EP-220 Studio Technologies

11/22/12

Instructor Mailbox MS-161-ELPD Tel. 617-747- Office : 401, 161 Mass Ave Office Hrs:

Course Chair Michael Bierylo Description This course provides a comprehensive introduction to the electronic music studio.

Emphasis is placed on understanding analog and digital audio concepts, analog and digital signal flow, audio connections and gain-staging, console vs. control surface paradigms, DAW set-up and usage, studio signal flow, the recording process, microphone usage, and signal processors used in recording and mixing.

Course Objective Through a series of projects and assignments, students will learn to work effectively in a state-of-the-art project studio and understand the proper way to integrate all associated components.

Required text Understanding Audio by Daniel M. Thompson Homework, Quizzes, projects and Out-of-

class Preparation

Coursework includes weekly assignments, written and performed; reading and listening assignments; quizzes and quarterly tests; midterm and final projects; and midterm and final exams. In order to maintain satisfactory standing in this class, approximately three hours per week of out-of-class preparation are recommended.

Midterm Exam Final Exam

Grading General information on grading is contained in the Student Handbook. If an assignment, quiz, or exam is missed, a grade of F will be entered and averaged. The mark "I" (Incomplete) will only be available in emergency situations; see Student Handbook for policy.

Grading Criteria A (90-100) Superior, Exceptional; control of course material enables excellent production. B (80-89) Good; grasp of material enables above-average production. C (70-79) Average; assimilation of material enables acceptable production. D (60-69) Below Average; exposure to material enables poor, but passable production. F (below 60) Not Passing; assimilation of material insufficient to demonstrate acceptable productive capacity.

Final Grade Determination

Your final grade will be determined by considering the following components at the indicated weights: 10% Participation 20% Attendance 30% Weekly projects 40% Midterm and Final project

Attendance Policy No unexcused absences are permitted. If your unexcused absence occurs before the "W" deadline (see below), the instructor may request that you withdraw from the course.

Deadline for Course Withdrawal

You may withdraw from this class by completing a withdrawal form at the Office of the Registrar before 5pm, in which case you will receive a grade of “W” for the class. Withdrawing from a class cannot be done after the deadline. The instructor will not withdraw you from the class for any reason (including absence) or submit the form for you. It is your responsibility to withdraw from the course. If you withdraw from this class, you continue to be financially responsible for the class and are not eligible for a tuition refund or replacement course. Please be aware that withdrawing from a class may affect scholarship, financial aid, and/or international student visa status. If you receive financial aid or veterans’ benefits, your eligibility for aid may be reduced by withdrawing. If you are an international student, you may jeopardize your F-1 visa status. In case of doubt about your status and options, please ask the instructor, department chair and/or the Counseling & Advising Center.

EP-220 Studio Technologies

11/22/12

Topical Course Outline Analog and Digital Information Decibels Audio Concepts and Terminology Digital Audio Theory DAW I - recording Digital Audio Recording Hybrid Studios – Analog and Digital Audio Signal Processors: EQ Signal Processors: Dynamics Signal Processors: Reverb Signal Processors: Delays DAW II – mixing Mixing in the DAW – native vs. TDM systems