ep and bp rhythm: acoustic and perceptual evidence sónia frota universidade de lisboa marina...

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EP and BP Rhythm: Acoustic and Perceptual Evidence Sónia Frota Universidade de Lisboa Marina Vigário, Fernando Martins

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Page 1: EP and BP Rhythm: Acoustic and Perceptual Evidence Sónia Frota Universidade de Lisboa Marina Vigário, Fernando Martins

EP and BP Rhythm:Acoustic and Perceptual Evidence

Sónia Frota Universidade de Lisboa

Marina Vigário, Fernando Martins

Page 2: EP and BP Rhythm: Acoustic and Perceptual Evidence Sónia Frota Universidade de Lisboa Marina Vigário, Fernando Martins

EP and BP in the rhythm typology

• I. Correlates of rhythm in the speech signal Frota & Vigário 2001

• II. Language discrimination experiments Frota, Vigário & Martins in progress

– Goals: • Better understanding of the rhythmic EP / BP

• Clarify the status of ‘mixed’ languages

Page 3: EP and BP Rhythm: Acoustic and Perceptual Evidence Sónia Frota Universidade de Lisboa Marina Vigário, Fernando Martins

Background

• Traditional view isochrony (, ´ , )• New approach (Dasher & Bolinger, Daues 1983, 1987, Nespor 1990)

– phonological & phonetic properties• syllable structure x y

• vowel reduction x y rhythmic s

• intonation/stress x y

– acoustic correlates reflect p-properties (Ramus et al. 1999)

• syllable structure variety/complexity - C < C + - %V > %V +

• vowel reduction - V < V +

– Rhythmic continuum or rhythm classes? perception

Page 4: EP and BP Rhythm: Acoustic and Perceptual Evidence Sónia Frota Universidade de Lisboa Marina Vigário, Fernando Martins

P-properties: predictions

• EP stress-timed– reduced unstressed

vowel system

– phonetic deletion [] long C clusters

– strong contrast ´ / – intonation lingers on stress

• More stress-timed C >BP, %V<BP, V>BP

• BP syll.timed/mixed– less vowel reduction (no

centralisation [])– vowel epenthesis syllable

simplication

– weaker contrast ´ / – intonation // stress

• More syllable-timed C<EP, %V>EP, V<EP

Page 5: EP and BP Rhythm: Acoustic and Perceptual Evidence Sónia Frota Universidade de Lisboa Marina Vigário, Fernando Martins

I. Correlates of rhythm Frota & Vigário 2001

• Materials • x

Page 6: EP and BP Rhythm: Acoustic and Perceptual Evidence Sónia Frota Universidade de Lisboa Marina Vigário, Fernando Martins

Domain of rhythm

• Intonational phrase (I)– sentence = I-phrase

• Why?– Lapses and clashes– Weight effects

(Pepperkamp 1992, Nespor 1999, G&N 1999, F&V 1999)

• Phrasing variation due to speech rate (slower rate > more Is within a string)

• Sentence duration– EP < BP (*2corpora)

– Effect on C and V (Grabe & Low 2000)

Page 7: EP and BP Rhythm: Acoustic and Perceptual Evidence Sónia Frota Universidade de Lisboa Marina Vigário, Fernando Martins

Durational difference

• Effect on variability

– Intervalduration x100 sentence duration

– standard deviation %C and %V EP/BP

Page 8: EP and BP Rhythm: Acoustic and Perceptual Evidence Sónia Frota Universidade de Lisboa Marina Vigário, Fernando Martins

Results: EP BP• Distinguishing role is played by %V and %C

Page 9: EP and BP Rhythm: Acoustic and Perceptual Evidence Sónia Frota Universidade de Lisboa Marina Vigário, Fernando Martins

Acoustic results and our predictions

• %V: EP<BP %C: EP>BP %V: EP>BP X

– vowel reduction 1: shorter Vs > V 2.: no V V, < %V

– intrinsic V duration more extreme s in BP

– phonological phrase lengthening in BP

• Variation in %V within EP

• Stress-timed EP/Syl.-timed BP

Page 10: EP and BP Rhythm: Acoustic and Perceptual Evidence Sónia Frota Universidade de Lisboa Marina Vigário, Fernando Martins

Results: EP and BP in the rhythmic chart

• EP: stressed (C) and syllable-timed (%V) mixed

• BP: syllable (C) and mora-timed (%V) lang. ?

Page 11: EP and BP Rhythm: Acoustic and Perceptual Evidence Sónia Frota Universidade de Lisboa Marina Vigário, Fernando Martins

Are mixed languages intermediate languages?

• If so, a rhythmic continuum (Dauer 1987, Nespor 1990, Auer 1991)

• If not, rhythmic classes– EP/BP results

(more languages?)

