
121313
00
111010
111010
111010
111010
111010
111010
111010
111010
141313
141313
141313
141313
141313
141313
141313
141313
133
244
224
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355
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446
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
10
Intro
Moderately fast q = 172
Copyright © 2011 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC,I LOVE THE PUNK ROCK MUSIC, FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC
All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC.All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP.
All Rights for FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC Administered by BUG MUSICAll Rights Reserved Used by Permission
Words and Music by David Grohl, Taylor Hawkins, Christopher Shiflett, Nate Mendel and Pat Smear
A Matter of Timefrom Foo Fighters - Wasting Light
Gtr. 1 (dist.)
*fdbk.
mf
µ
**Gtrs. 1 & 2
Rhy. Fig. 1
E5
134
F#5
134
G5
11
E5
F#5 G5 F#5End Rhy. Fig. 1
E5
*Microphonic fdbk., not caused by string vibration.
Pitch: E
**Gtr. 2 (dist.), played mf.
Gtr. 3 (dist.)
F#5 G5
mf
F#5 E5 F#5 G5 F#5 E5
Gtrs. 1 & 2
X000
0799
0 0799
799
799
0 244
355
244
022
0799
0 0799
17 0799
0 0799
799
799
0 244
355
244
022
799
799
0 244
355
244
022
0799
0 0799
799
799
0 244
355
244
022
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
1
Gtrs. 1, 2 & 3
Rhy. Fig. 2
µEnd Rhy. Fig. 2
Verse
Gtrs. 2 & 3 tacet
E
Let’s1. change the sub ject- to some
G#5/D#
one- else. You know, late -
Gtr. 1
Rhy. Fig. 3
P.M.
Gtr. 2
Rhy. Fill 1 End Rhy. Fill 1
D5
- ly I’ve been sub ject- to change.
A/C#
*F#5 G5 F#5 E5
P.M.
*See top of first page of song for chord diagrams pertaining
to rhythm slashes.
Nor
Gtr. 2 tacet
C
mal- ly- I reel in the strange
E
hang o- -
P.M.
0799
0 0799
799
799
0
76
76
76
76
76
76
76
76
76
76
76
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76
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76
66
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47
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00
244
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244
0
32
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Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
2
*A'9
vers,- I’m old
Am%
er.-
Gtr. 3
Riff A1
w/ clean tone & amp tremolo
End Riff A1
let ring
Gtr. 2
Riff A End Riff A
let ring
Gtr. 1
P.M.
End Rhy. Fig. 3
*Chord symbols reflect overall harmony.
You’re
Verse
2.
Gtr. 1: w/ Rhy. Fig. 3
Gtr. 2: w/ Rhy. Fig. 3 (1st 8 meas.)Gtr. 3 tacet
E
one to talk. The heart
G#5/D#
is a clock just like a bomb
D5
that keeps on tick ing- a way,-
A/C#
F#5 G5 F#5 E5
count
C
ing- down to det o- nate.-
E
You will
Gtr. 2
Rhy. Fig. 4 End Rhy. Fig. 4
P.M.
011
90
00
911
010
110
00
1110
011
90
00
911
010
110
00
11
14
0119
0119
0119
0119
0119
0119
0119
0119
0119
0119
0119
0119
0119
0119
0119
0119
01011
01011
01011
01011
01011
01011
01011
01011
01011
01011
01011
01011
01011
01011
16
35
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35
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Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
3
Gtrs. 2 & 3: w/ Riffs A & A1
A'9
need
an ar
Am%
my-
to sum mon-
me.
E'9Pre-Chorus
Am('9)
It does n’t- mat ter- much to me
Gtr. 1
Rhy. Fill 2 End Rhy. Fill 2
Gtr. 2
Rhy. Fill 2A End Rhy. Fill 2A
let ring
if it does n’t- mat ter- much to you,
E'9
022100
022100
022100
022100
022100
022100
022100
022100
022100
022100
17
09
011
09
011
09
011
09
011
09
011
09
011
09
011
09
011
0119
00
11
0119
00
11
0119
00
11
0119
00
11
0119
00
11 119
0119
11
0119
11
170
0
10
0
9
0
0
10
0
9
0
0
10
0
90
10
0
9
0
0
10
0
9
0
09
011
09
011
09
011
09
011
09
011
09
011
09
011
09
011
011
013
011
013
011
013
011
013
011
013
011
013
011
013
011
013
0
0
10
0
9
0
0
10
0
9
0
0
10
0
90
10
0
9
0
0
10
0
9
00
11
0
911
011
0
911
011
0
911
11
0
911
011
0
911
0
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
4
oo.
Am('9)
It does n’t- mat ter- much to me
if it does n’t- mat ter- much to you.
E'9 B5 C#5
*Gtr. 4 (dist.)
mf
*Doubled throughout
Gtr. 3
Gtr. 1
Gtr. 2
011
013
011
013
011
013
011
013
011
013
011
013
011
013
011
013
09
011
09
011
09
011
09
011
09
011
09
011
09
011
09
011
011
0
911
011
0
911
011
0
911
11
0
911
011
0
911
00
0
10
0
9
0
0
10
0
9
0
0
10
0
90
10
0
9
0
0
10
0
9
0
12 0 2X4
4X6
5X7
7X9
9X11
2X4
4X6
09
011
09
011
09
011
09
011
09
011
09
011
09
011
09
011
011
013
011
013
011
013
011
013
011
013
011
013
011
0
0
10
0
9
0
0
10
0
9
0
0
10
0
90
10
0
9
0
0
10
0
9
00
11
0
911
011
0
911
0119
011
119
011
0 7X9
9X11
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
5
Chorus
D
It’s just a mat ter- of time
A'9/C#
be fore,- be fore.-
Gtr. 4
Riff B
Gtr. 3
Rhy. Fig. 5A
Gtrs. 1 & 2
Rhy. Fig. 5
C
It’s just a mat ter- of time
E
be fore,- be fore.
