ear training series 1: chords - apostolicpsom.com · ear training series 1: chords most fingering...

Ear Training Series 1: Chords Most fingering here are simply recommendations. If it does not feel correct to you, then try it another way. EXCEPTION: Major and Minor chords MUST be played as shown below. If you do not play them as shown below, you will have a hard time with your fingering when you get to more advanced, bigger chords. The idea is to get your hand to play the chords in the same ways. For example, all of your dominant 7ths should have the same fingering for each key, although root position may be 1 2 3 5 and first inversion may be 1 2 3 4, etc. You want your hand to learn to “recognize” the feel of a dominant 7ths fingering, no matter what key you are in. ALL EXERCISES HERE FOLLOW THE CIRCLE OF 4ths (Exception: Walking 13ths) Circle of 4ths = C F Bb Eb Ab Db Gb B E A D G MAJOR CHORDS Usually used on the 1st, 4th, 5th chords of the scale (I, IV, V chords) (C) FINGERING: 1 3 5 1 2 5 1 3 5 (should be same for all) NOTES: C E G E G C G C E

F A C A C F C F A Bb D F D F Bb F Bb D Eb G Bb G Bb Eb Bb Eb G Ab C Eb C Eb Ab Eb Ab C Db F Ab F Ab Db Ab Db F Gb Bb Db Bb Db Gb Db Gb Bb B D# F# D# F# B F# B D# E G# B G# B E B E G# A C# E C# E A E A C# D F# A F# A D A D F# G B D B D G D G B

MINOR CHORDS Usually used on the 2nd, 3rd, and 6th chords of the scale (ii, iii, vi chords) (Cm) FINGERING: 1 3 5 1 2 5 1 3 5 (should be same for all) NOTES: C Eb G Eb G C G C Eb

F Ab C Ab C F C F Ab Bb Db F Db F Bb F Bb Db Eb Gb Bb Gb Bb Eb Bb Eb Gb Ab B Eb B Eb Ab Eb Ab B Db E Ab E Ab Db Ab Db E Gb A Db A Db Gb Db Gb A B D F# D F# B F# B D E G B G B E B E G A C E C E A E A C D F A F A D A D F G Bb D Bb D G D G Bb

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Ear Training Series 1: Chords SUSPENDED 2 CHORDS (C2) Use these to replace almost any major chord. It makes them sound better! FINGERING: 1 2 5 1 2 5 1 2 3 (should be same for all) NOTES: C D G D G C G C D

F G C G C F C F G Bb C F C F Bb F Bb C Eb F Bb F Bb Eb Bb Eb F Ab Bb Eb Bb Eb Ab Eb Ab Bb Db Eb Ab Eb Ab Db Ab Db Eb Gb Ab Db Ab Db Gb Db Gb Ab B C# F# C# F# B F# B C# E F# B F# B E B E F# A B E B E A E A B D E A E A D A D E G A D A D G D G A

AUGMENTED (+5 or #5) CHORDS (C+5) Use this when moving in 4ths, such as from C to F or C to Fm or G to C or G to Cm. FINGERING: 1 3 5 1 3 5 1 3 5 (should be same for all) NOTES: C E G# E G# C G# C E

F A C# A C# F C# F A Bb D F# D F# Bb F# Bb D Eb G B G B Eb B Eb G Ab C E C E Ab E Ab C Db F A F A Db A Db F Gb Bb D Bb D Gb D Gb Bb B D# G D# G B G B D# E G# C G# C E C E G# A C# F C# F A F A C# D F# A# F# A# D A# D F# G B D# B D# G D# G B



Ear Training Series 1: Chords DIMINISHED CHORDS (Cdim) This chord is usually used on the 7th chord of the scale or vii chord. (Bdim in the key of C). FINGERING: 1 3 5 1 2 5 1 3 5 (should be same for all) NOTES: C Eb Gb Eb Gb C Gb C Eb

