echoes and silence, patience and grace book - foo fighters
TRANSCRIPT
7/28/2019 Echoes and Silence, Patience and Grace Book - Foo Fighters
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Intro
Fast Rock q = 175
Half-time feel
The PretenderWords and Music by Dave Grohl, Taylor Hawkins, Christopher Shiflett and Nate Mendel
from Foo Fighters - Greatest Hits
Copyright © 2007 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC,I LOVE THE PUNK ROCK MUSIC and FLYING EARFORM MUSIC
All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC.All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP.
All Rights for FLYING EARFORM MUSIC Administered by BUG MUSICAll Rights Reserved Used by Permission
Gtr. 1 (clean)
mf
Riff A
let ring throughout
*Am('9)
11
A5
Asus2/B Am/C Am D9/F#
*Chord symbols reflect implied harmony.
F,7 End Riff A
1/2
Keep
VerseGtr. 1: w/ Riff A (1 1/2 times)
1.
Am('9)
you in the dark. You
Asus2/B
know
Am/C
they
Am
all
D9/F#
pre tend.
F,7
-
Keep
Am('9)
you in the dark, and
Asus2/B
so
Am/C
it
Am
all
D9/F#
be gan.
F,7
-
End half-time feel
Gtr. 1
Fill 1 End Fill 1
1/2
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910
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InterludeGtr. 1 tacet
A5
Gtr. 2: w/ Riff B (16 times)
Verse
Am
Send2. in your skel e- tons.- Sing as their bones
*Gtr. 2 (dist.)
Riff B
mf
End Riff B Rhy. Fig. 1
**Gtr. 3(dist.)
mf
*Doubled throughout **Doubled throughout
come march ing- in
D/F#
a gain.-
F Fsus2
End Rhy. Fig. 1
Gtr. 3: w/ Rhy. Fig. 1
Am
The need you bur ied- deep, the se crets- that you keep are
at
D/F#
the read y.- Are
F
you read
Fsus2
y?
-
G5
Gtr. 3
Rhy. Fig. 2 End Rhy. Fig. 2
Gtr. 3: w/ Rhy. Fig. 1
Am
I’m fin ished- mak ing- sense, done plead ing- ig no- rance,- that old
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Gtr. 3: w/ Rhy. Fig. 2
D/F#
de fense.-
F Fsus2
G5
Gtr. 4 (dist.)
Riff C
mf steady gliss.
Gtr. 3: w/ Rhy. Fig. 1
Am
Spin ning- in fin- i- ty,- but
the wheel is spin ning- me. It’s
P.M.
nev
Gtr. 3: w/ Rhy. Fig. 2
D/F#
er- end- ing,- nev
F
er- end
Fsus2
- ing.-
G5
P.M.
Same
D5
old
Dsus2
sto
D
ry.
Dsus4
- What
Chorus
Am
if I
Am('9)
say
Am
I’m not
Am('9)
like the oth
Am
ers?-
Am('9)
Gtr. 4
End Riff C
*Gtr. 5(dist.)
Rhy. Fig. 3A
*Doubled throughout
Gtr. 3
Fill 2 End Fill 2 Rhy. Fig. 3
Gtrs. 3 & 4
15
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
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1To Coda
2To Coda
What if I
Am/B
say I’m
Am/C
not just
Am
an oth- er- one
D9/F#
of your plays?
You’re the pre tend- er.-
What
F,7
if I say I will
nev er- sur
ren- der?-
What
1st time, Gtr. 3: w/ Rhy. Fig. 3 (1st 6 meas.)1st & 2nd times, Gtrs. 4 & 5: w/ Rhy. Figs. 3 & 3A2nd time, Gtr. 3: w/ Rhy. Fig. 33rd time, Gtr. 3: w/ Rhy. Fig. 3 (3 times)3rd time, Gtr. 4: w/ Rhy. Fig. 3 (2 7/8 times)3rd time, Gtr. 5: w/ Rhy. Fig. 3A (3 times)
Am
if I
Am('9)
say
Am
I’m not
Am('9)
like the oth
Am
ers?-
Am('9)
End Rhy. Fig. 3A
End Rhy. Fig. 3
What if I
Am/B
say I’m
Am/C
not just
Am
an oth- er- one
D9/F#
of your plays?
You’re the pre tend- er.-
What
F,7
if I say I will
nev er- sur
ren- der?-
A5
Gtr. 3
w/ slight dist.
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D.S. al Coda 1
1 Coda
Gtr. 2: w/ Riff B (8 times)Gtr. 3: w/ Rhy. Fig. 1
Verse
Am
In3. time, or so I’m told, I’m just an oth- er- soul for sale.
Gtr. 3: w/ Rhy. Fig. 2
D/F#
Oh, well.
F
Fsus2Gtr. 4: w/ Riff C
G5
Am
The page is out of print. We are not per ma- nent,- we’re
Gtr. 3
tem
D/F#
po- rar- y,- tem
F
po- -
rar
Fsus2
y.-
G5
Same
D5
old
Dsus2
sto
D
ry.
Dsus4
-
nev er- sur
ren- der?-
Gtr. 3: w/ Fill 2
D5 Dsus2 D
Dsus4
0221
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0221
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Interlude
A5
I’m
Gtr. 3
Riff D
w/ slight dist.
P.M.
P.M.
P.M.
P.M.
End Riff D
Gtr. 4
Rhy. Fig. 4
P.M. P.M. P.M. P.M. P.M. P.M.
End Rhy. Fig. 4
BridgeGtr. 3: w/ Riff DGtr. 4: w/ Rhy. Fig. 4 (2 times)
A5
the voice in side- your head (that) you re fuse- to hear.
I’m
Gtr. 5
w/ flanger
the face that you have to face, mir rored- in your stare. I’m
Gtr. 3
P.M.
P.M.
P.M.
P.M.
Gtr. 5
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A5
what’s left. I’m what’s right. I’m the en e- my.- I’m
Gtr. 3
let ring let ring let ring let ring
Gtr. 4
P.M. P.M. P.M. P.M. (cont. in slashes)
Gtr. 5
Gtr. 4
P.M. P.M. P.M. P.M.
A5
the hand that will take you down,
bring you to your knees.
So who
Gtr. 3
let ring let ring let ring let ring
Gtr. 5
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D.S. al Coda 2
End half-time fee
Rhy. Fig. 5 End Rhy. Fig. 5
w/ dist
are you? Yeah, who are you? Yeah, who
w/ dist
*Gtr. 4: w/ Rhy. Fig. 5
are you?
Yeah, who are you?
*w/ dist. & delay (set for quarter-note regeneration w/ multiple decaying repeats).
Keep4.
Verse
Half-time feelGtr. 1: w/ Riff A (1st 6 meas.)
Gtrs. 3 & 5 tacet
Am('9)
you in the dark. You
Asus2/B
know
Am/C
they
Am
all
D9/F#
pre tend.
F,7
-
Gtr. 1: w/ Fill 1
014
014
12014
012
012
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014
12014
012
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014
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14
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2 Coda
What
Am
if I
Am('9)
say
Am
I’m not
Am('9)
like the oth
Am
ers?-
Am('9)
What if I
Am/B
say I’m
Am/C
not just
Am
an oth- er- one
D9/F#
(Keep
Voc. Fig. 1
you in the dark. You know they all
Gtr. 6 (dist.)
mf
of your plays?
You’re the pre tend- er.-
What
F,7
if I say I will
nev er- sur
ren- der?-
pre tend.)-
End Voc. Fig. 1
Fill 3 End Fill 3
What
Bkgd. Voc.: w/ Voc. Fig. 1
Am
if I
Am('9)
say
Am
I’m not
Am('9)
like the oth
Am
ers?-
Am('9)
What if I
Am/B
say I’m
Am/C
not just
Am
an oth- er- one
D9/F#
Gtr. 6: w/ Fill 3
of your plays?
You’re the pre tend- er.-
What
F,7
if I say I will
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
9X11
9X11
9X11
10X12
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10X12
10X12
7X9
7X9
7X9
7X9
9X11
9X11
9X11
9X11
9X11
9X11
9X11
9X11
9X11
9X11
9X11
9X11
7X9
7X9
9X11
9X11
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10X12
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10X12
10X12
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nev er- sur
ren- der?-
Gtr. 3: w/ Fill 2
D5 Dsus2 D Dsus4
So who
Gtr. 6
Gtr. 4
(cont. in slashes)
Gtr. 4
Gtr. 6 tacet
Outro
A5
are you?
Yeah, who are you?
Yeah, who
Gtr. 3
are who?
let ring let ring
10X12
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000
000
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Intro
Moderately q = 124
Let It DieWords and Music by Dave Grohl, Taylor Hawkins, Christopher Shiflett and Nate Mendel
Copyright © 2007 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC,I LOVE THE PUNK ROCK MUSIC and FLYING EARFORM MUSIC
All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC.All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP.
All Rights for FLYING EARFORM MUSIC Administered by BUG MUSICAll Rights Reserved Used by Permission
from Foo Fighters - Echoes, Silence, Patience & Grace
Gtrs. 1 & 2 (acous.)
let ring throughout
w/ fingers
Riff A
* Bb6sus2
mf
Fadd2 Gsus2
13 4
G5
Bb6sus2 Fadd2 Gsus2
End Riff A
*Chord symbols reflect implied harmony.
Bb6sus2
Fadd2 Gsus2
Bb6sus2
Fadd2 Gsus2
A1.
Riff B End Riff B
heart
Verse
Gtrs. 1 & 2: w/ Riff B (4 times)
Bb6sus2
of gold,
Fadd2
but it lost
Gsus2
its pride,
Bb6sus2
Fadd2 Gsus2
Beau
Bb6sus2
ti- ful- veins
Fadd2
and blood
Gsus2
shot- eyes.
Bb6sus2
Fadd2 Gsus2
I’ve
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seen
Bb6sus2
your face
Fadd2
in an oth
Gsus2
- er- light.
Bb6sus2
Fadd2 Gsus2
Why’d
Bb6sus2
you have to go
Fadd2
and let
Gsus2
it die?
Bb6sus2
Fadd2 Gsus2
Why’d
Bb6sus2
you have to go
Fadd2
and let
G
it die?
Gsus4
Why’d
Eb
you have to go
Gm
and let
Gsus4
it die?
G
Gm7
Gtr. 1Riff C
Gtr. 2Riff C1
In too deep
Fadd2
and out
G
of time.
Gsus4
Why’d
Eb
you have to go
Gm
and let
Gsus4
it die?
G
End Riff C
End Riff C1
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Bb6sus2
Interlude
Gtrs. 1 & 2: w/ Riff A
Fadd2 Gsus2
Bb6sus2
Fadd2 Gsus2
A2.
sim
Gtrs. 1 & 2: w/ Riff B (4 times)
Bb6sus2
Verse
ple- man
Fadd2
and his blush
Voc. Fig. 1Gsus2
in’- bride.
(Why’d
Bb6sus2
you have to go
Fadd2
and let
Gsus2
it die?)
End Voc. Fig. 1
In
Bb6sus2
tra- ve-
Fadd2
ni- ous,- in
Bkgd. Voc.: w/ Voc. Fig. 1
Gsus2
ter- twined.-
Bb6sus2
Fadd2 Gsus2
Hearts
Bb6sus2
gone cold,
Fadd2
your hands
Bkgd. Voc.: w/ Voc. Fig. 1
Gsus2
were tied.
Bb6sus2
Fadd2 Gsus2
Why’d
Bb6sus2
you have to go
Fadd2
and let
Bkgd. Voc.: w/ Voc. Fig. 1
Gsus2
it die?
Bb6sus2
Fadd2 Gsus2
Why’d
Gtrs. 1 & 2: w/ Riffs C & C1
Bb6sus2
you have to go
Fadd2
and let
G
it die?
Gsus4
Why’d
Eb
you have to go
Gm
and let
Gsus4
it die?
G
Gm7
In too deep
Fadd2
and out
G
of time.
Gsus4
Why’d
Eb
you have to go
Gm
and let
Gsus4
it die?