B5
-
C#5
End Riff B Fill 1 End Fill 1
End Rhy. Fig. 5A Rhy. Fill 3A End Rhy. Fill 3A
End Rhy. Fig. 5 Rhy. Fill 3 End Rhy. Fill 3
10X12
10X12
10X12
10X12
10X12
10X12
10X12
10X12
10X12
10X12
10X12
10X12
10X12
10X12
10X12
10X12
9X11
9X11
9X11
9X11
9X11
9X11
9X11
9X11
9X11
9X11
9X11
9X11
9X11
9X11
9X11
9X11
5777
5777
5777
5777
5777
5777
5777
5777
5777
5777
5777
5777
5777
5777
5777
5777
47
06
0
47
06
0
47
06
0
47
06
0
47
06
0
47
06
0
47
06
0
47
06
0
47
06
0
47
06
0
47
06
0
47
06
0
47
06
0
47
06
0
47
06
0
47
06
0
101212
101212
101212
101212
101212
101212
101212
101212
101212
101212
101212
101212
101212
101212
101212
101212
912
912
912
912
912
912
912
912
912
912
912
912
912
912
912
912
8X10
8X10
8X10
8X10
8X10
8X10
8X10
8X10
8X10
8X10
8X10
8X10
8X10
8X10
8X10
8X10
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
9X11
3555
3555
3555
3555
3555
3555
3555
3555
3555
3555
3555
3555
3555
3555
3555
3555
022100
022100
022100
022100
022100
022100
022100
022100
022100
022100
022100
022100
2X4
4X6
81010
81010
81010
81010
81010
81010
81010
81010
81010
81010
81010
81010
81010
81010
81010
81010
0799
0799
0799
0799
0799
0799
0799
0799
0799
0799
0799
0799
7X9
9X11
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
6
2CTo oda 1CTo oda
Gtr. 3: w/ Rhy. Fig. 5A
Gtr. 4: w/ Riff B
D
And though I hate to re wind-
A'9/C#
be fore,- be fore,-
Gtrs. 1 & 2
C
it’s just a mat ter- of time.
E5
F#5 G5 F#5 E5
Gtrs. 1 - 4
Do
VerseGtr. 1: w/ Rhy. Fig. 3 (2 times)
1st time, Gtrs. 2 & 3 tacet2nd time, Gtr. 2: w/ Rhy. Fig. 3 (1st 8 meas.)
4.
E
My
ing
3.
-
past
my
is
time
get ting
for
- us no
line
G#m/D#
where
af
-
ter-
fast,
line. When
I
will
was
I
nev
learn
-
*Gtr. 5 (clean)
mfw/ amp tremololet ring throughout
*12-str. elec.
D6
- er
to
one
sing
for
these
tak
cramps
ing
to
- things
my
slow.
self?-
A/C#
1st time, Gtr. 2: w/ Rhy. Fill 1
F#5 G5 F#5 E5
101212
101212
101212
101212
101212
101212
101212
101212
101212
101212
101212
101212
101212
101212
101212
101212
912
912
912
912
912
912
912
912
912
912
912
912
912
912
912
912
81010
81010
81010
81010
81010
81010
81010
81010
81010
81010
81010
81010
81010
81010
14 0799
0 0799
799
799
0 244
355
244
022
99
79
99
09
89
79
89
09
710
710
710
010
65
55
65
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
7
1.
2.D.S. al Coda 1
1 Coda
No
Pris
2nd time, Gtr. 2: w/ Rhy. Fig. 4
C6
where
on
-
- ers-
seems like
to
some
share
where
a
- to go.
cell
E
with.
Come
I’m
o
hold
-
-
Gtrs. 2 & 3: w/ Riffs A & A1
Gtr. 5 tacet
A'9
-
-
ver
ing,
and
still
o
hold
Am%
ver.
ing,
-
-
hold ing- you in.
Gtrs. 1 & 2: w/ Rhy. Fills 2 & 2A
E'9
E
Gtr. 4
Gtrs. 1 & 2
Gtr. 3
55
55
55
05
45
45
45
05
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
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09
0
079
09
0
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09
0
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0
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09
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079
09
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079
09
0
022100
022100
022100
022100
022100
022100
022100
022100
022100
022100
022100
022100
2 3 2 0
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
8
Where
Bridge
Gtrs. 3 & 4 tacet
Am('9)
the
hell were
Gtr. 1
Gtr. 2
you?
E'9
Oo.