F Ab B Ab B F B F Ab Bb Db E Db E Bb E Bb Db Eb Gb A Gb A Eb A Eb Gb Ab B D B D Ab D Ab B Db E G E G Db G Db E Gb A C A C Gb C Gb A B D F# D F B F B D E G Bb G Bb E Bb E G A C Eb C Eb A Eb A C D F Ab F Ab D Ab D F G Bb Db Bb Db G Db G Bb

SUSPENDED 4 CHORDS (Csus4) This chord is usually used on the 1st or 5th (I and V) chords of the scale (I and V) to give a sustained feel. It always resolves to a major chord. Only use on the I chord at the end of a song and then resolve or use on the V chord if you are playing it for two measures.) FINGERING: 1 4 5 1 2 5 1 2 5 (should be same for all) NOTES: C F G F G C G C F

F Bb C Bb C F C F Bb Bb Eb F Eb F Bb F Bb Eb Eb Ab Bb Ab Bb Eb Bb Eb Ab Ab Db Eb Db Eb Ab Eb Ab Db Db Gb Ab Gb Ab Db Ab Db Gb Gb B Db B Db Gb Db Gb B B E F# E F# B F# B E E A B A B E B E A A D E D E A E A D D G A G A D A D G G C D C D G D G C



Ear Training Series 1: Chords SIXTH Chords: (C6) In jazz, you can use a sixth chord to replace a major chord. 1 2 3 5 1 2 3 5 1 2 3 5 1 2 3 5 C E G A E G A C G A C E A C E G F A C D A C D F C D F A D F A C Bb D F G D F G Bb F G Bb D G Bb D F Eb G Bb C G Bb C Eb Bb C Eb G C Eb G Bb Ab C Eb F C Eb F Ab Eb F Ab C F Ab C Eb Db F Ab Bb F Ab Bb Db Ab Bb Db F Bb Db F Ab Gb Bb Db Eb Bb Db Eb Gb Db Eb Gb Bb Eb Gb Bb Db B D# F# Ab D# F# Ab B F# Ab B D# Ab B D# F# E G# B C# G# B C# E B C# E G# C# E G# B A C# E F# C# E F# A E F# A C# F# A C# E D F# A B F# A B D A B D F# B D F# A G B D E B D E G D E G B E G B D



Ear Training Series 1: Chords MINOR SIXTH Chords: (Cm6) These chords are usually used on the IV chord in selected places. 1 2 3 5 1 2 3 5 1 2 3 5 1 2 3 5 C Eb G A Eb G A C G A C Eb A C Eb G F Ab C D Ab C D F C D F Ab D F Ab C Bb Db F G Db F G Bb F G Bb Db G Bb Db F Eb Gb Bb C Gb Bb C Eb Bb C Eb Gb C Eb Gb Bb Ab B Eb F B Eb F Ab Eb F Ab B F Ab B Eb Db E Ab Bb E Ab Bb Db Ab Bb Db E Bb Db E Ab Gb A Db Eb A Db Eb Gb Db Eb Gb A Eb Gb A Db B D F# Ab D F# Ab B F# Ab B D Ab B D F# E G B C# G B C# E B C# E G C# E G B A C E F# C E F# A E F# A C F# A C E D F A B F A B D A B D F B D F A G Bb D E Bb D E G D E G Bb E G Bb D



Ear Training Series 1: Chords DOMINANT 7ths: (C7) Use this when moving in 4ths, such as from C7 to F or C7 to Fm or G7 to C or G7 to Cm. 1 2 3 5 1 2 3 4 1 2 3 5 1 2 3 5 C E G Bb E G Bb C G Bb C E Bb C E G F A C Eb A C Eb F C Eb F A Eb F A C Bb D F Ab D F Ab Bb F Ab Bb D Ab Bb D F Eb G Bb Db G Bb Db Eb Bb Db Eb G Db Eb G Bb Ab C Eb Gb C Eb Gb Ab Eb Gb Ab C Gb Ab C Eb Db F Ab B F Ab B Db Ab B Db F B Db F Ab Gb Bb Db E Bb Db E Gb Db E Gb Bb E Gb Bb Db B D# F# A D# F# A B F# A B D# A B D# F# E G# B D G# B D E B D E G# D E G# B A C# E G C# E G A E G A C# G A C# E D F# A C F# A C D A C D F# C D F# A G B D F B D F G D F G B F G B D