G
Do you ev -
Gtrs. 3 & 4 (elec.)
(Gtr. 4, cont. in slashes)w/ dist.
mf
355
355
355
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Gtr. 4
Bridge
G5
er- think of me? You’re so con sid- er- ate.- Did you ev -
Gtr. 3
P.M. P.M.
Gtr. 4 tacet
Eb
er- think of me? Oh, so con sid- er- ate.- In
Gtr. 5 (elec.)
w/ clean tone
mf
Gtrs. 1 & 2
Gtr. 3
P.M. P.M.
355
355
355
355
355
355
355
355
355
355
355
355
355
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355
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355
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6504
6
4
355
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355
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Chorus
Gtr. 3 tacet
Eb
too deep and lost
Fadd2
in time.
Why’d
C
you have to
go and
Gtr. 5Riff D2
Gtr. 1Riff D
Gtr. 2
Riff D1
let
Dadd4
it die?
Beau
Eb
Gtrs. 1, 2 & 5: w/ Riffs D, D1 & D2 (2 times)
ti
- ful- veins and
blood
Fadd2
shot-
eyes.
Why’d
C
End Riff D2
End Riff D
End Riff D1
6
05
46
8
07
68
3201
3
6
40
56
64
0
6 8
60
86
3
10
13
10
2
6
43
53
65
35
3
8
65
8
65
8 3
01
2
1
3
01
23
5403
5
6504
3 5
30
53
0
6
4
3 5
24
24
2
5 6
4
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you have to
go and let
Dadd4
it die?
Heart’s
Eb
gone
cold and
Voc. Fig. 2
(Whoa.)
hands
Fadd2
are tied.
Why’d
C
you have to
go and let
Bkgd. Voc.: w/ Voc. Fig. 2
Dadd4
it die?
Why’d
Eb
End Voc. Fig. 2
you
have to
go and let
Fadd2
it die?
µ
Gtr. 5 tacet
Interlude
Bbsus2 Fadd2
Gtr. 5
Gtr. 1
Gtr. 2
*Gtrs. 3 & 4
Gtrs. 1 & 2 tacet
G Gsus4 Eb Gm7 Gsus4 G Gm7
*Composite arrangement
6
05
46
87
87
875
875
875
875
875
6
40
56
64
56 8
60
8
06
8
07 8
60
08
07
0
6
43
5 33 3 3
38
78
5 5
88
60
08
07
0
50
50
50
54
00
55
00
534
534
534
534
00
33
00
57
00
55
55
55
57
00
54
00
536
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Fadd2 G
Gsus4 Eb
Gm7 Gsus4 G
Do3. you
ev
Gm7
-
Riff E End Riff E
Verse
Gtrs. 3 & 4: w/ Riff E
Gm7
er
- think
Fadd2
of me?
G
You’re
Gsus4
so
Eb
con
sid-
Gm7
er- ate.-
Gsus4 G
Did
you ev
Gm7
-
er
- think
Fadd2
of me?
G
Oh,
Gsus4
so
Eb
con
sid-
Gm7
er- ate.-
Gtrs. 3 & 4
Gsus4 G
In
Chorus
Eb5/Bb
too
deep and lost
F5/C
in time.
Why’d
Gtrs. 3 & 4
Gtr. 6 (elec.)
w/ dist.
mf
536
536
536
00
3 00
7 00
50
50
50
54
00
55
00
534
534
534
534
00
33
00
57
00
55
55
55
57
00
54
00
536
536
536
536
00
3 00
7 0 50
50
50
54
00
55
00
534
534
534
534
00
33
00
57
00
55
55
55
57
00
54
54
668
668
668
668
668
668
668
668
8810
8810
8810
8810
8810
8810
8810
000
10 668
668
668
668
668
668
668
668
8810
8810
8810
8810
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8810
000
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C5/G
you have to
go and let
D5/A
it die?
Beau
Gtrs. 3, 4 & 6: w/ Rhy. Fig. 1 (2 1/2 times)
Eb5/Bb
ti
- ful- veins and blood -
Gtrs. 3, 4 & 6End Rhy. Fig. 1
F5/C
- shot eyes.
Why’d
C5/G
you have to
go and let
Bkgd. Voc.: w/ Voc. Fig. 2
D5/A
it die?
Heart’s
Gtr. 5
w/ dist.
Eb5/Bb
gone
cold and hands
F5/C
are tied.
Why’d
C/G
you have to
go and
335
335
335
335
335
335
335
335
557
557
557
557
557
557
557
000
10 00
688
688
688
688
688
688
688
688
81010
81010
81010
81010
81010
81010
81010
81010
87
10
87
10
8710
8710
8710
8710
8710
87
10
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let
D/A
it die?
Why’d
Eb5/Bb
you
have to go and let
F5/C
this die?
Why’dScreamed:
(Whoa.)
Outro
Gtrs. 3 & 4: w/ Riff E (2 3/4 times)Gtr. 5 tacet
Gm7
you have to go
Fadd2
and let
G
this die?
Gsus4 Eb
Gm7 Gsus4 G
Why’d
Gm7
you have to go
Fadd2
and let
G
this die?
Gsus4 Eb
Gm7 Gsus4 G
Why’d
Gm7
you have to go
Fadd2
and let
G
this die?
Gsus4 Eb
Gm7
Gsus4 G
Why’d
Gm7
you have to go
Fadd2
and
µ
let it die?
Gtrs. 3 & 4
109
12
10912
109
12
10912
10912
10912
10 00 6
88
688
688
688
688
688
688
688
81010
81010
81010
81010
81010
81010
55
55
55
57
00
54
00
536
536
536
536
00
3 00
7
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Intro
Moderate Rock q = 129
Erase/ReplaceWords and Music by Dave Grohl, Taylor Hawkins, Christopher Shiflett and Nate Mendel
Copyright © 2007 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC,I LOVE THE PUNK ROCK MUSIC and FLYING EARFORM MUSIC
All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC.All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP.
All Rights for FLYING EARFORM MUSIC Administered by BUG MUSICAll Rights Reserved Used by Permission
from Foo Fighters - Echoes, Silence, Patience & Grace
Gtr. 2 (dist.)
**
Riff A1
Abmaj7
f
F/A Bb6 C7End Riff A1
1/2 1
Gtr. 1 (slight dist.)
let ring throughout
Riff A
mf
End Riff A
*Gtr. 3 (dist.)
Fill 1 End Fill 1
f
*Doubled throughout
**Chord symbols reflect implied harmony.
Gtr. 2
Gtr. 1: w/ Riff A
Abmaj7 F/A Bb6 C7
1/2
Gtr. 3
9 1113
13 10 1010
12 12 13 11 1315
1515 15
1515
6
08
0
7
08
0
8
08
0
10
08
15 00
9 1113
13 10 1010
12 12 13 1315
15
1514
1514
1517
15
466
466
466
466
466
466
466
466
587
587
587
587
587
587
587
587
688
688
688
688
688
688
688
688
87
08
87
08
87
08
87
08
8
87
08
8
87
08
8
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Gtr. 4 (slight dist.)
Gtrs. 2 & 3 tacet
Riff B
Bb5
mf
End Riff B
Gtr. 4: w/ Riff B (2 times)
Gtr. 5 (dist.)
mf
Eb5 Bb5 B5
C7
Gtr. 4: w/ Riff B (4 times)
Verse
Eb5
At1. ten- tion,-
Bb5 B5 C7
pay at ten- tion.-
Riff CEnd Riff C
Gtr. 5: w/ Riff C (3 times)
Eb5
No men tion,-
Bb5
a
B5
sick
C7
his to- ry.-
Eb5
O mis- sion,
-
Bb5 B5
C7
an ad
mis- sion.-
Eb5
Ig ni- tion,
-
Bb5 B5 C7
det o
- nate.-
Pre-Chorus
Gtr. 4: w/ Riff B (4 times)
Eb5
Oh, no, don’t
Bb5
talk a
bout- it.
B5 C7
No, please don’t talk a bout- it.
Gtr. 5
Riff D End Riff D
8X
8X
8X
8X
8X
8X
8X
8X
8X
8X
8X
8X
8X
8X
8X
8X
8X
8X
8X
8X
8X
8X
8X
8X
8X
8X
8X
8X
8X
8X
8X
8X
6 6 6 6 66 6 6 7
8 8 8 8 87
86 6 6 6 6
6 6 6 7 8 8 8 8 87
8
6 6 6 6 6 66 6 6 6 6 6 6 6 6 7 8 8 8 8 8 8
7 7 7 7 7 78 8 8 8
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Eb5
Oh, no, don’t
Bb5
talk
a bout- it.
B5 C7
Not one more
word
a bout- it.
Gtr. 5: w/ Riff D
Eb5
Oh, no, don’t
Bb5
think a
bout- it.
B5 C7
No, please don’t think a bout- it.
Eb5
Oh, please don’t
Bb5
think a
bout- it.
B5
It
C7
goes
µ
a way.-
Chorus
Half-time feel
Gtr. 1: w/ Riff A (4 times)Gtrs. 2 & 5 tacet
Abmaj7
Who made these prom -
Gtr. 2
* fdbk.
Gtr. 3
Rhy. Fig. 1
Pitch: F
*Microphonic fdbk., not caused by string vibration.
F# F
Gtr. 5 Fill 2 End Fill 2
is
F/A
es?-
Bb6
You made these prom is
C7
- es.-
Gtr. 3 End Rhy. Fig. 1
6 6 6 6 6 66 6 6 6 6 6 6 6 6 7 8 8 8 8 8 8
7 7 7 7 7 7 10 10 10 10
XX
X
46
6
46
6
46
6
46
6
46
6
46
6
46
6
46
6
6 6 6 6 6 66 6 6 6 6 6 6 6 6 7 8
587
587
587
587
587
587
587
587
688
688
688
688
688
688
688
688
87
08
87
08
87
08
87
08
87
08
87
08
8000
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C oT oda
Gtr. 3: w/ Rhy. Fig.1 (2 times)
Abmaj7
E
*
*w/ echo set for half-note regeneration w/ 1 repeat.
rase.-
F/A
Re place.-
Bb6
E rase.-
C7
Re place.-
Abmaj7
Hoo ray- for prom is
F/A
- es.-
Bb6
Hoo ray- for prom is
C7
- es.-
Abmaj7
E
**
rase.-
F/A
Re place.-
Bb6
E rase.-
C7
Re place.-
End half-time feel
Gtr. 3
**w/ echo, as before.
Interlude
Gtr. 3 tacetGtr. 4: w/ Riff B
Eb5
C7
Gtr. 4: w/ Riff B (4 times)Gtr. 5: w/ Riff C (4 times)
Verse
Eb5
A2. vi sion,
-
Bb5 B5
Gtr. 5
C7
di vi- sion.-
Eb5
Re vi- sion,
-
Bb5 B5 C7
reg u- late.-
466
466
466
466
466
466
466
466
587
587
587
587
587
587
587
587
688
688
688
688
688
688
688
688
87
08
87
08
87
08
87
08
87
08
87
08
87
08
87
08
6 6 6 6 68 8 8 8 8
78
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D.S. al Coda
Coda
Eb5
An ac tion,
-
Bb5 B5 C7
a re
ac- tion.-
Eb5
Dis trac- tion,
-
Bb5 B5
ques
C7
tion- of faith.
Pre-Chorus
Gtr. 4: w/ Riff B (2 1/2 times)Gtr. 5: w/ Riff D (1 1/2 times)
Eb5
Oh, no, don’t
Bb5
talk a
bout- it.
C7
No, please don’t talk a bout- it.
Eb5
Oh, no, don’t
Bb5
talk a
bout- it. It
Gtr. 5: w/ Fill 2
C7
goes
µ
a way.-
Gtr. 2
* fdbk.
Pitch: E
*Microphonic fdbk., not caused by string vibration.