017
017
017
016
016
016
014
014
014
017
017
017
016
016
014
014
017
017
016
016
016
014
014
014
017
017
017
016
016
014
014
0
0
10
0
9
0
0
10
0
9
0
0
10
0
9
0
0
10
0
9
0
0
10
0
9
0
0
10
0
9
0
0
10
0
9
0
0
10
0
9
0
0
10
0
9
0
0
10
0
9
0
0
10
0
9
0
0
10
0
9
0
0
10
0
9
0
0
10
0
9
0
0
10
0
9
0
0
10
0
9
0
0
10
0
9
0
0
10
0
9
0
0
10
0
9
0
0
10
0
9
0
0
10
0
9
0
0
10
0
9
0
0
10
0
9
0
0
10
0
9
0
0
10
0
9
0
0
10
0
9
0
0
10
0
9
0
0
10
0
9
016
016
016
014
014
014
013
013
013
016
016
016
014
014
013
013
016
016
016
014
014
013
013
013
016
016
016
014
014
013
013
119
00
11
119
00
11
119
00
11
119
00
11
119
00
11
119
00
11
119
00
11
119
00
11
119
00
11
119
00
11
119
00
11
119
00
11
119
00
11
119
00
11
119
00
11
119
00
11
119
00
11
119
00
11
119
00
11
119
00
11
119
00
11
119
00
11
119
00
11
119
00
11
119
00
11
119
00
11
119
00
11
119
00
11
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
9
D.S.S. al Coda 2
Where
Am('9)
the
hell were
Gtr. 1
Gtr. 3
Fill 2 End Fill 2
Gtr. 2
you?
Gtrs. 1, 2 & 3: w/ Rhy. Fig. 1
E5 F#5 G5 F#5 E5Gtrs. 1, 2 & 3: w/ Rhy. Fig. 2
B5 C#5
Gtr. 4
017
017
017
016
016
016
014
014
014
017
017
017
016
016
014
014
017
017
017
016
016
016
014
014
014
017
017
017
016
016
014
00
17
0
0
10
0
9
0
0
10
0
9
0
0
10
0
9
0
0
10
0
9
0
0
10
0
9
0
0
10
0
9
0
0
10
0
9
0
0
10
0
9
0
0
10
0
9
0
0
10
0
9
0
0
10
0
9
0
0
10
0
9
0
0
10
0
9
0
0
10
0
9
0
0
10
0
9
0
0
10
0
9
0
0
10
0
9
0
0
10
0
9
0
0
10
0
9
0
0
10
0
9
0
0
10
0
9
0
0
10
0
9
0
0
10
0
9
0
0
10
0
9
7X9
9X11
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
10
2 Coda
E
B5 C#5 D
What does it mat ter- now?
Gtr. 7 (dist.)
mf
Riff C2
Gtr. 6 (dist.)
mf
Riff C1
Gtr. 4 Riff C
Gtr. 3
Rhy. Fig. 6A
Gtrs. 1 & 2 Rhy. Fig. 6
5X7
5X7
5X7
5X7
5X7
5X7
5X7
5X7
5X7
5X7
5X7
5X7
5X7
5X7
5X7
5X7
000
10X12
10X12
10X12
9X11
9X11
9X11
7X9
7X9
7X9
10X12
10X12
10X12
9X11
9X11
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
9X11
10X12
10X12
10X12
10X12
10X12
10X12
10X12
10X12
10X12
10X12
10X12
10X12
10X12
10X12
10X12
10X12
022100
022100
022100
022100
022100
022100
022100
022100
022100
022100
022100
022100
2X4
4X6
5777
5777
5777
5777
5777
5777
5777
5777
5777
5777
5777
5777
5777
5777
5777
5777
0799
0799
0799
0799
0799
0799
0799
0799
0799
0799
0799
0799
7X9
9X11
101212
101212
101212
101212
101212
101212
101212
101212
101212
101212
101212
101212
101212
101212
101212
101212
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
11
A'9/C#
What does it mat ter- now?
A5 B5
C
End Riff C2
End Riff C1
End Riff C
End Rhy. Fig. 6A
End Rhy. Fig. 6
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
9X11
10X12
10X12
10X12
9X11
9X11
9X11
7X9
7X9
7X9
10X12
10X12
10X12
9X11
9X11
7X9
7X9
9X11
9X11
9X11
7X9
7X9
7X9
5X7
5X7
5X7
9X11
9X11
9X11
5X7
7X9
8X10
8X10
8X10
7X9
7X9
7X9
5X7
5X7
5X7
8X10
8X10
8X10
7X9
7X9
5X7
5X7
9X11
9X11
9X11
9X11
9X11
9X11
9X11
9X11
9X11
9X11
9X11
9X11
5X7
7X9
8X10
8X10
8X10
8X10
8X10
8X10
8X10
8X10
8X10
8X10
8X10
8X10
8X10
8X10
8X10
8X10
47
06
0
47
06
0
47
06
0
47
06
0
47
06
0
47
06
0
47
06
0
47
06
0
47
06
0
47
06
0
47
06
0
47
06
0
5X7
X7
93555
3555
3555
3555
3555
3555
3555
3555
3555
3555
3555
3555
3555
3555
3555
3555
912
912
912
912
912
912
912
912
912
912
912
912
5X7
7X9
81010
81010
81010
81010
81010
81010
81010
81010
81010
81010
81010
81010
81010
81010
81010
81010
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
12
Gtr. 7
Gtrs. 1 & 2: w/ Rhy. Fill 3
Gtr. 3: w/ Rhy. Fill 3AGtr. 4: w/ Fill 1
E B5 C#5
Gtr. 6
Gtrs. 1 & 2: w/ Rhy. Fig. 6
Gtr. 3: w/ Rhy. Fig. 6A
Gtrs. 4, 6 & 7: w/ Riffs C, C1 & C2
D
What does it mat ter- now?
A'9/C#
What does it
mat ter- now?
A5 B5 C
It’s just a mat ter- of time.
