en avant day one 4-27-13 call sheet etc

29
Special Notes Nearest Hospital to Set Note to all Cast and Crew: Classes will still be held at Union County College during the morning of production so I urge everyone to respect the facilities by keeping it quiet in the holding room and when traveling in the hallways. Walkie talkies will be used. Robert Wood Johnson University Hospital 865 Stone Street Rahway, NJ 07065 (732) 381-4200 LOCATIONS # Location Address Parking Contact 0 NYC Pick Up Location New School on 12th and 5 th AVE street, 66 5th Avenue, Meet at corner of 13 th and 5 th Ave Joe Eulo 908-437-8565 1 Union County College Room H114 1033 Springfield Avenue Cranford, NJ 07016 Parking in student Lot Public Safety Office (908) 709-7152 Scene and Description Cast Pgs Loc 4 – EXT/DAY - Dayna follows Amanda outside to find out about her granddaughter. 1,3,4 Parking Lot 3A - EXT/DAY - Dayna pulls into parking lot and enters school 1 Parking Lot 3 – INT/DAY - Dayna goes through class in a daze 1,4 ALL EXTRAS Classroom 3G&H (pre-8) – INT/DAY Dayna teaches class, rushes to catch Amanda afterward 1,3,4 Classroom Producer/ UPM Joseph Eulo (908) 437-8565 1 st Assistant Director Kyler Puckett (575) 308-6013 Director Jazmin Godoy DoP Annie Kaempfer Producer/UPM Joseph Eulo (908) 437-8565 Co-Producer: Jazmin Godoy Director: Jazmin Godoy 1 st Assistant Director: Kyler Puckett (575) 308-6013 EN AVANT DATE: Sat, Apr 27 SHUTTLE INFO: Pick up in front of the New School on 12 th street , 66 5th Avenue, Driver phone (908) 4378565 WEATHER: Sat, Apr 27 Sunny HIGH: 66° LOW: 48° CHANCE OF RAIN: 0% WIND: SW at 6 mph First Aid kit at the craft table. CALL TIME Sat, Apr 27 7:00AM Check grid for individual call times LUNCH 1:00 # Cast Role Pick Up Time Call Time MU/WD Set Call 1. Laura Pellegrini* Dayna 6:00 AM 7:25 AM 8:30 AM 9:00 AM 2. Bautista Logioco Steven - - - - 3. Hershey Revolinsky Emily 7:25 AM 8:30 AM 9:00 AM 4. Carol Beaugard Amanda 7:25 AM 8:30 AM 9:00 AM # Extras Role - Call Time MU/WD Set Call S1 Ruth Cooper Student 1 - 2:00 PM Upon Arrival 2:30 PM S2 Carolyn Feigin Student 2 - 2:00 PM Upon Arrival 2:30 PM S3 Mark Zebro, Jr. Student 3 - 2:00 PM Upon Arrival 2:30 PM S4 Gillian Cardona Student 4 - 2:00 PM Upon Arrival 2:30 PM S5 Erica Rodriguez Student 5 - 2:00 PM Upon Arrival 2:30 PM S6 Arella Rodriguez Student 6 - 2:00 PM Upon Arrival 2:30 PM S7 Gaby Villalba Student 7 - 2:00 PM Upon Arrival 2:30 PM S8 Luis Garcia Student 8 - See Crew Call Upon Arrival 2:30 PM

Upload: joseph-a-eulo

Post on 12-Apr-2015

32 views

Category:

Documents


3 download

DESCRIPTION

En Avant DAY ONE 4-27-13 Call Sheet, Shot List, Script, Shooting Schedule

TRANSCRIPT

Page 1: En Avant DAY ONE 4-27-13 Call Sheet etc

Special Notes Nearest Hospital to Set Note to all Cast and Crew: Classes will still be held at Union County College during the morning of production so I urge everyone to respect the facilities by keeping it quiet in the holding room and when traveling in the hallways. Walkie talkies will be used.