Ear Training Series 1: Chords MINOR 7ths: (Cm7 or C7) Use these to replace almost any minor chord. It makes them sound better! 1 2 3 5 1 2 3 4 1 2 3 5 1 2 3 5 C Eb G Bb Eb G Bb C G Bb C Eb Bb C Eb G F Ab C Eb Ab C Eb F C Eb F Ab Eb F Ab C Bb Db F Ab Db F Ab Bb F Ab Bb Db Ab Bb Db F Eb Gb Bb Db Gb Bb Db Eb Bb Db Eb Gb Db Eb Gb Bb Ab B Eb Gb B Eb Gb Ab Eb Gb Ab B Gb Ab B Eb Db E Ab B E Ab B Db Ab B Db E B Db E Ab Gb A Db E A Db E Gb Db E Gb A E Gb A Db B D F# A D F# A B F# A B D A B D F# E G B D G B D E B D E G D E G B A C E G C E G A E G A C G A C E D F A C F A C D A C D F C D F A G Bb D F Bb D F G D F G Bb F G Bb D



Ear Training Series 1: Chords MAJOR 7ths: (Cmaj7 or CM7) Use these on the I and IV chords in slow songs to give them a pretty feel. Usually we leave out the root note. (For Cmaj7, leave out the C notes and just play B E G) 1 2 3 5 1 2 3 4 1 2 3 5 1 2 3 5 C E G B E G B C G B C E B C E G F A C E A C E F C E F A E F A C Bb D F A D F A Bb F A Bb D A Bb D F Eb G Bb D G Bb D Eb Bb D Eb G D Eb G Bb Ab C Eb G C Eb G Ab Eb G Ab C G Ab C Eb Db F Ab C F Ab C Db Ab C Db F C Db F Ab Gb Bb Db F Bb Db F Gb Db F Gb Bb F Gb Bb Db B D# F# A# D# F# A# B F# A# B D# A# B D# F# E G# B D# G# B D# E B D# E G# D# E G# B A C# E G# C# E G# A E G# A C# G# A C# E D F# A C# F# A C# D A C #D F# C# D F# A G B D F# B D F# G D F# G B F# G B D



Ear Training Series 1: Chords AUGMENTED 7ths: (C7+5) Use this when moving in 4ths, such as from C to F or C to Fm or G to C or G to Cm. 1 2 3 4 1 2 3 5 1 2 3 5 1 2 3 5 C E G# Bb E G# Bb C G# Bb C E Bb C E G# F A C# Eb A C# Eb F C# Eb F A Eb F A C# Bb D F# Ab D F# Ab Bb F# Ab Bb D Ab Bb D F# Eb G B Db G B Db Eb B Db Eb G Db Eb G B Ab C E Gb C E Gb Ab E Gb Ab C Gb Ab C E Db F A B F A B Db A B Db F B Db F A Gb Bb D E Bb D E Gb D E Gb Bb E Gb Bb D B D# G A D# G A B G A B D# A B D# G E G# C D G# C D E C D E G# D E G# C A C# F G C# F G A F G A C# G A C# F D F# A# C F# A# C D A# C D F# C D F# A# G B D# F B D# F G D# F G B F G B D#



