##ecology of daylight - lecture notes in black and white
TRANSCRIPT
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8/9/2019 ##Ecology of Daylight - Lecture Notes in Black and White
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Ecology of Daylighting:Design Matters
How sense-luscious the world is. In the summer, we can be decoyed out of bed by
the sweet smell of the air soughing through our bedroom window. The sun playing
across the curtains gives them a moire effect, and they seem to shudder in light,
someone might hear the dawn sound of a cardinal....We need to return to feeling
the textures of life.
-- Diane Ackerman, A Natural History of the Senses
Mary GuzowskiAssociate Professor
Ecology of Daylighting:Design Matters
What Matters?: 12 Critical realms of influence1. Process matters: Break down barriers between design disciplines + beyond
2. Goals matter: Raise the bar: inspire change (Global warming; use; etc.)
3. Place matters: know the site and building metabolism (living design)
4. Passive matters: (daylight integrated with natural ventilation & passive heat
5. Modest matters: use less (use less and less; aspire for ZED)
6. Form matters: (then technology)
7. Color and materials matter: link color and concept
8. Envelope matters: Living skins - link three-dimensionally and in layers
9. Systems matter: Integrate innovative and renewabl;e systems andtechnologies
10. Flexibility matters: (design for adaptability and change)11. Health matters: physical and psychological well-being
12. Assessment matters: qualitative and quantitative
1. Process Matters:Ecological connections between disciplines + beyond
Challenge boundaries between design disciplines andbeyond
Integrate ecology, economy, equity
Consider design linkages across scales and issues(integrate across boundaries and disciplines)
See daylighting with a fresh approach (reconsider whatyou currently see as limits)
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Beyond Incremental ImprovementsGoing Beyond LEED
The Living Building Challenge
Global Warming Emissions
2030 Challenge: www.architecture 2030.org
AIA Minnesota 2004 Climate Change Position StatementEnergy Efficient Residential and Commercial Buildings
20% Renewable Energy by 2020
Architecture 2030 Challenge - Carbon Neutral Buildings(adopted by AIA National and US Council of Mayors)
60% CO2 Reduction by 2010
70% CO2 Reduction by 2015
80% CO2 Reduction by 2020
90% CO2 Reduction by 2025
Carbon Neutral by 2030
2. Goals matter:Raise the bar: inspire change (Global warming;
use; etc.);
WHAT ARE YOU TRYING TO DO, WHY, AND HOW?
Link concepts, program needs, and ecological concerns
Go beyond incremental improvement: redefine theecological goals and visions
Strive for next generation thinking for sustainability:what arent we considering that we should? Whatlinkages arent being made?
Can daylight solve multiple concerns (poetic, pragmatic,ecological)?
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Adam Lewis Center, Oberlin
expand clients intentions and program
PROGRAM NARRATIVEframing the questions
defining your intentions
developing a conceptual framework What?
Who?
When? Where?
How?
NEXT GENERATION THINKINGwhat are we missing?
how can daylight do more? Daylight and health?
Daylight and education?
Daylight and renewable energy?
Daylight and food production?
Daylight and waste processing?
Daylight and healing?
Daylight and beauty?
Daylight and social connections?
Etc.?
2. Goals matter:Raise the bar: inspire change
Z6 House, Ray Kappe and LivingHomes
(zero-energy, waste, carbon, emissions, water, ignorance)
3. Place mattersKnow the site and interior building metabolism
create living designs
Take a bioregional approach; know place (mood, feeling,seasonal & diurnal phenomena)
Consider time and change as positive forces
Environment, architecture/interiors, human interaction
Create living design (dynamic, changing)
Consider interior design opportunities to celebrate placeand connect to seasonal transitions (light, heat, air, inside-out connections)
Design to place inhabitants (foster reverence for place)
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Know yourEcosystem
know the ecosystem and site inhabitants
Climate data: Sun, wind, and light (DeKay)
Know your climate
know the sky conditions and seasonal moods
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know the site sources of light
Strive for place inspired light; help
place inhabitants
Baagsvaard ChurchJorn Utzon, Denmark
Seabird Island SchoolPatkau Architects, B.C.
Foster connection to
site forces and seasonal
shifts
Consider interior and
exterior migrations
Celebrate seasonal
changes: finishes,
details, furnishings,
color
Foster different places
of light in time
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Kyoto Protocol HouseSarah Nettelton Architects, Minneapolis
4. Passive Matters:Strive for ZED; Harvest free energy (wind, light,
heat)
Eliminate or dramatically reduceneed for fossil fuels
Combine design for light, heat,and air
Select materials and finishes tosupport the integration ofpassive systems and daylighting
Consider space planning tosupport passive design(furnishing, floor treatments,exposure to mass)
Consider skin, shading, interiorwindow treatments for seasonalissues
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Select interior materials and finishes to combine
lighting, heating, and cooling on a seasonal basis
House at Bingie PointGlenn Murcutt, Australia
5. Modest matters:Use less and less and less; continue to aspire for ZED
consider need vs. want
Do more with less: Use daylight for multiple uses; (considerwhat revisions can done via programming?)