Robert Wood Johnson University Hospital 865 Stone Street Rahway, NJ 07065 (732) 381-4200

LOCATIONS # Location Address Parking Contact 0 NYC Pick Up Location New School on 12th and 5th

AVE street, 66 5th Avenue, Meet at corner of 13th and 5th Ave

Joe Eulo 908-437-8565

1 Union County College Room H114

1033 Springfield Avenue Cranford, NJ 07016

Parking in student Lot Public Safety Office (908) 709-7152

Scene and Description Cast Pgs Loc

4 – EXT/DAY - Dayna follows Amanda outside to find out about her granddaughter. 1,3,4 Parking Lot

3A - EXT/DAY - Dayna pulls into parking lot and enters school 1 Parking Lot

3 – INT/DAY - Dayna goes through class in a daze 1,4 ALL EXTRAS Classroom

3G&H (pre-8) – INT/DAY Dayna teaches class, rushes to catch Amanda afterward 1,3,4 Classroom

Producer/ UPM Joseph Eulo (908) 437-8565

1st Assistant Director Kyler Puckett (575) 308-6013

Director Jazmin Godoy

DoP Annie Kaempfer

Producer/UPM Joseph Eulo (908) 437-8565 Co-Producer: Jazmin Godoy Director: Jazmin Godoy 1st Assistant Director: Kyler Puckett (575) 308-6013

EN AVANT DATE: Sat, Apr 27 SHUTTLE INFO: Pick  up  in  front  of  the  New  School  on  12th  street  ,  66  5th  Avenue,  Driver  phone  (908)  437-­‐8565

WEATHER:

Sat, Apr 27 Sunny HIGH: 66° LOW: 48° CHANCE OF RAIN: 0% WIND: SW at 6 mph

First Aid kit at the craft table.

CALL TIME Sat, Apr 27 7:00AM

Check grid for individual call times

LUNCH 1:00

# Cast Role Pick Up Time Call Time MU/WD Set Call 1. Laura Pellegrini* Dayna 6:00 AM 7:25 AM 8:30 AM 9:00 AM 2. Bautista Logioco Steven - - - - 3. Hershey Revolinsky Emily 7:25 AM 8:30 AM 9:00 AM 4. Carol Beaugard Amanda 7:25 AM 8:30 AM 9:00 AM

# Extras Role - Call Time MU/WD Set Call S1 Ruth Cooper Student 1 - 2:00 PM Upon Arrival 2:30 PM S2 Carolyn Feigin Student 2 - 2:00 PM Upon Arrival 2:30 PM S3 Mark Zebro, Jr. Student 3 - 2:00 PM Upon Arrival 2:30 PM S4 Gillian Cardona Student 4 - 2:00 PM Upon Arrival 2:30 PM S5 Erica Rodriguez Student 5 - 2:00 PM Upon Arrival 2:30 PM S6 Arella Rodriguez Student 6 - 2:00 PM Upon Arrival 2:30 PM S7 Gaby Villalba Student 7 - 2:00 PM Upon Arrival 2:30 PM S8 Luis Garcia Student 8 - See Crew Call Upon Arrival 2:30 PM

Page 2: En Avant DAY ONE 4-27-13 Call Sheet etc

SET REQUIREMENTS Props: Book Bag Textbook, Loose papers, Chalk Vehicles: Dayna’s Car Wardrobe: TBA Makeup: TBA Set Dressing: TBA

DEPT NAME IN DEPT NAME IN PRODUCTION Walkie Channel 1 ART DEPT Producer/UPM Joseph Eulo 6:00AM Prod Designer/Set Dresser Stefani Stefano 7:00AM Director Jazmin Godoy 6:00AM Production Assistant Ashley Jacoby 7:00AM HAIR/MAKEUP/WARDROBE Walkie Channel 4 Production Assistant Nelson Rangel 7:00AM Wardrobe Coordinator Steven Ramos 7:00AM Production Assistant HMU Shondell Baijoo* 6:00AM AD’S CONTINUITY 1st Assistant Director Kyler Puckett* 6:00AM Script Supervisor Grete Miller 7:00AM 2nd Assistant Director CAMERA DEPT SOUND Director of Photography Annie Kaempfer* 6:00AM Production Sound Mixer Anthony Sepulveda* 6:00AM 1st Assistant Camera John Eagan 7:00AM Boom Operator Charlotte Azaceta 7:00AM 2nd Assistant Camera Carlos Oller 6:00AM Boom Operator David Toledano 7:00AM Set Photographer Mariana Godoy 7:00AM GRIP & ELECTRIC DEPT Walkie Channel 16 CATERING/CRAFT Key Grip/ Andre Douglas 7:00AM Craft Services Mariana Godoy 7:00AM Best Boy Grip Luis Garcia 7:00AM Grip Nelson Rangel 7:00AM DRIVERS Gaffer Sean Devin* 6:00AM Driver Coordinator Best Boy Electric Driver Joseph Eulo 6:00AM Electric Driver