Outro
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (4 times)
E5 F#5 G5 F#5 E5
Gtr. 3: w/ Fill 2
F#5 G5 F#5 E5
Time.Screamed:
Gtr. 3: w/ Rhy. Fig. 1 (2 times)
F#5 G5 F#5 E5
F#5 G5 F#5 E5
11X13
11X13
11X13
9X11
9X11
9X11
7X9
7X9
7X9
11X13
11X13
11X13
11X13
12X14
7X9
7X9
7X9
5X7
5X7
5X7
4X6
4X6
4X6
7X9
7X9
7X9
7X9
9X11
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13
Intro
Free time
Words and Music by David Grohl, Taylor Hawkins, Christopher Shiflett, Nate Mendel and Pat Smear
Miss the Misery
Copyright © 2011 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC,I LOVE THE PUNK ROCK MUSIC, FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC
All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC.All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP.
All Rights for FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC Administered by BUG MUSICAll Rights Reserved Used by Permission
from Foo Fighters - Wasting Light
Moderately q = 120
Gtr. 1 (dist.)
*
w/ slow amp tremolo
Em
mf
**Em7
VII
1
E5
12 34
Em7
2 34
G5
1 34
A7sus4
5fr
134
D5
7fr
134
E5
134
B5
134
C5
G(b5)
amp tremolo off
*Fade in **Chord symbols reflect basic harmony.
1/2 1/2
Gtr. 1Em7
Gtrs. 2 & 3 (dist.)
Riff A
mf
End Riff A
1/2 1/2
(Oh,
Gtrs. 2 & 3: w/ Riff A (2 times)
oh.)
Gtr. 1Riff B End Riff B
022000
033
233
233
033
033
233
233
033
023
5 17 0
02
0 302
03
23
23
03
02
0 302 0 2 2 0
02
0 302
03
23
23
03
02
0 302 0 2 2 0
10X12
9X11
7X9
5X7
5 0 5 7 70
10X12
9X11
7X9
5X7
5 0 5 7 70
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
1
Gtrs.
2 & 3
Rhy. Fill 1A End Rhy. Fill 1A
Verse
*E5
If1. I had my way,
Gtrs. 1, 2 & 3 tacet
Em7
if I had
G5
to
A7sus4
lose,
Em7
Gtr. 4 (semi-clean)
Rhy. Fig. 1
mf
End Rhy. Fig. 1
Gtr. 1Rhy. Fill 1 End Rhy. Fill 1
*See top of first page of song for chord diagrams pertaining to rhythm slashes.
Gtr. 4: w/ Rhy. Fig. 1
would n’t- take
G5
back
A7sus4
one
Em7
thing. Nev er- had much
G5
to choose.
A7sus4 Em7
Gtr. 4: w/ Rhy. Fig. 1 (3 1/2 times)
2nd time, Gtr. 1: w/ Rhy. Fill 12nd time, Gtrs. 2 & 3: w/ Rhy. Fill 1A
Em7
Then
What2.
it
a
dawned
nice
G5
on
long
A7sus4
me,
leash,
Em7
com
what
ing
a
- down
nice
G5
on
tight
A7sus4
you
noose.
Em7
like
Nev
a
er-
cold
worked
G5
sky
for
A7sus4
rain
me
Em7
ing
but
- un
sure
der
would
- a
look
burn
good
G5
ing
on
- moon.
you.
A7sus4
Em7
Been
022033
022033
3X0033
02033
02033
0033
2033
2033
0033
022033
022033
3X0033
02033
02033
0033
2033
2033
0033
022000
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
2
wait ing- all
G5
your
A7sus4
life,
Em7
your wish is com
G5
ing
A7sus4
- true.
Em7
Gtr. 3
1/2
Gtr. 2
Gtr. 4
w/ dist.
Bless your heart
G5
for
A7sus4
beat
Em7
in’- me
Em7
right out
G5
of you.
A7sus4 D5 E5VII D5
(cont. in slashes)1/2
233
033
233
033
022000
033
233
033
233
033
5577
7799
7799
5577
022000
577
799
799
577
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
3
Gtrs.
3 & 4
Rhy. Fig. 2 End Rhy. Fig. 2
Pre-Chorus
C5
Miss the mis
D5
er- y,-
VIIE5
need a rea
B5
son- for a change.
Gtr. 2
Gtrs. 3 & 4: w/ Rhy. Fig. 2
C5
Need a rea
D5
son- toex
re plain,
frain,
-
-
E5
so turn it on
B5
a gain.-
Chorus
Csus2
Don’t change
D
your mind.
Em7
You’re wast
B5
in’- light.
Gtrs. 2,
3 & 4
Rhy. Fig. 3 End Rhy. Fig. 3
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
6X8
6X8
6X8
6X8
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
9X11
9X11
9X11
9X11
10X12
10X12
10X12
12
3X033
3X033
3X033
3X033
3X033
3X033
3X033
3X033
0232
0232
0232
0232
0232
0232
0232
0232
022033
022033
022033
022033
022033
022033
022033
022033
244
244
244
244
244
244
244
244
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4
1.
2.
Gtrs. 2, 3 & 4: w/ Rhy. Fig. 3 (1st 2 meas.)
Csus2
Get in
D
and let’s
Gtr. 1
Fill 1 End Fill 1
go,
Gtr. 1: w/ Riff B (1 1/2 times)Gtrs. 2 & 3: w/ Riff A (1 1/2 times)
Em7
go.