F# B
Gtr. 4
Riff F
w/ heavy reverb
Interlude
Am7Gtr. 3 tacet
Abmaj7
**Gtrs. 1 & 6
let ring throughout
Riff E End Riff E
**Gtr. 6 (clean), played mf . Composite arrangement
Gtr. 3
X XX
3X5
3X5
3X5
3X5
3X5
3X5
3X5
3X5
3X5
3X5
3X5
3X5
3X5
3X5
3X5
5X7
5X7
5
7
6
8
6X8
6X8
6X8
6X8
6X8
6X8
5X7
5X7
3X5
3X5
53
50
5
53
53
50
5
53
43
50
5
43
43
50
5
43
5X7
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Gtr. 4
C/E Fadd9End Riff F
Gtrs. 1 & 6
Ah.
Bridge
Gtrs. 1 & 6: w/ Riff EGtr. 4: w/ Riff F (2 times)
Am7
Are we bet ter
Abmaj7
- off now? Some thing-
C/E
I’ve said, meant for you.
Fadd9
Gtrs. 1 & 6
Riff G End Riff G
Ah.
Gtrs. 1 & 6: w/ Riff E
Am7
Are we bet ter
Abmaj7
- off now? Some thing-
3
5
7X9
7X9
7X9
7X9
7X9
7X9
7X9
3X5
3X5
5X7
5X7
5X7
5X7
5X7
5X7
5X7
5X7
5X7
5X7
5X7
5X7
5X7
5X7
5X7
03
50
5
03
03
50
5
03
13
30
3
13
13
00
03
50
5
03
03
50
5
03
13
30
3
13
13
30
3
13
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Gtrs. 1 & 6: w/ Riff G
C/E
I’ve said, meant for you.
Fadd9
Gtr. 1
Interlude
Gtr. 2: w/ Riff A1 (2 times)
Abmaj7 F/A Bb6
2nd time, Gtr. 3: w/ Fill 1
C7
ChorusHalf-time feel
Gtr. 1: w/ Riff A (6 times)Gtr. 3: w/ Rhy. Fig. 1 (6 times)
Abmaj7
Who made these prom is
F/A
- es?-
Bb6
You
made these prom is
C7
- es.-
Abmaj7
E
*
rase.-
F/A
Re place.-
Bb6
E rase.-
C7
Re place.-
Gtr. 2
*w/ echo set for half-note regeneration w/ 1 repeat.
66
4
07
85
0 08
86
0
87
80
8
87
X15
17X15
17X15
17X15
17X15
17X15
17X15
17X15
17X15
17X15
17X15
17X15
17X15
17X15
17X15
17X15
17X15
17X15
17X15
17X15
17X15
17X15
17X15
17X15
17X15
17X15
17X15
17X15
17X15
17X15
17X15
17X15
17
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Abmaj7
Hoo
ray- for prom is
F/A
- es.-
Bb6
Hoo
ray- for prom is
C7
- es.-
1/2 1
Abmaj7
E
*
rase.-
F/A
Re place.-
Bb6
E rase.-
C7
Re place.-
Oh,
*w/ echo, as before.
Abmaj7 F/A
oh.
Bb6 C7
Abmaj7
E
**
rase.-
F/A
Re place.-
1
**w/ echo, as before.
1
X15
17 X11
13 13
13 10 10
10
12 12 13 11 1315 15 15 15
1515
X15
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15
X13
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20X14
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17
1513
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15 15 15 1513 13 13 13 13
15 15 1513 13
15 15 1513 13 13 13
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Bb6
E rase.-
C7
Re place.-
End half-time fe
1 1 11 1 1
Gtr. 7 (clean)
Outro
Gtr. 2 tacetGtr. 4: w/ Riff BGtr. 5: w/ Riff C
w/ tremolo
Eb5
mf
Bb5 B5 C7
Gtr. 7
Eb5
steady gliss.
Bb5 B5 C7 µ
*Hypothetical fret location.
*
Gtr. 4
Gtr. 5
**fdbk.
Pitch: E
**Microphonic fdbk., not causedby string vibration.
1513
15 1513 13
15 1513 13
15 1513 13
15 1513
15 1513 13 13
1513
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 6 6 7 7 8 9 10 17 29
8X
8X
8X
8X
8X
8X
8X
8X
8X
8X
8X
8X
8X
8X
8X
8X
8X
8X
8X
8X
8X
6 6 6 6 66 6 6 7 8 8 8 8 8
X
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Long Road to RuinWords and Music by Dave Grohl, Taylor Hawkins, Christopher Shiflett and Nate Mendel
from Foo Fighters - Greatest Hits
Copyright © 2007 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC,I LOVE THE PUNK ROCK MUSIC and FLYING EARFORM MUSIC
All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC.All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP.
All Rights for FLYING EARFORM MUSIC Administered by BUG MUSICAll Rights Reserved Used by Permission
Moderate Rock q = 147
Intro
*
(Kybds.)
C
6 sec. C/G
Verse
C/G
Hey1. now, don’t make
Gtr. 2 (elec.)
Fill 1
w/ slight dist.
let ring throughout
mf
End Fill 1
Gtr. 1 (elec.)
w/ dist.
mf
13 4
F5
13 4
C5
24
G/B
23 1
Am
13 2
D
342 1
C/G
32 14
C
Rhy. Fig. 1
*Chord symbols reflect overall harmony.
a sound. Say, have you heard the news to day?
Fsus2/C
-
10
30 0
3 5 30
33201
33201
33201
33201
33201
33201
30
1 0 13
1 303 5 3
01 0 1
0
33201
33201
33201
33201
33011
33011
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One flag was tak en- down to raise an oth- -
er- in its place.
C/G
Gtrs. 1 & 3: w/ Rhy. Fig. 1
A heav y- cross you bear,
Gtr. 2
Riff A
*Gtr. 3 (elec.)
divisi
Gtr. 1 End Rhy. Fig. 1
*w/ dist., played mf .
a stub born- heart re mains- un changed.
Fsus2/C
-
No home, no life,
Gtr. 2 End Riff A
010
30 0
3 5 30
1 0 13
1 303 5 3
0
33011
33011
33011
33011
30
1 0 10
10
30 0
3 5 30
1 0 13
33011
33201
33201
3
1 303 5 3
01 0 1
010
30 0
3 5 30
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Gtr. 2: w/ Riff A (last 3 meas.)
no love, no stran ger- sing ing- in your name.
C/G
It may
Pre-Chorus
Fadd9
be the sea -
Gtr. 2
Fill 2 End Fill 2 Riff B1
let ring throughout
**Gtrs. 2 & 4
**Gtr. 4 (acous.), played mf . Composite arrangment
*Gtrs. 1 & 3 Riff B
*Composite arrangement
Gadd4/B
- son. The col
Fadd9/C
or’s- changed in the val
Gadd4/B
ley- skies.
Gtr. 2
End Riff B1
Gtr. 1
End Riff B
Gtr. 3
010
30 0
3 5 30
1 0 1
3
31
3
0
33201
33201
33201
33201
33201
33201
33201
0000
01
0
2
31
2
0
3
31
3
0
2
31
2
0
23
2 35
3 57
5
23
2 35
3 23
2
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Fadd9
Dear
Oh,
1.
2. God, I’ve sealed
Gadd4/B
my fate. Run
Fadd9/C
ning- through hell, heav
D
en- can wait. Long
(cont. in slashes)
*Gtr. 1
Chorus
Gtr. 2 tacet2nd time, Gtr. 1: w/ Rhy. Fig. 2 (1 5/6 times)2nd time, Gtrs. 3 & 4: w/ Rhy. Figs. 2A & 2B (2 times)
Rhy. Fig. 2
F5 C5 F5 C5 G/B
road to ru in- there in your eyes,
un der- the cold street - lights.
No
Gtr. 4
Rhy. Fig. 2B
Gtr. 3
Rhy. Fig. 2A
*w/ dist.
3
31
3
0
2
31
2
0
3
31
3
00232
0232
0232
0232
0232
0232
0232
0232
01
0 57
5 7 5 5 5 5 5 5 500
01
0 23
2 35
3 5 5 5 5 5 500
32
13
32
13
32
13
32
13
32
13
00
03
320
13
320
13
320
13
320
13
320
13
00
03
32
13
32
13
32
13
32
13
32
13
00
03
320
13
320
13
320
13
320
13
320
13
200
03
200
03
1332
1332
1332
1332
1332
000
33201
33201
33201
33201
33201
000
1332
1332
1332
1332
1332
000
33201
33201
33201
320
320
200
200
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C oT oda Am D
End Rhy. Fig. 2F5 C/G
to mor- row.- No dead end in sight.
End Rhy. Fig. 2B Rhy. Fill 1
(cont. in slashes)
End Rhy. Fig. 2A Fill 3
*Gtrs. 3 & 5
*Gtr. 5 (elec.) w/ dist., played mf .
Gtr. 4
Gtr. 1: w/ Rhy. Fig. 1 (1 1/2 times)Gtr. 2: w/ Fill 1
Verse
C
Gtr. 2: w/ Riff A (last 3 meas.)
End Rhy. Fill 1
Gtrs. 3, 4 & 5 tacet
Fsus2/C
Let’s2. say we take this town. No king or queen of an y- state.
Gtrs. 3 & 5
End Fill 3
Gtr. 6 (elec.)
w/ dist.
Rhy. Fig. 3
mf
P.M.
02210
02210
02210
02210
02210
02210
0232
0232
0232
0230
0232
0232
XXXX
3213
3213
3213
3213
3213
3213
3213
3213
3213
3213
3213
3213
3213
3213
3213
0003
022
022
022
022
022
000
00232
00232
00232
00232
00232
000
1X3
1X3
1X3
1X3
3X5
3X5
3X5
3X5
5X7
5X7
5X7
5X7
7X9
7X9
7X9
XXX
XXX
X8
10
355
355
355
355
355
355
355
355
355
355
355
355
355
355
355
355
355
355
355
355
355
355
355
355
355
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355
355
355
355
355
355
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D.S. al Coda
Coda
Gtr. 2: w/ Riff A (2 1/2 times)
Get up to shut it down.
O pen- the streets and raise the gates.
C/G
Gtr. 6 End Rhy. Fig. 3
P.M.
Gtr. 6: w/ Rhy. Fig. 3
I know a wall to scale.
I know a fear with out- a name.
Fsus2/C
Head on with out- a care
Gtr. 2: w/ Fill 2
be fore- it’s way too late. It
Gtr. 1
* f
*Roll up dist.
D
dead ends.
Long
F
road to ru in- there
C/G
in your eyes,
un -
F
der- the cold street lights.
C/G
-
G/B
No
Am
to mor- row.- No
D
dead end in sight.
Gtr. 3: w/ Fill 3 (1st 2 meas.)Gtr. 4: w/ Rhy. Fill 1Gtr. 5: w/ Fill 3
F5
C
Gtr. 1
(cont. in slashes)
133
133
133
133
133
133
133
133
133
133
133
133
133
133
133
133
133
133
133
133
133
133
133
133
133
133
133
133
133
133
133
133
33011
33011
33011
33011
33011
33011
33011
33011
33011
33011
33011
33011
0232
0232
0232
0232
0232
0232
133
133
133
133
133
133
133
133
133
133
133
133
133
133
133
355
355
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Gtr. 1
Gtr. 2: w/ Riff B1
Rhy. Fig. 4
Interlude
C5 G/B C5 G/B
End Rhy. Fig. 4
Gtr. 3
Riff C
mp
End Riff C
Gtr. 1: w/ Rhy. Fig. 4 (2 times)Gtr. 2: w/ Riff B1 (3 times)Gtr. 3: w/ Riff C (2 times)
Bridge
C5
For ev ’ry- piece
Gadd4/B
to fall in place,
C5
for ev- er- gone
Gadd4/B
with out- a trace.
C5
Your ho ri-
Gadd4/B
zon- takes its shape.
*
*Bass plays A.
C5/A
No turn ing- back,
**
**Bass plays G.
Gadd4
don’t turn that page.
