english neoclassicism 1760 - 1800 responds to interiors of ancient rome
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English Neoclassicism
1760 - 1800responds to interiors of ancient Rome
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Herculaneum and Pompei discovered—1736 & 1749
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Discovery of Pompeii (1749)
and Herculaneum
(1736)
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atrium
Pompeii interiors—much lighter in scale, brighter
in color
light of Pompeii is main inspiration of English
Neoclassicism
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painting of a fresco from Pompeii with fanciful
architecture & attenuated columns
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Vedute di Roma & Carcerai
Giovanni Battista Piranesi, engravings, Italy, 1750-60s
(views of Rome)
popularizes what is discovered in Pompeii—great investigator of Roman architecture
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Giovanni Battista Piranesi,
engravings from
Vedute di Roma, Italy,
1750-60s
Nature vs. Man—nature is winning
pleasurable fear
arch framearch frame
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more fanciful work
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supposed to be a college
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Giovanni Battista Piranesi, engravings from, Carcerai, Italy, 1750-60s
personal artistic venture
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Robert Adam
English architect—one of first to go on a “Grand
Tour” to finish his studies
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Hadrian’s Villa at Tivoli
sketch by Adam
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The Section and the RuinAdam revives the use of section
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Giovanni Battista Piranesi, engravings from Vedute di Roma, Italy, 1750-60s
“frames” or “screens” the view
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Robert Adam likes the idea of a screen—
considers the experience before the columns versus after
the columns
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The Works in Architecture
Robert & James Adam, London,
1773-79
gesamtkunstwerk—designing everything
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Kenwood House
Hampstead Heath, Eng., Robert Adam for Lord Mansfield, 1764-79
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Kenwood House
classical design vocabulary—basilica shaped; vaulted with columns
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Kenwood House Library
color scheme inspired by Pompeii
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•honeysuckle motif
•Aegean spiral
•arabesques
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Rinceau—low relief plasterwork
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Pier Mirror— enhances the reflection of light
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emphasis on interiors, not structure
details are attenuated
and fanciful—inspired by
Pompeii
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Adam stays close to the surface— details are not deeply carved
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ormolu frames the mirror
classical urns are a popular motif
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Keddleston Hall
Derbyshire, Eng., Robert Adam for Lord Scarsdale,
1759-60s
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Garden Facade
domedome
triumphal triumphal archarch
pallazopallazo
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Entry HallEntry Hallvery ordered and restrained
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classical features?
Adam features?
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paintings by Angelica
Kauffmann—favored artist of Adam
fireplace tripartite construction—hole, tablet,
pediment
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hall saloon
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Saloon
inspiration?
Angelica Kauffman paintings
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furniture?
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Dining Roomproblem with exploded floor plan—
fake doors to maintain symmetry
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Osterley Park
Middlesex, Eng., Robert Adam for Lord Child, 1760s-70s
Elizabethan building—100-150 yrs old
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Osterley Park, Middlesex , Eng., Robert Adam for Lord Child, 1760s-70s
Adam took an interior scale and put it on the outside
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ogee curveogee curve
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Osterley Park, Middlesex , Eng., Robert Adam for Lord Child, 1760s-70s
rooms are characterized by elaborate but restrained plasterwork, rich, highly varied color schemes, and a
degree of coordination between decor and furnishings unusual in English neoclassical interiors
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ogee curveogee curve
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slender and attenuated similar to Pompeii—not true to classical Greece
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Entry HallEntry HallLOVES urns on pedestals as decorative elements
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•monochromatic—grey and cream
•everything is compartmentalized
•panels reflect windows on other wall
•corinthian columns
•implied coffered ceiling
Entry HallEntry Hall
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Long GalleryLong Galleryadded neoclassical touches—crown molding, wall textile,
fireplace surround, ormolu molding (adheres to the textile)
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criticized for detail of doorknob
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Dining Room
male domain—materials are hard, nothing to “soften” space
fruits & foliage in
response to use of room
(linenfold)
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Adam furniture typically delicate and ornamented— casters start to be seen
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screen—Piranesi delicate festoons & swags
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light fixtures incorporated into
overall design
corinthian columns on main floor more showy than ionic
columns on second floor
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LibraryLibrarymale domain—all hard surfaces except valances
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wildly colorful—creates a “jigger” tool used to shape plaster
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Withdrawing RoomWithdrawing Roomfemale domain—all French Rococo; softer surfaces, wall textile & rug; ceiling and floor respond to one another
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Tapestry Room
akin to the antechamber –tapestries made
specifically for the room
female or male?
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much warmer, softer space
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Bedroom
•Chippendale made bed—most expensive piece of furniture in home•chinoiserie•textile on wall is pleated•female room—gave birth here•pagoda’s tester is reflected on counterpoint
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The Etruscan Room
akin to French cabinet— his dressing room
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•color scheme—Pompeiian orange, cream & black•inspired by Etruscan vase from Pompeii
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•walls are all canvas painted by Angelica Kauffman•green band on ceiling helps to create “square” of ceiling
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Desk, Osterley Park, Middlesex , Eng., Robert Adam for Lord Child, 1760s-70s
•clear classical motifs—Aegean spiral, pilasters, tripartite•satinwood—really hard, not very carveable, great for inlay•mahogany used for carved pieces+
dado
body
frieze
artist’s palette—musical
instruments
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classic Robert Adam furniture arrangement—uses marquetry and ormolu for ornamentation
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commode
•clear symmetry & geometry
•honeysuckle
•urns
•Angelica Kauffman paintings
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Commode, Osterley Park, Middlesex , Eng., Robert Adam for Lord Child, 1760s-70s
more ormolu indicates wealth; marquetry more expensive than painting
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Lyre Back Chair
•Aegean spiral
•satinwood
•caned seats—Adam doesn’t generally upholster
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The Glass Drawing Room, Northumberland House, London, 1773-5
red foil wallpaper, glass mounted on top of that, ormolu holding it in place
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kind of Adam’s Mannerist period
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model of the space in the Victorian and Albert museum