Ear Training Series 1: Chords HALF DIMINISHED 7ths (Minor 7b5) (Cm7b5) This chord is usually used on the 7th chord of the scale or vii chord. (Bdim in the key of C). 1 2 3 5 1 2 3 5 1 2 3 5 1 2 3 5 C Eb Gb Bb Eb Gb Bb C Gb Bb C Eb Bb C Eb Gb F Ab B Eb Ab B Eb F B Eb F Ab Eb F Ab B Bb Db E Ab Db E Ab Bb E Ab Bb Db Ab Bb Db E Eb Gb A Db Gb A Db Eb A Db Eb Gb Db Eb Gb A Ab B D Gb B D Gb Ab D Gb Ab B Gb Ab B D Db E G B E G B Db G B Db E B Db E G Gb A C E A C E Gb C E Gb A E Gb A C B D F A D F A B F A B D A B D F E G Bb D G Bb D E Bb D E G D E G Bb A C Eb G C Eb G A Eb G A C G A C Eb D F Ab C F Ab C D Ab C D F C D F Ab G Bb Db F Bb Db F G Db F G Bb F G Bb Db



Ear Training Series 1: Chords MINOR MAJOR 7ths: (Cminmaj7) This chord is used in selected places. Normally on the minor 1 or minor 4 chords (i and iv) 1 2 3 5 1 2 3 4 1 2 3 5 1 2 3 5 C Eb G B Eb G B C G B C Eb B C Eb G F Ab C E Ab C E F C E F Ab E F Ab C Bb Db F A Db F A Bb F A Bb Db A Bb Db F Eb Gb Bb D Gb Bb D Eb Bb D Eb Gb D Eb Gb Bb Ab B Eb G B Eb G Ab Eb G Ab B G Ab B Eb Db E Ab C E Ab C Db Ab C Db E C Db E Ab Gb A Db F A Db F Gb Db F Gb A F Gb A Db B D F# A# D F# A# B F# A# B D A# B D F# E G B D# G B D# E B D# E G D# E G B A C E G# C E G# A E G# A C G# A C E D F A C# F A C# D A C #D F C# D F A G Bb D F# Bb D F# G D F# G Bb F# G Bb D



Ear Training Series 1: Chords FULLY DIMINISHED 7ths (Cdim7) This chord is normally used as a half step walkup to a minor chord. (C#dim7 to Dm) 1 2 3 5 1 2 3 5 1 2 3 5 1 2 3 5 C Eb Gb A Eb Gb A C Gb A C Eb A C Eb Gb F Ab B D Ab B D F B D F Ab D F Ab B Bb Db E G Db E G Bb E G Bb Db G Bb Db E Eb Gb A C Gb A C Eb A C Eb Gb C Eb Gb A Ab B D F B D F Ab D F Ab B F Ab B D Db E G Bb E G Bb Db G Bb Db E Bb Db E G Gb A C Eb A C Eb Gb C Eb Gb A Eb Gb A C B D F Ab D F Ab B F Ab B D Ab B D F E G Bb Db G Bb Db E Bb Db E G Db E G Bb A C Eb Gb C Eb Gb A Eb Gb A C Gb A C Eb D F Ab B F Ab B D Ab B D F B D F Ab G Bb Db E Bb Db E G Db E G Bb E G Bb Db



Ear Training Series 1: Chords 7b9 (C7b9) Normally used on 4th movements. Works well on the V chord when going back to the I chord. 1 2 3 5 1 2 3 5 1 2 3 5 1 2 3 5 Bb Db E G Db E G Bb E G Bb Db G Bb Db E Eb Gb A C Gb A C Eb A C Eb Gb C Eb Gb A Ab B D F B D F Ab D F Ab B F Ab B D Db E G Bb E G Bb Db G Bb Db E Bb Db E G Gb A C Eb A C Eb Gb C Eb Gb A Eb Gb A C B D F Ab D F Ab B F Ab B D Ab B D F E G Bb Db G Bb Db E Bb Db E G Db E G Bb A C Eb Gb C Eb Gb A Eb Gb A C Gb A C Eb D F Ab B F Ab B D Ab B D F B D F Ab G Bb Db E Bb Db E G Db E G Bb E G Bb Db C Eb Gb A Eb Gb A C Gb A C Eb A C Eb Gb F Ab B D Ab B D F B D F Ab D F Ab B