Eliminate or dramatically reduce consumption of fossil fuel(what do you really need; what can you harvest free fromthe site?)
Be creative with programming and space planning(balance quality, quantity, poetic, pragmatic)
How can material selection, finishes, detailing, etc. helpachieve optimal daylight with minimal means?
Put light where it is really needed
Celebrate shadow (not just light a little goes a long way if
done well)
A little can go a long wayless is more
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Put light where its neededAmbient vs. task lighting
Government Canyon Visitor CenterSan Antonio, TX, Lake Flato Architects
Eliminate space that is not needed
Create outdoor rooms and circulation where possible
Blur interior and exterior boundaries when appropriate
Thomas HerzogSolar Housing in Denmark (in planning)
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Colorado Court Affordable HousingSanta Monica, Pugh+Scarpa
southwest
southeast
Beddington Zero Energy Development(BedZED) Sutton, England; Bill Dunster Architects
Modest Matters: Use layers of light and space tiny can work
bedZED: Dunsler Architects, England
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6. Form Matters:(then technology)
CRITICAL ISSUES OF FORM1. Use the right strategy for the right job
2. Keep it thin; Strive for bilateral and/or multi-lateral
3. Beg, borrow, or steal light daylight and air
4. Use the room as a light fixture (walls, floors, ceilings)
5. Control, control, control (but only when appropriate)
6. Find places to celebrate light
7. Work with shadow (not just light)
Note: Consider how this may relate to your current work?
Why would you use one strategy versus anotherDaylight strategy: why does it matter (top vs. sidelight)?1. Site issues: Site or building constraints for solar access (vegetation, adjacent
buildings)?
2. Formal, aesthetic, and/or structural issues: constraints or limitations?
3. Lighting intentions?: what are the roles of the windows; views, light, passive
solar, aesthetics, etc. (when is side vs. top better?)
4. Programmatic issues: what are you trying to light? Perimeter, surface, space,
object?
5. Quantitative vs, qualitative issues: How much light is needed and when?
(top more efficient smaller aperture needed, but seasonal overheating);
seasonal sun angles; desired effect & quality?
6. Comfort issues: thermal comfort and visual comfort; quality vs. quantity of
light from side vs. top and from different orientations?
7. Ecological issues: energy and resource goals; links to health and well-being,green economics, etc.
6. Form Matters:Use the right strategy for the right job
Sidelight
Toplight
Clerestories
Lightscoops
Sunscoops
Monitors
Hybrid (top + side
+ other)
Atria
Lightwells
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Consider Volume vs. surface vs. skin
Nasher Piano; Kashino - Ando
Toplighting or sidelight; hybrid?Link to place, program, experience
6. Form Matters:Keep it thin; Strive for bilateral or multilateral daylight
Palmetto HouseJersey Devils, Florida
Consider interior forms, finishes and detailing to optimize light, air, heat
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6. Form Matters:Beg, borrow, or steal daylight and views
Beg, borrow, and steal daylight and views
Ove Arup OfficeEngland
6. Form Matters:Use the room as a light fixture (walls, floors, ceilings)
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6. Form Matters:Consider control, control, control (but only when needed)
6. Form Matters:Find places to celebrate light and provide relief
6. Form Matters:Work with shadow (not just light)
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7. Colors and Materials Matter:Use color and value to support your goals
Color and MaterialsConsider natural colors of light: sky conditions
James Turrell, Night Rise,
Location Scottsdale Museum of
Contemporary Art, Nancy and Art Schwalm
Sculpture Garden
Color and MaterialsConsider natural colors of light: time of day
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Color and MaterialsConsider natural colors of material and interaction with light
Color and MaterialsConsider the interaction of light, color, and
interior or exterior finishes
Color and MaterialsConsider interaction between surfaces
and reflected light
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Color and MaterialsConsider the manipulation of light levels or distribution
Color and MaterialsConsider the physical sensation or thermal response
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Color and MaterialsConsider Expressive Opportunities
(to create a mood or feeling)
7. Color and Materials MatterConsider day and night transitions
Chapel of St. Ignatius, Stephen Holl, Seattle, WA
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8. Envelope matters:Living skins: think three dimensionally and in layers
Think inside-out: integrate interior design andarchitectural designs (blur boundaries between insideand outside; integrate design of skin across disciplines)
Design for orientation (not all sides are equal)
Design skin for place (window size and orientation)
Consider the concept of a living ecological envelope Design to respond to changing site, season, climate, program
needs (adjustable, adaptable envelope)
Simple envelopes work (e.g. inexpensive shading,awning, screens, plants)
Select forms, materials, and finishes to integrate light,thermal, and sound (3-D envelopes)
3D skins: Layering Inside-outsideblur boundaries and link disciplines
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8. Envelope matters:Living skins: think three dimensionally and in layers
Not all sides are created equallythink inside-out
Herzog & de Meuron
Shuttered Skin
Layering: outside
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Layering: at the glazing