* denotes cast and crew needed to be pick up in NYC, they must report to the Pick up location at 6:AM in NYC

Producer/ UPM Joseph Eulo (908) 437-8565

1st Assistant Director Kyler Puckett (575) 308-6013

Director Jazmin Godoy

DoP Annie Kaempfer

Transportation NYC Cast and Crew Pick up by Joe 908-437-8565, Van will leave at 6:15 at the corner of 12 street and 5th Ave, in NYC Craft – Hot & Ready @ Cast/Crew Subs x 23 @ 0000 Catering Cast/Crew Lunch x 23 to be Ready @ 1130 to be served @ 1:00

Page 3: En Avant DAY ONE 4-27-13 Call Sheet etc

Shooting  Schedule  for  En  Avant  (2013)      

Day  1:  Saturday  April  27,  2013  6:00  AM  -­‐  NYC  Cast  and  Crew  Pick  Up  -­‐  @  The  New  School  66  5th  Avenue,  New  York  (908)  437-­‐8565  7:00  AM  -­‐  Crew  Call  Report  to  Holding  -­‐  Room  H114  @  UCC  7:25  AM  -­‐  Cast  Call  Report  to  Holding  -­‐    Room  H114  @  UCC  7:30  AM  -­‐  BREAKFAST  12:30  PM  EXTRAS  CALL  TIME  –  Report  to  Holding  -­‐  Room  H114  @  UCC  Time   Scene   Int/Ext   Scene  Summary   Location   Characters   Props  

8:00  AM   SET  UP  AND  BLOCKING  Scene  4  

9:00  AM   4   EXT/DAY  Dayna  follows  Amanda  outside  to  find  out  about  her  granddaughter.  

Parking  Lot  (1)  Dayna  (3)  Emily  (4)  Amanda  

 

Time   Scene   Int/Ext   Scene  Summary   Location   Characters   Props  11:00  AM    SET  UP  AND  BLOCKING  Scene  3A  

11:30  AM   3A   EXT/DAY   Dayna  pulls  into  parking  lot  and  enters  school   Parking  Lot   (1)  Dayna   Book  bag  

12:00  PM    LUNCH  Time   Scene   Int/Ext   Scene  Summary   Location   Characters   Props  

1:00  PM   SET  UP  AND  BLOCKING  Scene  3  

3:00  PM   3   INT/DAY   Dayna  goes  through  class  in  a  daze   Classroom  

(1) Dayna  (4)  Amanda  EXTRAS  

Book  Bag                        Textbook                          loose  papers        Chalk  

Time   Scene   Int/Ext   Scene  Summary   Location   Characters   Props  5:00  PM   COSTUME  CHANGE  -­‐  SET  UP  AND  BLOCKING  Scene  8  

6:15  PM   8   INT/DAY   Dayna  teaches  class,  rushes  to  catch  Amanda  afterward   Classroom  

(1)  Dayna  (3)  Emily  (4)  Amanda  

Book  Bag                        Textbook    Chalk  

 

   

Page 4: En Avant DAY ONE 4-27-13 Call Sheet etc

Shooting  Schedule  for  En  Avant  (2013)      

Day  2:  Sunday  April  28,  2013  6:00  AM  -­‐  NYC  Cast  and  Crew  Pick  Up  -­‐  @  The  New  School  66  5th  Avenue,  New  York  (908)  437-­‐8565  6:30  AM  -­‐  Crew  Call  Report  to  Holding  –  See  Call  Sheet  7:00  AM  -­‐  Cast  Call  Report  to  Holding    -­‐    See  Call  Sheet  6:30  AM  -­‐  BREAKFAST  Time   Scene   Int/Ext   Scene  Summary   Location   Characters   Props  

7:00  AM   SET  UP  AND  BLOCKING  Scene  6  

7:20  AM   6   EXT/NIGHT   Dayna  swings  next  to  empty  swing  

Park   (1)  Dayna  

 

8:??  AM   COMPANY  MOVE  TO  UCC  PARKING  LOT  Time   Scene   Int/Ext   Scene  Summary   Location   Characters   Props  