Ear Training Series 1: Chords DOMINANT 9ths (C9) Use this when moving in 4ths, such as from C to F or G to C. 1 2 3 5 1 2 3 4 1 2 3 5 1 2 3 5 E G Bb D G Bb D E Bb D E G D E G Bb A C Eb G C Eb G A Eb G A C G A C Eb D F Ab C F Ab C D Ab C D F C D F Ab G Bb Db F Bb Db F G Db F G Bb F G Bb Db C Eb Gb Bb Eb Gb Bb C Gb Bb C Eb Bb C Eb Gb F Ab B Eb Ab B Eb F B Eb F Ab Eb F Ab B Bb Db E Ab Db E Ab Bb E Ab Bb Db Ab Bb Db E Eb Gb A Db Gb A Db Eb A Db Eb Gb Db Eb Gb A Ab B D Gb B D Gb Ab D Gb Ab B Gb Ab B D Db E G B E G B Db G B Db E B Db E G Gb A C E A C E Gb C E Gb A E Gb A C B D F A D F A B F A B D A B D F



Ear Training Series 1: Chords MINOR 9ths (Cm9) Use these to replace almost any minor chord. It makes them sound better! 1 2 3 5 1 2 3 4 1 2 3 5 1 2 3 5 Eb G Bb D G Bb D Eb Bb D Eb G D Eb G Bb Ab C Eb G C Eb G Ab Eb G Ab C G Ab C Eb Db F Ab C F Ab C Db Ab C Db F C Db F Ab Gb Bb Db F Bb Db F Gb Db F Gb Bb F Gb Bb Db B D# F# A# D# F# A# B F# A# B D# A# B D# F# E G# B D# G# B D# E B D# E G# D# E G# B A C# E G# C# E G# A E G# A C# G# A C# E D F# A C# F# A C# D A C #D F# C# D F# A G B D F# B D F# G D F# G B F# G B D C E G B E G B C G B C E B C E G F A C E A C E F C E F A E F A C Bb D F A D F A Bb F A Bb D A Bb D F



Ear Training Series 1: Chords MAJOR 9ths: (Cmaj9 or CM9) Use these on the I and IV chords in slow songs to give them a pretty feel. Usually we leave out the root note. (For Cmaj7, leave out the C notes and just play B E G) 1 2 3 5 1 2 3 4 1 2 3 5 1 2 3 5 E G B D G B D E B D E G D E G B A C E G C E G A E G A C G A C E D F A C F A C D A C D F C D F A G Bb D F Bb D F G D F G Bb F G Bb D C Eb G Bb Eb G Bb C G Bb C Eb Bb C Eb G F Ab C Eb Ab C Eb F C Eb F Ab Eb F Ab C Bb Db F Ab Db F Ab Bb F Ab Bb Db Ab Bb Db F Eb Gb Bb Db Gb Bb Db Eb Bb Db Eb Gb Db Eb Gb Bb Ab B Eb Gb B Eb Gb Ab Eb Gb Ab B Gb Ab B Eb Db E Ab B E Ab B Db Ab B Db E B Db E Ab Gb A Db E A Db E Gb Db E Gb A E Gb A Db B D F# A D F# A B F# A B D A B D F#



Ear Training Series 1: Chords Augmented 9ths (9+5 or 9#5) (C7+5) Use this when moving in 4ths, such as from C to F or C to Fm or G to C or G to Cm. 1 2 3 5 1 2 3 4 1 2 3 5 1 2 3 5 E G# Bb D G# Bb D E Bb D E G# D E G# Bb A C# Eb G C# Eb G A Eb G A C# G A C# Eb D F# Ab C F# Ab C D Ab C D F# C D F# Ab G B Db F B Db F G Db F G B F G B Db C E Gb Bb E Gb Bb C Gb Bb C E Bb C E Gb F A B Eb A B Eb F B Eb F A Eb F A B Bb D E Ab D E Ab Bb E Ab Bb D Ab Bb D E Eb G A Db G A Db Eb A Db Eb G Db Eb G A Ab C D Gb C D Gb Ab D Gb Ab C Gb Ab C D Db F G B F G B Db G B Db F B Db F G Gb Bb C E Bb C E Gb C E Gb Bb E Gb Bb C B D# F A D# F A B F A B D# A B D# F