D5/A E5/B D5/A
Gtr. 1Rhy. Fill 2 End Rhy. Fill 2
Gtr. 3 Rhy. Fill 2B End Rhy. Fill 2B
(cont in slashes)
Gtr. 2 Rhy. Fill 2A End Rhy. Fill 2A
5 17 0
5
7
5 0 5 7 70
5
7
5 0 577
799
799
577
02
0 302 0 2 2 0
02
02
302
5577
7799
7799
5577
02
0 302 0 2 2 0
02
02
302
577
799
799
577
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
5
Gtr. 3
Gtr. 1 tacet
Bridge
C5
Miss the mis
D5
er- y,-
VIIE5
give me rea
B5
son- for a change.
Gtr. 2
C5
Miss the mis
D5
er- y,-
E5VII
give me rea
B5
son- to re frain.-
Gtr. 4
Gtr. 2
Gtr. 3: w/ Rhy. Fig. 3 (1 1/2 times)
Csus2
Miss your mis
D
er- y- to day.-
Em7
Miss your mis -
Riff C
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
6X8
6X8
6X8
6X8
6X8
6X8
6X8
6X8
5 12
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
9X11
9X11
9X11
9X11
9X11
9X11
9X11
9X11
1212
1212
1212
1212
1413
1413
1413
1413
1212
1212
1212
1212
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
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6
B5
- er y- to day.-
Csus2
Come on and turn
D
it on a gain.-
*Gtrs. 1 & 4
End Riff C
*Played by Gtr. 4 only
when recalled.
Interlude
Em7
Gtrs. 1 & 4
**w/ octaver
**Set for one octave below.
1 1 1 1 11 1
Gtrs. 2 & 3
1/2 1/2
1110
1110
1110
1110
1213
1213
1213
1213
1415
1415
1415
17
9X11
9X11
9X11
9X11
10X12
10X12
10X12
10X12
10X12
10X12
10X12
10X12
12X14
12X14
12X14
12X14
12X14
12X14
12X14
75
7 105 8
1210
75
7 1412
10 128 10
02
02
302
0 2 2 0
02
02
302
0 2 2 0
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
7
1 1 1 1 11 1
1/2 1/2
E5 Bb5 C5
*
F5 G5 E5 C5 D5 G5 A5
1
*Vol. swells
1 1 1
Em7
octaver off
1 1 1 1 11 1
1/2 1/2
75
7 105 8
1210
75
7 1412
10 128 10
02
02
302
0 2 2 0
02
02
302
0 2 2 0
2 10 5 12
02
02
68
810
810 8
101012
1012
02
02
810
1012
1012 10
121214
1214
75
7 105 8
1210
75
7 1412
10 128 10
02
02
302
0 2 2 0
02
02
302
0 2 2 0
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
8
Chorus
Gtr. 1 tacetGtrs. 2 & 3: w/ Rhy. Fig. 3 (2 1/2 times)
Gtr. 4: w/ Riff C (1st 4 meas.)
Csus2
Don’t change
D
your mind.
Em7
You’re wast
B5
ed- light.
Gtr. 4: w/ Riff C
Csus2
Don’t make
D
this right.
Em7
Don’t
make
B5
this right.
Csus2
Get in
Gtr. 1: w/ Fill 1
D
and let’s
go,
Gtr. 1: w/ Riff B (1 1/2 times)Gtrs. 2 & 3: w/ Riff A (1 1/2 times)
Em7
go.
Gtrs. 1, 2 & 3: w/ Rhy. Fills 2, 2A & 2B
D5/A E5/B D5/A
Gtrs. 1, 2 & 3
Outro
Em7
1/2 1/2
1/2 1/2
02
02
302
20 2 0
02
02
302
20 2 0
02
02
302
20 2 0
02
02
302
20 2 0
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
9
Intro
Moderately fast q = 115
Words and Music by David Grohl, Taylor Hawkins, Christopher Shiflett, Nate Mendel and Pat Smear
I Should Have Known
Copyright © 2011 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC,I LOVE THE PUNK ROCK MUSIC, FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC
All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC.All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP.
All Rights for FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC Administered by BUG MUSICAll Rights Reserved Used by Permission
from Foo Fighters - Wasting Light
(Strings)
µ
8 sec. Gtrs. 1 & 2 (slight dist.)
*
mfw/ fingers
Gm
let ring
*Chord symbols reflect overall harmony.
I1. should have known
Verse
Gm
that it would end this way. I should have
Riff A
let ring
known
Cm6
there was no oth er- way. Did
Am7b5
n’t- hear your warn -
let ring let ring
31
3
00
31
31
3
00
31
31
3
00
31
31
3
00
31
31
3
00
31
31
3
00
3
0
31
3
21
31
31
3
21
31
01
0
21
00
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
1
Bb
ing.- Damn,
Cm7
my heart gone deaf.
F'9
I should have
let ring let ring
End Riff A
let ring
known,
Gtrs. 1 & 2: w/ Riff A
Gm
look at the shape you’re in. I should have
Gtr. 3 (dist.)
mp
Cm6
known, but I dove right in. One
Am7b5
thing is for cer -
tain
Bb
as
Cm7
I’m stand ing- here,
F'9
I should have
10
1
30
10
31
3
31
30
13
1
2 03
1
0
5
6 5
5 6 3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
2
known.
Pre-Chorus
Gtr. 3 tacet
Gm
F'9/A Bb
Gm7/F C
Gtr. 1
Riff B
let ring let ring let ring let ring
End Riff B
let ring
Gtr. 2
Riff B1
let ring let ring let ring let ring
End Riff B1
let ring
Gtr. 4 (dist.)
mf
Riff B2 End Riff B2
Lay
Gtrs. 1 & 2: w/ Riffs B & B1
Gtr. 4: w/ Riff B2 (2 times)
Gm
your
F'9/A
hands
Bb
in
Gm7/F
mine.