8:30  AM    SET  UP  AND  BLOCKING  Scene  8  

9:00  AM   8   EXT/DAY   Dayna  gives  little  girl  music  box   Parking  Lot  

(1)  Dayna  (3)  Emily  (4)  Amanda  

Music  Box  

12:00  PM    LUNCH  1:00  PM   COMPANY  MOVE  TO  MAPLEWOOD  HOUSE  Time   Scene   Int/Ext   Scene  Summary   Location   Characters   Props  

1:30  PM   SET  UP,  LIGHT,  AND  BLOCKING  for  Scene  7  

2:30  PM   7   INT/DAY   Steven’s  insert  shot  for  breakdown  scene  

Maplewood  House  (stairs)  

(1)  Dayna  (2)  Steven    

 

Time   Scene   Int/Ext   Scene  Summary   Location   Characters   Props  3:00  PM   SET  UP,  LIGHT,  AND  BLOCKING  for  Scene  2  &  7  

4:30  PM   2   INT/DAY   Dayna  Hesistates  at  bedroom  door  

Maplewood  House  (stairs)  

(1)  Dayna    

Time   Scene   Int/Ext   Scene  Summary   Location   Characters   Props  5:30  PM   COSTUME  CHANGE    

4:30  PM   7a   INT/DAY   Dayna  storms  up  and  into  the  bedroom  

Maplewood  House  (stairs)  

(1)  Dayna    

Time   Scene   Int/Ext   Scene  Summary   Location   Characters   Props  

6:30  PM   6   EXT/DAY   Dayna  exits  the  house  and  walks  away  

Maplewood  House     (1)  Dayna    

 

Page 5: En Avant DAY ONE 4-27-13 Call Sheet etc

Shooting  Schedule  for  En  Avant  (2013)      

Day  3:  Monday  April  29,  2013  7:00  AM  -­‐  NYC  Cast  and  Crew  Pick  Up  -­‐  @  The  New  School  66  5th  Avenue,  New  York  (908)  437-­‐8565  8:00  AM  -­‐  Crew  Call  Report  to  Holding  –  See  Call  Sheet  8:30  AM  -­‐  Cast  Call  Report  to  Holding    -­‐    See  Call  Sheet  8:15  AM  -­‐  BREAKFAST  Time   Scene   Int/Ext   Scene  Summary   Location   Characters   Props  

8:50  AM   SET  UP  AND  BLOCKING  Scene  1  

10:00  AM   1   INT/DAY   Morning  routine  in  Kitchen  

Maplewood  House  (kitchen)  

(1)  Dayna  (2)  Steven  

Coffee  Mugs                      Steven’s  bags                    Liquor  Bottle  

Time   Scene   Int/Ext   Scene  Summary   Location   Characters   Props  12:40  AM    COSTUME  CHANGE  Scene  5  

1:00  PM   5   INT/DAY   Dayna  comes  in,  drops  stuff,  and  takes  shots  of  liquor  

Maplewood  House  (kitchen)  

(1)  Dayna   Book  bag                          Liquor  bottle  

2:00  PM    LUNCH  Time   Scene   Int/Ext   Scene  Summary   Location   Characters   Props  

3:00  PM   SET  UP,  LIGHT,  AND  BLOCKING  for  Scene  7  

3:30  PM   7   INT/DAY   Dayna  paces,  sits  and  cries,  finds  music  box  

Maplewood  House  (kitchen)  

(1)  Dayna   Music  Box  

 

Page 6: En Avant DAY ONE 4-27-13 Call Sheet etc

Shot Size/Angle Movement Content/Action

1AMEDIUM  OTS  on  Steven Static

Steven  hand  grabs  the  fridge  door  handle,  opens  it,  and  takes  the  milk  out,  he  closes  the  door.  (We  hear  him  moving  around  the  kitchen  but  we  stay  with  the  drawing  and  picture.)  He  comes  to  put  the  milk  back  inside  the  fridge.  His  arm  reaches  for  the  picture,  he  grabs  it,  and  studies  it.  He  hears  someone  approaching

1B wide PAN

Dayna  gets  into  frame,  enters  the  kitchen  to  find  Steven  grabbing  his  things  leaving  in  a  rush.  She  stands  in  the  counter  corner  (reaction)  and  move  to  the  fridge

1C CU  on  Dayna Static Dayna  putting  the  pic  back

1DMEDIUM  OTS  on  Dayna Static Dayna  OTS  putting  back  the  pic

1E WIDE Static

Dayna  gets  a  cup  of  coffee,  grabs  a  bottle  turns  to  the  counter,  pour  liquor  to  her  cup.  She  leans  on  the  counter  and  lits  a  cigarette

1FSLIDER  shot  of  Dayna PAN

Dayna  moving  from  the  counter  to  a  stool  at  the  end  of  the  counter.  Then  to  the  window,  the  back  to  the  stool.  