Gtrs. 1 & 3: w/ Riff BGtr. 4: w/ Riff B1
Fadd9
Come, now, I’m leav
Gadd4/B
ing- here to night.-
Fadd9/C
Come, now, let’s leave
Gadd4/B
it all be hind.-
Fadd9
Is
that
the
price
Gadd4/B
you
pay?
Run
C5 µ
ning- through hell, heav -
Gtrs. 2 & 4
(Gtr. 4, cont. in slashes)
Gtrs. 1 & 3
X8
10X8
10X8
10X8
10X8
10X8
10X8
10
7X9
7X9
7X9
7X9
7X9
7X9
7X9
X8
10X8
10X8
10X8
10X8
10X8
10X8
10
7X9
7X9
7X9
7X9
7X9
7X9
7X9
3
31
3
0
2
31
2
0
01
0 23
2 3
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Gtr. 4
D
Guitar Solo
Gtrs. 1, 3 & 4: w/ Rhy. Figs. 2, 2A & 2B (2 times)
F C/G
en- can wait.
Gtr. 2
w/ dist.
steady gliss.let ring 3
1/2
Gtrs. 1 & 3
Gtr. 2
F
let ring
C/G G/B Am
1/2
D F C/G
F C G/B Am
1
17 13 10 5
0 2
35
05 3 5 3 1 3 1
2 0
577
577
577
577
577
577
577
577
577
577
577
577
577
577
577
577
0 0 2
35
05 3 5 3 1
2 01 3 1
21
2 02
02 0
30 2 0
3
0 2 03
0 2 03
03 0 3 3 5 3 5 7
57
5 700
55
75 7
7 7 7 7 7 7 5 7 5 7 5000
000
55
7 57
57 5
7
57 5
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D
Long
Gtrs. 1, 3 & 4: w/ Rhy. Figs. 2, 2A & 2B (3 times)
Chorus
F
road to ru in- there
C/G
in your eyes
un -
Gtr. 2 tacet
F
der- the cold street - lights.
C/G G/B
No
Am
to mor- row.- No
D
dead ends.
Long
F
road to ru in- there
C/G
in your eyes
un
F
der- the cold street lights.
C/G
-
G/B
No
Am
to mor- row.- No
D
dead ends.
Long
F
road to ru in- there
C/G
in your eyes
un -
F
der- the cold street lights.
C/G
-
G/B
No
Am
to mor- row.- No
D
dead end in sight.
Gtr. 1
F5 C/G
Gtr. 4
Gtrs. 3 & 5
755
7 5 3 5 35 3 1 1 8
3213
3213
3213
3213
3213
3213
3213
3213
3213
3213
3213
3213
3213
3213
3213
XXXX
XXXX
133211
133211
133211
133211
133211
133211
133211
133211
133211
133211
133211
133211
133211
133211
133211
XXXX
XXXX
32013
1X3
1X3
1X3
1X3
3X5
3X5
3X5
3X5
5X7
5X7
5X7
5X7
7X9
7X9
7X9
7X9
X8
10X8
10X8
10X8
10X10
12X10
12X10
12X10
12X12
14X12
14X12
14X12
14X13
15X13
15X13
15
XXX
XXX
X8
10
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Intro
Moderately slow q. = 45
Come AliveWords and Music by Dave Grohl, Taylor Hawkins, Christopher Shiflett and Nate Mendel
Copyright © 2007 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC,I LOVE THE PUNK ROCK MUSIC and FLYING EARFORM MUSIC
All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC.All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP.
All Rights for FLYING EARFORM MUSIC Administered by BUG MUSICAll Rights Reserved Used by Permission
from Foo Fighters - Echoes, Silence, Patience & Grace
Tuning:
(low to high) E-A-D-G-B-F#
Gtr. 1 (acous.)
*
let ring throughout
w/ fingers
Riff A
Bm7
mf
F#m11
1342
Gmaj7
13 4
C5
5fr
1342
A%
13 4
G5
7fr
1342
Badd9
11
A5
10fr
1342
D6
11
E5
9fr
1342
C#11
13 4
F#5
7fr
1342
B
5fr
13 4
D534 2
Eadd9
4fr
13 4
C#51342
F#add11
C#m11 G#m7
*Chord symbols reflect implied harmony.
Bm7
F#m11 C#m11
G#m7
Seems1.
Gtr. 1: w/ Riff A (4 times)
Verse
Bm7
like on ly- yes
F#m11
ter- day.-
End Riff A
life
C#m11
be longed- to run
G#m7
a- ways.- Noth
Bm7
ing- here to see,
F#m11
no look ing- back.
C#m11 G#m7
7
7 7
7
0
7
7 2
2 2
2
0
2
2 9
9 9
9
0
9
9 4
4 4
4
0
4
4
7
77
7
0
7
7 2
22
2
0
2
2 9
99
9
0
9
9 4
440
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Ev
Bm7
’ry- sound mon
F#m11
o- tone,- ev
C#m11
’ry- col or- mon
G#m7
o- chrome.- Life
Bm7
be gan- to fade
F#m11
in to- the black.
*Gtr. 2
w/ tremolo
mf
let ring let ring let ring let ring let ring let ring
*Kybd. arr. for gtr.
C#m11 G#m7
Such
Bm7
a sim ple- an i
F#m11
- mal,- ster
C#m11
i- lized- with al
G#m7
co- hol.-
let ring let ring let ring let ring let ring let ring
I
Bm7
could hard ly- feel
F#m11
me an y- more.-
C#m11 G#m7
Des
Bm7
per- ate,- mean
F#m11
ing- less.-
sim.
All
C#m11
filled up with emp
G#m7
ti- ness.- Felt
Bm7
like ev ’ry- thing-
F#m11
was said and done.
C#m11 G#m7
I
1215 14
14 1817
1816
1615
1215 14
14
14 1817
1816
1615
12
1614
1416 18
1818
1718
18
1616
18
1615
16
12
1614
1416 18
1818
17
18
1616
1516
1215
1614
1416
1818
18
1718
18
1616
1816
1516
1215
1614
1416 18
1818
1718
18
16
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lay
Pre-Chorus
Gtr. 2 tacet
Gmaj7
there in the dark
A%
and I close my eyes.
Badd9
You saved
Gtrs. 3 & 4 (acous.)
Rhy. Fig. 1
mf
End Rhy. Fig. 1
Gtr. 5 (acous.)
Rhy. Fig. 1A
mf
End Rhy. Fig. 1A
Gtr. 5: w/ Rhy. Fig. 1A
Gmaj7
me the day
A%
you came a live.-
Badd9
Gtrs. 3 & 4
Interlude
Gtr. 1: w/ Riff A
Bm7 F#m11
Gtrs. 3 & 4 tacet
C#m11
G#m7 Bm7
F#m11 C#m11
G#m7
355400
355400
355400
355400
355400
355400
355400
355400
355400
355400
577
06
0
577
06
0
577
06
0
577
06
0
577
06
0
577
06
0
577
06
0
577
06
0
577
06
0
577
06
0
799
08
0
799
08
0
799
08
0
799
08
0
799
08
0
799
08
0
799
08
0
799
08
0
799
08
0
799
08
0
355400
577
06
0
79
0
118
0
355400
355400
355400
355400
355400
355400
355400
355400
355400
355400
577
06
0
577
06
0
577
06
0
577
06
0
577
06
0
577
06
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Still2.
Verse
Gtr. 1: w/ Riff A (3 times)
Bm7
I tried to find
F#m11
my way, spin
C#m11
ning- hours in
G#m7
to- days. Burn
Bm7
ing- like a flame
F#m11
be hind- my eyes.
Gtr. 4
Rhy. Fig. 2
Gtr. 5
Rhy. Fig. 2A
C#m11 G#m7
Drown
Gtrs. 4 & 5: w/ Rhy. Figs. 2 & 2A (2 times)
Bm7
it out, drink
F#m11
it in. Crown
C#m11
the king of suf
G#m7
fer- ing.-
End Rhy. Fig. 2
End Rhy. Fig. 2A
Pris
Bm7
on- er,- a slave
F#m11
to the dis guise.-
C#m11 G#m7
Dis
Bm7
ap- pear,- the on
F#m11
ly- thing,
bit
C#m11
ter- sweet- sur ren
G#m7
- der- ing.- Knew
Bm7
that it was time
F#m11
to say good bye.-
C#m11 G#m7
I
0
1615
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1615
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1617
0
1312
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1312
0
1615
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0
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1617
0
1617
0
1617
0
1617
0
1617
7X7
07
0
7X7
07
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7X7
07
0
7X7
07
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7X7
07
0
2X2200
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X9
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4X4400
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7X7
07
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7X7
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0
1617
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0
1312
X9
9
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X9
9
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9
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lay
Pre-Chorus
Gtrs. 3 & 4: w/ Rhy. Fig. 1 (3 times)
Gmaj7
there in the dark
A%
and I close my eyes.
Badd9
You saved
Gtr. 5
Rhy. Fig. 3 End Rhy. Fig. 3
Gtr. 5: w/ Rhy. Fig. 3 (2 times)
Gmaj7
me the day
A%
you came a live.-
Badd9
No
rea
Gmaj7
son- left
A%
me to sur vive.-
Badd9
You saved
Gtrs.3 & 4
Gmaj7 A% Badd9
me the day
you came a live.- Come a live.-
Gtr. 5
Chorus
Voc. Fig. 1
Gtrs. 3, 4 & 5 tacet
D6
Come a live.-
C#11
Come a live.-
B
Come a live.- Come a live.-
D6
Come a live.-
C#11
Come a live.-
Gtr. 6 (elec.)
Rhy. Fig. 4
w/ slight dist.
mf
355433
355433
355433
355433
355433
355433
355433
355433
355433
355433
577655
577655
577655
577655
577655
577655
577655
577655
577655
577655
799877
799877
799877
799877
799877
799877
799877
799877
799877
799877
799877
355433
355433
355433
355433
355433
355433
355433
355433
355433
355433
577655
577655
577655
577655
577655
577655
577655
577655
577655
577655
799877
1012
0
1211
0
911
0
1110
0
799
08
0
1012
0
1211
0
911
0
1110
0
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BGtr. 6: w/ Rhy. Fig. 4
Rhy. Fig. 5
Gtrs.3 & 4
D6 C#11 B
Come a live.- Come
End Voc. Fig. 1
a live.- Come a live.- Come a live.- Come a live.- Come a live.-
End Rhy. Fig. 4
w/ dist.
mf
Riff B
Gtr. 7 (elec.)
1/4 1/2 1/4 1/2
D6 C#11 BEnd Rhy. Fig. 5
Gtrs. 3, 4 & 6: w/ Rhy. Fig. 5Gtr. 7: w/ Riff B
D6 C#11
Come a live.- Come a live.- Come a live.- Come a live.- Come a live.-
End Riff B
1/4 1/2 1/4 1/2
B
D6
C#11 B
I lay
Gtrs.3, 4 & 6
Pre-Chorus
Gtr. 7: w/ Riff B (2 times)
Rhy. Fig. 6
Gmaj7 A% Eadd9End Rhy. Fig. 6
there in the dark
and I close my eyes. You saved
Gtr. 8 (elec.)
Rhy. Fig. 6A
w/ dist.
f
End Rhy. Fig. 6A
799
08
0
7 75
7 5 7 77
7 5 7 75
7 5 7 77
7 5
7 75
7 5 7 77
7 5 7 75
7 5 7 77
7 5
355400
577
06
02210
02210
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Gtrs. 3, 4 & 6: w/ Rhy. Fig. 6Gtr. 8: w/ Rhy. Fig. 6A
Gmaj7
me the day
A%
you came a live.-
Eadd9
Come a
live.-
Gtrs.3, 4 & 6
Chorus
Gtr. 7: w/ Riff B (1 3/4 times)
Rhy. Fig. 7
Gmaj7 F#add11 Eadd9End Rhy. Fig. 7
D6
(cont. in notation)
Come a
live.- Come a live.- Come a
live.- Come a live.- Come a
live.- Come a live.- Come a
live.- Come a live.-
Gtr. 8
Gtr. 9(elec.) w/ dist.