C
Heal
Gm
me
F'9/A
one
Bb
last
Gm7/F
time.
C
Though I can -
Gtr. 1
let ring let ring let ring let ring let ring
Gtr. 2
let ring let ring let ring let ring let ring
31
00
53
00
65
00
80
0
87
0
8
0
8
0
8
00
8
0
8 0
31
00
53
30
65
30
1
30
33
23
02
3 32
3
02
3 0
3 5 65 8 8 3
31
00
53
00
65
00
80
0
87
8
8
0
8
0
8
0
8
8
0
8
0
31
00
53
30
65
30
1
30
33
23
02
3 32
3
02
30
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3
not
Chorus
Eb
for give- you yet.
Gm
No, I can not
Eb
- for give- you yet.
Gm
Gtr. 1
let ring let ring let ring let ring
Gtr. 2
let ring let ring let ring let ring
Gtr. 4
Leave
F'4
my heart in debt.
C9
I2.
µ
should have
let ring *
*Increase strum intensity.
let ring ** ***
**Increase strum intensity. ***Allow 5th string to ring after notes are muted.
65
04
56
0
3
00
30
00
65
46
56
0
3
00
3
0
3
0
65
34
56
0
3
3
3
33
5
3
06
56
4
56
05
3
5
33
5
3
0
11 11 3 11 11 3
88
8
6
88
0
X8
00
X8
00
X8
00
X8
00
X8
00
X8
00
X8
00
X8
008
X8
008
X8
008
X8
008
X8
008
X8
008
32
11
03 0
32
32
32
323
323
323
323
3231
3231
3231
3231
3231
3231
3
8 8 3 3 3 3 3 3 3 3 3 3 3 3 3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
4
known
Verse
Gtrs. 1 & 2: w/ Riff A (2 times)Gtr. 4 tacet
Gm
I was in side- of you. I should have known
Cm6
there was that side of you.
Gtr. 5 (slight dist.)
mf
Rhy. Fig. 1
Came
Am7b5
with out- a warn ing,
Bb
- caught
Cm7
me un a- ware.-
F'9
I should have
End Rhy. Fig. 1
known
Gtr. 5: w/ Rhy. Fig. 1
Gm
I’ve been here be fore.- I should have known,
Cm6
don’t want it an y- more.-
One
Am7b5
thing is for cer tain,
Bb
- I’m
Cm7
still stand in’- here.
F'9
I should have
known.
Pre-Chorus
Gm
F'9/A Bb
Gm7/F C
Gtr. 2
Riff C
let ring let ring let ring let ring
End Riff C
let ring
Gtr. 1
Rhy. Fig. 2
let ring let ring let ring let ring let ring
End Rhy. Fig. 2
5333
10888
13141313
12101110
10888
3211
3
30
0
5
60
0
6
60
0 0
10
03
0
3
02
0
3
02
31
20
31
00
53
00
65
00
80
0
8 8
07
08
07
08
07
08
8
07
08
8
07
08
8
07
08
8
07
08
8
07
08
8
07
08
8
07
08
8
07
08
00
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
5
Lay
Gtr. 1: w/ Rhy. Fig. 2 (2 times)Gtr. 2: w/ Riff C
Gm
your
F'9/A
hands
Bb
in
Gm7/F
mine.
C
Feel
Gm
me
F'9/A
one
Bb
last
Gm7/F
time.
C
Though I can -
Gtr. 2
let ring let ring let ring let ring let ring
not
Chorus
Eb
for give- you yet.
Gm
No, I can not
Eb
- for give- you yet.
Gtr. 1
Rhy. Fig. 3
let ring let ring let ring
Gtr. 2
Riff D
let ring let ring let ring
3
30
0
5
60
0
6
60
0 0
10
03
0
3
0 0
3
02
31
02
0
650
650
504
6504
6504
0 3X00
3X00
33
3X00
3X00
000
650
650
504
6504
6504
0
65
34
56 0
53
5
3
5 06
53
4
56
0
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6
Gm
Leave
F'4
my heart in debt.
C9
No, I can -
End Rhy. Fig. 3
let ring
Rhy. Fig. 4 End Rhy. Fig. 4
let ring
End Riff D Riff E
let ring
End Riff E
let ring
not
Gtr. 1: w/ Rhy. Fig. 3Gtr. 2: w/ Riff D
Eb
for give- you yet.
Gm
No, I can not
Eb
- for give- you yet.
Gm
You leave
F'4
my heart in debt.
C9
I should have
Gtr. 1
Gtr. 2
let ring
3X00
3X00
33
3X00
3X00
000
8
08
6
8
08
6
8
08
6
000
X8
008
X8
008
X8
008
000
53
5
3
50
08
70
6
70
03
02
01
2 0
8
08
6
8
08
6
8
08
6
8
08
6
8
08
6
0000
8
07
08
8
07
08
8
07
08
8
07
08
8
07
08
8
07
08
8
07
08
8
07
08
8
07
08
8
07
08
8
07
08
8
07
08
8
07
08
8
07
08
8
07
08
000
87
06
0
80
3231
3231
3231
3231
3231
3231
3231
3231
3231
3231
3231
3231
3231
3231
3231
000
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
7
InterludeGtr. 2 tacet
Gm
known.
