e€¦ · la mariposa (from opere per chitarra vol. 2 studi) etude 19 (from etudes simples 4e...
TRANSCRIPT
- - -- e fan asia._ _____________________ -'-
AIIemande (from Lut e Su ite in E minor, BWV 996) 4
Et ude op. 6 no. 9 .... ____ .......... __ .. ______ ..................................... -.... ·-·--·-·-·-.. --.. -·--·----------... -- 6
=- ~= I art arr. Almeida Blue Moon ... ...... . .... ........... 8
B
~ orroba Fandanguillo (no. 1 from Suite Castellana) ..
Nortena (A homage to Julian Aguir re) ............ ..
Se ela perguntar (Waltz) ..... .... .... .. ............................. ..
Preludio trist6n (no. 2 of Cinco preludios) ........ ..
Le quartier latin (from Le tango parisienne)
................................. ... 10
. ........ 12
. ... .. .... 14
. ...... 16
...... 18
Technical Suite (Scales, Arpeggios and Exercises)...... .... ..... 20
- -:e,.. a ive pieces for this grade (2010-2012):
PA
__ arvaez
e Ia Maza
-=.-ega
P B
- 0
:::=m ambuco
Etude XII a Mr. Holm [de Copenhagen] (from 25 Etudes op. 38)
Differencias sobre 'Guardame las vacas' (from Hispanae Citharae Ars Viva ed. Emilio Pujol Vilarrubf)
Paseo (from Platero v Yo)
La Mariposa (from Opere per Chitarra vol. 2 Studi)
Etude 19 (from Etudes simples 4e serie)
Yacambu - Vals Venezuelanos no. 4 (from Works for Guitar val. 1)
Grauna (from Famous ChOros vol. 1)
Schott GA34
Schott GA176
UME UMG21738
Berben E1532 B
Eschig ME8495
Caroni Music C2001
Chanterelle 761
. 2 S
.., --:;ar arr. Burden
Mambo des Nuances (from Mambo des Nuances et Lille song) Editions Henry Lemoine 26193HL
Ashokan Farewell (from Certain Hits 4!) Garden Music GM21
Pieces ee pieces to be performed, at least one from each group, chosen from the pieces included in this book or from
- c alternative pieces listed for the grade, to form a balanced programme. Full details of alternative pieces are ; · en above and in the current Guitar Syllabus. One piece may be replaced by the candidate's own composition of ::.similar length and standard to the other pieces chosen.
echnical work :ce inside back cover for details.
Supporting tests :.C idates to prepare i) and ii):
Sight Reading
ii) ural or Improvisation
:=e he cu rrent Guitar Syllabus for details.
:ant
idates and teachers must refer to the Information & Regulations booklet for all examination requirements
egulat ions. Syllabuses and further information can be obtained from your Trinity Guildhall Centre Representative · ity's Head Office.
Guitar Grade 7 Pieces & Exercises for Trinity Guildhall examinations
2010-2015
Published by: Trinity College London 89 Albert Embankment London SE1 7TP UK
T +44 (0)20 7820 6100 F +44 (0)20 7820 6161 E [email protected] www.trinityguildhall.co.uk
Copyright © 2009 Trinity College London
Unauthorised photocopying is illegal No part of this publication may be copied or reproduced in any form or by any means without the prior permission of the publisher.
Music processed by Artemis Music Ltd. Printed in England by Halstan & Co. Ltd, Amersham, Bucks.
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Johann Sebastian Bach
(1685-1750)
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Fernando Sor (1778-1839)
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Music by Richard Rodgers (1902-1979)
Lyrics by Lorenz Hart (1895-1943)
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All Rights Reserved. Used By Permission.
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7 Fanda g illo no. 1 from Suite Castellana
_-illegro, tempo di Fandango [J = 58-66]
Federico Moreno-Torroba
(189H982)
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a tempo
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-o ena A homage to Julian Aguirre
Jorge Gomez Crespo
(1900-1971)
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4[Jj 4 1 1r
Second time
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© Copyright 1990 by Columbia Music Company Inc. Reproduced from Latin American Solos for Guitar (CO 313)
Used by permission of Columbia Music Company Inc.
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_...\.ndante [ .. = 92- 108]
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Dilermando Reis
(1916-1977)
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62
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ben cantando
a tempo =CX ·-------- -l
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rail.
re dio trist6n no. 2 of Cinco preludios
Maximo Diego Pujol
(born 1957)
a tempo piu mosso rJ = 108-120]
©Copyright 1985 by Universal Edition (Australia) Pty. Ltd. I UE29180. Reproduced by permission. All rights reserved.
rail. [a tempo] 47 ®------~ -~ ----------------------- -: -~-------- - --- -- ----- - - -l ~ j cantabile • r--.-: f ·F ,of ; v a 1 F ,of ; v a 1 .. • 11 r a-F ·
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Le quartier latin from Le tango parisienne
--r -r . i @
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J ,; 0
Lee Sollory
(born 1959)
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27 J 1 1 ( 1 ~ J 1 1 cv _i--f I i·r '-,r · ,~t p~ i;·~?''& '[# ·ri i r -r ~r ~ ~- 1 f ~ ~ · ,=. _._ +
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f i ( 1 ) gliss. gently towards the 19th fret.
Technical Suite -=-- ::.::::-:=:.:: c oosing Option ii) Technical Suite in the Technical Work section of the examination must prepare all the following
:::~ = =.-:::=;gios and exercises.