1GMEDIUM  on  Dayna  tilt  to  Ashtray

tripod,  not  locked  off

Dayna  is  finishign  her  cigarette  and  we  follow  it  when  she  stashs  it  on  the  ashtray  showing  a  lot  other  smoked  cigarette.  She  stands  and  leaves  

1H MEDIUM  on  Dayna StaticDayna,  turning  off  cig,  standing  from  chair  and  leaves  room

1J WIDE Static Dayna  looking  out  the  window1 Inserts

Scene  1  -­‐  KITCHEN  SCENE

Notes

3  action  (2  different  angles)I  want  to  try  and  give  a  time  passing  effect  with  the  slider.  When  this  one  travel  trhough  objects(e.i.  paper  towel)  cutting  to  

Pull  focus  on  picture  on  back

Steven  taking  a  cup  out  of  the  cabinet,  pouring  coffee  on  a  cup,  putting  his  briefcase  on  the  counter,  putting  his  shoes  on,  putting  toast  on  the  toaster

Page 7: En Avant DAY ONE 4-27-13 Call Sheet etc

Shot Size/Angle Movement Content/Action

5A WIDE PAN

Dayna  storming  into  the  house  dropping  her  things  on  the  floor,  goes  to  fix  herlself  a  drink,  does  another  one.  She  pushes  her  glass  to  the  side  and  walks  out.

Scene  1  -­‐  KITCHEN  SCENE

Notes

Page 8: En Avant DAY ONE 4-27-13 Call Sheet etc
Page 9: En Avant DAY ONE 4-27-13 Call Sheet etc
Page 10: En Avant DAY ONE 4-27-13 Call Sheet etc

Shot Size/Angle

Movement Content/Action

2A Wide  on  Dayna PANWe  follow  Dayna  going  up  the  stairs  to  stand  in  front  the  kid's  bedroom  door

2B MEDIUM  on  Dayna StaticDayna  stands  still  and  leans  against  the  door,  trying  to  hear  inside.

2C CU  on  Dayna's  hand Static Dayna's  hand  grabs  the  handle  tightly

2D Wide  on  Dayna StaticWhen  she  doesn't  hear  anything  she  continue  walking.  

Scene  2  -­‐  Stairs

Notes

Page 11: En Avant DAY ONE 4-27-13 Call Sheet etc
Page 12: En Avant DAY ONE 4-27-13 Call Sheet etc

Shot Size/Angle Movement Content/Action

3A Wide   PANDayna  parks,  gets  out  of  car,  and  walks  towards  school.

3B Wide   Hand  Held

We  folllow  Dayna  to  the  board,  she  drops  her  stuff  at  the  desk,  writes  on  board  and  then  turns  with  us  following  her  sight

3CMEDIUM  OTS  on  Dayna  (Dirty) Static She's  writing  on  the  board

3DWIDE  from  board  POV Static

She's  writing  on  the  board  while  we  see  the  classs  behind  her

3EWIDE  Classroom  POV Static

Dayna  writing  on  the  board  and  then  turning  to  the  class,  explaining  what  she  just  did

3FWIDE  on  Dayna  coming  to  desk PAN

The  class  is  over,  she  takes  her  things  at  her  desk  and  leaves  the  class  as  students  are  also  leaving.

3G MEDIUM   Static

Dayna  is  taking  her  things  after  the  class  is  over,  students  approach  her  to  hand  in  papers.  She  gives  a  worried  glance  to  Amanda's  direction.  She  takes  everything  and  leaves  in  a  hurry.

3FWIDE  -­‐  Dayna's  POV  on  Amanda PAN

Amanda  is  getting  up,  and  leaving  the  classroom,  we  follow  her  as  she  leaves

Scene  3  -­‐  ClassroomNotes

Day  1    (PAKING  LOT)  

Day  1

Day  1

Day  1  -­‐  We  will  cheat  this  shot  so  we  need  a  board  to  use  as  if  she  was  writing  on  the  actual  board

Day  1  -­‐  We  will  hear  the  her  voice  but  soft  music  will  be  playing  along  with  an  audible  constant  beep

Day  1

Day  2

Day  2

Scenes  3G  and  3F  are  the  beginning  of  Scene  8

Page 13: En Avant DAY ONE 4-27-13 Call Sheet etc
Page 14: En Avant DAY ONE 4-27-13 Call Sheet etc

Shot Size/Angle Movement Content/Action

4A MEDIUM PAN

Dayna  is  leaving  the  High  School  and  she  stops  before  opening  the  last  door  when  she  sees  EMILY

4BWIDE  -­‐  Dyana's  POV Hand  Held?  