The Systems Integrated 3-D Skin: structure, light, heat, ventilationFumihiko Maki
Tokyo Church of Christ, Japan
Layering Inside
Bigelow ChapelHGA, New Brighton, MN
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9. Flexibility matters:be adaptable for change (eliminate obsolescence)
Naked HouseShigeru BanKawagoe, Japan
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10. Health Matters:Physical and Psychological Well-being
Healthy Places: Connections MatterRoslyn Lindheim
Studies of people who get sick most often and mostseriously indicate that the people in these groups are insome wayout of connectionand lack meaningfulsocial and natural connectedness. These are the lonelyones, people disconnected from family, friends, society,and other types of social supports. These are the peopleat the lowest ends of hierarchies, disconnected from asense of pride and control over their lives. These are the
people disconnected from their natural environment andrhythms and cycles of life
Places/Volume 2, Number 4, pp. 17-27 (reading Tues. Feb. 8)
Sick Building Syndromeand Building Related IllnessINDOOR ENVIRONMENTAL QUALITY (IEQ)EPA Research Lighting, heating, and cooling
Visual, thermal, and acoustic comfort
Control systems
Erogonomics
Color
Aesthetics and beauty
Social and environmental contact and connections
Indoor Air Quality (IAQ).Others
Connections Matterinside out
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Views matterinner and outer
Health and View: Vivian LoftnessProfessor of Architecture, Carnegie Mellon; USGBC
Daylight and Offices: Heschong and MahonePG&E: Office Study
www.h-m-g.com/
Sacramento Municipal Utility District. The firststudy looked at 100 workers in an incomingcall center,
Workers in the Call Center were found toprocess calls 6% to 12% faster when they hadthe best possible view versus those with noview.
Office workers were found to perform 10% to25% better on tests of mental function andmemory recall when they had the bestpossible view versus those with no view.
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Daylight and Classrooms: Heschong and MahonePG&E: Classroom Study
www.h-m-g.com/
In Seattle Washington and Fort Collins Colorado,
where end-of-year test scores were used as theoutcome variable, students in classrooms with themost daylighting were found to have 7% to 18%higher scores than those with the least.
In San Juan Capistrano, California, where the studywas able to examine the improvement between falland spring test scores, we found that students withthe most daylighting in their classrooms progressed20% faster on math tests and 26% faster on readingtests in one year than in those with the least.
Daylight and Retail: Heschong and MahonePG&E; Retail Spaces
www.h-m-g.com/
The retailer, who will remain anonymous, allowed usto study 73 store locations in California from 1999 to2001. Of these, 24 stores had a significant amount ofdaylight illumination, provided primarily by diffusingskylights.
This study was performed as a follow-on to a similarstudy completed for Pacific Gas and Electric in 1999,which found that for a certain retail chain, all otherthings being equal, stores with skylights experienced40% higher sales than those without skylights.
Operable matters
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Windows, views, visual relief, connections of all sorts: Celebrate interior and exterior
views
Ove Arup OfficeEngland
11. Systems MatterTake an integrated approach (Loren case study)
Coordinate the massing, plan, and
section to integrate lighting,
ventilation, heating, others
Take a stand for operable windows
Integrate technology & systems
Glazing systems
Shading systems
Electric lighting controls (even
manual)
HVAC systems coordination
Renewables
Look for a spectrum of solutions:simple works
Footcandle contours in planand section Quantity and distribution of light for
program, tasks, and activities
IES recommendation comparison
Time sequence photographs Sun patterns on a diurnal and seasonal
basis
Possible problem areas from directsunlight, glare, veiling reflections
Possible problems from excessive heatgain from direct sunlight
Shading and solar control issues
Quality and experience of light in time
12. Assessment Matters:Qualitative and Quantitative
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12. Assessment Matters:Qualitative and Quantitative
Ecotect: www.ecotect.com
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Ecology of Daylighting:Design Matters
What Matters?: 12 Critical realms of influence1. Process matters: Break down barriers between design disciplines + beyond
2. Goals matter: Raise the bar: inspire change (Global warming; use; etc.)
3. Place matters: know the site and building metabolism (living design)
4. Passive matters: (daylight integrated with natural ventilation & passive heat
5. Modest matters: use less (use less and less; aspire for ZED)
6. Form matters: (then technology)
7. Color and materials matter: link color and concept
8. Envelope matters: Living skins - link three-dimensionally and in layers
9. Systems matter: Integrate innovative and renewabl;e systems andtechnologies
10. Flexibility matters: (design for adaptability and change)
11. Health matters: physical and psychological well-being
12. Assessment matters: qualitative and quantitative
Ecology of Daylighting:Design Matters
How sense-luscious the world is. In the summer, we can be decoyed out of bed by
the sweet smell of the air soughing through our bedroom window. The sun playing
across the curtains gives them a moire effect, and they seem to shudder in light,
someone might hear the dawn sound of a cardinal....We need to return to feeling
the textures of life.
-- Diane Ackerman, A Natural History of the Senses
Mary GuzowskiAssociate [email protected]