C5
mf f (cont. in notation)
Come a
live.- Come a live.- Come a
live.- Come a live.- Come a
live.- Come a live.-
Gtr. 8
Gtrs. 3, 4 & 6
3554
3554
2443
2443
0221
0221
5577
5577
4466
4466
3355
3355
3355
3355
3355
3355
3355
3355
3355
3355
3355
3355
3355
3355
3355
3355
3355
3355
3355
3355
3355
3355
3355
000
911
0
1110
0
911
0
1110
0
911
0
1110
0
911
0
1110
0
911
0
1110
0
911
0
1110
0
911
0
1110
0
911
0
1110
0
911
0
1110
0
911
0
1110
0
810
0
109
0
810
0
109
0
810
0
109
0
810
0
109
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810
0
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0
810
0
109
0
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0
109
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0
109
0
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810
0
109
0
810
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0
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0
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0
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InterludeGtrs. 3, 4 & 6 tacetGtr. 7: w/ Riff B (2 times)
B5
E5
Gtr. 10 (elec.)
mf w/ dist.
Riff C End Riff C
1 1 1 1
Rhy. Fig. 8
*Gtrs. 8 & 9End Rhy. Fig. 8
*Composite arrangement
B5
Gtrs. 8 & 9: w/ Rhy. Fig. 8Gtr. 10: w/ Riff C
E5
Noth
Bridge
Gtr. 7: w/ Riff B (2 times)Gtrs. 8 & 9: w/ Rhy. Fig. 8 (2 times)Gtr. 10: w/ Riff C (2 times)
B5
ing- more to give. I can fi n’ly- live. Come a live.-
E5
Your
B5
life in to- me, I can fi n’ly- breathe. Come a live.-
E5
Gtrs.8 & 9
Bkgd. Voc.: w/ Voc. Fig. 1 (2 times)
Rhy. Fig. 9
Pre-Chorus
G5 A5
(Come
I
a
lay
live.)-
there in the dark,
o pen- my eyes.
Gtr. 11 (elec.)
Fill 1
w/ dist.
mf
End Fill 1 Riff D End Riff D
9 97
9 7 9 99
9 7 9 97
9 7 9 99
9 7 9 97
9 7 9 99
9 7 9 97
9 7 9 99
9 7
799
799
799
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799
799
799
799
799
799
799
799
799
799
799
799
799
799
799
3X5
X10
12X9
11
7X9
5X7
7
9X10
12X10
12X10
12X9
11
7X9
5X7
7
9X9
11X10
12X10
12
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Gtr. 3: w/ Rhy. Fig. 6 (last 2 meas.)Gtr. 7: w/ Riff B (1st 2 meas.)Gtr. 10: w/ Riff C (1st 2 meas.)Gtr. 11 tacet
E5
Gtr. 11: w/ Fill 1
End Rhy. Fig. 9
Gtr. 6 tacetGtrs. 8 & 9: w/ Rhy. Fig. 9Gtr. 11: w/ Riff D
G5
You saved me the day
Gtr. 6 Rhy. Fill 1 End Rhy. Fill 1
A5
you came a live.-
Gtr. 3: w/ Rhy. Fig. 6 (last 2 meas.)Gtr. 6: w/ Rhy. Fill 1Gtr. 7: w/ Riff B (1st 2 meas.)Gtr. 10: w/ Riff C (1st 2 meas.)
E5
Come a live.-
Outro-Chorus
Gtrs.8 & 9
Gtrs. 3 & 6: w/ Rhy. Fig. 7
G5 F#5 E5
Come a
live.- Come a live.- Come a
live.- Come a live.- Come a
live.- Come a live.-
Gtr. 11
Gtr. 10
1
Gtr. 7
1/4 1/4 1/4 1/2 1/4 1/4
0799
0799
0799
0799
0799
0799
0799
0799
0799
0799
0799
0799
0799
0799
0799
0799
0799
0799
0799
0799
X14
16X14
16X14
16X14
16X14
16X14
16X14
16X14
16X14
16X14
16X14
16X14
16X14
16X14
16X14
16X14
16X14
16X14
16X14
16X14
16X14
16X14
16X14
16X14
16X14
16X14
16X14
16X14
16X14
16X14
16
9 97
9 7 9 97
9 7 9 97
9 7 9 99
9 7 9 97
9 7 9 97
9 7
7 75
7 5 7 75
7 5 7 75
7 5 7 77
7 5 7 75
7 5 7 75
7 5
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Stranger Things Have HappenedWords and Music by Dave Grohl
Copyright © 2007 SONGS OF UNIVERSAL, INC. and MJ TWELVE MUSICAll Rights Controlled and Administered by SONGS OF UNIVERSAL, INC.
All Rights Reserved Used by Permission
from Foo Fighters - Echoes, Silence, Patience & Grace
Moderately q = 98
1.
2.
Intro
(Studio noise)
µ
9 sec. (Metronome)
*
Gtr. 1 (acous.)
Riff A
let ring throughout
w/ pick & fingers
Bm7
mf
13 4
Bsus4
34 1
F#m11
3421
G6
3 4 2 1 1
G
23 1
E
3 1 1 4
E/G#
D/F# F5 E7[no3rd]
*Chord symbols reflect implied harmony.
God1. damn
End Riff A
Verse
Gtr. 1: w/ Riff A (4 times)
Bm7
this dust y- room,
D/F#
this
F5
ha
E7[no3rd]
zy- af ter- noon.-
2 202
202
22
0
2 2
00
2
00
20
1 0
0 020
020
22
0 020
020
020
22
0 20
20
020
020
22
0 20
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I’m breath
Bm7
ing- in this si
D/F#
lence- like nev er- be
F5
fore.
E7[no3rd]
-
This feel
Bm7
ing- that I get,
D/F#
this
F5
one
E7[no3rd]
last cig a- rette,- as I lay
Bm7
a wake- and wait
D/F#
for you to come through that
F5
door.
E7[no3rd]
(1.) Oh, may
(2.)
Gtr. 1: w/ Riff A (1st 2 meas.)
2nd time, Gtr. 2: w/ Riff B
Pre-Chorus
Bm7
be,
I
-
can
may
change,
be,
I
-
can
may
change,
D/F#
be
but
- I
who
can
you
share
want
it
me
with
to
F5
you.
be?
E7[no3rd]
I’llI’m
bethe
have,same,
-
Bm7
I’llI’m
bethe
have,same,
- I’llI’m
bethe
havesame.
D/F#
-
Gtr. 1
0 020
020
22
0 020
020
020
22
0 20
2 202
202
22
02
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C oT oda
so
How
I
do
can
you
share
want
it
me
with
to
F5
you.
be?
E7[no3rd]
2nd time, Gtr. 2: w/ Fill 2
You are not
stringnoise
Gtr. 2(acous.)
Chorus
Rhy. Fig. 1A
Bsus4
mf
F#m11 G6 G E
a lone,- dear lone li- ness.- You for got- that I re mem- -
Rhy. Fig. 1
w/ pick
End Rhy. Fig. 1A
(cont. in notation)
D F#m11 Fmaj7#11 E
bered- this. Oh, strang er,- strang er,- strang er- things have hap pened,- I know.
End Rhy. Fig. 1 Rhy. Fig. 2
*Gtrs. 1 & 2
*Composite arrangement
Gtr. 2
Fill 2
(cont. in slashes)1/2
2 200
200
20
1 0 020
020
22
0 020
020
22
0 022
XX
244
244
24400
244
24400
24400
044
44200
44200
44200
44200
44200
44200
44200
44200
XXX
XXX
55400
55400
55400
55400
55430
55430
XXX
022100
0
22100
0
22100
0
22100
0
22100
0
22100
0
22100
0
22100
X
XXX
X
XXX
0232
0232
0232
0232
0232
0232
XXXX
44200
44200
44200
44200
44200
44200
33200
0
22100
97
9
9 9 79 7
00
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Esus4 E
I am not
Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A
Bsus4
a lone,- dear lone
F#m11
-
End Rhy. Fig. 2
li- ness.- I for got-
G6
that I re mem
E
- bered- this. Oh, strang -
D
- er, strang er,- strang
F#m11
er- things have hap pened,- I
Fmaj7#11
know.
E
Oh,
Esus4 E
Gtrs. 1 & 2
Rhy. Fig. 3
oh.
Interlude
Gtr. 1: w/ Riff A (2 times)
Bm7 D/F#
F5 E7[no3rd]
End Rhy. Fig. 3 Riff B
Gtr. 2
let ring
022100
022100
022100
022100
022100
022200
022200
022100
022100
022100
022100
022100
022100
022100
022100
XXXX
XXXX
0232
0232
0232
0232
0232
0232
XXXX
44200
44200
44200
44200
44200
44200
33200
022100
022100
022100
022100
022100
022100
022200
022200
022100
022100
022100
022100
022100
022100
022100
022100
97
10
97
10 10 12
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D.S. al Coda
Bm7 D/F#
let ring
F5 E7[no3rd]
We’ll2. dream
End Riff B Fill 1
let ring 1/2
Verse
Gtr. 1: w/ Riff A (2 times)
Bm7
a bout- some where.
D/F#
-
Gtr. 2 tacet
Our
F5
smoke
E7[no3rd]
End Fill 1
will fill the air. As I lay
Bm7
a wake- and wait
D/F#
for you to walk out that
F5
door.
E7[no3rd]
I can change,
12
97
107
9
97
9
0
97
10
10
9 7
10 10 12
9 7
10
7 9
9
7 9
9 9 7 107
7
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Coda
Oh,
Esus4 E
oh.
Guitar Solo
Bm7
D/F#
Gtr. 2
let ring
Gtr. 1 Riff C
let ring
F5 E7[no3rd] µ
End Riff C
Gtr. 2
Gtr. 1: w/ Riff C (2 times)
Bm7 D/F# F5 E7[no3rd] µ
Bm7 D/F# F5 E7[no3rd] µ
022100
022100
022100
022100
022100
022200
022200
022100
022100
022100
022100
022100
022100
022100
022100
XXXX
XXXX
77
77
77
107
9810
777
97
1110
022100
022100
022100
022100
022100
022200
022200
022100
022100
022100
022100
022100
022100
022100
022100
XXXX
XXXX
2 202
202
22
02
11 11109
11109
111012
111012
11109 7
99
99
997
997
9107
9107
997
00
977
99
997
2 200
200
20
1 0 020
020
22
0 020
020
111210
111210
111210
111212
111212
111210
00
111012
1110
111012
11109
111014
111014
111012
12131212
131212
131212
131214
131214
131214
131212
1315
131212
X15
131212
98
1110
1110
1110
1110
1110
99
77
9 7 977
9 77
9 79
77
9 97
7 9 77
9 7 5 7
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Gtr. 2
Bm7 D/F# F5 E7[no3rd]
1/2
Gtr. 1
I am not
Chorus
Bsus4
a lone,- dear lone
F#m11
li- ness.- I for got-
(cont. in slashes)
Gtr. 2
G E/G#Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A
Bsus4 F#m11
that I re mem- bered- this. You are not a lone,- dear lone -
Gtr. 1
10 710 7
710 7
97
9 79
9 79 7 9 9 7
97
9 7 5 7 7 57 57
74 6 6 7 6 44 9
2 202
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02 2
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li- ness.- You for got-
G6
that I re mem
E
- bered- this. Oh, strang -
Gtrs. 1 & 2: w/ Rhy. Fig. 2
D
er,- strang er,- strang
F#m11
er- things have hap pened,- I
Fmaj7#11
know.
E
Esus4 E
I am not
Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A
Bsus4
a lone,- dear lone
F#m11
li- ness.- I for got-
G6
that I re mem
E
- bered- this. Oh, strang
Gtrs. 1 & 2: w/ Rhy. Fig. 3
D
er,- strang er,- strang
F#m11
-
er- things have hap pened,- I
Fmaj7#11
know.
E
Oh,
Esus4 E
oh.