She  sees  Emily  twirling  with  her  grandmother,  the  father  is  walking  towards  the  parking  lot  and  they  follow  him.  Dayna  starts  followint  them.  At  one  point  Amanda  turns  to  see  her.

4C MEDIUM StaticShe  opens  the  door  slowly  trying  to  not  get  their  attention  and  she  walks  towards  them

4DWIDE  -­‐  Amanda's  POV Hand  Held? She  sees  Dayna  approaching

4EMEDIUM  -­‐  OTS  Amanda  (dirty) Static

She  sees  Dayna  approaching  them.  She  sees  Dayna  reach  them,  and  start  dialogue

4FMEDIUM  -­‐  OTS  Dayna  (Dirty) Static Conversations  with  Amanda

4G MEDIUM  on  Emily Static Emily's  reactions  and  lines

4H   WIDE StaticDayna  reaching  them  and  starting  conversation.  Emily  twirling

Scene  4  -­‐  High  School  Parking  lotNotes

Do  we  tilt  down  or  do  same  hight  as  Emily

Page 15: En Avant DAY ONE 4-27-13 Call Sheet etc
Page 16: En Avant DAY ONE 4-27-13 Call Sheet etc

Shot Size/Angle Movement Content/Action

6AWIDE  on  Dayna's  back Static

Dayna  is  at  a  swing,  right  next  to  her  it's  a  swing  moving  she  turns  to  see  it

6B   MEDIUM Hand  Held Follow  Dayna  in  the  middle  of  the  treesTry  to  get  light  coming  from  the  branches  of  the  trees

Scene  6  -­‐  ParkNotes

Page 17: En Avant DAY ONE 4-27-13 Call Sheet etc

Shot Size/Angle Movement Content/Action

7Z WIDE PAN

She  comes  up  the  stairs  directly  to  the  kids  room.    She  grabs  the  handle,  hesitates  and  opens  the  door.  

Shot Size/Angle Movement Content/Action

7A WIDE  -­‐  Dayna  OTS StaticSteven  stays  at  the  doorm  fram  looking  at  Dayna,  saying  his  lines

7B WIDE-­‐  Dayna's  POV Static We  see  the  room  (dark)7C WIDE  -­‐  Reverse Static Dayna  enters  the  room,  looking  around  it

7D WIDE StaticShe  paces  back  and  forth  looking  at  different  objects  in  the  room

7E MEDIUM  on  Dayna StaticShe  goes  to  the  music  box  opens  it  and  start  playing,  she  walkes  away  toward  the  bed.

7F MEDIUM  on  Dayna StaticShe  is  lost  in  her  thoughts  while  she's  sitting  on  the  bed.

7G MEDIUM StaticShe  goes  to  the  window  and  open  the  curtains,  she  stares  outside  for  a  while

7H MEDIUM Static

She  starts  put  things  away,  she  turns  to  see  the  music  box  when  the  music  stops  and  walks  towards  it,  studies  it  for  a  few  secs,  grabs  it  and  walks  out  of  the  room.

Scene  7  -­‐  HallwayNotes

Scene  7  -­‐  Kid's  BedroomNotes

Page 18: En Avant DAY ONE 4-27-13 Call Sheet etc
Page 19: En Avant DAY ONE 4-27-13 Call Sheet etc
Page 20: En Avant DAY ONE 4-27-13 Call Sheet etc
Page 21: En Avant DAY ONE 4-27-13 Call Sheet etc

Shot Size/Angle Movement Content/Action

8A WIDE StaticDayna  leaving  the  school  in  a  hurry,  we  see  Amanda  and  Emily  in  the  background

8B WIDE/MASTER StaticDayna  kneels  in  front  of  Emily,  delivers  her  lines  and  goes  to  her  purse  to  retrieve  the  music  box

8CMEDIUM  OTS  Dayna Static Entire  conversation

8DMEDIUM  OTS  Emily Static Entire  conversation

8F MEDIUM StaticDayna  takes  the  music  box  out  of  her  purse  and  gives  it  to  Emily

8GMEDIUM  on  Amanda Static Amanda  noding

8H WIDE Static

Dayna  stands,  Amanda  and  Emily  walk  to  the  left  and  Dayna  watches  them  walk  a  few  sec,  then  walks  the  oposite  direction

8J MEDIUM  on  Dayna StaticShe  looks  at  them  leave,  reaction  then  turns  and  walk  away Pull  focus  on  background?