F'9/A Bb6
Gm7/F C'2
Gtr. 5
Gtr. 1
Rhy. Fig. 5 End Rhy. Fig. 5
Gtr. 5
Gtr. 1: w/ Rhy. Fig. 5
Gm F'9/A Bb6 Gm7/F C'2
grad. bend1
May
Bridge
Gtr. 1: w/ Rhy. Fig. 5 (2 times)
Gm
be- you was right,
F'9/A
did
Bb6
n’t- wan na- fight,
Gm7/F
I should have
C'2
known.
3 3 3
Gtr. 5
Gtr. 6 (slight dist.)
Riff F
mf
End Riff F
3 2 3 3 10 9 9 9
3100
3100
3100
3100
5300
5300
5300
5300
6500
6500
6500
6500
10
08
0
10
08
0
10
08
0
10
08
0
8
07
0
8
07
0
8
07
0
8
07
0
8
07
0
8
07
0
8
07
0
8
07
0
8
07
0
8
07
0
8
07
0
8
07
0
8
07
0
8
07
0
8
07
0
8
07
0
3 2 3 3 10
10 10 10
3 3 5 5 7 7 10 9 9 9
0 2 3 3 7 7 5 5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
8
Could
Gtr. 6: w/ Riff F
Gm
n’t- read the signs,
F'9/A
could
Bb6
n’t- see the light,
Gm7/F
I should
Gtr. 5
have
C'2
known. No, I can -
1
not
Outro-ChorusGtr. 1: w/ Rhy. Fig. 3Gtr. 2: w/ Riff D
Gtr. 5 tacet
Eb
for give- you yet.
Gm
No, I can not
Eb
- for give- you yet.
*Gtr. 7 (dist.)
f
Rhy. Fig. 6
*Doubled throughout
Gm
Leave
Gtr. 1: w/ Rhy. Fig. 4
Gtr. 2: w/ Riff E
F'4
my heart in debt.
C9
No, I can -
End Rhy. Fig. 6
3 3 5 5 7 7 10
10 10 10 10 108 8 8 8
10 10 10 108 8 8 8
10 10 10 108 8 8 8
10 10 108 8 8 8
111313
111313
111313
111313
111313
111313
111313
355
355
355
355
355
355
355
111313
111313
111313
111313
111313
111313
111313
355
355
355
355
355
355
355
131515
131515
131515
131515
131515
131515
131515
81010
81010
81010
81010
81010
81010
81010
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
9
not
Gtr. 1: w/ Rhy. Fig. 3Gtr. 2: w/ Riff D
Gtr. 7: w/ Rhy. Fig. 6
Eb
for give- you yet.
Gm
No, I can -
not
Eb
for give- you yet.
Gm
You leave
F'4
my heart in debt.
C9
No,
C5
I can
D5
-
Gtr. 1
Gtr. 7
Gtr. 2
let ring let ring
8
08
6
8
08
6
8
08
6
000
8555
8555
131515
131515
131515
131515
131515
131515
131515
81010
81010
81010
81010
81010
81010
101212
87
06
70
03
02
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
10
not
Gtr. 1: w/ Rhy. Fig. 3
Gtr. 2: w/ Riff D
Gtr. 7: w/ Rhy. Fig. 6
Eb
for give- you yet.
Gm
No, I can -
not
Eb
for give- you yet.
Gm
You leave
F'2
us all in debt.
C9
I
µ
should have
Gtr. 1
Gtr. 2
let ring
Gtr. 7
known.
Gtrs. 1, 2 & 7 tacet
8
08
6
8
08
6
8
08
6
8
08
6
8
08
6
0000
8
07
08
8
07
08
8
07
08
8
07
08
8
07
08
8
07
08
8
07
08
8
07
08
8
07
08
8
07
08
8
07
08
8
07
08
8
07
08
87
06
0
80
3231
3231
3231
3231
3231
3231
3231
3231
3231
3231
3231
3231
3231
131515
131515
131515
131515
131515
131515
131515
81010
81010
81010
81010
81010
81010
81010
81010
81010
81010
81010
81010
81010
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
11
Intro
Moderately q = 132
Words and Music by David Grohl, Taylor Hawkins, Christopher Shiflett, Nate Mendel and Pat Smear
Walk
Copyright © 2011 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC,I LOVE THE PUNK ROCK MUSIC, FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC
All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC.All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP.
All Rights for FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC Administered by BUG MUSICAll Rights Reserved Used by Permission
from Foo Fighters - Wasting Light
Gtr. 1 (slight dist.)
*
mf
Asus2
123
A
231
E
134111
F#m
132
D
231
Dm
let ring
Gtr. 2 (slight dist.)
mp
Rhy. Fig. 1 End Rhy. Fig. 1
P.M.
*Chord symbols reflect overall harmony.
Verse
Gtr. 2: w/ Rhy. Fig. 1 (4 times)
Asus2
A1. mil lion- miles a way,-
E'4/A
your sig -
Gtr. 1
Riff A
let ring let ring
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1
Bm7/A
nal- in the dis
tance- to whom
Dm6/A
it may con cern.-
let ring
End Riff A
let ring
Asus2
I think I lost my way.
E'4
Get ting- good
Gtr. 1
let ring let ring
Gtr. 2
P.M.
Bm7
at start ing- o ver- ev ’ry- time
Dm6
that I re
Dm7
turn.
-
let ring let ring
P.M.
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2
Chorus
Gtr. 1: w/ Riff A (2 times)
A'9
Learn ing- to walk a gain.-
E'4
I be lieve-
*Gtrs. 2 & 3
*Gtr. 3 (slight dist.), played mp.