Outro
Gtr. 1: w/ Riff A (1st 3 meas.)Gtr. 2: w/ Riff B (1st 3 meas.)
Bm7 D/F#
F5 E7[no3rd]
Gtr. 1
Gtr. 2: w/ Fill 1
Bm7 D/F# F5 E5
20
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020
22
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00
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1 02
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Intro
Moderate Rock q = 142
Cheer Up Boys(Your Make Up Is Running)
Words and Music by Dave Grohl, Taylor Hawkins, Christopher Shiflett and Nate Mendel
Copyright © 2007 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC,I LOVE THE PUNK ROCK MUSIC and FLYING EARFORM MUSIC
All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC.All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP.
All Rights for FLYING EARFORM MUSIC Administered by BUG MUSICAll Rights Reserved Used by Permission
from Foo Fighters - Echoes, Silence, Patience & Grace
Gtrs.2 & 3(dist.)
E5
mf
type2
7fr
13 4
E5
11
A5
13
D5
1144
A5
13 4
F#5
11
E54fr
13 4
G#55fr
13 4
A5
13 4
G5open V
Gtr. 1 (slight dist.)
mf
Gtr. 4 (dist.)
mf
Gtr. 1
Riff A End Riff A
Gtr. 4
Riff A1
End Riff A1
Gtr. 5 (dist.)
*fdbk.
mf
Riff A2 End Riff A2
Pitch: F
*Microphonic fdbk., not caused by string vibration.
Gtr. 6 (dist.)
fdbk.
mp
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Gtr. 4: w/ Riff A1 (4 times)
14fr
F# A5Rhy. Fig. 1
D5 A5
Gtr. 1
Riff B
Gtr. 5
Riff B1
Gtr. 6
mf
A5 type 2 A5 D5 A5 type 2A5
Gtr. 1
Gtrs. 5 & 6
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A5 D5 A5 A5 type 2
End Rhy. Fig. 1
F#5 A5
(cont. in notation)
Gtr. 1 End Riff B
Gtr. 6
(cont. in slashes)
Gtr. 5 End Riff B1
(cont. in slashes)
Gtrs.5 & 6
2nd time, Gtrs. 5 & 6 tacet
Verse
E5Gtrs. 5 & 6 tacet
A D
It
El
1.
2.
was
e-
meant
men-
to
ta-
be,
ry.-
but
I’ve
all
solved
a
them
long
all,
- it nev
all
-
Gtr. 1
Riff C
1/21/2
Gtr. 4
Riff C1
1/21/2
Gtrs. 2 & 3
Rhy. Fig. 2
7
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er
your
- meant
mys
a
ter
Dsus2
-
thing.
ies.-
Gtrs. 1 & 4: w/ Riffs C & C1 (3 times)Gtrs. 2 & 3: w/ Rhy. Fig. 2 (3 times)
E5
Nev
Set
er
tle
-
-
stopped
down
Emaj7
to
and
ask
in
you
good
why
time
End Riff C
End Riff C1
End Rhy. Fig. 2
A
you
we
D
did
can
n’t- pass
solve
me
all
Dsus2
by.
mine.
E5
Did
Tell
you
me
see
lies,
Emaj7
me
oh,
when
tell
your
me
life
when.
A
flashed
Tell
D
be
me
fore
off
- your
a
Dsus2
eyes
gain-
E5
or
and
was
I
it
will
just
let
Emaj7
that
you
I
know
was
when
n’t
I’ve
- hard
had
A
e
e
nough,
nough,
-
-
hard
had
D
9
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e
e
nough
nough
-
-
on
of
Dsus2
you?
you.
Gtrs. 1 & 5: w/ Riffs B & B1Gtr. 2: w/ Rhy. Fig. 1
Pre-Chorus
A5 D5 A5
Stop us ing- my
(Stop, stop, stop, stop, stop, stop, stop, stop.
Gtr. 5
Riff D
Gtr. 4
End Riff D
D5 A5
con fu- sion.
-
D5 A5
Stop, stop, stop, stop, stop, stop, stop, stop. Stop, stop, stop, stop,
Wait, wait, There’s a world
F#5Gtr. 4 tacet
Chorus
out there.
A5 E5
Don’t you de
D
-
stop.)
Voc. Fig. 1
(There’s a world out there.
Gtr. 4
Fill 1 End Fill 1Gtr. 1
Gtr. 6
Rhy. Fig. 3
*Gtrs. 2, 5 & 6
let ring
*Composite arrangement
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1.
2.
- ny me.
G5 E5
Give me one
F#5
2nd time, Bkgd. Voc.: w/ Voc. Fig. 1
last wish.
A5 E5
Don’t you de ny- me.
End Voc. Fig. 1 Voc. Fig. 2
Give me one
End Rhy. Fig. 3
let ring
There’ a world
D
out there.
G5
out there.
G5
E5
last wish.)
End Voc. Fig. 2
let ring let ring
12
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12
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Ooh,
Gtrs. 1, 5 & 6 tacetGtr. 4: w/ Riff D (3 1/2 times)
Bridge
E
you’ve got your rea sons.
F#m11
- Hey,
G#mb6
let’s call it e
Aadd9
ven.
-
*Gtrs. 2 & 3
w/ slight dist.
*Gtr. 2 w/ amp tremolo.
Turn
G6
out all the lights
F#m11
and go to bed.
E A
Gtr. 4: w/ Fill 1
E
Gtrs. 2 & 3
Gtr. 5
(cont. in slashes)
steady gliss.
Gtr. 5
Gtr. 3 tacet
openE5 F#5 G#5 VA5
P.M.
Still, I get this feel ing
- no one will be lieve- me
(Oh.)
Gtr. 2
let ring
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G5 F#5
*
P.M.
E5 open open
A A5 E5 open F#5
when
I let these ghosts out side- my head.
Gtr. 6
Gtr. 2
let ring w/ dist.
*Gradually lift P.M.
Gtr. 6
Guitar Solo
Gtrs. 2 & 5: w/ Rhy. Fig. 3 (1 1/2 times)
A5 E5 D G5 E5
F#5 A5 E5 D
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G5 E5
There’s a world
F#5
Gtr. 6
grad. bend
1/41/4
1/2
Gtr. 1
Gtrs. 2 & 5
Chorus
Bkgd. Voc.: w/ Voc. Fig. 1Gtrs. 2 & 5: w/ Rhy. Fig. 3 (3 times)
out there.
A5 E5
Don’t you de
D
ny- me.
G5
E5
Give me one
F#5
Gtr. 6
Riff E1 End Riff E1
Gtr. 1
Riff E End Riff E
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8 30
000
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Bkgd. Voc.: w/ Voc. Fig. 2Gtrs. 1 & 6: w/ Riffs E & E1 (2 times)
last
A5
wish.
E5
Don’t you de
D
Bkgd. Voc.: w/ Voc. Fig. 1 (last 2 meas.)
ny- me.
G5
E5
There’s a world
F#5
Bkgd. Voc.: w/ Voc. Fig. 1 (2 times)
out there.
A5 E5
Don’t you de
D
ny- me.
G5
E5
Give me one
F#5
last
A5
wish.
E5
There’s a world
D
out there.
G5
E5
Gtr. 6
Gtr. 1
Gtrs. 2 & 5
let ring
50
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50
30 0
3 5 00
00
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00
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8 30
50
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rit.
rit.
rit.
rit.
Gtrs. 1 & 5: w/ Riffs A & A2 (2 times)Gtrs. 2 & 3: w/ Rhy. Fig. 1 (1st 4 meas.)Gtr. 4: w/ Riff A1 (3 times)Gtr. 6 tacet
Outro
A5
D5 A5
D5 A5
let ring
Gtr. 2
A5 D5 A5 type 2A5 F#5 A5 openE5
Gtr. 1
Gtr. 5
grad. ascentw/ bar
+ 1/2
Gtr. 3
steady divew/ bar
-1/2
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04
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Intro
Moderately q = 123
Summer’s EndWords and Music by Dave Grohl, Taylor Hawkins, Christopher Shiflett and Nate Mendel
Copyright © 2007 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC,I LOVE THE PUNK ROCK MUSIC and FLYING EARFORM MUSIC
All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC.All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP.All Rights for FLYING EARFORM MUSIC Administered by BUG MUSIC
All Rights Reserved Used by Permission
- , ,
Gtr. 1 (elec.)
w/ slight dist.
µ
mf
= 3
____
Dsus2
13
Dsus2
32 1
C
2 34
G5 G
134
Fsus2
132
D
let ring
µ
let ring
*Gtr. 2(acous.)
Dsus2
mf
Gtr. 1
let ring (cont. in slashes)
*Doubled throughout
Gtrs.1 & 2
Verse
Gtrs. 1 & 2 tacet
Dm7 Dsus2
Ear
Come
1.
2.
ly
on
- mor
o
ning,
ver,
-
-
with
brave
out
my
- warn
storm,
ing,- woke
o
me
ceans-
with
o
a
ver-
scare.
head.-
I
Gtr. 3 (elec.)
w/ slight dist.
Riff A
mf
let ring
3 3 533
5 33
00
00230
3 3 533
5 33
0
000230
056 5
0
32
0
1 1 3
0
03
0 0
6 5
0
3 1
0
32
0
03
0
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Gtr. 1
Rhy. Fill 1
had
Come
that
in
dream
side,-
a
my
gain
friend,
-
let ring
End Rhy. Fill 1
Gtr. 1 tacet
Dsus2
Gtr. 1: w/ Riff A
Dm7
that
get
the
ting-
sun
bad
was
out
dead.
there.
Make
Ev
me
’ry-
warm
mo
or
ment-
take
we
End Riff A
let ring
me
have
home,
stol
Dsus2
en-
it’s
all
Dm7
so
we
cold
had
in
to
here.
share.
Dsus2
Can’t
No
Gtr. 3 tacet
Dm7
we
one
meet
want
some
ed-
where?
this,
-
Gtr. 3: w/ Rhy. Fill 1
C G5
Is
but
µ
it
you
win
know
ter
I
- there?
did,
056 5
0
3 1 1 0
32010
32010
32010
32010
32010
32010
200
3X0033
3X0033
3X0033
3X0033
3
0033
3 3 5 3
3
5 3
3
0
0
0
0230
00230
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Gtr. 2
Is
you
it win
know
ter
I
- there?
did,
This
this
win
mo
ter.
ment.
-
-
Gtr. 1
let ring let ring
Meet
3rd time, Gtr. 4: w/ Fill 1
Chorus
D
me in
Dsus2
the
D
sum
Dsus4
mer
Am7
- time,
- we
C
can move the air.
G
*Gtrs. 1 & 2
Rhy. Fig. 1 End Rhy. Fig. 1
*Composite arrangement
Sweet
D
Vir gin
Dsus2
- ia
D
- coun
Dsus4
try
Am7
- side,- I
C
will meet you there.
Gtr. 2
Gtr. 1
Gtr. 4
Fill 1
00023
0
3 3 533
5 33
00
0023
0
3 3 533
5 33
0
0232
0232
0230
0232
0233
02213
02213
02213
02213
02213
02213
32013
32013
32013
32013
32013
32013
32013
32013
320033
320033
320033
320033
320033
320033
0232
0232
0230
0232
0233
02213
02213
02213
02213
02213
02213
32013
32013
32013
32013
32013
32013
0232
0232
0230
0232
0233
02213
02213
02213
02213
02213
02213
32013
32013
32013
32013
32013
32013
32013
12
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1To Coda 2To Coda
D.S. al Coda 1
Fadd9
Blood
D
y- lips
Dsus2
and
D
cher
Dsus4
.
ry
Am7
- wine,
moon
C
shine- in your hair.
Gtr. 3
Riff B End Riff B
Gtr. 2
Gtr. 1
G
Just
D
keep star
Dsus2
ing
D
- at
Dsus4
the
Am7
sun,
pray
C
for sum mer’s- end.