Sc les and arpeggios cto be performed from memory)
-- ~ =- · Guitar & Plectrum Guitar Scales and Exercises from 2007, published by Trinity Guildhall.
:==. == :~ e prepared apoyando or tirando, * at candidate's choice. Straight rhythm. - -:=:;:;· s o be prepared tirando.
:-::.~-E c -'her Group 1 or Group 2.
pl ajor scale (three octaves), im fingering**
armonic and melodic minor scales (two octaves), ma fingering** - ajor arpeggio (three octaves) ::r:ninished 7th arpeggio starting on A (three octaves)
oup 2 major scale (two octaves), ma fingering**
· harmonic and melodic minor scales (three octaves), im fingering* * • minor arpeggio (three octaves) ominant 7th ar[Jeggio in the key of D, starting on A (two octaves)
,. - yando = rest stroke; tirando = free stroke .3. different fingering to that listed for the same scales in Technical Work Option i), and to that printed in Guitar & Plectrum
..::- ·car Scales & Exercises from 2007.
Exercises \0
1. Mirage (harp arpeggios)
J = 60-72 6
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6
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f
6
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Copyright © 2009 Trinity College London
\\ 2. Perfect Sky (tremolo)
J = 52- 66 p a m i p a m i etc.
~~~
7 •••
molto rail.
9 l_J _J _J _J_J_J _J_J_J I f} J,}, +I I I I I I I I l-
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-
Copyright © 2009 Trinity Co llege London
\v 3 Rasqadenza (scales and rasqueado)
. -f ~
22
,. ;.. .... ....
'"!{ etouffe __________ ____ J nat.
i
t ttt ttt
~~~ ~~~u E n J i m a
p
\
- o tJe played apoyando and staccato:
A major (three octaves), "!f. imam fingering. Straight rhythm. norm. tone
D major (two octavesl. 11ff. imam fingering. Straight rhythm. norm. tone
To be played apoyando and legato:
A melodic minor (three octaves).p . imam fingering. Swing rhythm. pont. tone
D melodic minor (two octaves),p. imam fingering. Swing rhythm. pont. tone
To be played tirando and legato, with tone colour gradually changing from norm. to pont. to norm. again:
A natural minor (three octavesl.f. ma fingering. Swing rhythm
D natural minor (two octaves),f, ma fingering. Swing rhythm
To be played tirando and legato:
A harmonic minor (three octaves).11ff. im fingering. Triplet rhythm. pont. tone
D harmonic minor (two octavesl.11ff. im f ingering. Triplet rhythm. pont. tone
To be played tirando and staccato:
A major pentatoniC(three octavesl.f. im fingering. Straight rhythm. norm. tone
D major pentatonic (two octaves),f. im fingering. Straight rhythm. norm. tone
To be played apoyando and legato:
Mixolydian starting on A (three octaves),p. ma f ingering. Triplet rhythm. norm. tone
Mixolydian starting on D (two octaves), p. ma fingering. Triplet rhythm. tasto tone
Arpeggios
The following arpegg ios to be performed tirando and legato:
A major (three octavesl.f. pont. tone
D major (two octaves, ,f. pont. tone
A minor (three octaves).p. norm. tone
D minor (two octavesl.p. tasto tone
Dominant 7th in the key of D (three octaves, starting on A), mf Dominant 7th in the key of G (two octaves, starting on D), r'!f Diminished 7th starting on A (three octaves), r'!f Dimin ished 7th starting on D (two octaves), r'!f
Exercises
The following exercises to be performed tirando, legato and '"!f.
D major sca le in paired slurs (two octaves)
A major scale in 3rds (two octaves)
D harmonic minor scale in 6ths (two octaves)
A melodic minor scale in octaves (two octaves)
or ii) Technical Suite
Scales and Arpeggios (to be performed from memory)
As given in Guitar & Plectrum Guitar Scales & Exercises from 2007 published by Trinity Guildhall.
Scales to be prepared apoyando or tirando, * at candidate's choice. Straight rhythm.
Arpeggios to be prepared tirando. Choose either Group 1 or Group 2.
Group 1
A major scale (three octaves), im fingering**
D harmonic and melodic minor scales (two octaves), ma fingering **
A major arpeggio (three octaves)
Diminished 7th arpeggio starting on A (three octaves)
Group 2
D major scale (two octaves), ma fingering**
A harmonic and melodic minor scales (three octaves), im fingering **
A minor arpeggio (three octaves)
Dominant 7th arpeggio in the key of D (two octaves, starting on A)
* apoyando = rest stroke; tirando = free stroke
\
** N.B. different fingering to that listed for the same scales in Technical Work Option i), and to that printed in Guitar & Plectrum Guitar Scales & Exercises from 2007.
Exercises
Candidates to prepare all of the following exercises, printed in this book:
1. Mirage (harp arpeggios)
2. Perfect Sky (tremolo)
3. Rasqadenza (scales and rasqueado)
Fantasia. .. ...... . . ... . . . . · 2
996)· . ... ·.:.· ..... 4
9. .. ...... . ... -. ..... . . . : . :.. - ~ .......... ... ......... . .. . - ~ - . . . ',. :'. . .' .. ~ ........ 6
•
ACI<erman Music 01293 537900 Tg G:;i{_a r Exam PH:~ces - Grade 7
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