Composite arrangement
Bm7
I’ve wait ed- long e nough.- Where do I
Dm6
be gin?-
A'9
Learn ing- to talk a gain.-
E'4
Can’t you see
Bm7
I’ve wait ed- long e nough?- Where do I
Dm6
be gin?-
(In.)
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3
Interlude
A
Gtr. 1
fw/ dist.
Gtrs. 2 & 3
fw/ dist.
Verse
A
Do2. you re mem- ber- the days
E E'4
we built
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4
Bm7
these pa per- moun tains- and sat
Dm
and watched them burn?
A
I think I found my place.
E E'4
Can’t you feel
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5
Bm7
it grow ing- strong er,- lit tle- con
Dm
quer- ors?
Dm/E
-
Dm/F Dm/G
Chorus
A
Learn ing- to walk a gain.-
E E'4
I be lieve-
Rhy. Fig. 2
Rhy. Fig. 2A
let ring
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6
Bm7
I’ve wait ed- long e nough.- Where do I
Dm
be gin?
Dm/E
-
Dm/F
(In.)
Dm
End Rhy. Fig. 2
End Rhy. Fig. 2A
A
Learn ing- to talk a gain.-
E E'4
I be lieve-
Rhy. Fig. 3
Rhy. Fig. 3A
let ring
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7
Bm7
I’ve wait ed- long e nough.- Where do I
Dm
be gin?
Dm/E
-
Dm/F Dm/G
Gtr. 4 (dist.)
Fill 1
f
End Fill 1
Gtr. 1 End Rhy. Fig. 3
Gtrs. 2 & 3
(cont. in slashes)
End Rhy. Fig. 3A
Gtrs.
2 & 3
Rhy. Fig. 4A
Now,
Bridge
*A
for the ver y- first time
Gtr. 4
Riff B End Riff B
Gtr. 1
Rhy. Fig. 4
*See top of first page of song for chord diagrams pertaining to rhythm slashes.
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8
Gtr. 4: w/ Riff B (2 times)
E
don’t you pay no mind.
Gtr. 1
End Rhy. Fig. 4A
F#m
Set me free
D
a gain.-
Dm
To
Gtr. 4 Riff C End Riff C
Gtr. 1
End Rhy. Fig. 4
keep
Gtr. 1: w/ Rhy. Fig. 4 (2 times)Gtrs. 2 & 3: w/ Rhy. Fig. 4A (2 times)
Gtr. 4: w/ Riff B (5 times)
A
a live- a mo ment- at a time, but still in side- a whis per- to a ri ot.- To
sac
E
ri- fice,- but know ing- to sur vive.- The first to cry an oth- er- state of mind. I’m
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9
on
F#m
my knees, I’m pray ing- for a sign. For ev
Gtr. 4: w/ Riff C
D
- er,- what ev- er,- I nev
Dm
er- want to die. I
Gtr. 5 (dist.)
mf
Gtr. 6 (dist.)
mf
nev
Gtr. 4: w/ Riff B (5 times)
A
er- want to die.
I nev er- want to die.
I’m on my knees, I nev er- want to die. I’m
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10
danc
E
ing- on my grave and run ning- through the fire. For ev- er,- what ev- er,- I nev er- want to die. I
nev
F#m
er- want to leave. I’ll nev er- say good bye.- For ev
Gtr. 4: w/ Riff CD
- er,- what ev- er.- For ev
Dm
- er,- what ev- er,- oh.
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11
Gtrs.
2 & 3
Chorus
A
Learn
Gtrs. 4, 5 & 6 tacet
ing- to walk a gain.-
Gtrs. 4 & 5
Gtr. 6
Gtr. 1
Gtr. 1: w/ Rhy. Fig. 2 (last 6 meas.)
Gtrs. 2 & 3: w/ Rhy. Fig. 2A (last 6 meas)
E E'4
I be lieve-
Bm7
I’ve wait ed- long e nough.- Where do I
Dm
be gin?
Dm/E
-
Dm/F
(In.)
Dm
Gtr. 1: w/ Rhy. Fig. 3
Gtrs. 2 & 3: w/ Rhy. Fig. 3A
A
Learn ing- to talk a gain.-
E E'4
Can’t you see
Bm7
I’ve wait ed- long e nough?- Where do I
Dm
be gin?
Dm/E
-
Gtr. 4: w/ Fill 1
Dm/F Dm/G
Gtr. 1: w/ Rhy. Fig. 2 (1st 6 meas.)
Gtrs. 2 & 3: w/ Rhy. Fig. 2A
Gtr. 4: w/ Riff B (3 times)
A
Learn ing- to walk a gain.-
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12
E E'4
I be lieve-
Bm7
I’ve wait ed- long e nough.-
Gtrs. 1 & 4
D5 Em F5 G5
Gtr. 1: w/ Rhy. Fig. 3 (1st 6 meas.)
Gtrs. 2 & 3: w/ Rhy. Fig. 3A
Gtr. 4: w/ Riff B (3 times
A
Learn ing- to talk a gain.-
E E'4
Can’t you see
Bm7
I’ve wait ed- long e nough?-
Gtrs. 1 & 4
D5 *C F5 Em/GGtrs. 2 & 3: w/ Rhy. Fig. 3A (last 2 meas.)
D5 C F5 Em/G
*Bass plays C.
Gtr. 3
Gtr. 1
Outro
A
Gtrs. 2 & 4
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