Scene  8  -­‐  High  School  Parking  lotNotes

Page 22: En Avant DAY ONE 4-27-13 Call Sheet etc
Page 23: En Avant DAY ONE 4-27-13 Call Sheet etc

En Avant

By

Jazmin Godoy

Version 04/08/13

1322 Morris Ave

Union, NJ 07083

(908) 410 - 9810

[email protected]

[email protected]

Page 24: En Avant DAY ONE 4-27-13 Call Sheet etc

FADE IN

EXT. HOUSE - DAY

Zoom into a house in a suburban and quiet neighborhood.

INT. KITCHEN - DAY

The clock at the coffee maker shows 7:00 am. STEVEN MITCHELL

early 30’s, professional, formal and tall. His hand grabs

the coffee pot to pour himself a cup.

A picture of a little girl in a tutu outfit twirling, is

placed next to a child’s drawing on the fridge door. Alex’s

hand grabs the door handle, opens it, and takes the milk

out, he closes the door. We hear him moving around the

kitchen but we stay with the drawing and picture.

He comes to put the milk back inside the fridge. His arm

reaches for the picture, he grabs it, and studies it. He

hears someone approaching, he turns and puts it over the

kitchen island counter, and starts packing up to leave for

work.

DAYNA MITCHELL, a young woman in her late 20’s, a teacher,

pale skin, skinny, and tired looking, dressed in her robe,

enters the kitchen to find Steven grabbing his coffee

leaving in a rush. She looks down at the counter to the

drawing which she hurries to put back to the fridge, mad

that she found it out of place.

She pours a cup of coffee which she mixes with liquor. A

match is lit to light a cigarette. She sits at the island to

drink her coffee and smokes her cigarette in silence, taking

her time.

CUT TO:

INT. BEDROOM’S HALLWAY - DAY

Dayna goes up the stair and stops at a bedroom’s door. Her

hand goes to the handle and is about to turn it but she

stops. The clock at the wall marks 2:00 pm. Dayna stands

still and leans against the door, trying to hear inside,

when she doesn’t hear anything she continue walking.

Page 25: En Avant DAY ONE 4-27-13 Call Sheet etc

2.

EXT. HIGH SCHOOL PARKING LOT

A car pulls into a parking space, Dayna gets out of the car,

and walks toward the High School.

INT. CLASSROOM - DAY

We follow Dayna over the shoulder as she enters a classroom

without having an angle to see the students. She doesn’t

bother to turn to the her students and she goes to the front

of the class and starts writing on the board. She looks

miserable while writing math problems.

Following her sight she turns to the class to reveal adults,

about ten of them. The class finishes and she gathers her

things. She leaves without talking to any of her students.

INT. HALLWAY - DAY

At the end of her class she leaves the classroom and stops

cold when she notices a little girl approaching down the

hallway, EMILY. She’s about 5 years old, has freckles, dark

hair, light eyes and wears a tutu while twirling.

Emily runs to an older lady and jumps into her arms, AMANDA.

She is one of Dayna’s students. A lonely 50 year old lady,

with a strong accent who decides to enroll into the adult

education program to have better opportunities. Dayna looks

very interested in them. She follows them out to the parking

lot.

EXT. HIGH SCHOOL PARKING LOT - EVENING

She walks towards them while they’re catching up. She stops

at a good distance but Amanda sees her. Dayna approaches

them without knowing what to say.

AMANDA

Hi, Mrs. Mitchell.

DAYNA

I...

Hesitates but she continues.

DAYNA (CONT’)

Is this your...?

(CONTINUED)

Page 26: En Avant DAY ONE 4-27-13 Call Sheet etc

CONTINUED: 3.

AMANDA

She’s my granddaughter.

Dayna smiles awkwardly.

DAYNA

She looks like such a sweet girl...