Gtrs. 1 & 2 Rhy. Fig. 2
3rd time, Gtr. 3: w/ Riff B
µ
Interlude
Dsus2
End Rhy. Fig. 2
(cont. in slashes)
X
12
14X
12
14X
10
12X
10
12X
8
10X
8
10
5
X7
32013
3213
3213
3213
3213
3213
3213
3213
0232
0232
0230
0232
0233
02213
02213
02213
02213
02213
02213
32013
32013
32013
32013
32013
32013
32013
32013
133211
133211
133211
133211
133211
133211
0232
0232
0230
0232
0233
02213
02213
02213
02213
02213
02213
32013
32013
32013
32013
32013
32013
32013
32013
320033
320033
320033
320033
320033
320033
0232
0232
0230
0232
0233
02213
02213
02213
02213
02213
02213
32013
32013
32013
32013
32013
32013
32013
32013
1 1 3
3 5 3 00
00230
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o a
Gtr. 4 (elec.)
Guitar Solo
w/ dist.
Gtr. 1: w/ Riff A (1st 3 meas.)Gtr. 2 tacet
Dm7
mf
let ring
Dsus2 Dm7
let ring 1 1
Dsus2
Gtr. 2
G C
Gtr. 4
let ring
1
1 1
Gtr. 1
let ring
G5
Gtrs.1 & 2
Fsus2 D
(cont. on lower staff)
Gtr. 3
1
(cont. in slashes)
Gtr. 4
1210
1010 13
1010
12 1010
12 121210
10
1210
1010 13
1010
12
12 XX
1210
121210
1010
12 1010
1010 13
131010
00
1313
1013
10
32
0
03
0
6 5
0
3 10
32010
32010
32010
32010
32010
32010
1313 13
00
10
13X
9
12X7
10
5X8
2X5
2X5
2X5
2X5
2X5
2X5
XXX
32010
3X0033
3X0033
3X0033
3X0033
3X0033
3X0033
8
10X
7
9
5X7
3
5X
2
4
5X7
5X7
5X7
5X7
5X7
5X7
XXX
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D.S.S. al Coda 2
2 Coda
(cont. in notation)
Gtr. 4
Gtr. 3 tacet
C G5 µ
3 3 3 3 3 3 3 3
11 1 1 1 1 1 1 1 1 1
Gtrs. 1 & 2
Meet
Gtrs. 1 & 2: w/ Rhy. Fig. 2 (2 times)
D
me in
Dsus2
the
D
sum
Dsus4
mer
Am7
- time.
-
C
µ
Gtr. 4
Riff D
let ring
End Riff D
1
10
13X
9
12X7
10
5X8
X11
14X11
14X12
15X14
17X12
15X11
14
XXX
10
13X
9
12X7
10
5X8
5
8
8
10X
7
9
5X7
3
5X X
9
11X9
11X10
12X12
14X10
12X9
11
XXX
8
10X
7
9
5X7
3
5X
3
5
12 1210
1213 10
1213 10
1213 10
1213 10
1213 10
1213 10
1213 10
1213
12 10 1212
10 12
32010
32010
32010
32010
32010
32010
32010
32010
3X0033
3X0033
3X0033
3X0033
3X0033
3 3 53 5 3 0
1215
14
1215
14 1413
15 15
X15 13 12
1312
15 1512
13 15 1314
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rit.
Meet
.
D
me in
Dsus2
the
D
sum
Dsus4
mer
Am7
- time.
-
C
µ
Meet
D
me in
Dsus2
the
D
sum
Dsus4
mer
Am7
- time,
- we
C
can move the air.
Gtr. 4
let ring
1
G
Meet
Gtrs. 1 & 2: w/ Rhy. Fig. 2 (1st 2 meas.)
D
me in
Dsus2
the
D
sum
Dsus4
mer
Am7
- time,
-
let ring 1
I
C
will meet you there.
µ
Dsus2
Gtr. 4
rit.
Gtrs. 1 & 2
rit.
1215
14
1215
14 1413
15 15
X15 13 12
1312
12
15 14 15 15 14
1215
14
1215
14 1413
15 15
X15
15 13 1213
12 10 1012 10 12
1012
3
2013
3
2013
3
2013
3
2013
3
2013
3
2013
3
2013
3
2013
1 1 3 3 5 3 0
0
0
0230
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AModerately q = 141
Ballad of the Beaconsfield MinersWords and Music by Dave Grohl
Copyright © 2007 SONGS OF UNIVERSAL, INC. and MJ TWELVE MUSICAll Rights Controlled and Administered by SONGS OF UNIVERSAL, INC.
All Rights Reserved Used by Permission
from Foo Fighters - Echoes, Silence, Patience & Grace
B
Play 4 times
CC oT oda
Gtr. 1 (acous.)
(Count off) µ
let ring throughout
*G7
mf
Gtr. 2 (acous.)
let ring throughout
mf
*Chord symbols reflect implied harmony.
G7 F
C G7
0 3 50
50
50
50
0 3 50
50
50
50
0 8 100
100
10
0
100
0 8 100
100
10
0
100
0 7 90
90
0 90
120
0 7 90
90
0 90
120
0 5 70
70
0 70
100
0 8 10
010
9 010
0
140
0 8 100
109 0
10
0
140
0 7 80
87 0
8
0
120
0 2 30
20
20
20
3 4 50
50
3 4 50
50
3 4 50
50
3 4 50
50
0 2 30
32 0
3
0
70
0 1 20
2
0
0 1 20
2
0
0 1 20
2
0
0 1 20
2
0
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Play 4 times
4th time, D.S. al Coda
(take repeats
Coda
1., 3.
2.
4.
D
Harm.
G7
Harm. Harm.
Harm.
G7
0 2 30
0 3 50
0 5 70
0 7 90
1212
1212
1212
120
0 1 3
0
0 3 5
0
0 5 7
0
0 3 5
0
0 1 3
0
3
0
3
0
3
0
0 2 30
0 3 50
0 5 70
0 7 90
1212
1212
1212
120
1212
00
00
00
0 1 3
0
0 3 5
0
0 5 7
0
0 3 5
0
0 1 3
0
3
0
3
0
3
0
0 1 3
0
3
0
3
0
3
0
1212
1212
1212
120
0 7 90
90
12 11 120
0 7 90
90
12 11 90
0 1 3
0
3
0
3
0
3
0
0 8 100
10
0
14 13 14
0
0 8 100
10
0
14 13 10
0
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accel.
accel.
0 7 90
90
12 11 120
0 7 90
90
12 11 90
0 7 90
90
0 7 90
90
0 8 100
10
0
14 13 14
0
0 8 100
10
0
14 13 10
0
0 8 100
10
0
0 8 100
10
0
0 7 90
90
0 7 90
90
0 7 90
90
0 7 90
90
0 7 90
90
0 7 90
90
0 8 100
10
0
0 8 100
10
0
0 8 100
10
0
0 8 100
10
0
0 8 100
10
0
0 8 100
10
0
0 7 90
90
0 7 90
90
0 7 90
90
0 7 90
90
0 7 90
90
0 7 90
90
0 8 100
10
0
0 8 100
10
0
0 8 100
10
0
0 8 100
10
0
0 8 100
10
0
0 8 100
10
0
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rit.
EFree time
C7
rit.
string
noise
C F6 C7
F G
Harm.
string noise
0 7 90
90
0 7 90
90
2 32
3 2 0 2 30
2 0 2 2
0 8 100
10
0
0 8 100
10
0
87
08
8
XXX
XX
88
1010
1112
2 5
5
5 7
6
7 8
8
1313
1215
8 10
10
XX
XX
320033
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Intro
Moderately q = 94
StatuesWords and Music by Dave Grohl, Taylor Hawkins, Christopher Shiflett and Nate Mendel
Copyright © 2007 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC,I LOVE THE PUNK ROCK MUSIC and FLYING EARFORM MUSIC
All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC.All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP.
All Rights for FLYING EARFORM MUSIC Administered by BUG MUSICAll Rights Reserved Used by Permission
from Foo Fighters - Echoes, Silence, Patience & Grace
Gtr. 1 (slight dist.)
**
Riff A
Dadd2
f
F6/C C
23 1
Am
3 2 14
C
2 1 3 4
G
Gadd9 FsusÊ
End Riff A
1 1
w/ fingers
let ring throughout
*Gtr. 2
mf
*Piano arr. for gtr.
**Chord symbols reflect basic harmony.
Dadd2 F6/C C
Gtr. 1 tacet
G
1
14 14 14 14 1214 12
14 1413 15
54 2
2
04 2 0
3323
320
3
02
3
02
0
3
033 0
1
3
33
3
1
14 14 14 14 12
54 2
2
04 2 0
3323
320
3
43
543
55
43
543
5
3
43
543
55
43
543
5
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C oT oda
Verse
G
You
We
1.
2.
and
got
I
by,
were
though we
two old
nev
F
and
er-
tor
need ed-
tured-
much.
souls, re
A
- paired
sliv
Em
by
er-
a
of
love
hope,
of
no
Gtr. 2
bro
dia
Ebsus2
ken-
- mond
things.
rings.
G
In
We
a
got
life,
high,
just
it
some
was
bod
heav
F
ies
en,
-
-
grow
it
ing
was
- old.
hell.
No
Fly
fear
o
Em
- verof them
the endwith
of anbro
Ebsus2
y-- ken
thing.-wings.
Chorus
Dadd2
We’re just or din- ar- y- peo -
Rhy. Fig. 1
F6/C
ple,-
C
you and me.
Gadd9
3
3
43
543
55
43
5
3
43
5
1
21
321
33
21
321
3
0
00
200
22
00
2
0
00
2
6
33
3
6
33
33
3
3
43
543
55
43
5
3
43
5
1
21
321
33
21
321
3
0
00
200
22
00
2
0
00
26
33
3
6
33
33
354 2
2
04 2 0
3323
320
320
3
02
3
02
0
3
0
3
02
3
02
00
3
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D.S. al Coda
Coda
Dadd2
Time will turn us in to- stat
F6/C
ues-
C
e ven- tu- ’ly.
G
-
End Rhy. Fig. 1
Dadd2
Time will turn us in to- stat
F6/C
ues-
C
e ven- tu- ’ly.
Gadd9
-
Rhy. Fig. 2
(Oh.)
Voc. Fig. 1
FsusÊ
End Voc. Fig. 1
Gtr. 2: w/ Rhy. Fig. 1
Dadd2
Just two or din- ar- y- peo
F6/C
ple,-
C
you and me.
3
End Rhy. Fig. 2
Gadd9
Dadd2
Time will turn us in to-
stat
F6/C
ues-
C
e ven- tu- ’ly.
G
-
54 2
2
04 2 0
3323
320
320
3
43
543
55
43
543
5
3
43
543
55
43
543
5
54 2
2
04 2 0
3323
320
320
3
02
3
02
0
3
0
33 0
1
3
33
3
1
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Bridge
Am
Our bones for ev- er
C
- in stone, a mon
G
u- ment- al- life.
Gtr. 3 (clean)
Rhy. Fig. 3
mp
D Dsus2 D Dsus2 Am
To dust as ev ’ry
C
- thing- must, we’ll fade
End Rhy. Fig. 3
G
a way- in time.
D Dsus2
Oh.
D Dsus2
Gtr. 3: w/ Rhy. Fig. 3
Interlude
Am
Gtr. 4 (clean)
w/ fingers
mf
C G
let ring
D Dsus2 D Dsus2
let ring
3
02210
02210
02210
02210
02210
02210
3201
3203
32013
32013
32013
32010
320033
320033
320033
320033
320033
320033
0232
0232
0230
0232
0232
0230
02210
02210
02210
02210
02210
02210
3201
3203
32013
32013
32013
32010
320033
320033
320033
320033
320033
320033
0232
0232
0230
0232
0232
0230
21
21
43
55
44
55
43
21
43
4
33
4 4 5 4 23
0 2
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Gtr. 3
Am C G
Gtr. 4
let ring let ring
3
Gtr. 1
steady gliss.