• Correlation %V, C– One of them is enough

• Conflicting classifications– (At least) Both are needed

Page 12: EP and BP Rhythm: Acoustic and Perceptual Evidence Sónia Frota Universidade de Lisboa Marina Vigário, Fernando Martins

P-properties revisited

• Syllable types: syllable-timed languages– p-processes: BP

• coda loss

• vowel epenthesis

• > Generalisation of CV

– p-processes: EP• effacement of Vs

• > C clusters

• Signal cues – / C(C)V/

– p-processes

Page 13: EP and BP Rhythm: Acoustic and Perceptual Evidence Sónia Frota Universidade de Lisboa Marina Vigário, Fernando Martins

II. Language discrimination Frota, Vigário & Martins

• EP and BP allow us to test the perceptual weighting of %V and C

– EP• %V plays the major role EP stress-timed LC plays the major role EP syllable-timed L• Both are equally decisive EP stress-timed L

EP syllable-timed L

• 2 experiments: EP/BP, Targeting 2 Languages– Test the relevance of intonation

Page 14: EP and BP Rhythm: Acoustic and Perceptual Evidence Sónia Frota Universidade de Lisboa Marina Vigário, Fernando Martins

Methods

• EP/BP– source sentences: Rm

• 15-19 syllables each

• representative

– low-pass filtering 400Hz

– 2 conditions: with F0 without F0 (flat= mean F0)

– 16 pairs: 6xY=Z;10xYZ

– Y, Z: different speakers

– 29 subjects naive

• Targeting 2 Languages– Dutch, Spanish: RMN– EP, BP: Rm

• 15 or 17 syllables

– low-pass filtering 400Hz– 2 conditions

• Praat

– 20 pairs: 4xY=Z (Du/Du; Sp/Sp); 4xDu/Sp; 4xPE/Du; 4xBP/Du; 4xEP/BP

– 30 subjects naive

Page 15: EP and BP Rhythm: Acoustic and Perceptual Evidence Sónia Frota Universidade de Lisboa Marina Vigário, Fernando Martins

Methods

• The story told– Tigre (afro-asian) & Hua (indo-pacific)– Task: Y,Z are from the same or from different Ls

• Training– 4 sentences of Tigre (EP, Du)– 4 sentences of Hua (BP, Sp)– 2 Y=Z pairs, 2 YZ pairs– both types, with feedback (5pairs; 8 pairs)

Page 16: EP and BP Rhythm: Acoustic and Perceptual Evidence Sónia Frota Universidade de Lisboa Marina Vigário, Fernando Martins

EP/BP: resultsWith F0

65,56,9

27,6

Task

# Prediction

* Task

Without F0

27,6

13,8

58,6

Task

# Prediction

* Task

Wave Sound Wave Sound

Wave Sound Wave SoundWave Sound Wave Sound

Wave Sound

Wave Sound

Wave SoundWave Sound

Page 17: EP and BP Rhythm: Acoustic and Perceptual Evidence Sónia Frota Universidade de Lisboa Marina Vigário, Fernando Martins

EP/BP: results

• EP and BP are discriminated

• F0 is relevant– task feasable– better results

• EP, BP and other languages? Du, SP

Page 18: EP and BP Rhythm: Acoustic and Perceptual Evidence Sónia Frota Universidade de Lisboa Marina Vigário, Fernando Martins

Targeting 2 Languages

• Is EP like Du (Tigre) or Sp (Hua) or none?

• Is BP like Du or Sp or none?– EP

• %V EP Du, EP = SpC EP = Du, EP Sp

• Both problem (inconsistent results)

– BP• BP Du, SP?

Page 19: EP and BP Rhythm: Acoustic and Perceptual Evidence Sónia Frota Universidade de Lisboa Marina Vigário, Fernando Martins

Targeting 2 Languages: Results

Targeting 2 Languages (+F0)

75

32,1

39,335,7

82,1

25

67,9

60,764,3

17,9

0

10

20

30

40

50

60

70

80

90

Same L SP&DU BP&DU EP&DU EP&BP

Language pairs

% r

es

po

ns

es

Same

Diff

Page 20: EP and BP Rhythm: Acoustic and Perceptual Evidence Sónia Frota Universidade de Lisboa Marina Vigário, Fernando Martins

Targeting 2 Languages

• Is EP like Du (Tigre) or Sp (Hua) or none?

• Is BP like Du or Sp or none?– EP is Hua

• %V EP Du, EP = Sp is not TigreC EP = Du, EP Sp

• Both problem (inconsistent results)

– BP is Hua• BP Du, SP?

Page 21: EP and BP Rhythm: Acoustic and Perceptual Evidence Sónia Frota Universidade de Lisboa Marina Vigário, Fernando Martins

F0 effect

Discrimination

0

10

20

30

40

50

60

70

80

Same L SP&DU BP&DU EP&DU EP&BP

Language pairs

% r

es

po

ns

es

TL(+F0)

TL(-F0)

Page 22: EP and BP Rhythm: Acoustic and Perceptual Evidence Sónia Frota Universidade de Lisboa Marina Vigário, Fernando Martins

Conclusion

• Acoustic evidence– EP BP (%V, C)

– EP has mixed rhythm• stress ( C)&syll.(%V)

– BP has mixed rhythm• syll.( C)&mora (%V)

– No problem to the rhythm class hypothesis

– Test the perceptual weighting of %V and C

• Perceptual evidence– EP BP (62.9%)– F0 is relevant (46.7%)

– EP, BP, Stress-timed L Syllable-timed L EP Du (64.3%)

– %V takes the lead

– EP

– BP

Page 23: EP and BP Rhythm: Acoustic and Perceptual Evidence Sónia Frota Universidade de Lisboa Marina Vigário, Fernando Martins

EP and BP Rhythm:Acoustic and Perceptual Evidence

Sónia Frota Universidade de Lisboa

Marina Vigário, Fernando Martins

Thanks to F.Ramus, L.Wetzels, T.Rietveld, G.Elordieta