Ear Training Series 1: Chords MINOR MAJOR 9ths (Cminmaj9) This chord is used in selected places. Normally on the minor 1 or minor 4 chords (i and iv) 1 2 3 5 1 2 3 4 1 2 3 5 1 2 3 5 Eb G B D G B D Eb B D Eb G D Eb G B Ab C E G C E G Ab E G Ab C G Ab C E Db F A C F A C Db A C Db F C Db F A Gb Bb D F Bb D F Gb D F Gb Bb F Gb Bb D B Eb G Bb Eb G Bb B G Bb B Eb Bb B Eb G E Ab C Eb Ab C Eb E C Eb E Ab Eb E Ab C A Db F Ab Db F Ab A F Ab A Db Ab A Db F D F# A# C# F# A# C# D A# C #D F# C# D F# A# G B D# F# B D# F# G D# F# G B F# G B D# C E G# B E G# B C G# B C E B C E G# F A C# E A C# E F C# E F A E F A C# Bb D F# A D F# A Bb F# A Bb D A Bb D F#



Ear Training Series 1: Chords 6add9 (C6add) Use these on the I and IV chords in slow songs to give them a pretty feel. Usually we leave out the root note. (For Cmaj7, leave out the C notes and just play B E G) 1 2 3 5 1 2 3 4 1 2 3 5 1 2 3 5 E G A D G A D E A D E G D E G A A C D G C D G A D G A C G A C D D F G C F G C D G C D F C D F G G Bb C F Bb C F G C F G Bb F G Bb C C Eb F Bb Eb F Bb C F Bb C Eb Bb C Eb F F Ab Bb Eb Ab Bb Eb F Bb Eb F Ab Eb F Ab Bb Bb Db Eb Ab Db Eb Ab Bb Eb Ab Bb Db Ab Bb Db Eb Eb Gb Ab Db Gb Ab Db Eb Ab Db Eb Gb Db Eb Gb Ab Ab B Db Gb B Db Gb Ab Db Gb Ab B Gb Ab B Db Db E Gb B E Gb B Db Gb B Db E B Db E Gb Gb A B E A B E Gb B E Gb A E Gb A B B D E A D E A B E A B D A B D E



Ear Training Series 1: Chords Minor 6add9 (Cm6add9) Normally used on the IV chord in certain places. 1 2 3 5 1 2 3 4 1 2 3 5 1 2 3 5 Eb G A D G A D Eb A D Eb G D Eb G A Ab C D G C D G Ab D G Ab C G Ab C D Db F G C F G C Db G C Db F C Db F G Gb Bb C F Bb C F Gb C F Gb Bb F Gb Bb C B Eb F Bb Eb F Bb B F Bb B Eb Bb B Eb F E Ab Bb Eb Ab Bb Eb E Bb Eb E Ab Eb E Ab Bb A Db Eb Ab Db Eb Ab A Eb Ab A Db Ab A Db Eb D Gb Ab Db Gb Ab Db D Ab Db D Gb Db D Gb Ab G B Db Gb B Db Gb G Db Gb G B Gb G B Db C E Gb B E Gb B C Gb B C E B C E Gb F A B E A B E F B E F A E F A B Bb D E A D E A Bb E A Bb D A Bb D E