Turning to Emily with a sweet voice.

DAYNA (CONT’)

Hi...how old are you?

Emily turns to Amanda.

AMANDA

She’s almost five...

(pause)

Amanda hesitates but she feels comfortable enough and starts

bragging about her granddaughter. She can’t stop talking,

and she talks fast.

AMANDA (CONT’D)

She’s so cute isn’t she? Everyone

says she looks just like me. She’s

the smartest kid of her class. Her

name is Emily. Say Hi Emily. She’s

my everything...

Dayna nods, just goes along with the conversation. Amanda

then changes her expression, it turn into a more serious

conversation.

AMANDA (CONT’D)

She doesn’t talk much, you know,

ever since her mother became an

angel not too long ago. Didn’t she

Emily?

Emily nods. While Dayna is shocked by the revelation and

Amanda’s bluntness, she gives them a sad smile.

Emily’s sight goes to Dayna’s hand, she’s holding a

ballerina key chain.

EMILY

Is that a ballerina?

Pointing at the key chain. With that, Dayna’s expression

turns to hurt, she holds the key chain tightly. Emily

notices and turns towards Amanda holding her hand.

(CONTINUED)

Page 27: En Avant DAY ONE 4-27-13 Call Sheet etc

CONTINUED: 4.

EMILY (CONT’)

Why is she so sad, grandma?

Dayna is surprised. She doesn’t know how to answer a little

kid asking these types of questions.

EMILY (CONT’)

You know when I get sad I like to

twirl like a ballerina. It makes me

feel better.

Emily twirls. With that Dayna leaves. She gets into her car

and drives away.

INT. KITCHEN ENTRANCE - EVENING

Dayna comes into the house throws her things to the floor.

Goes directly to the liquor cabinet. Grabs a cup and fills

it with what ever she finds first. She does a few shots.

Close up on Dayna’s face in a daze. She sits at the same

spot in the kitchen island. She pushes her drink and stands.

INT. FOYER/STAIRS - EVENING

She walks into the foyer and grabs a pink child’s jacket and

looks up the stairs.

CUT TO:

EXT. PARK - EVENING

Dayna sits on a swing looking to the playground for a long

time with the jacket in her hands. An empty swing next to

her.

CUT TO:

INT. FOYER/STAIRS - EVENING

She comes into the house and goes up the stairs.

INT. BEDROOM’S HALLWAY - EVENING

Dayna stands in front of the bedroom once again and prepare

for what’s to come. She’s still holding the jacket and she

grips tighter when she’s about to open the door.

Page 28: En Avant DAY ONE 4-27-13 Call Sheet etc

5.

INT. DAYNA’S HOUSE KID’S BEDROOM - EVENING

She opens it to reveal a little girl’s room, dark and

deserted. It looks like nobody has been there for a while.

We pan over the room as Dayna holds the door open. She

studies the room full of ballerina decorations with an

uneasy pace.

She starts pacing inside the room grabbing the jacket

tighter and looking at the different decorations in the

room. She finally stops in front of a music box and she

opens it. It has a ballerina twirling inside of it. Music

starts playing, Dayna walks toward the bed and sits.

Steven is at the door frame watching her. Dayna turns to the

door.

STEVEN

Dayna...it’s been two years now.

He sighs and with that, he walks away.

Dayna stands and goes to the window. We see her profile

while she opens up the shades. She stares for a while. Then

turns walking directly to the music box. The music stops.

She closes the music box taking it with her, she walks out.

FADE OUT

INT. HALLWAY - DAY

Dayna coming out of her classroom. She sees Amanda with the

little girl in the hallway, she approaches them as they walk

out. She catches their attention, they turn and she kneels.

DAYNA

Hi, Emily.

EMILY

Hi

DAYNA

I want to thank you, you taught me

something very important yesterday.

You are very brave for letting

yourself be happy.

She reaches for something inside her bag. She takes out the

the music box and gives it to the little girl.

(CONTINUED)

Page 29: En Avant DAY ONE 4-27-13 Call Sheet etc

CONTINUED: 6.

DAYNA (CONT’)

I also lost someone really

important to me. I want you to have

this. It has a ballerina that

twirls.

She hands in the music box and Emily grabs it with a big

smile turning to Amanda who approves of it.

Dayna stands with hope and confidence. Emily and Amanda walk

away.

Dayna takes a deep breath and smiles. She walks the other

away.

FADE OUT

THE END