Gtr. 4
Guitar Solo
Gtr. 1: w/ Riff AGtr. 2: w/ Rhy. Fig. 2 (2 times)Gtr. 3 tacet
Riff B
Dadd2
let ring
F6/C C
let ring
Gadd9 FsusÊEnd Riff B
let ring
Gtr. 1
Gtr. 4: w/ Riff B
Dadd2 F6/C C
Gadd9 FsusÊ
1 1
ChorusGtr. 1 tacetGtr. 2: w/ Rhy. Fig. 1 (1st 4 meas.)
Dadd2
We’re just or din- ar- y- peo
F6/C
ple,-
C
you and me.
Gadd93
Gtr. 4
let ring let ring
21
21
43
55
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55
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21
43
4
33 0 1 0
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Gtr. 2: w/ Rhy. Fig. 2 (2 times)Gtr. 4: w/ Riff B (2 times)
Dadd2
Time will turn us in to- stat
F6/C
ues-
C
e ven- tu- -
’ly.
Gadd9
(Oh.)
FsusÊ
Dadd2
Just two or din- ar- y- peo -
F6/C
ple,-
C
you and me.
Gadd9
(Oh.)
FsusÊ
3
Dadd2
Time will turn us in to- stat
F6/C
ues-
C
e ven- tu- ’ly.
G
-
Gtr. 4
let ring let ring
Gtr. 2
03
023
35
0
3
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3
54 2
2
04 2 0
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Intro
Moderately fast q = 165
But, HonestlyWords and Music by Dave Grohl, Taylor Hawkins, Christopher Shiflett and Nate Mendel
Copyright © 2007 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC,I LOVE THE PUNK ROCK MUSIC and FLYING EARFORM MUSIC
All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC.All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP.
All Rights for FLYING EARFORM MUSIC Administered by BUG MUSICAll Rights Reserved Used by Permission
from Foo Fighters - Echoes, Silence, Patience & Grace
*Gtr. 1 (acous.)
Rhy. Fig. 1
Emaj7
mf
Badd11
7fr
13 4
E55fr
13 4
D6sus2
13 4
Cmaj7
12
Asus27fr
13 4
E55fr
13 4
D5
13 4
C5
11
A5type2
Asus2 Amaj9End Rhy. Fig. 1
*Doubled throughout
Verse
Gtr. 1: w/ Rhy. Fig. 1 (3 3/4 times)
Emaj7
1. Where you off
Badd11
to with that head
Asus2
of yours?
Amaj9
Emaj7
Is there some
Badd11
where- you should be?
Asus2 Amaj9
Emaj7
Was it some
Badd11
thing- that I said
Asus2
the time I held
Amaj9
you down and told
Emaj7
you it’s not you
Badd11
it’s on ly- me,
Asus2 Amaj9
079
08
0
079
08
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079
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079
08
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079
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7X9
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C oT oda
may be?-
F#11/A#
Don’t take
Gtr. 1
Rhy. Fill 1
mp
End Rhy. Fill 1
()
Pre-Chorus
Amaj9
what I
E
don’t
F#11/A
need.
F#11
Voc. Fig. 1
(Give me back
Rhy. Fig. 2
mf
Don’t say
1st time, Gtr. 1: w/ Rhy. Fig. 2 (1 3/4 times)2nd time, Gtr. 1: w/ Rhy. Fig. 2 (3 times)
Amaj9
what I
E
don’t
F#11/A
mean.
F#11
my peace of mind.
End Voc. Fig. 1
Give me back
End Rhy. Fig. 2
No way
Amaj9
you’ll si
E
lence-
2nd time, Bkgd. Voc.: w/ Voc. Fig. 1
F#11/A
me,
F#11
my pre cious- time.)
0
0
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D.S. al Coda
you’ll see.
E
Gtr. 1
Rhy. Fill 2 End Rhy. Fill 2
Verse
Gtr. 1: w/ Rhy. Fig. 1 (6 times)
Emaj7
What2. you up
Badd11
to now your mir
Asus2
ror’s- gone?
Amaj9
Emaj7
Is there some
Badd11
one- you should be?
Asus2 Amaj9
Emaj7
Did you think
Badd11
I was just fool
Asus2
ing- ’round with you?
Amaj9
But, hon
Emaj7
est- ly.-
Badd11 Asus2 Amaj9
But, hon -
Emaj7
est- ly.-
Badd11 Asus2 Amaj9
But, hon
Emaj7
est- ly.-
Badd11
Asus2 Amaj9
F#11/A#
Gtr. 1: w/ Rhy. Fill 1
Don’t take
9
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Coda
no where-
Amaj9
to hide
E
from
F#11/A
me,
F#11
you’ll see.
Gtr. 1: w/ Rhy. Fill 2
E
Chorus
Bsus4
And to night- I thank the stars
C#m7
as I count my luck y- scars
Gtr. 1
Rhy. Fig. 3
Cmaj7
for ev ’ry- thing- you’ve giv en- me.
E5
End Rhy. Fig. 3
Gtr. 1: w/ Rhy. Fig. 3
Bsus4
And all the words I gave to you,
C#m7
some thing- bor rowed,- some thing- blue.
Cmaj7
If you want them back
Gtr. 1: w/ Rhy. Fig. 3 (last 2 meas.)
I’ll give it to
24400
24400
24400
24400
24400
24400
24400
24400
24400
24400
24400
24400
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Gtr. 1
Rhy. Fig. 4
E5 D6sus2
you, give it to you, give it to
*Gtr. 2 (elec.)
w/ slight dist.
Rhy. Fig. 4A
mf
*Two gtrs. arr. for one.
Cmaj7 Asus2End Rhy. Fig. 4
you.
I’ll give it to you. I’ll give it to
End Rhy. Fig. 4A
Gtr. 1: w/ Rhy. Fig. 4 (3 times)Gtr. 2: w/ Rhy. Fig. 4A
E5
you, give it to
D6sus2
you, give it to
Cmaj7
you.
I’ll give it to
Asus2
you. I’ll give it to
079
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02200
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Gtr. 2
type2E5 D5 C5
P.M.
you, give it to you, give it to
Gtr. 3 (elec.)
w/ slight dist.
Riff A
mf
A5
(cont. in notation)
P.M.
you.
I’ll give it to you. I’ll give it to
End Riff A
Gtr. 3: w/ Riff A
E5
you, give it to
D5
you, give it to
C5
Gtr. 2
(cont. in slashes)
P.M.
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
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X9
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11
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14
799
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799
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799
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577
355
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1.
2.
Gtr. 2
*
C5
P.M.
A5
you.
I’ll give it to you.
Gtr. 4 (elec.)
w/ dist. f steady gliss.
*Gradually lift P.M.
Gtrs.2 & 3
Interlude
Gtr. 1: w/ Rhy. Fig. 4 (2 times)
Rhy. Fig. 5
E5 D5
Riff B
C5 A5End Rhy. Fig. 5
End Riff B
Gtr. 4: w/ Riff B (last 2 meas.)
A5 **
ChorusGtr. 1: w/ Rhy. Fig. 4 (2 times)Gtrs. 2 & 3: w/ Rhy. Fig. 5 (2 times)Gtr. 4: w/ Riff B (2 times)
E5
Don’t want one thing that I gave to you.
I don’t want
Gtr. 5 (elec.)
w/ dist.
mf
Riff C
**Chord symbols reflect basic harmony.
77
7 7
12
14 13 1412
14 13 1412
14 13 1412
14 13 14 14 13 1114
14 13 1114
14 13 1114
14 13 1114
12 11
14 1212 11
14 1212 11
14 1212 11
14 12 11 12 1411 12 14
11 12 1411 12 14
11 1200
3 12 07
07
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07
07
07
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D5
one thing that I gave to you.
I don’t want
C5
one thing that I gave
to you.
I don’t want
A5
one thing that I gave to you.
I don’t want
End Riff C
Gtr. 5: w/ Riff C
E5
one thing that I gave to you.
I don’t want
D5
one thing that I gave to you.
I don’t want
C5
one thing that I gave to you.
I don’t want
A5
one thing that I gave to
you.
Gtr. 5
Outro
Gtr. 1: w/ Rhy. Fig. 4 (till fade)Gtr. 2: w/ Rhy. Fig. 5 (1 1/2 times)Gtr. 3: w/ Rhy. Fig. 5 (till fade)Gtr. 4: w/ Riff B (till fade)
E5 D5
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
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2X4
2X4
3X5
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7X9
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Begin fade
Fade out
C5 A5
E5 D5
Gtr. 5
C5 A5
steady
gliss.
Gtr. 2
steady
gliss.
Gtr. 5
Gtr. 2: w/ Rhy. Fig. 5 (till fade)
E5 D5
C5 A5
X10
12X10
12X10
12X10
12X10
12X10
12X10
12X10
12X10
12X10
12X10
12X10
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12X10
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12
12X14
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12
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355
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355
022
022
022
022
022
022
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022
022
022
022
022
12 00
0
22400
0
22400
0
22400
0
22400
2
X4
2
X4
2
X4
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X4
2
X4
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X4
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X4
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X4
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X4
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X4
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X4
2
X4
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Intro
Slowly q. = 36
HomeWords and Music by Dave Grohl, Taylor Hawkins, Christopher Shiflett and Nate Mendel
Copyright © 2007 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC,I LOVE THE PUNK ROCK MUSIC and FLYING EARFORM MUSIC
All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC.All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP.
All Rights for FLYING EARFORM MUSIC Administered by BUG MUSICAll Rights Reserved Used by Permission
from Foo Fighters - Echoes, Silence, Patience & Grace
*Gtr. 1
w/ fingers
let ring throughout
G
mp
= 3____ ________ __
*Piano arr. for gtr.
Wish
Peo
1.
4.
Verse
G
I
ple-
were
I’ve
with
loved,
Am7
you
but
I
I
have
Fsus2
could
no
n’t-
re
stay.
grets.-
G
Rhy. Fig. 1
mf **T
End Rhy. Fig. 1
**T = Thumb on 6th string
Ev
Some
Gtr. 1: w/ Rhy. Fig. 1 (2 times)
’ry-
I
di
re
rec
mem
-
-
Am7
tion
ber,
-
-
leads
some
Fsus2
me
I
a
for
way.
get.
-
-
G
3
Pray
Some of
for to
them
mor
liv
-
Am7
row,
ing,
-
-
but
some
Fsus2
of
for to
them
day...-
dead.
3
00
3
003
3
00
3
00
3
03
3
00
3
003
3
00
3
00
000
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1
01
3
01
3
00
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3
00
3
00
3
0000
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2To Coda
1To Coda 1.
All
Chorus
Fadd2
I
Em
want is to
C5
be
*
home.
3
Gtr. 1
*Sung as even sixteenth-notes
G
Stand
Ech
Verse
Gtr. 1: w/ Rhy. Fig. 1 (3 times)
2.
3.
G
- oes
in the
and
mir
si
Am7
ror,
lence,
-
-
you
pa
Fsus2
look
tience-
the
and
same.
grace.
G
Just
And
look
all
ing-
of
for
these
shel
mo
Am7
ter
ments
-
-
from
I’ll
cold
nev
Fsus2
and
er-
the
re
pain.
place.-
G
No
3
Some
fear
one
of
- to
my
cov
heart,
Am7
er,
-
no
safe
ab
Fsus2
from
sence-
the
of
rain.
faith.
G
3
All
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Fadd2
I
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want is to
C5
be
**
home.
3
Gtr. 1
**As before
8
07
8
07 7
0
0
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02
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3
01
3
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3
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01
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01
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8
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8
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0
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2
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2.
2nd time, D.S. al Coda 1
(take 1st ending)
1 Coda D.S.S. al Coda 2
Mm.
Interlude
G Am7 Fsus2 G
Rhy. Fig. 2
T
End Rhy. Fig. 2
Gtr. 1: w/ Rhy. Fig. 2 (2 times)
G
Am7 Fsus2 G
Interlude
G
3
01
01
3
01
3
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01
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3
00
00
000
0
01
01
201
1
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3
01
3
00
3
00
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00
3
00
3
00
000
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3
00
3
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3
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3
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003