Ear Training Series 1: Chords 11th Chords: (C11) Normally used to start a song over on the V chord. 1 2 3 5 1 2 3 4 1 2 3 5 1 2 3 5 G Bb D F Bb D F G D F G Bb F G Bb D C Eb G Bb Eb G Bb C G Bb C Eb Bb C Eb G F Ab C Eb Ab C Eb F C Eb F Ab Eb F Ab C Bb Db F Ab Db F Ab Bb F Ab Bb Db Ab Bb Db F Eb Gb Bb Db Gb Bb Db Eb Bb Db Eb Gb Db Eb Gb Bb Ab B Eb Gb B Eb Gb Ab Eb Gb Ab B Gb Ab B Eb Db E Ab B E Ab B Db Ab B Db E B Db E Ab Gb A Db E A Db E Gb Db E Gb A E Gb A Db B D F# A D F# A B F# A B D A B D F# E G B D G B D E B D E G D E G B A C E G C E G A E G A C G A C E D F A C F A C D A C D F C D F A



Ear Training Series 1: Chords Minor 11th Chords: (Cm11) Use these to replace almost any minor chord. It makes them sound better! 1 2 3 5 1 2 3 4 Eb Bb D F Bb D Eb F G Eb G Bb Eb G Ab Bb Db Ab C Eb Ab C Db Eb Gb Db F Ab Db F Gb Ab B Gb Bb Db Gb Bb B Db E B Eb Gb B Eb E Gb A E Ab B E Ab A B D A Db E A Db D E G D F# A D F# G A C G B D G B C D F C E G C E F G Bb F A C F A Bb C



Ear Training Series 1: Chords 9#11 (9+11) (Gb9#11) Use these as a half step walkdown to a chord such as Gb9#11 to Fmaj9 or Eb9#11 to Dm9. 1 2 3 5 1 2 3 5 1 2 3 5 1 2 3 4 Bb D E Gb D E Gb Bb E Gb Bb D Gb Bb D E D# G A B G A B D# A B D# G B D# G A G# C D E C D E G# D E G# C E G# C D C# F G A F G A C# G A C# F A C# F G F# A# C D A# C D F# C D F# A# D F# A# C B D# F G D# F G B F G B D# G B D# F E G# Bb C G# Bb C E Bb C E G# C E G# Bb A C# Eb F C# Eb F A Eb F A C# F A C# Eb D F# Ab Bb F# Ab Bb D Ab Bb D F# Bb D F# Ab G B Db Eb B Db Eb G Db Eb G B Eb G B Db C E Gb Ab E Gb Ab C Gb Ab C E Ab C E Gb F A B Db A B Db F B Db F A Db F A B



Ear Training Series 1: Chords 13th Chords Use this when moving in 4ths, such as from C13 to F or G13 to C. 1 2 3 5 1 2 3 4 1 2 3 5 1 2 3 5 Bb D F A D F A Bb F A Bb D A Bb D F Eb G Bb D G Bb D Eb Bb D Eb G D Eb G Bb Ab C Eb G C Eb G Ab Eb G Ab C G Ab C Eb Db F Ab C F Ab C Db Ab C Db F C Db F Ab Gb Bb Db F Bb Db F Gb Db F Gb Bb F Gb Bb Db B D# F# A# D# F# A# B F# A# B D# A# B D# F# E G# B D# G# B D# E B D# E G# D# E G# B A C# E G# C# E G# A E G# A C# G# A C# E D F# A C# F# A C# D A C #D F# C# D F# A G B D F# B D F# G D F# G B F# G B D C E G B E G B C G B C E B C E G F A C E A C E F C E F A E F A C



Ear Training Series 1: Chords 9add13 Chords Use this when moving in 4ths, such as from C13 to F or G13 to C. They also work well as left hand chords. 1 2 3 5 1 2 3 4 1 2 3 5 1 2 3 5 E A Bb D A Bb D E Bb D E A D E A Bb A D Eb G D Eb G A Eb G A D G A D Eb D G Ab C G Ab C D Ab C D G C D G Ab G C Db F C Db F G Db F G C F G C Db C F Gb Bb F Gb Bb C Gb Bb C F Bb C F Gb F Bb B Eb Bb B Eb F B Eb F Bb Eb F Bb B Bb Eb E Ab Eb E Ab Bb E Ab Bb Eb Ab Bb Eb E Eb Ab A Db Ab A Db Eb A Db Eb Ab Db Eb Ab A Ab C# D Gb C# D Gb Ab D Gb Ab C# Gb Ab C# D Db Gb G B Gb G B Db G B Db Gb B Db Gb G Gb B C E B C E Gb C E Gb B E Gb B C B E F A E F A B F A B E A B E F



Ear Training Series 1: Chords 7+5+9 or 7#5#9 Chord (C7+5+9) Use this when moving in 4ths, such as from C7+5+9 to F or C7+5+9 to Fm. 1 2 3 5 1 2 3 4 1 2 3 5 1 2 3 5 E Ab Bb Eb Ab Bb Eb E Bb Eb E Ab Eb E Ab Bb A Db Eb Ab Db Eb Ab A Eb Ab A Db Ab A Db Eb D Gb Ab Db Gb Ab Db D Ab Db D Gb Db D Gb Ab G B Db Gb B Db Gb G Db Gb G B Gb G B Db C E Gb B E Gb B C Gb B C E B C E Gb F A B E A B E F B E F A E F A B Bb D E A D E A Bb E A Bb D A Bb D E Eb G A D G A D Eb A D Eb G D Eb G A Ab C D G C D G Ab D G Ab C G Ab C D Db F G C F G C Db G C Db F C Db F G Gb Bb C F Bb C F Gb C F Gb Bb F Gb Bb C B Eb F Bb Eb F Bb B F Bb B Eb Bb B Eb F



Ear Training Series 1: Chords WALKING 13ths (C13) Use these to replace double octaves notes in both hands. They work well on walkups such as C D Eb E F. C13 = E A C (RIGHT HAND) C Bb (LEFT HAND)

Db13 = F Bb Db

Db B D13 = F# B D D C Eb13 = G C Eb

Eb Db E13 = G# C# E E D F13 = A D F

F Eb F#13 = A# D# F# F# E G13 = B E G G F Ab13 = C F Ab Ab Gb A13 = C# F# A

A G Bb13 = D G Bb Bb Ab B13 = D# G# B

B A



Ear Training Series 1: Chords MAJOR 9add6 (MAJOR 9add13): (Cmaj9add6) Use these on the I and IV chords in slow songs to give them a pretty feel. Usually we leave out the root note. (For Cmaj7, leave out the C notes and just play B E G) 1 2 3 4 5 1 2 3 4 5 1 2 3 4 5 1 2 3 4 5 1 2 3 4 5 E G A B D G A B D E A B D E G B D E G A D E G A B A C D E G C D E G A D E G A C E G A C D G A C D E D F G A C F G A C D G A C D F A C D F G C D F G A G Bb C D F Bb C D F G C D F G Bb D F G Bb C F G Bb C D C Eb F G Bb Eb F G Bb C F G Bb C Eb G Bb C Eb F Bb C Eb F G F Ab Bb C Eb Ab Bb C Eb F Bb C Eb F Ab C Eb F Ab Bb Eb F Ab Bb C Bb Db Eb F Ab Db Eb F Ab Bb Eb F Ab Bb Db F Ab Bb Db Eb Ab Bb Db Eb F Eb Ab Gb Bb Db Ab Gb Bb Db Eb Ab Gb Bb Db Eb Bb Db Eb Gb Ab Db Eb Gb Ab Bb Ab B Db Eb Gb B Db Eb Gb Ab Db Eb Gb Ab B Eb Gb Ab B Db Gb Ab B Db Eb Db E Gb Ab B E Gb Ab B Db Gb Ab B Db E Ab B Db E Gb B Db E Gb Ab Gb A B Db E A B Db E Gb B Db E Gb A Db E Gb A B E Gb A B Db B D E F# A D E F# A B E F# A B D F# A B D E A B D E F#



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